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Playlist of Willie Dixon

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    Willie Dixon - I am The Blues

    43:48

    Track Listing:
    1.- Back Door Man 00:00
    2.- I Can´t Quit You, Baby 06:11
    3.- The Seventh Son 12:55
    4.- Spoonful 17:12
    5.- I Aint Superstitious 22:10
    6.- You Shook Me 26:17
    7.- (I´m Your) Hoochie Coochie Man 30:34
    8.- The Little Red Rooster 35:25
    9.- The Same Thing 39:05

    Willie Dixon - I am The Blues.
    Classic Blues album, released in 1970 in which Dixon reinterprets songs written by him, but originally artists recorded by Chess Records.
    All the songs are great classics that many will recognize for being versioned by rock greats as Led Zeppelin, Bob Dylan, Rolling Stones, The Doors, greateful Dead, The Yardbirds, Canned Heat, Cream and etc.
    Considered one of the best blues albums of the story.

    Contributors:
    Willie Dixon - Vocals, bass
    Walter Horton - Harmonica
    Sunnyland Slim - Piano
    Johnny Shines - Guitar
    Clifton James - Drums
    Abner Spector - Producer

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    Willie Dixon - Bassology

    3:13

    Blues Masters 1966

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    Willie Dixon - I cant quit you, baby

    6:46

    Willie Dixon - I can't quit you, baby
    from Album: I am the blues

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    Willie Dixon - Spoonful

    5:00

    Buy on iTunes:


    Classic Mood Experience The best masterpieces ever recorded in the music history.
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    William James Willie Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. A Grammy Award winner who was proficient on both the upright bass and the guitar and as a vocalist, he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
    Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes Hoochie Coochie Man, I Just Want to Make Love to You, Little Red Rooster, My Babe, Spoonful, and You Can't Judge a Book by the Cover. These tunes were written during the peak of Chess Records, 1950–1965, and performed by Muddy Waters, Howlin' Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians worldwide.
    Dixon also was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs were covered by some of the biggest artists of more recent times, such as Cream, Jeff Beck, the Doors, Led Zeppelin, the Rolling Stones, Steppenwolf, Bob Dylan, and Jimi Hendrix. The debut albums by the first six of those artists all feature at least one of his songs, a measure of his influence on rock music.
    Dixon was born in Vicksburg, Mississippi, on July 1, 1915. His mother, Daisy, often rhymed things she said, a habit her son imitated. At the age of seven, young Dixon became an admirer of a band that featured pianist Little Brother Montgomery. He sang his first song at Springfield Baptist Church at the age of four Dixon was first introduced to blues when he served time on prison farms in Mississippi as a young teenager. Later in his teens, he learned how to sing harmony from a local carpenter, Theo Phelps, who led a gospel quintet, the Union Jubilee Singers, in which Dixon sang bass; the group regularly performed on the Vicksburg radio station WQBC. He began adapting his poems into songs and even sold some to local music groups.
    Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.
    In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records.
    Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records.
    Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.
    In December 1964, the Rolling Stones reached No. 1 on the UK Singles Chart with their cover of Dixon's Little Red Rooster.
    FROM WIKIPEDIA:

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    Willie Dixon - Back Door Man

    4:12

    ROCK STARS PERFORM LIVE IN CONCERT.

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    Willie Dixon Documentary 1977

    44:20

    Willie Dixon - I Am The Blues 1977, Berlin

    Willie Dixon and The New Generation of Chicago Blues

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    Willie Dixon - Spoonful

    5:16

    1969

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    Willie Dixon-Im Your Hoochie Coochie Man

    4:48

    Album: 'Willie Dixon I Am The Blues'
    Chess Records 1970

    Willie Dixon - vocal w/Chicago All-stars:
    Johnny Shines - guitar, Walter 'Shakey' Horton - harmonica
    Sunnyland Slim, Lafayette Leake - piano
    and Clifton James - drums

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    Willie Dixon - Weak Brain And A Narrow Mind

    4:34

    BEST SONG IN THE WORLD

    recommended by The Mothers Of Love

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    Chuck Berry Inducts Willie Dixon into the Rock and Roll Hall of Fame

    7:47

    Chuck Berry inducts Willie Dixon into the Rock and Roll Hall of Fame in 1994, and Dixon's family accepts the award on his behalf.

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    Willie Dixon - Save My Child

    4:49

    Save My Child Part I & II - from Ginger Ale Afternoon, Buy:
    Willie Dixon's life and work was virtually an embodiment of the progress of the blues, from an accidental creation of the descendants of freed slaves to a recognized and vital part of America's musical heritage. That Dixon was one of the first professional blues songwriters to benefit in a serious, material way -- and that he had to fight to do it -- from his work also made him an important symbol of the injustice that still informs the music industry, even at the end of the 20th century. A producer, songwriter, bassist, and singer, he helped Muddy Waters, Howlin' Wolf, Little Walter, and others find their most commercially successful voices.

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    Willie Dixon, Memphis Slim, T Bone Walker

    8:41

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    ALMAFUERTE WILLIE DIXON 25 mayo 2014 en camarines esperando el recital VIDEO JOAQUIN AMAT

    2:56

    Siempre Rosario, en Willie Dixon, es un encuentro especial, fue genial, nos encontramos una vez mas todos los amigos.

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    Willie Dixon Im Nervous

    3:48

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    Willie Dixon - Interview - 7/6/1984 - Rock Influence

    18:48

    Willie Dixon - Interview
    Recorded Live: 7/6/1984 - Rock Influence - ,
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    Willie Dixon You Shook Me

    4:18

    Blues Music Magazine shares America's National Music, The Blues...
    Visit Blues Music Magazine for free downloads, contest, print, and digital editions at:

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    Willie Dixon - All the Best

    1:1:46

    TRACKLIST
    01- 4 O'clock Boogie 00:11
    02- C Rocker 02:50
    03- Choo Choo 05:06
    04- Now Howdy 07:53
    05- One More Time 13:15
    06- Shaky 15:46
    07- Crazy For My Baby 18:56
    08- Don't You Tell Nobody 21:16
    09- Go Easy 22:57
    10- I Got a Razor 28:15
    11- I Love The Life I Live 32:00
    12- John Henry 34:55
    13- Slim's Thing 37:01
    14- Move Me 39:58
    15- Sittin' And Cryin' The Blues 42:40
    16- That's My Baby 45:33
    17- We're Gonna Rock 48:25
    18- After Hours 51:05
    19- Home to Mamma 54:09
    20- Rub my root 58:38

    Willie Dixon - All the Best (FULL ALBUM)
    Download on Google Play:

    William James Willie Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes Hoochie Coochie Man, I Just Want to Make Love to You, Little Red Rooster, My Babe, Spoonful, and You Can't Judge a Book by the Cover. These songs were written during the peak years of Chess Records, from 1950 to 1965, and were performed by Muddy Waters, Howlin' Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians worldwide. Dixon also was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs have been covered by some of the biggest artists of more recent times, such as Cream, Jeff Beck, the Doors, Led Zeppelin, the Rolling Stones, Steppenwolf, Bob Dylan, and Jimi Hendrix. The debut albums by the first six of those artists all feature at least one of his songs, a measure of his influence on rock music. He received a Grammy Award and was inducted into the Blues Hall of Fame, the Rock and Roll Hall of Fame, and the Songwriters Hall of Fame.

    Listen to the Best Music of:
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    Willie Dixon - Nervous

    3:58

    With Memphis Slim and Jump Jackson.

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    Willie Dixon Awasome Bass Playing

    3:11

    Willie Dixon Awasome Bass Playing

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    Willie Dixon & Walter Shakey Horton - My Babe!

    2:47

    Live in Germany, 1970. Chicago Blues Band are: Lee Jackson (Guitar), Lafayette Leake (Piano), Clifton James (Drums).

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    ‪Muddy Waters, Memphis Slim, Willy Dixon, Otis Spann et al - Bye Bye Blues‬‏

    8:05

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    Willie Dixon -- Blues You Cant Lose

    5:50

    From Hidden Charms album (1988)
    .........
    Some they march while some stand still
    Some they die while others live
    Some they laugh while some they cry
    Some hang on while some pass by

    Some are high and some are low
    Some are sure and some don't know
    Some are weak and some are strong
    Some are here and some are gone

    CHORUS:
    With all these things
    In a poor man's mind
    He gotta have the blues
    He can't leave behind

    With all these things
    In a poor man's mind
    He gotta have the blues
    He can't leave behind

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    Willie Dixon Nervous Live w/ T-Bone Walker & Sunnyland Slim

    3:58

    More early 60's live blues by some of the masters. Willie Dixon, Jump Jackson, Sunnyland Slim & T-Bone Walker.

    ChiTownSoundz is a production of MindsiMedia check out our Mikes Diggs Music section at our web portal.

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    Willie Dixon - I Just Want To Make Love To You

    4:24

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    Willie Dixon-The Little Red Rooster

    3:38

    Album: 'Willie Dixon I Am The Blues'
    Chess Records 1970

    Willie Dixon - vocals/Bass
    Johnny Shines - guitar, Walter 'Shakey' Horton - harmonica
    Sunnyland Slim, Lafayette Leake - piano
    and Clifton James - drums

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    Willie Dixon - Walking The Blues

    3:06

    Buy on iTunes:


    Classic Mood Experience The best masterpieces ever recorded in the music history.
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    William James Willie Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. A Grammy Award winner who was proficient on both the upright bass and the guitar and as a vocalist, he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
    Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes Hoochie Coochie Man, I Just Want to Make Love to You, Little Red Rooster, My Babe, Spoonful, and You Can't Judge a Book by the Cover. These tunes were written during the peak of Chess Records, 1950–1965, and performed by Muddy Waters, Howlin' Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians worldwide.
    Dixon also was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs were covered by some of the biggest artists of more recent times, such as Cream, Jeff Beck, the Doors, Led Zeppelin, the Rolling Stones, Steppenwolf, Bob Dylan, and Jimi Hendrix. The debut albums by the first six of those artists all feature at least one of his songs, a measure of his influence on rock music.
    Dixon was born in Vicksburg, Mississippi, on July 1, 1915. His mother, Daisy, often rhymed things she said, a habit her son imitated. At the age of seven, young Dixon became an admirer of a band that featured pianist Little Brother Montgomery. He sang his first song at Springfield Baptist Church at the age of four Dixon was first introduced to blues when he served time on prison farms in Mississippi as a young teenager. Later in his teens, he learned how to sing harmony from a local carpenter, Theo Phelps, who led a gospel quintet, the Union Jubilee Singers, in which Dixon sang bass; the group regularly performed on the Vicksburg radio station WQBC. He began adapting his poems into songs and even sold some to local music groups.
    Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.
    In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records.
    Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records.
    Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.
    In December 1964, the Rolling Stones reached No. 1 on the UK Singles Chart with their cover of Dixon's Little Red Rooster.
    FROM WIKIPEDIA:

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    Willie Dixon - Awesome Bass Playing

    3:11

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    Willie Dixon - Weak Brain, Narrow Mind

    4:07

    Willie Dixon - Weak Brain, Narrow Mind

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    Willie Dixon - I Am The Blues Full DVD.mp4

    59:44

    Willie Dixon (né le 1er juillet 1915 et mort le 29 janvier 1992) était un musicien, contrebassiste, compositeur, arrangeur, producteur et chanteur de blues américain. Son influence artistique chez Chess Records, autant que son rôle au début de la carrière de Chuck Berry et de Bo Diddley, ont été prépondérants. Par ses multiples talents, il a largement contribué à façonner une bonne partie du Chicago blues de l'immédiate après-guerre.
    Il est né William James Dixon à Vicksburg dans le Mississippi. Au cours de son enfance, il se frotte à plusieurs reprises avec la justice ce qui l'amène à quitter le Mississippi pour Chicago en auto-stop.
    Là bas, grâce à sa carrure imposante, il devient boxeur et parvient même à gagner le titre Golden Gloves dans la catégorie poids-lourd en 1936. Parallèlement à cela, Dixon apprend la contrebasse mais ses progrès sont arrêtés quand il résiste à un recrutement pour la Seconde Guerre mondiale et est emprisonné pour dix mois.
    Après la guerre, il retrouve son professeur, Leonard Baby Doo Caston, avec qui il forme le Big Three Trio et enregistre pour Columbia Records. Dans la foulée, Dixon signe pour Chess Records comme musicien de studio jusqu'en 1951 où il devient employé à plein temps du label. Ses relations avec Chess sont alors parfois tendues mais il laisse son empreinte sur le label de 1948 au début des années 1960.
    Dans les années 1970 et 1980, sa santé se détériore en grande partie à cause du diabète qu'il avait depuis plusieurs années et qui le contraindra par la suite à être amputé d'une jambe. Il remporte un Grammy Award du Meilleur disque de Blues traditionnel en 1989. C'est également à cette époque que Willie Dixon est promu au Rock and Roll Hall of Fame.
    Willie Dixon meurt à la suite d'une défaillance cardiaque à Burbank en Californie le 29 janvier 1992 et est enterré au Burr Oak Cemetery à Alsip dans l'Illinois.
    L'influence de ses années chez Chess reste prodigieuse. Il ira même jusqu'à affirmer une fois I am the blues (je suis le blues). Il est en effet une des influences majeures du genre que ce soit à travers son écriture originale et variée, ses performances scéniques, ses enregistrements ou son vaste travail de production.
    Son jeu de contrebasse était de grande qualité. On peut l'entendre par exemple sur les premiers enregistrements de Chuck Berry qui font le lien entre le blues et la naissance du rock 'n' roll.
    Le génie de Dixon en tant que compositeur, tient dans sa capacité à transformer des thèmes musicaux archaïques du sud en des arrangements contemporains. Cela donne des chansons avec des fondations de blues et la légèreté de la musique pop. Les groupes de rhythm and blues britanniques des années 1960 par exemple se sont beaucoup inspirés du catalogue de chansons de Dixon.
    Willie Dixon reste célèbre pour son travail comme producteur pour Chess Records à Chicago et est considéré comme un des personnages clés dans la création du Chicago blues. Il travailla notamment avec Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon et Memphis Slim.
    Par la suite, un de ses grands succès fut de réunir de célèbres musiciens de blues pour créer des ensembles de Chicago blues qu'il envoyait tourner en Europe.

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    Willie Dixon: Seventh Son

    5:42

    Womp womp womp

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    Willie Dixon-The Seventh Son

    4:19

    The Seventh Son

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    Willie Dixon - Catalyst 1973

    39:13

    Willie Dixon - Catalyst ( Full Album ) 1973
    1 Bring It On Home
    2 I Don't Trust Nobody
    3 God's Gift To Man
    4 Hoo Doo Doctor
    5 Wang Dang Doodle
    6 My Babe
    7 When I Make Love
    8 I Think I Got The Blues
    9 But It Sure Is Fun
    10 I Just Want To Make Love To You
    Bass – Louis Satterfield
    Drums – Morris Jennings
    Engineer – Steve Skinder
    Guitar – Mighty Joe Young , Phil Upchurch
    Harmonica – Carrie Bell Harrington
    Illustration – Herb Bruce
    Lead Guitar – Buster Benton
    Piano – Lafayette Leake
    Producer – Dick Schory
    Producer [Production Assistance] – Ron Steele
    Producer [Production Coordination] – Scott A. Cameron
    Written-By – Willie Dixon (tracks: 1, 3 to 10)


    not own anything all rights reserved to Willie Dixon , this video is for entertainment purposes only, i own nothing !

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    Willie Dixon - Crazy For My Baby

    3:13

    Blues Masters 1966

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    Willie Dixon-My Babe

    3:13

    My Babe

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    KOKO TAYLOR, WILLIE DIXON & BUDDY GUY

    8:26

    THE QUEEN KOKO TAYLOR CON WILLIE DIXON Y BUDDY EN LA GUITARRA.

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    Willie Dixon-I Cant Quit, You Baby

    6:36

    I Can't Quit, You Baby

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    Willie Dixon - I Am The Blues 1977

    50:03

    Willie and the new generation of blues.
    Documentary from the Berlin jazz festival 1977.

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    Willie Dixon - Back door man

    6:16

    Back Door Man is a blues song written by Willie Dixon for Howlin' Wolf, released by Chess Records as a B-side to Wolf's Wang Dang Doodle in 1961.
    The song's author Willie Dixon recorded it on his 1970 album I Am The Blues.

    In southern culture, the phrase back-door man refers to a man having an affair with a married woman, using the back door as an exit before the husband comes home. The phrase back-door man dates from the 1920s, but the term became a double entendre in the 1960s, also meaning one who practices anal intercourse.

    The song became an early standard cover song of The Doors and they recorded it for their 1967 debut album.

    Album: 'Willie Dixon I Am The Blues'
    Chess Records 1970, reissue
    Abner - Spector ('360 Sound')
    Columbia Legacy ' Roots and Blues' CK 53627
    Willie Dixon - vocal w/Chicago All-stars:
    Johnny Shines - guitar, Walter 'Shakey' Horton - harmonica
    Sunnyland Slim, Lafayette Leake - piano
    and Clifton James - drums

    Lyrics:
    I-I-I am the, the backdoor man
    I-I-I am, the backdoor man
    Well, the men don't know
    But the little girls they understand

    When ev'rybody is-a tryin' to sleep
    I'm-a somewhere makin' my midnight creep
    An ev'ry mo'nin when the rooster crows
    He's tellin' me that it's the time to go

    I am, the backdo' man
    I am, the backdo' man
    Well, the men don't know
    But the little girls they understand

    (harmonica & instrumental)

    Well, they took me to the doctor
    Shot full of holes
    The nurse she cried, 'Save his soul!'
    I was 'cussed of murder in first degree
    The judge wife cried, 'Let the man go free!'

    I am, the backdo' man
    I am, the backdo' man
    Well, the men don't know
    But the little girls they understand, mmm

    (guitar & instrumental)

    I was accussed a-murder in the first degree
    The judge wife cried, 'Let the man go free!'
    The cop's wife cried, 'Don't take him down
    I'd-a rather be in six feet of ground!'

    I am, the backdo' man
    I am, the backdo' man
    Well, the men don't know
    But the little girls they understand

    (piano & instrumental)

    I am, the backdo' man
    I am, the backdo' man
    Well, the men don't know
    But the little girls they understand

    (bass & instrumental)

    'Ooh!'

    I am, the backdo' man
    I am, the backdo' man
    Well, the men don't know
    But the little girls they understand

    'Ooh!'

    (instrumental all to end)

    I am
    I am
    I-I-I am
    The backdo' man.

    Enjoy!!
    (sorry for the poor quality)

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    Willie Dixon - Bring It On Home 73

    2:40

    Bring It On Home is a song written by American bassist-songwriter Willie Dixon ! Dixon's Rare Recording !
    Dixon was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs were covered by some of the biggest artists of more recent times, such as Bob Dylan, Cream, Jeff Beck, the Doors, Jimi Hendrix,(Led Zeppelin), the Rolling Stones and Steppenwolf.

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    Willie Dixon - Peace ? 1971

    39:40

    Willie Dixon - Peace ? ( Full Album Vinyl ) 1971
    A1.I'm Wanted
    A2.Peace?
    A3.It's In The News
    A4.I'd Give My Life For You
    A5.You Got To Move
    B1.Suffering Sun Of A Gun
    B2.Jelly Jam
    B3.You Don't Make Sense Or Peace
    B4.Blues You Can't Lose
    B5.If I Could See
    Bass – Louis Satterfield, Phil Upchurch
    Drums – Clifton James, Frank Swan
    Engineer – Malcolm Chisum
    Guitar – Buster Benton, Joe Young
    Harmonica – Walter Horton
    Liner Notes – Ed Winfield
    Piano – Lafeyette Leake

    not own anything all rights reserved to Willie Dixon , this video is for entertainment purposes only, i own nothing !

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    Albert King With The Willie Dixon Band - Love Me To Death

    4:05

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    WILLIE DIXON - Live at Salon de Provence - Full Album

    1:36

    Willie Dixon - Live in Nice (1983) - Full Concert.

    - Instrumental (with band introduction)
    - Help Me (with Willie Dixon introduction)
    - I'm Crazy For My Baby
    - You Shook Me (All Night Long)
    - I Don't Trust Nobody
    - It Don't Make Sense, You Can't Make Peace
    - Wang Dang Doodle
    - Rock This House

    Willie Dixon - Live in Nice (1983).

    Date: July 13, 1983.

    Venue: Salon de Provence, Nice, France.

    Willie Dixon - vocals
    Sugar Blue - harmonica
    Arthur Butch Dixon (Willie's son) - piano
    John Watkins - guitar
    Freddie Dixon - bass
    Clifton James - drums

    William James Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.

    Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes Hoochie Coochie Man, I Just Want to Make Love to You, Little Red Rooster, My Babe, Spoonful, and You Can't Judge a Book by the Cover. These songs were written during the peak years of Chess Records, from 1950 to 1965, and were performed by Muddy Waters, Howlin' Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians worldwide.

    Dixon was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs have been covered by some of the most successful musicians of the past sixty years including Bob Dylan and Jimi Hendrix. Jeff Beck, Cream, The Doors, Led Zeppelin, The Rolling Stones and Steppenwolf all featured at least one of his songs on their debut albums, a measure of his influence on rock music.

    He received a Grammy Award and was inducted into the Blues Hall of Fame, the Rock and Roll Hall of Fame, and the Songwriters Hall of Fame.

    Enjoy the music and feel free to Subscribe!

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    Willie Dixon Violent love

    2:23

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    VUDU - VINO BLANCO - NUTOPIA DVD - Willie Dixon 2012

    5:02

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    Willie Dixon - If The Sea Was Whiskey.wmv

    3:14

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    WILLIE DIXON - Spoonful

    4:57

    WILLIE DIXON - Spoonful
    ALBUM I Am The Blues (1969)

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    Willie Dixon - Stewball

    3:35

    Stewball (Studio Version) by Willie Dixon from the album Willie's Blues - 26 Original Recordings
    Released 2013-12-20 on Not Now Music
    Download on iTunes:
    Download on Google Play:

    First released in 1959, 'Willie's Blues' is Willie Dixon's first solo album. It was recorded at Rudy Van Gelder's studio in New Jersey in a mere two hours the musicians had between flights, which probably accounts for the loose, jam-session style. Follows 'Songs of Memphis Slim and Wee Willie Dixon', another album to be treasured by all those who love the blues. The four bonus tracks are more intimate duo affairs from the live 'At The Village Gate'.
    © 2013 Not Now Music
    ℗ 2013 Not Now Music .

    This is officially licensed content, not a copyright infringement. For any issues, please get in touch with finetunes first.

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    La parabellum del buen psicópata - Skay Beilinson en Willie Dixon, Rosario, HD / CC

    4:39

    La parabellum del buen psicópata
    Willie Dixon, Rosario, 19 de noviembre de 2010
    Skay Beilinson y los Fakires
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    Redondos Subtitulados - Seguinos!!
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    Letra:
    La noche tira un salto mortal,
    pura tontera del punto G
    ¡y el joven lobo quemándose de amor!

    Está en la boca del volcán
    (nunca pudo ser muy fiel...)
    tímidamente moja el “suavestar”.

    Y atrapa migajas de rock maravilla para este mundo,
    y traga ésas migas indescriptibles.
    Y atrapa migajas de rock maravilla para este mundo,
    y traga ésas migas indescriptibles
    (trucos de placer).

    Un gran remedio para un gran mal,
    amores como flechas van cruzando el sueño
    y te acribillarán.

    Y atrapa migajas de rock maravilla para este mundo,
    y traga ésas migas indescriptibles.
    Y atrapa migajas de rock maravilla para este mundo,
    y traga ésas migas indescriptibles
    (trucos de placer).

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    Willie Dixon-Weak Brain, Narrow Mind

    4:26

    Weak Brain, Narrow Mind

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    Willie Dixon - Sittin And Cryin The Blues

    3:28

    John Len Chatman AKA Memphis Slim lived from 1915 to 1988. He was the one on the piano (My mistake putting him on front cover since Dixon was singing it)

    Best version of Sittin' And Cryin' The Blues (EVER)

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