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Playlist of Why Mixing In Mono Is The Secret

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    Why Mixing In Mono Is The Secret - RecordingRevolution.com

    8:56

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready guide and learn my 6 step process →

    Do you struggle to get your mixes to sound great outside of your studio? Do they fall apart once you get to your car or laptop speakers?

    What if I told you that the easiest way to guarantee you churn out a balanced, clear, and killer mix was to begin mixing in mono?

    Would you laugh at me? Or would you be willing to unpack the logic to this bizarre method?

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    The Importance of MONO in Your Mix

    3:22

    This video will teach you why mono is so important when mixing. The key to getting a tight and punchy low end is MONO.

    This video will quickly explain how to use mono in your mix, as well as why you need to do it. Making something mono in FL Studio is very easy to do, and this video will show you how to make elements mono in FL Studio.


    Do you want to watch more mixing tutorials for FL Studio? Check out my playlist here, which contains all my mixing and mastering tutorials:

    Download the TP Bassline for free here:

    If you have the FL Studio producer edition or higher then you get a plugin called Maximus which can also be used to do the same thing.

    Did you like this video? You can help us make more videos like this by supporting us on Patreon:

    You can also support this channel by donating to our paypal account: firewalk@mimer.no


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    Contact me: firewalk.official@gmail.com

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    MIXING IN MONO - 5 REASONS WHY PROS DO IT!

    6:39

    Why mixing mono is a secret? Mixing in mono is a crazy effective way to spot problems in your mix doesn't matter if you mix riddim, mix house, mix dnb or anything else or if you use Ableton Live, FL Studio, Logix X or Pro Tools. When you mix in mono you can spot problems in your mix a lot easier than mixing in stereo. Mixing mastering or broadcasting? You must consider these awsome mixing tricks in mono always!

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    Why Derek Ali Mixes Kendrick Lamar In Mono - RecordingRevolution.com

    10:34

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

    If you could only make one change to the way you mix your songs I would tell you to mix in mono.

    And I’m not the only one who swears by it.

    As it turns out, Kendrick Lamar’s award winning album To Pimp A Butterfly was mixed primarily in mono. Go figure.

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    Mixing in Mono for a better Mix quick tip MrDifferentTV

    4:42

    Check out my website MrDifferenttv.com for the best Beats and Sounds on the internet.
    In this video i will show you why mixing in mono can help you get a better mix and a more cleaner sound.

    buy your sounds today -

    for a free copy of the plugin used go to this link -

    For today and today only get our new preset bank space sauce for 20% off with discount code: TBLTAKE5

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    L C R Panning & Mixing in Mono - Warren Huart: Produce Like A Pro

    21:38

    🛑STOP! Before you start mixing, make sure you download the LCR Panning & Mixing and Mono Cheat sheet:
    ➡️➡️

    Get Mixing EQ & Compression with Phil Allen here:


    The song featured in this video is ‘My Final Hour’ by Snakebite.

    ✅ You can mix this song yourself if you get the Mixing Rock with Ulrich Wild course:


    I often think about a conversation I had with David Foster, who I recently had the pleasure of working with on a Diane Warren song- he talked about walking around a Mall and going in and out of stores.

    What do you hear?

    Predominantly Vocals and Drums.

    This goes to show that in any mix the centre, the area unaffected by stereo imaging, is THE most important part of our mix!

    While most Mixers don’t mix in Mono, they do very often check in Mono.

    Understanding the basic concepts of LCR is a great tool to add to your mixing arsenal!

    Most professional mixers have a great understanding of what EQ points work to help support the sides and the centre.

    “If you don’t understand the concepts of EQ and Compression at a very bare-bones level, if you’re not making the right moves, throwing an expensive plugin or hardware compressor on it won’t help you at all.” – Phil Allen

    Want to learn more about mixing with EQ & Compression?

    In the following course, Grammy winning engineer Phil Allen gives you a deep understanding of the most important mixing tools, so you can effectively apply them in mixes.

    Get Mixing EQ & Compression with Phil Allen here:


    Sign up here to get exclusive videos and content



    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

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    5 Minutes To A Better Mix: Mixing In Mono - TheRecordingRevolution.com

    5:24

    Part 23 of 31 - One of the best ways to ensure your mix will hold up out in the real world is to reference your mix in mono. If you are relying too heavily on panning separation for clarity, then you are handicapping yourself.

    Download my free eBook The #1 Rule Of Home Recording for more tips

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    Mixing In Mono Like A Pro

    10:51

    Should you really consider mixing in mono? Let's dive in and find out how important it really is and the best ways to utilize this method to improve your mixes for 2019 and beyond!

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    WHY YOU SHOULD EQ YOUR MIX IN MONO

    7:02

    In this video, I show the benefits of EQ'ing your mix in mono!
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    Mixing In Mono - Explained

    18:18

    In this video you will learn how to mix in mono and why mixing in mono is important. I go in depth on each matter and explain how you can achieve huge wide mixes that will sound massive when flipped back to stereo.

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    Mixing in Mono: Whats the Deal?!

    11:30

    ☛ Sign up for my next 3 Production Secrets Webinar here:

    I used to mix in mono but I had no idea what I was doing. Once I truly understood what mixing in mono did it actually made my mixes sound way better. If you struggle to get real separation in your mix then mixing in mono will be your best bet at achieving that separation.

    PS. Don't worry if it's not entirely clear right off the hop. It still took me a while to get this right.

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    Which Elements In Your Mix Should Be Mono / Stereo?

    35:52

    Today I want to discuss which elements in your mix should be either mono or stereo, techniques and some strategies for percussion, synths, etc. Feel free to break and bend the rules but there are some foundations that are consistent across the majority of EDM / Big Room bangers out there, enjoy!

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    Mixing In Mono Is The SECRET

    7:25

    Check out the latest Tutorial: HARD DRUMS 🔥 How To Mix Drums In Fl Studio | LLB Beat Vlog
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    Mixing in mono is the key to consistent fire beats!

    One easy to use, FREE plug in to download, put onto the master channel, mix then remove for an instant improvement on your beats!

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    Make fire beats with one simple mixing technique. This method is VERY beginner friendly and improves your mixes three fold!

    Skip to 3:25 for the tutorial/demonstration.
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    Beat name: 'BANK'

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    Music Production Secrets Mixing in Mono: Home Recording Studio Setup for Beginners Pt. 5

    5:53

    What's a huge mixing secret? Mixing in mono! The product I recommend is the Avantone MixCube. **** Check out the Avantone Mixcube on Amazon here:

    In my opinion the best Auratone 5C recreation is the Avantone MixCube. It costs $249 USD and will dramatically increase your mixes! Check it out here:



    QUESTION - Have a question about Music Gear, Music Tech, Music Production, or Anything Else? Post in comments section of this video!

    Music by: Miguel Ogas Bright Copyright 2017

    Miguel Ogas on Social Media:




    ------- Gear Used To Make The Music In This Video -------

    Keyboard - Axiom 49


    Beats - Ableton Push


    Amp - British Invasion Nano Legacy


    Audio Interface - Focusrite Scarlett 2i4


    Instrument Microphone - Shure SM57


    ----- Pedals -----

    Volume - Ernie Ball VP Jr.


    Tuner - TC Electronics PolyTune Mini


    Modulation - Strymon Mobius


    Power Supply - T-Rex Fuel Tank Chameleon


    Cables - George L Effects Kit


    ----- Software Used to Make This Video -----

    Ableton Live 9 Standard


    Spectrasonics Omnisphere


    Native Instruments Komplete 11Select


    --------- Cameras Used To Shoot This Video -------

    Camera - Canon EOS Rebel T5i


    Lens - Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens


    Microphone - Rode VideoMic


    DISCLAIMER: This video and description contains affiliate links, which means that if you click on one of the product links, I'll receive a small commission. This helps support the channel and allows me to continue to make videos like this. Thanks for the support!

    About this Video:
    In this video Miguel Ogas show his 5th part to the home recording studio setup for beginners series. With a home recording studio home recording studio setup is essential. This is the secret that I use in my home recording studio and is one of the best music production secrets. Mixing in mono is the secret. Mixing in mono in Ableton or any other DAW is amazing. The classic mono mixing speaker is the Auratone 5C super sound cube. Auratone speakers are valuable and also rare so you need to look for Auratone alternatives. The avantone pro active mixcube is my choice. The auratone 5c vs avantone sound similar and are both effective. This is why they have been essential in building my home recording studio.

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    Mixing in Mono

    1:17

    Mixing In Mono - Available from

    In a world dominated by stereo listening environments, headphones, two monitor sets, car stereos etc., there still is great importance in getting your mixes to sound good in both Mono and Stereo. If you’re an EDM artist and want your tracks played out live, you will need to have a good mono mix because that’s how those live systems are set up for playback.

    In this course Echo Sound Works will teach you how to create a mix that sounds good in mono and also how to improve the quality of your stereo mixes using mono referencing.

    The course is broken up into 8 individual sections covering everything you need to know about monophonic vs stereophonic sounds.

    PART 1- Introduction - This video simply lays out the rest of the course.

    PART 2 - Monophonic Vs. Stereophonic - There is more of difference between these two concepts than just how many perceived channels we hear audio on. Mono and Stereo are an integral part of any mix and knowing when and why to make some tracks mono or more mono compatible can actually really help your stereo mixes come to life.

    PART 3 - Referencing Your Mix In Mono - This video talks about a few techniques that will let you actually hear wants happening in your monophonically.

    PART 4 - Monophonic Mix Elements - This video outlines what elements (like what type of tracks/instruments) should be in mono or at least treated to be mono compatible.

    PART 5 - Stereophonic Mix Elements - This video details what types of instruments or sounds should be kept in Stereo so your mixes sound commercially viable.

    PART 6 - Addressing Low End Elements - This video will show you how to mix and treat the low end instruments of a mix for better mono compatibility and improved stereo image.

    PART 7 - Addressing High End Elements - This section will show you how to improve your mono compatibility in regards tot he high end instruments in your mix, things like hi hats, noises, synths etc.

    PART 8 - Wider Mono Tracks - This video will show you 5 great tips and tricks to get wider mono tracks in your stereo mix.

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    Mixing in Mono - Save Your Stereo Mix!

    12:51

    Learn more about Reason:


    Hear Matt's song, The Hardest Part, and the album mix by Shane D Wilson:


    If you've ever had the unfortunate experience of taking a mix you've done outside your studio only to find out it doesn't sound nearly the same or nearly as good on other playback systems and devices, it's time to take your stereo mixes into the mono realm.

    If mixing in mono for better stereo results sounds counter-intuitive right now, watch as Ryan takes you through some of the benefits on a huge multi-track production by songwriter Matt Tinsley.

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    Mix Essentials - Mono Compatibility Pro Tip

    8:22

    ADSR tutorials

    In this tutorial Echo Sound Works shows you a great tip and trick that will help make stereo sounds be more compatible in a mono environment.

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    Mixing in Mono - Mixing Tutorial

    20:23

    Mixing in Mono is not a new technique. Chances are if you have done any mixing training on YouTube or any other sites you might have come across this. I wanted to explain why I use it and show you how I do it.
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    MIXING IN MONO?..... Dont be fooled !!!

    10:29

    A popular belief that hearing a stereo source, FROM A DISTANCE, which then sounds like mono, will reveal phase cancellation problems. NOT SO ...and I prove WHY. You must collapse your stereo sources inside your DAW, using your favorite method (panning, mono button, etc) to check for phase problems.

    That said, a useful reason for hearing your stereo mix, from a distance (another room), is for checking volume relationship and overall balance....and yes, it will tend to sound like it is in MONO!

    another mono mix video:
    WHY YOU SHOULD MIX IN MONO

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    Whats the Big Deal with Mixing in MONO vs STEREO? Why do it?

    8:35

    In this video I attempt to mix in Mono. I need more practice...

    Links to the article I mentioned:


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    Why Mixing in Mono is the Best Tool You Have For Great Mixes

    10:52

    Want more out of LPX? Supercharge Your Logic workflow with this Free 10-Point Checklist:

    **Enjoy this video on getting the perfect Compressor settings every time? Never miss a reason Why Logic Pro Rules. Subscribe Today:

    Mono listening is when you combine stereo listening to only one signal straight down the center. Sound counter-intuitive? Learn how to focus with Mono mixing in this week's video.

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    Why I Mix In Mono

    4:34



    Todays quick tip is a discussion on the benefits of starting your mix in mono.

    Don't touch a pan pot for as long as you can bear it! You'll notice much more space in your mix as a result. Also, any phase issues will be much more apparent and easy to remedy.

    What do you think? Leave a comment.

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    Mixing in Mono Using Pro Tools

    3:42

    In this week's video we run down why mixing in mono is important and how to do it using Pro Tools.

    Facebook: facebook.com/ClassicalRecordingEDU/
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    Email: contact@classical-recording.com
    Website: classical-recording.com

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    5 Minutes To A Better Mix II: EQ In Mono - TheRecordingRevolution.com

    5:49

    ►► Overwhelmed by all of the EQ techniques? Just download my FREE EQ Checklist →

    Part 5 of 31 - Take the time to do most of your initial EQ work in mono. It will force you to get the right EQ balance without the false separation you get from stereo.

    Download my free eBook The #1 Rule Of Home Recording for more tips

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    S1-074 Mono Button

    2:42

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    Mixing in Mono makes your Stereo mix better!

    3:28

    Hey guys! Check out this tip I learned from Dale Chapman at Studio Exchange! It dates back to the engineers mixing The Beatles on a single speaker!
    If you need anything for your Studio (Hardware, Stands, Plugins etc) go check out the awesome website:



    Ask for Dale Chapman and tell him Joseph Parry sent you (he'll give you a killer deal worldwide!!

    Enjoy!!!!

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    Mixing in Mono in Mixcraft 8 - The Secret Sauce to Radio-Ready Productions

    13:29

    Please listen using headphones for best quality.

    This is a tutorial on Mixing in Mono in Mixcraft 8.

    Mixing in mono is an important part of your step by step mixing process that you need to apply in all of your mixing sessions all the time. This is the secret sauce of music producers to get a radio-ready quality production!

    The track used for this song is Ticket Home by Andy Kong. Shout out to you, man!

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    Mono Mixing in Ableton

    8:41

    How to check your stereo mix in mono for compatibility with the ever increasing popularity of mono bluetooth speakers. This tutorial is a bit more philosophical than I normally get, but I wanted to stress the point. It is very important to ensure that your mix sounds balanced in mono as unfortunately many if not most of your listeners may find themselves listening in mono without even knowing it!

    The Seed to Stage Academy (an Ableton Live immersive learning course) is going down April 2nd-5th in Asheville, NC. If you like my teaching style, consider attending the course! Learn more:

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    Why and How to EQ in Mono

    6:19

    Improving your mixing skills and creating a better mix can be really challenging. Fortunately, there are simple things you can do to speed up the process!

    Mixing in mono (as opposed to stereo) is one GREAT way to get better results.

    Specifically, EQ'ing in mono can give you better separation between tracks. It also allows you to be more effective with equalization in general.

    Remember, if you don't want to use a plugin like I did to get your mix in mono you can also:

    1.) Pan your master fader L and R sliders to the center (great for ProTools).

    2.) Utilize a monitor management box (like the PreSonus Monitor Station V2) and engage the mono buttons on them.

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    Ableton Mixing Tip | Make it Mono | Will Marshall

    11:53

    Book a one-on-one online session with Will:


    In this mixing tip, Pyramind instructor Will Marshall demonstrates the importance of converting stereo tracks to mono tracks, and the most effective way to do this in Ableton.

    Many producers narrow the width of a stereo track instead of making it mono - Will uses examples to show why this can be problematic.

    He also discusses general mixing theory regarding stereo, as well as different panning techniques.

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    5 Minutes To A Better Mix: Piano In Mono - TheRecordingRevolution.com

    5:32

    Part 13 of 31 - In this video I show how sometimes the best piano sound isn't the big wide stereo one. Sometimes in order to place your piano well in the mix (and make room for all the other stuff) you need to pan the darn thing mono!

    Download my free eBook The #1 Rule Of Home Recording for more tips

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    Does your mix sound good in MONO? How When & Why mono compatibility matters. Bouncing analog offline

    13:08

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    In this video David goes into details in one of the most commonly misunderstood concepts: Mono compatibility. Do you need mono compatibility in your mix? Should you worry about your stereo information loss? Will your mix sound good in mono? How, when and why to maintain mono compatibility.
    Does your stereo mix sound good in mono? What elements in your track should be mono and have mono compatibility and what degree of stereo information loss can be accepted?
    Do you mix for stereo or mono? Do you mix in mono? How your mix will sound on iphone? How your mix will sound on a laptop?
    Additional question: can you bounce your mix offline when using analog gear? Is it possible to print analog gear offline?
    Bouncing your mix wifi

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    #monocompatibility #stereomix #analog

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    Mixing in Mono Tutorial: The Classic Trick That Could Save Your Mix

    23:27

    This week we are discussing a hot topic that has been on a lot of engineers minds in recent years. Mixing in mono is a classic technique that several engineers swear by. Though this technique has been used countless times since the beginning of music recording and hasn’t disappeared from the mixing scene, mixing in mono has become a big discussion again in recent years due to Kendrick Lamar’s Engineer Mixed By Ali publicly addressing his mixing techniques in mono. Website:

    Mixing in mono can be a challenge at times; however, the struggle is well worth it. This technique can really help improve your mix quality, and it may even be the missing step you need to bring your mixes to the next level.

    In this video, we start off face-to-face in the studio discussing some reasons why you should considering mixing in mono and why so many pros swear by this technique. After a 10 minute detailed discussion, we move on to our DAW to show you how to mix in mono in different DAWs such as: Pro Tools, Ableton, Logic, FL Studio, & Reason. Finally, we finish with showing you the importance of making your gain staging, EQ, compression, & automation decisions in mono.

    Follow along as professional engineer Eric “Realistic” Michael gives you a step-by-step guide on “Mixing In Mono.”

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    Realistic is a Music Producer and Engineer located in the Twin Cities. He has been producing music for Hip-Hop & Pop music since 2004. In 2017 he graduated with an AAS in Music Production & Engineering.

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    Do We Mix Synth Bass in Mono or Stereo?

    5:28

    // // The fifth video in the Ask Weiss series. This question comes from Alexander Hartung: “I like the Future House style of bass. The problem is, I always see in tutorials that people mix the sub parts to mono, but if you listen to the music, the bass is mixed wide in the panorama field?!“

    More Ask Weiss videos:

    If you have a question for Matt related to mixing, recording, producing or mastering music, simply leave a comment on one of the Ask Weiss YouTube videos.



    Transcript:

    The problem with wide bass is two-fold. First of all, we have difficulty localizing sub frequencies. Meaning, it's very difficult to tell if a bass is actually wide or not. Second of all, when we fold bass into mono, because of the waveforms, we tend to get a lot more phase cancellation and problems showing up if we use stereo effects.

    So that's why people generally advise working in mono when we're looking at the bass, specifically, the sub-bass.

    Now, as we move above the sub-bass, we start getting into the realm of audio that's more easy to localize, and that's an important idea, because we can create wide basses by going to that next octave up – which is like our primary bass range from maybe 70 Hz to like, 200 Hz. That zone, that's where we can get our width pretty cleanly.

    From the programming side of things, if you have a couple of oscillators, like if you have a three-oscillator or more synth, you can simply go an octave up and do a little distune on two of the oscillators and pan them apart, and maybe throw in a filter there, and you will get a wide sounding bass.

    Now, let's look at your specific question. You said future house, so I pulled up a Tchami record called Afterlife. Let's give it a listen.

    [song plays]

    So, just listening to that clip, I'm hearing most of the low information happening in the center. There is a bass layer that feels like it's being spread out, and that main synth definitely has some spread to it, so I think that there's probably some reverb going on, or perhaps some kind of stereo enhancement processing going on.

    I'm not sure which, but I will say this. I don't think that the bass is entirely mono. So right off the bat, we can take everything we're reading online about mixing sub into mono with a grain of salt.

    Alright, now let's analyze this a little further. I've got a low pass filter here. This will allow us to hear what's happening in the low range a little more clearly.

    [song plays, filtered]

    Right? So we can definitely hear now very clearly that there is bass information on the sides, but let's take it one step further. I'm going to use some mid/side processing to eliminate the center signal, so we just hear what's living in the stereo field.

    [song plays, sides only, filtered]

    So that's what we have on our sides. Let's listen one more time.

    [song plays, sides only, filtered]

    So, first of all, all of it sounds like reverb for the most part. It has this sort of ghostly, washy kind of quality, and that to me says, “Yup, that's a reverb.”So I think that the stereo sound is coming from a reverb return for the most part, as opposed to actual stereo stuff that's been panned apart. What I find interesting, is that I'm actually hearing a good amount of kick drum, which means there's probably some reverb on the kick.

    Okay. One more time, let's listen, and then let's take a listen at another analyzer.

    [music plays, sides only, filtered]

    So that main synth, which has a bass element to it, has reverb on it as well, and we're hearing that too, and that's in our primary bass range.

    But now let's look on an analyzer.

    [music plays, sides only, filtered]

    So, looking at it on the analyzer, there is actual sub information that is getting into the reverb return. So there is a little bit of spread on the sub.

    Now, is there a lot? Definitely not. It's subtle. But, it is there. So, to answer your question, no, you can certainly use stereo elements on the low part of your bass to get a wider feel.

    My recommendation is just be cautious how you're doing it. Reverb is a good way of doing it, upper octave stereo kind of subtle stuff tucked in there can be a good way to do it. I don't recommend doing very stereoized low information because it will phase poorly in mono, but that said, now at least we can hear what's going on.

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    Mixing in Mono vs Stereo - Mixing Tutorial

    15:45

    I explain the advantage of mixing in mono vs stereo. I explain why mixing in mono at the start as opposed to mixing in stereo first works better.
    To get a full description of Mixing in Mono check out my other video here:
    -------------------------------
    Grab my Free eBook 'Bare Essentials For A Home Music Studio' here:
    Check out my Training Membership here:
    -------------------------------
    Subscribe so you never miss a training video -
    -------------------------------
    #homemusicstudio #mixingmastering #audiomixingtraining

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    Mixing in Mono Cubase - Mixing Tutorial

    15:35

    I show the process of how to put your mix in mono in Cubase. I show various ways of doing this which will cover all the various levels of Cubase software you can purchase.
    To get a full description of Mixing in Mono check out my other video here:
    -------------------------------
    Grab my Free eBook 'Bare Essentials For A Home Music Studio' here:
    Check out my Training Membership here:
    -------------------------------
    Subscribe so you never miss a training video -
    -------------------------------
    #homemusicstudio #mixingmastering #audiomixingtraining

  • desc

    Mix Talk Mondays Ep. 5 - Mixing In Mono For Cleaner Sound

    6:03

    In this mix talk tutorial mixing engineer Brian Temme talks about mixing in mono to give your recordings a cleaner sound. He explains how mono mixing can point out the muddy frequencies prior to stereo mix. For more mixing tips, tricks and tutorials join us at Maschinemasters.com

    Follow Brian Temme




    Follow Us





    Maschine Masters is an online music production community focusing on sharing knowledge to up and coming producers using modern day software and hardware instruments. Our members can learn through detailed video tutorial courses on Maschine, MPC, Ableton and FL Studio. We also provide high quality sound kits to help take your beats to the next level. Why hesitate? Become a Maschine Masters today!

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    #ASKJV 25: Gluing Your Mix, Mono Vs. Stereo, Wide Guitars & Room Treatment

    14:08

    Producer / Mixer Jordan Valeriote (Silverstein, Neck Deep, Forevermore, Intervals etc) answers your heavy music production questions every week on the ASKJV Podcast.

    In This Episode:

    1 - Gluing your mix

    2 - Mono vs. stereo effects

    3 - Getting wide guitars

    4 - How much room treatment is enough
    ______

    This show runs on your questions! Submit your question at

    ———

    Click here to grab your FREE mixing cheatsheet:

    ———————————————

    Video Editing & Voice Over: Dan Knittel

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    How to Check your Mix in Mono in FL Studio - 5 Minute Mixing Tips

    3:30

    Learn how to check your mix in mono in FL Studio to ensure the best quality possible!
    Checking your mix in mono is important to guarantee your music translates to as many playback systems as possible. In FL Studio you can check for mono compatibility using just one knob.
    SO EASY!!!

    Don't forget to like and subscribe!
    Visit for beats, downloads and more tutorials!

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    Rolling Stones Producer Glyn Johns on Mono Recordings

    3:45

    Rolling Stones Producer Glyn Johns talks on Mono Recordings.

    The Rolling Stones in Mono available everywhere on CD, VINYL and digital.
    Amazon:
    Amazon Music:
    iTunes:
    Spotify:

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    Huge Stereo Width From Mono

    9:52

    How to make your sounds huge and wide with 5 essential mixing tips by Reid Stefan Realest Puppet In The Game. Making your tracks wide starts with spreading out your sounds with panning. In addition to panning reverb and delay are both very helpful in adding size depth and width to your mix!

    Plugins
    JST SideWidener
    StereoDelta
    Ableton Reverb
    Ableton Echo

    Get Whole Loops MASTER SAUCE


    instagram.com/reidstefan
    twitter.com/reidstefan

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    Best Reasons To Mix Beats In Mono vs Stereo Mix Talk Monday

    8:14

    Here Are Some Of The Best Reasons To Mix Beats In Mono vs Stereo. In this Mix Talk Monday episode audio mixing engineer Mateo explains why you should mix your beats in Mono vs Stereo using a beat made by Maschine Masters community member Carnage The Producer, Protools and free plugins. For more mixing tips, tricks and tutorials visit us at maschinemasters.com

    Mateo (Mix Engineer)


    Follow Us





    Maschine Masters is an online music production community focusing on sharing knowledge to up and coming producers using modern day software and hardware instruments. Our members can learn through detailed video tutorial courses on Protools, Mixing, Maschine, MPC, MPC Touch, Ableton and FL Studio. We also provide high quality sound kits to help take your beats to the next level. Why hesitate? Become a Maschine Masters today!

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    Mischen in mono - 29 Tipps in 31 Tagen

    9:44

    Auf den ersten Blick mag es unlogisch erscheinen seinen Mix in mono abzuhören. Abmischen in mono ist tatsächlich schwieriger und auch unangenehmer.

    Allerdings hat es einen großen Vorteil: Indem wir unser Mix auf Mono schalten, haben wir praktisch alle Instrumente und somit auch alle Frequenzen, die der Mix abdeckt in einer Reihe vor uns. Somit können wir eher wahrnehmen, ob einzelne Instrumente um Frequenzbereiche kämpfen.

    Außerm sollte man nicht unterschätzen auf wievielten Geräten heute noch Musik in Mono gehört wird. Funktioniert dein Mix in mono, wird er auch in stereo funktionieren.


    Besucht auch meinen Blog mit nützlichen Tipps zum Thema Songwriting und Mixing :


    SoundCloud :
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    Voici pourquoi je me fous de la compatibilité MONO

    4:29

    🎁

    Aujourd'hui, j'aborde une question qui revient constamment sur la table: est-ce que c'est important de vérifier ses mixs en mono ? Perso, je m'en bas un peu les cou***** et voici pourquoi.
    EDIT:
    Il semblerait que je n’aie pas assez nuancé mes propos, parce que plusieurs d’entre vous semblent être dérangés par ma vision du mono. Alors, voici quelques nuances, dans le désordre:

    -Quand je travaille avec du matériel acoustique, je prends toujours le temps de vérifier la relation de phase entre les différents micros, alors ce n’est généralement plus un “risque” par la suite durant le mix.

    -Comme je le dis dans la vidéo, je prends le temps de vérifier en mono lorsque j’ai des sources funky (par exemple, des synth très larges, comme dans la dance ou la techno).

    -Si mon mix, en mono, n’est pas exactement le même, je ne m’en fais pas trop avec ça, tant que le “flavor” est cool en stéréo et que les éléments importants (kick/snare, voix, basse) sont ok en mono.

    -Perso, ça ne me dérange pas que, dans certains cas, les basses fréquences soient stéréo, tant que ça ne crée pas d’inconfort d’écoute. On peut faire des effets super intéressants dans certains cas.

    -Comme plusieurs le mentionnent, pour la musique de club, c’est très important de vérifier la mono. J’ai oublié ce point et je m’en excuse.

    -Après, pour la question des téléphones et des enceintes mono: comme dis plus haut, tant que les éléments importants (voix/mélodie, bass, kick/snare) sont ok, ça ne me dérange pas que ça soit différent du mix stéréo, dans la mesure où il n’y a pas de fuck majeur de phase. C’est correct si pour vous, c’est très important, je comprends et respecte votre opinion.

    -“Un bon mix mono ne sera que meilleur en stéréo”: oui et non. Perso, je suis toujours au service de l’émotion avant d’être au service de la technique. Je préfère faire un mix imparfait ou moins compatible en mono si c’est pour créer un univers qui va mettre en valeur l’émotion de la chanson. Beaucoup de mixs de chansons que j’adore ne sont pas particulièrement compatible en mono…

    -À ce que je sache, les radios FM, web et satellite diffusent en stéréo. Les radio-réveil sont souvent mono, j’en convient.

    -Si le mix en mono est une chose hyper importante pour vous, c’est très bien. C’est pour ça que je trouve intéressant d’avoir votre avis sur la chose. Ce n’est pas parce que mon point de vue est divergent de l’approche traditionnelle que j’ai tout faux pour autant.

    Mixer une chanson en mono pour ensuite finaliser en stéréo n’est pas une méthode que j’ai développé et je n’en ressens pas présentement le besoin. Après plus de 12 ans dans le métier, je me garde de dire que je ne le ferai pas dans le futur, parce que ma façon de travailler est en constante évolution. Ce n’est pas parce que ce ne m’est pas utile que ça ne le sera pas pour vous, alors je vous encourage à expérimenter avec cette technique.

    Je sais que ça prends 2 minutes pour vérifier un mix en mono à la fin, mais mon propos dans la vidéo est de dire que si le mix est un peu différent, voire un peu moins bon, ça ne me dérange pas vraiment. Il n’y a personne qui va mourir, mon mix n’est pas mauvais pour autant et il ne serait pas nécessairement meilleur si j’avais mixé d’abord en mono. Il serait différent.

    DONC. Vérifiez en amont les problèmes de phase et faite un petit checkup en mono à la fin si vous avez doutes. Après, il ne faut pas oublier que la vie est un fleuve qui ne s’arrête pas, alors allez vite faire de la musique! Je m’excuse d’avance si je ne réponds pas à tous vos commentaires, j’ai un canot à prendre. ;)


    Le matériel que j'utilise et que je recommande:

    CARTE DE SON RME UCX:
    CAMÉRA:
    MICRO SHOTGUN:
    MICRO CRAVATE:
    ENREGISTREUSE:
    MICRO DYNAMIQUE VOIX:
    CONTRÔLE DES MONITEURS:
    CLAVIER MIDI/USB MINI:
    SAMPLEPAD 4:
    AVANTONE (SHITBOX) :
    ÉCOUTEURS FERMÉS:
    ÉCOUTEURS OUVERTS:
    ÉCOUTEURS BUDGET:
    POP FILTER:
    SUPPORT GUITS:
    SHAPE 65:

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    How And Why To Mono Your Low End - Tech Tips Volume 32

    5:30

    Watch More Here!:

    This week we're back with another set of Tech Tips, this time in Logic Pro with new tutor Rory Webb from Hyper Production.

    Working under aliases such as Bailey and Knightley which, focuses more on electronic music, Rory has also been involved in sessions with the likes of David Guetta, Adele and Clean Bandit, all but to name a few and gained a significant amount of experience in many fields, from DJ’ing & Producing to Engineering & Teaching! So it’s fair to say, he knows a thing or two about music.

    Over these ten videos, Rory looks at some of the fundamental ways you can improve the sound of each element of your tracks so they really cut through the mix. From EQing vocals and creating your own unique layered kicks to understanding the importance of send/return fx and using compression, these tips and tricks will help you get the most out of your tunes and really make them shine ready to be played to a wider audience.

    Although this course is in Logic Pro, as with all our courses, these techniques can be applied to any DAW.

    Check it out and get the lowdown on how to polish your tracks and make them stand out above the rest!

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    Mixing For Mono - MASSIVE MONDAY

    4:44

    Visit my tutorial site at and subscribe to my weekly newsletter!

    Download the VSTs I used in this video:


  • desc

    Mixing Secrets: The 5 Mix Commandments

    14:00

    SOUNDCLOUD:



    MUSIC PRODUCTION Q&A:



    FACEBOOK PAGE:



    INSTAGRAM:

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    How to Enhance the Stereo Field of a Mono Source

    8:31

    Instant access to every in-depth mixing course from Matthew Weiss:
    Learn to mix hip-hop:
    Learn compression:
    Improve your ears:
    Drum samples:
    Mix tips:

    Tips for manipulating the stereo width of a mono source (viola) by using mid-side EQ & multiband compression.

    Software/Plugins:
    - Avid Pro Tools
    - FabFilter Pro-Q
    - FabFilter Pro-MB



    Transcript:

    Matthew Weiss here. We're gonna discuss a string recording and engineering practice I did. It can be applied to other instruments but I just so happened to do it on solo viola. I wanted to give the viola some stereo spread because of the way it was going to live in the mix. I didn't want it to have a strong central mono compatible sound like a lead. I wanted to fill out space. I recorded the viola with two microphones side by side and chose mics that were different in terms of tonality. The first was a condenser and sounded like this:

    [viola + condenser microphone]

    The other was a ribbon and sounded like this:

    [viola + ribbon microphone]

    You can hear the texture of the top-end of the ribbon is a bit brassier, and there's more fundamental tone with the ribbon. The condenser is a bit more presence range. More open sounding. Here's what they sound like summed.

    [strings + ribbon & condensor microphone summed]

    The mics are close together so there's a bit of a phase and frequency thing going on. That's what's creating the change in tonality. It's not a dramatic change in tonality, but it does add a bit of depth and take away some solidity.

    Here they're panned apart.

    [strings + ribbon & condensor microphone panned apart]

    On different notes and different parts, the weighting of where the viola lives seems to move around in the stereo field. Almost like a frequency-dependent auto-panner. We'll use that to our benefit to create a very wide big sound from a single viola.

    First thing I'll do is pull up the FabFilter Pro-Q. One of the things that's cool about the FabFilter Pro-Q is you can not only do a traditional left and right EQ on it, but also a mid-side EQ. What I'm going to do is boost the mid tone — the mid signal fundamental.

    [viola + mid EQ boost]

    Exaggerated

    [viola + mid EQ boost]

    The movement on the side, the different in the side is not really changing but the mid tone I'm giving more weight. And the side tones, I'm giving that harmonic presence energy up around 1k. That's sort of where you hear the floaty glowiness of the tone.

    [viola + side EQ boost]

    If you're wearing headphones you'll definitely notice the difference. Even in speakers I think you can notice it subtly, what you really hear is you hear that movement of the frequency energy a little bit more pronounced. The other thing I've got going on here is I've — there's also a mid-side function on this — when you switch into mid side mode, you can lean the side weighting so I have it leaned a little bit more so that the sides are a little louder relative to the mid, and then in response I'm turning up the overall signal because it spreads it out, it doesn't just gain the sides laterally.

    [viola with and without mid-side EQ boost]

    I'm big on things that don't sound dramatically different but add some life and energy. The recording was good sounding to begin with. I don't really need to do much to the viola, but by doing these subtler tweaks, you don't hear a huge difference but you feel more life pop into the string capture.

    I kind of like the brassy texture from the bow hairs. That super treble. That can become piercing and overwhelming if you pump the treble up, so I'm using a multi-band compression, again Fab Filter Pro-MB. And what I'm doing is using the compressor so when there's a lot of treble in the strings, there's no gain to the treble because it's bringing the gain back down to a neutral position. As the treble starts to die off, the compressor begins to release and the gain on the treble that I've set starts to show up. You get a more consistent treble sound and the bow hair sound becomes more obvious.

    [viola with and without multiband compression]

    Once more.

    [viola with and without multi-band compression]

    There's a bit more movement in the treble range going across the stereo field. That's because the FabFilter Pro MB has this band split stereo imager. Wherever you've split the frequency band, it can adjust the stereo perception of that individual band. I'm pulling the mid down on the treble, and using the output to compensate. I'm boosting the side treble, not the whole side, just the treble. This helps increase that sense of movement without screwing around with the fundamental tone of the viola.

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    IMMAGINE STEREO VS MONO: DIFFERENZE, SYNTH LAYER, EQ, SIDECHAIN COMPRESSION E MIXING!

    17:23

    In questo video di oggi vediamo le differenze fra immagine stereo e mono nei vari instrument/VST!
    Per tutto il resto premete play e buon divertimento!
    Se questo video vi è piaciuto lasciate un bel LIKE e iscrivetevi al canale.
    Se avete domande o richieste lasciate pure un commento qui sotto.

    Attenzione:
    RICORDATE SEMPRE LA MIGLIOR ARMA NEL MASTERING E MIXING E' UN ASCOLTO ATTENTO.
    ALLENATE LE ORECCHIE A PERCEPIRE TUTTI I SUONI.
    Non esiste un solo modo di fare mastering e mixing, ma fra i tanti modi dovete trovare quelle che più vi aggrada.

    Facebook:
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    Intro Song:
    Feelynx - Staring at the sky

  • desc

    Mono Stereo and Panning Explained

    5:22

    Audio School Online is the brain child of song writer, producer, mix engineer, and musician, Ken Lewis. He is sharing his 20+ years of experience in the music industry to provide an education to those who want to create, mix, or produce music. Check out his videos and please visit audioschoolonline.com for full lessons and additional content.

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