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Playlist of Waves F6 Floating

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    Waves F6 Dynamic EQ Plugin Overview

    6:21

    Watch mix engineer Brad Divens (Kanye West, Enrique Iglesias) demonstrate sidechaining, mid-side processing & more with the F6 Floating-Band Dynamic EQ plugin. Learn more:

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    EQ Problems SOLVED – Waves F6 Dynamic EQ Plugin Tutorial

    9:02

    Learn how to solve common vocal and cymbal equalization problems with the Waves F6 Dynamic EQ plugin: tutorial by Grammy-winning engineer Dave Darlington (Avicii, David Guetta, Sting). Learn more:

    00:14 – How to tame a harsh vocal
    02:15 – How to make vocals shine without sibilance
    03:53 – How to sidechain the lead vocal to help it cut through the mix
    07:24 – How to selectively tame harsh cymbals

    Song: Carl Nunes & TripL – “Better World”
    Listen or download:

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    Waves F6 Floating-Band Dynamic EQ | Quick Review

    13:49

    Waves F6 Floating-Band Dynamic EQ | Review

    Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

    For mastering email me at: N828music@gmail.com

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture: Screen flow 6.2

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    mixing with Waves F6 Dynamic EQ

    11:48

    This video I give an overview and some examples of how I use the Waves F6 when mixing. If you would like to give me a referral you can do so by purchasing through the link below.

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    Secrets of Waves F6 Floating-Band Dynamic EQ

    2:02

    Save a 10% on any purchase at Waves Audio with this link:

    Simple knowledge of tricks and keyboard commands like these can improve your reaction time and get more inspired results when using any of these two equalizers. The ability to isolate frequency bands allows you to hear exactly what the plugin is doing; lock the vertical or the horizontal of a band to fine tuning without loosing other settings; change the Q from the main screen instead of Gabi G to reach out for a knob is always welcome and finally switching bands on or off is always useful.

    In this video we see how all this can be done in the new F6 Floating-Band Dynamic EQ and we will also learn how many of these commands have been available for years, imported from the classic Renaissance and other Waves equalizers.

    If you feel like buying use our link to save an additional 10% off any purchase at Waves and we will get some credits as well:

    From the website:

    Surgical dynamic equalizer with 6 floating, fully-adjustable parametric filter bands, advanced EQ and compression/expansion controls per band, mid-side processing options, real-time frequency spectrum analyzer, and more. The ultimate problem-solving EQ, F6 can be used for diverse equalization, compression, expansion and de-essing processes, whether you’re mixing or mastering, in the studio or live. Each of the six floating bands features advanced EQ and dynamic controls that let you zero in on any problem spot – and treat it only when the problem arises. Rather than treating a frequency one time and leaving it there for the entire track, F6’s EQ settings are sensitive to the dynamics of your track. This way you can select not only by how much, but also precisely when a specific frequency will be boosted or cut, compressed or expanded. Take vocals for example: A singer’s tone changes throughout a performance depending on their position to the microphone. An EQ setting that works well when the singer is close to the mic and singing softly will not be as effective when the singer backs up and starts belting. F6 moves in time with the singer, kicking in when the vocal level crosses a certain threshold that you’ve set – and laying off when it falls below that threshold. With the F6, you can EQ more precisely, with filters that can be as narrow or as wide as you like, free-floating bands that can overlap, variable EQ shapes, and threshold-sensitive EQ settings. F6 is ideal for isolating specific problems on individual tracks and fixing them transparently only when they pop out. The plugin’s advanced mid-side processing capabilities give you even greater ability to carve out EQ space in a busy mix, so you can breathe more life into your mixes. The F6 dynamic EQ also includes a feature-rich, FFT-based real-time frequency spectrum analyzer, easily accessible from the main plugin interface. Analyzer features include adjustable resolution, adjustable reaction speed, RMS vs. peak response, pre-EQ, post-EQ and sidechain options, frequency, note and amplitude display based on cursor position, and diverse L/R monitoring options. Music is dynamic. The intensity of any piece of music constantly rises and falls. With the F6 dynamic EQ plugin, you finally have the perfect EQ tool to match this dynamic variation.

    Link:

    Enjoy!


    Bandcamp:

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    Waves F6 | Side-Chain Bass & Kick | 2 Track Drums Advanced Techniques.

    6:30

    Waves F6 Floating-Band Dynamic EQ| Side Chain Bass & Kick | 2 Track Drums Advanced Techniques.

    Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

    For mastering email me at: N828music@gmail.com

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture: Screen flow 6.2

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    Check out my Music Trap Radio | Graceful

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    Introducing the F6 Floating-Band Dynamic EQ Plugin

    1:00

    Tame a harsh vocal, but only when it’s too loud. Carve out EQ space in a busy mix – but do it dynamically. With 6 floating filters, each combining advanced EQ and dynamics controls, F6 is the ultimate problem-solving EQ. Learn more:

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    Waves F6 updated with an RTA

    5:34

    This video covers the RTA added in an update to the F6 in Feb 2018.

    Mixing with Waves F6 Dynamic EQ

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    F6 Dynamic EQ Update – Now with a Real-Time Analyzer

    53

    You asked for it, you got it: The F6 Floating-Band Dynamic EQ plugin has been updated with a feature-rich real-time frequency spectrum analyzer, accessible from the main plugin interface. Learn more:

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    Fixing weak DRUM loops with Waves F6 Dynamic EQ

    2:50

    Save an additional 10% off F6 of any other purchase at Waves Audio using this link:

    This loop we found in the Soundbase browser of Pro Tools had the perfect groove for our song but it was weak, of course that wouldn't stop us, we decided to take action and fix it ourselves. Why not? Here we show you how we did!

    For more information watch Secrets of Waves F6 Floating-Band Dynamic EQ (WINDOWS):

    Save an additional 10% off any purchase at Waves Audio with this link:

    Description:

    Mixing with Waves F6 Dynamic EQ

    KICK: To increase the kick without affecting the snare and the rest of the loop select any band and change it into a low shelf filter.
    Move the THRESHOLD needle until the peaks of the kick exceed it.
    Make sure the other hits are below the needle.
    Increase RANGE until the level of the kick is at the desired volume.
    Notice how the EQ curve is activated only when the kick plays.
    Adjust the Q until the transition sounds natural.
    Use FREQ in isolation to find the exact area of the kick you want to affect.
    Since we are increasing the low end considerably it is possible that it is necessary to use the HPF.

    SNARE: There's a frequency on the snare that sounds too harsh. Use a bell filter to control it.
    Use the band in isolation to find the exact frequency and width of the problematic area.
    Now repeat the process of lowering the THRESHOLD needle until the hits of the snare exceed it but this time move RANGE in the opposite direction.

    LOW-MIDS: In the area where the kick and the snare coincide, we want to increase the punch of the kick without adding more body to the snare.
    First look for the exact area with a band in isolation, then move the THRESHOLD needle until it is reached by the snare and reduce RANGE. With that we will have reduced the body of the snare without affecting the kick yet. Now use GAIN to recover the body of the snare and at the same time increase the punch of the kick.

    DISTORTION CONTROL: If, like this case, the loop has been abused with too much distortion, use an LPF to reduce the extremely harsh frequencies of the hi-hat and give it some lo-fi vibe.

    The last thing as always is to listen in context and make adjustments until everything sounds just perfect.

    Now enjoy the groove!

    Direct link:

    #Mixing #electronic #loops

    Enjoy!


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    Use this link to save an additional 10% off any purchase at Waves Audio:

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    Make SPACE for your lead tracks with Waves F6

    2:39

    Save an additional 10% off any purchase at Waves Audio with this link:

    Sign up for the FREE Waves masterclass with David Darlington (including a 15% discount for Waves plugins inside):

    We want to create space for this #guitar solo to be heard more easily among the dense layer of accompanying instruments that are in the same frequency range. For that we have created a pre-fader send channel that will send an exact copy of the guitar track to the SideChain input of an instance of #Waves F6 dynamic EQ in MS mode inserted on the #keyboard group. When the guitar track (which is panned to the center) produces some sound the F6 will reduce the center channel (mid) of the keyboard group channel without affecting the sides creating space for the guitar in the center without having to reduce the presence in the piano and pads on the sides. Notice how when F6 is in bypass it seems as if the guitar goes down in volume.

    Insert F6 into the group channel of the accompanying instruments that you want to duck when the lead voice sounds. If you do not use. group channels this is a good time to start, they are very useful. With lead voice we mean a solo instrument, a singer or any performance that needs to be highlighted. On the input of the SideChain channel of the plugin select the send channel that comes from the lead track, in our case the guitar. Make sure that the volume of the send is at 0dB and that it's pre-fader.

    Now select each band and select MID in each of them.
    Select each band again and select SC SOURCE - EXT.

    Now while the music is playing use the global Threshold control to reduce it on all bands equally until the needle is affected by the signal. To have a better idea select one of the middle bands, 3 or 4 offer a more realistic level of the instruments we are processing. Now use the global Range control to reduce it until you hear that the central signal is reduced by the dynamic movements of the lead track.

    Make the relevant adjustments with Threshold and Range and finally listen in context. To apply this trick on vocals just replace the guitar track for the main vocal track and insert copies of the F6 on the keys and guitar tracks. The advantage of using Waves F6 as opposed to a single band compressor in mid/side is that the sidechain signal will affect each band of F6 differently and duck the keyboards more in the octaves where the guitar is currently playing.

    Direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

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    How to Get Harder Hitting 808 Kicks in Your Tracks

    8:20

    Watch how to create more punchy, harder-hitting 808 kicks by shaping attack transients, adding heavy-aggressive distortion, and sidechaining the kick and bass. Download the free presets and plugin chain:

    (0:25) Adding Top-End Attack to 808s
    (2:43) Creating Distorted 808s
    (4:59) Sidechaining 808 Kick & Bass

    Plugins used in this video:
    StudioRack:
    Smack Attack Transient Shaper:
    Manny Marroquin Distortion:
    F6 Floating-Band Dynamic EQ:
    PAZ Analyzer:

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    แนะนำปลั๊กอิน F6 Floating-Band Dynamic EQ

    15:56

    #Waves
    #Wizakie_Studio

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    How to Control Live Spoken or Sung Vocals with Dynamic EQ

    5:01

    When a singer sings or a speaker speaks at different volumes on stage, dynamic EQ can easily help control their voice in the mix. Watch the live sound experts from MxU demonstrate how with the Waves F6 plugin. Learn more:

    Learn more about MxU live sound coaching and services:

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    Rap Vocals De-essing | Using dynamic EQ

    8:03

    Instagram :


    In this video I`m showing a tehnique for rap vocal de-essing using a dynamic eq .

    I am using dynamic eq for rap vocals de-essing when mixing because you have alot of control and you can really remove unwanted , harsh frequencies and resonance .

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    How to Duck a Busy Beat to Make Room for Vocals

    3:10

    Got a busy hip-hop beat that doesn’t have room for vocals to shine? Fixing a cluttered mix with dynamic EQ can help you make space for the vocal in a way that reacts to the music. Learn more:

    Tutorial presented by producer & mixing engineer Sean Divine.
    Music: Sean Divine – “Overtime”

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    Get Waves F6 Floating-Band Dynamic EQ for $26, coupon code: http://refer.waves.com/bi5lS

    16

    Click the coupon code link, you will receive a code to enter during check out to save 10% anytime.

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    Waves Mixdown | Chris Lord-Alge | First thoughts

    4:49

    Waves Chris Lord-Alge Mixdown | First thoughts

    Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

    Email me for Skype lessons, mixing or mastering at: N828music@gmail.com

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture: Screen flow 6.2

    -~-~~-~~~-~~-~-
    Check out my Music Trap Radio | Graceful

    -~-~~-~~~-~~-~-

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    Waves F6 Dynamic EQ - Reseña

    10:40

    Waves F6 Dynamic EQ. Más videos y artículos como este aquí en:

    Aquí te enseñamos cómo usar el plugin Waves F6.

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    How to discover and control annoying frequencies with Waves L3

    1:23

    In this video we make use of the most important and genuine resource that this plugin has to offer: the PRIORITY control. This invention allows to balance the energy with which L3 MultiMaximixer reduces the signal across the spectrum to convenience. In our case it has been useful to fix a hi-hat track with a nasal sound quite prominent. In mastering this tool is an advantage because it helps to control both the dynamic response of the song and the tonal balance of the frequency spectrum creating masters that sound even and with a pleasant clarity of listening.

    Link:

    Enjoy!


    Bandcamp:

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    Mix Secrets TV - Enrico De Paoli at InfoComm 2017 - WAVES F6 Dynamic EQ

    8:50

    Grammy winning engineer/producer Enrico De Paoli interviews Luke Smith from WAVES about the new F6 dynamic equalizer plug-in.

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    Controlling fret buzz on acoustic guitar with Waves F6

    1:46

    Save an additional 10% off any purchase at Waves Audio using this link:

    Waves F6 Floating-Band Dynamic EQ:

    We want to control the hurtful noises made by the #strings when the fingers move on the #fretboard. For that we are going to use the #compressor of the highest band of F6.

    Turn band 6 into a shelf, press SOLO and start moving FREQ to the left while all you hear is noise, stop as soon as you start to hear defined notes, then back up a little.

    Turn SOLO and place THRESHOLD in the place where most of the notes end so that it is only surpassed by the annoying noises.

    Move RANGE to the left until the annoying notes are diminished considerably and put ATTACK to the minimum, we prefer to use all the available negative range & compensate with a GAIN boost.

    This is the same as using a de-esser but with the possibility of snooping inside. We are going to cut the sub low freqs now, activate the HPF and look at the area where the low freqs of the guitar form a descending ramp, place it there.

    Finally retouch the GAIN boost in band 6 to make sure we are not losing much brightness and if necessary adjust ATTACK and RELEASE according to the tempo of the performance.

    direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

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    3 Golden Rules for Low End Hip Hop Mixing | Lu Diaz

    9:35

    Multi-platinum producer/mixer Lu Diaz (Jay Z, Kodak Black, Pitbull) gives 3 tips for blending 808s and kicks to get a clean, punchy low end in your tracks. Get more hip hop production tips:

    1:16 Tip #1: Enhancing 808 Harmonics & Tone
    4:29 Tip #2: Multiple EQs for the Kick
    6:58 Tip #3: Sidechaining Kick & 808

    Plugins used by Lu Diaz in this video:

    Vitamin Sonic Enhancer:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    SSL E-Channel:
    API 550:

    Music: Feel It Babe by Realzz. Produced by The Track Burnaz.

    Get the latest updates from Lu Diaz:
    Website:
    YouTube: Instagram: Twitter:
    Facebook:

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    How to better mix KICK and BASS: MULTIBAND SIDECHAIN!

    4:07

    What's up guys! This is my new tutorial in which I show you how to better mix kick and bass through multiband sidechain technique.
    The purpose is to avoid the kick to disappear and to leave some frequencies for the kick.
    It is an alternative to the classic sidechain, but it can be used together with sidechain to have a stronger effect.

    I hope you like it! Leave some comments below with your thoughts! :)

    NO COPYRIGHT INFRINGEMENT INTENDED. THIS IS ONLY A TUTORIAL VIDEO.

    No sale of any content others
    No sale of third party content
    No sale with names of others
    No rights owned
    ________________________________________­_____________



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    How to use Waves C6 Multiband Compressor

    4:11

    NOTE: on 0:53 instead of ONLY button if should say SOLO button and on 2:13 it should have said Next to the high band it is included a Q factor control for the 3 crossovers of the center section.

    C6 Multiband Compressor is useful for almost everything in a mix session, it offers the classic 4 bands of Waves C4 Multiband with its master controls and two additional bands that can be freely moved through the frequency spectrum. They also have control of the Q factor and offer additional support to the traditional bands and at the same time can be used as dynamic equalizers and even as an alternative to Renaissance DeEsser!

    In this video we explain step by step our procedure to use all the bands of this plugin using the controls of BYPASS, Threshold, Gain (both of them), Behavior and Crossover achieving at the end a uniform result improving the dynamic response and clarity of a section of strings and woodwinds.

    Click this link to save an additional 10% off any purchase at Waves:

    From the website:

    For years, the C4 has been a favorite of studio engineers the world over, and in live sound, it’s quickly become a must-have for front-of-house and monitor professionals as well. To create the C6, we took the tried-and-true functions of the C4, and added two additional floating bands plus a sidechain feature, for one-stop vocal and instrument shaping. Equally at home in the studio, live, and in post production, the C6 lets you zero in on problem frequencies with surgical precision.

    Perfect for de-essing and de-popping in the studio or onstage, the C6 gives you all the multiband compression and dynamic equalization you need to control, tame, and shape your sound.

    -Multiband compressor plugin
    -Internal/external sidechain per band
    -Individual band Listen -modeFour crossover bands plus two floating bands
    -Dynamic EQ, compression and expansion
    -Double precision bit resolution processing

    Link:

    Enjoy!

    Bandcamp:

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    Lay You Down- Neon Vines

    3:45

    Thanks for watching! Please subscribe to my channel :)
    I'm hosting a secret sale on the microphone I'm using in this video (The NV-01)!! Only people reading this right now have a chance to get over $300 off if you type my promo code NEONVINES in at checkout here:

    Absolutely obsessed with this mic- One of the most underrated microphones in the industry right now and can't say enough good things about it. It is literally comparable to my Neumann U87 Ai. Hit me up for questions about this.

    And....... for those interested (plugins used):
    Vocal Rider- The plugin responsible for keeping the vocal volume leveled and consistent throughout the performance
    H-Reverb- My favorite reverb plugin of all time, used on the vocals and several other tracks in this session
    F6 Floating Band EQ- My favorite EQ for live performance because of it's low CPU usage
    Infected Mushroom Pusher- Great, user-friendly mastering plugin to get a track to your desired level and add some magic to the sound
    Vocal Synth 2- Doing pitch correction on the vocal

    In this performance I was also using the Behringer FCB1010 midi foot controller to control a few vocal stutter effects and some clip/sample triggering. I decided I had enough camera angles and also didn't wanna show my ugly socks lol.

    AND here's a full list of gear I use, in general... if you're curious :)

    Interested in owning a Seaboard?

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    Waves F6 External Routing, FL Studio Side Chain Tutorial

    3:16

    Today is a quick example of how to Sidechain and Externally Route plugins like F6 and others in FL Studio. Thanks for dropping by, be sure to like and subscribe with bell! ^^

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    Video Pillole - #3 F6 Floating-Band Dynamic Eq che cosè e come si usa.

    16:58

    Video Tutorial per gli amanti della Produzione Audio, Mixing & Recording. Plugin strani che possono tornare utili.
    Scrivetemi se siete interessati a conoscere plugin particolari, o anche semplicemente per commentare e darmi consigli su come migliorare.

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    Mixing a Song with the Waves Abbey Road Vinyl Plugin

    29:58

    Watch mixing engineer Dave Darlington (Avicii, Sting) as he goes through the Vinyl plugin step by step and shows how he uses it to add the unique sonic qualities of a vinyl record—punch, warmth, cohesion—to a digitally recorded song. Learn more:

    00:00 General overview
    04:29 Quick tour of the plugin’s controls
    11:26 Using the plugin (piano/vocal verse): Lacquer vs. Print; TG desk; choice of turntables and cartridges
    14:36 Full-band chorus & bridge: more on the above controls
    21:15 Adding wow and flutter
    22:29 Phase distortion section
    23:50 Tone arm location’s impact on the sound
    25:17 Slow-down/stop mechanism
    26:53 Recap of various plugin controls

    Music: Crazy Under the Moon by Jacob Jeffries

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    AV СПОНТАННЫЙ СТРИМ 36 - Sonimus Burnley 73, Son EQ, WAVES F6

    41:14

    Донаты на развитие канала:

    !!!БЛАГОДАРЮ ЗА ПОДДЕРЖКУ!!!

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    ◆ Сведение и Мастеринг -
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    Спасибо за подписку на канал! Жду вопросы в комментариях! Не забудьте про чат!

    ════════════════════════════════════════════════════════

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    Trying out Waves F6 Equalizer

    2:17

    i got a free 7 day demo trial.. i think this EQ sounds pretty good on anything.. i might buy this plugin after the 7 day trial.

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    Waves Audio NX Virtual Room - NAMM 2017 | GEAR GODS

    3:01

    50% off RelationShapes, the only scale system course you'll ever need:


    We stopped by the Waves Audio booth at NAMM 2017 to hear about the NX virtual room software.

    Edited by Isaac Stolzer-Gary
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    Tips prácticos #11 Crea espacio en voces utilizando Eq Dinámico con el F6 Floating-Band Dynamic EQ

    3:44

    Tips prácticos #11 Crea espacio en voces utilizando Eq Dinámico con el F6 :

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    TDR Nova GE vs Waves F6

    6:05

    Salut à tous!

    Dans cette vidéo je vous ai fais un bref comparatif de 2 égaliseurs dynamiques abordables.
    TDR Nova vs Waves F6!

    NOTE :
    Petite erreur de marquage de ma part pour le Threshold! oups :D

    ==========

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    Mail : datalab.studio@gmail.com

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    How To Sad Trap using Waves Tune Real Time

    14:25

    Showing how to Sad Trap using Waves Tune Real Time. Waves Tune Real Time is an amazing pitch correction software that's a cheaper route than Antares Autotune.

    SAD TRAP Song USING WAVES TUNE REAL TIME in LOGIC PRO X



    snapchat 👻 - yellaboydb

    email: skyjordxn@gmail.com



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    logic pro x,waves tune,waves tune real time,waves,logic pro,auto tune,waves tune real-time,pro tools,waves tune real time t pain,apple logic pro x,tune,logic,mixing in logic pro x,install waves in logicpro x,waves tune tutorial,tutorial,auto-tune pro,waves tune vs autotune,autotune,waves tune real time free,waves tune real-time crack,waves tune real time vs autotune efx 3

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    Enhancing Electronic Drums with Waves C6 Multiband Compressor

    6:38

    In this tutorial you will learn how to enhance EDM kick and snare tracks by using Waves’ C6 Multiband Compressor as a dynamic equalizer.
    C6 Multiband Compressor:

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    How to find promo codes for Waves Plugins and others retailers

    2:45

    Please press link below to find the promo code for waves plugin and other retailers:

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    Floating Waves - The Core

    5:08

    First song of our new project Floating Waves. It's called The Core and was recorded @Splechtival 2017.

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    Introducing the Brauer Motion Auto-Panner Plugin

    1:09

    Developed with Grammy®-winning mix engineer Michael Brauer (Coldplay, John Mayer, James Bay, Elle King), Brauer Motion is a creative circular stereo auto-panner designed to add movement and emotion to your mixes. Learn more:

    Music:
    Drum loop by Lo Moon –
    “Renegade” by RANN –

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    Introducing Waves Sub Align – A Plugin for Live Sound Engineers

    50

    Watch this overview of Sub Align, an innovative plugin that enables FOH engineers to align the sub and top speakers in unaligned PA systems, even when they have no access to the system processor.

    Sub Align:

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    Favoring vocal GROUP mixing over MULTITRACK mixing

    1:54

    Save an additional 10% off any purchase at Waves Audio using this link:

    Instead of applying all the #mixing processes (EQ, compression, reverb, etc.) directly in each track of these choirs this time we decided to only use the correction processes and then #mix once grouped in the stems.

    In the multitrack we only inserted Slate VMS with the Neumann U67 (yes, we know we said TLM which could be, maybe, a more accurate description in the end), HPFs, De-Essers and Ultrapitch in some tracks and Reel ADT as we explained in these videos:

    Mixing SUPER POP vocal choirs with Waves plugins:
    How to use Waves UltraPitch Shifter to create POP/EDM Choirs:
    How to use Waves Sibilance De-Esser plugin:
    Secrets of Waves F6 Floating-Band Dynamic EQ (WINDOWS):

    So far all we have done is make sure that the tracks are clean, have the correct character and the necessary stereo and pitch effects. The mix as such, that is, the positioning of the vocals in the vertical, horizontal and depth planes It's going to happen in the groups...

    Here we applied dynamic EQ to control the resonances in the low mid zone when these are too much without diminishing the warmth and presence of the voice in the softer parts. Then we added the necessary brightness with our favorite EQ on vocals, the Pultec. These two processes have been used in all the chorus groups. Then where it has been necessary we've added dual compression, but there was no need to use much GR since the more overdubs are added to the group, the more stable the dynamic becomes.

    Using two or more compressors in series is a technique as valid as any, in this case we feel that some choirs did not have the strength and presence necessary with the Opto so we inserted a second FET compressor. Of course these things can only be noticed by listening in context... Finally we applied the reverb sends in the grups.

    The advantage of mixing in groups is not only to save the CPU but also to avoid creating phase problems between the different tracks of the group and in many cases this technique also sounds much more natural. In the main vocals we also used this technique only with different processes.

    Plugins used in this video:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    CLA-2A Compressor / Limiter:
    CLA-76 Compressor / Limiter:
    iZotope / Exponential Audio R2:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

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    Tips prácticos #2 : SideChain de frecuencias entre voz y música utilizando F6 Dynamic Eq

    4:58

    Tips prácticos #2 : SideChain de frecuencias entre voz y música utilizando F6 Dynamic Eq
    Info del plugin :

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    Waves Tony Maserati VX-1 for vocals EXPLAINED

    4:15

    Save an additional 10% off VX1 or any purchase at Waves Audio using this link:

    VX1 is nothing more than an equalizer, a compressor, a delay and a reverb that have been specially designed to achieve the kind of #vocals we commonly hear in pop and disco songs.

    CONTOUR selects between the three most used reverbs in these styles: C1 is a medium general purpose reverb. C2 is a long reverb appropriate for ballads. C3 is a tight room able to place the vocal in your face. Each CONTOUR adjusts the delay time according to the selected reverb style but it can be later modified by the DLY control. In the CONTOUR 1 and 2 modes the equalizer consists of two bands specially designed to bring clarity and presence to a track that has not been previously processed. Both bands are very effective, a small touch goes a long way and they can even create telephone effects by placing both in the minimum. In the CONTOUR 3 mode COMPRESS is replaced by a third EQ band: AIR, which is responsible for adding the sound universally known as expensive and which is recurrent in energetic styles such as EDM and Rap.

    FX controls the signal level sent to the effects so it controls the volume of the reverb and the delay. If you want to adjust or mute the delay later, you can use DLY MIX.

    To listen to the effects section in isolation we can select SEND. This mode is designed to use the effects of VX1 in parallel but it is an excellent opportunity for fine tuning.

    DECAY allows you to further adjust the reverb time within the selected style. VRB TONE is a tone control applied to the reverb, try to find a tone completely contrasting with that of the original signal...

    Now, the first thing you really have to do when you insert VX1 is to adjust SENSITIVITY until the led turns yellow in the loudest passages. With this you will be ensuring that the compressor is doing its job correctly. The second thing to do is to adjust OUTPUT until the output volume is equal to that of the plugin in BYPASS. This way you can listen to the work of the compressor and avoid signal overloads later.

    COMPRESS allows you to increase or decrease the original compression amount for each preset assuming that SENSITIVITY has been adjusted correctly.

    So essentially this is all you have to do to get at least a good foundation on which to create a #million-dollar voice track. Of course if necessary you can use other #plugins before or after VX1 such as a deesser or additional compression and equalization.

    Direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

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    Waves C1 Compressor Tutorial - Side Chaining

    8:30

    Waves C1 is, without doubt, one of the finest compressor plugins every made, and in this series of six in-depth videos, we show you to push it to the limits.

    We start with a tour of the C1’s parameters and a rundown of its various versions, before getting into the details of the gain reduction meter and how it reflects the amount of compression being applied.

    From there, we move on to the Compressor-Gate version of C1, exploring its interface and revealing how it differs from the standard model. We then get stuck into the various EQ modes on offer, showing how the presets can be adapted to suit any particular purpose – specifically, the reduction of reverb tails in an audio track.

    DeEssing next, as we use C1’s display and sidechain to visually focus on sibilant areas and duck them out. And, finally, we go deeper into sidechaining and demonstrate reducing 'muddiness' from an audio recording with the C1 in EQ mode.

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    How to set the Sidechain source with a Waves Plugins inside FL Studio 12-20

    56

    This is a quick tutorial for those who struggle to set properly the Sidechain source with a Waves Plugins inside FL Studio 12 or 20.

    The main tips is to use the VST3 version of the Waveshell1 container.

    The video show how to make the ducking effect on the bass accordingly to the kick with using the sidechain trick with the plugins F6 - Floating-Band Dynamic EQ by Waves.
    (it's only to demonstrate that the sidechain source is effectives, it's not a proper tutorial about the ducking effect).

    1- select the kick track on the mixer
    2- right-click on the bass track and select Sidechain to this track
    3- on the insert effect of the bass, choose the VST 3 version of the waveshell1 plugins (it' will not work with other version of VST like 1 or 2)
    4- This is the MAIN step: after have selected the plugins, go to the detailed settings -Wrapper settings - Processing and select the track 1 as stereo Aux In, and enable this channel.
    5- then, inside the plugins, select a band you want the effect, and on the area named SC Source, select EXT.
    6- make the tweak you want or follow mine (they are exaggerated but it's to make obvious the effect) and that's it !

    I hope it help ,)

    Stay connected with me:
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    #sebastiennova #flstudiotutorial #wavesvst

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    Waves Smack Attack on a rap vocal

    5:17

    This video shows how I used the Waves Smack attack on a rap vocal

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    Waves Of SIlver - Branches

    4:36

    Waves Of Silver stopped by our studio and recorded some awesome tracks! This one is called Branches!

    Tune In:
    Rifftime:
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    How to use Waves PuigChild 670 for Mid-Side Master Compression

    2:01

    The Fairchild 670 is a compressor that doesn't really offer as many parameters as modern compressors but it's particularly good sound and character compensates for the lack of buttons. One of the most important features of the original design is its ability to process Left and Right or Mid and Side signals independently which, combined with its particular frequency and color response, has made it a popular mix bus and mastering tool.

    In this video we share a way how to use and achieve the best results using our favourite version, Waves PuigChild 670. Our method consist in isolating the Mid and Sides signals, process them independently and then mix and balance them again to control the depth perception and punch of the mix using the built in output controls.

    Click this link to save an additional 10% off any purchase at Waves:

    From the website:

    Throughout the vinyl era, the original Fairchild 660 and 670 compressors were ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. We’ve collaborated with GRAMMY-winning producer/engineer Jack Joseph Puig (U2, Rolling Stones, Lady Gaga) to capture every distinctive nuance and harmonic detail of the vintage Fairchild 670 device housed in Jack’s own studio.

    Modeled on a rare vintage Fairchild 670
    Lateral vertical mode (MS compression) for optimal stereo imaging
    Linked & unlinked modes

    Link:

    Enjoy!


    Bandcamp:

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    Introducing the Waves Abbey Road Reverb Plates Plugin

    1:12

    Waves and Abbey Road Studios present Abbey Road Reverb Plates, a plugin modeled on the four EMT 140 reverb plates used at the legendary studios by the Beatles, Pink Floyd, Radiohead and Adele.
    Abbey Road Reverb Plates:

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    Introducing H-EQ

    54

    Buy Now:

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