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Playlist of Waves F6 Floating

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  • Waves F6 Dynamic EQ Plugin Overview

    6:21

    Watch mix engineer Brad Divens (Kanye West, Enrique Iglesias) demonstrate sidechaining, mid-side processing & more with the F6 Floating-Band Dynamic EQ plugin. Learn more:

  • x
  • EQ Problems SOLVED – Waves F6 Dynamic EQ Plugin Tutorial

    9:02

    Learn how to solve common vocal and cymbal equalization problems with the Waves F6 Dynamic EQ plugin: tutorial by Grammy-winning engineer Dave Darlington (Avicii, David Guetta, Sting). Learn more:

    00:14 – How to tame a harsh vocal
    02:15 – How to make vocals shine without sibilance
    03:53 – How to sidechain the lead vocal to help it cut through the mix
    07:24 – How to selectively tame harsh cymbals

    Song: Carl Nunes & TripL – “Better World”
    Listen or download:

  • x
  • Waves F6 Floating-Band Dynamic EQ | Quick Review

    13:49

    Waves F6 Floating-Band Dynamic EQ | Review

    Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

    For mastering email me at: N828music@gmail.com

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture: Screen flow 6.2

    -~-~~-~~~-~~-~-
    Check out my Music Trap Radio | Graceful

    -~-~~-~~~-~~-~-

  • mixing with Waves F6 Dynamic EQ

    11:48

    This video I give an overview and some examples of how I use the Waves F6 when mixing. If you would like to give me a referral you can do so by purchasing through the link below.

  • x
  • Waves F6 | Side-Chain Bass & Kick | 2 Track Drums Advanced Techniques.

    6:30

    Waves F6 Floating-Band Dynamic EQ| Side Chain Bass & Kick | 2 Track Drums Advanced Techniques.

    Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

    For mastering email me at: N828music@gmail.com

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture: Screen flow 6.2

    -~-~~-~~~-~~-~-
    Check out my Music Trap Radio | Graceful

    -~-~~-~~~-~~-~-

  • How to Control Live Spoken or Sung Vocals with Dynamic EQ

    5:01

    When a singer sings or a speaker speaks at different volumes on stage, dynamic EQ can easily help control their voice in the mix. Watch the live sound experts from MxU demonstrate how with the Waves F6 plugin. Learn more:

    Learn more about MxU live sound coaching and services:

  • x
  • F6 Dynamic EQ Update – Now with a Real-Time Analyzer

    53

    You asked for it, you got it: The F6 Floating-Band Dynamic EQ plugin has been updated with a feature-rich real-time frequency spectrum analyzer, accessible from the main plugin interface. Learn more:

  • How to Duck a Busy Beat to Make Room for Vocals

    3:10

    Got a busy hip-hop beat that doesn’t have room for vocals to shine? Fixing a cluttered mix with dynamic EQ can help you make space for the vocal in a way that reacts to the music. Learn more:

    Tutorial presented by producer & mixing engineer Sean Divine.
    Music: Sean Divine – “Overtime”

  • How to set the sidechain source with a Waves Plugins - FL Studio 20

    56

    This is a quick tutorial for those who struggle to set properly the Sidechain source with a Waves Plugins inside FL Studio (12 or 20). Read step by step below:

    The main tips is to use the VST3 version of the Waveshell1 container.

    The video show how to make the ducking effect on the bass accordingly to the kick with using the sidechain trick with the plugins F6 - Floating-Band Dynamic EQ by Waves.
    (it's only to demonstrate that the sidechain source is effectives, it's not a proper tutorial about the ducking effect).

    1- select the kick track on the mixer
    2- right-click on the bass track and select Sidechain to this track
    3- on the insert effect of the bass, choose the VST 3 version of the waveshell1 plugins (it' will not work with other version of VST like 1 or 2)
    4- This is the MAIN step: after have selected the plugins, go to the detailed settings -Wrapper settings - Processing and select the track 1 as stereo Aux In, and enable this channel.
    5- then, inside the plugins, select a band you want the effect, and on the area named SC Source, select EXT.
    6- make the tweak you want or follow mine (they are exaggerated but it's to make obvious the effect) and that's it !

    I hope it help ,)

    Stay connected with me:
    Facebook:
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    Youtube:

    #sebastiennova #flstudiotutorial #wavesvst

  • x
  • Mixing Hip Hop Vocals with WAVES PLUGINS From Scratch | EQ & Compression

    17:37

    In this video, I show you how to mix hip hop vocals from scratch in FL Studio 20 [Mac] using ALL Waves Plugins and presets. My Waves Vocal demonstration can be used in any DAW (Logic Pro X, Pro Tools, Studio One, Ableton, etc.) That accepts third-party plugins. Enjoy!

    ???? Dug Hill (Artist)
    ↪︎

    ???? FLP + WAVES Vocal Presets
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    ???? Mixing & Mastering Service
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    ???? Purchase Untagged Beats
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    ???? Subscribe For More→

    ???? Stay Updated→

    ???? Save 10% on Waves Plugins here!
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    Equipment Used:
    *Microphone:
    2nd Microphone:
    Alternative Microphone:
    *Audio Interface:
    2nd Audio Interface:
    Alternative Audio Interface :
    *DAW:
    Mouse:
    *Headphones:
    2nd Headphones:
    3rd Headphones:
    Monitors:
    Microphone Isolation Shield:
    *Computer:
    *Used in today's video

    Any questions or inquiries? Please send an email to:
    hello@keywav.io

    » Website -
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    #vocalmixing #hiphopvocaltutorial #mixinghiphopvocals #vocalpresets








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  • How to Get Harder Hitting 808 Kicks in Your Tracks

    8:20

    Watch how to create more punchy, harder-hitting 808 kicks by shaping attack transients, adding heavy-aggressive distortion, and sidechaining the kick and bass. Download the free presets and plugin chain:

    (0:25) Adding Top-End Attack to 808s
    (2:43) Creating Distorted 808s
    (4:59) Sidechaining 808 Kick & Bass

    Plugins used in this video:
    StudioRack:
    Smack Attack Transient Shaper:
    Manny Marroquin Distortion:
    F6 Floating-Band Dynamic EQ:
    PAZ Analyzer:

  • 3 Golden Rules for Low End Hip Hop Mixing | Lu Diaz

    9:35

    Multi-platinum producer/mixer Lu Diaz (Jay Z, Kodak Black, Pitbull) gives 3 tips for blending 808s and kicks to get a clean, punchy low end in your tracks. Get more hip hop production tips:

    1:16 Tip #1: Enhancing 808 Harmonics & Tone
    4:29 Tip #2: Multiple EQs for the Kick
    6:58 Tip #3: Sidechaining Kick & 808

    Plugins used by Lu Diaz in this video:

    Vitamin Sonic Enhancer:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    SSL E-Channel:
    API 550:

    Music: Feel It Babe by Realzz. Produced by The Track Burnaz.

    Get the latest updates from Lu Diaz:
    Website:
    YouTube: Instagram: Twitter:
    Facebook:

  • ???? Mixagem com Equalizador Dinâmico Waves F6

    13:30

    INFO E DOWNLOAD:

    Facebook:
    Intagram: @jorgemusix

    #SomBinarioMusic #WavesAudio

  • Vocals auf SCHLECHT gemixten Beat abmischen

    8:01

    Ich nutze diesen dynamischen EQ (F6 von Waves)


    Alternative (EQ und Dynamischer EQ in einem)


    SD:



    ???? Instagram & TikTok:
    ► san.cruzo
    ✉️ Email:
    ► sancruzox@gmail.com

    #vocals #abmischen #dynamischerEQ

  • How to Level Broadcast Mixes without Overcompressing

    9:12

    Live broadcast mixes can be a challenge in balancing music and dialogue and setting appropriate output levels. Watch the live sound experts from MxU walk through a Waves plugin chain to achieve a clean broadcast mix. Learn more:

    Waves plugins used in this video:
    F6 Floating-Band Dynamic EQ:
    L3 Multimaximizer:
    L2 Ultramaximizer:
    Dorrough Stereo:

    For more MxU videos visit:
    For more live sound videos visit:
    For more house of worship videos visit:

    Learn more about MxU live sound services and coaching:

    This video is in tribute to and in memory of Andrew Stone.

  • Tell Me Im Wrong- Neon Vines

    6:34

    100k SUBSCRIBERS GIVEAWAY!! I'm giving away over $40,000 worth of music gear and software. Click the link to enter. Ends July 1, 2020:
    **************************************************************

    Waves OVOX Vocal plugin:
    Please subscribe to my channel if you like this video!

    Full List of Gear I Use:
    This song is available for purchase here :)


    Gear Used in this Performance:
    Akai MPC One (drum machine):
    Novation Launchpad Pro Mk3:
    Neumann U 87 Ai (vocal mic):
    My audio interface:
    Expressive E Touché SE:
    DJ Techtools Midi Fighter Twister:
    Behringer FCB 1010 (foot controller- not shown):
    Beyerdynamic DT770 Pro (headphones):

    Software Used:
    Waves OVOX:
    F6 Floating Band EQ (my favorite EQ plugin, low CPU usage):
    Doubler (to help spread vocoder around the lead vocal):
    H-Reverb (my favorite reverb plugin):
    Vocal Rider (helps level/balance dynamic range of the lead vocal):
    Ableton Live 10 Standard:

    Follow me on Instagram to keep in touch!

  • Iron Maiden’s Live Mix Setup | FOH Ken “Pooch” Van Druten

    35:54

    Watch legendary FOH engineer Ken “Pooch” Van Druten (Justin Bieber, Linkin Park) walk through his detailed Iron Maiden live setup using Waves SuperRack and various plugins. Learn more about SuperRack:

    (3:11) Pooch using Torque Live on Snare

    (6:02) Learn why Pooch creates a cymbals group and how he patches the C6 back to his main channels to give him better control of the kit

    (10:25) Pooch explains how the F6 polishes the overall drum mix bus

    (14:10) Pooch shows us his plugin chain on Steve Harris’ bass and explains the reason for the PSE

    (21:07) See the comparison of the C6 settings between Dave & Adrian’s guitar groups

    (24:50) Pooch shares a great tip to make room for vocals in the mix with a sidechain and center setting on F6

    (30:00) Pooch walks through the plugins used on Bruce’s vocal channel including the CLA-2A, C6, F6 and DeEsser

    Waves Plugins used in the video:
    SuperRack:
    dbx 160 Compressor/Limiter:
    C6 Multiband Compressor:
    SSL G-Master Buss Compressor:
    F6 Floating-Band Dynamic EQ:
    Renaissance Reverb:
    CLA-76:
    PSE:
    Vitamin:
    CLA-3A:
    H-Reverb:
    H-Delay:
    API 2500:
    Renaissance Axx:
    Doubler:
    CLA-2A:
    DeEsser:
    Vocal Rider:

  • Enhancing Electronic Drums with Waves C6 Multiband Compressor

    6:38

    In this tutorial you will learn how to enhance EDM kick and snare tracks by using Waves’ C6 Multiband Compressor as a dynamic equalizer.
    C6 Multiband Compressor:

  • Lay Low- Neon Vines

    4:08

    100k SUBSCRIBERS GIVEAWAY!! I'm giving away over $40,000 worth of music gear and software. Click the link to enter. Ends July 1, 2020:
    **************************************************************

    Full List of Gear I Use:
    Please subscribe to my channel if you like this video!

    Song is available for purchase here :)


    Gear Used in this Performance:
    Akai MPC X:
    ROLI Seaboard Rise 49:
    ROLI Seaboard Block:
    Akai MPD218 (drum pad):
    Akai LPD8 (smaller drum pad):
    Neumann U87 Ai (vocal mic):
    My Audio Interface:
    Beyerdynamic DT770 Pro (headphones):

    Software Used:
    iZotope VocalSynth 2
    iZotope Stutter Edit- Effects plugin
    Ableton Live Standard:
    Vocal Rider- Helps keep the vocal volume leveled and consistent throughout the performance
    H-Reverb- My favorite reverb plugin, used on the vocals and several other tracks in this session
    F6 Floating Band EQ- My favorite EQ for live performance because of it's low CPU usage


    Feel free to comment and leave a shout out to my puppy Max who makes a special appearance lol :) The bass guitar parts were looped through Ableton Live, but all other instrument sounds were looped using the MPC X. Follow me on Instagram for updates :) Love you all

    This song is available for purchase on iTunes here:

  • Thirsty- Neon Vines

    3:25

    100k SUBSCRIBERS GIVEAWAY!! I'm giving away over $40,000 worth of music gear and software. Click the link to enter. Ends July 1, 2020:
    **************************************************************

    Full List of Gear I Use:
    Song is available for purchase here:

    Gear Used in this Performance:
    ROLI Seaboard Rise 49 (black keyboard):
    Roland JD-Xi (piano keyboard):
    Akai MPD218 (drum pad):
    Akai LPD8 (smaller drum pad):
    Akai APC40 (colorful controller):
    Neumann U87 Ai (vocal mic):
    My Audio Interface:
    Beyerdynamic DT770 Pro (headphones):

    Software Used:
    Vocal Rider- Helps keep the vocal volume leveled and consistent throughout the performance
    H-Reverb- My favorite reverb plugin, used on the vocals and several other tracks in this session
    F6 Floating Band EQ- My favorite EQ for live performance because of it's low CPU usage
    iZotope VocalSynth 2 (Vocoder effects and vocal pitch correction):
    iZotope Stutter Edit (Effects):
    Ableton Live 10 Standard:

    Live looping performance of Thirsty by Neon Vines using Ableton Live, APC40 and the Roll Seaboard Rise 49. All virtual instrument sounds and effects were custom created and triggered live. The song was performed exactly as heard, foot pedal used for taking drums in and out.

    Follow me on Instagram here :)

  • x
  • Scheps 73 MS EQ - EQ Mid and Sides different

    4:43

    Learn how to pick the right EQ every time in this free 4 step course.


    Pick up Scheps 73 here:
    EQ Mid and Sides different using the Scheps 73. I just bought this plugin and already love it!
    #MSEQ
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    ►► My Adam A8X Studio Monitors -
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    Thank you for watching this video.

  • Dynamic Equalizer vs Multiband Compressor Explained - Differences and when to use them

    11:27

    David's Mixing Course:
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    In this video David explains the difference between Dynamic EQ and Multiband Compressor, in a very easy way, he explains when to use a Dynamic EQ and when to use a Multiband Compressor, whether is vocals, bass, drums, full mix or mastering these two processors are powerful tools that can help you achieve a professional sounding mix when used correctly.
    Best settings, common uses and main differences between Dynamic Equalizers like Izotope, TDR Nova, Waves F6 and Multiband Compressors like C6, Fab Filter ProMB, Ozone and any of the stock plugins you find on Logic, Cubase and other DAWs, explained!

    Comment, Like and Subscribe!

    DONATE:



    #multibandcompression #midside #compression

  • Sound Design Techniques – The Killer Chain Part 2: Parallel Processing

    22:44

    Director and sound designer Graham Reznick, creator of the horror series Deadwax, shows us his unique parallel processing techniques for film sound design. Watch part 1 and download Graham’s free presets:


    Plugins used by Graham Reznick in this video:

    NLS:
    Renaissance Bass:
    F6:
    Aphex Vintage Aural Exciter:
    MetaFilter:
    Engima:
    L1:
    OneKnob Louder:
    Abbey Road Vinyl:
    Renaissance Verb:

    Music written & produced by Graham Reznick

    End credit music: “Deadfall” by BurningTapes

  • Waves Smack Attack Plugin Review and Demo

    9:08



    ►Mixing Presets & Templates:
    *NEW* Divine Mixing Vocal Chains (Logic Pro X & Cubase):
    *NEW* Divine Mixing Waves Template (Logic Pro, Cubase & Pro Tools):
    *UPDATED* Divine Mixing Template One (Logic Pro X 10.4, Cubase & Pro Tools):

    ►Video Training Courses:
    *NEW* Divine Beat Mixing (Mixing & Mastering Course):
    Divine Mixing Session 1 (Mixing & Mastering Course):
    Divine Mixing Session 2 (Mixing & Mastering Video Course):
    Hip Hop Vocal Production (Lynda.com Course):

    ►Synth Presets & Drum Samples:
    8oh!8 Bass Presets for Serum -
    The Niche Kit (Creative Drum and Loop Kit) -
    Urban Dreamscapes for Serum -

    ►My Studio Gear


    ►Let's Connect

    Instagram:
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    Soundcloud:

  • Jack Joseph Puig on Making His Plugin Signature Series

    21:15

    In this video, GRAMMY® Award-winning mixing engineer Jack Joseph Puig (Lady Gaga, Black Eyes Peas, U2) talks in depth about the creation of his successful Waves Signature Series, a collection of six intuitive effect plugins for guitars, bass, vocals, drums and more.
    Jack Joseph Puig Signature Series:

    Jack designed his Signature Series with both the musician and producer in mind. Instead of regular controls, you have intuitive tone controls such as Attitude, Punch, Space and Presence which focus on adding feeling and not just frequencies.

    Special thanks to Bardo Studios

  • Waves Vitamin Sonic Enhancer Plugin: In-Depth Plugin Tutorial

    25:05

    Producer/engineer Yoad Nevo (Bryan Adams, Jem, Pet Shop Boys, Sugababes) explains his approach to using the Waves Vitamin Sonic Enhancer plugin on various instruments and vocals in a recording session.
    Vitamin:

    Chapters:
    00:42 - Drum Buss
    02:44 - Kick
    04:15 - Snare
    07:09 - Overheads
    09:30 - Room Mics
    11:17 - Bass Guitar
    14:34 - Electric Guitar: Power Chords
    16:43 - Electric Guitar: Arpeggiated Picking
    18:49 - Acoustic Guitar
    21:14 - Vocals

  • How to use Waves C6 Multiband Compressor

    4:11

    NOTE: on 0:53 instead of ONLY button if should say SOLO button and on 2:13 it should have said Next to the high band it is included a Q factor control for the 3 crossovers of the center section.

    C6 Multiband Compressor is useful for almost everything in a mix session, it offers the classic 4 bands of Waves C4 Multiband with its master controls and two additional bands that can be freely moved through the frequency spectrum. They also have control of the Q factor and offer additional support to the traditional bands and at the same time can be used as dynamic equalizers and even as an alternative to Renaissance DeEsser!

    In this video we explain step by step our procedure to use all the bands of this plugin using the controls of BYPASS, Threshold, Gain (both of them), Behavior and Crossover achieving at the end a uniform result improving the dynamic response and clarity of a section of strings and woodwinds.

    Click this link to save an additional 10% off any purchase at Waves:

    From the website:

    For years, the C4 has been a favorite of studio engineers the world over, and in live sound, it’s quickly become a must-have for front-of-house and monitor professionals as well. To create the C6, we took the tried-and-true functions of the C4, and added two additional floating bands plus a sidechain feature, for one-stop vocal and instrument shaping. Equally at home in the studio, live, and in post production, the C6 lets you zero in on problem frequencies with surgical precision.

    Perfect for de-essing and de-popping in the studio or onstage, the C6 gives you all the multiband compression and dynamic equalization you need to control, tame, and shape your sound.

    -Multiband compressor plugin
    -Internal/external sidechain per band
    -Individual band Listen -modeFour crossover bands plus two floating bands
    -Dynamic EQ, compression and expansion
    -Double precision bit resolution processing

    Link:

    Enjoy!

    Bandcamp:

  • Introducing the F6 Floating-Band Dynamic EQ Plugin

    1:00

    Tame a harsh vocal, but only when it’s too loud. Carve out EQ space in a busy mix – but do it dynamically. With 6 floating filters, each combining advanced EQ and dynamics controls, F6 is the ultimate problem-solving EQ. Learn more:

  • Secrets of Waves F6 Floating-Band Dynamic EQ

    2:02

    Save a 10% on any purchase at Waves Audio with this link:

    Simple knowledge of tricks and keyboard commands like these can improve your reaction time and get more inspired results when using any of these two equalizers. The ability to isolate frequency bands allows you to hear exactly what the plugin is doing; lock the vertical or the horizontal of a band to fine tuning without loosing other settings; change the Q from the main screen instead of Gabi G to reach out for a knob is always welcome and finally switching bands on or off is always useful.

    In this video we see how all this can be done in the new F6 Floating-Band Dynamic EQ and we will also learn how many of these commands have been available for years, imported from the classic Renaissance and other Waves equalizers.

    If you feel like buying use our link to save an additional 10% off any purchase at Waves and we will get some credits as well:

    From the website:

    Surgical dynamic equalizer with 6 floating, fully-adjustable parametric filter bands, advanced EQ and compression/expansion controls per band, mid-side processing options, real-time frequency spectrum analyzer, and more. The ultimate problem-solving EQ, F6 can be used for diverse equalization, compression, expansion and de-essing processes, whether you’re mixing or mastering, in the studio or live. Each of the six floating bands features advanced EQ and dynamic controls that let you zero in on any problem spot – and treat it only when the problem arises. Rather than treating a frequency one time and leaving it there for the entire track, F6’s EQ settings are sensitive to the dynamics of your track. This way you can select not only by how much, but also precisely when a specific frequency will be boosted or cut, compressed or expanded. Take vocals for example: A singer’s tone changes throughout a performance depending on their position to the microphone. An EQ setting that works well when the singer is close to the mic and singing softly will not be as effective when the singer backs up and starts belting. F6 moves in time with the singer, kicking in when the vocal level crosses a certain threshold that you’ve set – and laying off when it falls below that threshold. With the F6, you can EQ more precisely, with filters that can be as narrow or as wide as you like, free-floating bands that can overlap, variable EQ shapes, and threshold-sensitive EQ settings. F6 is ideal for isolating specific problems on individual tracks and fixing them transparently only when they pop out. The plugin’s advanced mid-side processing capabilities give you even greater ability to carve out EQ space in a busy mix, so you can breathe more life into your mixes. The F6 dynamic EQ also includes a feature-rich, FFT-based real-time frequency spectrum analyzer, easily accessible from the main plugin interface. Analyzer features include adjustable resolution, adjustable reaction speed, RMS vs. peak response, pre-EQ, post-EQ and sidechain options, frequency, note and amplitude display based on cursor position, and diverse L/R monitoring options. Music is dynamic. The intensity of any piece of music constantly rises and falls. With the F6 dynamic EQ plugin, you finally have the perfect EQ tool to match this dynamic variation.

    Link:

    Enjoy!


    Bandcamp:

  • แนะนำปลั๊กอิน F6 Floating-Band Dynamic EQ

    15:56

    #Waves
    #Wizakie_Studio

  • Waves F6 updated with an RTA

    5:34

    This video covers the RTA added in an update to the F6 in Feb 2018.

    Mixing with Waves F6 Dynamic EQ

  • Video Pillole - #3 F6 Floating-Band Dynamic Eq con Logic Pro X

    16:58

    Video Tutorial per gli amanti della Produzione Audio, Mixing & Recording. Plugin strani che possono tornare utili. Funziona anche con Logic Pro X e Pro Tools
    Scrivetemi se siete interessati a conoscere plugin particolari, o anche semplicemente per commentare e darmi consigli su come migliorare.

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  • Make SPACE for your lead tracks with Waves F6

    2:39

    Save an additional 10% off any purchase at Waves Audio with this link:

    Sign up for the FREE Waves masterclass with David Darlington (including a 15% discount for Waves plugins inside):

    We want to create space for this #guitar solo to be heard more easily among the dense layer of accompanying instruments that are in the same frequency range. For that we have created a pre-fader send channel that will send an exact copy of the guitar track to the SideChain input of an instance of #Waves F6 dynamic EQ in MS mode inserted on the #keyboard group. When the guitar track (which is panned to the center) produces some sound the F6 will reduce the center channel (mid) of the keyboard group channel without affecting the sides creating space for the guitar in the center without having to reduce the presence in the piano and pads on the sides. Notice how when F6 is in bypass it seems as if the guitar goes down in volume.

    Insert F6 into the group channel of the accompanying instruments that you want to duck when the lead voice sounds. If you do not use. group channels this is a good time to start, they are very useful. With lead voice we mean a solo instrument, a singer or any performance that needs to be highlighted. On the input of the SideChain channel of the plugin select the send channel that comes from the lead track, in our case the guitar. Make sure that the volume of the send is at 0dB and that it's pre-fader.

    Now select each band and select MID in each of them.
    Select each band again and select SC SOURCE - EXT.

    Now while the music is playing use the global Threshold control to reduce it on all bands equally until the needle is affected by the signal. To have a better idea select one of the middle bands, 3 or 4 offer a more realistic level of the instruments we are processing. Now use the global Range control to reduce it until you hear that the central signal is reduced by the dynamic movements of the lead track.

    Make the relevant adjustments with Threshold and Range and finally listen in context. To apply this trick on vocals just replace the guitar track for the main vocal track and insert copies of the F6 on the keys and guitar tracks. The advantage of using Waves F6 as opposed to a single band compressor in mid/side is that the sidechain signal will affect each band of F6 differently and duck the keyboards more in the octaves where the guitar is currently playing.

    Direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


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  • Get Waves F6 Floating-Band Dynamic EQ for $26, coupon code: http://refer.waves.com/bi5lS

    16

    Click the coupon code link, you will receive a code to enter during check out to save 10% anytime.

  • Waves F6 Dynamic EQ - Reseña

    10:40

    Waves F6 Dynamic EQ. Más videos y artículos como este aquí en:

    Aquí te enseñamos cómo usar el plugin Waves F6.

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  • Waves F6 External Routing, FL Studio Side Chain Tutorial

    3:16

    Today is a quick example of how to Sidechain and Externally Route plugins like F6 and others in FL Studio. Thanks for dropping by, be sure to like and subscribe with bell! ^^

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  • Waves

    2:21

    Provided to YouTube by DistroKid

    Waves · Floating No More

    Waves of Nihility

    ℗ 1038494 Records DK

    Released on: 2018-11-09

    Auto-generated by YouTube.

  • Tips prácticos #11 Crea espacio en voces utilizando Eq Dinámico con el F6 Floating-Band Dynamic EQ

    3:44

    Tips prácticos #11 Crea espacio en voces utilizando Eq Dinámico con el F6 :

  • Controlling fret buzz on acoustic guitar with Waves F6

    1:46

    Save an additional 10% off any purchase at Waves Audio using this link:

    Waves F6 Floating-Band Dynamic EQ:

    We want to control the hurtful noises made by the #strings when the fingers move on the #fretboard. For that we are going to use the #compressor of the highest band of F6.

    Turn band 6 into a shelf, press SOLO and start moving FREQ to the left while all you hear is noise, stop as soon as you start to hear defined notes, then back up a little.

    Turn SOLO and place THRESHOLD in the place where most of the notes end so that it is only surpassed by the annoying noises.

    Move RANGE to the left until the annoying notes are diminished considerably and put ATTACK to the minimum, we prefer to use all the available negative range & compensate with a GAIN boost.

    This is the same as using a de-esser but with the possibility of snooping inside. We are going to cut the sub low freqs now, activate the HPF and look at the area where the low freqs of the guitar form a descending ramp, place it there.

    Finally retouch the GAIN boost in band 6 to make sure we are not losing much brightness and if necessary adjust ATTACK and RELEASE according to the tempo of the performance.

    direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


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  • Fixing weak drum loops with Waves F6 Dynamic EQ

    2:50

    Save an additional 10% off F6 of any other purchase at Waves Audio using this link:

    This loop we found in the Soundbase browser of Pro Tools had the perfect groove for our song but it was weak, of course that wouldn't stop us, we decided to take action and fix it ourselves. Why not? Here we show you how we did!

    For more information watch Secrets of Waves F6 Floating-Band Dynamic EQ (WINDOWS):

    Save an additional 10% off any purchase at Waves Audio with this link:

    Description:

    Mixing with Waves F6 Dynamic EQ

    KICK: To increase the kick without affecting the snare and the rest of the loop select any band and change it into a low shelf filter.
    Move the THRESHOLD needle until the peaks of the kick exceed it.
    Make sure the other hits are below the needle.
    Increase RANGE until the level of the kick is at the desired volume.
    Notice how the EQ curve is activated only when the kick plays.
    Adjust the Q until the transition sounds natural.
    Use FREQ in isolation to find the exact area of the kick you want to affect.
    Since we are increasing the low end considerably it is possible that it is necessary to use the HPF.

    SNARE: There's a frequency on the snare that sounds too harsh. Use a bell filter to control it.
    Use the band in isolation to find the exact frequency and width of the problematic area.
    Now repeat the process of lowering the THRESHOLD needle until the hits of the snare exceed it but this time move RANGE in the opposite direction.

    LOW-MIDS: In the area where the kick and the snare coincide, we want to increase the punch of the kick without adding more body to the snare.
    First look for the exact area with a band in isolation, then move the THRESHOLD needle until it is reached by the snare and reduce RANGE. With that we will have reduced the body of the snare without affecting the kick yet. Now use GAIN to recover the body of the snare and at the same time increase the punch of the kick.

    DISTORTION CONTROL: If, like this case, the loop has been abused with too much distortion, use an LPF to reduce the extremely harsh frequencies of the hi-hat and give it some lo-fi vibe.

    The last thing as always is to listen in context and make adjustments until everything sounds just perfect.

    Now enjoy the groove!

    Direct link:

    #Mixing #electronic #loops

    Enjoy!


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  • Tips prácticos #2 : SideChain de frecuencias entre voz y música utilizando F6 Dynamic Eq

    4:58

    Tips prácticos #2 : SideChain de frecuencias entre voz y música utilizando F6 Dynamic Eq
    Info del plugin :

  • Floating

    1:58

    Provided to YouTube by DistroKid

    Floating · Floating No More

    Waves of Nihility

    ℗ 1038494 Records DK

    Released on: 2018-11-09

    Auto-generated by YouTube.

  • Eiosis air EQ vs Waves F6 EQ vs Fabfilter Pro Q3 EQ?

    4:14

    Vocal: Duyen Bui
    Audio interface: yamaha steinberg UR44
    MIcro: Blue baby bottle

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  • Mix Secrets TV - Enrico De Paoli at InfoComm 2017 - WAVES F6 Dynamic EQ

    8:50

    Grammy winning engineer/producer Enrico De Paoli interviews Luke Smith from WAVES about the new F6 dynamic equalizer plug-in.

  • Trying out Waves F6 Equalizer

    2:17

    i got a free 7 day demo trial.. i think this EQ sounds pretty good on anything.. i might buy this plugin after the 7 day trial.

  • AV СПОНТАННЫЙ СТРИМ 36 - Sonimus Burnley 73, Son EQ, WAVES F6

    41:14

    Донаты на развитие канала:

    !!!БЛАГОДАРЮ ЗА ПОДДЕРЖКУ!!!

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  • The New MultiMod Rack by Waves

    7:50

    ►► Check out the new MultiMod Rack at

    #MultiModRack #Waves
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    RAW TECHNIQUE STUDIOS
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  • TDR Nova GE vs Waves F6

    6:05

    Salut à tous!

    Dans cette vidéo je vous ai fais un bref comparatif de 2 égaliseurs dynamiques abordables.
    TDR Nova vs Waves F6!

    NOTE :
    Petite erreur de marquage de ma part pour le Threshold! oups :D

    ==========

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  • Introducing H-EQ

    54

    Buy Now:

  • F6 Carve A Space for Vocal

    5:10

    Create a space in your mix for your vocals without changing levels in the music. Use your presets people! They are there to save you time.

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