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Playlist of WAVES CLA

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  • CLA Epic Plugin Tutorial with Chris Lord-Alge – Mixing with Depth

    8:23

    Grammy-winning mixing legend Chris Lord-Alge (Green Day, Muse) shows you how to add epic depth to your tracks with his new complete suite of 4 delays and 4 reverbs. Hear more CLA Epic audio demos:

    Based on Chris’s favorite reverb and delay hardware gear, CLA Epic lets you layer any of the eight effects for greater depth in your tracks, and route any of the delays to any of the reverbs for deeper, bigger sonic landscapes.

    CLA Epic comes packed with 50 presets by Chris Lord-Alge and over 300 more presets from top Grammy-winning producers and mixing engineers, including Greg Wells, Michael Brauer and more.

    Get CLA Epic now:

    Music: “2020 Vision”
    Performed by Bald Man
    Music & lyrics by Kurt Deimer and Benjamin Lake Trechsel
    Produced and mixed by Chris Lord-Alge

  • x
  • Waves CLA EPIC Review & Demo

    32:31

    ►► Get the CLA Epic here:
    ►► CLA Epic Review:

    We have got a treat for you! Our friends over at Waves have given us a first look at their brand new plugin, the CLA Epic!

    I’m particularly interested in hearing this plugin because it’s not just an emulation of a piece of equipment. There’s all those wonderful LA2As, 1176s, and everything else that has been modelled on Chris’s gear. This is different, because it’s not just an emulation of SSL technology, this is more about how CLA thinks. It’s not just emulations or versions of gear that he uses. This is about using delays and reverbs in a combination that works.

    Mix with Epic Depth: Complete Reverbs & Delays by Chris Lord-Alge
    Studio legend Chris Lord-Alge (Green Day, Muse, Bruce Springsteen) is a master at creating epic depth and dimension in every song. And now he is giving you the key to that depth: his complete suite of reverbs and delays, in one epic plugin.

    CLA Epic features Chris’s 4 go-to delays (Slap, Throw, Tape, Crowd) and 4 go-to reverbs (Plate, Room, Hall, Space). All modules are based on Chris’s favorite studio gear, which he uses in various combinations in every one of his mixes.

    Whether used on vocals, drums or other instruments – CLA Epic opens the gate to more depth in your mixes and productions.

    Easily Blend Reverbs & Delays the CLA Way
    The key to CLA’s depth of sound is the way he blends multiple effects creatively – sending multiple delays to multiple reverbs on each track, and controlling the exact blend with his console faders.

    CLA Epic gives you all these rich possibilities in one plugin. You can now blend CLA’s most epic reverbs and delays in the same creative manner. No need to open different effect plugins to get a rich landscape of sound: At any time, you can activate any or all of CLA Epic’s 8 effect modules, and blend them easily using the plugin’s console-type faders.

    To make things even easier, CLA Epic always loads with Chris’s default settings for each effect. You can go deep and tweak all the familiar parameters (as well as some surprising ones). But first, simply load the default modules, blend in the different effects, and hear CLA magic in action.

    The Secret to Depth: Easily Send Delays to Reverbs
    Chris Lord-Alge has an extra secret for mixing with depth: he sends his delays to his reverbs, so that the delays become part of the overall sonic landscape.

    CLA Epic lets you send any delay to any reverb, in addition to the option of running the effects in parallel. With the click of a button, you can choose to send each delay only to the Output, only to (any or all of) the reverbs, or to everything at once. Effects routing that would take hours in your DAW now takes seconds.

    Over 350 Epic Presets to Get You Started
    CLA Epic comes packed with 50 powerful presets by Chris himself – for your vocals, drums, guitars and keyboards. Not enough? The plugin also includes over 300 presets by Greg Wells, Michael Brauer, and dozens more top producers and engineers.

    A quick look at the CLA Epic:
    • Reverb & delay super-suite designed with Chris Lord-Alge
    • Based on CLA’s favorite classic studio gear
    • Add epic depth, dimension and space to your mixes & productions
    • 4 delay modules: Slap, Throw, Tape, Crowd
    • 4 reverb modules: Plate, Room, Hall, Space (Non-Lin)
    • Blend the 8 effects easily on any track
    • Send any delay to any reverb with the click of a button
    • Modulation control per module to add texture and spread
    • CPU-friendly
    • 50 powerful presets by Chris Lord-Alge
    • Over 350 additional presets by Greg Wells, Michael Brauer & more

    Watch the CLA Epic Review and Demo:

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  • x
  • Mixing with Depth w/ Chris Lord-Alge | Ep. 2 – The Gear

    13:19

    Learn how to add depth to your mixes with the CLA Epic plugin:
    Watch the full “Mixing with Depth” series:
    “It’s the ear, not the gear” – or is it? Find out which pieces of reverb & delay hardware legendary mix engineer Chris Lord-Alge (Green Day, Muse, Bruce Springsteen) uses to achieve depth in his mixes, and why. Watch the full series:

    Music: “2020 Vision”
    Performed by Bald Man
    Music & lyrics by Kurt Deimer and Benjamin Lake Trechsel
    Produced and mixed by Chris Lord-Alge

  • CLA EchoSphere – Slap Delay & Plate Reverb by Chris Lord-Alge

    3:21

    Designed with Grammy-winning mix engineer Chris Lord-Alge (Muse, Green Day), CLA EchoSphere combines Chris’s go-to slap delay and plate reverb for lead vocals. Learn more:

    Music: “2020 Vision”
    Performed by Bald Man
    Music & lyrics by Kurt Deimer and Benjamin Lake Trechsel
    Produced and mixed by Chris Lord-Alge

  • x
  • Waves Event with Chris Lord-Alge - Part 3: CLA Vocal Plugin

    10:50

    For more Waves Plugins:

  • Mixing with Depth w/ Chris Lord-Alge | Ep. 1 – The Concept

    10:18

    Learn how to add depth to your mixes with the CLA Epic plugin:
    Watch the full “Mixing with Depth” series:
    How do you create depth in a mix? Which mistakes do mixers make trying to achieve it? Which myths do you need to ignore? Join mix legend Chris Lord-Alge (Green Day, Muse) as he shares his key concepts for mixing with depth.

    Music: “2020 Vision”
    Performed by Bald Man:
    Music & lyrics by Kurt Deimer and Benjamin Lake Trechsel
    Produced and mixed by Chris Lord-Alge

  • x
  • Mixing with Depth w/ Chris Lord-Alge | Ep. 3 – The Sound

    14:37

    Learn how to add depth to your mixes with the CLA Epic plugin:
    Watch the full “Mixing with Depth” series:
    Watch mix legend Chris Lord-Alge (Green Day, Muse) as he opens a session and shows you firsthand how he uses his reverb and delay methods to deliver true depth, space and dimension on vocals, drums, and the entire mix.

    Music: “2020 Vision”
    Performed by Bald Man
    Music & lyrics by Kurt Deimer and Benjamin Lake Trechsel
    Produced and mixed by Chris Lord-Alge

  • Vocal Compression Shootout: CLA Classics Compared

    8:08

    Musician Chris Lawson performs a classic compressor shootout on vocals with the 4 CLA Classics: CLA-2A, CLA-3A and CLA-76 Blue and Black versions. Hear the differences. Learn more:

    Waves Plugins used in this video:

    CLA-2A:
    CLA-3A:
    CLA-76:
    CLA Classic Compressors:

    Music: Casey Baer, “Hold On”

  • Open Mix Session with Chris Lord-Alge

    1:14:07

    Grammy-winning mix legend Chris Lord-Alge (Green Day, Muse) shares his latest mixing tips and answers viewers’ questions in this special live broadcast from his studio. Watch more free CLA mixing tutorials:

    Originally streamed on April 29, 2020 as part of Waves #OpenSessions series.

    Music: “Two Ways” Performed by Tempt, Composed by Tempt & Victoria Gross
    Label: Better Noise Music




  • x
  • CLA Tips & Tricks

    8:12

    CLA Classic Compressors:
    Learn how to use CLA classic compressors with this quick and easy tutorial.

  • Get a Great Vocal Sound with One Plugin – Quick Mixing Tip

    4:41

    Whether you’re mixing in Pro Tools, GarageBand, or any other DAW, here’s how you can quickly get a studio-quality vocal sound using the CLA Vocals plugin. Learn more:

  • CLA Epic – EPIC Webinar with Chris Lord-Alge

    46:59

    Mixing legend Chris Lord-Alge (Green Day, Muse, Bruce Springsteen) gives you an inside look at his CLA Epic multi reverb and delay plugin. Originally streamed live Dec 1, 2020.
    GET CLA Epic:

    7:03 How to route delays to reverbs for a more cohesive sound
    9:50 How to layer different reverbs and delays for a fuller sense of dimension in your mix
    33:58 Which combinations of delays and reverbs to choose for different tasks

    Music: Big Toe
    Performed by Bald Man
    Written by Kurt Demier, Benjamin Lake Trechsel & Chris Lord-Alge
    Produced & Mixed by Chris Lord-Alge

  • CLA Epic Reverbs & Delays – Chris Lord-Alge Preset Tour

    3:07

    The CLA Epic multi-reverb & delay plugin by mixing legend Chris Lord-Alge (Green Day, Muse) includes over 50 of Chris’s own presets – listen to a quick preset tour on vocals, drums and guitar. Get CLA Epic now:

    CLA Epic is the complete suite of Chris Lord-Alge’s 4 go-to delays and 4 go-to reverbs. Based on Chris’s favorite reverb and delay hardware gear, CLA Epic lets you layer any of the eight effects for greater depth in your tracks, and route any of the delays to any of the reverbs for deeper, bigger sonic landscapes.

    Watch CLA Epic tutorial with Chris Lord-Alge:

    Music: “2020 Vision”
    Performed by Bald Man
    Music & lyrics by Kurt Deimer and Benjamin Lake Trechsel
    Produced and mixed by Chris Lord-Alge

  • Mixing VIBEY Lead Vocal Spaces | Waves CLA EchoSphere

    6:40

    Full demo / tutorial for the latest Waves CLA plugin, combining a Tape Slap Delay & Plate Reverb for easily mixing epic vocal spaces.

    ???? CLA EchoSphere Plugin:
    ???? FREE EchoSphere Vocal Presets:

    ???? Sean Divine - Only One:

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  • Live Event with Chris Lord-Alge - Part 6: CLA Bass Plugin

    6:28

    CLA Bass:

  • Mixing EPIC Drums with Chris Lord-Alge: Blending Reverbs

    4:58

    No drum mix is complete without great-sounding reverb. But why use one when you can blend FOUR? Watch how mixing legend Chris Lord-Alge creates beautiful depth on a drum bus by blending CLA Epic’s 4 reverb flavors. Get CLA Epic:

    CLA Epic is a complete suite of 4 delays and 4 reverbs – all rolled into one simple-to-use yet EPIC sounding plugin. Based on Chris’s favorite hardware and unique analog console routing setup, CLA Epic enables you to effortlessly blend any variation of the eight effects. For producing depth and dimension CLA-style, CLA Epic also allows you to send any of the four delays to any of the four reverbs.

    Learn more about how Chris Lord-Alge mixes with depth with CLA Epic:

  • Chris Lord-Alge: Mixing True Analog Sound with CLA MixHub

    8:02

    The legendary Chris Lord-Alge (Green Day) demonstrates why the CLA MixHub, his signature Waves channel strip plugin, is the truest analog in-the-box sound available, combining modern aggression with vintage musicality. Hear more:

    Music: “Two Ways”
    Performed by Tempt, Composed by Tempt & Victoria Gross
    Label: Better Noise Music




  • Live Event with Chris Lord-Alge - Part 4: CLA Guitar Plugin

    15:49

    CLA Guitars:

  • The Best Plugins For Bass Guitar - WAVES CLA Bass

    9:36

    Watch Weezna demonstrate one of the best plugins for bass guitar (in his option) the Waves CLA Bass. This Waves CLA Bass plugin shows up on almost every bass guitar track at True Sound Studios.
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    MASTERING ($30/Track) - If you’re looking for True Sound Studios to master your next track or album, please email us at tssrecording@gmail.com
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  • Mixing Pop Vocals with Waves CLA Classic Compressors

    4:32

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    In this video we take a look at Waves CLA Classic Compressors and how you can mix pop vocals using compression using 3 different tehniques : normal compression , serial compression and parallel compression .

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    Track used : Get Connected performed by Andy Mac feat. Kris Evans
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  • Delays into Reverbs?! Chris Lord-Alge Mixing Trick with CLA Epic

    5:37

    One major key to depth in your mixes is to route delays to reverbs. In his second CLA Epic tutorial, mix engineer Chris Lord-Alge dives deeper into this massive option inside his CLA Epic plugin. Learn more:

    Watch the first CLA Epic tutorial in this series:

    Music: “2020 Vision”
    Performed by Bald Man
    Music & lyrics by Kurt Deimer and Benjamin Lake Trechsel
    Produced and mixed by Chris Lord-Alge

  • Teletronix LA-2A vs. Warm Audio WA-2A vs. Waves CLA-2A

    7:10

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  • CLA MixDown – Plugin Overview with Chris Lord-Alge

    9:24

    Get inside tips from Grammy-winning mixer Chris Lord-Alge (Green Day, Bruce Springsteen, Keith Urban, Muse) on how to finalize your mixes with his signature mix buss plugin. Learn more:

    In this video Chris shows you how to:

    - Combine the plugin’s mix buss compression, EQ and console overdrive options
    - Properly set gain reduction with CLA MixDown
    - Set CLA MixDown to the ‘sweet spot’ that captures most closely how Chris himself normally processes his mix buss, vs. driving the plugin harder when needed

    Music: “Peace and Freedom” by IVO

  • Waves CLA Classic Compressors Review - TheRecordingRevolution.com

    15:46

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  • CLA MixHub Explained – Tutorial with Chris Lord-Alge

    8:17

    Watch how Grammy-winning mix legend Chris Lord-Alge uses the CLA MixHub plugin to mix a song. In this video, Chris gives us a tour of how the plugin is set up while demonstrating his mixing workflow. Learn more:

    In this video:
    1:12 – Parts & Features
    2:25 – The 4 Bucket Views of CLA MixHub
    2:39 – Drums Bucket: Kick & Snare
    3:24 – CLA Tip: Equal Mix Treatment
    4:24 – CLA’s Bucket Setup
    6:09 – Vocals Bucket: Workflow Demo


    Music: “The Jester” by Badflower
    Written by Badflower
    Produced by Noah Shain

  • How To Use: Waves CLA-2A @MattMontanez

    7:27

    The LA-2A is seen in every major studio and for good reason! Let me take you through the emulation of this amazing compressor made by waves, CLA-2A. I will go in depth so you can understand how to use the waves CLA-2A compressor plugin and also hear what it does to your vocal track! Get more punch in your vocals and a nice character also.

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  • Waves CLA Effects EXPLAINED

    5:21

    Save an additional 10% off CLA Effects or any purchase at Waves Audio using this link:

    Using Waves J37 Tape MAchine to create modulation:


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    DIRECT turns on and off the direct signal and is very important because as we will see some of these processes are in parallel and others are inserts. For example, #EQ and #DISTORTION are inserts, meaning they directly affect the direct signal and are used to enhance or destroy the base tone. When we turn off DIRECT, nothing is heard even if EQ and DIST are on. This is because EQ and DIST are part of the direct signal chain. By the way, when all the processors are off, the DIRECT signal is completely transparent which allows this plugin to be used in any type of instrument or voice.

    EQ consists of three modes: TOP is a complex EQ curve that specifically allows to increase the clarity, presence and air or reduce the whole area of high frequencies. The central position is neutral. FILTER is a combination of HPF and LPF that can be used to recreate the distance from the listener (front-rear). The effect can be a bit exaggerated for leads but it is ideal for sounds that go in the background. TELEPHONE is the same as FILTER but includes a boost in the center to compensate for the frequencies cut by the filters and make it easier to distinguish in a multitude of other sounds.

    DISTORTION has three modes that range from the softest to the noisiest distortion: DRIVE, CRUNCH and FUZZ. All three shape the frequency response in their own way and can be useful for adlib tracks and minor instruments.

    The next four processors work in parallel. If we turn off DIRECT we can hear them in complete isolation which is the typical configuration when using this plugin in send/return tracks.

    The three reverb modes are ROOM, the sound of a small area such as an expensive recording studio, HALL, a large room like a theater and CANYON, an area where sound takes its time to go and return.

    SHORT DLY and LONG DLY are two delays and you wonder, why two? SHORT is a normal delay with three speeds synced to the DAW and is used to fatten and give depth to the base sound: SLAP, EIGHTS and DOTTED EIGHTHS. When we turn on LONG DLY we do not hear anything, this is the main reason to have two delays. In the upper left corner we have SND LONG DLY which is a bypass switch to turn on/off the signal sent to the second delay. HOLD permanently activates the send that goes to LONG DLY converting it into a process similar to SHORT DLY. Now we can see that the difference with SHORT DLY is in the delay times: QUARTER, HALF and FULL or WHOLE notes. These long times are more useful for effects such as repeating the words at the end of phrases, commonly achieved through automation. That is why it is better to activate this delay through the momentary switch. You can assign an automation track in touch mode to this control and while the song is playing activate THROW on each word you want to be repeated and record the changes in the automation track.

    PITCH consists of three #modulation methods used to fatten and widen the spatial projection. When the direct signal is off the effect will be difficult to hear since modulation effects usually take advantage of the combination with the original sound. TAPE PHASE is the most subtle of all, it sounds like when we used the tape wow and flutter to create modulation ( CHORUS has traditionally been created with a bucket brigade chip to create small variations in pitch that are then combined with the original signal to create the chorus. MR. WIDE seems to be a process similar to Waves Doubler and Soundtoys Microshift.

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

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  • CLA Drums Plugin Review from Waves

    6:29

    Another TWO minute TECH review TUESDAY featuring a quick mix of some drums using the Chris Lord-Alge Drums plugin from Waves Audio.

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  • WAVES : CLA Guitars

    6:25



    This is a plug-in that I use everyday. It's basically a shell for a stack of Waves plugs that Chris Lord-Alge, one of the world's greatest ever engineers and producers, uses. They'll never tell me what those individual plugins or settings are and frankly, I don't care, because this interface takes all the guess work out of setting them correctly anyway. In fact, for the stuff I do, it's a godsend.

    When you hear one of my demo videos for any given pedal you are hearing as close an approximation as I can make to the sound pressure level and ambience of my little room with a raging amp in it. A mic slammed right up close to the speaker won't do this on its own so use the compression and reverb sliders on the CLA Guitars plug to do it for me. I leave both flat and I get that perfect small room compression and reflection that has been widely accepted as 'pretty good' by you guys.

    The CLA Guitars plug has other features and qualities too. It has three killer amp sims built in - clean, crunch and heavy - that have probably been lifted from the GTR plug. These coupled with the slider algorithms give you a ton of very cool sounds. This is what I'm demonstrating today. Have a listen and see what you think.

    This video was not asked for or commissioned by Waves, AVID or any other company. I'm just sharing.

    Guitar : Smitty Custom Guitars Bluey Brett Kingman Signature model
    Amp: Waves CLA Guitars sims
    Cables : Providence
    Mic : N/A
    Camera : Canon 60D (me)
    Soundcard : AVID Mbox Pro 3
    Computer : Apple iMac 27 i7 3.4 GHz 16 GB RAM
    Software : Pro Tools 10 LE, Waves CLA Guitars, Apple Final Cut Pro X (video editing and Youtube compression).

  • Waves CLA Plugin Challenge | Mixing Using Only Waves Chris Lord-Alge Plugins

    10:20

    A quick challenge using only the CLA plugins from Waves to mix a song, including his signature series plugins, MixHub (SSL desk), mix buss, 1176 and LA-2A plugins. Sometimes limiting yourself to a few choices when mixing can lead to some interesting results.

    0:00 - Intro
    1:31 - Drum Processing
    3:33 - Bass Processing
    5:14 - Guitar Processing
    5:55 - Piano Processing
    6:07 - Vocal Processing
    7:47 - Rear Buss
    8:01 - Mix Buss Processing
    8:16 - Before and After
    9:26 - Conclusion

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  • Live Event with Chris Lord-Alge - Part 2: CLA Drums Plugin

    20:26

    CLA Drums:

  • Waves CLA Guitars explained

    6:07

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    #CLA #Guitars simulates a chain of processes commonly used and tuned to work on most guitar tracks. It also includes three amp and cab simulators for the three basic types of tones: Clean, Crunch and Distortion. To better understand the differences, it is better to adjust the input gain to the level suggested by the designer, but this is a rule that can be broken as we will see later.

    When Re-Amplify is OFF, the modes simulate effects and hardware chains that would commonly be applied to a guitar recorded through an amp with one or more microphones.

    The BYPASS mode can be completely transparent in its default position, it can be used for acoustic guitars or to create an incredible pop tone from the 80s. Of course to be transparent we'll have to turn off the effects and match the output level. In this mode, Re-Amplify does not seem to have any effect although it seems to us that the effects are readjusted for this type of sound therefore it is worth experimenting with Re-Amplify in BYPASS mode (not to be confused with the general BYPASS of the plugin).

    When Re-Amplify is activated in a mode other than BYPASS the plugin will also simulate the sound of a guitar amp, cabinet and mics which allows you to record with the guitar directly connected to the preamp of your interface. In these cases it is important that the input gain is adjusted correctly since it affects the characteristic saturations of each style and the compression amount of COMPRESS but as we said before this rule can be broken, for example... You can reduce the compression by lowering COMPRESS but if you want even less without turning it off completely simply reduce the input gain. This will also reduce the amp breakup but none of the other processes will be significantly affected. Just use your ears...

    COMPRESS has three styles: PUSH makes the guitar sound more full and present, SPANK sounds more funky and increases the transients and WALL which is aggressive compression with minimum dynamics very useful for background guitars...

    The BASS and TREBLE controls are wide and shallow as is common in guitar mixes. Each one has three positions in the frequency spectrum: SUB that can, LOWER and UPPER for bass and BITE, TOP and ROOF for highs... With these 6 positions it covers all the useful area of the guitar, all are good for boosting or cutting. SUB controls the lowest area (reduce in accompanying guitars and increase in solo guitars Leo Brouwer style). LOWER and UPPER are felt more than heard (try boosting in both positions until the guitar acquires weight and presence in the mix or reduce them in accompanying guitars). As we said these controls are extremely wide so expect a molding effect, not a surgical effect. BITE controls the area where the aggressiveness of the guitar lies, TOP and ROOF enter the bright and expensive zone but they can be annoying and increase cable noise. For example we can reduce BITE and increase LOWER to achieve the pasty sound of jazz guitars.

    REVERB consists of three types. CLUB is a short and intimate reverb, HALL is an average reverb similar to the sound of a theater and ARENA is the stadium sound used in heavy rock guitars and there is no way to make them sound bad.

    DELAY is synchronized to the BPM of your DAW. EIGHT is a short delay used to fatten the guitar without making it very obvious, EDGE is U2 of course and QUARTER is the delay that repeats each phrase and is very common in guitar solos. The delay effect is stereo wide (no ping pong) and when changing from one speed to another the change is gradual as in an analog delay.

    PITCH contains 3 different settings to expand the sound in the stereo field. Although they all sound different they are probably all based on the same popular Eventide H3000 patch that slightly changes the pitch of each channel at the same time and advances and delays them respectively. If we increase PITCH in the BYPASS mode and equalize a DI guitar so that it sounds clean and bright with a little SPANK we will achieve the most used sound in pop music of the 80s. Pure Prince and MJ #style!

    With the CRUNCH mode we can achieve a Dumble or Vibro Fender sound quite clear as SRV.

    If we turn off Re-Amplify all modes become similar to BYPASS, each with its differences which makes them very useful to find the sound we are looking for, regardless of the styles that suggest their names.

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

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  • WAVES CLA EPIC Plugin Review

    18:57

    Waves dropped a brand new CLA Mix plugin and it truly is EPIC!

    You can get it here:


    In this video, producer, mixer Matt McQueen shows you how to use the new CLA Epic plugin from waves. This is a song that I produced and mixed for the band Eight Daze Sober. Give them a big thanks for letting us use their song Truth by following them on social media or giving their song a play.





    Capsule to Cone is recorded, filmed, and edited by Matt McQueen and David Caplinger. For more info or to work with Matt and on your next record visit:

  • CLA-2A COMPRESSOR/LIMITER PLUGIN LIFE HACKS | HOW TO USE IT TUTORIAL

    6:10

    A highly requested tutorial about Waves Audio's CLA-2A compressor/limiter plugin. The CLA-2A is an analog modeled plugin of the Teletronix LA-2A I show you how to use it in context and it's different utilities. These are great life hacks for music producers and engineers. Richard Kaplin is a legendary Grammy winning producer (Neil Young ) and has a great video about the Teletronix LA-2A.

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  • Live Event with Chris Lord-Alge - Part 5: The CLA Effect Plugin

    13:57

    Visit for more info.

  • Waves CLA EPIC | Test it in a Mix|Try it on the fly

    28:52

    Today we are going to take a look on the brand new plugin from Waves - CLA Epic.
    This will be a live, try it on the fly episode. So let's see what this brand new plugin can do!



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    The MultiTracks:


    00:00-01:24 Introduction
    01:25-01:53 Full mix No Reverbs
    01:53-05:00 Snare
    05:01-09:30 Toms
    09:31-11:50 OH
    11:55-13:05 A/B Wet & Dry on drums
    13:06-17:06 Clean Guitars
    17:35-22.40 Vocals
    22:45-24:40 Solo guitar
    24:42-28:05 Full Mix A/B
    28:06-28:51 Conclusion and Outro

  • Waves CLA EPIC Reverb Review

    12:58

    Today Matty review's CLA Epic Reverb Plugin
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    Matty Harris is a music producer, mixing and mastering engineer from Boston. As a young musician, he won several awards, most notably, the best drummer in New England. He toured with jazz, blues and calypso bands, playing bars and clubs at the young age of 14. After High School, he attended Berklee College of Music where he studied Music Production and Engineering. Learning from some of the most accomplished producers and engineers in the industry. Since then, he has worked on countless records with such artist as; Atlantic Records, RCA Records, WB Records, Kelly Clarkson, Sammy Adams, A$AP Rocky, Logic, Lil Yachty, Cam Meekins, Just Juice, Action Bronson, Danny Brown, Fat Joe, Styles P, La Coka Nostra, and many more. He worked on the Grammy Award-winning song “Stronger” by Kelly Clarkson and won the 2008 Boston Music Award for Best Hip-Hop/R&B Producer. He now lives in Los Angeles where he works with artists from all over the world helping them to realize their dreams.

    Matty started his online mixing and mastering company, mixandmastermysong.com, with the vision of helping new artists get the same quality mixes and masters as the major label artists he works with. After realizing the advancements of technology, he knew it was time to launch his online mixing and mastering company when he no longer needed the effects of a “big room” studio to achieve high-end mixing and mastering.

    #claepic #waves #reverb

  • Waves Audio CLA Mixhub Plugin Explained By Traptendo

    16:15

    A tutorial on the CLA (Chris Lord Alge) Mixhub plugin by Waves Audio. I show to use the bucket system and why this is more than a channel strip. If you like this tutorial. Please support the download link below. I have a 10% off discount code that supports this channel.

    Waves Audio CLA Mixhub
    Get 10% by using the code YNY23


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    #wavesaudio #CLA #mixhub

  • Waves CLA Ecosphere in depth look

    13:53

    This is an in depth look at Waves CLA Ecosphere. It is free on Black Friday 2020. You can sign up for it with this link

    Also check out the Faders Up Podcast bit.ly/3f3WeBH #Waves #waves

  • Waves CLA Mix Hub - Best sounding SSL emulation ever?

    33:12

    A look at some of the parameters and audio examples from the critically acclaimed jazz and prog rock mixing and mastering engineer Mark Wingfield. Mark looks at the unique features of the Waves CLA Mix Hub and then demonstrates creating a drum sound with just this plugin. He then compares that sound with a drum made sound using 14 other plugins at the same time.

    Mark has mixed or mastered three Downbeat Magazine Masterpiece Albums of the Year, a JazzWise Best Release of the Year and two All About Jazz Best Albums of the Year. Jazz albums he has mixed or mastered have received more than 300 rave reviews world wide. Mark mixes and masters at his UK based Heron Island Studio.

    If you are interested in working with Mark on your next album you can contact him here:

    heronislandstudio.co.uk

  • Waves CLA Epic review - Is It An Epic Fail?

    15:34

    In this video I review the Waves CLA Epic plugin. This comes with a copy of ecosphere if you missed out on it for Black Friday. You can check out CLA Epic at this link bit.ly/36CY2z6

    0:00 Intro
    1:20 overview
    4:56 vocal using the delays
    6:00 vocals using the reverbs
    7:11 vocal through delay and reverb
    8:35 final thoughts

    Also check out the Faders Up Podcast bit.ly/3f3WeBH #Waves #waves

  • Live Event with Chris Lord-Alge - Part 7: The CLA Unplugged Plugin

    8:03

    Visit for more info.

  • Waves - CLA MixHub - NAMM 2019

    4:57

    Waves launch the CLA MixHub, bringing the sound of Chris Lord-ALge's console to DAWs in a single plug-in.

  • EPIC Female Vocals in Under 2 Min: CLA Epic

    1:24

    Watch lead female vocals go from dry to EPIC fast, with lush textures from the CLA Epic multi-reverb / multi-delay plugin. Get CLA Epic:

    CLA Epic is mix legend Chris Lord-Alge’s complete suite of 4 delays and 4 reverbs – all rolled into one simple-to-use yet EPIC sounding plugin. Based on Chris’s favorite hardware and unique analog console routing setup, CLA Epic enables you to effortlessly blend any variation of the eight effects. For producing depth and dimension CLA-style, CLA Epic also allows you to send any of the four delays to any of the four reverbs.

    Watch CLA Epic tutorial with Chris Lord-Alge:

  • Waves CLA-3A Compressor Overview

    2:59

    Based on the early '70s solid-state unit known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. And just like the original, the CLA-3A is the bomb on bass, as well as on guitars and vocals. But unlike the original, you can fire up as many instances as your system can handle!

  • Waves CLA-3A Compressor on Vocals

    6:45

    Based on the early '70s solid-state unit known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. And just like the original, the CLA-3A is the bomb on bass, as well as on guitars and vocals. But unlike the original, you can fire up as many instances as your system can handle!

  • LA-2A Compressors: Cakewalk CA-2A vs. Waves CLA-2A vs. Logic Vintage Opto

    16:32

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  • SSL SW|Comparison | Waves CLA / SSL Duende / BX 4000e

    7:35

    In today's Episode I will be comparing 3 different SSL Channelstrip plugins. Is there any difference? Let's find out!

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    Link to the Stem files:


    00:00 Introduction
    01:05 Test Information
    04:00 TEST
    06:40 Conclusion

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  • Finalizando a Mixagem com o Waves CLA MixDown

    6:14

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  • Waves CLA Vocals Plugin - Review & Demo

    9:11

    ►►CLA Vocals Plugin Available here:

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