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Playlist of Violeta Dinescu

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  • Daniel Dinescu - Plec la drum in lumea mare

    4:20

    Produs de GBC Studio SRL Lugoj

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  • Violeta Dinescu GLUTROT- Uraufführung - TonART Ensemble, Hamburg 29.9.2017

    59:43

    Am 29.9.2017 fand die hier dokumentierte Uraufführung der Komposition Glutrot von Violeta Dinescu in der Christianskirche in Hamburg-Ottensen (FORUM NEUE MUSIK) statt. Ausführende waren das TonART Ensemble/Hamburg mit Moxi Beidenegl (Stimme), Ewelina Nowicka (Violine), Krischa Weber (Cello), Giorgia Hoppe (Klarinette), Michael Haase (Danbao, Zither, Banjo), Thomas Osterheld (Bassklarinette), Thomas Niese (Kontrabass). -
    Unter dem Titel Zukunftsmusik mit neuen Kompositionen zu Luthers Schrift Von der Freiheit eines Christenmenschen fanden an diesem Abend noch Aufführungen des Vocalensembles Livella Kadó und von Eva-Maria Houben statt. -
    Videodokumentation und Bearbeitung: Falko Rister, Hamburg.

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  • Violeta Dinescu ... Echoes II

    10:08

    (1980) für Klavier mit Schlagwerk (Anke Lucks)



  • Lockdown Tapes #6 - Violeta Dinescu: cime lointaine

    5:18

    Live to tape recordings of solo pieces in times of Corona lockdown by the members of Ensemble Musikfabrik.
    Lockdown Tapes #6 with Peter Veale, oboe

    Janet Sinica, video

    Check for more.

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  • Violeta Dinescu - Echos I für Klavier

    12:06

    Violeta Dinescu
    Echos I für Klavier

    CD:
    D'un matin de printemps Kammermusik von Komponistinnen für Violine und Klavier
    von Marianne Boettcher

    Marianne Boettcher - Violine
    Ursula Trede-Boettcher - Klavier

  • Violeta Dinescu: Satya III für Kontrabass solo

    6:35

    Österreichische Erstaufführung von Violeta Dinescus Satya III für Kontrabass
    durch Ernst Weissensteiner in St.,-Gallen/Steiermark

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  • XelmYa - Violeta Dinescu - au coeur du silence

    8:07


    ... the us premiere of au coeur du silence by Violeta Dinescu ... many thanks to the German Consulate General in Chicago for supporting us, and to Transistor Chicago for having us ...

  • Violeta Dinescu Șarpelecupene II for alto flute & 16 flutes

    15:04

    Photos by Cosmin Ardeleanu
    Ion Bogdan Ștefănescu - alto flute & 16 flutes

  • Violeta Dinescu - Dona nobis pacem, p.a.a.

    12:39

    Cantatș pentru soprană, violoncel și percuție

    Simona-Nicoletta Jidveanu - soprană
    Ansamblul CONTEMPORAN - fondator Marcel Spinei - la violoncel
    Percuție: Marian Micu și Cristian Roșu
    Ateneul Român București

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  • Violeta Dinescu Șarpelecupene III for alto flute & 24 flutes

    9:33

    The Feathered Serpent (CD)
    Ion Bogdan Ștefănescu - flutes & photos

  • Violeta Dinescu - Circuit II; Ion Bogdan Stefanescu flute

    3:29

    Violeta Dinescu - Circuit; Clipe si sunete

  • Ion Bogdan Ștefănescu - Violeta Dinescu Kata

    7:43

    Violeta Dinescu Kata: Romanesc 100%, with Horia Maxim

  • Sylvia Hinz - Violeta Dinescu - Gräser

    6:26

    Violeta Dinescu
    (b. 13 July 1953, Bucharest).
    Romanian composer, now resident in Germany, of mostly stage, orchestral, chamber, choral, vocal, and piano works that have been performed throughout the world.
    Prof. Dinescu graduated from the Colegiul Național Gheorghe Lazăr in Bucharest in 1972 and studied composition at the Universitatea Națională de Muzică București from 1972–78, including composition with Myriam Marbe in 1977–78. She later studied musicology in Heidelberg for two years.
    Among her honours are four prizes from the Uniunea Compozitorilor și Muzicologilor din România in Bucharest (1975–76, 1980, 1983), Zweiter Preis in the competition GEDOK in Mannheim (1982), First Prize in a competition in Utah (1983), Terzo Premio in the competition G. B. Viotti in Vercelli (1983), and the Carl-Maria-von-Weber-Preis (1985, for Hunger und Durst).
    Prof. Dinescu is also active in other positions. She has served as a member of the executive board of directors of the International Alliance for Women in Music since 1985.
    She taught at the Școala de Muzică George Enescu in Bucharest from 1978–82, the Hochschule für Kirchenmusik Heidelberg from 1986–91 and the Hochschule für Musik und Darstellende Kunst in Frankfurt am Main from 1989–91. She lectured at the Hochschule für evangelische Kirchenmusik Bayreuth from 1990–94. She has taught as Professor für Komposition at the Carl von Ossietzky Universität Oldenburg since 1996. In addition, she has given lectures in South Africa and the USA.
    She has lived in Germany since 1982.
    Her publisher is Verlag Dohr.

  • Violeta Dinescu - Litanie 1

    4:49

    At the desk performance by Peter Sheppard Skaerved

    I met Violeta Dinescu in Odessa in 2000, and she sent me this haunting work in 2004.

  • Violeta Dinescu, Improvisation - Christopher Condon, Saxophone

    5:54

    If you enjoyed this, please visit my Kickstarter for upcoming album Pieces. Help me reach my goal by Nov 20th 2016.

    Improvisation, für saxophon - Violeta Dinescu
    Christopher Condon - Alto Saxophone

    U.S. Navy 36th International Saxophone Symposium
    George Mason University
    January 5, 2013

  • Violeta Dinescu - New Rochelle

    6:07

    Description

  • Violeta Dinescu - Doru, Antonella Bini flauto

    3:27

    20 Novembre 2010 - Genova, Palazzo Reale, Sala da Ballo
    Musei in Musica
    Il percorso del flauto traverso nel Novecento
    Violeta Dinescu - DORU per flauto solo
    Antonella Bini flauto

  • Violeta Dinescu - Immaginabile, Antonella Bini flauto

    2:18

    20 Novembre 2010 - Genova,Palazzo Reale - Sala da Ballo
    Musei in Musica
    Il percorso evolutivo del flauto traverso nel Novecento
    Violeta Dinesco: Immaginabile
    Antonella Bini flauto

  • Dinescu Für Uli 1991

    4:19

    Jenny Abel spielt Violeta Dinescuss Für Uli (1991) für Violine solo
    am 26. Februar 2000 in der Stadtbibliothek B.-Baden im Rahmen einer Veranstaltung für die Komponistin Adolpha Le Beaux

  • Violeta Dinescu

    13:38

    Freunde der Werner Trenkner-Gesellschaft
    Leitung: Harald Rummler

    Konzert für Orchester

    Werner Trenkner-Gesellschaft

    Kunstmuseum Solingen

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  • Violeta Dinescu Satya III für Kontrabass solo KJontrabassWeissensteiner

    6:35

    Österreichische Erstaufführung von Violeta Dinescus Satya III für Kontrabass durch Ernst Weissensteiner in St.,-Gallen/Steiermark

  • Double Silence di Violeta Dinescu

    1:57

    Violeta Dinescu : Double Silence (1^ parte)
    20 Novembre 2010 - Genova Palazzo Reale
    Musei in Musica
    Antonella Bini, flauto in sol

  • Violeta Dinescu, Circuit I; Ion Bogdan Stefanescu flute

    5:21

    Violeta Dinescu, Circuit

  • Memories by Violeta Dinescu

    7:42

    Larisa Sceadei, Szekeres Ferencz, Szabo Zsolt, Sergiu Catana, Dorin Pop, Andrei Voica and Darius Matei.
    Conducted by Percussion Professor Doru Roman.
    (May 2012)

  • Violeta Dinescu: Abendandacht

    3:12

    Maren Kuschnerus – Flöte
    Christoph Schlütter – Orgel

  • Ion Bogdan Stefanescu - Violeta Dinescu - Kata

    8:01

    Mircia Dumitrescu - Artworks
    Ion Bogdan Ștefănescu - flute
    Horia Maxim - piano

  • Viktoria Kaunzner plays Violeta Dinescu´s À chaque épée de lumière

    5:34

    May 2011, Kumho Art Hall Seoul

  • Clara Schumann: Romanze op. 21/1, am Flügel: Daniela Willimek

    5:23

    Daniela Willimek spielt die Romanze a-moll op. 21/1 von Clara Schumann.ロマンス. Aus der CD Faszination Frauenmusik Vol. I, Klavierwerke von Fanny Hensel, Clara Schumann, Elisabeth von Herzogenberg, Margarete Schweikert, Lili Boulanger, Myriam Marbé, Violeta Dinescu, Grazyna Bacewicz. Am Flügel: Daniela Willimek geb. Steinbach



  • VIOLETA DINESCU TRIO fur Oboe, Klarinette in B und Fagott 1986

    8:10

    Ensemble Aventure performing Trio (1986) by Violeta Dinescu, october 2014 at New Music Series - Studio 2021, Seoul National University, Republic of Korea
    Walter Ifrim - clarinet
    Alexander Ott - oboe
    Wolfgang Rüdiger - bassoon

  • Improvisation Violeta Dinescu

    5:08

    Live from Carnegie Hall April 8, 2012:
    Diane Hunger, saxophone, plays Violeta Dinescu's Improvisation

  • Violeta Dinescu - Steigt herauf!

    11:17

    Violeta Dinescu - Steigt herauf!
    für Orgel (2018)

    Live-Mitschnitt von der Uraufführung am 4. November 2018 in der Kirche St. Michael Aachen-Burtscheid

    Weimbs-Orgel Opus 273 (1999)
    (Disposition:

    Orgel: Regionalkantor Andreas Hoffmann

  • Violeta Dinescu - Tautropfen

    7:12

    Violeta Dinescu: Tautropfen (1992) for clarinet and piano

    Atem Ensemble
    Cristian Miclea, clarinet
    Victor Andrei Părău, piano

    October 25th 2018
    Musik unserer Zeit - Komponisten-Colloquium Recital at the Altes Gymnasium Oldenburg (Germany)

  • Ion Bogdan Stefanescu - Violeta Dinescu - Șarpelecupene for tiuga, alto flute & 16 flutes

    10:17

    Ion Bogdan Ștefănescu - tiuga, alto flute and 16 flutes (photos)
    Cosrmin Ardeleanu - photos (portrets)

  • Violeta Dinescu - Echoes II

    10:08

    21.09.2012 - Hochgeladen von OMaclac
    (1980) für Klavier mit Schlagwerk (Anke Lucks)

  • Violeta Dinescu Jardins inachevés Trio flute,viola,harp

    8:47

    Dinescu Violeta (*1953)
    Jardins inachevés (1996; Version for Trio Musaïque) flute,viola,harp

    Trio Musaïque Hieronymus Schaedler, flute
    Nicolas Corti, viola
    Priska Zaugg, harp

    March 1998 Zürich Radio DRS Switzerland

  • Ion Bogdan Stefanescu - Violeta Dinescu - Șarpelecupene I for alto flute & 32 flutes

    12:07

    Ion Bogdan Ștefănescu plays all the flutes

  • Ion Bogdan Stefanescu - Violeta Dinescu - E pourtant cest mieux quen hiver

    9:07

    Violeta Dinescu - E pourtant c'est mieux qu'en hiver - Fest. Enescu 2009
    Ion Bogdan Stefanescu, flute; Sorin Petrescu, piano; Doru Roman, percussion

  • SylCor -Violeta Dinescu - Profile of Painting 2

    5:31



    Syl'Cor performing Profile of Painting 2 by Violeta Dinescu at Goethe-Institut Athen!

  • OpusXX Orchestra & Sylvia Hinz - Francesca Caccini - Lasciatemi // Violeta Dinescu - Gräser

    11:25

    Das OpusXX Orchestra präsentiert eine interdisziplinäre Performance, die zwei Pionierinnen des Barock - Barbara Strozzi und Francesca Caccini - in einem einzigartigen Programm aufgreift, das zeitgenössischen Tanz (Andrea D. Kingston) mit Musik auf historischen Instrumenten vereint.

    GutFEELING untersucht die Stereotypen von Geschlechterrollen und ihre sozialen Auswirkungen. Zwischen der verbotenen Sinnlichkeit von Caccinis Chromatismus und der profanen Musik von Strozzi fordern die Künstlerinnen Konzepte des Idealismus heraus und dekonstruieren das Patriarchat, das den Kanon der klassischen Musik bevorzugt. Entsprechend dem Auftrag von OpusXX Orchestra, vernachlässigte Komponistinnen zu beleuchten, werfen sie einen Blick auf die produktivste Komponistin der gedruckten weltlichen Musik des 17. Jahrhunderts, Barbara Strozzi, zusammen mit ihrer früheren Barockkollegin Francesca Caccini, die erste Frau, die eine Oper komponierte. Die musikalische Regisseurin Vanessa Chartrand-Rodrigue kontextualisiert neue und bestehende Musik, um originelle multidisziplinäre Programme zu erstellen, die jeweils den Auftrag haben, die Erzählungen von Frauen in der Kunst zu verbessern.

    Dirigentin: Vanessa Chartrand-Rodrigue
    Musiker*innen der OpusXX Orchestra
    Countertenor: Michael Taylor
    Choreographin: Andrea Danae Kingston

    Im Rahmen des Performing Arts Festival Berlin / 28. Mai bis 2. Juni 2019 /

  • FMMN 2019 | Violeta Dinescu | XelmYa+

    8:29

    au coeur du silence (1995)
    Violeta Dinescu (Rumania, 1953)

    XelmYa+ (Alemania)
    Freddi Börnchen - oboe / corno inglés,
    Alexa Renger - violín,
    Sylvia Hinz - flauta dulce

    Concierto con apoyo del Goethe-Institut.

    Ingeniera de grabación y mezcla: Juliana Ortigoza
    Video y edición: Diana Ortiz y Melissa Vargas
    Auditorio Fabio Lozano
    Bogotá, Colombia
    Junio 2019



    Más información:


  • Maria Bildea plays Jean Philippe Rameau-Rigaudon et Le Rappel des oiseaux

    4:43

    Maria Bildea was born in Bucharest, Romania. She began her musical studies at the George Enescu Music High School where she received her first harp lessons with Prof. Ioana Brustur and piano lessons with Prof. Violeta Dinescu. Continuing her music education at the National University of Music in Bucharest, she studied harp with Prof. Ion- Ivan Roncea and chamber music and orchestra with Prof. Dr. Dorel Pascu. She also studied with Prof. Liana Pasqualli.
    After her dedut recital at the age of 12 she successfully entered national competitions in Romania in which she often won first prizes. At 18 she launched her solo career concertizing with the most prominent orchestras in Romania, further taking part in international harp competitions in Tel- Aviv, Israel and Bloomington, USA, where she received the titel of Outstanding Talent and was presented with her first grand concert harp, a gift from Deane Sherman.
    Having been invited to Greece by Manos Hadjidakis, she travelled to Athens where she not only performed successfully as soloist and chamber music artist but also founded the first class of harp at the Athenaeum Concervatorium in Athens and the State Concervatory in Thessaloniki.
    Maria Bildea has often been guest soloist with well-known orchestras such as the Camerata Friends of Music, the State Orchestra of Athens, the State Orchestra of Thessaloniki, the Orchistra ton Chromaton and the Patras Soloists.
    During the course of her career she has already worked together with a long list of renowned musical personalities including Sir Neville Marriner, Michel Plasson, Sally Sondesky, Alexandre Dumay, Alexandre Myrat, Vangelis, Vasso Papandoniou, Ion- Ivan Roncea, Patrick Galois, Horia Andreescu and Konstantinos Karydes.
    Maria Bildea has often performed for radio and television broadcasts in Greece and Romania. Her repertoire includes works ranging from pre-classical to 21st century contemporary music. She has premiered many new works dedicated to her by composers such as Theodore Antoniu, Giorgos Chatzimichelakis and Dan Dediu.
    For over 20 years Maria Bildea has been solo harpist of the National Radio- Symphony Orchestra of Athens. With the harp quartet Aeolian Harps, which she founded, she performs a repertoire of traditional Greek music.
    Maria Bildea plays a Horngacher Grand Concert Harp.

    Photo by Andreas Stavrinides

    You can get Maria Bildea's CD Harp Recital at Camac harps Berlin, Ianos bookstore Athens, Nikolaidis music store Athens

  • Sontraud Speidel Violeta Dinescu Kristallspiele

    25:49

    Sontraud Speidel plays Kristallspiele (Concerto for piano and strings) by Violeta Dinescu at the University of Music Karlsruhe.
    Sontraud Speidel spielt Kristallspiele (Konzert für Klavier und Streicher) von Violeta Dinescu in der Hochschule für Musik Karlsruhe.
    I. A capriccio
    II. Maestoso
    III. Tranquillo
    IV. Libero
    Frank Dupree, conductor
    Students of the University of Music Karlsruhe
    Velte-Saal - 11 December 2013

  • Popa Andrei - Satya II

    6:49

    Gala absolventilor 22.05.2009

  • Ion Bogdan Stefanescu - Violeta Dinescu - E pourtant cest mieux quen hiver

    4:18

    Povesti, Sporturi si Distractii
    Ion Bogdan Stefanescu, flute; Sorin Petrescu, piano; Doru Roman, percussion

  • VIOLETA DINESCU / TRIO CONTRASTE

    9:14

    VIOLETA DINESCU / TRIO CONTRASTE
    EMIL SEIN saxophone(s) ethnic wood instruments
    SORIN PETRESCU piano
    DORU ROMAN percussion,

  • VIOLETA DINESCU / EMIL SEIN & DORU ROMAN

    11:31

    VIOLETA DINESCU
    EMIL SEIN clarinet DORU ROMAN percussion

  • Violeta DINESCU SATYA IV from cd Tautropfen

    5:13

  • Shan Shui by Violeta Dinescu

    9:19

    Shan-Shui by Violeta Dinescu - performed by percussion ensemble Percutissimo - Romania: Larisa Sceadei, Szekeres Ferencz and Percussion Professor Doru Roman.
    (May 2012)

  • Violeta Dinescu

    28:16

    Klavier: Sontraud Speidel,
    Freunde der Werner Trenkner-Gesellschaft,
    Leitung: Harald Rummler


    Konzert für Klavier und Orchester
    A capriccio – Maestoso
    Tranquillo – Libero


    Werner Trenkner-Gesellschaft

    Museum Baden Solingen

  • Violeta DINESCU Ein Brief from cd Portrait

    9:04

    Ein Brief für Singstimmen oder Chor basiert auf einen Brief von Damian Hugo an Coelestin Schwab de dato Heusenstamm, 18. Oktober 1738; Badisches General-Landes-Archiv Karlsruhe, Bruchsal Stadt Nr. 417. (aus Bruchsal wie es war. Stadtgeschichte und Bilddokumentaion von Otto B. Roegele)
    Die Sprache des Briefes ist ausdrucksvoll, deutlich, bildlich demonstrativn einprägsam,farbig und wirk sehr theatralisch.

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