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Playlist of The Low End Mix Trick

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  • The Low End Mix Trick - TheRecordingRevolution.com

    9:44

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

    Something I learned from Jacquire King to get your low end to sit just right in the mix, no matter where you mix.

    For my free mixing video series, click here:

  • x
  • My Favorite Trick For Fat And Tight Low End On Mixes | Slate Digital

    3:31

    Ask any mix engineer, “What’s the hardest thing to do in a mix?” and you can bet they’ll answer, “Getting solid, big and tight low end.” In this vlog I’ll show you one method that I like to use to get big and tight bottom end.

    Watch the video to learn this awesome trick and click Subscribe to get updates when we release new Vlogs.









    Song credit:
    Slightly Left of Centre

    info@slightlyleftofcentre.com



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  • Kick and Bass Low End Mixing Tricks w Ulrich Wild, Cameron Webb & Warren Huart: Produce Like A Pro

    21:02

    Before you mix kick drum and bass guitar, make sure you download this cheat sheet to reference when mixing:

    Used in this video:
    Waves REQ:

    View the full courses here:
    Mixing In The Box with Warren Huart:

    Mixing and Producing Punk with Cameron Webb

    Mixing Metal with Ulrich Wild:

    Learn more here:




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    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • Low End Mixing Tricks + Free Denise Audio Plugin

    10:16

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    In this video David Gnozzi shows few trick for mixing low and and sub with Denise Audio Sub Generator, free plugin when you buy any in their line.

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  • 3 Golden Rules for Low End Hip Hop Mixing | Lu Diaz

    9:35

    Multi-platinum producer/mixer Lu Diaz (Jay Z, Kodak Black, Pitbull) gives 3 tips for blending 808s and kicks to get a clean, punchy low end in your tracks. Get more hip hop production tips:

    1:16 Tip #1: Enhancing 808 Harmonics & Tone
    4:29 Tip #2: Multiple EQs for the Kick
    6:58 Tip #3: Sidechaining Kick & 808

    Plugins used by Lu Diaz in this video:

    Vitamin Sonic Enhancer:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    SSL E-Channel:
    API 550:

    Music: Feel It Babe by Realzz. Produced by The Track Burnaz.

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  • Mixing Low End with The Referencing Trick

    9:47

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  • Mixing Low End Like A Pro

    11:56

    In this video, we're covering essential tips and techniques for mixing bass you can FEEL!

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  • How to do the Pultec Low End Trick - Mixing Tutorial

    13:44

    The Pultec Low End Trick is a great way to add low end to your song or instrument without adding rumble, mud or anything else that sounds bad. Check out the video and try it out on your next mixing project.

    Get the free plugin I mention in this video here:


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  • 8 Tips for Amazing Low End!

    44:41

    ➡️➡️Click here to learn more about these tips & download the cheat sheet:

    Tips for Mixing Low End:

    Monitoring - Can you hear the lows?

    You can’t mix what you can’t hear. Should you get a sub woofer? Closed back headphones will give you an extended low end. The Blue Headphones I use have an extended low end, they are not that accurate, however I am used them. While you’re learning your room don’t be afraid to check in other environments. There is nothing wrong with the car test, or the boombox test, or any other multiple ways of double checking what you are hearing! Many amazing Mix professionals check their mixes on multiple systems. Once you’ve got the low end to translate on many different systems you will start to understand how it should sound in your own mix room.

    Not All Low End Mix Tips are Created Equal

    Mixing a live recorded Bass Guitar is very different from mixing a programmed bass line, also mixing a live Kick Drum is very different from mixing a programmed one.

    Use A Frequency Analyser

    Using a Frequency Analyser will really help you learn what you’re hearing, especially if you’re working in an untreated room with issues and using headphones that don’t have an accurate low end.

    Don’t Boost What You Can’t Hear

    If you work mainly on 4, 5 or 6 inch monitors you can create great mixes as long as you understand you won’t be reproducing super lows through those smaller speakers. Don’t boost the frequencies that the speakers can’t reproduce effectively, if you do boost them and they start to become audible then you end up with excessive low end which will become evident in other systems.

    Don’t be afraid to high pass!

    Create space in the mix for clean Low End for the Kick Drum and Bass. Take care of your high passing on individual channels rather than trying to fix on the stereo master bus.

    Evening out Low End on Organic Instruments

    Plug ins like Waves RBass not only adds consistent low end it also adds harmonics, which (particularly on programmed sounds) can add extra sonic characteristics to your bass sound. Programmed Bass Synths and Bass Guitars will stand out of the mix more if you add definition by adding presence, high mids and even saturation.

    Keep Your Low Lows Mono

    High frequencies are very directional, low lows are not. Keeping the Kick Drum and Bass centred. Removing low information from the sides will help them feel firmly in the sides, giving your mix more width.

    Solve Your Problems inside of the Mix, not on your Master Bus

    This is a big one for me! I like to find the issues inside of the mix and deal with them at their source. Trying to fix low end on your Master Stereo Bus (Mix Bus) should be a last resort, removing above 20hz will severely remove real low end and compromise your mix. So if you feel like you’re reaching for this area then look for the cause inside of the mix, looking at the individual elements that generate the low end.
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  • x
  • Tighten Up That Low End!

    6:05

    In this quick tip tutorial you will learn a clever trick that you can use on your kick in order to tighten up your low end.

    The low end of a track is of often the most difficult part of a track to mix and get just right. This is the part of the mix with the most energy, so it's important that every element is sitting just right in relation to each other.

    This video will show you a few tricks that you can use to tighten up the low end in situations where it would otherwise tend to sound sloppy or loose. This typically happens when you have overlapping frequencies in the low end spectrum.

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  • 3 Tricks for Perfect Low-End in Your Mixes

    14:25

    I know a lot of people have trouble with mixing low-end in their music; here are 3 tricks I use all the time to keep my low end tight and energetic

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    My FREE Guide, Your Rise to Stardom -

  • Compression Trick For Glorious Punchy Low End

    8:20

    GET A DUELING MIXES FREE TRIAL HERE ▶︎▶︎▶︎

    Fun little trick for a bigger, punchier low end.

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  • LOW END CHECKLIST: Are You Doing These Things?

    13:47

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  • The Low Volume Mix Trick - RecordingRevolution.com

    6:49

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

    One of the simplest things you can do to ensure your mix sounds good everywhere is to play with volume.

    And I don't mean volume automation I mean checking your mix at different volumes. Specifically at super low volumes.

    A lot of times a mix will fall apart when you pull the volume way down, say -40db. That's a problem.

    In today's video, I share with you this simple little mix trick and the 4 things you need to listen for when checking at ultra-low volumes!

  • Mixing Low End...The Right Way

    6:03

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  • Mixing Low End Like a Pro: The Kick and Bass Mixing Trick | FL Studio | Hindi Tutorial

    35:47

    Mixing Low End Like a Pro: The Kick and Bass Mixing Trick | FL Studio | Hindi Tutorial



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  • How to EQ Kick and Bass for Better Low End | LANDR Mix Tips #9

    4:46

    Kick and bass can be the most difficult things to get right in a mix.

    Subscribe to LANDR on YouTube:

    In this video, I’ll show you some of the best ways to EQ kick and bass to get the low end you’re looking for.

    Before we start, the specific EQ frequencies we’re using in this video are just starting points. As always you have to use your ears to determine the best ranges to apply EQ.

    Beginner and intermediate producers almost always underestimate the effects of their listening environment.

    You could perfect your mix in a bad sounding room—only to realize that it’s completely wrong when you hear it in a different environment.

    Your low end is particularly affected by your mixing room. But there are a few things you can do to make sure you’re judging your bass frequencies as accurately as possible:

    Mix reference as often as you can: Referencing different tracks in different environments will help you get an idea of where the biggest flaws are in your room.

    Use good open headphones to check lows: If you know your room is flawed, a good pair of headphones can go a long way to help you make mix decisions.

    If you have a good idea of what frequencies are problematic, you’ll know to be careful when EQing them.

    When you first start mixing with EQ, it seems like you could just boost the low end to get that powerful bass you’re looking for.

    Too much low end energy in the mix can actually make your tracks sound weaker.

    All speaker systems have a limit of how low they can go. If there’s a lot of sonic information at a lower frequency than a speaker can play, it will struggle—and fail—to reproduce it.

    If your kick or bass instruments have too much sub bass, you’ll need to use a hi-pass filter to reduce it.

    By bringing up an EQ on this bass track I can see right away that there’s a lot happening at very lowest frequencies.

    I’ll start with a 48 db/octave low cut at 30 Hz. The timbre of the bass hasn’t changed at all, but I can already hear a bit of a tightening effect when I add the kick back in.

    I’ll gradually move the frequency of the hi-pass filter up until I start to hear a negative change in the sound of the bass.

    It’s actually best to do this with your eyes closed since the visual feedback from an EQ can affect how you judge low end.

    I’ll backtrack a bit right as I start hear the body of the bass get weaker . That should be a pretty good spot for the high-pass filter.

    Sculpting

    EQing a track is like putting together a puzzle. You have to shift things around to make space.

    For your kick and bass to punch you need make space for them in the mix.

    The inverse is also true. If your mix doesn’t have the right space for your bass, you’ll never get the beefy sound you’re looking for.

    Example: This kick drum sounds great solo’d, but I can tell that it’s fighting the other elements when I listen in the mix. The low-mids is especially congested.

    To deal with this, I’ll carve out some of this area in the kick to let the rest of the mix sit. I’ll start by sweeping a fairly tight Q, -10 db cut in the 200-500 Hz range.

    As I sweep my EQ band I can hear the other mix elements becoming more clear right around 300 Hz, so I’ll park the filter here.

    Lows are the foundation of great kick and bass tracks, but that’s not all there is to the story.

    “Big” and “punchy” kicks and basses often have a lot going on in other frequency ranges.

    Experiment with EQ in ranges other than the low end to find which frequencies bring your kick and bass into focus.

    As I’ve been EQing I’ve noticed that the kick lacks the presence it needs compete with the rest of my mix. I’ll take another EQ band, but this time a more bell shaped 6dB boost.

    Sweeping from 1kHz-5kHz, I can hear the point of the kick pop out at about 2kHz. In the mix, this gives my kick a ton of authority and provides nice separation from the bass.

    In some cases, adding a bit top end detail can bring out the articulation in the bass. I’ll check it out by sweeping an even gentler broad Q boost around the high end—listening from about 5k-10k.

    With this bass sound, there’s not a lot going on in the top end, so I won’t bother boosting any frequencies here.

    That’s why you always have to rely on your ears first to find out where to add EQ.

    General guidelines can be helpful, but they may not always be perfect. Make sure to decide for yourself in the context of your own tracks.

    ---
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  • The Industry 808/Bass Mixing Trick the Pros USE ALL THE TIME!

    8:52

    Play around and try Side EQ in your sessions. But remember - keep it subtle!

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    ~



  • Andrew Scheps Vocal Mixing Trick | Get Your Vocals To Cut Through The Mix

    7:00

    In this video I go over one of Andrew Scheps parallel vocal mixing processes using 3rd party plugins, then teach you to achieve the same effect with stock plugins. This technique will help your vocals cut through even the densest of mixes.

    Explanation - 1:03
    Raw Mix - 3:09
    Scheps Process with 3rd Party Plugins - 3:49
    Scheps Process with Stock Plugins - 6:07
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  • 5 Minutes To A Better Mix: Kick Drum Low End - TheRecordingRevolution.com

    5:27

    Part 9 of 31 - In this video I show you how to add more fatness and low end to your kick drum in the mix using a simple signal generator plugin. Watch and learn!

    Download my free eBook The #1 Rule Of Home Recording for more tips

  • x
  • Mixing Low End - Get Cleaner, Tighter, Louder Bass

    18:55

    Tricks and tips to get a more professional low end sound.

    ►Mixing Presets & Templates:
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    ►Synth Presets & Drum Samples:
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  • The Importance of MONO in Your Mix

    3:22

    This video will teach you why mono is so important when mixing. The key to getting a tight and punchy low end is MONO.

    This video will quickly explain how to use mono in your mix, as well as why you need to do it. Making something mono in FL Studio is very easy to do, and this video will show you how to make elements mono in FL Studio.

    --------------------------------------------------------------------------------
    RECOMMENDED STUDIO GEAR:
    (Amazon links below)

    AUDIO INTERFACE:
    ☑️ Focusrite Scarlett Solo:
    ☑️ Focusrite Scarlett 4i4 (3rd Gen):

    REFERENCE HEADPHONES:
    ☑️ AKG 612 PRO:
    ☑️ Beyerdynamic DT 990 PRO:

    REFERENCE MONITORS:
    ☑️ 5: Yamaha HS5:
    ☑️ 7: Adam Audio:
    ☑️ 8: Yamaha HS8:

    SUBWOOFER:
    ☑️ KRK 10S2 V2:

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    ☑️ Tonor TC20 Complete XLR Microphone Kit:
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    XLR CABLES:
    ☑️ TISINO 35 ft Balanced XLR cable for mic:
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    Download the TP Bassline for free here:

    If you have the FL Studio producer edition or higher then you get a plugin called Maximus which can also be used to do the same thing.
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  • Low End Masterclass - How to mix your low end

    1:35

    Available from

    The low end of any mix, especially in EDM and Hip Hop, can be really difficult to get right.

    It’s also one of the more important elements of any mix. Echo Sound Works brings you a course that covers all things low end.

    From acoustical treatment to mixing tips and tricks. To efficiently tackle this difficult topic, we are going to break up the limited low end space into three distinct zones and discuss how each one is important to the collective low end in any mix.

    ZONE 1 - Power/Rumble 25-50 Hertz - This is the sub bass frequency zone. One of the hardest frequency spectrums to get right.

    ZONE 2 - Punch - 50-115 Hertz - This is the range that adds the “punch” to the low end. This is for basses and kicks.

    ZONE 3 - Smack - 120 - 500 Hertz - This is the high end of the low end equation. Things like basses, snares, guitars, synths etc. can all live in this range.

    PART 1 - Introduction - A look at the course and how it’s formatted.

    PART 2 - Acoustic Treatment - This video discusses the first step at getting a great low end mix, your room and listening environment.

    PART 3 - Understanding Low End - This video introduces the 3 Zones that we will be looking at throughout the tutorial course.

    PART 4 - Zone 1 - This video introduces the concepts and frequencies around Zone 1 of the low end.

    PART 5 - Zone 2 - Zone 2 is the Punch part of the low end. Adding a bit to this frequency range can help add punch.

    PART 6 - Zone 3 - The Smack zone is there to add the high end to the low end. This can be helpful on kicks, basses and other low range mid instruments.

    PART 7 - Low End Arrangement - A big component to getting a good low end mix is having a proper arrangement. If your baseline is too busy then it will ultimately conflict with the kick.

    PART 8 - Layering Low End Sounds - A big component to a getting a big low end part of the mix is layering sounds together. Whether that’s basses or kicks. However, you need to do it correctly and keep in mind the 3 zones when doing so.

    PART 9 - Mixing Tips and Tricks - This video looks at a host of mixing tips and tricks focused around the low end zones.

  • How And Why To Mono Your Low End - Tech Tips Volume 32

    5:30

    Watch More Here!:

    This week we're back with another set of Tech Tips, this time in Logic Pro with new tutor Rory Webb from Hyper Production.

    Working under aliases such as Bailey and Knightley which, focuses more on electronic music, Rory has also been involved in sessions with the likes of David Guetta, Adele and Clean Bandit, all but to name a few and gained a significant amount of experience in many fields, from DJ’ing & Producing to Engineering & Teaching! So it’s fair to say, he knows a thing or two about music.

    Over these ten videos, Rory looks at some of the fundamental ways you can improve the sound of each element of your tracks so they really cut through the mix. From EQing vocals and creating your own unique layered kicks to understanding the importance of send/return fx and using compression, these tips and tricks will help you get the most out of your tunes and really make them shine ready to be played to a wider audience.

    Although this course is in Logic Pro, as with all our courses, these techniques can be applied to any DAW.

    Check it out and get the lowdown on how to polish your tracks and make them stand out above the rest!

  • Bass Guitar | Polarity & Phase Relationship With Kick Drum In A Mix

    3:07

    Bass Guitar | Polarity & Phase Relationship With Kick Drum In A Mix

    Puremix Mentor Jaquire King demonstrates polarity and phase relationship with a kick drum in a mix. In our bass guitar video, Jacquire not only discusses the relationship between multiple bass elements to ensure they are working together but also the effect of polarity on the speaker pushing versus pulling.

    Taking care to ensure polarity between mix elements is pushing the cone of the speaker outwards instead of pulling it inwards can improve tone, definition and keep elements like drums and bass from competing with each other.

    Learn More Here:

    Which way to flip it? That's the question at hand in this excerpt from our full-length tutorial: Jacquire King Mixing James Bay

    The it in this case is the polarity of the bass on the song, “Let it Go.”

    #bassguitar #polarityandphaserelationship #basspolarity

  • Multiband Compression: Mastering Low End Punch

    6:30

    Utilizing multiband compression can make getting a fat, full and punchy low end an incredibly straight forward and easy process.

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  • MAGIC IS IN THE MIDRANGE

    19:12

    Mixing the Midrange for KILLER mixes!

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  • 3 Low End Mixing MISTAKES That Are Killing Your Mixes

    12:29

    These 3 low end mixing techniques are taught over and over again in colleges and online...

    But if you're mixing rock and heavy music, these could actually be mistakes that are killing your mixes - not helping them!

    Here are 3 common low-end mixing mistakes that should avoid when mixing rock, metal and hardcore.

    ☛ Grab your FREE mixing cheatsheet and get on my list for the best audio training on the web:

  • Pultec EQ | How To Use The Boost And Cut Trick Featuring Fab Dupont

    3:12

    (Equalization) Pultec EQ | How To Use The Boost And Cut Trick Featuring Fab Dupont

    In this excerpt from How to Listen—Pultec Equalization Edition, Fab Dupont demonstrates a technique for setting a Pultec’s Low-Frequency band that might strike you at first as counter intuitive but is actually extremely useful. We pick up the action featuring Fab in the studio with a silver-faced EQ the Pultec EQH-2 unit showing how to use the boost and cut trick.

    The EQH-2, which is a mono unit like most other hardware Pultecs, was first built as a smaller-sized (2RU) alternative to the (3RU) EQP-1. It has only two bands (a low shelf and a high peak) as compared to three in the EQP-1A (low shelf, high peak, high shelf) but has the same filter shapes for the low band, so as far as the technique Fab demonstrates in this excerpt, they’re interchangeable. Pultec also made an Equalization focused on the midrange called the MEQ-5, which Fab also has in his studio, and is visible in the excerpt.

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  • How to Mix Low End for Crisp, Clear Sound | LANDR AskAnEngineer

    3:39

    LANDR’s senior audio engineer Al Isler loves to talk mixing. So we opened up our P.O. box to the LANDR community and asked you to send Al your most burning mix-related questions.

    Subscribe to LANDR on YouTube:

    Today's question: How do mix engineers make low instruments with barely any high range still sound crisp? — from Wylie Pendarvis, artist and LANDR user

    Subscribe to #AskAnEngineer on YouTube to learn more about mixing!
    Need help with your mix? Post your question in the comments below!

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  • 3 Ways A Pultec EQ Can Save Your Mix

    17:16

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  • Mixing a muddy track under 45 mins | Mixing tips and tricks that can greatly improve your track

    46:33

    You can be Getting Better Mixes under 45 minutes. Learn the proven mixing strategies used by pro mixing engineers, to bring your music mixes up to the next level.



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  • Mixing In The Box Strategies With Grammy Winner Jacquire King - TheRecordingRevolution.com

    52:19

    A few months ago, when Grammy winner Jacquire King (Kings Of Leon, James Bay, Mutemath) told me he was transitioning to mixing all in the box, I knew I had to get him to share his approach with you.

    Last week he graciously sat down with me to talk in detail about his mixing approach and philosophy, specifically how he starts a mix when working in the box.

    In this action packed interview Jacquire walks you through his mix buss approach, a secret trick he uses to gain stage and get the low end of his mix perfect, as well as his approach to recording music so that the mix comes together faster. Watch, pay attention, and take notes. Your music will thank you for it later.

  • 6 Steps to a Punchy Kick Drum

    5:16

    Producer/mixer Sean Divine shows how to give a kick drum more power and definition even when paired with deep 808 bass frequencies, using the PuigTec EQs. Learn more:

    Step 1. Sidechain the bassline against the kick

    Step 2. Boost and attenuate the low-end sweet spot

    Step 3. Boost the high-end sweet spot (at 10K)

    Step 4. Create a peak at 1K

    Step 5. Create a dip at 2K

    Step 6. Boost at 5K

    Music composed and produced by Sean Divine.

  • 5 Quick Automation Mixing Tricks - Warren Huart: Produce Like A Pro

    24:16

    ➡️ ➡️ Before you start using automation, make sure you download this FREE Automation Tricks cheatsheet right now:

    Want to try these tricks on the song used in this tutorial? Get the multitracks here:

    Automation is the secret to a truly great mix!

    Simple volume automation of instruments can save the heartache of trying to replicate dynamics with complex compression techniques.

    This video covers:
    1. Volume Automate for Consistent Level
    2. Make Choruses More Exciting with Automation
    3. Automate Reverb Sends
    4. Create Volume Swell Effects with Automation
    5. Automating A Send to a Delay on Vocals

    Automating plugins can give them multiple purposes adding both subtle ear candy and huge drama to your mixes!


    Sign up here to get exclusive videos and content

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • Mixing Bass To Cut Through On Laptop + Phone Speakers - RecordingRevolution.com

    7:57

    ►► Overwhelmed by EQ when mixing? Just download my FREE 7 Step EQ Checklist →

    No matter how awesome your bass sounds in your studio monitors or headphones it needs to sound great in the real world.

    And what do lots of people listen to music on in the real world? Crappy laptop and phone speakers that put out absolutely zero low end!

    So that the last thing you want is for your bass to disappear when someone fires up your song on their iPhone or laptop while they are working or surfing the web.

    Today I'm going to show you a simple trick you can use to ensure your bass tracks will cut through on ANY crappy small speaker.

  • Mixing Distorted Guitars | High Gain Tips by Joe Barresi

    12:53

    Mixing distorted guitars (rhythm and lead) for a wide, crunchy, heavy tone. Hard rock producer and mixing engineer Joe Barresi is upfront about his guitar mixing techniques. Learn more from Joe:

    When & What:

    • 0:06 — Joe's General Approach

    • 2:56 — Compressing (+EQ) Rhythm Guitars

    • 5:04 — The Clint Eastwood Track

    • 6:07 — Parallel Distortion

    • 8:26 — Making Stuff Outside the Speakers

    • 9:51 — Making Solo Guitars Stand Out


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    #MixingGuitars

    Music: “Mercury Gift” by Zico Chain

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  • Dont Carve or Duck Your Low End

    15:00

    The Workshop Bundle - 70% OFF ????
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    In this video, platinum mixer Matthew Weiss talks about why ducking or carving your low end isn't always the best idea during mixing.

  • How to EQ Vocals - 5 Tips for CLEAN Vocals!

    11:53

    Some tips for EQing vocals on Logic Pro X (this really works with all DAWs). In this video I give you guys a basic-ish look at my process for how to eq vocals.

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  • The Pultec Trick: Tips for Low End EQ | LANDR Mix Tips #11

    1:47

    Every serious engineer has a digital version of the classic Pultec EQP-1A program equalizer in their plugin folder.

    Subscribe to LANDR on YouTube:

    The Pultec is known for its broad and musical boosts and cuts, but over time engineers learned to exploit a quirk in its circuitry for a special purpose.

    I’m talking about the famous “Pultec Trick,” for boosting low end. It’s a secret weapon technique to enhance basses and kick drums that’s used by a ton of pros.

    First off, I’ll bring up a Pultec so we can take a look at the controls. Today I’ll be using Ignite Amps PTEq-X, which is a great freeware Pultec-style EQ.

    The high band has 3 frequencies for attenuation and 8 for boosts, but the low band has only 4 available frequencies for both cuts and boosts.

    This quirk allows you to boost and cut at the same frequency setting, at the same time.

    Due to the design of the hardware, the boost and attenuate bands aren’t at exactly the same frequency, and they create a unique overlapping EQ curve that can work wonders on bass instruments.

    The kick drum track I’m working with just doesn’t have enough power in the low-end. I’ll see if I can give it some authority using the Pultec trick.

    I’ll go ahead and add a PTEq-X to my kick track. One of the great things about using Pultecs is that they impart a really nice tone even before you add any boosts or cuts.

    I can already hear a bit of that character coming through on the kick drum.

    I’ll start by setting the bandwidth to sharp and the frequency to 60 Hz. Now I’ll simply increase both the boost and attenuate knobs to get that special overlapping curve.

    I’ll back off just before noon on the dial when I start to hear the effect getting overpowering.

    Listening in the mix now, the fundamental frequency of the kick drum is much stronger, and I can feel the lows hit with a lot more oomph.

    So that’s the Pultec trick in a nutshell. It’s a simple, super effective way to bring out the lows in your kicks.

    Try it on other instruments as well. In some cases it can be great on bass or other low end sources.

    ---
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  • Perfecting the Low End - EDM Production Masterclass on Slate Academy

    7:54

    In this video, we talk about how to perfect your low end. We guarantee your bass will be felt on every system. Full course -

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    - Learn the secret to getting massive low end in your tracks without sacrificing clarity
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  • Mixing Low End with David Glenn

    10:54

    Free access to premium courses from David Glenn ➥
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    David Glenn walks you through his process for managing the low end in a Pop ballad.

  • MY TOP TRICKS TO MIXING MELODIES

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    In this video, I go over my top tricks to mixing melodies

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  • The Snare Hype Mixing Trick - TheRecordingRevolution.com

    6:48

    Produce radio-ready mixes in less time

  • Tips for Mixing Low End and Making Executive Mix Decisions

    8:44

    Instant access to every in-depth mixing course from Matthew Weiss:

    // A video on managing low end and making executive decisions as a mix engineer.

    Song:



    Transcript:

    Hey, folks. Matthew Weiss — weiss-sound.com, theproaudiofiles.com.

    This tutorial is going to be about managing low end, but it's also going to be about making executive decisions as a mix engineer.

    So let's check out this chorus.

    [mix plays]

    So, really cool, but if you're listening the way I'm listening, you will notice a couple of things that maybe could be better. The first is that the low end is a little bit cloudy and muddy.

    Not terribly cloudy and muddy, but a little bit, particularly in the sub range. It's hard to sort of differentiate between all of the elements going on there, and it kind of all sounds like one kind of globby low end.

    The other thing that's going on is that it doesn't feel like there's a lot of movement in the low end in particular. Like, there is movement there, but it really feels like there could be more. It's more-or-less streamlined.

    So let's breakdown how we can remedy that. So, first I'm going to play with the effects that I added, and then I'm going to explain my thought process.

    [mix plays]

    So, we'll notice that when I play it that way, there's a lot more bounce and groove to the record, but I don't feel like I've lost anything. It just feels like the energy has been rearranged. It still feels very full and very powerful.

    So here's my thought process. I have four elements that are occupying a lot of space in the sub 80Hz range. I have these layered kicks, which I'm thinking of as one element, I have these 808s, and then I have a Moog Bass, and I have a hook low lead.

    So I'm asking myself what I want the low end to do. If I want it to sound like this sort of like, heavy electronica, pseudo-rock kind of thing, like a Nine Inch Nails sort of thing, I probably want the low end of that Moog bass, that sort of streamlined, unending low end to be dominant.But, that's not what this record is. This record is meant for dancing purposes, and so I want a bounce to show up, and that bounce is going to come from my more dynamic elements — my kick and my 808.

    So those are the elements that I want to give the sub to, because that's what's going to give that physical energy that gets people to move on the dance floor.

    Well, in order to do that, what I really need to do is therefore take out sub range in my other elements. The Moog bass and the hook low lead.

    So I'm going to bypass my effects here, and now I'm going to breakdown what I'm doing.

    [synth]

    So it's important to note that this Moog bass has a lot of really gnarly, cool overtones in the upper-midrange. So I can probably remove a good amount of sub without even damaging the strength of this sound.

    So my first move here is going to be an EQ.

    [synth, adjusting EQ]

    Right? I very clearly shifted the energy more toward the upper-midrange, and I'll show you exactly what's going on here. I even have a little graphic line to help illustrate it.

    So at 80Hz, I'm dipping out about 3.5 decibels with a very wide slope. You'll see the slope of this EQ stretches all the way up to this bump right here. This bump is 1.2kHz. That's like a 4, 5 decibel boost that it's getting right there.

    So I'm diminishing energy in the low end, all the way up to the mid-range where now, the mid-range is getting that big power.

    Before and after, one more time.

    [synth, before and after EQ]

    Okay. Next EQ.

    [synth]

    If you're listening with a sub, you will hear a very dramatic difference. If you are not listening with a sub, you might not notice the most profound difference.

    One more time.

    [synth]

    So here at about 70Hz, steep high-pass filter. Just cutting everything out of the sub, and a little bump at 200Hz.

    So again, shifting energy. The 200Hz energy is going to give the impression of bass without actually putting low end in there. It's going to be the kind of bass, that primary bass range that pokes through all of these other bass elements, because it's resting a little bit above those primary fundamentals.

    [synth]

    So again, it doesn't feel like I'm losing bass, it just feels like I'm moving it up in register.

    A little compression here with some make-up gain.

    [synth with compression]

    Right? We feel that texturally, it becomes solid. The last thing that I'm doing is throwing on a compressor that is keyed to the kick, so that this bass ducks out when the kick hits.

    Here on this hook lead, I'm doing some EQ that is just tonally making it feel a little bit more focused. This is not a specific technique that you are going to be able to apply everywhere, this is just me going through the sound and doing what I like. It's a pretty subtle sound, I'm going to turn it up for now.

    [truncated]

  • Pro Tools Tips & Tricks

    4:58

    This video shows you how to get the low-end BOOM from your kick. All you need is an EQ!!!
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  • Tips for Mixing Low End with Kicks, Synths and Sub Bass

    13:14

    Free access to premium courses from David Glenn ➥
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    A video on mixing and managing multiple low end elements in a mix including kick drum, synth pads and sub bass.

    The offer for mentioned at the beginning of the video will remain valid until November 1st. Simply email david@davidglennrecording.com after joining to receive the bonus files:



    Transcript Excerpt:

    In today's video, I want to show you how to manage your low end. Now, I'm not going to talk about getting an incredible kick sound with tons of sub or bass or whatever. I am going to however talk about getting a sub heavy kick, a sub heavy bass, some pads with some sub, I got a sonic boom with some sub, and a choir pad sound that sounds really cool with some sub all to get to work together well in the same song – the same mix. We're going to do that by arranging our low end.

    But first, I'm going to give a plug. I've got a membership site – it's called themixacademy.com, and right now, this month, if you're watching in September of 2015, I'm giving away a bonus of three sets of multi-tracks from a recent record that I mix, and I'm mixing the song Arise start to finish. The videos are up online, ready for you right now, and you get the three song multi-track bonus as well as the full start to finish videos as a coaching call online, and then you get VIP admission to our live coaching call and web show that's happening next week, and it's a great deal, a great bonus I couldn't pass up sharing that with you guys here.

    I actually started leaving up the previous month files, so you can actually download the August files – the multi-tracks for that, the start to finish videos, the coaching call, all of the files that come with that in addition to the current month's bonus of three songs.

    All of them can be mixed for your resume, and then even more than that, I give a free bonus course if you sign up. It's just $27 a month and you can cancel anytime. So effectively, you could go on, sign up today, join, get last months, this months, all of the bonuses, e-mail me, get a bonus course, and then cancel and have all of that for just $27.

    It's maddening, but I wish you would take advantage of it, because it's insane. I wish I would've had something like that when I was first learning.

    So anyways, that aside, let's dive into the tutorial today. So like I said, I have a kick – I like a lot of sub in my kick. I like a lot of sub in my bass. I've got this sonic boom here that has a lot of sub, and then I have these two sounds down here that we're going to talk about, and there's a pad. I'm going to show you first the pad choir sound. Let's check that out in solo.

    [pad plays]

    Cool. Then we have a pad here.

    [pad plays]

    You can feel the warm sub in the sides. I've done some mid/side EQ.

    Then if I come up here and show off the sonic boom – and actually I was messing around before I went live with this. I'm going to back that off a little bit.

    Here's some of the sub from this guy.

    [boom]

    Okay. So there's some subs in there, and then we've got the kick.

    [kick drum]

    Tight subs, but they're there. And the bass guitar, I do multi-band treatment here. I'll show off. Let's come down here and show this section.

    [bass guitar]

    And because I gave a shout about The Mix Academy, let me show you a more interesting part of the song.

    [song]

    Cool. As much as Pro Tools will let me before a glitch. Some guys, I get e-mail all the time. “Hey, is your system – I see you run a lot of plug-ins etc.”

    The only time I have problems is when I run a full mix that's been done and then do a tutorial off of that. So glitches don't come when I'm mixing, just when I'm doing the video at the same time.

    Okay. So managing the low end. I've got kick and bass being side-chained. The kick is pushing down the subs and the bass. I've talked about that a ton on the blog. Videos are out there on how to side-chain your kick and bass, and I like the subs to dominate in the kick to push them down in the bass. You can see that really, really quickly. I send the kick into the bass.

    Pro-MB from FabFilter, can't beat it. Push the subs down a little bit there, Waves Factory Track Spacer works for that as well. What I did with the Waves Factory Track Spacer is I used that and committed the processing for the sonic boom. When the sonic boom comes in, the initial transient – the impact of the subs pushes down the kick, it pushes down the bass a little bit, and it dominates for that instant that it hits, and then it sustains and it sounds nice and full.

  • Top Secret Snare Mixing Trick?

    8:56

    ➡️➡️Get Mixing Modern Metal with Jordan Valeriote:
    ➡️➡️Get the Soundtoys Decapitator:

    Today, our good friend Jordan Valeriote is going share his snare mixing trick! This is one of his secret weapons for mixing snare for heavy rock and metal. It is a technique that he discovered that helps him to get a snare that really cuts through a really dense mix and holds it own. It gives the snare a lot of weight, intensity, and character, and still has a ton of aggressive attack, without just being a really spiky transient in the mix.

    The plugin that Jordan uses for this snare mixing trick is actually a stock plugin in ProTools! It is the Lo-Fi plugin! The knob that he focuses on is the distortion knob. If you don’t use ProTools, you can also check out a plugin like the Soundtoys Decapitator.

    With this trick, it is all about adding a bit of distortion and a little bit of clipping to just give your snare that extra volume and intensity in the mix. If you do this using a brick wall limiter to shave off those transients and bring up the rest, that is going to weaken the attack. By doing it with distortion instead, and even just straight up clipping off the top of that transient, you are maintaining that really aggressive, punchy attack.

    ❤️My Favorite Plugins:
    ➡️Waves MV2:
    ➡️Waves RBass:
    ➡️Renaissance Vox:
    ➡️Renaissance Compressor:
    ➡️Warren Huart IR Pack
    ➡️Warren Huart Kemper Pack

    ❤️GEAR:
    ➡️Stealth Sonics:
    ➡️UK Sound 1173:
    ➡️Apollo x16:
    ➡️Apollo Twin:


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  • Low End trick

    1:59

    Follow this simple trick to clean up the low end of your mix.

  • The Neve 1073 Kick Drum Trick | MixBetterNow.com

    5:31

    The Neve 1073 Kick Drum Trick (5 Minute Mix Tips) | Mix Better Now

    Hey friends! Here's the first of many 5 Minute Mix Tips... In this tutorial I go over what I like to call The Neve 1073 Kick Drum Trick where we take advantage of the fixed EQ points the 1073 has to really enhance the sound of the kick drums in our mix.

    Please be sure to SUBSCRIBE, LIKE and ENJOY :-)

    Don't forget to sign up for the Mix Better Now Newsletter to get your Swag Bag of Free Multi-Track Sessions, Free Mix Templates, Free Drum Samples, Free Reverb Impulse Responses, Free Plugins and more, here:

    Please feel free to drop me an email with any questions at pete@mixbetternow.com! :-)

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