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Playlist of The Bass Compression Trick for Tight, Solid Low End | musicianonamission.com

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  • My Favorite Trick For Fat And Tight Low End On Mixes | Slate Digital

    3:31

    Ask any mix engineer, “What’s the hardest thing to do in a mix?” and you can bet they’ll answer, “Getting solid, big and tight low end.” In this vlog I’ll show you one method that I like to use to get big and tight bottom end.

    Watch the video to learn this awesome trick and click Subscribe to get updates when we release new Vlogs.









    Song credit:
    Slightly Left of Centre

    info@slightlyleftofcentre.com



  • x
  • Compression Trick For Glorious Punchy Low End

    8:20

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    Fun little trick for a bigger, punchier low end.

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  • Mixing Low End - Get Cleaner, Tighter, Louder Bass

    18:55

    Tricks and tips to get a more professional low end sound.

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  • Mixing Low End Like A Pro

    11:56

    In this video, we're covering essential tips and techniques for mixing bass you can FEEL!

    Song: James Garlimah - Ocean Eyes:
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    ►DAW Presets & Templates:
    *NEW* Divine Mixing Vocal Chains V3 (Waves):
    Divine Mastering Chains (Waves):
    Divine Mixing Waves Template (Logic Pro X, Cubase & Pro Tools):
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    Divine Mixing Template One for Stock Plugins (Logic Pro X, Cubase & Pro Tools):

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    Divine Mixing Session 2 (Mixing & Mastering Video Course):
    Hip Hop Vocal Production (Lynda.com Course):

    ►Synth Presets & Drum Samples:
    8oh!8 Bass Presets for Serum -
    The Niche Kit (Creative Drum and Loop Kit) -
    Urban Dreamscapes for Serum -

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  • Mixing Bass Guitar | Fat Bottomed Tips by Joe Barresi

    7:41

    Mixing bass guitar tracks (DI and amps) to one fat bottomed sound. Hard rock producer and mixing engineer Joe Barresi shares his means to that (low) end. Learn more from Joe:

    Waves plugins used in this video:

    Renaissance Bass

    CLA-76

    LoAir


    Music: “Mercury Gift” by Zico Chain

    Check out Joe's ProSound Workshop:

  • Mixing Low End...The Right Way

    6:03

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  • How To Mix And Process Sub Bass

    13:22

    This video will show you how to mix and process sub bass. The kick and the bass are two of the most important elements in your mix. Together they make up most of the energy in a track, and it's therefore very important that these elements are sitting right in the mix.

    Check out part 1 here How to mix kicks:

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    How to Sidechain using an EQ:

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  • 3 Golden Rules for Low End Hip Hop Mixing | Lu Diaz

    9:35

    Multi-platinum producer/mixer Lu Diaz (Jay Z, Kodak Black, Pitbull) gives 3 tips for blending 808s and kicks to get a clean, punchy low end in your tracks. Get more hip hop production tips:

    1:16 Tip #1: Enhancing 808 Harmonics & Tone
    4:29 Tip #2: Multiple EQs for the Kick
    6:58 Tip #3: Sidechaining Kick & 808

    Plugins used by Lu Diaz in this video:

    Vitamin Sonic Enhancer:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    SSL E-Channel:
    API 550:

    Music: Feel It Babe by Realzz. Produced by The Track Burnaz.

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  • Simple trick for MIXING BASS | Logic Pro X

    13:11

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    In this episode we take a look at how to mix bass into a typical house track. Our aim is to try and make the sidechain seem invisible to make the kick and the bass part mix in well together.
    Hope you enjoy it!


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  • Mixing Basics: Bass - Warren Huart: Produce Like A Pro

    17:35

    ➡️➡️Download the Me and The City - The Owl Song multitracks here:
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    Today, we are going over the basics of mixing bass!The song in today's episode is The Owl Song by Me and the City.

    This song has a bass DI. – A bass guitar plugged straight into the front of the interface.
    In areas it gets super loud and then it disappears, so its dynamic range is massive! This is very typical for most bass guitar performances.

    I’m going to show you a couple of different approaches that I take while mixing bass guitars!


    ➡️➡️Watch the First 3 videos from the Mixing basic series here:
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  • Kick and Bass Low End Mixing Tricks w Ulrich Wild, Cameron Webb & Warren Huart: Produce Like A Pro

    21:02

    Before you mix kick drum and bass guitar, make sure you download this cheat sheet to reference when mixing:

    Used in this video:
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    View the full courses here:
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    Mixing and Producing Punk with Cameron Webb

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    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • How to make nice and tight Techno Low End

    35:55

    Hi guys - in this video I want to show you the low end and rumble from two of my tracks. We are going through every track step by step talking about the effects of the used plugins and techniques.

    ♫ PLUGINS USED IN THIS VIDEO ♫
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  • Mixing Bass & Synth Bass with Drums – Tony Maserati’s SSL Tip #4

    15:41

    Grammy-winning mixer Tony Maserati (Beyoncé, Jay Z) shows how he gets detailed control over blending a bass guitar, synth bass and drums in a mix.

    Plugins used in this video:

    Waves SSL 4000 Collection:
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    Kramer PIE:
    Kramer Tape:
    Trans-X:

  • Tighten Up That Low End!

    6:05

    In this quick tip tutorial you will learn a clever trick that you can use on your kick in order to tighten up your low end.

    The low end of a track is of often the most difficult part of a track to mix and get just right. This is the part of the mix with the most energy, so it's important that every element is sitting just right in relation to each other.

    This video will show you a few tricks that you can use to tighten up the low end in situations where it would otherwise tend to sound sloppy or loose. This typically happens when you have overlapping frequencies in the low end spectrum.

    RECOMMENDED STUDIO GEAR:

    AUDIO INTERFACE:
    ☑️ Focusrite Scarlett Solo:
    ☑️ Focusrite Scarlett 4i4 (3rd Gen):

    REFERENCE HEADPHONES:
    ☑️ AKG 612 PRO:
    ☑️ Beyerdynamic DT 990 PRO:

    REFERENCE MONITORS:
    ☑️ 5: Yamaha HS5:
    ☑️ 7: Adam Audio T7V:
    ☑️ 8: Yamaha HS8:

    SUBWOOFER:
    ☑️ KRK 10S2 V2:

    MICROPHONE:
    ☑️ Audio-Technica Cardioid Condenser Studio XLR Microphone:


    Balanced XLR CABLES:
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  • How to EQ Kick and Bass for Better Low End | LANDR Mix Tips #9

    4:46

    Kick and bass can be the most difficult things to get right in a mix.

    Subscribe to LANDR on YouTube:

    In this video, I’ll show you some of the best ways to EQ kick and bass to get the low end you’re looking for.

    Before we start, the specific EQ frequencies we’re using in this video are just starting points. As always you have to use your ears to determine the best ranges to apply EQ.

    Beginner and intermediate producers almost always underestimate the effects of their listening environment.

    You could perfect your mix in a bad sounding room—only to realize that it’s completely wrong when you hear it in a different environment.

    Your low end is particularly affected by your mixing room. But there are a few things you can do to make sure you’re judging your bass frequencies as accurately as possible:

    Mix reference as often as you can: Referencing different tracks in different environments will help you get an idea of where the biggest flaws are in your room.

    Use good open headphones to check lows: If you know your room is flawed, a good pair of headphones can go a long way to help you make mix decisions.

    If you have a good idea of what frequencies are problematic, you’ll know to be careful when EQing them.

    When you first start mixing with EQ, it seems like you could just boost the low end to get that powerful bass you’re looking for.

    Too much low end energy in the mix can actually make your tracks sound weaker.

    All speaker systems have a limit of how low they can go. If there’s a lot of sonic information at a lower frequency than a speaker can play, it will struggle—and fail—to reproduce it.

    If your kick or bass instruments have too much sub bass, you’ll need to use a hi-pass filter to reduce it.

    By bringing up an EQ on this bass track I can see right away that there’s a lot happening at very lowest frequencies.

    I’ll start with a 48 db/octave low cut at 30 Hz. The timbre of the bass hasn’t changed at all, but I can already hear a bit of a tightening effect when I add the kick back in.

    I’ll gradually move the frequency of the hi-pass filter up until I start to hear a negative change in the sound of the bass.

    It’s actually best to do this with your eyes closed since the visual feedback from an EQ can affect how you judge low end.

    I’ll backtrack a bit right as I start hear the body of the bass get weaker . That should be a pretty good spot for the high-pass filter.

    Sculpting

    EQing a track is like putting together a puzzle. You have to shift things around to make space.

    For your kick and bass to punch you need make space for them in the mix.

    The inverse is also true. If your mix doesn’t have the right space for your bass, you’ll never get the beefy sound you’re looking for.

    Example: This kick drum sounds great solo’d, but I can tell that it’s fighting the other elements when I listen in the mix. The low-mids is especially congested.

    To deal with this, I’ll carve out some of this area in the kick to let the rest of the mix sit. I’ll start by sweeping a fairly tight Q, -10 db cut in the 200-500 Hz range.

    As I sweep my EQ band I can hear the other mix elements becoming more clear right around 300 Hz, so I’ll park the filter here.

    Lows are the foundation of great kick and bass tracks, but that’s not all there is to the story.

    “Big” and “punchy” kicks and basses often have a lot going on in other frequency ranges.

    Experiment with EQ in ranges other than the low end to find which frequencies bring your kick and bass into focus.

    As I’ve been EQing I’ve noticed that the kick lacks the presence it needs compete with the rest of my mix. I’ll take another EQ band, but this time a more bell shaped 6dB boost.

    Sweeping from 1kHz-5kHz, I can hear the point of the kick pop out at about 2kHz. In the mix, this gives my kick a ton of authority and provides nice separation from the bass.

    In some cases, adding a bit top end detail can bring out the articulation in the bass. I’ll check it out by sweeping an even gentler broad Q boost around the high end—listening from about 5k-10k.

    With this bass sound, there’s not a lot going on in the top end, so I won’t bother boosting any frequencies here.

    That’s why you always have to rely on your ears first to find out where to add EQ.

    General guidelines can be helpful, but they may not always be perfect. Make sure to decide for yourself in the context of your own tracks.

    ---
    Learn how to get kick and bass sitting right in your mix:


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  • How Much Low End is Too Much? | FAQ Friday - Warren Huart: Produce Like A Pro

    17:50

    ➡️➡️In This Episode We Answered These FAQ Friday Questions:
    • So when does low end become too much low end? (0:30)
    • Regarding Compression - It’s typical to compress a bass recording, what other circumstances would you prefer to see compression having been used on the way in as opposed to being done in the box. (5:45)
    • What is your favourite compressor plugin and why? (8:35)
    • On heavy prog material with lots of time changes would you automate compression settings or would you aim for a global setting?(11:22)
    • At what sample rate do you set your interface for tracking? (12:48)
    • How do you deal with low mid range? Trying to get rid of muddiness and not losing the power which this frequency contributes to the mix? (14:22)
    • Does it make a difference if you EQ before or after reverb?(15:42)

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  • Mixing Bass - Warren Huart: Produce Like A Pro

    10:35

    Mixing Bass: How to mix bass for a full and punchy low end.
    Sign up here to see exclusive videos and download practice sessions

    Warren shows how he mixes bass using both a DI and amp. Tips for getting a great bass tone when mixing multiple sources together.

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • Multiband Compression: Mastering Low End Punch

    6:30

    Utilizing multiband compression can make getting a fat, full and punchy low end an incredibly straight forward and easy process.

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  • 3 Tips For Perfect Sub Basses

    9:42

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    In this video we'll explore 3 tips to better sub basses.

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  • The Low End Mix Trick - TheRecordingRevolution.com

    9:44

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

    Something I learned from Jacquire King to get your low end to sit just right in the mix, no matter where you mix.

    For my free mixing video series, click here:

  • x
  • Best Way To Glue Your Kick And Bass With Multiband Compression

    9:28

    Yo Broducers!

    In this video I showed you how to glue your kick and bass in a track. For this I created some quick drum loop and write my bass with Serum. Then I grouped them in a same bus and applied multiband compression with FabFilter Pro MB. Also I showed some quick EQ dipping tip to make your kick and bass sound better together.

    I hope you enjoy!

    Follow me on social media:





    ----------------------------------
    *My new FL Studio 20 course is available on Udemy. Check it out!
    *Udemy için hazırladığım FL Studio 20 derslerime göz atın!

  • Sidechain Compression on Kick and Bass: Clean Up the Low End of Your Mix

    7:55

    Getting the low end of your mix “tight” or “clean” is one of the fundamental problems of mixing. Instruments that have a lot of low frequency energy, like kick and bass, fight for that precious space below 100 Hz. EQ will only get you so far, but sidechain compression will really help the instruments work together, preserving the character of each. In this video I go over three different methods of sidechain compression - regular compression, dynamic or active EQ, and multi band compression.
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  • LOW END CHECKLIST: Are You Doing These Things?

    13:47

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  • How To Mix Sub Bass and 808s - Get A Huge Low End!

    12:57

    Watch me mix a huge sub bass or 808 with a kick using distortion, side chain compression and stereo widening.
    Download The FREE Mixing bible:

  • 3 Low End Mixing MISTAKES That Are Killing Your Mixes

    12:29

    These 3 low end mixing techniques are taught over and over again in colleges and online...

    But if you're mixing rock and heavy music, these could actually be mistakes that are killing your mixes - not helping them!

    Here are 3 common low-end mixing mistakes that should avoid when mixing rock, metal and hardcore.

    ☛ Grab your FREE mixing cheatsheet and get on my list for the best audio training on the web:

  • How to mix bass - Warren Huart: Produce Like A Pro.

    23:56

    Mixing Bass Guitar: How to mix bass for a full and punchy low-end.
    Download the multitracks for this song for free here:
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    Today, we're getting into the 2 part of our mixing Pop/Rock series: Mixing Bass.

    Topics discussed in this tutorial:

    - Controlling the low-end and picking noise of an uneven, but highly energetic “rock ’n’ roll” bass performance.
    - Evening out dynamics of your bass to make your low-end consistent and powerful.
    - Help your bass cut through the mix and add color by using parallel distortion and overdriven amp tones.
    - Taming transients by using saturation.
    - How to blend a DI signal in with your amp tone.
    - Controlling phase relationship to maintain a full bodied low-end.
    - EQ, Compression, Limiting + Multi-band Compression, Saturation, VST Amp tones.

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • Parallel Compression on the Whole Mix – the ‘Rear Buss’ Technique

    10:51

    Learn Andrew Scheps’ signature technique of parallel compression on a ‘rear’ buss in order to add energy to a mix.Watch mixing tips from Andrew Scheps himself: Also visit

  • How to Fix Uneven Bass Levels in Your Mix

    4:11

    Mixer Sean Divine shows you how to tame uneven bass notes using Waves Bass Rider, allowing the low end of your mix to easily translate in any consumer environment. Learn more:

    Music – “Fluid” Written & Produced by Sean Divine

  • How To Mix FAT Bass Guitar: Slate Digital Pro Tricks

    8:22

    Everything Bundle members now have their very own private mixing course! The first installment transforms a rock tune that was recorded in a living room into a punchy radio-ready mix, and Steven takes you through the entire process in multiple installment chapters. It's hours of private instruction, where you'll learn a ton of tips and tricks the pros use on their own mixes.

    To show you the amount of detail and information these courses provide, we've pulled out this excerpt from Chapter Three, where Steven demonstrates the processing he put together on bass.

    To join the Everything Bundle and gain access to the full course - which includes the multi-track audio and session files in every major DAW format - check out the Everything Bundle page online at Your mixes will thank you!

  • Bass Guitar | Mixing Synth and Real Tracks With Softube Plugins

    16:29

    Bass Guitar | Mixing Synth and Real Tracks With Softube Plugins

    Puremix Mentor Ryan West demonstrates mixing synth and real bass tracks together with Softube plugins. In our bass guitar video, The low end of a mix is the most critical area and the hardest for most engineers to nail. Learn how Ryan manages the both a synth bass and DI bass tracks using Softube plugins.
    - Saturation Knob to help deep and fat basses translate from studio monitors to earbuds without losing definition or weight
    - Balance both the frequencies and dynamics of a bass using EQ and compression together with Grand Channel
    - Use Bass Amp Pro to transform a DI bass into a realistic bass amp tone without needing a huge bass rig to achieve a massive sound.

    For more info about the Softube Volume 1 Bundle visit
    Learn how to mix the song from start to finish and then download the session here :
    The low end of a mix is the most critical area and the hardest for most engineers to nail. Learn how Ryan manages the both a synth bass and DI bass tracks using Softube plugins.
    - Saturation Knob to help deep and fat basses translate from studio monitors to earbuds without losing definition or weight
    - Balance both the frequencies and dynamics of a bass using EQ and compression together with Grand Channel
    - Use Bass Amp Pro to transform a DI bass into a realistic bass amp tone without needing a huge bass rig to achieve a massive sound.

    #bassguitar #mixingsynthandrealbass #synthandrealbass

  • Advanced EQ for Mixing Bass | FL Studio Tutorial

    9:35

    Tips and tricks for mixing your low end elements in FL Studio. This tutorial covers some concepts that will get the most out of your stock EQ in FL Studio.

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    Advanced EQ for Mixing Bass | FL Studio Tutorial
    by Inflightmuzik

    This music producer tutorial channel was created to focus on modern techniques to produce music inside of FL Studio. Many of these FL Studio tutorials can still be applied to any DAW by using the same concepts I explain with each producer tutorial.

    Currently I teach future producers who aspire to improve their music production by showing both basic and rare techniques using FL Studio 20 (now FL Studio 20.1). I cover topics that range from non-traditional music theory to sound design to mixing and mastering. Each beat tutorial includes tips and tricks for FL Studio and general music production ideas that can help producers generate more musical ideas for your drums, 808/bass, chords and melodies in multiple genres, including trap, pop, edm and others by using the stock plugins they already have in FL Studio or using free or cheap plugins, available to download or buy online.

    Remember to SUBSCRIBE to stay up to date with my weekly beat tutorials in FL Studio.

    Advanced EQ for Mixing Bass | FL Studio Tutorial
    by Inflightmuzik









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    Advanced EQ for Mixing Bass | FL Studio Tutorial
    by Inflightmuzik

  • Mixing Nashville Drums, Bass, & Guitars with F. Reid Shippen - Warren Huart: Produce Like A Pro

    19:45

    ➡️➡️Mixing Nashville Singer/Songwriter with F. Reid Shippen:
    ➡️➡️Learn more about Mixing Nashville Singer/Songwriter with F. Reid Shippen here:

    Today’s video is an excerpt from our newest course called “Mixing Nashville Singer/Songwriter” In this excerpt we take a look at some of F. Reid Shippen's mixing techniques when it comes to Drums, Bass and Guitar!

    If you want to learn how to produce and mix Singer/Songwriter tracks that have the potential to get on the radio and top the charts, Reid is the man to talk to.

    ❤️My Favorite Plugins:
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  • Compression: What you need to know by Erik Arkö

    7:37

    What is compression, and how do I use a compressor? Compression, simply explained makes your quiet notes louder and your loud notes quieter. On this video, our friend Erik Arkö explain us how, where and when you can use it. Enjoy it!
    --
    Signal Chain:

    Yamaha Attitude LTD3 - Super Symmetry · 115 GeV Compressor - Microtubes B3K - Microtubes 900- Focusrite 6i6 - Logic Pro X - Rosen Digital Audio Cab Impulse (MESA Cabinet)
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  • 5 EQ Mistakes We Make While Mixing - Warren Huart: Produce Like A Pro

    16:24

    ➡️➡️Download the Cheat Sheet here:

    ➡️Tip 1: Don’t just cut Frequencies On The Mix Bus: Find the source of EQ Build up. (0:49)
    ➡️Tip 2: Your Mix is Too Bright: Don’t Mix Too Loud (4:13)
    ➡️Tip 3: Use Proper High and Low Passing (6:40)
    ➡️Tip 4: Don’t Over Use EQ: If you’re Applying A Lot Correctional EQ Stop, Take a Break then Listen to it without EQ(10:28)
    ➡️Tip 5: Don’t Spend too Much Time in Solo: Check Frequently How the EQ Choices you Make work with your Mix(13:16)


    ❤️My Favorite Plugins:
    ➡️Waves MV2:
    ➡️Waves RBass:
    ➡️Renaissance Vox:
    ➡️Renaissance Compressor:

    ❤️GEAR:
    ➡️UK Sound 1173:
    ➡️$299 Kali Audio Studio Monitors:

    ❤️❤️Free 3 Part Mixing Course:


    Sign up here to get exclusive videos and content

    #ProduceLikeAPro
    #HomeRecording

    Giveaway Winners:

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • 6 Powerful Tricks For Mixing

    29:29

    Today I explain 6 great tricks to make your mix sound better, using the Overloud GEMs plugins:
    - GEMs Bundle: - Free Overloud Trial:
    CLICK HERE FOR THE OFFICIAL GUIDE TO MIXING:

    ★ To get your music mixed, mastered or produced by Doctor Mix now: CLICK HERE ►

    ★ To get Doctor Mix's top 10 mixing techniques join our list here and download the PDF straight away:

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    Thank you for watching this video. I hope that you keep up with the weekly videos we post on the channel, subscribe, and share with those who need to see them. Your comments are our oxygen, so please take a second and say hi ;-)

  • Side Chain Compression - Make the Bass and Kick Fit Together

    4:28

    Learn how to pick the right EQ every time in this free 4 step course.


    Side Chain Compression to make Room for Kick - You could turn the volume down of either the kick or bass or you could eq the kick or bass to make room. Another option is side chaining the kick and bass together using a compressor. This way when the kick hits the bass is compressed and lowered just in that moment. By doing this it makes room for the kick without having your overall bass sound turned down.
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  • The Bass Guitar Mixing Trick for a Massive Low End

    13:08

    ►► Download your FREE “EQ & Compression Cheat Sheet” →

    Bass is one of the main areas I see a lot of people struggling with in home studios.

    Getting the low end right is fundamental to a professional sounding mix.

    In this video I show you a trick I picked up from professional mix engineer, Matt Wiggins.

    All you need is an EQ and Compressor plugin.

    If you want your Bass Guitars to sound big and punchy, while keeping that low end locked in place, then this videos for you!

  • How to use Compression in your Low End for a Powerful Kick & Bass in your Techno Tech-House Tracks

    8:46

    In this video we will go through compression techniques for a better low end.

    1. Taming the length of the kick with a compressor
    2. Taming dynamic range of bass
    3. Processing the kick and bass in a bus to glue and tame

    This can all be achieve using the ableton stock compressor, glue compressor, and multi band dynamics.

    Use our link for 7% off your DistroKid membership!!


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    Check out our latest video on ADSR

  • Getting A Tight Bass Tone!

    8:05

    Get Joel Wanasek Bus Glue Bass:

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  • Low End Mixing Idea

    6:03

    ???? Get better mixes by this weekend. Plug this FREE 5-Step Mix process into your system and get ready for great results ????

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  • How to get tight Low End Bass Synths

    8:06

    Create fat, tight low end synths by layering a few effects together. Good use of effects can transform any bass synth into something magical. Now that Reason 9.5 includes support for VSTs, your mixes should be able to sound aggressive and boomy, without being loose.

    Here I started with an Analog Machines synth from Native Instrument's Kontakt VST library that comes with Komplete ( It's one of my favorite VST plugins.

    I used Soundtoys effects to get the super tight, punching low end. First I started with the little alter boy, an insane octave effect ( Than I used their Little Radiator for a bit of saturation and warmth. Finally, I added the Filter Freak 2 which just created this aggressive, growly low end movement to the bass synth.

    Note: Some of the Links in this video are affiliate links.

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  • How to use Compression on a Bass Guitar - Mixing Tutorial

    18:04

    Using compression on a bass guitar is a common technique to getting that great low end. Bass guitar is one of the driving forces behind the rhythm of a song along with the drums.

    As such it is critical that you get the sound right for the song. This video shows the process I use and the thoughts and techniques of how to use a compressor on bass guitar in a mix.
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  • How To Get A Tight and Balanced Low-End When Mastering Music.

    11:03

    Download Mastering The Mix plugins used in this video:

    In this video, Mo will be taking a look at a typical in-the-box mastering session, more specifically the low frequencies. Mo goes through every stage of the mastering chain showing you how to keep your low-end in check. He then uses Mastering The Mix plugin BASSROOM to extend and enhance those lows.

  • 5 POWERFUL TECHNO AND TECH-HOUSE LOW END MIXING TECHNIQUES THAT WILL IMPROVE YOUR MIX EXPONENTIALLY

    14:16

    In this video I cover 5 mixing techniques that I use to create a super punchy and powerful low end to get your tracks sounding ready for the club.

    1. Using faders correctly
    2. Multi Band Saturation
    3. EQ
    4. Dynamic EQ
    5. Compression

    Catch my last vid where I go through REFERENCING:

    Catch us on IG & Twitter: @luckyrollmusic

  • Kick and Bass How to Make Them Sit Right + Multiband Compressor Settings Rapid-Fire Q&A #10

    4:46

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  • Drum Mix Rescue | How To Fix Badly Recorded Drums

    23:37

    In this episode I will show you how to mix drums that were recorded badly.

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  • Get Better Separation Between Kick and Bass

    6:30

    Today I'm going to show you how you can get better separation between your kick and bass. This is an old technique but still very effective

  • How to Mix Low End for Crisp, Clear Sound | LANDR AskAnEngineer

    3:39

    LANDR’s senior audio engineer Al Isler loves to talk mixing. So we opened up our P.O. box to the LANDR community and asked you to send Al your most burning mix-related questions.

    Subscribe to LANDR on YouTube:

    Today's question: How do mix engineers make low instruments with barely any high range still sound crisp? — from Wylie Pendarvis, artist and LANDR user

    Subscribe to #AskAnEngineer on YouTube to learn more about mixing!
    Need help with your mix? Post your question in the comments below!

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  • Double Bass Recording Techniques - Phase Alignment, Recording & Mixing Double Bass - faTutorial 4

    8:52

    Looking for an exciting recording & mixing technique on how to record double bass / upright bass? Learn it in a few minutes in this #faTutorial!

    Read on website:

    In this episode of faTutorial, Daniel shows you how to record double bass, properly. Our to be more precise: an exciting multi-miking technique for acoustic double bass! Double bass recording techniques often involve the use of multiple microphones for several reasons: Firstly, there are many aspects to a large acoustical instrument. You have, for example, the sound of the picking of the player on the fret-board, the bass-rich, vibrant sound of the body and maybe some nice room ambiance (depending on your recording studio, of course). If you use different microphones for all of these aspects you gain total freedom of how they are blend together in the final mix and you can choose and change the sound at any time. That's why we use 3 different microphones in this setup. Secondly, some of the lower frequencies that are dominant for acoustic upright bass need some room to develop. That's why a certain distance without having too much room ambiance in it are essential!

    Although multi-miking techniques can give you all these benefits, you'll also have to deal with Phase issues due to the time differences (or better 'run-time differences') between the mics. In this tutorial I use our Automatic Phase Alignment Plug-In faGuitarAlign to counter these effects! Of course, you can use every other Phase Alignment Plug-in you want. But faGuitarAlign is the ultimate choice for this task.

    Mixing double bass is an easy task now as we've done our mic placement and phase alignment, properly. You'll notice that I don't use a lot of effects in this particular mix. The blend of the 3 mics combined with the Phase Alignment gives us an already pretty good sounding acoustic bass. All I've done is some subtle adjustments in the 4k range, a little bit of multiband compression in the lower mids to get rid of 'boom-iness' and a little bit of saturation to add warmth. And that's basically it. I've also added sidechain compression to make air between the bass and the kick drum. I will go into more detail on how to do that in an upcoming tutorial.

    I hope you found this video to be helpful. Be sure to subscribe and leave a comment below.

    Thanks for watching!

  • Mixing Bass Guitar with David Glenn

    11:19

    Free access to premium courses from David Glenn ➥
    Ear training for EQ ➥
    Learn compression ➥

    David Glenn walks you through mixing bass guitar for the song “Save Me” from American Idol finalist, Jeremy Rosado.

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