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Playlist of Secrets of Waves F6 Floating

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    Secrets of Waves F6 Floating-Band Dynamic EQ


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    Simple knowledge of tricks and keyboard commands like these can improve your reaction time and get more inspired results when using any of these two equalizers. The ability to isolate frequency bands allows you to hear exactly what the plugin is doing; lock the vertical or the horizontal of a band to fine tuning without loosing other settings; change the Q from the main screen instead of Gabi G to reach out for a knob is always welcome and finally switching bands on or off is always useful.

    In this video we see how all this can be done in the new F6 Floating-Band Dynamic EQ and we will also learn how many of these commands have been available for years, imported from the classic Renaissance and other Waves equalizers.

    If you feel like buying use our link to save an additional 10% off any purchase at Waves and we will get some credits as well:

    From the website:

    Surgical dynamic equalizer with 6 floating, fully-adjustable parametric filter bands, advanced EQ and compression/expansion controls per band, mid-side processing options, real-time frequency spectrum analyzer, and more. The ultimate problem-solving EQ, F6 can be used for diverse equalization, compression, expansion and de-essing processes, whether you’re mixing or mastering, in the studio or live. Each of the six floating bands features advanced EQ and dynamic controls that let you zero in on any problem spot – and treat it only when the problem arises. Rather than treating a frequency one time and leaving it there for the entire track, F6’s EQ settings are sensitive to the dynamics of your track. This way you can select not only by how much, but also precisely when a specific frequency will be boosted or cut, compressed or expanded. Take vocals for example: A singer’s tone changes throughout a performance depending on their position to the microphone. An EQ setting that works well when the singer is close to the mic and singing softly will not be as effective when the singer backs up and starts belting. F6 moves in time with the singer, kicking in when the vocal level crosses a certain threshold that you’ve set – and laying off when it falls below that threshold. With the F6, you can EQ more precisely, with filters that can be as narrow or as wide as you like, free-floating bands that can overlap, variable EQ shapes, and threshold-sensitive EQ settings. F6 is ideal for isolating specific problems on individual tracks and fixing them transparently only when they pop out. The plugin’s advanced mid-side processing capabilities give you even greater ability to carve out EQ space in a busy mix, so you can breathe more life into your mixes. The F6 dynamic EQ also includes a feature-rich, FFT-based real-time frequency spectrum analyzer, easily accessible from the main plugin interface. Analyzer features include adjustable resolution, adjustable reaction speed, RMS vs. peak response, pre-EQ, post-EQ and sidechain options, frequency, note and amplitude display based on cursor position, and diverse L/R monitoring options. Music is dynamic. The intensity of any piece of music constantly rises and falls. With the F6 dynamic EQ plugin, you finally have the perfect EQ tool to match this dynamic variation.




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    Waves F6 Dynamic EQ Plugin Overview


    Watch mix engineer Brad Divens (Kanye West, Enrique Iglesias) demonstrate sidechaining, mid-side processing & more with the F6 Floating-Band Dynamic EQ plugin. Learn more:

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    EQ Problems SOLVED – Waves F6 Dynamic EQ Plugin Tutorial


    Learn how to solve common vocal and cymbal equalization problems with the Waves F6 Dynamic EQ plugin: tutorial by Grammy-winning engineer Dave Darlington (Avicii, David Guetta, Sting). Learn more:

    00:14 – How to tame a harsh vocal
    02:15 – How to make vocals shine without sibilance
    03:53 – How to sidechain the lead vocal to help it cut through the mix
    07:24 – How to selectively tame harsh cymbals

    Song: Carl Nunes & TripL – “Better World”
    Listen or download:

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    Waves F6 Floating-Band Dynamic EQ | Quick Review


    Waves F6 Floating-Band Dynamic EQ | Review

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    Fixing weak DRUM loops with Waves F6 Dynamic EQ


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    This loop we found in the Soundbase browser of Pro Tools had the perfect groove for our song but it was weak, of course that wouldn't stop us, we decided to take action and fix it ourselves. Why not? Here we show you how we did!

    For more information watch Secrets of Waves F6 Floating-Band Dynamic EQ (WINDOWS):

    Save an additional 10% off any purchase at Waves Audio with this link:


    Mixing with Waves F6 Dynamic EQ

    KICK: To increase the kick without affecting the snare and the rest of the loop select any band and change it into a low shelf filter.
    Move the THRESHOLD needle until the peaks of the kick exceed it.
    Make sure the other hits are below the needle.
    Increase RANGE until the level of the kick is at the desired volume.
    Notice how the EQ curve is activated only when the kick plays.
    Adjust the Q until the transition sounds natural.
    Use FREQ in isolation to find the exact area of the kick you want to affect.
    Since we are increasing the low end considerably it is possible that it is necessary to use the HPF.

    SNARE: There's a frequency on the snare that sounds too harsh. Use a bell filter to control it.
    Use the band in isolation to find the exact frequency and width of the problematic area.
    Now repeat the process of lowering the THRESHOLD needle until the hits of the snare exceed it but this time move RANGE in the opposite direction.

    LOW-MIDS: In the area where the kick and the snare coincide, we want to increase the punch of the kick without adding more body to the snare.
    First look for the exact area with a band in isolation, then move the THRESHOLD needle until it is reached by the snare and reduce RANGE. With that we will have reduced the body of the snare without affecting the kick yet. Now use GAIN to recover the body of the snare and at the same time increase the punch of the kick.

    DISTORTION CONTROL: If, like this case, the loop has been abused with too much distortion, use an LPF to reduce the extremely harsh frequencies of the hi-hat and give it some lo-fi vibe.

    The last thing as always is to listen in context and make adjustments until everything sounds just perfect.

    Now enjoy the groove!

    Direct link:

    #Mixing #electronic #loops



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    Introducing the F6 Floating-Band Dynamic EQ Plugin


    Tame a harsh vocal, but only when it’s too loud. Carve out EQ space in a busy mix – but do it dynamically. With 6 floating filters, each combining advanced EQ and dynamics controls, F6 is the ultimate problem-solving EQ. Learn more:

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    mixing with Waves F6 Dynamic EQ


    This video I give an overview and some examples of how I use the Waves F6 when mixing. If you would like to give me a referral you can do so by purchasing through the link below.

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    Waves F6 Dynamic EQ - Reseña


    Waves F6 Dynamic EQ. Más videos y artículos como este aquí en:

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    F6 Dynamic EQ Update – Now with a Real-Time Analyzer


    You asked for it, you got it: The F6 Floating-Band Dynamic EQ plugin has been updated with a feature-rich real-time frequency spectrum analyzer, accessible from the main plugin interface. Learn more:

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    Make SPACE for your lead tracks with Waves F6


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    We want to create space for this #guitar solo to be heard more easily among the dense layer of accompanying instruments that are in the same frequency range. For that we have created a pre-fader send channel that will send an exact copy of the guitar track to the SideChain input of an instance of #Waves F6 dynamic EQ in MS mode inserted on the #keyboard group. When the guitar track (which is panned to the center) produces some sound the F6 will reduce the center channel (mid) of the keyboard group channel without affecting the sides creating space for the guitar in the center without having to reduce the presence in the piano and pads on the sides. Notice how when F6 is in bypass it seems as if the guitar goes down in volume.

    Insert F6 into the group channel of the accompanying instruments that you want to duck when the lead voice sounds. If you do not use. group channels this is a good time to start, they are very useful. With lead voice we mean a solo instrument, a singer or any performance that needs to be highlighted. On the input of the SideChain channel of the plugin select the send channel that comes from the lead track, in our case the guitar. Make sure that the volume of the send is at 0dB and that it's pre-fader.

    Now select each band and select MID in each of them.
    Select each band again and select SC SOURCE - EXT.

    Now while the music is playing use the global Threshold control to reduce it on all bands equally until the needle is affected by the signal. To have a better idea select one of the middle bands, 3 or 4 offer a more realistic level of the instruments we are processing. Now use the global Range control to reduce it until you hear that the central signal is reduced by the dynamic movements of the lead track.

    Make the relevant adjustments with Threshold and Range and finally listen in context. To apply this trick on vocals just replace the guitar track for the main vocal track and insert copies of the F6 on the keys and guitar tracks. The advantage of using Waves F6 as opposed to a single band compressor in mid/side is that the sidechain signal will affect each band of F6 differently and duck the keyboards more in the octaves where the guitar is currently playing.

    Direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.



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    Mix Secrets TV - Enrico De Paoli at InfoComm 2017 - WAVES F6 Dynamic EQ


    Grammy winning engineer/producer Enrico De Paoli interviews Luke Smith from WAVES about the new F6 dynamic equalizer plug-in.

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    Get Waves F6 Floating-Band Dynamic EQ for $26, coupon code:


    Click the coupon code link, you will receive a code to enter during check out to save 10% anytime.

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    Waves F6 updated with an RTA


    This video covers the RTA added in an update to the F6 in Feb 2018.

    Mixing with Waves F6 Dynamic EQ

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    Tips prácticos #2 : SideChain de frecuencias entre voz y música utilizando F6 Dynamic Eq


    Tips prácticos #2 : SideChain de frecuencias entre voz y música utilizando F6 Dynamic Eq
    Info del plugin :

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    Tips prácticos #11 Crea espacio en voces utilizando Eq Dinámico con el F6 Floating-Band Dynamic EQ


    Tips prácticos #11 Crea espacio en voces utilizando Eq Dinámico con el F6 :

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    How to Control Live Spoken or Sung Vocals with Dynamic EQ


    When a singer sings or a speaker speaks at different volumes on stage, dynamic EQ can easily help control their voice in the mix. Watch the live sound experts from MxU demonstrate how with the Waves F6 plugin. Learn more:

    Learn more about MxU live sound coaching and services:

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    Rap Vocals De-essing | Using dynamic EQ


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    In this video I`m showing a tehnique for rap vocal de-essing using a dynamic eq .

    I am using dynamic eq for rap vocals de-essing when mixing because you have alot of control and you can really remove unwanted , harsh frequencies and resonance .


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    How to Duck a Busy Beat to Make Room for Vocals


    Got a busy hip-hop beat that doesn’t have room for vocals to shine? Fixing a cluttered mix with dynamic EQ can help you make space for the vocal in a way that reacts to the music. Learn more:

    Tutorial presented by producer & mixing engineer Sean Divine.
    Music: Sean Divine – “Overtime”

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    Controlling fret buzz on acoustic guitar with Waves F6


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    Waves F6 Floating-Band Dynamic EQ:

    We want to control the hurtful noises made by the #strings when the fingers move on the #fretboard. For that we are going to use the #compressor of the highest band of F6.

    Turn band 6 into a shelf, press SOLO and start moving FREQ to the left while all you hear is noise, stop as soon as you start to hear defined notes, then back up a little.

    Turn SOLO and place THRESHOLD in the place where most of the notes end so that it is only surpassed by the annoying noises.

    Move RANGE to the left until the annoying notes are diminished considerably and put ATTACK to the minimum, we prefer to use all the available negative range & compensate with a GAIN boost.

    This is the same as using a de-esser but with the possibility of snooping inside. We are going to cut the sub low freqs now, activate the HPF and look at the area where the low freqs of the guitar form a descending ramp, place it there.

    Finally retouch the GAIN boost in band 6 to make sure we are not losing much brightness and if necessary adjust ATTACK and RELEASE according to the tempo of the performance.

    direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.



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    How to Get Harder Hitting 808 Kicks in Your Tracks


    Watch how to create more punchy, harder-hitting 808 kicks by shaping attack transients, adding heavy-aggressive distortion, and sidechaining the kick and bass. Download the free presets and plugin chain:

    (0:25) Adding Top-End Attack to 808s
    (2:43) Creating Distorted 808s
    (4:59) Sidechaining 808 Kick & Bass

    Plugins used in this video:
    Smack Attack Transient Shaper:
    Manny Marroquin Distortion:
    F6 Floating-Band Dynamic EQ:
    PAZ Analyzer:

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    Top 5 EQ Plugins



    Here is a quick top I made of the best EQ Plugins in the world:

    1. FabFilter Pro-Q

    2. iZotope Ozone 7

    3. Waves Q10 & SSL G-Eq

    4. UAD Pultec Pro EQ & Passive EQ

    5. The EQ from your DAW

    If you don't want to spend hundreds of dollars on EQ Plugins, you can still do a great job with the EQ found in your DAW!

    So...what's your favorite EQ Plugin? Comment below!


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    Dont be fooled by The Myth of GOOD SOUND


    One of the most used arguments when #comparing the processing used in a track, similar #plugins from different developers or audio #mixing in general is this sounds better than this other. So we created two isolated audio examples for you to listen and find out which sounds better.

    Most people will agree that A sounds better; because it is more natural, detailed, has a wider frequency range, possibly brighter and with more low end information... Now if we listen to these same two examples in context with the rest of the song many will agree that A sounds too present and out of place while B camouflages itself better, sounding more familiar without attracting too much attention as befits an accompanying part. The real reason why some mixes sound more three-dimensional than others is CONTRAST.

    In case someone is asking what processes were applied to the examples. A is the original sound and B contains the following plugins:

    1 - Waves Rverb to make cymbals last longer(watch our previous video)
    2 - iZotope Vinyl to lo-fi the audio and focus the frequency range.
    3 - Waves NLS Console Emulation as we do in every track.

    Of course other people are going to hear the opposite, this is the reason that there are so many production styles in the world. We simply share ours...



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    Video Pillole - #3 F6 Floating-Band Dynamic Eq che cosè e come si usa.


    Video Tutorial per gli amanti della Produzione Audio, Mixing & Recording. Plugin strani che possono tornare utili.
    Scrivetemi se siete interessati a conoscere plugin particolari, o anche semplicemente per commentare e darmi consigli su come migliorare.

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    Waves F6 External Routing, FL Studio Side Chain Tutorial


    Today is a quick example of how to Sidechain and Externally Route plugins like F6 and others in FL Studio. Thanks for dropping by, be sure to like and subscribe with bell! ^^

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    Dynamic EQ ★ Top Secret


    Dynamic EQ ★ Toutes les Techniques des Pro ! ★
    Chap. 18 de la Formation EQ Ultimate ▼▼▼ Extraits Offerts

    Créez votre Compte sans engagement sur pour visionner plus d'extraits GRATUITS de cette formation !

    Plus de 12h de Formation Haut de gamme - sur les Techniques d'équalisation Top Secrètes que seuls les Pro utilisent en Studio.

    - A quoi sert une Dynamic EQ ?
    - Différence entre Dynamic EQ et Multiband Compression
    - Waves F6 RTA
    - UAD Sonnox Dynamic EQ
    - Izotope Neutron 2 Dynamic EQ
    - Izotope Ozone 8 Dynamic EQ
    - Melda MDynamicEQ et MAutoDynamicEQ
    - TDR Nova Parallel Dynamic EQ

    - Technique de Coloration Dynamique
    - Technique de Sidechain Dynamic EQ
    - Techniques d'EQ Expansion
    - Technique de Dynamic Carving
    - Technique de Mid Side Dynamic EQ
    - Stabilisation Fréquentielle
    - MASTER Dynamic Top Control
    - BONUS : TDR Nova Gentleman's Edition



    Cours de MAO - Mixage Audio - Devenir Beatmaker


    F A C E B O O K -
    I N S T A G R A M -
    D I S C O R D -
    P A T R E O N -
    S N A P C H A T - lateammj

    Dynamic EQ ★ Les Secrets des Pro

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    Dynamic EQ - TDR Nova


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    In this video we put compression and EQ together, which equals “Dynamic EQ.” This is an optional video and a fairly advanced technique. However in some ways dynamic eq makes more sense than compression. If there’s a frequency that keeps poking out and drives you crazy wouldn’t you prefer to just lower that frequency band when it gets too loud. That’s the concept we'll be discussing in this video.

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    Favoring vocal GROUP mixing over MULTITRACK mixing


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    Instead of applying all the #mixing processes (EQ, compression, reverb, etc.) directly in each track of these choirs this time we decided to only use the correction processes and then #mix once grouped in the stems.

    In the multitrack we only inserted Slate VMS with the Neumann U67 (yes, we know we said TLM which could be, maybe, a more accurate description in the end), HPFs, De-Essers and Ultrapitch in some tracks and Reel ADT as we explained in these videos:

    Mixing SUPER POP vocal choirs with Waves plugins:
    How to use Waves UltraPitch Shifter to create POP/EDM Choirs:
    How to use Waves Sibilance De-Esser plugin:
    Secrets of Waves F6 Floating-Band Dynamic EQ (WINDOWS):

    So far all we have done is make sure that the tracks are clean, have the correct character and the necessary stereo and pitch effects. The mix as such, that is, the positioning of the vocals in the vertical, horizontal and depth planes It's going to happen in the groups...

    Here we applied dynamic EQ to control the resonances in the low mid zone when these are too much without diminishing the warmth and presence of the voice in the softer parts. Then we added the necessary brightness with our favorite EQ on vocals, the Pultec. These two processes have been used in all the chorus groups. Then where it has been necessary we've added dual compression, but there was no need to use much GR since the more overdubs are added to the group, the more stable the dynamic becomes.

    Using two or more compressors in series is a technique as valid as any, in this case we feel that some choirs did not have the strength and presence necessary with the Opto so we inserted a second FET compressor. Of course these things can only be noticed by listening in context... Finally we applied the reverb sends in the grups.

    The advantage of mixing in groups is not only to save the CPU but also to avoid creating phase problems between the different tracks of the group and in many cases this technique also sounds much more natural. In the main vocals we also used this technique only with different processes.

    Plugins used in this video:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    CLA-2A Compressor / Limiter:
    CLA-76 Compressor / Limiter:
    iZotope / Exponential Audio R2:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.



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    Use this link to save an additional 10% off any purchase at Waves Audio:

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    Audio Home Movies - Smack Attack


    Quick demonstration of Waves Smack Attack plug-in using a live performance of a snare drum.

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    Jack Joseph Puig on Making His Plugin Signature Series


    In this video, GRAMMY® Award-winning mixing engineer Jack Joseph Puig (Lady Gaga, Black Eyes Peas, U2) talks in depth about the creation of his successful Waves Signature Series, a collection of six intuitive effect plugins for guitars, bass, vocals, drums and more.
    Jack Joseph Puig Signature Series:

    Jack designed his Signature Series with both the musician and producer in mind. Instead of regular controls, you have intuitive tone controls such as Attitude, Punch, Space and Presence which focus on adding feeling and not just frequencies.

    Special thanks to Bardo Studios

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    How to use Waves C6 Multiband Compressor


    NOTE: on 0:53 instead of ONLY button if should say SOLO button and on 2:13 it should have said Next to the high band it is included a Q factor control for the 3 crossovers of the center section.

    C6 Multiband Compressor is useful for almost everything in a mix session, it offers the classic 4 bands of Waves C4 Multiband with its master controls and two additional bands that can be freely moved through the frequency spectrum. They also have control of the Q factor and offer additional support to the traditional bands and at the same time can be used as dynamic equalizers and even as an alternative to Renaissance DeEsser!

    In this video we explain step by step our procedure to use all the bands of this plugin using the controls of BYPASS, Threshold, Gain (both of them), Behavior and Crossover achieving at the end a uniform result improving the dynamic response and clarity of a section of strings and woodwinds.

    Click this link to save an additional 10% off any purchase at Waves:

    From the website:

    For years, the C4 has been a favorite of studio engineers the world over, and in live sound, it’s quickly become a must-have for front-of-house and monitor professionals as well. To create the C6, we took the tried-and-true functions of the C4, and added two additional floating bands plus a sidechain feature, for one-stop vocal and instrument shaping. Equally at home in the studio, live, and in post production, the C6 lets you zero in on problem frequencies with surgical precision.

    Perfect for de-essing and de-popping in the studio or onstage, the C6 gives you all the multiband compression and dynamic equalization you need to control, tame, and shape your sound.

    -Multiband compressor plugin
    -Internal/external sidechain per band
    -Individual band Listen -modeFour crossover bands plus two floating bands
    -Dynamic EQ, compression and expansion
    -Double precision bit resolution processing




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    3 Golden Rules for Low End Hip Hop Mixing | Lu Diaz


    Multi-platinum producer/mixer Lu Diaz (Jay Z, Kodak Black, Pitbull) gives 3 tips for blending 808s and kicks to get a clean, punchy low end in your tracks. Get more hip hop production tips:

    1:16 Tip #1: Enhancing 808 Harmonics & Tone
    4:29 Tip #2: Multiple EQs for the Kick
    6:58 Tip #3: Sidechaining Kick & 808

    Plugins used by Lu Diaz in this video:

    Vitamin Sonic Enhancer:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    SSL E-Channel:
    API 550:

    Music: Feel It Babe by Realzz. Produced by The Track Burnaz.

    Get the latest updates from Lu Diaz:
    YouTube: Instagram: Twitter:

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    Trying out Waves F6 Equalizer


    i got a free 7 day demo trial.. i think this EQ sounds pretty good on anything.. i might buy this plugin after the 7 day trial.

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    How to use Waves PuigChild 670 for Mid-Side Master Compression


    The Fairchild 670 is a compressor that doesn't really offer as many parameters as modern compressors but it's particularly good sound and character compensates for the lack of buttons. One of the most important features of the original design is its ability to process Left and Right or Mid and Side signals independently which, combined with its particular frequency and color response, has made it a popular mix bus and mastering tool.

    In this video we share a way how to use and achieve the best results using our favourite version, Waves PuigChild 670. Our method consist in isolating the Mid and Sides signals, process them independently and then mix and balance them again to control the depth perception and punch of the mix using the built in output controls.

    Click this link to save an additional 10% off any purchase at Waves:

    From the website:

    Throughout the vinyl era, the original Fairchild 660 and 670 compressors were ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. We’ve collaborated with GRAMMY-winning producer/engineer Jack Joseph Puig (U2, Rolling Stones, Lady Gaga) to capture every distinctive nuance and harmonic detail of the vintage Fairchild 670 device housed in Jack’s own studio.

    Modeled on a rare vintage Fairchild 670
    Lateral vertical mode (MS compression) for optimal stereo imaging
    Linked & unlinked modes




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    How to set the Sidechain source with a Waves Plugins inside FL Studio 12-20


    This is a quick tutorial for those who struggle to set properly the Sidechain source with a Waves Plugins inside FL Studio 12 or 20.

    The main tips is to use the VST3 version of the Waveshell1 container.

    The video show how to make the ducking effect on the bass accordingly to the kick with using the sidechain trick with the plugins F6 - Floating-Band Dynamic EQ by Waves.
    (it's only to demonstrate that the sidechain source is effectives, it's not a proper tutorial about the ducking effect).

    1- select the kick track on the mixer
    2- right-click on the bass track and select Sidechain to this track
    3- on the insert effect of the bass, choose the VST 3 version of the waveshell1 plugins (it' will not work with other version of VST like 1 or 2)
    4- This is the MAIN step: after have selected the plugins, go to the detailed settings -Wrapper settings - Processing and select the track 1 as stereo Aux In, and enable this channel.
    5- then, inside the plugins, select a band you want the effect, and on the area named SC Source, select EXT.
    6- make the tweak you want or follow mine (they are exaggerated but it's to make obvious the effect) and that's it !

    I hope it help ,)

    Stay connected with me:

    #sebastiennova #flstudiotutorial #wavesvst

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    TDR Nova GE vs Waves F6


    Salut à tous!

    Dans cette vidéo je vous ai fais un bref comparatif de 2 égaliseurs dynamiques abordables.
    TDR Nova vs Waves F6!

    NOTE :
    Petite erreur de marquage de ma part pour le Threshold! oups :D


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    Equalization - TDR Nova


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    The TDR Nova is somewhat unique in that it has a built in gain compensation feature. As of right now I don’t think it’s possible to disable this. Normally when you use an EQ and boost a frequency range the entire signal gets louder. This is where your ears can deceive you. Anything that sounds louder is going to sound better because A) Louder=Exciting and B) typically Louder=clearer. Therefore it’s really nice that this plugin automatically tries to adjust the gain so you’re really listening to the tonal change not just the level one.

    In this presentation we’ll discuss shelves, bells, and Q… basically the fundamentals of Equalization. But just like with all our effects EQ is easy to conceptualize but takes a lot of practice and listening to actually use with a purpose. This is especially true in a world where most of our samples have already been processed and are designed to be used right out the box (no additional processing). But the beauty of this class is that you can experiment and mess around to your hearts content.

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    Gullfoss - Intensity and S73


    3 spændende og anderledes audio plugins for mix og mastering.
    Skriv gerne i comments med dine erfaringer.


    Affiliate link

    Drawmer S73


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    De Essing Hi Hat in the Room with TDR Nova FREE


    Many people seem to be doing this technique correctly but with the wrong purpose, for example using a de-esser in the hi hat microphone track is completely unnecessary unless you want to preserve the bleed from the other pieces of the kit in this mic which is not a priority in most cases. Using a deesser on the overheads or ambient tracks makes more sense since these microphones typically pick up several instruments at the same time and the de esser allows us to focus and control only a fraction of the spectrum.

    TDL Nova is one of our favourite plugins, Tokyo Dawn Labs has been kind enough to make a FREE version that you can download here:

    Controlling the high end in a mix is as important as making the low end stable, a balanced hi end is what makes a mix pleasant and easier to hear, that is what the what the listener wants, no matter what style, this is valid for any kind of audio material. De essers are essentially compressors, multiband compressors or dynamic eqs to be exact.

    Nova is a dynamic eq that can be used as a normal equalizer, a normal or a multiband compressor, a combination of both, a de-esser, a hi frequency exciter and many more. That is what we used today to reduce the hi hat bleeding in the room track of our drums.



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    Sidechain compression in Mid/Side??


    Welcome to nerdland. Today we decided that what our string track really needed was two sidechain compressors from the kick and bass tracks to duck the center signal of the mid-side coding. For that we used two instances of Brainworx bx_control V2 and two instances of Bomb Factory / Avid BF76. You can also hear the blind comparison at the end.



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    How to use a TILT EQ to mix Toms


    The FREE Hofa Tilt EQ is a wonderful tool that offers way more than just a tilt eq, it is so easy to use that it feels like cheating and it works great on toms and other tracks that need drastic changes in the tone and frequency balance:

    Get our entire discography FREE (albums, backing tracks, radio versions, demos, artwork and more) during the holidays:



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    The five SATURATORS of Waves H-EQ


    Save an additional 10% off any purchase at Waves Audio with this link:

    We all know that this #plugin can be used as a regular spectrum analyzer, that has a piano roll to help placing the bands exactly on the notes of the scale and that in M/S mode can be used to control the stereo image... But also offers five types of #analog consoles
    saturations. The exact models can only be assumed since Waves does not reveal this information in the manual but it was hinted that names such as API, SSL E, G and Neve are included.

    LEVEL controls the amount of noise and hum typical of each one of these emulations. The default value is 100% but we prefer to turn it off, enough noise we already do with the instruments.

    THD LEVEL controls the amount of #saturation. As the chosen models react in a very different way, the ideal level of THD differs in each of them.

    Basically, this is about distortion, so do not expect extreme values to produce the magical sound that is so often attributed to classic equipment. A lot of distortion, even if it is the most expensive in the world, is always that: distortion. The magic is in knowing how to use the distortion. For this it is necessary to know it first, that is, to abuse it as we are doing here so that we can then add just the bit that creates the magic. This bit is always different and requires practice...

    Direct link:



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    Buy the music:

    Use this link to save an additional 10% off any purchase at Waves Audio:

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    EQ dinamica sin EQ - Produciendo


    Un ejemplo sencillo de como usar algo para lo que no ha sido diseñado y que funcione.

    Si te gusta mi trabajo puedes hacer una donación. No importa la cantidad, será destinada a la mejora del canal.
    Dale a me gusta a mi página de facebook y así estarás informado con las ultimas actualizaciones.

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    TDR Nova Dynamic Eq Plugin of the Week #2 Dope Free Eq Plugin


    Want more info about this plugin visit the link below

    TDR Nova -

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    Introducing the Brauer Motion Auto-Panner Plugin


    Developed with Grammy®-winning mix engineer Michael Brauer (Coldplay, John Mayer, James Bay, Elle King), Brauer Motion is a creative circular stereo auto-panner designed to add movement and emotion to your mixes. Learn more:

    Drum loop by Lo Moon –
    “Renegade” by RANN –

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    Introducing the Waves Abbey Road Reverb Plates Plugin


    Waves and Abbey Road Studios present Abbey Road Reverb Plates, a plugin modeled on the four EMT 140 reverb plates used at the legendary studios by the Beatles, Pink Floyd, Radiohead and Adele.
    Abbey Road Reverb Plates:

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    Introducing H-EQ


    Buy Now:

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    Mixing a Song with the Waves Abbey Road Vinyl Plugin


    Watch mixing engineer Dave Darlington (Avicii, Sting) as he goes through the Vinyl plugin step by step and shows how he uses it to add the unique sonic qualities of a vinyl record—punch, warmth, cohesion—to a digitally recorded song. Learn more:

    00:00 General overview
    04:29 Quick tour of the plugin’s controls
    11:26 Using the plugin (piano/vocal verse): Lacquer vs. Print; TG desk; choice of turntables and cartridges
    14:36 Full-band chorus & bridge: more on the above controls
    21:15 Adding wow and flutter
    22:29 Phase distortion section
    23:50 Tone arm location’s impact on the sound
    25:17 Slow-down/stop mechanism
    26:53 Recap of various plugin controls

    Music: Crazy Under the Moon by Jacob Jeffries

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    Getting Creative Effects from Drum Loops and Other Samples


    It’s attack of the killer transients! Audio mad scientist Tom Cosm goes extreme with drum sounds and other samples, creating surprising effects with the Waves Smack Attack transient shaper. Watch more:

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    Waves Smack Attack on a rap vocal


    This video shows how I used the Waves Smack attack on a rap vocal

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    TheVOXspot - Top 5 Best EQ for Voice Over


    - TheVOXspot presents the TOP 5 EQ for Voice Recording.
    - - Have you struggled to find the right EQ? The right settings?
    - - - TheVOXspot has all the latest News, Reviews, Deals.
    - - - - The Top 5 are...

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    Top 5 EQ for Voice Recording:

    #1 Sonible smart:EQ+
    #2 FabFilter ProQ2
    #3 Izotope Neutron 2 Dynamic EQ
    #4 Waves F6 EQ
    #5 Acon Digital Equalize


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    TheVOXspot Home:
    TheVOXspot Twitter:

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    We reviewed hundreds of Audio Editors/DAWs, Audio Plugins, and Recording Hardware. We sifted through the rest and pulled out the best for use in Voice Recording.

    If you are a Voice Recordist - a Voice Actor, Vlogger, Youtuber, Podcaster, or more - you NEED to check out to see our results.

    Grow your business and subscriber base!!!

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