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Playlist of Secrets of Waves F6 Floating

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  • Secrets of Waves F6 Floating-Band Dynamic EQ

    2:02

    Save a 10% on any purchase at Waves Audio with this link:

    Simple knowledge of tricks and keyboard commands like these can improve your reaction time and get more inspired results when using any of these two equalizers. The ability to isolate frequency bands allows you to hear exactly what the plugin is doing; lock the vertical or the horizontal of a band to fine tuning without loosing other settings; change the Q from the main screen instead of Gabi G to reach out for a knob is always welcome and finally switching bands on or off is always useful.

    In this video we see how all this can be done in the new F6 Floating-Band Dynamic EQ and we will also learn how many of these commands have been available for years, imported from the classic Renaissance and other Waves equalizers.

    If you feel like buying use our link to save an additional 10% off any purchase at Waves and we will get some credits as well:

    From the website:

    Surgical dynamic equalizer with 6 floating, fully-adjustable parametric filter bands, advanced EQ and compression/expansion controls per band, mid-side processing options, real-time frequency spectrum analyzer, and more. The ultimate problem-solving EQ, F6 can be used for diverse equalization, compression, expansion and de-essing processes, whether you’re mixing or mastering, in the studio or live. Each of the six floating bands features advanced EQ and dynamic controls that let you zero in on any problem spot – and treat it only when the problem arises. Rather than treating a frequency one time and leaving it there for the entire track, F6’s EQ settings are sensitive to the dynamics of your track. This way you can select not only by how much, but also precisely when a specific frequency will be boosted or cut, compressed or expanded. Take vocals for example: A singer’s tone changes throughout a performance depending on their position to the microphone. An EQ setting that works well when the singer is close to the mic and singing softly will not be as effective when the singer backs up and starts belting. F6 moves in time with the singer, kicking in when the vocal level crosses a certain threshold that you’ve set – and laying off when it falls below that threshold. With the F6, you can EQ more precisely, with filters that can be as narrow or as wide as you like, free-floating bands that can overlap, variable EQ shapes, and threshold-sensitive EQ settings. F6 is ideal for isolating specific problems on individual tracks and fixing them transparently only when they pop out. The plugin’s advanced mid-side processing capabilities give you even greater ability to carve out EQ space in a busy mix, so you can breathe more life into your mixes. The F6 dynamic EQ also includes a feature-rich, FFT-based real-time frequency spectrum analyzer, easily accessible from the main plugin interface. Analyzer features include adjustable resolution, adjustable reaction speed, RMS vs. peak response, pre-EQ, post-EQ and sidechain options, frequency, note and amplitude display based on cursor position, and diverse L/R monitoring options. Music is dynamic. The intensity of any piece of music constantly rises and falls. With the F6 dynamic EQ plugin, you finally have the perfect EQ tool to match this dynamic variation.

    Link:

    Enjoy!


    Bandcamp:

  • x
  • Waves F6 Dynamic EQ Plugin Overview

    6:21

    Watch mix engineer Brad Divens (Kanye West, Enrique Iglesias) demonstrate sidechaining, mid-side processing & more with the F6 Floating-Band Dynamic EQ plugin. Learn more:

  • x
  • EQ Problems SOLVED – Waves F6 Dynamic EQ Plugin Tutorial

    9:02

    Learn how to solve common vocal and cymbal equalization problems with the Waves F6 Dynamic EQ plugin: tutorial by Grammy-winning engineer Dave Darlington (Avicii, David Guetta, Sting). Learn more:

    00:14 – How to tame a harsh vocal
    02:15 – How to make vocals shine without sibilance
    03:53 – How to sidechain the lead vocal to help it cut through the mix
    07:24 – How to selectively tame harsh cymbals

    Song: Carl Nunes & TripL – “Better World”
    Listen or download:

  • Waves F6 Floating-Band Dynamic EQ | Quick Review

    13:49

    Waves F6 Floating-Band Dynamic EQ | Review

    Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

    For mastering email me at: N828music@gmail.com

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture: Screen flow 6.2

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  • x
  • Fixing weak DRUM loops with Waves F6 Dynamic EQ

    2:50

    Save an additional 10% off F6 of any other purchase at Waves Audio using this link:

    This loop we found in the Soundbase browser of Pro Tools had the perfect groove for our song but it was weak, of course that wouldn't stop us, we decided to take action and fix it ourselves. Why not? Here we show you how we did!

    For more information watch Secrets of Waves F6 Floating-Band Dynamic EQ (WINDOWS):

    Save an additional 10% off any purchase at Waves Audio with this link:

    Description:

    Mixing with Waves F6 Dynamic EQ

    KICK: To increase the kick without affecting the snare and the rest of the loop select any band and change it into a low shelf filter.
    Move the THRESHOLD needle until the peaks of the kick exceed it.
    Make sure the other hits are below the needle.
    Increase RANGE until the level of the kick is at the desired volume.
    Notice how the EQ curve is activated only when the kick plays.
    Adjust the Q until the transition sounds natural.
    Use FREQ in isolation to find the exact area of the kick you want to affect.
    Since we are increasing the low end considerably it is possible that it is necessary to use the HPF.

    SNARE: There's a frequency on the snare that sounds too harsh. Use a bell filter to control it.
    Use the band in isolation to find the exact frequency and width of the problematic area.
    Now repeat the process of lowering the THRESHOLD needle until the hits of the snare exceed it but this time move RANGE in the opposite direction.

    LOW-MIDS: In the area where the kick and the snare coincide, we want to increase the punch of the kick without adding more body to the snare.
    First look for the exact area with a band in isolation, then move the THRESHOLD needle until it is reached by the snare and reduce RANGE. With that we will have reduced the body of the snare without affecting the kick yet. Now use GAIN to recover the body of the snare and at the same time increase the punch of the kick.

    DISTORTION CONTROL: If, like this case, the loop has been abused with too much distortion, use an LPF to reduce the extremely harsh frequencies of the hi-hat and give it some lo-fi vibe.

    The last thing as always is to listen in context and make adjustments until everything sounds just perfect.

    Now enjoy the groove!

    Direct link:

    #Mixing #electronic #loops

    Enjoy!


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  • mixing with Waves F6 Dynamic EQ

    11:48

    This video I give an overview and some examples of how I use the Waves F6 when mixing. If you would like to give me a referral you can do so by purchasing through the link below.

  • x
  • Introducing the F6 Floating-Band Dynamic EQ Plugin

    1:00

    Tame a harsh vocal, but only when it’s too loud. Carve out EQ space in a busy mix – but do it dynamically. With 6 floating filters, each combining advanced EQ and dynamics controls, F6 is the ultimate problem-solving EQ. Learn more:

  • Mix Secrets TV - Enrico De Paoli at InfoComm 2017 - WAVES F6 Dynamic EQ

    8:50

    Grammy winning engineer/producer Enrico De Paoli interviews Luke Smith from WAVES about the new F6 dynamic equalizer plug-in.

  • F6 Dynamic EQ Update – Now with a Real-Time Analyzer

    53

    You asked for it, you got it: The F6 Floating-Band Dynamic EQ plugin has been updated with a feature-rich real-time frequency spectrum analyzer, accessible from the main plugin interface. Learn more:

  • x
  • Get Waves F6 Floating-Band Dynamic EQ for $26, coupon code: http://refer.waves.com/bi5lS

    16

    Click the coupon code link, you will receive a code to enter during check out to save 10% anytime.

  • Waves F6 updated with an RTA

    5:34

    This video covers the RTA added in an update to the F6 in Feb 2018.

    Mixing with Waves F6 Dynamic EQ

  • Polarity Dynamic EQ for Bitwig Free

    1:40

    Automatic gain reduction/boosting based on the input levels. Just like Gliss EQ or any other Dynamic EQ. Free for everyone to download (links below).

    ---------------------------------------------------
    ???? Download:

    ???? Installation: extract zip, then:
    ---------------------------------------------------
    Windows: copy *.bwpreset file on windows to C:Users**username**DocumentsBitwig StudioLibraryPresetsAudio MOD
    ---------------------------------------------------
    Mac: copy *.bwpreset file on OSX to ~/Documents/Bitwig Studio/Library/Presets/Audio MOD/
    ---------------------------------------------------
    Linux: copy *.bwpreset file on OSX to ~/Bitwig Studio/Library/Presets/Audio MOD/

    --

    Hi i´m Polarity and do music at home in my small bedroom studio. I record regularly sessions and publish them here. I also broadcast live on twitch from time to time.

    Hallo ich heiße Polarity und mache Musik hier in Berlin in meinem kleinen Schlafzimmer. Ich zeichne regelmässig Sessions auf und veröffentliche sie hier. Wer möchte kann das auch live auf Twitch verfolgen, wo ich öfters Live sende!

    Twitch.tv:
    Soundcloud:
    Twitter:
    Facebook:

  • Sidechain compression in Mid/Side??

    1:18

    Welcome to nerdland. Today we decided that what our string track really needed was two sidechain compressors from the kick and bass tracks to duck the center signal of the mid-side coding. For that we used two instances of Brainworx bx_control V2 and two instances of Bomb Factory / Avid BF76. You can also hear the blind comparison at the end.

    Enjoy!

    Bandcamp:

  • MAutoDynamicEQ Tutorial P.2 | Dynamic EQ Filters & External Sidechain | Melda Production

    4:05

    Check out MAutoDynamicEQ |
    Access 3.5 million sounds w/ Loopcloud Free Trial |
    Check out Plugin Deals |

    In this video, #2 of 4, Joshua Casper shows you how to make any filter nodes in MAutoDynamicEQ by Melda Production dynamic as well as how to make them react to an external sidechain trigger. While this video tutorial is done in Ableton Live 10, it holds true for any other DAW.

    About MAutoDynamicEQ

    MAutoDynamicEQ is the ultimate go-to parametric equalizer, that combines astonishing versatility with ease-of-use to produce a really musical sound. Inspired by the analog world, but taking advantage of the digital!
    Melda Production's Adjustable Slope Filter (MASF) technology gives you natural sounding, versatile filters that are free of the resonance associated with other equalizers. Each highly adjustable and dynamic band let's you fix problems easily, whether you are putting together a mix, or, tackling compression, expansion or de-essing tasks.

    Melda Production's Filter Adaption (MFA) technology can actually perform your equalization for you based on an analysis of your recording, another recording or even your own 'drawn-in' spectral content!

    They've included a whole host of other useful features too. Their integrated analyzer and sonogram lets you quickly see the structure of your audio material, while the high-pass and low-pass filters offer slopes from 6dB/oct up to 120dB/oct. There's also soft-saturation that adds a character normally only associated with analog consoles. And of course there is mono/stereo processing, upsampling, A/H presets and much more! The plugin even comes with 4 advanced modulators, just in case you feel like being creative..

    MAutoDynamicEQ is extremely versatile, useful for everything from mixing to mastering!
    You can make your recordings sound professional. You can ensure all of your recordings on your new album sound similar. You can let MAutoDynamicEq fit a track into a mix using spectral separation feature. You can draw your desired frequency response. In any case MAutoDynamicEq will find the best settings and configure the parametric equalizer bands for you.

    Features

    The most advanced user interface on the market - stylable, resizable, GPU accelerated
    Unique visualisation engine with classic meters and time graphs
    exceptionally versatile modulators
    Adjustable oscillator shape technology
    4 multiparameters
    M/S, single channel, up to 8 channels surround processing...
    Smart randomisation
    Automatic gain compensation (AGC)
    Safety limiter
    Adjustable up-sampling 1x-16x
    MIDI controllers with MIDI learn
    Very fast, optimised for SSE/SSE2/SSE3 processors
    Global preset management and online preset exchange
    Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
    No dongle nor internet access is required for activation
    Free-for-life updates

    #MAutoDynamicEQ
    #PluginBoutique
    #MeldaProductionTutorial

  • How to Control Live Spoken or Sung Vocals with Dynamic EQ

    5:01

    When a singer sings or a speaker speaks at different volumes on stage, dynamic EQ can easily help control their voice in the mix. Watch the live sound experts from MxU demonstrate how with the Waves F6 plugin. Learn more:

    Learn more about MxU live sound coaching and services:

  • Tuto MIXAGE AUDIO ► Dynamic EQ Top Secret

    8:12

    Dynamic EQ ★ Toutes les Techniques des Pro ! ★
    Chap. 18 de la Formation EQ Ultimate ▼▼▼ Extraits Offerts

    Créez votre Compte sans engagement sur pour visionner plus d'extraits GRATUITS de cette formation !

    Plus de 12h de Formation Haut de gamme - sur les Techniques d'équalisation Top Secrètes que seuls les Pro utilisent en Studio.

    LES DYNAMIC EQ -
    -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
    - A quoi sert une Dynamic EQ ?
    - Différence entre Dynamic EQ et Multiband Compression
    - Waves F6 RTA
    - UAD Sonnox Dynamic EQ
    - Izotope Neutron 2 Dynamic EQ
    - Izotope Ozone 8 Dynamic EQ
    - Melda MDynamicEQ et MAutoDynamicEQ
    - TDR Nova Parallel Dynamic EQ

    - Technique de Coloration Dynamique
    - Technique de Sidechain Dynamic EQ
    - Techniques d'EQ Expansion
    - Technique de Dynamic Carving
    - Technique de Mid Side Dynamic EQ
    - Stabilisation Fréquentielle
    - MASTER Dynamic Top Control
    - BONUS : TDR Nova Gentleman's Edition

    ★ MJ TUTOS VERSION 5 ★


    ▼▼▼

    Cours de MAO - Mixage Audio - Devenir Beatmaker

    ★ RÉSEAUX SOCIAUX ★

    F A C E B O O K -
    I N S T A G R A M -
    D I S C O R D -
    P A T R E O N -

    Dynamic EQ ★ Les Secrets des Pro

  • Studio One 3 - Control Your Low End - Compression Tips - NOVA EQ

    6:07

    Studio One 3 - Control Your Low End - Compression Tips

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    Check out my Music Trap Radio | Graceful

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  • Introducing the Smack Attack Transient Shaper Plugin

    1:16

    How about extra snap, heavier knock and more thwack in your tracks? Put some weight behind your drums, loops, synth stabs, guitar plucks and all other percussive sounds – sculpt the pulse of your tracks by shaping your transient sounds. Learn more:

    Music: “Insane” by Kick The Habit
    For the full song:

  • Slice EQ by Kilohearts - Professional Parametric Equalizer

    1:16

    Slice EQ gives you razor sharp 96 db/Oct filters and awesome precision in your work.


    Slice EQ is a modern parametric equalizer that will help you shape your sound to you liking in a heartbeat. Combine it with the free plugin Snap Heap to quickly set up modulations to give you movement in your mixes, or create great filter-sweeps.

  • Know What Your EQ Is Doing | Waves SSLChannel | Studio One 3.5, Logic, Pro Tools Etc

    7:20

    Know What Your EQ Is Doing | Studio One 3.5, Logic, Pro Tools Etc

    Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

    Email me for Skype lessons, mixing or mastering at: N828music@gmail.com

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture: Screen flow 6.2

    -~-~~-~~~-~~-~-
    Check out my Music Trap Radio | Graceful

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  • x
  • Video Pillole - #3 F6 Floating-Band Dynamic Eq che cosè e come si usa.

    16:58

    Video Tutorial per gli amanti della Produzione Audio, Mixing & Recording. Plugin strani che possono tornare utili.
    Scrivetemi se siete interessati a conoscere plugin particolari, o anche semplicemente per commentare e darmi consigli su come migliorare.

  • Introducing the Waves Abbey Road Reverb Plates Plugin

    1:12

    Waves and Abbey Road Studios present Abbey Road Reverb Plates, a plugin modeled on the four EMT 140 reverb plates used at the legendary studios by the Beatles, Pink Floyd, Radiohead and Adele.
    Abbey Road Reverb Plates:

  • Make SPACE for your lead tracks with Waves F6

    2:39

    Save an additional 10% off any purchase at Waves Audio with this link:

    Sign up for the FREE Waves masterclass with David Darlington (including a 15% discount for Waves plugins inside):

    We want to create space for this #guitar solo to be heard more easily among the dense layer of accompanying instruments that are in the same frequency range. For that we have created a pre-fader send channel that will send an exact copy of the guitar track to the SideChain input of an instance of #Waves F6 dynamic EQ in MS mode inserted on the #keyboard group. When the guitar track (which is panned to the center) produces some sound the F6 will reduce the center channel (mid) of the keyboard group channel without affecting the sides creating space for the guitar in the center without having to reduce the presence in the piano and pads on the sides. Notice how when F6 is in bypass it seems as if the guitar goes down in volume.

    Insert F6 into the group channel of the accompanying instruments that you want to duck when the lead voice sounds. If you do not use. group channels this is a good time to start, they are very useful. With lead voice we mean a solo instrument, a singer or any performance that needs to be highlighted. On the input of the SideChain channel of the plugin select the send channel that comes from the lead track, in our case the guitar. Make sure that the volume of the send is at 0dB and that it's pre-fader.

    Now select each band and select MID in each of them.
    Select each band again and select SC SOURCE - EXT.

    Now while the music is playing use the global Threshold control to reduce it on all bands equally until the needle is affected by the signal. To have a better idea select one of the middle bands, 3 or 4 offer a more realistic level of the instruments we are processing. Now use the global Range control to reduce it until you hear that the central signal is reduced by the dynamic movements of the lead track.

    Make the relevant adjustments with Threshold and Range and finally listen in context. To apply this trick on vocals just replace the guitar track for the main vocal track and insert copies of the F6 on the keys and guitar tracks. The advantage of using Waves F6 as opposed to a single band compressor in mid/side is that the sidechain signal will affect each band of F6 differently and duck the keyboards more in the octaves where the guitar is currently playing.

    Direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

  • Controlling fret buzz on acoustic guitar with Waves F6

    1:46

    Save an additional 10% off any purchase at Waves Audio using this link:

    Waves F6 Floating-Band Dynamic EQ:

    We want to control the hurtful noises made by the #strings when the fingers move on the #fretboard. For that we are going to use the #compressor of the highest band of F6.

    Turn band 6 into a shelf, press SOLO and start moving FREQ to the left while all you hear is noise, stop as soon as you start to hear defined notes, then back up a little.

    Turn SOLO and place THRESHOLD in the place where most of the notes end so that it is only surpassed by the annoying noises.

    Move RANGE to the left until the annoying notes are diminished considerably and put ATTACK to the minimum, we prefer to use all the available negative range & compensate with a GAIN boost.

    This is the same as using a de-esser but with the possibility of snooping inside. We are going to cut the sub low freqs now, activate the HPF and look at the area where the low freqs of the guitar form a descending ramp, place it there.

    Finally retouch the GAIN boost in band 6 to make sure we are not losing much brightness and if necessary adjust ATTACK and RELEASE according to the tempo of the performance.

    direct link:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

  • How to expand the stereo of a beat in the MULTITRACK

    1:59

    Save an additional 10% off any purchase at Waves Audio using this link:

    plugins used:
    #Soundtoys #MicroShift:
    #Waves Doubler:

    In our video How to expand the stereo of a beat ( we used Waves Doubler as an insert in a beat previously mixed as a stereo track. With this video and at the request of many we want to show how we apply this trick in the multitrack session.

    We use an auxiliary send channel we like to call AMS which is the hardware that inspired Waves Doubler. We use the default preset with the direct signal turned off. Then we assign a send to each track we want to expand with this effect and adjust the level to taste. In this case the effect is being used exclusively for guitars so the return output path is assigned to the guitar stem. Contrary to the example where we use this effect in a complete mix in this case we have not cut the low frequencies because we are not sending the kick or the bass and all the tracks have been properly HPF beforehand.

    In the slap track we used the same method but with Soundtoys Microshift in mode 2 which is inspired by the Eventide H3000. In the same way as with Doubler here there was no need to use an HPF but in case it were necessary we would have inserted an EQ in front of the Microshift in the style of the Abbey Road reverb trick. Watch The Abbey Road reverb trick and why we do it: (

    On the snare tracks we did more or less the same but using the combination of Doubler with Reverb that we showed in our video How to get wide and spacious snares (

    To see other ways to expand the stereo in the multitrack watch: Sometimes it just needs a little stereo (mixing Simmons drums):

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

  • WAVES H EQ PLUGIN test and review

    7:45

    WAVES H EQ PLUGIN test and review

    Waves Plugins

    The world's largest selection of pro-quality audio plugins, from the industry's most popular equalizers, compressors and analog models, to award-winning reverbs, delays, effects, virtual instruments, surround sound tools and more.

    Analog Modeled Plugins
    Channel Strips
    Compressors, Gates, DeEssers

    From basics like the Renaissance Compressor,
    to multiband masters like the C6, to vintage models like CLA Classics and PuigChild 660 & 670, Waves compressor plugins keep your dynamics in check.

    Delay Plugins

    Find everything from faithful models of analog tape delays to creative digital delay plugins with tempo/BPM sync, slap-back echo, ping-pong and feedback effects.

    Drum Plugins
    Effects Plugins

    Electronic Music Production & EDM Plugins

    Electronic musicians, DJs and producers – take your music from the studio to the clubs with creative synths, unique effects, plugins with BPM sync and more.

    EQ Plugins

    From essentials like the Q10, Linear Phase, and Renaissance EQs, to analog models such as SSL, API, Scheps 73 and REDD and hybrid plugins such as H-EQ, Waves offers a wide range of equalizer plugins for every situation.

    Guitar Plugins

    Get the exact guitar tones you need in your mixes and productions: from plugins especially suited for mixing acoustic guitars, to amp simulation plugins that will give your electric guitars warm, rich, fully realistic tones in-the-box.

    Harmonic Enhancers

    From precision preamp models like Scheps 73 and aural excitation tools like Aphex, to tone shaping and saturation engines like Vitamin, Waves' harmonic enhancement plugins bring warmth and spark to your sound.

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    From the original L1 Ultramaximizer™ to the 16-band L3-16 Multimaximizer™ all-in-one mastering plugin, Waves peak limiter plugins ensure that your sound comes through loud and clear

    Improve your live mixes and save time during sound check with tools for automatic feedback elimination, system alignment, calibration, measurement and more.

    Audio Meter Plugins

    From the real-time frequency displays of the PAZ Analyzer to the super-accurate levels of the WLM Plus Loudness Meter, Waves’ metering plugins deliver the visuals you need to get the job done.

    Noise Reduction Plugins

    From easy-to-use audio restoration plugins like Z-Noise to dedicated post production tools like the WNS Noise Suppressor, Waves offers a comprehensive range of noise reduction plugins.

    OneKnob Series Plugins

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    Featuring SoundShifter for time stretching and pitch shifting, Waves Tune for pitch correction, and UltraPitch for harmonization, Waves pitch & time plugins are in a class all their own.

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    The world’s largest selection of audio plugins tailor-made for mixing and producing drums: from precise models of legendary vintage hardware, to modern tools designed to custom-shape drum samples the way you want them to sound.

    Effects Plugins

    Electronic Music Production & EDM Plugins

    Electronic musicians, DJs and producers – take your music from the studio to the clubs with creative synths, unique effects, plugins with BPM sync and more.

    Plugins for Mastering

    From industry-standards such as the L2 Ultramaximizer, to vintage models such as Abbey Road Vinyl, to precise meters such as the WLM Plus Loudness Meter, Waves offers a wide range of mastering tools to improve your sound.

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    From H-Reverb to Renaissance Reverb, TrueVerb and IR1, Waves’ natural-sounding reverb plugins add extraordinary detail, dimension and air to your mixes.

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    Waves Signature Series

    Developed in association with leading mixing engineers and producers, Waves Signature Series plugins are easy-to-use multi-effect chains that bring their production styles to your studio. Bring new dimensions to your mixes while staying in the creative flow—with Waves Signature Series plugins.

    SSL 4000 Plugins
    Modeled from the legendary SSL 4000 console and developed under license from Solid State Logic, the Waves SSL plugins allow you to mix and match the E and G Series modules, creating a customized setup with the sought-after SSL sound in your DAW.

    Stereo Imaging Plugins

    Improve your stereo spread, enhance your spatial imaging, or convert a mono track to stereo: Waves stereo imaging plugins make it easy to find the sweet spot.

    5.0 / 5.1 Surround Plugins

    #waves #heq #mixing #mastering

  • Waves F6 Dynamic EQ - Reseña

    10:40

    Waves F6 Dynamic EQ. Más videos y artículos como este aquí en:

    Aquí te enseñamos cómo usar el plugin Waves F6.

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  • Gullfoss - Intensity and S73

    5:51

    3 spændende og anderledes audio plugins for mix og mastering.
    Skriv gerne i comments med dine erfaringer.

    Intensity

    Affiliate link


    Drawmer S73


    Gullfoss

  • Mixing & Understanding The Spectrum Meter

    18:36

    Mixing & Understanding The Spectrum Meter

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture:
    Screen flow 6.2

    Subscribe for more tutorials with mixing, Mastering, Music production and other good tips to do with music production.

    -~-~~-~~~-~~-~-
    Check out my Music Trap Radio | Graceful

    -~-~~-~~~-~~-~-

  • Tips prácticos #2 : SideChain de frecuencias entre voz y música utilizando F6 Dynamic Eq

    4:58

    Tips prácticos #2 : SideChain de frecuencias entre voz y música utilizando F6 Dynamic Eq
    Info del plugin :

  • How to use Waves C6 side chain in FL studio

    1:58

    IMPORTANT
    You have to use the waves VST3 since its supported with fl, go to plugins, 'more' and Waveshell VST3 or the specific plugin should be at the bottom of the list

  • One reason to use Waves J37 before L3-16 limiter in the master

    1:17

    Save an additional 10% off any purchase at Waves Audio using this link:

    L3-16 Multimaximizer:
    J37 Tape:

    Note: Sorry for the poor quality of the screen video capture, this session is consuming a lot of CPU.

    To meet our #loudness standards we had to reduce 15dB in the multiband limiter on the #master (Note: we reduced the threshold 15dB, the signal is not compressed more than 2-3dB. Read the answer to the pinned comment for the explanation), this resulted in the signal being, in fact, compressed, which is visible as an orange line on the screen. To alleviate this, we have increased the threshold of the priority curve in the most affected areas to balance the surplus energy towards less compressed areas. Even so, we still have a large amount of GR, especially in the areas of snare and kick. Now let's see what happens when we activate a tape machine that we have inserted in front of the limiter...

    Here we used the default preset, then we reduced Wow and Flutter to the minimum and adjusted the input gain until the needle touched the red zone (with LEVEL LINK activated to not affect the final volume). Without J37 more transients reach the limiter. With J37 they are controlled by the soft tape #saturation, still the volume remains the same and the tone only gets a nice analog flavor...

    This process is somehow similar to what we explain here Example of when to use a clipper with SIR Audio StandardCLIP:
    To understand what we did with the priority controls on L3-16 watch How to start using Waves L316 Multimaximizer:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

  • Tips prácticos #11 Crea espacio en voces utilizando Eq Dinámico con el F6 Floating-Band Dynamic EQ

    3:44

    Tips prácticos #11 Crea espacio en voces utilizando Eq Dinámico con el F6 :

  • แนะนำปลั๊กอิน F6 Floating-Band Dynamic EQ

    15:56

    #Waves
    #Wizakie_Studio

  • Equalization - TDR Nova

    8:36

    For higher quality (free) videos please visit Sormena.org.

    The TDR Nova is somewhat unique in that it has a built in gain compensation feature. As of right now I don’t think it’s possible to disable this. Normally when you use an EQ and boost a frequency range the entire signal gets louder. This is where your ears can deceive you. Anything that sounds louder is going to sound better because A) Louder=Exciting and B) typically Louder=clearer. Therefore it’s really nice that this plugin automatically tries to adjust the gain so you’re really listening to the tonal change not just the level one.

    In this presentation we’ll discuss shelves, bells, and Q… basically the fundamentals of Equalization. But just like with all our effects EQ is easy to conceptualize but takes a lot of practice and listening to actually use with a purpose. This is especially true in a world where most of our samples have already been processed and are designed to be used right out the box (no additional processing). But the beauty of this class is that you can experiment and mess around to your hearts content.

  • Favoring vocal GROUP mixing over MULTITRACK mixing

    1:54

    Save an additional 10% off any purchase at Waves Audio using this link:

    Instead of applying all the #mixing processes (EQ, compression, reverb, etc.) directly in each track of these choirs this time we decided to only use the correction processes and then #mix once grouped in the stems.

    In the multitrack we only inserted Slate VMS with the Neumann U67 (yes, we know we said TLM which could be, maybe, a more accurate description in the end), HPFs, De-Essers and Ultrapitch in some tracks and Reel ADT as we explained in these videos:

    Mixing SUPER POP vocal choirs with Waves plugins:
    How to use Waves UltraPitch Shifter to create POP/EDM Choirs:
    How to use Waves Sibilance De-Esser plugin:
    Secrets of Waves F6 Floating-Band Dynamic EQ (WINDOWS):

    So far all we have done is make sure that the tracks are clean, have the correct character and the necessary stereo and pitch effects. The mix as such, that is, the positioning of the vocals in the vertical, horizontal and depth planes It's going to happen in the groups...

    Here we applied dynamic EQ to control the resonances in the low mid zone when these are too much without diminishing the warmth and presence of the voice in the softer parts. Then we added the necessary brightness with our favorite EQ on vocals, the Pultec. These two processes have been used in all the chorus groups. Then where it has been necessary we've added dual compression, but there was no need to use much GR since the more overdubs are added to the group, the more stable the dynamic becomes.

    Using two or more compressors in series is a technique as valid as any, in this case we feel that some choirs did not have the strength and presence necessary with the Opto so we inserted a second FET compressor. Of course these things can only be noticed by listening in context... Finally we applied the reverb sends in the grups.

    The advantage of mixing in groups is not only to save the CPU but also to avoid creating phase problems between the different tracks of the group and in many cases this technique also sounds much more natural. In the main vocals we also used this technique only with different processes.

    Plugins used in this video:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    CLA-2A Compressor / Limiter:
    CLA-76 Compressor / Limiter:
    iZotope / Exponential Audio R2:

    *All the music featured in this channel is our own unless otherwise stated. Reproduction is prohibited without the express consent of the authors.

    Enjoy!


    Discography:


    Buy the music:


    Use this link to save an additional 10% off any purchase at Waves Audio:

  • ???? Mixagem com Equalizador Dinâmico Waves F6

    13:30

    INFO E DOWNLOAD:

    Mixagem Online:
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    Intagram: @jorgemusix

    #SomBinarioMusic #WavesAudio

  • AV СПОНТАННЫЙ СТРИМ 36 - Sonimus Burnley 73, Son EQ, WAVES F6

    41:14

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  • Waves F6 External Routing, FL Studio Side Chain Tutorial

    3:16

    Today is a quick example of how to Sidechain and Externally Route plugins like F6 and others in FL Studio. Thanks for dropping by, be sure to like and subscribe with bell! ^^

    Learn Music Production With Fl Studios:


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  • Getting Creative Effects from Drum Loops and Other Samples

    20:54

    It’s attack of the killer transients! Audio mad scientist Tom Cosm goes extreme with drum sounds and other samples, creating surprising effects with the Waves Smack Attack transient shaper. Watch more:

  • How to Duck a Busy Beat to Make Room for Vocals

    3:10

    Got a busy hip-hop beat that doesn’t have room for vocals to shine? Fixing a cluttered mix with dynamic EQ can help you make space for the vocal in a way that reacts to the music. Learn more:

    Tutorial presented by producer & mixing engineer Sean Divine.
    Music: Sean Divine – “Overtime”

  • Dynamic EQ with MAutoDynamicEQ 8 - 3/6

    10:00

    Computer Music magazine gets hands-on with MeldaProduction's fantastic MAutoDynamicEQ 8! Full review at
    Get MAutoDynamicEQ 8 at

    Facebook:
    Web:
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  • How to Get Harder Hitting 808 Kicks in Your Tracks

    8:20

    Watch how to create more punchy, harder-hitting 808 kicks by shaping attack transients, adding heavy-aggressive distortion, and sidechaining the kick and bass. Download the free presets and plugin chain:

    (0:25) Adding Top-End Attack to 808s
    (2:43) Creating Distorted 808s
    (4:59) Sidechaining 808 Kick & Bass

    Plugins used in this video:
    StudioRack:
    Smack Attack Transient Shaper:
    Manny Marroquin Distortion:
    F6 Floating-Band Dynamic EQ:
    PAZ Analyzer:

  • Dynamic EQ - TDR Nova

    6:42

    For higher quality (free) videos please visit Sormena.org.

    In this video we put compression and EQ together, which equals “Dynamic EQ.” This is an optional video and a fairly advanced technique. However in some ways dynamic eq makes more sense than compression. If there’s a frequency that keeps poking out and drives you crazy wouldn’t you prefer to just lower that frequency band when it gets too loud. That’s the concept we'll be discussing in this video.

  • Sound Design Techniques – The Killer Chain Part 2: Parallel Processing

    22:44

    Director and sound designer Graham Reznick, creator of the horror series Deadwax, shows us his unique parallel processing techniques for film sound design. Watch part 1 and download Graham’s free presets:


    Plugins used by Graham Reznick in this video:

    NLS:
    Renaissance Bass:
    F6:
    Aphex Vintage Aural Exciter:
    MetaFilter:
    Engima:
    L1:
    OneKnob Louder:
    Abbey Road Vinyl:
    Renaissance Verb:

    Music written & produced by Graham Reznick

    End credit music: “Deadfall” by BurningTapes

  • MAutoDynamicEQ Tutorial P.4 | EQ Matching | Melda Production

    6:52

    Check out MAutoDynamicEQ |
    Access 3.5 million sounds w/ Loopcloud Free Trial |
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    In this video, #4 of 4, Joshua Casper shows you how to do EQ Matching with MAutoDynamicEQ from Melda Production. There are a number of ways, including many presets, of getting an EQ curve into this brilliant dynamic EQ and then applying it to your premasters. This technique, while usually done for music mixing and mastering, can also be extrememly useful for sound design.

    About MAutoDynamicEQ

    MAutoDynamicEQ is the ultimate go-to parametric equalizer, that combines astonishing versatility with ease-of-use to produce a really musical sound. Inspired by the analog world, but taking advantage of the digital!
    Melda Production's Adjustable Slope Filter (MASF) technology gives you natural sounding, versatile filters that are free of the resonance associated with other equalizers. Each highly adjustable and dynamic band let's you fix problems easily, whether you are putting together a mix, or, tackling compression, expansion or de-essing tasks.

    Melda Production's Filter Adaption (MFA) technology can actually perform your equalization for you based on an analysis of your recording, another recording or even your own 'drawn-in' spectral content!

    They've included a whole host of other useful features too. Their integrated analyzer and sonogram lets you quickly see the structure of your audio material, while the high-pass and low-pass filters offer slopes from 6dB/oct up to 120dB/oct. There's also soft-saturation that adds a character normally only associated with analog consoles. And of course there is mono/stereo processing, upsampling, A/H presets and much more! The plugin even comes with 4 advanced modulators, just in case you feel like being creative..

    MAutoDynamicEQ is extremely versatile, useful for everything from mixing to mastering!
    You can make your recordings sound professional. You can ensure all of your recordings on your new album sound similar. You can let MAutoDynamicEq fit a track into a mix using spectral separation feature. You can draw your desired frequency response. In any case MAutoDynamicEq will find the best settings and configure the parametric equalizer bands for you.

    Features

    The most advanced user interface on the market - stylable, resizable, GPU accelerated
    Unique visualisation engine with classic meters and time graphs
    exceptionally versatile modulators
    Adjustable oscillator shape technology
    4 multiparameters
    M/S, single channel, up to 8 channels surround processing...
    Smart randomisation
    Automatic gain compensation (AGC)
    Safety limiter
    Adjustable up-sampling 1x-16x
    MIDI controllers with MIDI learn
    Very fast, optimised for SSE/SSE2/SSE3 processors
    Global preset management and online preset exchange
    Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
    No dongle nor internet access is required for activation
    Free-for-life updates

    #MAutoDynamicEQ
    #PluginBoutique
    #MeldaProductionTutorial

  • How to use a TILT EQ to mix Toms

    1:20

    The FREE Hofa Tilt EQ is a wonderful tool that offers way more than just a tilt eq, it is so easy to use that it feels like cheating and it works great on toms and other tracks that need drastic changes in the tone and frequency balance:

    Get our entire discography FREE (albums, backing tracks, radio versions, demos, artwork and more) during the holidays:

    Enjoy!

    Bandcamp:

  • 3 Golden Rules for Low End Hip Hop Mixing | Lu Diaz

    9:35

    Multi-platinum producer/mixer Lu Diaz (Jay Z, Kodak Black, Pitbull) gives 3 tips for blending 808s and kicks to get a clean, punchy low end in your tracks. Get more hip hop production tips:

    1:16 Tip #1: Enhancing 808 Harmonics & Tone
    4:29 Tip #2: Multiple EQs for the Kick
    6:58 Tip #3: Sidechaining Kick & 808

    Plugins used by Lu Diaz in this video:

    Vitamin Sonic Enhancer:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    SSL E-Channel:
    API 550:

    Music: Feel It Babe by Realzz. Produced by The Track Burnaz.

    Get the latest updates from Lu Diaz:
    Website:
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  • Introducing H-EQ

    54

    Buy Now:

  • Mixing with More Plugin Processing Power in Your Studio

    1:25

    SoundGrid Connect allows you to offload plugin processing to a SoundGrid DSP server using the same computer and audio interface you already have. Learn more:

    Special Offer: Get Diamond + a SoundGrid Impact Server for $699!

    Learn More:

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