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Playlist of Robert Fuchs

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  • Robert Fuchs - Serenade No.1 in D-major, Op.9

    19:58

    Picture: Claude Lorrain - Pastoral Landscape

    Robert Fuchs

    Work: Serenade No.1 in D-major, Op.9 (1874)

    Mov.I: Andante 00:00
    Mov.II: Tempo di minuetto 02:50
    Mov.III: Allegro scherzando 06:46
    Mov.IV: Adagio - Con molto espressione 11:28
    Mov.V: Finale: Allegro 14:41

    Orchestra: Cologne Chamber Orchestra

    Conductor: Christian Ludwig

  • Robert Fuchs - Serenade No.2 in C-major, Op.14

    16:17

    Picture: William Tylee Ranney - The Lazy Fisherman

    Robert Fuchs

    Work: Serenade No.2 in C-major, Op.14 (1876)

    Mov.I: Allegretto 00:00
    Mov.II: Larghetto 02:57
    Mov.III: Allegro risoluto 08:57
    Mov.IV: Finale: Presto 12:04

    Orchestra: Cologne Chamber Orchestra

    Conductor: Christian Ludwig

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  • Robert Fuchs - Cello Sonata No.2 in E-flat minor w/ score

    20:01

    00:00 I. Allegro moderato assai
    08:54 II. Adagio con sentimento
    14:51 III. Allegro vivace

    Part 2 of our Bootleg Brahms series in which we present the works of composers who were contemporaries of Brahms and who's music would pair nicely or even replace Brahms's recital repertoire, but these composers are no where near as well known in today's world.

    Robert Fuchs (1847 - 1927)
    Cello Sonata No.2 in e-flat minor Op.83 (1909)
    Johannes Moser (cello)
    Paul Rivinius (piano)

    Robert Fuchs was born near the Styrian capital of Graz and attended the University of Vienna Conservatory studying with Otto Dessoff and Joseph Hellmesberger. By 1875, he himself was teaching at the Conservatory, eventually rising to the rank of Professor of Composition. He was one of the most famous and revered teachers of his time. Mahler, Sibelius, Hugo Wolf, Franz Schmidt, Alexander Zemlinsky, Franz Schrecker and Richard Heuberger were among his many students. That his compositions did not become better known was largely due to the fact that he did little to promote them, living a quiet life in Vienna and refusing to arrange concerts, even when the opportunity arose, in other cities. He certainly had his admirers, including many famous conductors such as Arthur Nikisch, Felix Weingartner and Hans Richter, who championed his works when they had the opportunity.

    The Sonata No.2 for Violoncello and Piano in e flat minor was published in 1907. It looks back to the Vienna of the 1880's and 1890's, genial and lyrical and gives no ground to the developments of the Second Vienna School. In three movements, the work opens with a leisurely but intense Allegro moderato assai. The second movement, Adagio con sentimento, has a valedictory, autumnal mood. The finale, Allegro vivace, could almost be styled a tribute to his friend Johannes Brahms.

    recording:

    score:

    I do not own the content. Copyrighted materials are used for educational purposes only.

    subscribe for new videos each week - mostly cello

  • Robert Fuchs, Symphony No 3, in E major, op 79

    41:30

    Robert Fuchs, Symphony No 3, in E major, op. 79

    1. Allegro Maestoso
    2. Andante con Variazioni
    3. Allegro Scherzando
    4. Finale

    Mahrische Philharmonie (Moravian Philharmonic Orchestra)
    Manfred Müssauer, conductor

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  • Robert Fuchs - Piano Concerto in B-flat minor, Op.27

    40:38

    Robert Fuchs (15 February 1847 -- 19 February 1927) was an Austrian composer and music teacher.

    Work: Piano Concerto in B-flat minor, Op.27 (1880)

    Mov.I: Allegro maestoso ed energico 00:00
    Mov.II: Andante sostenuto 18:28
    Mov.III: Allegro con fuoco ma non troppo 29:58

    Pianist: Franz Vorraber

    Orchestra: Orchestre Philharmonique du Luxembourg

    Conductor: Alun Francis

  • Robert Fuchs - Piano Concerto in B flat minor, Op. 27

    40:51

    The Piano Concerto in B flat minor Op 27 was composed in 1879/80. It was conceived under the critical eye of Brahms who was initially sceptical about the project because he thought that Fuchs did not have the necessary virtuosity to be able to write a rousing piano concerto. Brahms, however, seemed to have forgotten the fact that in 1868 at the Vienna Conservatoire the difficult decision had to be made as to whether Fuchs should be win a prize for his composing abilities or for his piano-playing, since he showed outstanding flair in both. According to his biographer Anton Mayr, Fuchs gave the second movement to Brahms for him to look through. He at first rejected it, but was forced to admit on closer analysis: ‘Now, if the other movements are like this, then you can be content’. And when he looked through the first movement he admitted that everything seemed much better than he had expected at the outset. The piano concerto finally became one of Brahms’s favourite works, the circulation of which was a cause very close to his heart. When, shortly before the premiere on 2 February 1880 in Vienna, the originally intended soloist Alfred Grünfeld fell ill, Brahms personally endeavoured to get an adequate substitute and proposed the highly regarded virtuoso Emil Smietansky. Despite these favourable conditions and despite his undeniable qualities it was not, however, possible for the concerto to hold its own on the podium for long. And that was regrettable, because it is a beautiful, masterly and virtuoso piece.

    The main theme of the first movement (‘Allegro maestoso ed energico’) draws the audience straight into the musical argument. A stormy passage in unison contrasts with a calming gesture from the wind, but this is unable to maintain the impetus of the first subject. During the transition the music gradually quietens down before the second theme, a melancholy lamenting melody, is played first by the woodwind. Octave triplets in the strings also establish a reference to the main theme. After an epilogue of entirely new material the piano solo begins, with a virtuoso treatment of the first theme broken down into scales and arpeggios.

    The heart of the concerto is the second movement, a simple and gripping chorale in D flat major comprising three equal eight-bar periods. It is introduced by the strings and continued by the piano. A somewhat more animated, more harmonically developed middle section forms a highly effective contrast. The chorale reprise is wonderful; here the composer shows that not only is he familiar with the coloristic potential of the piano, he is also in complete control of it. No one who has ever heard this episode will be able to forget it.

    The finale is a rondo of sheer brilliance and offers the soloist countless opportunities to demonstrate his technical skills. This movement also starts with a rumbling passage by the orchestra in unison that is taken up by the piano and turned into the triumphal main theme in a glorious B major. This musical idea is so powerful and dominant that it prevails through the entire movement right up to the thundering octaves of the final stretta and even appears, latently, in the alternating interludes.

    I. Allegro maestoso ed energico 00:00
    II. Andante sostenuto 18:26
    III. Allegro con fuoco ma non troppo 29:55

    Soloist (piano): Franz Vorraber
    Orchestra: Luxembourg Philharmonic Orchestra
    Conductor: Alun Francis

    Painting: Frau vor untergehender Sonne (Woman before the Rising Sun)
    Artist: Caspar David Friedrich
    Date: 1818

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  • Robert Fuchs: 3. Serenade in e-Moll, Opus 21

    23:41

    Robert Fuchs - 3. Streicherserenade in e-Moll, Opus 21
    Konzert am Samstag, 10. Juni 2017 in Ljubljana, St. Jakobs Kirche
    Das Puchheimer Jugendkammerorchester PJKO auf Vierländertournee
    Leitung: Peter Michielsen

  • Minguet /Fuchs: String Quartet, op. 58 in E major. First movement, Allegro passionato.

    11:38

    Das Minguet Quartett wurde in 1988 gegründet und spielt in seiner heutigen Besetzung mit Ulrich Isfort (Violine I), Annette Reisinger (Violine II), Aroa Sorin (Viola) und Matthias Diener (Violoncello). Namenspatron ist Pablo Minguet, ein spanischer Philosoph des 18.Jahrhunderts, der sich in seinen Schriften darum bemühte, dem breiten Volk Zugang zu den Schönen Künsten zu verschafften - für das Minguet Quartett ist dieser Gedanke künstlerisches Programm.

    The Minguet Quartet was founded in 1988 and is today made up of Ulrich Isfort (violin I), Annette Reisinger (violin II), Aroa Sorin (viola) and Matthias Diener (cello). The group takes ist name from Pablo Minguet, an eighteenth-century Spanish philosopher who tried in his writings to make the fine arts accessible to the masses. The Minguet Quartet has the same intention.

  • Robert Fuchs, Symphony No 2 in E flat major, op 45

    35:56

    Robert Fuchs, Symphony No 2 in E flat major, op 45

    1. Allegro Moderato - Ma Energico
    2. Andante
    3. Menuetto - Allegretto Grazioso
    4. Finale - Allegro Giusto

    Mahrische Philharmonie (Moravian Philharmonic Orchestra)
    Manfred Müssauer, conductor

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  • Robert Fuchs

    19:50

    Robert Fuchs (1847-1927) - Serenade Nº 1 in D Major Op. 9 (1874)
    #1. Andante - 00:00
    #2. Tempo di Minuetto - 2:49
    #3. Allegro scherzando - 6:46
    #4. Adagio - Con molta espressione - 11:27
    #5. Finale: Allegro - 14:42
    Cologne Chamber Orchestra
    Christian Ludwig (Conductor)
    I do not try to profit at all with these videos. I do not want to harm anyone. The composer, the publisher, or the corresponding persons can claim and dispose of their rights of execution at any time or request the elimination of this material.
    Yo no intento lucrar en absoluto con estos videos. No deseo perjudicar a nadie. El compositor, la editorial, o las personas correspondientes pueden reclamar y disponer de sus derechos de ejecución en cualquier momento o solicitar la eliminación de este material.

  • Robert Fuchs

    41:11

    Robert Fuchs (Frauenthal an der Lassnitz ,1847- Vienna, 1927):
    Symphony Nº3 in E major ,Op.79 (1906)

    I.Allegro maestoso:00:00
    II.Andante con variazioni (Ziemlich langsam):10:15
    III. Allegro scherzando :22:57
    IV. Finale : Allegro vivace :31:12

    Mährische Philharmonie (Moravian Philharmonic Orchestra)
    Manfred Müssauer

    Picture : Nikolai von Astudin(1847-1925): Oberwesel

  • Robert Fuchs, Ouverture des Meeres und der Liebe, Wellen Waves of the Sea and Love

    16:05

    Robert Fuchs, Ouverture des Meeres und der Liebe, Wellen Waves of the Sea and Love

    Mahrische Philharmonie (Moravian Philharmonic Orchestra)
    Manfred Müssauer, conductor

  • Robert Fuchs Quintet in Eb, op. 102

    34:44

    Ron Samuels clarinet
    The Clarion String Quartet:
    Jennifer Orchard, violin
    Jeremy Black, violin
    Tatjana Mead Chamis, viola
    Bronwyn Banerdt, cello

    Robert Fuchs Quintet in Eb, op. 102
    -Allegro molto moderato
    -Allegro scherzando
    -Andante sostenuto
    -Allegretto grazioso

    Annual Evening of Clarinet Chamber Music
    Duquesne University
    Saturday, November 5, 2016

  • Robert Fuchs - Sonate für Kontrabass und Klavier op. 97

    15:37

    Abschlusskonzert Kontrabass Creativ vom 10. Juni 2012 in Mühldorf am Inn im Seminarhaus Schreinerhof: unter der Leitung von Thomas Jauch
    Ausführender: Alexander Weiskopf

    Kameratecknik: Julian Krenn, Christoph Weber

  • Robert Fuchs: Piano Concerto in B flat minor Op 27 - Andante sotenuto

    11:29

    beautiful 2 nd movt from Robert Fuchs Piano Concerto ....

    paintings by 'Arseny Ivanovich Meshchersky (1834-1902)''

    I didn't own the music and pictures ,just information & education purpose only , the copyright belong to it's owner and Insight Unlimited.....

  • Robert Fuchs - Serenade for String Orchestra No.3, Op. 21 LIVE CONCERT #VER_1010_100_02

    26:11

    LIVE RECORDING (Audio only)
    UPH NEW YEAR'S CONCERT

    -UPH Symphony Orchestra
    -UPH Com Choir

    Pianist: DR. JOHANNES S. NUGROHO
    Conductor : PAUL VEST

    Sound Engineer by Stevanus Johnson S & Julius Benyamin
    Place : Concert Hall D501 UPH Building
    Date : THU, 21JAN 2016


    Cast:
    UPH SYMPHONY ORCHESTRA

    Violin 1

    Lidya Evania Lukito
    Maylaffayza Wiguna
    Handoko Yoniadi
    Irene Natalia Atmajaya
    Amelia Tionanda
    Joseph Notoprojo
    Dave Nathanael

    Violin 2

    Ariya Wibisono
    Adinda Sri Yuani
    Dave Christian
    Christabella Tsjim
    Celia Rosari
    Felicia Tevani
    Steven

    Viola

    Stefani Leoni
    Akira Desmond
    Ratna Nur Salim
    Dina Purnamasari
    Joel Suprapto Wiro Utomo

    Cello

    Rachman Noor
    Gracia Andrea
    Kaitlyn Vest
    Joshua Christian

    Contrabass

    Sara Lorin Hernadi
    Fabio Satya

    Flute

    Diandra Sarasdevi
    Kezia Viktoria
    Abia Martina

    Oboe

    Harianto Tjoegiopranoto
    Nadia Kosim

    Clarinet

    Nino Aryo Wijaya
    Rudolf Immanuel

    Fagot

    Tommy Dwi Iadmoko
    Marco Suryahadi

    Horn
    Irianto Suwandi
    Rahmad Biardi

    Trumpet

    Nathaniel Olson
    Rigen Eri Handoyo

    Timpani

    Entrata Talenta

    UPH CONCERVATORY OF MUSIC CHOIR

    Riyanaldy Mesakh
    Jonatan Eko Prabowo
    Kevin Aditama
    Dominicos Andoko
    Redinka Gilliant
    Christopher Padlan
    Nicolas Antonius
    Charista Elliani
    Riyandi Kusuma
    Regina Budiyanto Sutisno
    Tabita Roselin
    Raynaldo Wijaya
    Janet Adelaide Lusiana
    Calvina Jingga
    Nadia Turniwa
    Yohanes
    Jean Joseph
    Alda Khairunnisa
    Jose Hartantio
    Roban Eko Putranto
    Eunice R Raharjo
    Michelle Kezia
    Lidya Devina Halim
    Priscilla Theresa
    Chikita Amanda
    Kinta Armanda
    David G Latjandu
    Benaya Kosasih
    Vanessa Chen
    Seanne Martha Cendana
    Eunike Helena Vilin
    Alvin Riyandi
    Marvin Muhammad
    Nadya Romanenta
    Bil Calvin Perdana Wijaya
    Ivan Halim
    Andhika Sylviana Putra
    Keshiaviola
    Michaela
    Felicia
    Sharon Regina
    Digna
    yafet
    Ferlando
    Grahan
    Joshua Jovan
    Abraham

    Soloists

    Sarah Charista
    Evelyn
    Monica Eva Sancti
    Caron Shaine
    Harvey Christopher
    Nyoman Kieran Sebastian
    Wilbert Jonathan
    Samuel
    Jonathan
    Tigor H Hutabarat

    Choir Master

    Nathaniel Olson

  • Banges Herzelein/Robert Fuchs

    1:29

    Banges Herzelein
    no 5 from Album fur die Jugend
    Composer: Robert Fuchs
    Played by Abraham Mulder
    Yamaha 440 CLP PE

    Recording: USB

  • Robert Fuchs Serenade No. 2, 4th movement

    4:19

    Nurhan Arman conducts Sinfonia Toronto in Robert Fuchs Serenade No 2, 4th movement. Recorded live in CBC Glenn Gould Studio on January 20, 2011.

  • Fuchs: Fantasiestücke - Nancy Green & Caroline Palmer

    26:55

    Nancy Green (cello) and Caroline Palmer (piano) perform The Complete Works of Robert Fuchs for Violoncello and Piano. Recorded in 1992 for Biddulph Recordings, London, England.

    0:00 I Etwas Bewegt, Launig
    4:32 II Ruhig und Aüsserst Zart
    8:00 III Lebhaft
    13:29 IV Ruhig und Gesangvoll
    16:33 V Anmuthig Bewegt
    20:20 VI Etwas Langsham, Sehr Innig
    24:56 Lebhaft Bewegt

  • Robert Fuchs Sonata for Double Bass and Piano Op.97

    14:30

    Robert Fuchs (1847-1927) Sonata for Double Bass and Piano Op.97
    1. Allegro moderato molto
    2. Allegro scherzando
    3. Allegro giusto
    Silvio dalla Torre Double Bass
    Matthias Petersen Piano

    Robert Fuchs (15 February 1847 – 19 February 1927) was an Austrian composer and music teacher.
    As Professor of music theory at the Vienna Conservatory, Fuchs taught many notable composers, while he was himself a highly regarded composer in his lifetime.

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  • Robert Fuchs: Violinsonate Nr. 5 A-Dur op. 95 - II. Andante tranquillo

    4:45

    Provided to YouTube by Zebralution GmbH

    Robert Fuchs: Violinsonate Nr. 5 A-Dur op. 95 - II. Andante tranquillo · Ursula Berg, Oliver Triendl

    Robert Fuchs: Complete Violin Sonatas Vol. 1

    ℗ 2002 Bella Musica Edition

    Released on: 2002-12-01

    C O M P O S E R: Robert Fuchs
    M U S I C_ P U B L I S H E R: n/a

    Auto-generated by YouTube.

  • Robert Fuchs

    31:47

    Robert Fuchs (Frauental an der Lassnitz,1847-Vienna ,1927):Symphony Nº1 in C major ,Op.37 (1882´-84).

    IAllegro molto moderato:00:00
    II.Intermezzo. Presto : 11:33
    III.Grazioso,ma molto lento, quasi adagio: 15:05
    IV. Finale : Allegro giusto :24:40

    WDR Sinfonieorchester Köln
    Karl-Heinz Steffens

    Picture:Nikolai von Astudin (1847-1925):Rheinufer und Burg.

  • Robert Fuchs | Seven Fantasie Pieces | op 57 no 1

    4:22

    Seven Fantasy Pieces
    op 57 no 1
    Robert Fuchs

    Pasha Tseitlin, Violin
    Alexander Tseitlin, Viola
    Pepi Pilibossian, Piano

    At the Idyllwild Summer Festival



  • Robert Fuchs - Sad at Heart

    2:12

    According to the editor, this should be played almost twice as fast. I couldn't manage a dramatic feeling at that tempo, though, so I settled for this. I played a bit with rubato, to mixed success, though I do note that I'm getting better at it.

    Submitted to the December Piano Jam on /r/piano.

    Recorded on 7 January 2019

  • Robert Fuchs.

    37:24

    Robert Fuchs (Frauenthal an der Lassnitz, 1847- Vienna, 1927):
    Symphony Nº2 in E-flat major ,Op.45 (1887)

    I. Allegro moderato,ma energico:00:00
    II. Andante: 17:57
    III. Menuetto : Allegretto grazioso :22:53
    IV. Finale: Allegro giusto :30:57

    WDR Sinfonieorchester Köln
    Karl-Heinz Steffens

    Picture :Nikolai von Astudin (1847-1925): Marksburg

  • Robert Fuchs - Waves of the Sea and Love Overture, Op. 59

    16:14

    Robert Fuchs (Frauental, 1847 – Vienna, 1927)
    Des Meeres und der Liebe Wellen (Waves of the Sea and Love), Overture Op. 59

    Played by the Gewandhausorchester Leipzig, conducted by Leo Spies

  • Robert Fuchs - Serenade No 2 Op 14 in C

    6:22

    @ 2016 - Musicfor
    Summerfest Chamber string orchestra
    Conductor, James Brooks-Bruzzese

    Summerfest 2016 - Symphony of the Americas
    Broward Center for the Performing Arts, Fort Lauderdale (Florida - USA)
    Sun. July 17 - Live recording

  • Robert Fuchs, Duet in e minor op.55 n.4

    1:35

    Grace Marín & Alessandro Bares - violins

    This duet is n.4 of a series of 20 short pieces for two violins published by Fuchs at the end of the XIX century as op.55. They are very nice miniatures.

    Recorded in San José, Costa Rica.
    June 2017

  • Robert Fuchs Duo Op. 60 Nr. 1 Mässig bewegt, zart für Violine und Viola, Duo Wilken

    2:14

    12 Duette für Violine und Viola Op. 60 (1898)

    Duo Wilken
    Magdalena Schnaithmann - Violin
    Ruth Dynow - Viola

    Recording by Balthasar Effmert
    Berlin, 6. - 8.4.2016

    With many thanks to Jana Kuss and Bernhard Steiner

    Photos:
    Alfred Sisley, Moret, The Banks of the River Loing, 1877 (Lizenz: Alfred Sisley [Public domain], via Wikimedia Commons)
    Robert Fuchs, 1926 (Lizenz: von Unbekannt ( [Public domain], via Wikimedia Commons)
    Duo Wilken © Peter Adamik
    Pierre-Auguste Renoir, Les Grands Boulevards (Lizenz: Pierre-Auguste Renoir [Public domain], via Wikimedia Commons)

    Facebook:
    Contact: duowilken@email.de

  • Robert Fuchs, 6 Phantasiestücke, Op.117. Augusto Vismara, viola

    23:54

    Registrazione per Radio Vaticana 1989

    6 Phantasiestücke for viola and piano, Op.117 (Fuchs, Robert)

    Augusto Vismara, viola
    Silvia Cappellini, piano

  • Fuchs: Piano Trio No.1 , Op.22 - Allegro risoluto

    8:56

    Provided to YouTube by Universal Music Group

    Fuchs: Piano Trio No.1 , Op.22 - Allegro risoluto · Philharmonic Ensemble Vienna

    Philharmonic Ensemble Vienna

    ℗ 2015 Shkëlzen Doli, under exclusive license to Universal Music GmbH.

    Released on: 2015-01-01

    Composer: Robert Fuchs

    Auto-generated by YouTube.

  • Robert Fuchs, Timid Little Heart

    52

    Dr. Alan Huckleberry, piano
    The University of Iowa Video Recording Project
    IMTA Level C2
    Op.47, No.5
    From Celebration Series Vol.3
    Fredrick Harris Music

  • 🎵 Robert Fuchs | Timid Little Heart 🎵 Piano

    1:02

    Op 47 No.5, by Robert Fuchs.
    Sheet Music (Banges Herzelein):

    ________________________

    Piano: Yamaha P-105.
    Sound: Grand Piano 1.

    Audio recorded with Behringer U-CONTROL UCA222.
    Video: Panasonic HC-V100.
    Software: Adobe Audition + Adobe Premiere Pro.

  • Robert Fuchs | Seven Fantasy Pieces | op 57 no 2

    3:07

    Seven Fantasy Pieces
    op 57 no 2
    Robert Fuchs

    Pasha Tseitlin, Violin
    Alexander Tseitlin, Viola
    Pepi Pilibossian, Piano

    At the Idyllwild Summer Festival



  • Robert Fuchs , da Phantasiestücke, op. 117, Landler

    5:01

    Marco Spoladore (viola) e Ylenia Coppo (pianoforte)
    in occasione di Art Night Venezia
    Casa Levi itinerari musicali in un salotto veneziano
    Palazzo Giustinian Lolin 18 giugno 2011

  • Robert Fuchs - Pieces for bass & piano op. 96 No 2

    3:07

    short original pieces for bass and piano by a friend of Johannes Brahms Kontrabass contrebasse contrabbasso

  • Robert Fuchs Serenade No. 2, 1st movement

    2:59

    Nurhan Arman conducts Sinfonia Toronto in Robert Fuchs Serenade No 3, 1st movement. Recorded live in CBC Glenn Gould Studio on January 20, 2011.

  • Robert Fuchs - Ein Stündlein wohl vor Tag

    1:52

    aus: Chorlieder für gemischte Stimmen SATB, Band 1:
    CD Robert Fuchs - Mondaufgang:

    Robert Fuchs wirkte als angesehener Professor für Harmonielehre, Kontrapunkt und Komposition am Konservatorium Wien. Zu seinem Schülerkreis zählten so namhafte Komponistenpersönlichkeiten wie Hugo Wolf, Gustav Mahler, Alexander von Zemlinsky, Franz Schreker und Jean Sibelius. Johannes Brahms, der neue Musikwerke oft sehr kritisch beurteilte, schätzte Fuchs' Kompositionen sehr und setzte sich für sie mehrmals mit Nachdruck ein. Die Chorwerke für vier gemischte Stimmen sind durch eine mitunter an Franz Schubert erinnernde, einprägsame Melodik und eine differenzierte Satztechnik gekennzeichnet. Die eher nach innen gewandte, im Detail ausgesprochen kunstfertige Musiksprache offenbart den sensiblen Charakter des Komponisten. Eine lohnende Entdeckung für Kammerchöre und engagierte Amateurchöre, die sich für romantische Chormusik begeistern. Die Ausgabe enthält ein ausführliches zweisprachiges Vorwort, einen kritischen Bericht, englische Übersetzungen aller Liedtexte und zu jedem Chorstück eine Klavierstimme für die Probe sowie Angaben zum Tonumfang der einzelnen Stimmen. Der Liedtext dieses Stückes stammt von Eduard Mörike.


    from: Part songs for mixed voices SATB, vol.1:
    CD Robert Fuchs - Mondaufgang (Moonrise):

    Robert Fuchs was a highly respected professor of Harmony, Counterpoint and Composition at the Vienna Conservatory. His students included such renowned personalities from the world of composition as Hugo Wolf, Gustav Mahler, Alexander von Zemlinsky, Franz Schreker and Jean Sibelius. Johannes Brahms, who was often highly critical in his judgment of new musical works, held Fuchs's compositions in high regard, and on several occasions lent him vigorous support. The choral works for four mixed voices are characterized by haunting melodies which on occasion are reminiscent of Franz Schubert, and a sophisticated compositional technique. The somewhat inward looking musical language, with its highly skilful handling of detail, reveals the sensitive nature of the composer. A thoroughly rewarding discovery for chamber choirs and dedicated amateur choirs with a taste for Romantic choral music. This edition contains a detailed bilingual preface, critical remarks, English translations of all the lyrics and a piano part to each choral piece for rehearsals as well as indications as to the range of the individual parts. The lyrics of this piece were written by Eduard Mörike.

  • Piano Trio No.3, Op.115 Fuchs, Robert

    8:55

    Экзамен в ГМК им. Гнесиных

  • Miller-Porfiris Duo plays Robert Fuchs 12 Duette Op. 60 for Violin and Viola

    2:04

    Anton Miller and Rita Porfiris perform In ruhiger Anmut from the 12 Duos for violin and viola by Robert Fuchs. From a live concert at Rhode Island's Music on the Hill, June 11, 2015.

  • Robert Fuchs: Violinsonate Nr. 1 Fis-Moll op. 20 - I. Allegro moderato

    12:05

    Provided to YouTube by Zebralution GmbH

    Robert Fuchs: Violinsonate Nr. 1 Fis-Moll op. 20 - I. Allegro moderato · Ursula Berg, Oliver Triendl

    Robert Fuchs: Complete Violin Sonatas Vol. 1

    ℗ 2002 Bella Musica Edition

    Released on: 2002-12-01

    C O M P O S E R: Robert Fuchs
    M U S I C_ P U B L I S H E R: n/a

    Auto-generated by YouTube.

  • MAGNETIC BEARING TURNTABLE + Magnetic Bearing Tonearm by Robert Fuchs

    5:00

    High quality Turnatble with Magnetic bearings.

  • Robert Fuchs Duo Op. 60 Nr. 3 Kräftig bewegt für Violine und Viola, Duo Wilken

    2:07

    12 Duette für Violine und Viola Op. 60 (1898)

    Duo Wilken
    Magdalena Schnaithmann - Violin
    Ruth Dynow - Viola

    Recording by Balthasar Effmert
    Berlin, 6. - 8.4.2016

    With many thanks to Jana Kuss and Bernhard Steiner.

    Photos:
    Tina Blau: Blick auf Heiligenstadt (1893-97) (Lizenz: Tina Blau [Public domain], via Wikimedia Commons)
    Duo Wilken © Peter Adamik
    Robert Fuchs, 1926 (Lizenz: von Unbekannt ( [Public domain], via Wikimedia Commons)

    Facebook:
    Contact: duowilken@email.de

  • Robert Fuchs - Mondaufgang

    4:34

    aus: Chorlieder für gemischte Stimmen SATB, Band 1:
    CD Robert Fuchs - Mondaufgang:
    (Kammerchor CONSTANT Köln, Harald Jers)

    Robert Fuchs wirkte als angesehener Professor für Harmonielehre, Kontrapunkt und Komposition am Konservatorium Wien. Zu seinem Schülerkreis zählten so namhafte Komponistenpersönlichkeiten wie Hugo Wolf, Gustav Mahler, Alexander von Zemlinsky, Franz Schreker und Jean Sibelius. Johannes Brahms, der neue Musikwerke oft sehr kritisch beurteilte, schätzte Fuchs' Kompositionen sehr und setzte sich für sie mehrmals mit Nachdruck ein. Die Chorwerke für vier gemischte Stimmen sind durch eine mitunter an Franz Schubert erinnernde, einprägsame Melodik und eine differenzierte Satztechnik gekennzeichnet. Die eher nach innen gewandte, im Detail ausgesprochen kunstfertige Musiksprache offenbart den sensiblen Charakter des Komponisten. Eine lohnende Entdeckung für Kammerchöre und engagierte Amateurchöre, die sich für romantische Chormusik begeistern. Die Ausgabe enthält ein ausführliches zweisprachiges Vorwort, einen kritischen Bericht, englische Übersetzungen aller Liedtexte und zu jedem Chorstück eine Klavierstimme für die Probe sowie Angaben zum Tonumfang der einzelnen Stimmen. Der Liedtext dieses Stückes stammt von Max Kalbeck.


    from: Part songs for mixed voices SATB, vol.1:
    CD Robert Fuchs - Mondaufgang (Moonrise):
    (Chamber Choir CONSTANT Cologne, Harald Jers)

    Robert Fuchs was a highly respected professor of Harmony, Counterpoint and Composition at the Vienna Conservatory. His students included such renowned personalities from the world of composition as Hugo Wolf, Gustav Mahler, Alexander von Zemlinsky, Franz Schreker and Jean Sibelius. Johannes Brahms, who was often highly critical in his judgment of new musical works, held Fuchs's compositions in high regard, and on several occasions lent him vigorous support. The choral works for four mixed voices are characterized by haunting melodies which on occasion are reminiscent of Franz Schubert, and a sophisticated compositional technique. The somewhat inward looking musical language, with its highly skilful handling of detail, reveals the sensitive nature of the composer. A thoroughly rewarding discovery for chamber choirs and dedicated amateur choirs with a taste for Romantic choral music. This edition contains a detailed bilingual preface, critical remarks, English translations of all the lyrics and a piano part to each choral piece for rehearsals as well as indications as to the range of the individual parts. The lyrics of this piece were written by Max Kalbeck.

  • Phantasiestücke No. 6 - Robert Fuchs

    5:20

    PHANTASIESTÜCKE No. 6, Robert Fuchs, Op. 78

    Performed by GRAHAM DU PLESSIS - cello, TERTIA VISSER - piano

    Erin Hall, Rondebosch, South Africa, 3 August 2019

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  • Morgenlied by Robert Fuchs

    1:22

    Morgenlied--Morning Song
    No. 1 from Children's Pieces, Op. 32
    by Robert Fuchs

  • Fuchs Serenade No. 2, 3rd movement

    3:40

    Nurhan Arman conducts Sinfonia Toronto in Robert Fuchs Serenade No 2, 3rd movement. Recorded live in CBC Glenn Gould Studio on January 20, 2011.

  • LP Chopin, Liszt

    45:50

    LP Chopin, Liszt (Master Music MMLP-5255), lançado em 1974.
    Robert Fuchs, piano

    01. Chopin - Mazurca Op.67 No.4 (póstuma)
    02. Chopin - Mazurca Op.24 No.4
    03. Chopin - Valsa Op.42
    04. Chopin - Noturno Op.32 No.1
    05. Chopin - Scherzo No.2 (Op.31)
    06. Liszt - Première valse oubliée
    07. Liszt - La chasse (Grandes études de Paganini No.5)
    08. Liszt - La campanella (Grandes études de Paganini No.5)
    09. Liszt - Valsa mefisto

    Digitalização: Adalberto Carvalho Pinto
    betoacp@gmail.com



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  • Robert Fuchs - Dear Little Sister

    1:54

    A few poorly controlled notes and some pedalling mistakes, but not too horrible overall. A nice Romantic piece that's quick and pleasant to learn.

  • Robert Fuchs Serenade no.1 , Finale

    5:43

    2016 Bachanalia Taiwan summer concert

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