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Playlist of Philip Herschkowitz

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  • Philip Herschkowitz: Fuge für Kammerorchester

    2:25

    Philip Herschkowitz. Fuge für Kammerorchester (1930)

    Meine Fuge ist ein Versuch, die bestehende Beziehung zwischen der Form Fuge und dem Begriff: Tonalinät zwischen derselben Form und Zwölftonsystem herzustellen.

    Die Komposition ist auf folgender Reihe aufgebaut:
    h̲̲, d̲, e̲s̲, b̲, d̲e̲s̲, c̲̲, e̲̲, g̲i̲s̲, a̲, f̲, g̲, f̲̲i̲̲s̲̲

    Das zweistimmige Fugеnthema ist zunächst durch die zwei übereinander gelegten Hälften der Reihe gebildet.


    Philip Herschkowitz. über Musik. viertes Buch, Moskau, Wien, 1997, cc. 63-65.

    Philipp Herschkowitz (Romanian: Filip Herşcovici; Russian: Филипп Гершкович, Filipp Gershkovich) (7 September 1906 – 5 January 1989) was a Romanian-born composer and music theorist, pupil of Alban Berg and Anton Webern, who spent 47 years, from 1940 to 1987, in the Soviet Union.

  • Philipp Herschkowitz: 3 Klavierstücke

    6:38

    Elisabeth Leonskaja, Klavier

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

  • x
  • Philipp Herschkowitz: Quartettsatz

    4:43

    Horațiu Bălan und Laura Roman, Violinen -
    Iuliana Ambăruș, Viola - Darius Tereu - Violoncello

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

  • Philipp Herschkowitz: Vier Lieder nach Paul Celan

    7:13

    Cosmina Șerban, Mezzosopran
    Sorin Petrescu, Klavier

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

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  • Herschkowitz Spring Flowers Pf

    44

    Philip Herschkowitz: Spring Flowers Pf (1947)

    Филипп Гершкович: Весенние цветы для фп. (1947)

  • Philipp Herschkowitz: Madrigaly für Mezzosopran und Kammerensemble

    16:45

    I. Dame vor dem Spiegel (Rilke) - II. Der Alchimist (Rilke) -
    III. Derevo pesen (Lorca) - IV. Automne (Apollinaire)

    Ensemble der Philharmonie Banatul Timisoara-Temeswar
    Ana Maria Stănoia, Sopran
    Leitung: Gheorghe Costin

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar
    Dame vor dem Spiegel (Rainer Maria Rilke)

    Wie in einem Schlaftrunk Spezerein,
    löst sie leise in dem flüssigklaren
    Spiegel ihr ermüdetes Gebaren;
    und sie tut ihr Lächeln ganz hinein.
    Und sie wartet, daß die Flüssigkeit
    davon steigt; dann gießt sie ihre Haare
    in den Spiegel und, die wunderbare
    Schulter hebend aus dem Abendkleid,
    trinkt sie still aus ihrem Bild. Sie trinkt,
    was ein Liebender im Taumel tränke,
    prüfend, voller Mißtraun; und sie winkt
    erst der Zofe, wenn sie auf dem Grunde
    ihres Spiegels Lichter findet, Schränke
    und das Trübe einer späten Stunde.

    Der Alchimist (Rainer Maria Rilke )

    Seltsam verlächelnd schob der Laborant den Kolben fort,
    der halbberuhigt rauchte.
    Er wusste jetzt, was er noch brauchte,
    damit der sehr erlauchte Gegenstand da drin entstände.
    Zeiten brauchte er, Jahrtausende für sich und diese Birne
    in der es brodelte; im Hirn Gestirne
    und im Bewusstsein mindestens das Meer.
    Das Ungeheuere, das er gewollt,
    er ließ es los in dieser Nacht.
    Es kehrte zurück zu Gott und in sein altes Maß;
    er aber, lallend wie ein Trunkenbold,
    lag über dem Geheimfach und begehrte den Brocken Gold,
    den er besaß.

    Baum als Lied
    Deutsche Übersetzung:
    Gerd Zacher

    Stamm aus Stimme und Geste,
    ein um das andere Mal,
    zittert ohne Hoffnung
    im Windhauch von gestern.

    Das Mädchen suchte seufzend
    dies alles zu fangen;
    kam aber immer
    eine Minute hintendrein.

    Oh Sonne! Oh Mond, Mond!
    eine Minute hintendrein.
    Sechzig graue Blüten
    umgarnten ihre Füße.

    Schau, wie sie schaukelt,
    ein um das andere Mal,
    als Jungfrau aus Blüte und Zweig
    im Windhauch von gestern.

    Herbst
    Guillaume Apollinaire
    Deutsche Übersetzung: Karl Krolow

    Im Dunst des Herbstes zieht mit krummen Beinen
    Ein Bauer und sein Ochse. Nebel dringt
    In arme Dörfer, die ganz schamhaft scheinen.

    Und irgendwo des Wegs der Bauer singt
    Ein Lied von Lieb und Treue, die verdarb,
    Von einem Ring, von einem Herz, das brach.
    O Herbst, du Zeit, an der der Sommer starb!
    Zwei graue Schatten flieh'n im Nebeltag

  • x
  • Philipp Herschkowitz: 3 Violoncellostücke mit Klavierbegleitung -

    5:58

    Wolfgang Boettcher, Violoncello
    Alexei Lubimov, Klavier

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

  • Herschkowitz Moderato Pf

    27

    Philip Herschkowitz: Moderato Pf (1969)

  • Phillip Jarnach Musik mit Mozart

    26:49

    Philipp JARNACH (1892-1982)
    Musik mit Mozart, symphonische Varianten op. 25 (1925)
    1. Thema. Canzone (Andantino grazioso)
    2. Menuetto (Allegro deciso)
    3. Siciliano (Andante un poco sostenuto)
    4. Rondo (Allegro vivace)
    Philharmonia Hungarica / Werner Andreas Albert

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  • Philipp Herschkowitz: Klavierstücke in vier Sätzen

    6:14

    Sorin Petrescu, Klavier

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

  • Philipp Herschkowitz: Drei Lieder nach Ion Barbu

    10:29

    Ana Maria Stănoia, Sopran
    Sorin Petrescu, Klavier

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

  • Phillip Jarnach Sinfonia brevis

    17:44

    Philipp JARNACH (1892-1982)
    Sinfonia brevis op. 14
    Philharmonia Hungarica / Reinhard Peters

  • Kleine Kammersuite, Orchestrierung der Drei Klavierstücke I)

    4:30

    I) Moderato, poco sustenuto e rubato - II) Lento non troppo -
    III) Allegretto pochissimo rubato

    Ensemble der Philharmonie Banatul Timisoara-Temeswar
    Leitung: Gheorghe Costin

    Philipp-Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

  • Philipp Herschkowitz: 4 Stücke für Violoncello und Klavier –

    6:48

    Wolfgang Boettcher, Violoncello
    Elisabeth Leonskaja, Klavier

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

  • Anhalt

    4:01

    Provided to YouTube by TuneCore

    Anhalt · Szymon

    Blue Coloured Mountain

    ℗ 2019 Eloper Music

    Released on: 2019-11-08

    Composer Lyricist: Szymon Borzestowski
    Songwriter: Szymon Borzestowski

    Auto-generated by YouTube.

  • Arnold Schönberg: Suite für Klavier, op. 25

    19:07

    Alexei Lubimov, Klavier

    Philipp Herschkowitz-Kolloquium 15.+16. September 2017 Temeswar

  • 3 Fantasy Pieces: No. 1 Caprice

    3:20

    Provided to YouTube by NAXOS of America

    3 Fantasy Pieces: No. 1 Caprice · Morten Zeuthen

    Danish Cello Pieces

    ℗ 1996 Dacapo

    Released on: 1996-10-14

    Artist: Morten Zeuthen
    Artist: Amalie Malling
    Composer: Hilda Sehested

    Auto-generated by YouTube.

  • Anton Webern - Kinderstück

    2:05

    The Kinderstück by Anton Webern [formerly Anton von Webern]. My recording can be downloaded here:

    Twelve-tone music (sometimes also called serial music or just serialism) is really fascinating to me. Apart from its tonality or rather atonality, the compositions of Anton Webern are also having a very minimal touch. To underline the deep and minimal feel I've used a tape delay on this piano recording ...

    -----------------
    Wikipedia says about Webern this:

    Anton Friedrich Wilhelm (von) Webern; 3 December 1883 – 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, K?enek, and even Schoenberg himself. As a tutor, Webern guided and variously influenced Arnold Elston, Frederick Dorian (Friederich Deutsch), Matty Niël, Fré Focke, Karl Amadeus Hartmann, Philipp Herschkowitz, René Leibowitz, Humphrey Searle, Leopold Spinner, and Stefan Wolpe.

    Webern's music was among the most radical of its milieu, both in its concision and in its rigorous and resolute apprehension of twelve-tone technique. His innovations in schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour; his eagerness to redefine imitative contrapuntal techniques such as canon and fugue; and his inclination toward athematicism, abstraction, and lyricism all greatly informed and oriented intra- and post-war European, typically serial or avant-garde composers such as Olivier Messiaen, Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Henri Pousseur, and György Ligeti. In the United States, meanwhile, his music attracted the interest of Elliott Carter, whose critical ambivalence was marked by a certain enthusiasm nonetheless; Milton Babbitt, who ultimately derived more inspiration from Schoenberg's twelve-tone practice than that of Webern; and Igor Stravinsky, to whom it was very fruitfully reintroduced by Robert Craft.

    During and shortly after the post-war period, then, Webern was posthumously received with attention first diverted from his sociocultural upbringing and surroundings and, moreover, focused in a direction apparently antithetical to his participation in German Romanticism and Expressionism. A richer understanding of Webern began to emerge in the later half of the 20th century, notably in the work of scholars Kathryn Bailey, Julian Johnson, Felix Meyer, Anne Schreffler, as archivists and biographers (most importantly Hans and Rosaleen Moldenhauer) gained access to sketches, letters, lectures, audio recordings, and other articles of or associated with Webern's estate.

    [more:
    -----------------

    Artwork Clover Hearts ( by Erik von Ploennies under CC BY NC ND 2.0 (

    (12 tone piano music)

  • Elena Firsova: Monologue for Alto Saxophone Op.65 - David Hernando Vitores

    7:28

    - Live version -

    Alto Saxophone David Hernando Vitores.

    Elena Firsova was born in Leningrad on 21 March 1950 into a family of scientists. The family moved to Moscow in 1956. She made her first attempt at composition at the age of eleven. She studied at a Music School 1963-66, a Music College 1966-70, and the Moscow Conservatory 1970-75 where her teachers were Alexander Pirumov (composition), Yuri Kholopov (analysis) and Nikolai Rakov (orchestration). She established contact of a crucial musical importance with a composer Edison Denisov and Philip Herschkowitz, the pupil of Anton von Webern. In August 1972 married the composer Dmitri Smirnov. Now they have two children, Philip and Alissa. Since 1979 she had many performances in Europe and the USA and received many commissions including BBC, PROMS, and WRD. Boosey & Hawkes, Sikorski, Schirmer, Schott and Sovetsky Kompozitor printed dozens of her scores. She has been composer in residence in Bard College, USA (1990), in St John's College, Cambridge, UK (1992), and later in the same year at Dartington Hall, Devon. From 1993 to 1997 she has been appointed as visiting professor and composer in residence at Keele University. Since 1998 settled in St Albans. From 1999 until 2001 she taught composition at the Royal Northern College of Music, Manchester. The premiere of her major work Requem to Akhmatova poem took place at the Berlin Konzerthouse, on 6th of September 2003. She has written about a hundred compositions in many different genres including operas, oratory, cantatas, orhestral works, concertos, chamber ensembles, solo works and so on. Recent commissions are from Concertgebouw Orchestra, Brodsky Quartet, Manchester Wind Orchestra, Schubert Ensemble, Freden Festival and EXPO 2000 (Hanover). Her music is available through Publishers Boosey & Hawkes, London, Hans Sikorski, Hamburg and G.Schirmer, New York.
    Елена Фирсова родилась 21 марта 1950 года в Ленинграде в семье учёных. Отец Олег Борисович Фирсов (1915-1998) крупный физик-теоретик. Она начала сочинять музыку в возрасте 11-ти лет. Училась в музыкальной школе (1963-66) и училище (1966-70) в Москве. Окончила Московскую консерваторию в 1975 году. Среди её учителей Александр Пирумов, Юрий Холопов, Эдисон Денисов, Филипп Гершкович. Член Союза композиторов с 1976 года. Замужем за композитором Дмитрием Смирновым, вместе с которым активно участвовала в организации АСМа (Ассоциации Современной Музыки). Автор более чем сотни сочинений практически во всех жанрах классической музыки. С 1991 года живёт в Англии. С 1993 по 1997 работала профессором композиции в Киильском университете (Стаффордшир). С 1999 по 2001 преподадавала композицию в Манчестере. Имела множество заказов от Би-Би-Си, ПРОМСа, Немецкого Радио, Бродски-Квартета, ЭКСПО-2000, Концертгебау Оркестра (Амстердам) и других музыкальных организаций и фестивалей. Премьера её Реквиема на стихи Анны Ахматовой состоялась в Konzerthouse, Берлин, 6-го Сентября 2003 года. Её музыка исполняется во всём мире, хотя в России практически неизвестна. Партитуры, исполнительский материал и записи её музыки, можно получить от издательств Ханс Сикорски (Гамбург), Бузи энд Хокс Лондон), Г.Ширмер (Нью-Йорк) а также от Меладина-Пресс (Сент Олбанс, Англия).

  • LEONID HOFFMAN - Violinkonzert

    20:33

    LEONID HOFFMAN - VIOLINKONZERT
    meinem Lehrer und Freund Philipp Herschkowitz

    MICHAEL VAIMAN - Geige
    Dirigent - MAK KA-LOK

    Moskau
    Tschaikowsky-Saal
    1994

    ЛЕОНИД ГОФМАН
    КОНЦЕРТ для скрипки с симфоническим оркестром
    моему учителю и другу Филиппу Гершковичу

    скрипка
    МИХАИЛ ВАЙМАН
    (Германия)
    за дирижорским пультом
    МАК КА-ЛОК
    (Австрия)

    Москва
    зал им. Чайковского
    1994

  • x
  • Alexander Raskatov, Song Circle I

    6:11

    Alexander Raskatov (Александр Михайлович Раскатов, 1953--), Song Circle I / Cercle de chant I (1984), to poems by Vasily Zhukovsky, for mezzo-soprano, cello, piano, celesta and harpsichord

    Еlena Goldova, soprano
    Ensemble of the Association for Contemporary Music (ACM/ASM) of Moscow
    Alexei Vinogradov, conducting

    In this work Raskatov strove to re-create the atmosphere of a scene of 'domestic music', a very popular pastime of the Russian intelligentsia during the last century. Hence the imitations of the urban romance in the vocal part and the unusual accompaniment consisting of three keyboard instruments and a cello (Viktor Ekimovsky)


    Artwork by Mikhail Vrubel

  • LEONID HOFFMAN - Simphonie für Viola und Streichorchester

    21:41

    SYMPHONIE für Viola und Streichorchester von LEONID HOFFMAN.
    ILYA HOFFMAN & Chamber Orchestra ERMITAGE, art director Alexey Utkin.
    Moscow Conservatory,
    Little Hall,
    11 January 2009

  • Piece for Cello

    2:55

    Provided to YouTube by Believe SAS

    Piece for Cello · David Sick

    Industrial Blues

    ℗ Acoustic Music Records

    Released on: 2011-08-24

    Author: DR
    Composer: David Sick
    Music Publisher: D.R

    Auto-generated by YouTube.

  • Saariaho: Sept Papillons

    9:55

    Sept Papillons
    for solo cello

    Kaija Saariaho

    Performed by Patrick Reinholz
    6-15-17
    Var Gallery and Studios

  • Wie schön, daß du bei mir bist

    3:19

    Provided to YouTube by Zebralution GmbH

    Wie schön, daß du bei mir bist · Rudi Godden

    Was macht ein Mann nicht alles. . .

    ℗ 2013 Pumpkin Pie Records

    Released on: 2013-10-18

    Composer: Günter Neumann
    Lyricist: Günter Neumann
    Music Publisher: Tempoton Verlag

    Auto-generated by YouTube.

  • Alexander Wustin - Quiet Light

    3:39

    Alexander Wustin - Quiet Light for voice. Olga Grechko (soprano)
    Александр Вустин - Свете тихий для голоса. Ольга Гречко (сопрано). Концерт Форум Classic-online.ru представляет. 25 декабря 2013 г. Москва, Библиотека искусств им. А.Боголюбова

  • Alan Shulman Kol Nidre for cello and piano

    10:11

    Prominent New York City cellist/composer Alan Shulman (1915-2002) composed his powerful Kol Nidre in 1970. Steven Honigberg, cellist and Audrey Andrist, piano interpret the work close to 50 years after its creation.

  • Circulo... , Fantasia for Piano, Violin and Cello, op. 91: Mediodia: Allegretto quasi Andantino

    2:29

    Provided to YouTube by The Orchard Enterprises

    Circulo... , Fantasia for Piano, Violin and Cello, op. 91: Mediodia: Allegretto quasi Andantino · The Meadowmount Trio · Joaquin Turina · Meadowmount Trio · Jiri Zigmund

    Joaquin Turina - Meeadowmount Trio

    ℗ 2002 Meadowmount Trio

    Released on: 2007-06-26

    Auto-generated by YouTube.

  • Иди, товарищ, к нам в колхоз!

    1:40:12

    Иди, товарищ, к нам в колхоз!
    2 ноября 2017 года, Рахманиновский зал Московской консерватории
    Ансамбль Дмитрия Покровского
    Ансамбль солистов Студия новой музыки
    Дирижер - Заслуженный артист России Игорь Дронов

    При поддержке Австрийского посольства, Австрийского культурного форума, Райффайзен банка и компании Yamaha music

    I отделение
    Владимир Тарнопольский - вступительное слово

    Александр Мосолов
    Завод. Музыка машин (Переложение для ансамбля, 1928)
    Тракторная бригада въезжает в колхозную деревню (1926)

    Русские народные песни

    Александр Кайзер
    Riss для ансамбля и электроники (2017) Мировая премьера

    Арман Гущян
    об(ЛИК)и для солирующего дисклавира, ансамбля и звуковой дорожки (2014/2017)

    II отделение
    Русские народные песни

    Алексей Сысоев
    Col pugno для ансамбля, двигателей и сирен (2013)

    Александр Вустин
    Ветер - кантата на тексты Александра Блока (2012)

    Дмитрий Шостакович
    Фрагменты из балета Болт (1931)

  • Achilles Ecos Cello Recital, May 20, 2017

    6:14

    Concerto No. 1 in A minor, Op. 33 Camille Saint-Sean's
    I. Allegro non troppo

  • Achilles Ecos Cello Recital, January 28, 2017

    9:06

    Concerto in D minor. Edouard Lalo
    III. Introduction - Andante -Allegro vivace

  • Blagoj Canev - Three Pieces for piano with score

    3:23

  • LEONID HOFFMAN - Variations for Piano

    6:49

    LEONID HOFFMAN - Klaviervariationen

    YURY POLUBELOV - piano

    Moscow Conservatory
    LITTLE HALL
    2005

    Леонид Гофман - Вариации для фортепиано

    Юрий Полубелов,

    Московская консерватория
    Малый зал
    2005

  • Alissa Firsova: Bride of the Wind

    11:32

    Alissa Firsova: Bride of the Wind
    op 34, 2016, for piano in 4 hands
    Françoise-Green Piano Duo,
    Antoine Françoise and Robin Green
    St John's Smith Square, London
    7 April 2016

  • Berg - 3 stimmige Fuge c-moll

    1:29

    Berg - 3 stimmige Fuge c-moll
    アルバン・ベルク作曲 学習時代の 三声のフーガ ハ短調

  • Alexander Wustin ~ Music for Ten

    5:01

    Music for Ten [on a text by Jean François Laharpe]
    Alexander Wustin
    (1991)

  • 3 Pieces for Cello and Piano, Op. 8: I. Capriccio

    2:53

    Provided to YouTube by Believe SAS

    3 Pieces for Cello and Piano, Op. 8: I. Capriccio · Niall Brown, Isabelle Trüb

    Hindemith: Works for Cello and Piano

    ℗ Doron Music, Switzerland

    Released on: 1995-01-01

    Composer: Paul Hindemith

    Auto-generated by YouTube.

  • Suite No. 2 For Cello and Piano, Op. 80: I. Declamato Largo

    3:32

    Provided to YouTube by Ingrooves

    Suite No. 2 For Cello and Piano, Op. 80: I. Declamato Largo · Mstislav Rostropovich

    Classical Treasures: Mstislav Rostropovich - Cello Pieces

    ℗ Classics of America

    Released on: 2013-02-27

    Composer: Benjamin Britten

    Auto-generated by YouTube.

  • Cello Sonata in A Major, Op. 21: II. Andantino quasi allegretto

    6:30

    Provided to YouTube by NAXOS of America

    Cello Sonata in A Major, Op. 21: II. Andantino quasi allegretto · Arturo Bonucci

    Ries: Cello Sonatas

    ℗ 2000 Dynamic

    Released on: 2000-01-01

    Artist: Arturo Bonucci
    Artist: Aldo Orvieto
    Composer: Ferdinand Ries

    Auto-generated by YouTube.

  • Dvorak Cello Concerto Movt II part II

    1:50

  • Mihajlo Nikolovski - Balade for cello & piano

    5:47

    Mihajlo Nikolovski - Balade for cello & piano

    Dushka Tasevska -cello
    Jasminka Cakar - piano

  • Toma Prosev - Variations for piano

    9:21

    Toma Prosev - Variations for piano

    Jasminka Cakar - piano
    DMM 1996

  • 4. Lento - Allegro quasi andantino

    6:07

    Provided to YouTube by NAXOS of America

    4. Lento - Allegro quasi andantino · Kontra Quartet

    Langgaard: String Quartets

    ℗ 1999 Dacapo

    Released on: 1999-07-29

    Ensemble: Kontra Quartet
    Composer: Rued Langgaard

    Auto-generated by YouTube.

  • Sonata Phantasia for Cello, Bassoon & Piano: I. Andantino - Allegro - Andantino

    5:42

    Provided to YouTube by The Orchard Enterprises

    Sonata Phantasia for Cello, Bassoon & Piano: I. Andantino - Allegro - Andantino · Jan Novák · Kammerensemble de Paris

    Jan Novák: Sonatas – Preludes, Vol. 2

    ℗ 1999 VDE-GALLO

    Released on: 2012-06-26

    Auto-generated by YouTube.

  • Evdokija Danajlovska - Violin Sonata

    14:35

    Evdokija Danajlovska - Violin Sonata

    Duo Kirovski
    Ljubisha Kirovski - violina
    Maja Shutevska Kirovska - piano
    DMM 1996

  • Graduate Chamber Recital - Ian Smith, viola & Shadman Mirza, cello

    50:12

  • Boris Klyuzner: The Witch - Борис Клюзнер: Ведьма

    1:40

    Boris Klyuzner: Main Title music from The Witch - Борис Клюзнер: Ведьма (1958). [Soviet Union]

  • Eduardo del Río, plays 3 cello studes

    5:20

    この映像作品はただのテストです。とにかく、チェロエチュードは全の間接を動かすために凄くいいです!。

  • Alexander Vustin OFFERING

    5:58

    Alexander Vustin: OFFERING for piano quartet and percussion (2005). To Gidon Kremer in Memory of Dmitri Shostakovich / Приношение для фортепианного квартета и ударных впервые было исполнено в Wiener Konzerthaus 17 февраля 2005 ансамблем Kremerata Musica на концерте, посвященном Д. Шостаковичу. Сочинение - в духе раннего ДД с его жестким линеаризмом и язвительным юмором, спасавшим композитора в самые трудные годы его жизни. Сочинение посвящено Гидону Кремеру в память о Шостаковиче. (А.Вустин)

  • Johannes Brahms - Symphony No. 2 in D Major: 04 Allegro con spirito

    9:56

    The Bob Cole Conservatory of Music at California State University, Long Beach Presents:
    The Bob Cole Conservatory Symphony - Johannes Müller Stosch - Conductor
    Friday, March 3rd, 2017 _ Carpenter Performing Arts Center

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