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Playlist of Paolo Serrao

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  • Paolo Serrao Trois Morceaux

    8:10

    Paolo Serrao
    Trois Morceaux

  • x
  • Pianista Francesco Nicolosi, Paolo Serrao - Scherzo

    3:18

    Alla memoria di Vincenzo Bellini - Albun per pianoforte. Il Rotary per Vincenzo Bellini nel bicentenario della nascita

  • x
  • Cancello Attilio, rev. padre, O salutaris Ostie

    2:47

    Gramophone Concert Record, G:C.-2-52620
    tenore???, non ho notizie

  • Proyecto Hélade III Concurso Internacional Paolo Serrao Italia

    6:43

  • x
  • P. Serrao, Fantasia su Il Trovatore di G. Verdi - Giuditta Davoli, P. De Fazio

    7:20

    Esecuzione delle musiche di Paolo Serrao alla presenza dei relatori che hanno partecipato alla prima giornata di studi del Convegno Internazionale 'Paolo Serrao e la musica a Napoli nella seconda metà dell'Ottocento' organizzato dall'Istituto di Bibliografia Musicale Calabrese e con il patrocinio della Società Italiana di Musicologia

  • Mario Leotta - Rimsky-Korsakov -- Beethoven

    8:56

    Estratti da Sheherazade - Rimsky-Korsakov
    Ouverture Egmont - Beethoven
    Orchestra Regionale della Calabria Paolo Serrao

  • x
  • P. Serrao, Fantasia sullopera Aida di G. Verdi - Giuditta Davoli, P. DeFazio

    9:16

  • Alessandro Longo - Mazurka, Op.1/2

    3:06

    Alessandro Longo (1864 – 1945) was an Italian composer and musicologist. After studying at the Naples Conservatory under Beniamino Cesi (and composition under Paolo Serrao), he began teaching piano at his alma mater in 1887, deputizing for Cesi as pianoforte professor, and succeeded him in 1897. As a pianist, Longo often played in chamber ensemble with the Ferni Quartet, and with the Quartetto Napoletano. He founded various musical institutions in Naples, and gained a high reputation as a concert pianist. In 1914 he began editing the review L'Arte Pianistica. He became Director of the Naples Conservatory in 1944, and died in Naples the following year, aged 80.

    Today, Longo is mainly remembered for compiling an almost comprehensive catalogue of the keyboard works of Domenico Scarlatti. For many years, Scarlatti's keyboard sonatas were conventionally identified by their Longo numbers, but these were later superseded by those found in Ralph Kirkpatrick's catalogue. Longo's Catalogue originated in his landmark full publication of the works of Scarlatti in 11 volumes and implied particular groupings of the sonatas, the chronology of which was later completely revised and differently grouped in Kirkpatrick's 1953 study of the composer. Longo also edited works by Domenico Gallo.

    His compositions include, among others, two works for piano four-hands, a serenade and a suite; suites for piano with bassoon with oboe, with flute and with clarinet.

    This piece is in a set of 5 pieces, and its the only one on imslp. Also note that this is his opus 1. Pretty convincing piece I think.

  • Orchestra Sinfonica Giovanile della Piana

    9:30

    5° Concorso Musicale - Città di Filadelfia
    Premio Speciale Paolo Serrao
    1° Classificati con punti 94/100 :-)

  • x
  • Trois morceaux: II. Barcarolle

    3:13

    Provided to YouTube by Kontor New Media

    Trois morceaux: II. Barcarolle · Giacomo Ferrari & Raffaele La Ragione

    Serenata Napoletana: Music for Mandolin and Piano

    ℗ Brilliant Classics

    Released on: 2015-02-06

    Soloist: Giacomo Ferrari
    Soloist: Raffaele La Ragione
    Composer: Paolo Serrao
    Music Publisher: Brilliant Classics

    Auto-generated by YouTube.

  • Orchestra Sinfonica Giovanile della Piana

    8:06

    5° Concorso Musicale Città di Filadelfia - premio Speciale Paolo Serrao - 1° classificati

  • Giuseppe MARTUCCI :piano concerto no.2 op.66 - MVT II Larghetto

    10:03

    Giuseppe MARTUCCI:piano concerto no.2 op.66 MVT II Larghetto

    Conductor:
    La Vecchia, Francesco

    Orchestra:
    Rome Symphony Orchestra

    Artist:
    Coggi, Gesualdo
    Photos: Italy,mountains,countryside,hills.

    Genre: Concertos; Orchestral
    Period: Romantic

    Key B♭ minor
    3 movements:


    Allegro giusto
    Larghetto (G♭ major)
    Allegro con spirito

    Anno/data di composizione 1884-5
    Anno della prima pubblicazione 1886
    Dedica Doctor Filippo Filippi
    Average Duration 40 minutes
    Stile del pezzo Romantic
    Strumentazione Piano solo and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, ophicleide, timpani, and strings)

    Genre
    Concerto Classical
    Period
    Modern Romantic
    Comp Date
    1885
    Avg Duration
    40:40

    Parts/Movements

    Allegro giusto
    Larghetto
    Finale: Allegro con spirito

    Sometimes called the Italian Brahms, Giuseppe Martucci abjured the traditional Italian fascination with opera for a musical career as a conductor, pianist, and composer. His two symphonies and two piano concertos all demonstrate his allegiance in what he called absolute music. His Second Piano Concerto in B flat minor, Op. 66, (1884-1885) is a massive work in three movements. The opening movement, Allegro giusto, alone is more than 20 minutes long and contains three themes, an extensive development section, and an enormous cadenza. The central movement, Larghetto, has two contrasted themes which reach their climax in a section which recalls the piano recitative central movement of Beethoven's Fourth Piano Concerto. The closing movement, Allegro con spirito, is a brilliant virtuoso work for both soloist and orchestra ending in resounding triumph. The Second Piano Concerto was premiered on January 31, 1885, with the composer as the soloist.

    Giuseppe Martucci (Capua, 6 January 1856 -- Naples, 1 June 1909) was an Italian composer, conductor, pianist and teacher. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to introduce Richard Wagner's operas to Italy and also gave important early concerts of English music there.

    Career
    Martucci was born at Capua, in Campania. He learned the basics of music from his father, Gaetano, who played the trumpet. He was a child prodigy, performing on the piano at the age of 8.[1] From the age of 11, he was a student at the Naples Conservatory, on the recommendation of professor Beniamino Cesi,[2] the latter being a former student of Sigismond Thalberg. Martucci became a student in composition with Paolo Serrao. Martucci subsequently (from 1880 onwards) held a professorship and became director in 1902. Among his students was Ottorino Respighi.

    His son Paolo, born in Naples in 1883, also became a pianist of note, briefly teaching at the Cincinnati Conservatory.

    He died in Naples in 1909.

  • Giuseppe MARTUCCI: piano concerto no.2 - I Tempo Allegro giusto

    21:14

    Giuseppe MARTUCCI
    piano concerto no.2
    I TEMPO : Allegro giusto
    Pianist: Gesualdo COGGI
    Photos: Italy,mountains,countryside,hills,

    Giuseppe Martucci piano concerto no 2 I Tempo Allegro giusto
    Pianist: Gesualdo Coggi
    Photos: Italy,mountains,countryside,hills,

    Giuseppe Martucci
    Piano Concerto No. 2 in B flat minor, Op. 66
    Key B♭ minor
    3 movements:


    Allegro giusto
    Larghetto (G♭ major)
    Allegro con spirito

    Anno/data di composizione 1884-5
    Anno della prima pubblicazione 1886
    Dedica Doctor Filippo Filippi
    Average Duration 40 minutes
    Stile del pezzo Romantic
    Strumentazione Piano solo and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, ophicleide, timpani, and strings)

    Genre
    Concerto Classical
    Period
    Modern Romantic
    Comp Date
    1885
    Avg Duration
    40:40

    Parts/Movements

    Allegro giusto
    Larghetto
    Finale: Allegro con spirito

    Sometimes called the Italian Brahms, Giuseppe Martucci abjured the traditional Italian fascination with opera for a musical career as a conductor, pianist, and composer. His two symphonies and two piano concertos all demonstrate his allegiance in what he called absolute music. His Second Piano Concerto in B flat minor, Op. 66, (1884-1885) is a massive work in three movements. The opening movement, Allegro giusto, alone is more than 20 minutes long and contains three themes, an extensive development section, and an enormous cadenza. The central movement, Larghetto, has two contrasted themes which reach their climax in a section which recalls the piano recitative central movement of Beethoven's Fourth Piano Concerto. The closing movement, Allegro con spirito, is a brilliant virtuoso work for both soloist and orchestra ending in resounding triumph. The Second Piano Concerto was premiered on January 31, 1885, with the composer as the soloist.

    Giuseppe Martucci (Capua, 6 January 1856 -- Naples, 1 June 1909) was an Italian composer, conductor, pianist and teacher. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to introduce Richard Wagner's operas to Italy and also gave important early concerts of English music there.

    Career
    Martucci was born at Capua, in Campania. He learned the basics of music from his father, Gaetano, who played the trumpet. He was a child prodigy, performing on the piano at the age of 8.[1] From the age of 11, he was a student at the Naples Conservatory, on the recommendation of professor Beniamino Cesi,[2] the latter being a former student of Sigismond Thalberg. Martucci became a student in composition with Paolo Serrao. Martucci subsequently (from 1880 onwards) held a professorship and became director in 1902. Among his students was Ottorino Respighi.

    His son Paolo, born in Naples in 1883, also became a pianist of note, briefly teaching at the Cincinnati Conservatory.

    He died in Naples in 1909.

  • Ernesto Cavallini: Lontano dalla Patria / Romance for clarinet / Cameristi della Scala

    8:58

    ERNESTO CAVALLINI [1807-1874]

    LONTANO DALLA PATRIA [Milan, G. Canti 1871]
    Romance for clarinet and fortepiano (arr. by Matteo Manzitti)

    dedicated to: Paolo Serrao

    Fabrizio Meloni (clarinet)
    Simonide Braconi, Giorgio Baiocco, Maddalena Calderoni, Elena Faccani, Francesco Lattuada, Luciano Sangalli, Mihai Sas (viola)
    Jacob Ludwig, Martina Lopez, Simone Groppo (violoncello)
    Giuseppe Ettorre, Alessandro Serra (double bass)

    Cameristi della Scala / Alessandro Ferrari (director)


    2011

    [on modern instruments]

  • L.v.Beethoven: Egmont Overture op. 84

    8:25

    L.v.Beethoven: Egmont Overture op. 84
    Orchestra Regionale della Calabria Paolo Serrao
    dir. Mario Leotta
    19-11-2014 Teatro Apollo - Crotone

  • Tarantella

    1:16

    Chitarre: Luca Serrao e Yuri Santangelo
    Tamburello: Yulien Ciobanu
    Composizione: Francesco Solenni

  • Pastorale di Francesco Paolo Frontini

    1:50

    Phillip Sear plays a pastorale from 1910 by the Sicilian composer Francesco Paolo Frontini









    Musicista (Catania 1860-Catania, 26 luglio 1939).

    Fu di vasta e profonda cultura, di vena ricca e varia.
    Da suo padre, Martino, anche lui compositore che ebbe in Sicilia una certa rinomanza, apprese le prime nozioni Francesco Paolo, precocissimo: a tredici anni esordì in un pubblico concerto di violino.
    Poi imparò il pianoforte, l'armonia, il contrappunto; la sua prima composizione fu eseguita nella cattedrale di Catania, quando egli aveva quindici anni.
    Fra le sue opere vengono ricordate: Nella, Sansone, Aleramo. Malia, II falconiere, Fatalità. E inoltre: Eco della Sicilia (50 canti siciliani), Medio Evo, Natale siciliano (schizzi dal vero), due quartetti, una Messa di requiem, i Canti religiosi del popolo Siciliano e vari altri lavori sinfonici, nonchè Piccolo montanaro e la famosa Serenata araba.
    La critica gli fu larga di plauso, i sovrani di onorificenze.

    Ecco, per esempio, il giudizio di un critico anonimo ma attento: « io non vi so dire se F. P. Frontini sia un genio o un super-uomo: ma quando un cervello e così produttivo e fecondo, ha diritto all'ammirazione del pubblico intellettuale ».

    Nel 1879 cavaliere della Corona d'ltalia, nel 1906 cavaliere ufficiale; al proprio nome non anteponeva il titolo di maestro ma quello di cav. uff., secondo la voga del primo Novecento. Dedicò una melodia alla regina madre, che gli donò un gioiello con iniziali: egli ne andava fiero. Nei primi del secolo la sua figura longilinea e ispirata, i suoi baffi e la sua barba, la sua « inglesina » a pallini sul colletto inamidato e il suo cappello nero, alto a larghe tese, furono famosi, crearono una moda, la moda dell'artista di classe.

  • Umberto Giordano - Fedora Intermezzo Act 2

    2:18

    Honorables Miembros del Imperio MrJohannStraussViena,me complace presentarles:

    Obra.- Fedora Intermezzo
    Autor.- Umberto Giordano

    Umberto Menotti Maria Giordano Naciò en Foggia un 28 de agosto de 1867 y muere lamentablemente en Milán un 12 de noviembre de 1948 se caracterizó por ser un compositor italiano dedicado principalmente a la creación de óperas. Sus obras más conocidas son Andrea Chénier y Fedora, óperas románticas de estilo verista compuestas a finales del siglo XIX.
    Nació en Foggia, en Italia, y a pesar de la oposición de su padre se matriculó en el Conservatorio de Nápoles en 1882. Fue alumno de Paolo Serrao y escribió su primera ópera, Marina para un concurso académico. Posteriormente escribió Mala Vita, una valiente obra verista acerca de un hombre que promete reformar a una prostituta si él se cura de una tuberculosis. Esta obra causó cierto escándalo durante su representación en Roma en 1892, alcanzando más popularidad en Austria y Alemania. Giordano intentó un acercamiento más romántico con su siguiente ópera Regina Diaz (1894), pero ésta fue un fracaso, retirándose después de dos representaciones.
    Giordano entonces probó suerte en Milán, de nuevo con un tema verista, con su trabajo más conocido, Andrea Chénier (1896), con un libreto de Luigi Illica basado en la vida del poeta francés André Chénier. Fedora (1898) fue también un éxito, y es representada en la actualidad. Su trabajo posterior es menos conocido, aunque ocasionalmente representado.

    Disfruten de esta lindisima obra y comenten si gustan.
    ¡Suscrìbanse!
    Gracias

  • Naas Veld - As we grow old

    3:11

    Direction, photography and editing - Sallas de Jager
    Make-up - Julia Rubenstein

  • Fedora Atto , Amor ti Vieta. Mario Del Monaco. Umberto Giordano

    1:49

    Umberto Menotti Maria Giordano (1867 - 1948) fue un compositor italiano. Sus obras más conocidas son Andrea Chénier y Fedora, óperas románticas de estilo verista compuestas a finales del siglo XIX.
    Nació en Foggia, en Italia, y a pesar de la oposición de su padre se matriculó en el Conservatorio de Nápoles en 1882. Fue alumno de Paolo Serrao y escribió su primera ópera, Marina para un concurso académico. Posteriormente escribió Mala Vita, una valiente obra verista acerca de un hombre que promete reformar a una prostituta si él se cura de una tuberculosis. Esta obra causó cierto escándalo durante su representación en Roma en 1892, alcanzando más popularidad en Austria y Alemania. Giordano intentó un acercamiento más romántico con su siguiente ópera Regina Diaz (1894), pero ésta fue un fracaso, retirándose después de dos representaciones.
    Giordano entonces probó suerte en Milán, de nuevo con un tema verista, con su trabajo más conocido, Andrea Chénier (1896), con un libreto de Luigi Illica basado en la vida del poeta francés André Chénier. Fedora (1898) fue también un éxito, y es representada en la actualidad. Su trabajo posterior es menos conocido, aunque ocasionalmente representado.
    El teatro más importante de Foggia está dedicado a Umberto Giordano, en el que Andrea Chénier ha sido representada recientemente. También existe en Foggia una plaza en su honor, en el que varias estatuas recuerdan sus obras más famosas.

    ------------------------------------

    Fedora es una ópera en tres actos con música de Umberto Giordano y libreto de Arturo Colautti basado en un drama con el mismo nombre de Victorien Sardou. Fue estrenada el 17 de noviembre de 1898 en el Teatro Lírico de Milán.
    El drama transcurre en Rusia, Francia y Suiza, durante el final del siglo XIX.
    Fedora no fue muy bien recibida por la crítica europea, pero el interés por ella ha aumentado en los últimos años gracias a las grabaciones discográficas, algunas con notables intérpretes del papel principal, como Mirella Freni, Eva Marton o Magda Olivero.

  • x
  • Θεόδωρος Αντωνίου - Aggressive | Official Audio Release

    5:15

    Youtube Subscribe:

    Ξεπερνώντας τα 50 χρόνια ελληνικής μουσικής ιστορίας, στο κανάλι Ελληνικό Τραγούδι βρίσκονται σημαντικές στιγμές του ελληνικού τραγουδιού από τα '60s έως και σήμερα, με συμπράξεις σπουδαίων τραγουδιστών, συνθετών και στιχουργών που άφησαν εποχή.

    Στο κανάλι Ελληνικό Τραγούδι θα βρείτε συγκεντρωμένο έναν από τους σπουδαιότερους και πιο πολυποίκιλους καταλόγους της ελληνικής μουσικής σκηνής.

  • Occihi di Fata/Luigi Denza/Brody Delestre/Contrabbasso

    3:20

    Luigi Denza
    Luigi Denza (24 February 1846 in Castellammare di Stabia – 27 January 1922 in London) was an Italian composer.Denza was born at Castellammare di Stabia, near Naples.He studied music under Saverio Mercadante and Paolo Serrao at the Naples Conservatory.In 1884 he moved to London, taught singing and became a professor of singing at the Royal Academy of Music in 1898.

  • Giuseppe MARTUCCI: piano concerto no.2 op.66 - III Allegro

    9:53

    Giuseppe MARTUCCI: piano concerto no.2 op.66 III MVT

    Conductor: La Vecchia Francesco

    Orchestra: Rome Symphony Orchestra

    Pianist: Coggi Gesualdo

    Photos: Italy,mountains,countryside,hills.

    Genre: Concertos; Orchestral
    Period: Romantic

    Key B♭ minor
    3 movements:


    Allegro giusto
    Larghetto (G♭ major)
    Allegro con spirito

    Anno/data di composizione 1884-5
    Anno della prima pubblicazione 1886
    Dedica Doctor Filippo Filippi
    Average Duration 40 minutes
    Stile del pezzo Romantic
    Strumentazione Piano solo and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, ophicleide, timpani, and strings)

    Genre
    Concerto Classical
    Period
    Modern Romantic
    Comp Date
    1885
    Avg Duration
    40:40

    Parts/Movements

    Allegro giusto
    Larghetto
    Finale: Allegro con spirito

    Sometimes called the Italian Brahms, Giuseppe Martucci abjured the traditional Italian fascination with opera for a musical career as a conductor, pianist, and composer. His two symphonies and two piano concertos all demonstrate his allegiance in what he called absolute music. His Second Piano Concerto in B flat minor, Op. 66, (1884-1885) is a massive work in three movements. The opening movement, Allegro giusto, alone is more than 20 minutes long and contains three themes, an extensive development section, and an enormous cadenza. The central movement, Larghetto, has two contrasted themes which reach their climax in a section which recalls the piano recitative central movement of Beethoven's Fourth Piano Concerto. The closing movement, Allegro con spirito, is a brilliant virtuoso work for both soloist and orchestra ending in resounding triumph. The Second Piano Concerto was premiered on January 31, 1885, with the composer as the soloist.

    Giuseppe Martucci (Capua, 6 January 1856 -- Naples, 1 June 1909) was an Italian composer, conductor, pianist and teacher. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to introduce Richard Wagner's operas to Italy and also gave important early concerts of English music there.

    Career
    Martucci was born at Capua, in Campania. He learned the basics of music from his father, Gaetano, who played the trumpet. He was a child prodigy, performing on the piano at the age of 8.[1] From the age of 11, he was a student at the Naples Conservatory, on the recommendation of professor Beniamino Cesi,[2] the latter being a former student of Sigismond Thalberg. Martucci became a student in composition with Paolo Serrao. Martucci subsequently (from 1880 onwards) held a professorship and became director in 1902. Among his students was Ottorino Respighi.

    His son Paolo, born in Naples in 1883, also became a pianist of note, briefly teaching at the Cincinnati Conservatory.

    He died in Naples in 1909.

  • italia ti canto-paolo inglima

    1:54

    paolo inglima su rai due-notte

  • Occhi di fata Denza by Franco Tenelli

    3:39

    Beautiful song by Denza

    O begl'occhi di fata,
    o begl'occhi stranissimi e profondi...
    Voi m'avete rubata
    la pace della prima gioventù.

    Bella signora dai capelli biondi
    per la mia giovinezza che v'ho data
    mi darete di più.

    O sì, voi mi darete
    dei vostri baci la febbre e l'ardore!
    Trepidante sarete
    tra le mie bracie aperte...
    Tra le mie bracie aperte
    e sul mio cor.

    Della mia gioventù
    prendete il fiore.
    Del mio giovine sangue
    l'ardore prendete.
    Ma datemi l'amor,
    ma datemi l'amor!

    Luigi Denza (24 February 1846, Castellammare di Stabia, Campania - 26 January 1922), was an Italian composer. Denza was born at Castellammare di Stabia, near Naples. He studied music under Saverio Mercadante and Paolo Serrao at the Naples Conservatory. Later, he moved to London and became a professor of singing at the Royal Academy of Music in 1898. Denza wrote an opera, Wallenstein, and hundreds of songs. The most popular of these was a collaboration with Peppino Turco, the Neapolitan song Funiculì, Funiculà, about the Vesuvius funicular.[1] Other songs such as Luna fedel, Occhi di fata, and Se have been sung by Mario Lanza, Luciano Pavarotti, Carlo Bergonzi, Enrico Caruso

  • Trois morceaux: I. Melodie

    2:04

    Provided to YouTube by Kontor New Media

    Trois morceaux: I. Melodie · Giacomo Ferrari & Raffaele La Ragione

    Serenata Napoletana: Music for Mandolin and Piano

    ℗ Brilliant Classics

    Released on: 2015-02-06

    Soloist: Giacomo Ferrari
    Soloist: Raffaele La Ragione
    Composer: Paolo Serrao
    Music Publisher: Brilliant Classics

    Auto-generated by YouTube.

  • G. Verdi - Gran Finale II e Marcia Trionfale dellAida

    3:13

    Orchestra scolastica I.C. Pascoli-Aldisio di Catanzaro
    Trascrizione e direzione di Giovanni Doria
    1° premio al Concorso Scholae in Scolacium_Parco archeologico di Roccelletta di Borgia (Cz)
    1° premio: alla V EDIZIONE CONCORSO MUSICALE EUROPEO Città di Filadelfia (Vv) Premio Speciale Paolo Serrao e Melody Best Music School 2013

    a.s. 2012-2013, Auditorium N. Casalinuovo - Catanzaro

  • I. Albeniz - Asturias da Suite Española No.1, Op.47

    6:20

    Orchestra dell'I.C. ad indirizzo musicale Pascoli/Aldisio di Catanzaro.
    chitarra solista: Giuseppe Carioti
    Direttore d'orchestra e arrangiamenti: Giovanni Doria
    1° premio al Concorso Scholae in Scolacium_Parco archeologico di Roccelletta di Borgia (Cz)
    1° premio: alla V EDIZIONE CONCORSO MUSICALE EUROPEO Città di Filadelfia (Vv) Premio Speciale Paolo Serrao e Melody Best Music School 2013

    a.s. 2012/2013 - Auditorium N. Casalinuovo - Catanzaro

  • Improvviso for Classical Guitar

    1:40

    Giuseppe Martucci (1856 – 1909) was an Italian composer, conductor, pianist and teacher. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to introduce Wagner's operas to Italy and also gave important early concerts of English music there.

    Martucci was born at Capua, in Campania. He learned the basics of music from his father, Gaetano, who played the trumpet. A child prodigy, he played in public on the piano when only eight years old. From the age of 11, he was a student at the Naples Conservatory, on the recommendation of professor Beniamino Cesi, the latter being a former student of Sigismond Thalberg. From Paolo Serrao, Martucci acquired his initial training in composition; his own composition students later on, when he worked and taught at Bologna, included Ottorino Respighi. He died in Naples in 1909. His son Paolo, born in Naples in 1883, also became a pianist of note, briefly teaching at the Cincinnati Conservatory.

    Martucci was championed by Arturo Toscanini during much of the latter's career. The NBC Symphony Orchestra performed a number of Martucci's orchestral works in 1938, 1940, 1941, 1946, and 1953; although the performances were preserved on transcription discs, none was approved for commercial release by Toscanini. Some Toscanini biographers (including Mortimer Frank and Harvey Sachs) have questioned the merit of the compositions, speculating that Toscanini may have performed them out of a sense of duty.

    Source: Wikipedia (

    Although originally written for Solo Piano, I created this Interpretation of the Improvviso (Opus 17) for Classical Guitar.

  • Dr. Anna Roach - Artist Select

    40

    Dr. Anna Roach tells us about her trip to the Selmer factory in Elkhart, IN.

  • Souvenir de Spa, Op. 2

    18:37

    Provided to YouTube by IDOL

    Souvenir de Spa, Op. 2 · Edmond Baert · Serge Bémant

    Franck, Brahms, Chopin & Servais: Romantic Cello Sonatas

    ℗ Pavane Records

    Released on: 1994-01-01

    Composer: Adrien-François Servais

    Auto-generated by YouTube.

  • Harold Lopez Nussa Oriente en Session live TSFJAZZ

    3:39

    Harold Lopez Nussa Oriente dans le Deli Express de J.C. Doukhan. Enregistré au studio TSFJAZZ le 26.09.2016

  • W.A. Mozart - Ouverture da Le Nozze di Figaro

    6:03

    Orchestra dell'I.C. ad indirizzo musicale Pascoli/Aldisio di Catanzaro.
    Direttore d'orchestra e arrangiamenti: Giovanni Doria
    1° premio al Concorso Scholae in Scolacium_Parco archeologico di Roccelletta di Borgia (Cz)
    1° premio: alla V EDIZIONE CONCORSO MUSICALE EUROPEO Città di Filadelfia (Vv) Premio Speciale Paolo Serrao e Melody Best Music School 2013

    a.s. 2012/2013 - Auditorium N. Casalinuovo - Catanzaro

  • Antonio Vivaldi Concerto per Archi e Cembalo in La mag.

    8:19


    Cascina Robbiolo 14 Maggio 1995 Concerto di Primavera
    Massimo De Biasio ( al mio fianco ) e' un esempio di come il fare musica vada affrontato nel modo piu' sereno possibile. Grazie anche ai colleghi, che in diverse occasioni mi hanno sostenuto nel collaborare con i miei allievi di Viloino e di Esercitazioni Orchestrali di Buccinasco : Alessandro Silva - Paolo Fuochi - Chiara Maggiani - Angela Serrao - Cristian Pellegrini - Marco Perolfi - Cristiano Rossella - Annalisa Doria - . Un grazie di cuore ,colmo di momenti indimenticabili.

  • Pianista Francesco Nicolosi, Franz Liszt - Recueillement

    4:43

    Alla memoria di Vincenzo Bellini - Albun per pianoforte. Il Rotary per Vincenzo Bellini nel bicentenario della nascita

  • A. RENDANO - Serenata bizzarra. Rodolfo Caporali, piano.

    3:42

    Alfonso Rendano (Carolei, Cosenza 1853 - Roma 1931)
    Serenata bizzarra
    Esegue il pianista Rodolfo Caporali, allievo dello stesso Rendano.

  • Trois morceaux: III. Gavotte

    2:54

    Provided to YouTube by Kontor New Media

    Trois morceaux: III. Gavotte · Giacomo Ferrari & Raffaele La Ragione

    Serenata Napoletana: Music for Mandolin and Piano

    ℗ Brilliant Classics

    Released on: 2015-02-06

    Soloist: Giacomo Ferrari
    Soloist: Raffaele La Ragione
    Composer: Paolo Serrao
    Music Publisher: Brilliant Classics

    Auto-generated by YouTube.

  • Intervista a Marina Del Giudice | Cappella Musicale Santa Teresa dei Maschi, Bari

    1:42

    Crescer Cantando Puglia ha deciso di collaborare alla realizzazione del nostro progetto sulla musica barocca, iniziando proprio dalla Johannes Passion di Bach del marzo 2015. Il perché ce lo dice Marina Del Giudice, presidente dell'Associazione Culturale andriese e vice direttrice del coro Apulia Cantat del m° Antonio Alessandro Fortunato.

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  • The Poets Waltz: Dmitri Shostakovich Waltz 2

    3:00

    Daniela Ripetti Pacchini -- The Poets' Waltz.
    Music: The Second Waltz of Shostakovich played by André Rieu.
    'Waltz 2' is the seventh movement (and the 'second' waltz) of the eight movements of the Suite for Variety Orchestra, also named Suite for Variety Stage Orchestra. For many years the Suite for Variety Orchestra was misidentified as the lost suite for Jazz Orchestra No.2, which is a different work . See note 1).
    This video is a memory of the 2nd International Festival of the Poets held in1980 at Piazza di Siena in Rome. The memory is evoked by a T-shirt of that event found an old trunk.
    In my dreaming reconstruction images of places and poets follow one after the other and seem to dance to the captivating rhythm of Shostakovich's Waltz.
    Not only poets coming from all over the world, but also musicians, astronomers, astronauts, astrophysicists and comedians participated in the 2nd International Festival of the Poets, conceived and organized by Simone Carella, Ulisse Benedetti (Beat 72 Cultural Association) & Franco Cordelli and sponsored by the peerless City Councillor Renato Nicolini, the creator of the 'Roman Summer'. That international meeting of 'poets off the page' was an Aion, a 'hot' event before the 'Winter Journey' of the 1980s (to quote F. Schubert and Augusto Illuminati) , an event where many contradictions imploded in the soft machine of verses.
    Some photos included in this remembrance are mine, some are by Agnese De Donato and Giorgio Piredda, some by Dino Ignani (pictures of the stage of the Festival, Gino Scartaghiande, Amelia Rosselli, Bianca Maria Frabotta, Gabriella Sica, Jolanda Insana, Edith Bruck, Maria Luisa Spaziani, Valentino Zeichen, Alfredo Giuliani, Sandra Petrignani, Gino Scartaghiande). The photos of Piazza di Siena are by Massimo Feliziani, who then worked with me as far as the sound part was concerned. Some pictures are from the Web, those of Amiri Baraka (Le Roi Jones), Allen Ginsberg and Peter Orlovsky, Gregory Corso and Ginsberg, Victor Cavallo, Margherita Hack and Der Wanderer über dem Nebelmeer by Caspar David Friedrich, are from Wikipedia Creative Commons.
    As for music and images all rights belong to their owners.
    These are the names of the protagonists of the Festival, printed on the shirt and in the book Poeti Italiani al 2°Festival Internazionale dei Poeti (Studio Forma 1980):
    Italian poets: Dario Bellezza, Alfredo Giuliani, Armanda Guiducci, Jolanda Insana, Giorgio Manacorda, Giulia Niccolai, Renzo Paris, Francesco Serrao, Adriano Spatola, Maria Luisa Spaziani, Mario Baudino, Patrizia Bettini, Edith Bruck, Giuseppe Conte, Ignazio Delogu, Bianca Maria Frabotta, Rosanna Guerrini, Vivian Lamarque, Arrigo Lora-Totino, Nico Orengo, Daniela Ripetti, Amelia Rosselli, Silvia Battisti, Mariella Bettarini, Michelangelo Coviello, Roberto De Angelis, Tommaso di Ciaula, Attilio Lolini, Anna Malfaiera, Anna Mongiardo, Paolo Morelli, Mariella Bettarini, Sandra Petrignani, Paolo Prestigiacomo, Gino Scartaghiande, Gabriella Sica, Mara Alessi, Rosita Copioli, , Marco Gherardi, Francesco Leonetti, Dacia Maraini, Antonio Porta, Giulio Stocchi, Sebastiano Vassalli, Valentino Zeichen, Nanni Balestrini (his poems were read by Valeria Magli and some fragments also by me).
    Foreign Poets: Josif Brodskij, Jean Jacques Lebel, A. Amirkhanian, Erich Fried, Mahmoud Darwish, Brion Gysin, Amiri Baraka (Le Roi Jones), Allen Ginsberg, Peter Orlovsky, William Burroughs, John Jorno, Gregory Corso e and many others...
    (skindapsos, ilvelobarocco)
    Note 1) 'Waltz 2' was used on the soundtrack to the 1999 Stanley Kubrick film Eyes Wide Shut (based on Arthur Schnitzler's Traumnovelle) . The greater part of the Suite for Variety Orchestra is material recycled and assembled by Shostakovich at least post-1956; and the Waltz 2 was adapted from the Waltz (eight movement) from the Suite from The First Echelon, Op. 99a (1956). The First Echelon (Pervyy eshelon) is a 1955 soviet film directed by M.K. Kalatozov.
    ITA.*- Daniela Ripetti Pacchin. Ricordi del Secondo Festival Internazionale dei Poeti ( Piazza di Siena, Roma 1980).
    Musica : The Second Waltz by Dimitri Shostakovich interpretato da André Rieu.
    In questo video la 'Madeleine proustiana' evocatrice dei ricordi è una maglietta, la maglietta del 2° Festival Internazionale dei Poeti , ritrovata in un vecchio baule.
    Quel caleidoscopico Festival, includeva oltre a poeti provenienti da tutto il mondo, anche musicisti, astronomi, astronauti, astrofisici e comici. Esso fu un Aion, un evento 'caldo' prima della lunga fredda stagione degli anni ottanta. Un evento in cui, nella morbida macchina dei versi, si condensarono ed implosero molte contraddizioni come era già accaduto del 1° Festival Internazionale dei Poeti di Castelporziano nel 1979.

  • Pianista Francesco Nicolosi, Friedrich Kiel , Andante

    2:28

    Alla memoria di Vincenzo Bellini - Albun per pianoforte. Il Rotary per Vincenzo Bellini nel bicentenario della nascita

  • Pianista Francesco Nicolosi, Francesco Simonetti - Berceuse

    5:07

    Alla memoria di Vincenzo Bellini - Albun per pianoforte. Il Rotary per Vincenzo Bellini nel bicentenario della nascita

  • A. RENDANO - Il montanaro calabro. Rodolfo Caporali, piano

    4:42

    Alfonso Rendano (Carolei, Cosenza 1853 - Roma 1931)
    Il montanaro calabro
    Esegue il pianista Rodolfo Caporali, allievo dello stesso Rendano.

  • CZardas - Mus. V. Monti - Arr. M. Montebello

    3:25

    CZardas

    By

    Monti è nato a Napoli dove ha studiato violino e composizione al Conservatorio
    di San Pietro a Majella con il violinista Pinto e composizione con il M° Paolo Serrao. Intorno al 1900, dopo essersi ulteriormente perfezionato in violino con Camillo Sivori, ha ottenuto un incarico come direttore dell'Orchestra Lamoureux a Parigi dove scrisse diversi balletti, pantomime e operette,
    tra cui Noël de Pierrot.
    La sua composizione più famosa è la Csárdás, scritta nel 1904 e suonata
    da tutte le orchestre gitane. Sempre nel 1904, il giorno 18 maggio, viene data
    in prima assoluta al Teatro Costanzi di Roma la sua operetta in 1 atto Mam'zelle Frétillon, di cui è autore anche del libretto.

    Arrangiata Da M. Montebello In Un Piccolo Paesino Siciliano Vicino L'Ennese.

  • Trallallero Notturno Marinaro A Lanterna a Pino Sottano Genova

    3:36

    Genova Pino Sottano 20 gennaio 2013
    Grande evento al Tradizionale Convegno di Trallalero di Sant'Antonio all'Arci di Pino Sottano di Genova dove hanno partecipato per la prima volta sei squadre di Trallalero.
    Albenga Canta,A Lanterna,Giovani canterini Sant'Olcese,la Squadra,Gruppo Spontaneo Trallalero,Gruppo Canterini Valbisagno.
    I Canterini dell'Albenga Canta non partecipavano ai convegni di Trallalero a Genova dal lontano 1982.
    A richiesta di tutti i canterini sono anche esibiti i giovani canterini della Gaiazza.
    A Lanterna canta Notturno Marinaro una bellissima canzone di G.Serrao, arrangiata in Trallallero.
    La Lanterna è la squadra di Trallalero più longeva tra quelle oggi esistenti :
    Nasce nel 1979 dalla fusione della Nuova Molassana e della Castagna di Serra Riccò.
    Per contattare LA LANTERNA : 333 2012668
    Tenore Pietro Ferrari, Contralti: Giorgio Gennaro, Emanuele Macchiavello, Baritono: Alessandro Campora,Chitarra: Giuseppe Cevasco, Bassi cantabili: Giampiero Bisio, Lino Tamburelli,Paolin Marcenaro,Bassi Profondi: Enzo Piccardo,Domenico Molinelli, Lovotti Enrico,Elio Oddone,Paolo Barillaro,Sergio Marchelli.
    Per i testi testi delle canzoni visita il sito dedicato al bel Canto Popolare Genovese dei Canterini del Sant'Olcese clicca il link
    Mi sento di ringraziare a nome di tutti gli appassionati di Trallallero Genovese il Presidente del circolo Arci di Pino Sottano Franco Campostano, che ha organizzato questa bella giornata di bel Canto Popolare.

  • The Moon Is a Disco

    7:11

    Provided to YouTube by Proton LLC

    The Moon Is a Disco · Kryll

    Sub Continental, Vol. 4

    ℗ 2019 Soupherb Records

    Released on: 2019-05-06

    Auto-generated by YouTube.

  • Concerto Virtual: Amélia Muge e Paulo Bragança - Nas tuas mãos começa a liberdade

    1:3:25

    No palco virtual de Almada, o fado pelas vozes de Amélia Muge e Paulo Bragança, a guitarra clássica de André M. Santos e a guitarra portuguesa de Hugo Edgar com a matiz rítmica do contrabaixo de Rodrigo Serrão.

  • Napulè - La Storia Siamo Noi

    4:17

    Arrangiamento di Paula Gallardo Serrao - Eseguita 12/5/2017 nell'ambito dello spettacolo La Storia Siamo Noi - Un viaggio nella geografia e nella storia della canzone d'autore italiana. Direttore Giovanni Grimaldi - Pianista Alberto Spanu

  • Pianista Francesco Nicolosi, Eugenio Pirani Lontana! Canto senza parole op 10

    5:10

    Alla memoria di Vincenzo Bellini - Albun per pianoforte. Il Rotary per Vincenzo Bellini nel bicentenario della nascita

  • Pianista Francesco Nicolosi, Pierre Perny , Etude Mèlodique op. 141

    3:15

    Alla memoria di Vincenzo Bellini - Albun per pianoforte. Il Rotary per Vincenzo Bellini nel bicentenario della nascita

  • Flute Concerto in G Major: II. Andante

    4:12

    Provided to YouTube by NAXOS of America

    Flute Concerto in G Major: II. Andante · Renata Cataldi

    Si suona, a Napoli!

    ℗ 2014 Dynamic

    Released on: 2014-01-28

    Conductor: Egidio Mastrominico
    Ensemble: Musiche da Camera, Le
    Artist: Renata Cataldi
    Composer: Nicola Bonifacio Logroscino

    Auto-generated by YouTube.

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