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Playlist of Notes in Time

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    Music Basics: Notes and Rhythm. Lesson 1: Note Values, Duration, and Time Signatures

    2:55

    Definitions and basic concepts

    Narrated by Maestro Gerard Schwarz

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    Charice high notes killed One Moment In Time Live

    2:59

    I bet, Im notο»Ώ only the one who repeatedly watched this video of Charice... lets say, i watched this for several dozen times..Thumbs up if you did the same.. LOL!

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    Music Notes and Timing

    7:51

    Each note indicates how much count it should receive (how long you should down the key). Three notes are used in the music sheet but there are more (research those). Identify the notes one at a time then read below for the designated counts. To learn more click here:

    Whole note -- Four beats (1 and -2 and -- 3 and - 4 and).

    Half note -- Two beats (1 and 2 and).

    Quarter note -- One beat (1 and)

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    Progressive House Β· Relaxing Focus Music Β· 24/7 Live Radio

    00

    Our favorite Progressive House & Trance tracks for a perfect soundtrack to your day-to-day activities. Our live radio stream is here for you 24/7. ❀

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    Notes in Time - Eliza Gilkyson

    10:50

    Episode 1 - An interview and performance by 2015 Grammy nominated Austin singer-songwriter Eliza Gilkyson. Gilkyson discusses her influences and her early days in the Austin folk scene. Produced by ATXN in conjunction with the Austin Music Office.

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    Counting Notes in 4/4 Time

    23

    Example of whole note, half notes, quarter notes, eighth notes, and sixteenth notes in 4/4 time. See video at for more examples. If you find this video helpful, please give a thumb up and subscribe.

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    Notes in Time - Malford Milligan

    8:56

    Episode 2 - An Interview and performance by Austin based soul, blues, and rock singer Malford Milligan. Produced by ATXN and the Austin Music Office.

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    Notes in Time - Jackie Venson

    10:57

    Episode 3 - Representing a new generation of Austin singer-songwriters, blues guitarist Jackie Venson performs from Austin Vintage Guitars. Produced by ATXN and the Austin Music Office. A 2015 Lone Star Emmy Nominee

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    Black MIDI Synthesia – Cres - End Time 133,337 notes ~ Tikronix

    2:59

    More Tikronix stuff + no reverb :P
    Original Video + Download MIDI:
    Original Song:
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    Here is a more obscure song in black MIDI format!

    I'm using a new SoundFont that is an improved version of Z-Doc Yamaha Concert Grand (the one I've been using in recent videos) -- however aside from that, I am using no reverb this time. Much cleaner sound.

    No title card or SF outro this time.

    SoundFont: Zeal Keys
    SoundFont made by Z-Doc R./ZDocPianoPlayer/Zarhym Raider
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    This SoundFont is the grand finale of the Z-Doc Soundfont Series in its ultimate design, featuring Z-Doc's signature bass Z-Bass.



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    ════════════════════════════════════
    TECHNICAL INFORMATION:
    MIDI Filename: [Tikronix] Cres - End Time ~ 133,337 Notes.mid
    MIDI Size: 1.07 MB
    MIDI Note Count: 133,337
    MIDI Program: Synthesia 9.0
    MIDI Synth Used: Keppy's Driver (for audio) by KaleidonKep99
    Driver Download Link:
    MIDI Recorder: Bandicam
    MIDI Video Codec: MPEG-1 (recording); AVC (export)
    ════════════════════════════════════
    Other videos of this MIDI being played:

    Upload your videos and be featured here!

    I only track people's videos by the time of upload. Contact me if you wish to have your video on here.

    A warning to all people watching my videos - if you are epileptic/uncomfortable around flashing lights, refrain from watching my videos.

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    Piano for Beginners, Lesson 13 || 2/4 time and semiquavers

    24:06

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    This is tutorial 13 in my ongoing piano for beginners series. In this episode we're learning about a new time signature - 2/4, which is similar to 4/4, but subtly different - and semiquavers, or sixteenth notes. There's a new piece to learn, and I also share some thoughts about learning speeds and practice methods.

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    How to Count Whole Notes or Semibreves - Duration - Time Value - Read Music

    1:18

    In this lesson, we take a look at the whole note, also called a semibreve. Learn how to count whole notes with this exercise. The time value (duration) of a whole note. How to read notes. How to read music.

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    How to: Music Theory Tutorial - Rhythm - Eighth Notes

    4:57

    Discover My Top Ten Secrets For Learning Music Theory FAST!

    Finally understand eighth notes with this in-depth music theory tutorial provided by Five Minute Mozart.

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    #musictheory, #education, #tutorial, #howto #eighthnotes #rhythm

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    One Last Time - Ariana Grande | Easy Keyboard Tutorial With Notes

    8:48

    A slow, easy piano tutorial/lesson teaching you how to play One Last Time by Ariana Grande on the keyboard with your right hand.
    NOTES HERE:

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    How To Belt And Hold A Note - Sustaining High Notes - Vocal Tutorial - Ken Tamplin Vocal Academy

    10:39

    How To Belt and Hold A Note - Sustaining High Notes - Vocal Tutorial - Ken Tamplin Vocal Academy
    Hey Guys,

    I wanted to share with you my experience on how to correctly hold a singing note (or how to hold a high note).

    I have seen so many bizarre explanations on this important subject and yet from sources that neither really sing them selves, or display anyone doing what they claim is legit.

    In this video, I physically demonstrate long notes myself, at varying degrees of my range, to display actual application on how to hold a note.

    As I mention in the video, it can be kind of deceiving and here's what I mean.

    I see internet comments (particularly from the SLS community) you already know how to breathe... so breathe...

    This is an asinine statement.

    Tell that to a runner, an olympic swimmer, a mountain biker, a scuba diver or even someone doing yoga.

    They all have different disciplines for breathing and what is required to achieve their level of activity.

    It is no different with singing.

    For those that really understand the concept, we don't want to breathe like we speak.

    We want to breathe like we sing. BIG difference.

    When we speak, (especially when we do it without good diaphragmatic
    support) we release a considerable amount of air. (the diaphragm is the main muscle for inhalation and exhalation respiratory response.

    When we understand how to compress that air in the lung and glottis, we can use the diaphragm as a sort of sling shot to push air. (I call it the snap of air)

    When we learn to conserve this air, this can be extremely powerful tool in holding a singing note.

    As I mention in the video, vibratory cycles are also very different throughout the spectrum of range in the voice.

    Lower vibratory cycles require less energy (this is true), but in order to achieve that same volume and resonance as a high note, (because the cords are vibrating slower), they require MORE air to move the folds at the same velocity (volume) than that of a high note (which vibrates much faster).

    This doesn't mean we can't hold long low notes. What I am saying is that in order to hold a low note at the same volume as a high note, it requires more air.

    So this is why it is a bit deceiving: It is actually easier to hold a high note when compressed correctly, than a low note at the same volume.

    Now, everyone's range is different, and a low note to one maybe at the higher end of range for another. So this is an over simplification, but I wanted to give you an over all view of how this works.

    The key is learning how to manage and control that air with good open throat technique.

    I hope you found this information useful.

    Here's to Great Singing!

    Ken Tamplin Vocal Academy - Where The PROOF Is In The Singing.

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    How to Count Dotted Half Notes in 3/4 Time

    2:19

    In this installment of Rhythm Made Easy, you will learn to count in 3/4 time as well as count dotted rhythms.

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    Violin lesson #5 | Notes and Time Values | Maia Bang

    13:46

    #oneofLinglingwanna🐝ss #easyViolinlessons #Tagalog #MusicalNotes

    I am not a professional violinist just one of the wanna beeeeessss

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    TIME Inception 🎹 easy letter notes for piano 🎹 Hans Zimmer

    1:34

    - BOOST YOUR LEARNING SPEED - letter notes & tutorials

    Do you have an idea for the next song?
    write in a comment!

    Recommended tutorials:
    Wake me up -
    Havana -
    Spring - Vivaldi -
    Faded -
    Let it go -

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    How To Count Half Notes or Minims. - Duration - Time Value - How To Read Music

    1:34

    In this music theory lesson (for beginners), we take a look at the half note, also called a minim. Learn how to count half notes with this exercise. The time value (duration) of this note.

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    Eighth Notes and Subdividing Time

    9:08

    For the printable portion of this lesson and more in this series:

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    20 Times CΓ©line Dion Sang TOO High!

    5:58

    Video inspired by 10 Times Mariah Carey Sang TOO High from mariahxlambily

    Actually they are 19 times, not 20 haha

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    Music Basics: Notes and Rhythm. Lesson 3: Meters in Double and Triple Time, Upbeats

    7:42

    Narrated by Maestro Gerard Schwarz

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    How to know which notes youre singing in real-time - How to tune

    1:41



    Pentagrom Screen is a desktop software, available for download at our web.

    The interface tells you in real-time which notes you're singing and where they are written on a music staff.

    *You'll need an audio-midi converter and a microphone.


    Also available as an app!!

    Available on Google Play

    Available on iOS App Store

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    You cant play 2 notes at the same time.

    1:26

    My attempt at a James Morrison multiphonics solo transcription, I have no idea how he is doing it.

    ORIGINAL:

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    If We Hold On Together Notes/Solo Flute The Land Before Time

    3:58

    Requested by @arvin

    img src =

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    10 Times Mariah Carey Sang TOO High!

    4:33

    *I don't own all the content, if you would like a video removed just let me know!*

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    Black MIDI Halloween Time - 9.9 Million Notes

    1:25

    sorry not sorry for 10 million notes
    happy spooky time
    Made by: Me
    download:
    soundfont: fan made z-doc acoustic piano
    Video was rendered with Zenith

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    16 times Freddie Mercury hit notes LIVE exactly like studio

    4:58

    When expectations exceed reality, am I right! Freddie Mercury hitting notes live exactly like he did on studio, no more and no less. β€’ Links & corrections:
    β€’ Join our community:
    β€’ Freddie Mercury voice analyses playlist:
    β€’ (!) Corrections: at 1:07 it should've said We Are The Champions, not Bohemian Rhapsody. How did I miss that? The date and location of the concert are correct, though.
    β€’ Special thanks to my Patreon Motown1966 for being the coolest!!!

    (!) All concerts used on the video:
    β€’ Somebody To Love (Stockholm 1978) -
    β€’ My Melancholy Blues (Detroit 1977) -
    β€’ Bohemian Rhapsody (London 1977) -
    β€’ We Are The Champions (Copenhagen 1978) -
    β€’ A Kind Of Magic (Leiden 1986) -
    β€’ Love Of My Life (New York 1977) -
    β€’ Bohemian Rhapsody (Newcastle 1979) -
    β€’ Death On Two Legs (Oakland 1980) -
    β€’ Killer Queen (Sun City 1984) -
    β€’ Radio Ga Ga (Brussels 1984) -
    β€’ Bohemian Rhapsody (Frejus 1986) -
    β€’ It's A Hard Life (Brussels 1984) -
    β€’ Under Pressure (Montreal 1981) -
    β€’ We Are The Champions (Puebla 1981) -
    β€’ You Take My Breath Away (Hyde Park 1976) -
    β€’ Under Pressure (London 1984) -

    #FreddieMercury #Queen

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    Good Riddance - Green Day 2017

    2:42

    Not one of Billie Joe's best performances. I expect more from Green Day, especially with a fan favorite like Time of Your Life. Parody, obviously.

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    Playing on the original concept first done by Susboy on Soundcloud, if I'm not mistaken.

    Good Riddance (Time of Your Life) is a song by the American punk rock band Green Day. Although written by lead singer Billie Joe Armstrong before the release of the band's third album Dookie (1994), the song was not released until Green Day's fifth album, Nimrod (1997), and was the second single released from that album. An alternative version (in a different key, with a faster tempo and sparer arrangement) appeared as a B-side to the 1995 German import single for Brain Stew/Jaded.[1]
    Although it was not issued as a single at the time of its release in the United States, Good Riddance (Time of Your Life) sold over 2.6 million copies as a digital download in the country.[2] The song was certified Gold in the United Kingdom for sales of 400,000. Billie Joe Armstrong wrote Good Riddance (Time of Your Life) in 1990 and did not show the song to his bandmates until the Dookie recording sessions in 1993.[4] During the sessions, the song was determined to be too different from the rest of the songs on Dookie, and producer Rob Cavallo was unsure of how to structure the recording.[4] When the time came to record Nimrod, Armstrong decided to use the song, and Cavallo suggested they add strings to the track. He sent the band to play foosball in another room while he recorded the strings, which took like fifteen, twenty minutes, maybe a half an hour at the most.[4] Cavallo reflected on his decision to add the strings I knew we had done the right thing. It was a hit the second I heard it.[4]

    Good Riddance (Time of Your Life)
    MENU0:00
    A 30 second sample of Good Riddance (Time of Your Life).
    Problems playing this file? See media help.
    In comparison to previous Green Day material, Good Riddance (Time of Your Life) features more mellow, contemplative lyrics with acoustic music. Band member Mike Dirnt said that the release of this song was probably the most punk thing they could have done.[5] The song is more commonly promoted on the radio as Time of Your Life, and it became a Billboard Country Rock chart-topper and an international hit, and was the only song from Nimrod that was a crossover success when released in single form. To the band's surprise, the song became a hit at prom dances.[10][11][12][13] Because of the song's lyrics, which many graduating seniors interpret as nostalgic and reflective of their time in high school, it has become a staple song at proms. Armstrong remarked that, in retrospect, the lyrics make sense when viewed that way. The people that you grew up and braved the trials of high school with will always hold a special place. Through all the BS of high school you hope that your friends had the time of their life, and that's what the song is talking about.[14]
    In the Seinfeld episode The Chronicle, a clip show that aired at the end of the show's ninth and final season, the song was played over a series of clips, outtakes and backstage moments.
    In Shades of Gray, the 19th episode of the fourth season of ER, PA Jeanie Boulet, played by actress Gloria Reuben, sang this song as a farewell to a young boy (Scott Anspaugh, son of Dr. Donald Anspaugh) who had died in her care.
    In 2008, country legend Glen Campbell recorded the song for his album Meet Glen Campbell. On August 18, 2008, he performed the song as part of his special on AOL Sessions.[15]
    Four days prior to Jay Leno's initial departure from The Tonight Show in 2009, Dwight Yoakam ended his performance of If There Was a Way with the chorus' final stanza.[16]
    On November 26, 2010, The American Idiot musical cast also performed the song on the Macy's Thanksgiving Day Parade on NBC.
    On October 25, 2013, Albert Lee & Hogan's Heroes released a country cover recording of the song on their YouTube channel.[17]
    On May 28, 2015, Rolling Stone named Good Riddance (Time of Your Life) as one of the 20 Best Graduation Songs of the Past 20 Years (1995–2015).[18]
    On March 25, 2016, the Golden State Warriors used Green Day's song to honor David Lee in a tribute video. Lee played with the Warriors from 2010–2015 and became part of the 2014–2015 championship squad. Lee was traded to the Boston Celtics in the offseason, which is why he was unable to immediately receive his championship ring until later on in the season, when he was already a member of the Dallas Maverick.

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    MEZZOSOPRANOS & CONTRALTOS - once upon a time - HIGH NOTES

    12:50

    Stignani enrolled at the Conservatorio San Pietro a Majella in 1916, aged 13, and graduated there in 1923 in piano and composition. In 1925, 22 years old, she made her debut at the prestigious San Carlo Theater in Naples.

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    Every Ariana Grande Music Video But Just The High Notes

    2:06

    Every Ariana Grande music video but just the high notes! (2011-2017) If you liked this video give it a thumbs up, and be sure to subscribe to see more like this!

    disclaimer: i only did the highest notes in the songs! her range is naturally high so this vid would be like an hour long lmao

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    10 Times Mariah Carey Hit Notes IDENTICAL To The Studio Version Live!

    3:33

    *Please ask before you re-uploaded my videos to any other site*

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    Times Famous Singers Hit Their Highest Notes Ever

    10:19

    How to tell the note Singers Singing (ft. Famous Singers)

    *Be aware that many of the singers can go a lot higher when they want to. High notes that are properly sung (no screaming, voice crack) and sung in official performances (no back stage/studio/selfie vocals are included) are shown here.

    Famous singers such as Adam Levine (Maroon 5), Adele, Ariana grande, Avril Lavigne, Bebe Rexha, Beyonce, Britney Spears, Bruno Mars, Camila Cabello, Celine Dion, Charlie Puth, Christina Aguilera, Demi Lovato, Dua Lipa, Ed Sheeran, Harry Styles (One Direction), Jade Thirlwall (Little Mix), Jennifer Lopez, Katy Perry, Lauren Jauregui (Fifth Harmony), Justin Bieber, Mariah Carey, Miley Cyrus, Nicki Minaj, Normani Kordei (5H), Perry Edwards (LM), Rihanna, Selena Gomez, Shawn Mendes, Sia, Taylor Swift, Tori Kelly, Whitney Houston, Zara Larsson, Zayn Malik singing their highest notes (hardest vocals) live compilation.

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    MALE SINGERS HITTING HIGH NOTES

    5:59

    Due to the fact that like literally almost ever male pop singer is a tenor, there are a lot of them that can compete with the women in hitting the 5th octave notes and above. Im not saying these are their best (like with Harry's), but showcasing their notes.


    Zayn Malik Bruno Mars Michael Jackson Harry Styles Nick Jonas Usher Brian Mcknight Mitch Grassi Sam Smith Adam Lambert One Direction Shawn Mendes Ed Sheeran High Notes C5 Vocal Range Bruno Mars 2016 Bruno Mars 24k Magic Bruno Mars new song Bruno Mars new album

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    11 Times Ariana Grande Attempted Her HARDEST High Notes

    7:55

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    10 Times Mariah Carey Was TOO AFRAID To Hit High Notes!

    4:20

    *I don't own all the content, if you would like a video removed just let me know!*

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    Charice pempengco one of the best high notes-one moment in time-on ASAP music room.

    3:11

    charice pempengco one of the best high notes

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    Music Basics: Notes and Rhythm. Lesson 6: Constant versus Changing Time, Adding Triplets and Duplets

    4:37

    Narrated by Maestro Gerard Schwarz

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    12 more times Freddie Mercury hit notes LIVE exactly like studio

    4:08

    Hey, part 2 is here!!! When expectations exceed reality; Freddie Mercury hitting notes live exactly like he did on studio, no more and no less. β€’ Links:
    β€’ Join our community:
    β€’ Part 1 of this video:
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    β€’ Special thanks to my Patreon Motown1966 for being the coolest!!!

    #FreddieMercury #Queen

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    Musician Reacts: Top 7 Times Singers Made High Notes EVEN HIGHER!

    7:16

    SO happy I found this video - here's my reaction to Ariana Grande, Camila Cabello, Celine Dion, Demi Lovato, Mariah Carey and Perrie Edwards (Little Mix) Live Performances The Best Vocal / Highest Notes Compilation Hardest Vocals Comparison!

    Big love to Vocally epic for the original video:

    *Don't forget I also have a single out guys, I'd love your support:

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    Love ya! Nina x

    #MusicianReacts #BestLiveVocals #NinaSchofield

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    Triplets over sixteenth notes in 4/4 - Bounce Metronome

    6:01

    You get this polyrhythm whenever you play triplets over sixteenth notes in 4/4.

    You can make this rhythm in Bounce Metronome ( as e.g. a 4: 12 : 16 polyrhythm and in other ways also, e.g. with music notation. Or two 4/4 time signatures, set one to 2 subdiv, another to 3, and mute the main beats for the second one, etc.

    Recently though, I've been thinking, should have an option to make it easier to have polyrhythmic subdivisions of each beat. The idea is to have something like the existing option - if you enter say 8 subdivisions you get a check box also 4 2 to add extra parts for those also. As far as the code is concerned is very similar.

    So - not sure how to do it but one idea is, that in all the field where you set the numbers of subdivisions of a beat - to let the user enter not just one but any number of subdivisions one after the other, e.g. 2, 3 into the same box (or 2:3 if you prefer but the : is redundant - unless I add option for 2+3 subdivisions which I could also do) - for polyrhythmic sudivisions of the beat

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    Harold Melvin & The Blue Notes Time Be My Lover

    4:43

    Harold Melvin was one of the driving forces behind Philadelphia soul, leading his group the Blue Notes to the top of the charts during their stint on Kenny Gamble and Leon Huff's Philadelphia International label. Despite Melvin's billing out front, the Blue Notes' focal point was lead singer and onetime drummer Teddy Pendergrass, whose surging baritone graced the Blue Notes' recordings during their glory years of 1972-1975 and gave them a truly distinctive sound. Their output ranged from sweeping, extended proto-disco dance tracks to silky, smoldering ballads, all wrapped up in Gamble and Huff's lushly orchestrated production. When Pendergrass left for a solo career, Melvin & the Blue Notes' commercial fortunes largely reverted to the pre-Pendergrass days (of which there were quite a few), although they did continue to record for a time. They never really disbanded, and by the time Melvin passed away in 1997, he'd been leading the Blue Notes for over four decades.

    Melvin was born June 25, 1939, in Philadelphia. A self-taught pianist, he began singing doo wop as a teenager with a group called the Charlemagnes, and put together the very first edition of the Blue Notes in 1954. The original lineup was a quintet featuring Melvin as the lead singer (for a time), songwriter, arranger, and choreographer; ironically, he would mostly relinquish those duties by the time the group achieved its greatest success. The other members were co-leader Bernard Williams, Roosevelt Brodie, Jesse Gillis, Jr., and Franklin Peaker. The Blue Notes cut their first single, If You Love Me, for Josie in 1956, and turned it into a regional hit. They recorded for several other labels over the next few years, Dot chief among them, before scoring their first R&B chart hit in 1960 with My Hero (released on Val-Ue). Numerous personnel shifts kept the group in flux despite steady recording activity, and Bernard Williams split off to lead what he dubbed the Original Blue Notes in the mid-'60s. Melvin assembled a new version of the Blue Notes centered around lead singer John Atkins, who returned the group to the R&B charts in 1965 with the Landa single Get Out (And Let Me Cry). Further releases on Arctic, Checker, and Uni followed over the rest of the '60s, as well as more personnel changes. During the late '60s, the group toured often with the Cadillacs, whose young drummer Teddy Pendergrass would prove to be Melvin's greatest discovery.

    Pendergrass first joined the Blue Notes' backing band, but demonstrated so much vocal talent that after John Atkins left in 1970, Melvin soon elevated him to the post of lead vocalist. This move helped them land a deal with Gamble and Huff's Philadelphia International label in 1972, just as the company was taking its place as soul music's new epicenter; Pendergrass' voice was similar to that of Dells singer Marvin Junior, whom Gamble & Huff had courted heavily. By this time, the Blue Notes consisted of Melvin, Pendergrass, bass vocalist Lawrence Brown, baritone vocalist Bernard Wilson, and tenor vocalist Lloyd Parks. With Gamble & Huff now supplying top-quality material and production, Harold Melvin & the Blue Notes would become one of the most popular groups in R&B over the next few years. Their self-titled debut mostly featured songs that had been written in anticipation of landing Marvin Junior. The first single, I Miss You, was a hit on the R&B charts, but their second was a smash -- the classic ballad If You Don't Know Me by Now, which featured an anguished, star-making vocal turn from Pendergrass. If You Don't Know Me by Now went all the way to number one R&B, and also became their only Top Five hit on the pop side; it was later covered in 1989 for a number one hit by Simply Red.

    The Blue Notes scored again in 1973 with the string-laden dance track The Love I Lost, credited by many observers as one of the first disco records; it was their second R&B chart-topper and Top Ten pop single. The accompanying album, Black & Blue, produced another R&B Top Ten in the follow-up Satisfaction Guaranteed (Or Take Your Love Back). In 1974, Lloyd Parks was replaced by Jerry Cummings, who debuted on the R&B chart-topping LP To Be True. Where Are All My Friends and Bad Luck continued their string of Top Ten R&B hits, and a new addition to the group, female vocalist Sharon Paige, helped bring them back to the top of the R&B charts in 1975 with the duet Hope That We Can Be Together Soon. Another excellent album followed later that year in Wake Up Everybody, whose title track was another R&B number one; Tell the World How I Feel About 'Cha Baby also reached the R&B Top Ten, and the album cut Don't Leave Me This Way was later covered for a disco smash by Thelma Houston.

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    Ableton Live Tips w/ Thavius Beck: How to Stretch MIDI Notes - Did you Know? Pt 9

    7:49

    More info:
    Dubspot instructor, Ableton Certified Trainer, and electronic musician Thavius Beck returns with a brand-new season of Did You Know? We launched the series back in January, and for eight consecutive Mondays, Thavius shared invaluable production advice, tips, tricks, and techniques and examined some of the less explored and slightly hidden features in Ableton Live.

    Hello everyone, and welcome to Season Two of my Dubspot video tutorial series, Did You Know? For those of you who are new to the series, these videos focus on exploring some of the lesser known features of our beloved piece of software, Ableton Live.

    In this particular video, we will be exploring a feature that I myself very recently learned about (thanks Pat Cupo!) called Stretch MIDI Notes. The Stretch MIDI Notes feature allows the user to take a selected group of MIDI notes and stretch their duration, a lot like how you are able to stretch warped audio. You can either lengthen or shorten the duration of the selected notes, and even better is that you don't have to select every single note in the clip in order to start stretching... that way you can stretch the timing of the kicks and hi-hats without altering the timing of the snares for instance. All you need to do is select a note (or several, or all notes) in your MIDI clip, then right click in the clip, and at the bottom of the contextual menu you will see Stretch MIDI Notes!

    Now as cool as a feature as this may be, if we can't find a practical usage for it then it doesn't really do us much good, right? Well I try to find a practical use for nearly everything... haha! The real gem in this tutorial video is learning how we can record ourselves stretching the MIDI notes in real time to the Arrangement view, consolidating the clips we end up with, quantizing the notes to our liking (not necessarily at 100% so we can retain some characteristics of that looser stretched timing), and bringing that new clip back into our Session view. By doing that, we turned a one-bar loop into something much more varied and interesting.

    If you ever work with MIDI in Live, you might find this video pretty interesting. Have fun experimenting!

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    How to Play The Weeknd - Wasted Times | Theory Notes Piano Tutorial

    3:42

    Learn how to play Wasted Times by The Weeknd!
    β™« Sheet music available at β–Έ
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    #TheWeeknd #WastedTimes #TheWeekndWastedTimes

    [Verse 1]
    Wasted times I spent with someone else
    She wasn't even half of you
    Reminiscin' how you felt
    Reminiscin' how you felt
    And even though you put my life through hell
    I can't seem to forget 'bout you, 'bout you
    I want you to myself

    [Chorus]
    And now I'm askin', who do you belong to now?
    Who you give that love to now?
    Who you pullin' up on?
    Who you gettin' sprung for now?
    And what they got that I ain't got? 'Cause I got a lot
    Don't make me run up on 'em, got me blowin' up their spot
    'Cause I ain't got no business catchin' feelings anyway
    I ain't got no business catchin' feelings

    [Verse 2]
    Catchin' feelings
    These girls only want you when you're winnin' (winnin')
    But you've been with me from the beginnin' (ooh, yeah, yeah)
    And I know right now that we're not talkin' (not talkin')
    I hope you know this dick is still an option
    'Cause I'll beat it up (I'll beat it up, yeah)
    I'll take my time to learn the way your body functions
    You were equestrian, so ride it like a champion (I'll beat it)
    This sex will get you high without no other substance

    [Chorus]
    So who do you belong to now? (Who do you belong to now?)
    Who you give that love to now? (Who you give that love to now?)
    Who you pullin' up on?
    Who you gettin' sprung for now? (Who you gettin' sprung for now?)
    And what they got that I ain't got? 'Cause I got a lot (I got a lot)
    Don't make me run up on 'em, got me blowin' up their spot (blowin' up their spot)
    'Cause I ain't got no business catchin' feelings anyway
    I ain't got no business catchin' feelings (feelings)

    [Bridge]
    Catchin' feelings
    I ain't got no business catchin' feelings
    I ain't got no business catchin' feelings
    Catchin' fee-fee-fee-fee
    Feelings
    I ain't got no business catchin' feelings
    I ain't got no business catchin' feelings
    Catchin' fee-fee-fee-fee

    [Outro]
    Wake up
    I don't wanna wake up
    I don't wanna wake up
    If you ain't layin' next to me
    I don't wanna wake up
    I don't wanna wake up
    I don't wanna wake up
    If you ain't layin' next to me-e-e
    On me, me, on me, oh, I
    On me, on me, on me

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    Music Rhythm Video 1C--Dotted Notes in Simple Time

    11:47

    For next video, see Video 1D--Tied Notes and more Syncopation.
    Check out Dan's Music Ear-Training Course, Beginning Music Ear Training and Aural Skills 1



    See Dan's facebook page:

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    I Miss Those Notes - blink 182

    2:44

    I can now see why Tom got booted out of the band. Awful rendition of I Miss You.

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    I Miss You is a song by American rock band Blink-182, released on February 2, 2004 as the second single from the group's fifth studio album, Blink-182 (2003). Co-written by guitarist Tom DeLonge and bassist Mark Hoppus, they employed a method of writing separately and bringing their two verses together later. The song, produced entirely acoustic, features an acoustic electric bass, a cello, and a brushstroked drum loop. The song was inspired by The Cure song The Love Cats and contains references to The Nightmare Before Christmas (1993).
    The song peaked at number one on Billboard's Modern Rock Tracks chart and peaked at number 42 on the Billboard Hot 100. In the United Kingdom, the song was a national top 10 hit on the UK Singles Chart, peaking at number eight. Although All the Small Things had slightly more radio airplay, I Miss You sold more singles, earning gold certification for selling over 500,000 copies.

    I Miss You was recorded throughout 2003, and began production at the Rubin's House, a rented home in the San Diego luxury community of Rancho Santa Fe. The song was written using the same method with which the band wrote Feeling This; namely, DeLonge and Hoppus would discuss themes and then set off to separate rooms of the home to write alone.[2] The two would first have a discussion about the themes of the song so that we were on the same page, and then they would go away to write, putting both parts together at the end.[2] Mark was always really, really good with words, so a lot of times I would ask him for help with things, to get help with how I say things better [...] But we never really explained song meanings to each other, said DeLonge.[2] Hoppus referenced Tim Burton's The Nightmare Before Christmas at the request of Barker, with the lines We can live like Jack and Sally if we want... and have Halloween on Christmas, toward his then-wife, Shanna Moakler.[2][3]
    The trio struggled recording I Miss You at first, originally employing a completely different chorus reminiscent of what they considered adult contemporary music.[2] The track was directly inspired by The Cure song The Love Cats.[2][3] In expanding on the song's lyrical meaning, DeLonge said: The song's more about the vulnerability and kind of heart-wrenching pain you feel when you're in love and when you're a guy and you're trying to tell a girl, 'Don't waste your time coming and talking to me because, in my head at least, you probably already gave me up a long time ago.'

    [Intro: Mark Hoppus]
    I miss you, I miss you

    [Verse 1: Mark Hoppus]
    Hello there
    The angel from my nightmare
    The shadow in the background of the morgue
    The unsuspecting victim of darkness in the valley
    We can live like Jack and Sally if we want
    Where you can always find me
    And we'll have Halloween on Christmas
    And in the night we'll wish this never ends
    We'll wish this never ends

    [Interlude: Mark Hoppus]
    I miss you, I miss you
    I miss you, I miss you

    [Verse 2: Tom DeLonge]
    Where are you and I'm so sorry
    I cannot sleep I cannot dream tonight
    I need somebody and always
    This sick strange darkness
    Comes creeping on so haunting every time
    And as I stare I counted
    The webs from all the spiders
    Catching things and eating their insides
    Like indecision to call you
    And hear your voice of treason
    Will you come home and stop this pain tonight
    Stop this pain tonight

    [Chorus: Tom DeLonge and Mark Hoppus]
    Don't waste your time on me you're already
    The voice inside my head (I miss you, I miss you)
    Don't waste your time on me you're already
    The voice inside my head (I miss you, I miss you)

    [Instrumental Break]

    [Chorus: Tom DeLonge and Mark Hoppus]
    Don't waste your time on me you're already
    The voice inside my head (I miss you, I miss you)
    Don't waste your time on me you're already
    The voice inside my head (I miss you, I miss you)
    Don't waste your time on me you're already
    The voice inside my head (I miss you, I miss you)
    Don't waste your time on me you're already
    The voice inside my head (I miss you, I miss you)

    [Outro: Mark Hoppus]
    I miss you, I miss you
    I miss you, I miss you
    I miss you, I miss you
    I miss you, I miss you

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    How to Play Sixteenth Notes on the Piano - Rhythm Practice Session 11

    8:19

    Learn how to play sixteenth notes on the piano with this rhythm practice session. This is the 11th rhythm practice session which is a series designed to help improve your rhythm. If you like this lessona and want more, head over to where you can learn more about my online academy! Remember that a sixteenth note gets one quarter of a beat (in time signatures that end with 4). To count a sixteenth note you start with the number beat you are on, and then use e + a (e and ah) for the remaining three quarters of the beat. So if you four sixteenth notes on beat one, it would be counted one e + a.

    Check out my other lesson tutorials here:


    Be sure to check out for the livestream schedule so you can join us and talk about playing the piano, learning music, and much more!

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    Learn all about Chords!

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    10 Times Mariah Carey Hit Notes IDENTICAL To The Studio Version Live!

    3:29

    This is an improvement over my others, I used the best vocal moments and original key performances! Thanks for watching :)

    Thanks to everyone for the clips: Video credits: Sandra Frings, JP Velasco, PLMirage, 85iben, AndrewParmelee, paffi _nova, playlistfullhd2, Nixie Legados, Paul Assumpção, MariahNow

    *I DO NOT OWN ALL THE CONTENT, IF YOU WANT A VIDEO TAKEN DOWN PLEASE LET ME KNOW*

    PayPal donations -
    Business enquiries - mariahxlambily@mail.com
    Instagram - @mariahxlambilyy
    Twitter - @mariahxlambs
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    COOL NOTES - THE SECOND TIME AROUND

    4:18

    COOL NOTES - the second time around

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    Regine Velasquez Sings Mariah Highest High Notes MISS YOU MOST AT CHRISTMAS TIME Best Live Reaction

    6:37

    Asia's Songbird Regine Velasquez singing the Christmas ditty written and originally sung by Mariah Carey. Come enjoy watching my reaction video to the best live performance in the country of MISS YOU MOST AT CHRISTMAS TIME, and understand the reaction to Filipino singers that the world can possibly have when they find out about the Filipino talent. While always pitted as Regine Velasquez vs Mariah Carey because of their incredible vocal range and high notes an, both artists possess their own unique abilities. Regine Mariah songs are always on the list of those who enjoy the most challenging display of vocal prowess. See why people always look forward to a Regine best live performance. TheyThose who always look forward to Regine Velasquez high notes will not be disapointed at all, as they will hear instead more of the Regine Velasquez highest notes they can ever hear from a version of this song. See if your react the same way when you hear her do her trademark Regine Velasquez highest belted notes in this Regine Velasquez Review. You will for sure add this version of MISS YOU MOST AT CHRISTMAS TIME to your collection of Regine Velasquez songs playlist. Watch and enjoy with me as we hear Regine Velasquez Highest Notes one after the other, as this is definitely her highest version for MISS YOU MOST AT CHRISTMAS TIME by Mariah Carey. My regine 2016 reaction videos would never have been complete had I not found this and did this video.

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    Time Signature 12/8 with rhythm of quarter notes and eighth notes alternating

    6:05

    HD version of the video for wikipedia Made with Bounce Metronome:

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