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Playlist of Mixing Vocals to Sit Properly in the Mix

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  • Mixing Vocals to Sit Properly in the Mix - Warren Huart: Produce Like A Pro

    21:59

    Plugins used:
    Renaissance Vox:
    Vocal Rider:
    Renaissance DeEsser:
    Renaissance Equalizer:
    Renaissance Compressor:
    Morphoder:

    Sign up here to get exclusive videos and content



    Hear the song here:-

    Warren shows how to mix vocals so they sit properly in the mix. He shows the automation he is doing, all of the plug-ins, and some extra tricks to get the vocal to stand out and always be present.

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • x
  • How to Help Vocals Stand Out AND Sit in the Mix using Two Compressors

    3:05

    Watch how to easily give your vocals an in-your-face sound while making them sit in the mix using two compressor plugins, H-Comp and Kramer PIE.
    Kramer PIE Compressor:
    H-Comp Hybrid Compressor:

  • x
  • Mixing Vocals To Sit On Top - TheRecordingRevolution.com

    8:09

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

  • Mixing Vocals To Sound Upfront - TheRecordingRevolution.com

    12:01

    How to get your vocals to sit up front in your mix every time.

    Learn the SMART way to start your mix:

  • x
  • Andrew Scheps Vocal Mixing Trick | Get Your Vocals To Cut Through The Mix

    7:00

    In this video I go over one of Andrew Scheps parallel vocal mixing processes using 3rd party plugins, then teach you to achieve the same effect with stock plugins. This technique will help your vocals cut through even the densest of mixes.

    Explanation - 1:03
    Raw Mix - 3:09
    Scheps Process with 3rd Party Plugins - 3:49
    Scheps Process with Stock Plugins - 6:07
    *****************************
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  • How To Mix Vocals

    20:07

    Vocal mixing 101 - An easy way to mix vocals for all genres. Full walkthrough from start to finish! New videos every week so make sure you subscribe and click the bell if you're cool!!

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  • Mixing Like A Pro - Beat and Vocal Balance

    10:56

    ►Mixing Presets & Templates:
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    Song: @MosesStone - Believe Me

  • How To Record & Mix Vocals Like A Pro

    34:33

    How to record and mix vocals yourself like a pro start to finish! Substitute teacher Paul Hers is a producer, singer and songwriter who´s sang on 1# Hits and worked with top names like Martin Garrix, Alan Walker, ASAP Rocky.

    Big thanks to @Paulhers hosting this weeks video!!
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    ????Huge thanks to my friends for helping me with my videos:

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    »» @paul.haakon

    ????Congrats 'Felix' for winning last weeks mastering contest!

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  • The ULTIMATE Guide To Mixing Rap Vocals!

    9:14

    In this video, I tell you the exact steps on how to get a clean vocal rap mix in FL Studio. We talk about acoustic treatment, EQ, compression, De-essers, saturation, and much more. The plugins I use here are mainly from Fabfilter but I also show you a couple stock plugins you can use to achieve the same effect. Let me know if you want me to cover vocal mixing for singing!

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  • 5 Quick Vocal Mixing Tricks - Warren Huart: Produce Like A Pro

    14:54

    ➡️ ➡️ Before you start mixing vocals, make sure you download this FREE Mixing Vocals cheatsheet right now:

    Get the song (with multitracks) featured in this course here:


    Get the plugins here:
    Renaissance DeEsser:
    Renaissance EQ:

    Mixing vocals can be tricky! They’re usually the loudest thing in a mix, which means it’s easy to notice any imperfections. If you’re having trouble with your vocals, these 5 quick vocal mixing tricks will get you started!

    1. Saturation
    2. Slap Delay
    3. Lower Octave
    4. Brighten Vocals gradually with DeEssers and EQs
    5. Use Different Effects for Different Sections


    Sign up here to get exclusive videos and content



    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • 5 Steps - Mixing Vocals to the Beat

    14:10

    Learn how to pick the right EQ every time in this free 4 step course.


    In this video, I cover 5 steps to mixing vocals to a stereo beat.
    1. Setup a reference track
    2. Get levels and groups
    3. DeEsser, EQ, Compressor, Vocal Rider
    4. Reverb
    5. Mastering

    Like the music? Check out G3 at
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  • Mixing Modern Pop Vocals - Warren Huart: Produce Like A Pro

    28:05

    Download the multitracks of this song for free:
    Follow Produce Like A Pro on Facebook:

    In today's video, I'm showing you how to achieve a modern lead vocal sound that stays present throughout the song and cuts through a dense mix. We discuss Compression, EQ, parallel processing and automating multi-effects throughout the song to keep the listeners interest and help the song to build and progress. I hope you enjoy the tutorial!

    Have you missed our previous two videos? You can watch them here:

    1. Mixing Drums:
    2. Mixing Bass:
    3. Mixing Guitars, Keys and Synths:


    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • Vocal Mixing Masterclass ft. Slate Digital VMR

    25:54

    Free access to premium courses from David Glenn ➥
    Ear training for EQ ➥
    Learn compression ➥

    A vocal mixing masterclass featuring Slate Digital VMR (Virtual Mix Rack).

  • Mixing Vocals - Warren Huart: Produce Like A Pro

    5:13

    Sign up here to get exclusive videos and suggest topics

    Listen to the full song here

    How to mix vocals in Pro Tools using stock plug-ins: EQ, Compression, and Limiting. Part 1 of 3

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • 6 Vocal Mixing Tips

    7:15

    ???? Get better mixes by this weekend. Plug this FREE 5-Step Mix process into your system and get ready for great results ????

    #mixing #vocals

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  • Mixing Vocals in 25 Minutes - Webinar with Yoad Nevo

    25:55

    High-quality mixing can be fun and easy. Watch this webinar with producer/engineer Yoad Nevo (Bryan Adams, Jem, Pet Shop Boys, Sugababes) and learn how to mix your vocals using Renaissance: and OneKnob: bundles.

  • Are You Making This Vocal Mixing Mistake?

    5:40

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  • How To Mix Vocals That Cut Through The Mix - Mixing Trapeton

    10:36

    Learn how to pick the right EQ every time in this free 4 step course.


    To get vocals that cut through the mix I do several layers of pushing the highs, parallel compression and pushing in the mastering chain.

    Artist: Richard Lou Ce
    Song: Ponte Pa' Mi
    Listen to the full song at

    #mixingvocals #Trapeton
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    RAW TECHNIQUE STUDIOS PRODUCTS/SERVICES
    ►► My Premium Courses & Templates →

    ►► Online Mixing and Mastering →


    RAW TECHNIQUE STUDIOS PARTNERS
    ►► Distrokid: Get Your Music On Apple Music, Spotify, Tidal →

    ►► Waves: Get great plugins at great prices


    VIDEO AND RECORDING EQUIPMENT
    ►► My Old Camera (Canon G7X) →
    ►► My New Camera (Canon SL2) →
    ►►My most used lights →
    ►► My Octagon Lighting (Bulbs and tripod not included) →
    ►► The bulbs for the Octagon Light →
    ►► My Soundcard/Interface →
    ►► My Microphone →
    ►► My Video Editing Software and Screen Recorder→

    ►► My Adam A8X Studio Monitors -
    ►► My Headphones -
    ►► My Midi Controller -
    ►► My Mic Stand -
    ►► My Pop Filter -
    ►► My XLR Microphone Cable -
    ►► My Auralex Pads -
    ►► My Big Knob Monitor Controller -
    Recommended Add on’s Similar to mine
    ►► Basic Power Strip -
    ►► External Hard Drive -
    ►► Powered USB Hub -
    ►► iLok -
    ►► TRS to TRS Cables -
    ►► TRS to XLR Cables -

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    ►►Subscribe to my channel here

    Thank you for watching this video.

  • Mixing Basics: Vocal Compression - Warren Huart: Produce Like A Pro

    18:15

    ➡️➡️Learn more about Vocal Compression here:

    Today, we will be going over the basics of mixing vocals. Earlier, we balanced the mix using just panning and volume and got the mix to a place where we could start making better decisions. In this video, we are going to look at some really subtle ways you can make your vocals sit better in the mix using just compression and automation. In Pro Tools, this automation could be “clip automation”, but it could also be volume automation in your DAW.

    Most people will use compression to color the sound, and to make sure it is always in the front of the mix. There are three ways you can do this: using compression or serial compression, clip gain/volume automation, or using a limiter, which can help bring out the personality in the track as well. Be careful when you are using clip gain or volume automation, as you want to make sure you are not exaggerating things that you will have to edit out later!

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    #ProduceLikeAPro
    #HomeRecording
    #MixingVocals

    Giveaway Winners:

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • 5 Grammy Winning Vocal Mixing Tricks - Warren Huart: Produce Like A Pro

    33:09

    ➡️➡️Download the 5 Vocal Mixing Tips cheat sheet here:


    Vocal Mixing Tip 1 (0:53)
    Vocal Mixing Tip 2 (6:27)
    Vocal Mixing Tip 3 (11:50)
    Vocal Mixing Tip 4 (18:09)
    Vocal Mixing Tip 5 (25:37)

    ➡️Mixing Pop with Bob Horn:
    ➡️Mixing Pop with Richard Furch:
    ➡️Mixing Alternative Rock with Mark Needham:
    ➡️Mixing Motörhead with Cameron Webb:

    ❤️My Favorite Plugins:
    ➡️Waves MV2:
    ➡️Waves RBass:
    ➡️Renaissance Vox:
    ➡️Renaissance Compressor:

    ➡️UK Sound 1173:
    ➡️$299 Kali Audio Studio Monitors:

    Sign up here to get exclusive videos and content
    #VocalMixingTips
    #ProduceLikeAPro
    #HomeRecording

    Giveaway Winners:

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • x
  • 4 Golden Rules to Mixing Hip Hop Vocals | Lu Diaz

    12:55

    Multi-platinum producer/mixing engineer Lu Diaz (Jay-Z, Beyoncé, DJ Khaled, Pitbull) shows his 4 steps for mixing professional sounding hip-hop vocal leads, ad-libs and vocal sweeteners. Download Lu's presets and learn more:

    0:45 #1: Remove harsh & problem frequencies

    4:58 #2: Add color & shine

    6:27 #3: Pan ad-libs & vocal sweeteners

    8:25 #4: Add depth, character & vocal FX

    Plugins used by Lu Diaz in this video:
    Renaissance Vox:
    C6 Multiband Compressor:
    eMo Q4 Equalizer:
    Manny Marroquin Triple D:
    C1 Compressor:
    DeEsser:
    API 550:
    Doubler:
    H-Delay Hybrid Delay:
    Renaissance Equalizer:
    Tune Real-Time:

    Music: Paradise by Tony Mike

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  • Background Vocals - Tony Maserati

    9:55

    Learn more about mixing bass, 808 kick & snare, claps, guitars and vocals in this new 2h45 ITB Workshop! Throughout each of these 9 independent sections, mix expert Tony Maserati breaks down his different techniques and approaches towards adding compression, equalization, distortion and effects working different tracks including K.Flay’s 2018 Grammy-nominated Best Engineered Album.

    Available now, exclusively on:

  • Mixing Vocals with Waves - a Webinar with Yoad Nevo

    1:20:20

    In this webinar, mixer, producer and mastering engineer Yoad Nevo (Bryan Adams, Sugababes, Pet Shop Boys) shares some tips and tricks about how to integrate vocals in a mix, make them sit on top of the music and sound loud and clear. At the end of the webinar Yoad answers questions from the live webinar participants.

    Subscribe:

    Visit for more info.

  • How to Mix Screaming Vocals - EQ and Compression

    10:53

    Need a jump start on how to mix screaming vocals for metal and hardcore?
    EQ and compression are going to give you 90% of a good scream vocal sound... but you can't be shy!
    See where to EQ and how to compress heavily to add energy and character to the vocal.

    --
    ✮ Download your FREE mixing cheatsheet here:
    --
    Check out the Waves SSL bundle here:

    Waves CLA Classic Compressors:

  • How to REALLY Clean Vocals in Your Mixes: 5 Tips

    10:48

    Hiss. Noise. Plosive thumps. Exaggerated Breathing. Sibilance. These common issues can ruin a great vocal take. Learn how to deal with them to get a super-clean vocal production. Learn more about Waves vocal plugins:

    In this tutorial you’ll learn how to:
    00:37 Remove unflattering mouth artifacts between melody lines
    03:52 Control and reduce the level of breaths
    05:05 Attenuate harsh-sounding ‘s’ sounds
    06:48 Remove low-end plosive thumps
    08:33 Eliminate low-level hiss

    Plugins Featured:
    C1 Gate
    Renaissance Vox
    DeEsser:
    DeBreath
    F6 Dynamic EQ
    X-Noise

  • Tips for Mixing Hard Rock Vocals by Joe Barresi

    16:05

    Mixing vocals (lead & background) to have depth and excitement while planting ear candy across the track. Hard rock producer/mixing engineer Joe Barresi shares his vocal mixing techniques. Learn more from Joe:

    When & What:

    0:10 — Reverse Vocal Reverb: Old Trick, New Twist
    5:00 — Mixing Lead Vocals with Delay
    8:08 — Mixing Background Vocals

    Waves plugins used in this video:

    • Renaissance Vox —
    • Abbey Road Plates —
    • S1 Stereo Imager —
    • H-Delay —
    • Reel-ADT —
    • MetaFlanger —
    • GTR3.5 —
    • L2 Ultramaximizer —
    • Renaissance DeEsser —

    #MixingVocals

    Music: “Mercury Gift” by Zico Chain

    Also check out Joe's ProSound Workshop:

  • Vocal Mixing Teсhniques - Full 1 hour webinar recording - Mixing Tutorials

    50:21

    Learn Mixing and Mastering from Daniel Wyatt (founder of Mix Master Wyatt Academy and Next Level Sound). Just go to

    At Next Level Sound, you can also learn Music Production, Music Composition, Sound Design, and Music Business. Our Complete Producer Bundle has you covered! What's more, our mentors are all successful music business veterans. Take multi-platinum, Emmy- nominated Daniel Wyatt. Or, 3 times Grammy-nominated Scott Barkham, Carnegie Hall Composer Kristin Hevner, and Ableton Certified Chris Petti. Want to see more? Just go to

  • How to Mix Rap Vocals | Leslie Brathwaite

    23:47

    Grammy-winning mixer Leslie Brathwaite (Beyoncé) takes you inside the session of Lil Uzi Vert & Pharrell Williams’ “Neon Guts,” sharing his processing techniques for killer hip-hop vocals. Watch Leslie’s tips on mixing hip-hop beats:

    (1:17) Get Creative with Pitch Correction

    (4:10) DeEssing

    (5:52) EQ & Compression

    (7:45) Enhance & Shape

    (10:21) Gel Different Vocal Leads Together

    (13:20) In-Your-Face Classic Compression

    (14:09) Tone Top-End Harshness

    (15:55) Tame with Light Compression

    (17:04) Ad-Libs & Overdubs

    (20:13) Filtered Delay FX


    Plugins used by Leslie Brathwaite in this video:

    CLA Vocals:
    DeEsser:
    Renaissance EQ:
    Renaissance Compressor:
    Renaissance Reverb:
    S1 Stereo Imager:
    CLA-76:
    Waves Tune Real-Time:
    SSL E-Channel:
    H-Delay:

    Music: “Neon Guts” by Lil Uzi Vert feat. Pharrell Williams

  • 5 Vocal Mixing Essentials Before Plugins

    11:13

    Mixing professional vocals cant be done without these 5 essential vocal production tips to do before adding plugins. In this Ableton 10 tutorial Reid Stefan Realest Puppet In The Game covers mic placement, cutting and fading dead space, breath management, de-essing manually, aligning vocals, and adjusting the timing of an acapella to add swing!

    Lyrics
    Young puppet on the way up
    Name known think i might just run for mayor
    Sample packs for the haters
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    Stacking 100k up
    Make it look just like a layup
    Open my refrigerator and I got nothing but sauce
    So I'm saucin on my haters

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    #Ableton10 #Tutorial #VocalMixing

  • Workshop: Mixing Pop & Latin Vocal Effects with Soundtoys

    35:49

    In this mix walkthrough, Maria Elisa Ayerbe, a 4X GRAMMY-nominated engineer and mixer, shares some of her favorite vocal mixing techniques, thanks to Soundtoys.

    Check out anything Soundtoys makes for free for 30 days at

    Catch their winter sale which ends Jan 12 for up to 70% off their plugins!

    Find out more about Maria Elisa at to Monoz feat San Alejo for allowing us to use their song, Nubes Borrachas. Find it here:



    Maria Elisa has has worked with major artists in Spanish, Italian and English language, including Mary J Blige, Ricky Martin, Marc Anthony, JLo, Natti Natasha, Il Divo, Laura Pausini, Juanes, Kronos Quartet, Nashville Symphony, Bogota Philharmonic Orchestra, New World Symphony, among many others.

    Since 2015, Maria has worked as recording and mixing engineer at Art House Studios, founded by multi-awarded GRAMMY and Latin Grammy producer Julio Reyes Copello.

    #audioengineer #musicmixing #latinmusicproduction #latinmusic #musicproducer

  • Mixing And Mastering Explained

    8:02

    This tutorial will teach you the difference between Mixing and Mastering, what it is, and why we do it. It will also give you a some really good tips and tricks on how to mix and master a track.

    Mixing and mastering are two of the most fundamental processes in any track. If you don't know how to do this right, your music will never be as good as the competition, so this is something you simply have to learn eventually.
    You can choose to let someone else do the mastering, but you'll have to do the mixing yourself. In any case, knowing how to mix AND master a track is something every serious producer should know.

    This video will teach you the difference between mixing and mastering, how we do it and why.

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  • Tips for Mixing Acapella Vocals

    10:51

    Instant access to every in-depth mixing course from Matthew Weiss:
    Learn how to use EQ and get better mixes:

    A video on some of the challenges and approaches for mixing acapella vocals.



    Transcript excerpt:

    Hey, guys. Matthew Weiss here — Coming soon, I've got a Mixing with EQ tutorial, and there's going to be a link right here to that. This is going to be a little precursor teaser to that, but also some really, really valuable information.

    So, at the very least you're going to learn something, and at the most you're going to learn a whole lot depending on what you choose to do. But anyways, here we go.

    What we're going to be talking about is an A Capella vocal. Now, A Capella vocals are a unique and difficult challenge, because there's nothing to really hide any of the imperfections of the recording, and on top of that, we have to give the vocal space, and if the space is not good, then we might have trouble.

    So, for example, in this particular record, there were no room mics up.

    [vocals]

    Okay, so it's a good recording. The actual dry vocal is sounding pretty good. My first move here is to – first, I just want to figure out the vocal itself. So, I'm going to take a compressor and just do some compression here. I think it hits on the bigger parts.

    [vocals with compression]

    And I have the attack set pretty long. 20 ms. I have the release set pretty long. 76 ms here. I have it in Opto mode, so it's not the most aggressive compression, but it's also not the least aggressive compression. It's sort of in the middle. Just because this is a particularly dynamic performance, and ideally what I would actually do is a lot of rides, but this will also help to thicken the overall vocal sound.

    So then the next thing is going to be some EQ. There's a lot of mid-range push in Barbara's voice here, like right around 1kHz. It's probably some kind of a Neumann microphone recording her, which tends to have a lot of that 1kHz, and she has a lot of that in her voice naturally. It's also deficient in the treble range. I have the analyzer turned on, so we'll see that right here.

    [vocals]

    So, as you can see, there's a whole lot of buildup in this upper mid-range area. The buildup is not consistent, so what I'm going to do – whenever there's tonal inconsistencies, my thought is multi-band compression. So what I've got going on here is some compression triggering from the upper-mid range so that when she hits some of those strident notes, it's going to pull it down, but overall I'm going to be boosting a little bit more of it.

    So, before.

    [vocals]

    After.

    [vocals after multi-band compression]

    So I get as much treble and upper-mid presence in there as possible without making the voice sound painful.

    [vocals]

    Sounds good. Really good singer.

    But now, it's completely dry. So what are we going to do? Well, first thing we could do is we could send off to a reverb. So I've got a really nice software reverb here. A Lexicon Hall reverb. Let's hear how that sounds.

    [vocals with reverb]

    So, I don't love it. I don't hate it. I think it would be a really good sound if I wanted to make this sort of like a pop type of tune, like you know, if this was an A Capella from like, Ellie Goulding or something like that, I would love that kind of a reverb for her. It just goes with her for whatever reason, and it sort of works with the pop aesthetic, but it sounds very unrealistic. It's clearly an artificial reverb, and I don't know if I totally dig that.

    So my next option is to use a convolution reverb. This is also a concert hall, but it is a convolution rather than an algorithm, and it sounds like this.

    [vocals]

    So, I don't love that, and I don't hate that either. I think of the two, I actually prefer the algorithm, just because I think it's a sweeter sound, but the convolution is a little bit more realistic. That said, I'm not totally thrilled with either.

    Do we have another option? Well, there were some mics up on the piano. The piano is not in use in this segment, so maybe I can take the piano mics and turn them into my room ambience. Let's hear how that sounds.

    [vocal ambience plays]

    Here's with the vocal.

    [vocals, piano mics up]

    Alright, so that's clearly the most realistic sounding, but it sounds a little bit weird because it's resonating inside the piano, but maybe I could EQ it in a way to make it sound more natural.

    More:

  • 5 Tips For Recording Pro Vocals ????️????

    5:45

    Vocals are the centerpiece of a song, so getting a great recording is essential. In this vlog I share 5 techniques that work well for pros to get great sounding vocals. 









    Song credit:
    Look At Me, by Kelsey Lav
    To hear the song go to:
    Instagram @kelseylav
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    #kelseylav
    #kelseylavmusic

  • 3 Vocal Reverb Tips - Warren Huart: Produce Like A Pro

    21:02

    ➡️➡️Download the 3 Vocal Reverb Tricks cheat sheet here:

    ➡️➡️Watch Mixing Vocals to Sit Properly in the Mix:

    ➡️➡️Download The Workday Release Stay Multitracks here:

    I've put together a Cheatsheet of a few vocal reverb tricks that I use.
    Try some out for yourself, have a blast, and let me know what ideas you have and share some really good tips and tricks!

    ❤️My Favorite Plugins:
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  • Mixing Guitars and Vocals - Warren Huart: Produce Like A Pro

    1:30:37

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  • Mixing 808s - RecordingRevolution.com

    5:48

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

    If you work with 808s in your hip hop, rap, or EDM tracks then listen up to today's video.

    My buddy, Multi Platinum mix engineer Irko (Jay-Z, Kanye, Pitbull) has got three of his best tips to getting the most out of your 808s in the mix.

    He's funny, to the point, and spot on with his tips so enjoy!

    Also be sure to subscribe to his YouTube channel and show him some love:

  • How to Mix Harmonies Around Lead Vocals - ModernMixing.com

    10:56

    FREE EQ Cheat Sheet:
    Drum Samples:




    song in video:
    am1r - Good Enough





    If you know me and my mixing style then you know that I like to keep things relatively simple and I follow that trend when I'm mixing harmonies or background vocals.

    In this video I show you how I was able to mix the harmonies that accompanied the lead vocals in the verses. Of course, mixing is subjective so try not to use this as an end all be all tutorial but more for a starting point and inspiration.

    Check out the article on Modern Mixing


    For Beginners...





    Also make sure you check out:





  • Mixing A Country Song

    35:33

    In this 8 part series Dan takes you through the mixing process at Twangmeister Studios from start to finish, for the song Somebody Stop Me by David Broadley. Using Cakewalk SONAR and the Mackie Control.

    In this video Dan walks through the various parallel effects set up in his template for enhancing vocals and how to apply them including side-chain compression on the delay among other things.

    Twangmeister Studios


    Mixed by the Twangmeister


    Plugins used in this video:
    Cakewalk L-Phase Multiband
    Waves Aphex Aural Exciter
    UAD 1176LN
    UAD Precision Delay Mod
    Blue Tubes Tempo Delay DL3D
    Cakewalk PC4K S-Type Compressor
    UAD EMT140 Plate Reverb
    Waves Renaissance DeEsser
    Waves DeEsser
    UAD Neve 1073
    Waves Vocal Rider
    Waves L2
    UAD Fairchild 670
    UAD Teletronics LA-2A

  • Mixing Tips: Making vocals bright without harshness & sibilance

    18:59


    Mixing tutorial from Ronan Chris Murphy.

    Features music by

  • Mixing R&B Vocals with Logic Pro Stock Plugins

    29:17

    Download the free Vocal Chain Preset for Logic Pro -

    Song: Moses Stone - Not the One


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  • How to Mix Vocals In Ableton

    9:38

    How to record your own vocals at home with focusrite scarlett 2i2 and AKG C214. Using the best cheap mic and interface with stock ableton plugins, Karra and Reid Stefan Realest Puppet In The Game were able to achieve a professional vocal production sound. This ableton 10 tutorial uses mostly stock plugins combined with WavesTune and RVox. Mixing vocals in Ableton has never been easier!

    Enter the Mic & Interface Giveaway!

    1.Follow Karra, Reid, and Whole Loops on Instagram



    2. Comment on Karra's Instagram Video


    All vocals in this tutorial recorded with AKG c214 and Focusrite Scarlett 2i2

    Get Whole Loops Samples and Presets


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    #VocalMixing #Ableton10 #Tutorial

  • Mixing Distorted Guitars | High Gain Tips by Joe Barresi

    12:53

    Mixing distorted guitars (rhythm and lead) for a wide, crunchy, heavy tone. Hard rock producer and mixing engineer Joe Barresi is upfront about his guitar mixing techniques. Learn more from Joe:

    When & What:

    • 0:06 — Joe's General Approach

    • 2:56 — Compressing (+EQ) Rhythm Guitars

    • 5:04 — The Clint Eastwood Track

    • 6:07 — Parallel Distortion

    • 8:26 — Making Stuff Outside the Speakers

    • 9:51 — Making Solo Guitars Stand Out


    Waves plugins used in this video:

    • SSL E-Channel —

    • S1 Stereo Imager —

    • Renaissance Axx —

    • API 560 —

    #MixingGuitars

    Music: “Mercury Gift” by Zico Chain

    Also check out Joe's ProSound Workshop -

  • Mixing Basics: Bass - Warren Huart: Produce Like A Pro

    17:35

    ➡️➡️Download the Me and The City - The Owl Song multitracks here:
    ➡️➡️ Join Produce Like A Pro Academy Here:

    Today, we are going over the basics of mixing bass!The song in today's episode is The Owl Song by Me and the City.

    This song has a bass DI. – A bass guitar plugged straight into the front of the interface.
    In areas it gets super loud and then it disappears, so its dynamic range is massive! This is very typical for most bass guitar performances.

    I’m going to show you a couple of different approaches that I take while mixing bass guitars!


    ➡️➡️Watch the First 3 videos from the Mixing basic series here:
    The Basics of Starting a Mix – Setting Levels:
    Mixing Basics: Vocal Compression:
    Mixing Basics: Drums:


    ❤️My Favorite Plugins:
    ➡️Waves MV2:
    ➡️Waves RBass:
    ➡️Renaissance Vox:
    ➡️Renaissance Compressor:

    ❤️GEAR:
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    ➡️$299 Kali Audio Studio Monitors:
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  • 5 Best Plugins For Vocals // Best Waves Plugins For Mixing Vocals in 2020 // Make Your Vocals POP!

    17:20

    This video is focused on the Best Waves Plugins For Vocal Mixing 2020.
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    Purchase the plugins mentioned in this video:
    1. Waves CLA Vocals -
    2. Waves Vocal Rider -
    3. Waves SSL E-Channel -
    4. Waves H-Comp -
    5. Waves H-Delay -
    6. Waves TrueVerb -

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  • Sitting Vocals in your Mix - Mixing with Metal

    7:02

    A tip for making vocals sit better amoung all the instruments in a hard rock or metal mix

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  • How To Compress Vocals To Sit In The Mix | Mixing Vocals Tips

    6:07

    Part 3 of my 'How To Edit Vocals Like A Pro' series

    I show you how to use a compressor to add some punch to the vocals and push them forward and sit nicely in the mix

    You can use any compressor you're comfortable using. I chose the Logic stock compressor to make it easier for you to follow what I'm doing

    My go to is normally UAD 1176 and LA2A to get the vocals sitting nicely :)

    Drop a comment below and let me know what is your go to compressor on vocals

    MiL

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  • How To Mix Vocals - TheRecordingRevolution.com

    13:38

    ►► Compression can make or break your vocal mix. Download my FREE Compression Checklist →

    Trying to figure out how to mix vocals so they sit perfectly in the mix without sounding harsh or amateur?

    In today's video I break down two powerful (and simple) strategies you can use on every vocal mix you do to give your lead vocals clarity, presence, and an upfront sound.

    The beautiful thing about these two methods is that you can do them in any DAW with the plugins you already own!

  • 7 Tips For Mixing Vocals

    6:20

    4k tutorial about Mixing vocals. In this video I cover eq, compression, delay, reverb, parallel processing, and everything you need to know to take your vocal mixing game to the next level. Don't catch an L just because your vocals weren't mixed down clearly! These are generic lessons that you can follow whether you use Ableton, Pro Tools, FL Studio, Reason, or Logic.

    Here are links to some more technical vocal mixing tutorials in Ableton

    Recording Vocals for Beginners


    How To Mix Vocals


    Mixing Vocals in Ableton


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  • Quick Vocal Mixing With Neek

    19:42

    This video is a quick way to get a clean sounding vocal. In depth look at plugins such as AudioTrack, SSLchanell, Q4, Rvox and Deeser.

    Song: Sidelines - Woody Pond

  • How to Mix Vocals with Parallel Processing

    8:44

    Free access to premium courses from David Glenn ➥
    Ear Training for EQ ➥
    Learn compression ➥

    How to route and mix vocals w/ aux tracks when you want multiple layers of parallel processing.

    Software/Plugins:
    - Avid Pro Tools
    - UAD Plugins
    - FabFilter Pro-Q Equalizer
    - Waves Vocal Rider
    - UAD Studer A800 Multichannel Tape Recorder

    ---

    Transcript Exerpts:

    Today is about aux tracks for greater control when doing parallel processing. Today is lead vocal, then I'll do more on bass, kick, snare.

    We've got lead vocal level. I'm setting this lead vocal track, processing it with some EQ, some compression, and that's going out to a lead vocal level.

    The lead vocal level is here, and that's getting treated with EQ, compression. I'm parallel compressing it, and if you look at parallel compression lead p-comp is sent out to the lead vocal level, so the dry and parallel compression are meeting at the last chain of processing. But more importantly, level between parts.

    Let's solo her vocal and mute the parallel chain. Now I'm going to un-mute the parallel chain. Then we've got the Manny Marroquin plugin. Got the Manny EQ and I'm using that after all of that compression to bring some classiness, some air. Then Waves Vocal Rider. I'll side chain the music to the vocals so that I can keep the vocal on top. I've given the lead vocal quite a bit of love when it comes to automation there. So that's impacting how that signal gets sent into the compressors, as well as the parallel compression.

    All vocals, drums, percussion, low-end, all music, and the only two getting compression are the all drums and then I'm treating the music a different way with the slate stuff.

    I wanted the drums to be heard more than the music so I dipped the music out at that one little section. On this song I didn't do what I normally do, which is drop the overall level by one dB, and then pull up at the pre-chorus by half a dB, and then pull up for the chorus back to zero. Between the pre section you've got some percussion, production, drums and strings.

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