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Playlist of Miles Davis

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    Miles Davis - So What

    9:07

    Miles Davis' official music video for 'So What'. Click to listen to Miles Davis on Spotify:

    As featured on Kind of Blue. Click to buy the track or album via iTunes:
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    More from Miles Davis
    Blue In Green (Audio):
    Freddie Freeloader (Audio):
    All Blues (Audio):

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    #MilesDavid #SoWhat #Vevo

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    MILES DAVIS

    45:56

    Kind of Blue is a (1959) studio album by Miles Davis. It is regarded by many critics as jazz's greatest record, Davis's masterpiece, and one of the best albums of all time. Its influence on music, including jazz, rock, and classical genres, has led writers to also deem it one of the most influential albums ever recorded.
    Kind of Blue was recorded on March 2 and April 22, 1959, at Columbia´s 30th Street Studio in New York City, and released later that year on August 17 by Columbia Records.

    Track list

    01 So what
    02 Freddie Freeloader
    03 Blue in Green
    04 All Blues
    05 Flamenco Sketches

    Miles Davis (trumpet)
    Julian Cannonball Adderley (alto saxophone(except on Blue in Green)
    John Coltrane (tenor saxophone)
    Bill Evans (piano except on Freddie Freeloader)
    Wynton Kelly (piano (on Freddie Freeloader)
    Paul Chambers (double bass)
    Jimmy Cobb (drums)

    Irving Townsend (producer)
    Fred Plaut (engineering)
    Don Hunstein (photography)

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    Miles Davis - Best of

    9:44:32

    Listen to the 100 greatest songs by the New Bird, the most influential jazz trumpeter Miles Davis!
    Check out our Jazz Classics playlist :
    ↓TRACKLIST↓

    1. So What : 00:00
    2. Freedie Freeloader : 09:04
    3. Blue In Green : 18:38
    4. All Blues : 24:02
    5. Flamenco Sketches : 35:32
    6. Bags' Groove (Take 1) : 44:56
    7. Bags' Groove (Take 2) : 56:08
    8. Bemsha Swing : 01:05:29
    9. The Man I Love (Take 1) : 01:14:57
    10. The Man I Love (Take 2) : 01:23:02
    11. Swing Spring : 01:30:57
    12. Will You Still Be Mine ? : 01:41:39
    13. I See Your Face Before Me : 01:47:58
    14. I Didn't : 01:52:41
    15. A Gal In Calico : 01:58:43
    16. A Night in Tunisia : 02:03:56
    17. Green Haze : 02:11:14
    18. Yesterdays : 02:17:02
    19. Walkin' : 02:20:45
    20. Blue 'N' Boogie : 02:34:11
    21. Solar : 02:42:28
    22. You Don't Know What Love Is : 02:47:09
    23. Love Me or Leave Me : 02:51:30
    24. I'll Remember April : 02:58:26
    25. Générique : 03:06:18
    26. L'assassinat de Carala : 03:09:07
    27. Sur l'autoroute : 03:11:18
    28. Julien dans l'ascenseur : 03:13:35
    29. Florence sur les Champs-Elysées : 03:15:50
    30. Dîner mortel : 03:18:42
    31. Morpheus : 03:22:40
    32. Down : 03:25:01
    33. Blue Room (Take 1) : 03:27:52
    34. Blue Room (Take 2) : 03:30:40
    35. Whispering : 03:33:41
    36. I Know : 03:36:44
    37. Hibeck : 03:39:15
    38. Odjenar : 03:42:20
    39. Ezz-Thetic : 03:45:12
    40. Conception : 03:48:03
    41. Bluing : 03:52:04
    42. Dig : 04:01:57
    43. Out of the Blue : 04:09:29
    44. Denial : 04:15:43
    45. My Old Flame : 04:21:22
    46. It's Only a Paper Moon : 04:27:55
    47. Compulsion : 04:33:18
    48. The Serpent's Tooth (Take1) : 04:39:01
    49. The Serpent's Tooth (Take2) : 04:46:01
    50. Round About Midnight : 04:52:17
    51. Tasty Pudding : 04:59:21
    52. Willie the Wailer : 05:02:42
    53. Floppy : 05:07:08
    54. For Adults Only : 05:13:09
    55. Miles Ahead : 05:18:43
    56. When Lights Are Low : 05:23:11
    57. Tune Up : 05:26:36
    58. Smooch : 05:30:28
    59. Four : 05:33:31
    60. Old Devil Moon : 05:37:32
    61. Blue Haze : 05:40:54
    62. Airegin : 05:47:01
    63. Oleo : 05:51:58
    64. Doxy : 05:57:08
    65. But Not for Me (Take 1) : 06:02:00
    66. But Not for Me (Take 2) : 06:07:42
    67. Dr Jackle : 06:12:17
    68. Minor March : 06:21:08
    69. Changes : 06:29:22
    70. In Your Own Sweet Way : 06:36:32
    71. No Line : 06:41:07
    72. Vierd Bues : 06:46:46
    73. Stablemates : 06:53:37
    74. How Am I to Know ? : 06:58:55
    75. Just Squeeze Me : 07:03:33
    76. The Theme : 07:10:57
    77. There Is No Greater Love : 07:16:44
    78. S' Posin' : 07:22:01
    79. It Could Happen to You : 07:27:14
    80. Diane : 07:33:47
    81. Trane's Blues : 07:41:34
    82. Something I Dreamed Last Night : 07:50:00
    83. Surrey With the Fringe On Top : 07:56:13
    84. Ahmad's Blues : 08:05:15
    85. Salt Peanuts : 08:12:34
    86. Woodyn' You : 08:18:41
    87. It Never Enterd My Mind : 08:23:33
    88. When I Fall In Love : 08:28:55
    89. Four (Take 2) : 08:33:16
    90. The Theme (Take 2) : 08:40:27
    91. If I Were a Bell : 08:41:31
    92. Well, You Needn't : 08:49:39
    93. Round About Midnight (Take 2) : 08:55:55
    94. Half Nelson : 09:01:13
    95. You're My Everything : 09:05:58
    96. Blues By Five : 09:10:45
    97. I Could Write a Book : 09:20:42
    98. Tune Up (Take 2) : 09:25:49
    99. When Lights Are Low (Take 2) : 09:31:31
    100. My Funny Valentine : 09:39:00


    ✔ Follow us on Spotify: / Deezer:

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    Miles Davis Kind Of Blue Full Album 1959

    55:51

    FAIXAS:
    1 So What
    2 Freddie Freeloader
    3 Blue in Green
    4 All Blues
    5 Flamenco Sketches
    6Flamenco Sketches (alternative take)

    PEQUENA HISTÓRIA DO ALBUM:
    Kind of Blue é um álbum de estúdio do músico estadunidense de jazz Miles Davis, lançado em 17 de agosto de 1959 pela Columbia Records, tanto em mono como em estéreo. As sessões de gravação para o disco foram realizadas no 30th Street Studio, na cidade de Nova Iorque, em 2 de março e 22 de abril daquele ano. Os encontros contaram com o conjunto sexteto de Davis, constituído pelo pianista Bill Evans, o baterista Jimmy Cobb, o baixista Paul Chambers e os saxofonistas John Coltrane e Julian Cannonball Adderley. Após o ingresso de Bill Evans no grupo, Miles deu continuidade às experimentações modais de Milestones, baseando o LP inteiramente em modalidade e colocando-o em contraste com seus trabalhos anteriores, de estilo hard bop.

    Pela crítica especializada, Kind of Blue tem sido aclamado como o mais bem-sucedido trabalho de Miles Davis e a obra de jazz mais vendida da história. Em 7 de outubro de 2008, o disco recebeu certificação de platina quádrupla pela RIAA (Associação das Indústrias Fonográficas Americanas), com vendagem de mais de quatro milhões de cópias somente em seu país de origem. O LP é reconhecido, também pelas autoridades musicais, como a obra-prima do músico e o maior álbum já criado do gênero.

    Para além, a abrangente influência de Kind of Blue na música tem levado especialistas a reconhecer este como um dos mais importantes álbuns de todos os tempos. Em 2002, foi um dos discos escolhidos para integrar o Registro Nacional de Gravações da Biblioteca do Congresso Americano. Em 2003, o trabalho foi classificado em 12º lugar pela revista Rolling Stone na sua lista dos 500 melhores álbuns de sempre. Em 2007, Kind of Blue passou a figurar entre os 200 álbuns definitivos no Rock and Roll Hall of Fame. Em 30 de setembro de 2008, uma edição especial de comemoração ao 50º aniversário de lançamento do LP foi distribuída pela Columbia/Legacy Recordings.

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    Miles Davis - So What

    9:24

    Music video by Miles Davis performing So What (Audio). Originally released 1959. All rights reserved by Columbia Records, a division of Sony Music Entertainment

    #MilesDavis #SoWhat #Vevo #Jazz

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    Miles Davis - Bitches Brew - full album

    1:45:55

    Bitches Brew is a studio double album by jazz musician Miles Davis, released on March 30, 1970 on Columbia Records.

    Track list:
    1. Pharaoh's Dance - 0:00
    2. Bitches Brew - 20:05
    3. Spanish Key - 47:04
    4. John McLaughlin - 01:04:38
    5. Miles Runs the Voodoo Down - 01:09:06
    6. Sanctuary - 01:23:09
    7. Feio (bonus) - 01:34:02

    Support the artist:

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    Miles Davis - Burn

    7:11

    Miles Davis performs 'Burn' at Amnesty International.

    #MilesDavis #Burn #Vevo #Jazz

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    Miles Davis - Milestones

    5:43

    Listen to Milestones on Spotify -
    Listen to more from Miles Davis on Spotify -
    Buy Milestones:
    Amazon -
    iTunes -

    About the album:
    One of Miles Davis' most celebrated albums, Kind of Blue was recorded on March 2 and April 22 at Columbia's 30th Street Studio in New York City. The recording sessions featured Davis's ensemble sextet, consisting of pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian Cannonball Adderley, together with pianist Wynton Kelly on one track.

    Follow Miles Davis on Twitter -
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    #MilesDavis #Milestones #Vevo #Jazz #Audio

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    Miles Davis - Kind Of Blue

    55:26

    Miles Davis

    Kind Of Blue (Full Album)

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    Miles Davis - Yardbird Suite

    3:13

    Miles Davis - Yardbird Suite
    From The Album: Ornithology

    Click Here

    To Subscribe To The Official Grammercy Records YouTube Channel So You Never Miss A Great New Video!

    This album features Miles Davis along with many other Jazz legends (Charlie Parker, Lucky Thompson, Arvin Garrison, Victor McMillan, Tommy Potter, Dodo Mamarosa, Duke Jordan, Max Roach, Roy Porter) performing many of the songs he's known best for.


    Copyright 2009, 2013 Grammercy Records

    For More Information About This Album, Please Visit Our Website At

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    Miles Davis - Round About Midnight Full Album

    58:20

    Publicación: 18 de marzo de 1957
    Grabación: 26 de octubre de 1955, 5 de junio y
    10 de septiembre de 1956 (New York,
    Estados Unidos)
    Género(s): Jazz
    Duración: 38:47
    Discográfica: Columbia Records
    Productor(es): George Avakian
    Round About Midnight (1957)
    Cara A
    1. 'Round Midnight (Monk, Williams) – (00:00)
    2. Ah-Leu-Cha (Parker) – (05:58)
    3. All of You (Porter) – (11:51)
    Cara B
    4. Bye Bye Blackbird (Henderson) – (18:54)
    5. Tadd's Delight (Dameron) – (26:52)
    6. Dear Old Stockholm (Traditional, arranged by Getz) – (31:21)
    Bonus Track Especial Edition (2001)
    7. Two Bass Hit (Gillespie, Lewis) – (39:14)
    8. Little Melonae (McLean) – (42:59)
    9. Budo (Miles Davis, Powell) – (50:21)
    10. Sweet Sue, Just You (Harris, Young) – (54:38) (September de 1956)

    Músicos
    • Miles Davis – trompeta
    • John Coltrane – saxofón tenor
    • Red Garland – piano
    • Paul Chambers – doble bajo
    • Philly Joe Jones – batería

    Personal adicional
    • George Avakian – productor, notas del álbum
    • Frank Laico – ingeniero
    • Teo Macero – masterización
    • Don Hunstein – fotografía
    • Aram Avakian – fotografía
    • Dennis Stock – fotografía

    Reedición
    • Seth Rothstein – director
    • Michael Cuscuna – productor
    • Bob Belden – productor
    • Randall Martin – diseñador
    • Ray Moore – ingeniero
    • Mark Wilder – ingeniero, masterización
    • Howard Fritzson – dirección artística
    • Bob Blumenthal notas del álbum

    Notas
    24 bit digitally remastered re-issue with four bonus tracks (7-10)

    Recorded in New York City at Columbia Studio D on October 26, 1955 (#2, 7-9); Columbia 30th Street Studio on June 5, 1956 (#4-6); Columbia 30th Street Studio on September 10, 1956 (#1, 3, 10)

    #1-6 originally issued as 'Round About Midnight (CL 949)
    #7 originally issued on Circle In The Round (KC2 36278)
    #8 originally issued on Basic Miles (C 32025)
    #9 originally issued on Jazz Omnibus (CL 1020)
    #10 originally issued on What Is Jazz (CL 919)

    Ⓒ 2001 Sony Music Entertainment Inc.
    Ⓟ 2001 Sony Music Entertainment Inc.

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    Miles Davis - Jojo - Arsenio Hall Show - w/ Interview - 1989

    12:17

    (HQ) Miles Davis performs Jojo ( w/ Kenny Garrett on Alto sax and Foley on bass) on the Arsenio Hall Show on June 14th, 1989. Includes interview.

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    Miles Davis Quintet - It Never Entered My Mind

    5:31

    Miles Davis Quintet - It Never Entered My Mind (1956)

    Personnel: Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums)

    from the album 'WORKIN' WITH THE MILES DAVIS QUINTET' (Prestige Records)

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    Miles Davis - The Doo Bop Song

    5:03

    Miles Davis - The Doo Bop Song from the album Doo-Bop

    I do not own this song. ^_^

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    Miles Davis - Sketches of Spain

    42:01

    Track listing:
    Concierto de Aranjuez (Adagio) - 00:00
    Will o' the Wisp - 16:24
    The Pan Piper (a.k.a. Alborada de Vigo) - 20:18
    Saeta - 24:18
    Solea - 29:30

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    Blue in Green by. Miles Davis

    5:38

    Another song from Kind of Blue

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    Miles Davis - My Funny Valentine 1964 Milan, Italy

    12:02

    Miles Davis Quintet
    Teatro dell'Arte, Milan, Italy
    October 11 1964

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    Miles Davis - Relaxin with the Miles Davis Quintet - Classic Jazz Music

    35:07

    Classic Mood Experience The best masterpieces ever recorded in the music history.
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    Miles Davis - Relaxin' with the Miles Davis Quintet (1958)

    00:00 If i Were a Bell (1956)
    08:12 You're My Everything (1956)
    12:55 I Could Write a Book (1956)
    18:01 Oleo (Alternate Take) (1956)
    23:49 It Could Happen to You (1956)
    30:15 Woody'n You (1956)

    Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. With his ever-changing directions in music, Davis was at the forefront of a number of major stylistic developments in jazz over his five-decade career.
    Born and raised in Illinois, Davis began performing in 1940s New York with saxophonist Charlie Parker before recording the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, he recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival in 1955, he signed a long-term contract with Columbia Records and recorded the 1957 album Round About Midnight. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter featured harmonies developed by pianist Bill Evans and was an innovative work in the emerging modal jazz style, eventually becoming arguably the most popular jazz album ever.
    Davis made several line-up changes while recording Someday My Prince Will Come (1961), his Blackhawk concerts, and Seven Steps to Heaven (1963), another mainstream success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams. After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P (1965) and Miles Smiles (1967), before transitioning into his electric period. During the 1970s, he radically experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing lineup of musicians, including keyboardist Joe Zawinul, drummer Al Foster, and guitarist John McLaughlin. This period, beginning with Davis' 1969 studio album In a Silent Way and concluding with the 1975 concert recording Agharta, was the most controversial in his career, alienating and challenging many in jazz. His million-selling 1970 record Bitches Brew helped spark a resurgence in the genre's commercial popularity with jazz fusion as the decade progressed.
    After a five-year retirement due to poor health, Davis returned to recording new music and performing live in the early 1980s, which found him employing younger musicians and pop music sounds on albums such as The Man with the Horn (1981) and Tutu (1986). Critics were generally unreceptive but the decade garnered Davis his highest level of commercial recognition, as he performed sold-out concerts worldwide while branching out into visual arts, film, and television work, before his death in 1991. In 2006, he was inducted into the Rock and Roll Hall of Fame, which recognized him as one of the key figures in the history of jazz. Rolling Stone described Davis as the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century, while Gerald Lyn Early called him inarguably one of the most influential and innovative musicians of that period.
    FROM WIKIPEDIA:
    Relaxin' with the Miles Davis Quintet is an album recorded in 1956 by Miles Davis. Two sessions on 11 May 1956 and 26 October in the same year resulted in four albums—this one, Steamin' with the Miles Davis Quintet, Workin' with the Miles Davis Quintet and Cookin' with the Miles Davis Quintet. These four albums are considered to be among the best performances in the whole hard bop subgenre. The album was remastered by Rudy Van Gelder in 2005 for Prestige Records. This album includes dialogue snippets taken from the original master reel. It also emphasizes the Miles Davis' concentrated ballad-style playing with his medium-register trumpet.
    FROM WIKIPEDIA:

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    Miles Davis - Miles In The Sky full album

    51:54

    Vinyl, LP, Album, Reissue, Europe - 1982
    CBS — CBS 85548
    740p

    00:00 - - - A1 — Stuff (M. Davis) . . . (16.58)
    17:06 - - - A2 — Paraphernalia (W. Shorter) . . . (12.36)
    29:45 - - - End Side a)
    30:04 - - - B1 — Black Comedy (T. Williams) . . . (7.25)
    37:37 - - - A2 — Country Son (M. Davis) . . . (13.49)
    51:25 - - - End Side b)

    Recorded January 16 and May 15-17, 1968
    at Columbia Studio B in New York City

    Personnel:

    Miles Davis - Trumpet
    Herbie Hancock - Piano and Electric Piano
    Wayne Shorter - Tenor Saxophone
    Ron Carter - Bass
    Tony Williams - Drums

    George Benson - Guitar on A2, “Paraphernalia”

    Released on July 22, 1968

    Produced by Teo Macero

    Engineering - Frank Laico, Arthur Kendy

    Cover Art - Victor Atkins
    Back Cover Photo - Hiro (Yasuhiro Wakabayashi)

    Made in Holland
    Printed in Holland

    ℗ 1968 CBS Inc. / © 1968 CBS Inc.

    Link(s):





























    . . . .

    ***************************************************************************

    Buy or stream this Album (e.g.) at…..:

    . . . .



    …or at your favorite record store….!

    . . . .

    .

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    Miles Davis - Berliner Jazztage 1971

    8:35

    Miles Davis and his group performing at Berliner Jazztage 1971 in Germany. Thanks to einsfestival for the great digital rebroadcast!

    Miles Davis - tr
    Keith Jarrett - keys
    Gary Bartz - as
    Michael Henderson - b
    Don Alias - perc
    James Forman - perc
    Leon Chandler - dr

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    Miles Davis angry at Herbie Hancock

    18

    Don't mess with Miles while he is improvising!

    This excerpt is extracted from minute 40:44 of the Miles Davis Quintet Live at Teatro dell'Arte in Milan, Italy on October 11, 1964.

    Original link:

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    Miles Davis Quintet Live at Teatro dellArte in Milan, Italy on October 11, 1964

    59:54

    Trumpet: Miles Davis
    Saxophone: Wayne Shorter
    Piano: Herbie Hancock
    Bass: Ron Carter
    Drums: Tony Williams

    Sunday, October 11, 1964
    Teatro dell'Arte
    Milan, Italy

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    Miles Davis - Time After Time

    9:58

    Live Under The Sky 1985
    Live At Yomiuri Land Open Theatre East, Tokyo, Japan
    28th, July

    Time After Time by Rob Hyman, Cyndi Lauper
    First release by Cyndi Lauper - 1983
    Recorder by Miles Davis Youre Under Arrest Album

    You're Under Arrest is a 1985 album that saw Miles mix pop tunes with political statements about racism, pollution and war. Among other tracks, the album featured Davis' interpretations of two contemporary pop songs: Cyndi Laupers Time After Time and Michael Jacksons Human Natute.

    During the recording sessions, Darryl Jones (A/K/A The Munch: Bass) introduced Sting to his longtime idol Miles Davis. Sting was startled when Davis asked him if he could speak French, and since he did, to translate the Miranda Warning into French and yell it into the microphone against a backing track.

    Miranda Warning is a warning given by police in the United States to criminal suspects in police custody, or in a custodial situation, before they are interrogated : You have the right to remain silent. Anything you say can and will be used against you in a court of law. You have the right to an attorney. If you cannot afford an attorney, one will be appointed to you. Do you understand these rights as they have been read to you?

    The Miranda warnings were mandated by the 1966 United States Supreme Court decision in the case of Miranda v. Arizona as a means of protecting a criminal suspect's Fifth Amendment right to avoid coercive self-incrimination (see right to silence). The reading of the Miranda warning might be omitted during arrest, such as if the evidence is already sufficient to indict, or if the suspect is talkative and volunteers information (without being asked). The admissibility of conversations, as evidence, is judged on a case-by-case basis, subject to appeal.

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    Miles Davis - In a Silent Way - 1969

    38:01

    Miles Davis - In a Silent Way - 1969

    01- Shhh / Peaceful
    02- In a Silent Way / It's about That Time

    Miles Davis – trumpet, composer
    Wayne Shorter – soprano saxophone
    John McLaughlin – electric guitar
    Chick Corea – electric piano
    Herbie Hancock – electric piano
    Joe Zawinul – organ, composer
    Dave Holland – double bass
    Tony Williams – drums


    Producer – Teo Macero
    Original Recording Engineer – Stan Tonkel

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    Miles Davis - Fantasy

    4:39

    Miles Davis - Fantasy from the album Doo-Bop.


    I do not own this song. ^_^

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    #Miles #Davis Ahead 2015 full movie

    1:40:39

    #Miles #Davis Ahead 2015 full movie
    Please visit and follow Jack Folly

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    Miles Davis Quintet - There Is No Greater Love

    5:20

    Miles Davis: trumpet
    John Coltrane: tenor saxophone
    Red Garland: piano
    Paul Chambers: bass
    Philly Joe Jones: drums

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    Miles Davis - I Fall in Love Too Easily

    6:47

    From 1963 album Seven Steps to Heaven

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    Miles Davis - Mystery

    3:57

    Miles Davis - Mystery from the album Doo-Bop

    This is my favourite track on the album, I used to listen to it all the time with my dad when I was younger... good times man.

    I do not own this song. ^_^

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    Miles Davis - Summertime

    3:21

    Summertime is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess.
    The song soon became a popular and much recorded jazz standard, described as without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century [Description of song by Robert Cummings at Allmusic.com].

    Porgy and Bess (CL 1274) is a studio album by jazz musician Miles Davis, released in March 1959 on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's 1934 opera of the same name. The album was recorded in four sessions on July 22, July 29, August 4, and August 18, 1958 at Columbia's 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by music critics as the best of their collaborations. Jazz critics have regarded the album as historic.

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    Miles Davis - Tutu

    17:25

    From the mid-fifties to his death in the early nineties, Miles Davis was universally recognised as one of the most innovative musicians working in Jazz. He was also one of the most popular with his albums regularly breaking into the pop charts and he picked up a total of eight Grammy Awards. He also launched the careers of many jazz musicians including Herbie Hancock, Wayne Shorter, Chick Corea, Billy Cobham, John McLaughlin and many more. This concert, filmed in Munich in 1987, followed the release of his Grammy Award winning album Tutu and the set list features two tracks from that record, the title track and Portia, plus his unique arrangements of Michael Jackson's Human Nature and Cyndi Lauper's Time After Time.


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    Miles Davis interview Pimpn

    7:25

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    Miles Davis - Bags Groove 1957

    46:16

    Classic Davis Quintet and Davis All Stars, contains Bags' Groove takes 1 and 2 with Milton 'Bags' Jackson on vibes and Thelonious Monk on piano. Recorded on June 29, 1954 (Side B) and December 24, 1954 (Side A) and engineered by the legendary Rudy Van Gelder, great stuff indeed.

    Please see below for full personnel.

    A1 Bags' Groove (Take 1)
    Piano – Thelonious Monk
    Vibraphone – Milt Jackson

    A2 Bags' Groove (Take 2)
    Piano – Thelonious Monk
    Vibraphone – Milt Jackson

    B1 Airegin

    B2 Oleo

    B3 But Not For Me (Take 2)

    B4 Doxy

    B5 But Not For Me (Take 1)


    Personnel:

    Bass – Percy Heath

    Drums – Kenny Clarke

    Piano – Horace Silver (tracks: B1 to B5)

    Tenor Saxophone – Sonny Rollins (tracks: B1 to B5)

    Trumpet – Miles Davis

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    Zucchero • Miles Davis STORY

    6:38

    “Guarda sono qui con Miles Davis che ha sentito alla radio in un ristorante in Italia “Dune Mosse” e gli è piaciuta e vorrebbe suonare su questo brano”. Detto così chiaramente mi sembrava una bufala…

    Look, I’m here with Miles Davis, and he heard “Dune Mosse” on the radio in a restaurant in Italy the other day, he likes it and he would like to play on it”. Put like that, I obviously thought it was a joke because, well, it was pretty strange...

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    Miles Davis - I Waited for You

    3:28

    Miles Davis - tromba
    Jackie McLean - sassofono contralto
    J.J. Johnson - trombone
    Gil Coggins - pianoforte
    Oscar Pettiford - contrabbasso
    Kenny Clarke - batteria

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    Herbie Hancock: Auditioning for Miles Davis // SiriusXM // Real Jazz

    3:48

    Herbie Hancock sat down for an intimate Q&A with SiriusXM listeners at his Town Hall event for Real Jazz. Herbie recalls what is was like durning his years working with Miles Davis.

    Real Jazz is the classic sounds and styles of jazz masters, past and present.

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    You can hear entire episodes of SiriusXM programming on SiriusXM On Demand. For more information and a free trial go to:

    Herbie Hancock: Auditioning for Miles Davis // SiriusXM // Real Jazz:

    Subscribe to SiriusXM on Youtube:

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    Miles Davis - Rubberband of Life

    5:46

    You're listening to the official audio for Miles Davis - Rubberband of Life featuring Ledisi from the album 'Rubberband'. Miles Davis’s lost, never-before-heard album 'Rubberband' is available now from Rhino. Get your copy here:

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    Summertime - Miles Davis

    3:17

    Vinyl, 7”, 45 RPM, France - 1966
    CBS — EP 6141 . . . . . (720p)
    Taken from PORGY AND BESS - Miles DAVIS (with the Gil Evans Orchestra)
    /Summertime - It ain’t necessarily so -
    There’s a Boat that’s living soon for New York/

    Miles Davis - Porgy And Bess (1966) full 7”:


    . . . . . .

    . . . .

    . . .

    .

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    Miles Davis - Big Fun

    1:38:51

    Bass – Dave Holland (tracks: C, D), Michael Henderson (tracks: B), Ron Carter (tracks: A)
    Bass (Fender) – Harvey Brooks (tracks: A, D)
    Clarinet – Bennie Maupin (tracks: A, B, D)
    Drums – Al Foster (tracks: B), Billy Cobham (tracks: A, D), Billy Hart (tracks: B), Jack DeJohnette (tracks: C, D)
    Electric Guitar – John McLaughlin (tracks: A, C)
    Electric Piano – Chick Corea (tracks: A, C), Herbie Hancock (tracks: A), Joe Zawinul (tracks: D)
    Flute – Bennie Maupin (tracks: B), Sonny Fortune (tracks: B)
    Organ (Farfisa) – Joe Zawinul (tracks: D)
    Percussion – Airto Moreira (tracks: A, D)
    Percussion (African) – James Mtume (tracks: B)
    Piano – Harold Ivory Williams (tracks: B), Lonnie Smith (tracks: C)
    Saxophone – Carlos Garnett (tracks: B), Sonny Fortune (tracks: B), Steve Grossman (tracks: C), Wayne Shorter (tracks: D)
    Sitar (Electric) – Bihari Sharma (tracks: A), Khalil Balakrishna (tracks: A, D)
    Soprano Saxophone – Steve Grossman (tracks: A)
    Tabla – Badal Roy (tracks: B)

    Recorded: November 19, 28, 1969;
    February 6, 1970; March 3, 1970; and June 12, 1972
    Studio: Columbia Studios B and E, New York City

    Producer: Teo Macero


    A Great Expectations 0:00
    B Ife 27:24
    C Go Ahead John 49:00
    D Lonely Fire 1:17:27


    FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
    I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.

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    Miles Davis - Birth Of The Cool

    2:24

    Visit for ticket updates.

    Miles Davis: Horn player, bandleader, innovator. Elegant, intellectual, vain. Callous, conflicted, controversial. Magnificent, mercurial. Genius. The very embodiment of cool. The man with a sound so beautiful it could break your heart.

    The central theme of Miles Davis's life was his restless determination to break boundaries and live life on his own terms. It made him a star—it also made him incredibly difficult to live with, for the people who loved him most. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles's bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ‘n’ roll, and even hip-hop.

    Featuring never-before-seen archival footage, studio outtakes, and rare photos, Miles Davis: Birth of the Cool tells the story of a truly singular talent and unpacks the man behind the horn.

    Directed by Emmy Award-winner Stanley Nelson (Tell Them We Are Rising: The Story of Black Colleges and Universities, The Black Panthers: Vanguard of the Revolution, Freedom Riders for American Experience), Miles Davis: Birth of the Cool is a co-production of Eagle Rock Entertainment, Firelight Films, and American Masters Pictures.

    ===================================
    Subscribe:

    Official site:

    Eagle Rock Facebook:

    ===================================
    #MilesDavis #BirthOfTheCool #Documentary

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    How Ron Carter Played it Cool with Miles Davis

    2:27

    Complete video at:

    Jazz bassist Ron Carter recalls when Miles Davis asked him to join his band and the surprisingly ambivalent response he gave.

    -----

    As part of the Jazz Legacies series, the Graduate Center's Gary Giddins, acclaimed critic and author, speaks with jazz legends about their life and work.

    This year's series begins with a conversation featuring bassist and cellist Ron Carter. Carter's appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history. Carter is also an acclaimed cellist and has recorded numerous times on that instrument. - City University of New York

    Ron Carter is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music's greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy. He later toured Europe with Cannonball Adderley. From 1963 to 1968, he was a member of the classic and acclaimed Miles Davis Quintet. He was named Outstanding Bassist of the Decade by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences.

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    Miles Davis - Human Nature - The last performance- Vienne 1991 LIVE HD

    18:34

    Miles Davis - Human Nature - The last performance- au Théâtre Antique de Vienne le 1er Juillet 1991 - LIVE HD

    Produced by : Zycopolis Productions
    Directed by : Patrick SAVEY

    LIKE this video and subscribe to Zycopolis Youtube Channel at :


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    Miles Davis - All Blues

    11:34

    Listen to Kind of Blue on Spotify -
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    Amazon -
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    About the album:
    One of Miles Davis' most celebrated albums, Kind of Blue was recorded on March 2 and April 22 at Columbia's 30th Street Studio in New York City. The recording sessions featured Davis's ensemble sextet, consisting of pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian Cannonball Adderley, together with pianist Wynton Kelly on one track.

    Follow Miles Davis on Twitter -
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    #MilesDavis #AllBlues #Vevo #Jazz #Audio

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    Miles Davis - A Tribute to Jack Johnson

    52:31

    Bass (Fender) – Michael Henderson
    Drums – Billy Cobham
    Guitar – John McLaughlin
    Keyboards – Herbie Hancock
    Saxophone – Steve Grossman
    Trumpet – Miles Davis

    Recorded: February 18 and April 7, 1970

    Studio: 30th Street Studio, New York City


    Producer: Teo Macero



    A Right Off 0:00
    B Yesternow 26:53




    FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
    I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.

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    Miles Davis - Mademoiselle Mabry

    10:01

    The 5th track of Miles Davis's 1969 album Filles de Kilimanjaro

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    Teo Macero on Creating Bitches Brew With Miles Davis

    5:49

    In this clip from - Legendary producer and arranger Teo Macero discusses working on the album, Bitches Brew, with Miles Davis, and the aspects of his production philosophy that helped that project take shape.

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    Miles Davis - Someday My Prince Will Come

    42:18

    Personnel:
    Miles Davis – trumpet
    Hank Mobley – tenor saxophone on all tracks except Teo
    John Coltrane – tenor saxophone on Someday My Prince Will Come (master) and Teo
    Wynton Kelly – piano
    Paul Chambers – bass
    Jimmy Cobb – drums all tracks except Blues No. 2
    Philly Joe Jones – drums on Blues No. 2


    Released: December 11, 1961
    Recorded: March 7, 20, 21, 1961
    Studio: Columbia 30th Street Studio, New York City


    Label: COLUMBIA
    Producer: Teo Macero


    If you like what you're hearing, this is the place to go to get a copy of this album:






    A1 Someday My Prince Will Come 0:00
    A2 Old Folks 9:05
    A3 Pfrancing 14:22
    B1 Drad-Dog 22:56
    B2 Teo 27:47
    B3 I Thought About You 37:22






    FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
    I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.

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    Miles Davis - Ascenseur pour léchafaud - Lift to the Gallows

    26:16

    Available on iTunes :
    Subscribe here :

    Tracklisting:
    00:00 - Générique
    2:53 - L'assassinat de Carala
    5:04 - Sur l'autoroute
    7:24 - Julien dans l'ascenseur
    9:37 - Florence sur les Champs-Élysées
    12:29 - Dîner au motel
    16:27 - Évasion de Julien
    17:21 - Visite du vigile
    19:26 - Au bar du Petit Bac
    22:20 - Chez le photographe du motel

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    Subscribe here to discover new videos from the collection and find all songs of BnF collection sonore – Jazz & Blues, recorded and published between 1900 and 1962.

    ------------------------------------

    Music treasures from the vaults of the French National Library, digitized from original first edition vinyl pressings.

    BnF collection sonore is a catalog of more than 200 000 original vinyl recordings made available on all streaming platforms.
    Having archived all albums ever published in France from 1900 to 1962, the French National Library (Bibliothèque nationale de France) holds one of the biggest vinyl collections in the world.

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    Miles Davis- Bitches Brew ALBUM REVIEW

    10:55

    Listen:

    BITCHES BREW, BITCHES!

    What did you think of this album? Love it? Hate it? Why? What should I review next, eh?

    Buy this album:








    MILES DAVIS- BITCHES BREW / 1970 / COLUMBIA / JAZZ FUSION, JAZZ-ROCK, AVANT-GARDE JAZZ

    Y'all know this is just my opinion, right?

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    Jimi Hendrix and Miles Davis Collaboration HD

    11:08

    Download the album free Miles and Jimi were the 20th Century's greatest musicians in their fields: Rock and Jazz. This track is a pastiche of the classic groove off Mile's Jack Johnson Sessions Right Off. It is also the story of arguably the greatest musical collaboration, the one between them, that never made it to tape. Miles and Jimi would have undoubtedly brought their energy to play off each other and I merely aim to get in the zone rather than copy. I play or sequence all instruments.

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