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Playlist of List of Romanian language poets

  • 2 line Romantic Shayri|Romantic Poetry|Best Urdu Romantic Poetry|Love Poetry


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  • Disturbed - Hold On To Memories Official Lyrics Video


    New album 'Evolution' out now:

    Connect with Disturbed:
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    Disturbed - Hold On To Memories [Official Lyrics Video]

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  • 20 Popular Gujarati Lok Geeto || ગુજરાતી લોકગીતો || Traditional Folk Famous Gujarati Songs


    Studio Sangeeta Presents - 20 Popular Gujarati Lok Geeto || ગુજરાતી લોકગીતો || Traditional Folk Famous Gujarati Songs || કાઠિયાવાડી લોકગીત || ગુજરાતી સ્પેશલ ગીતો ||

    Album - Gujarati Lokgeeto
    Music Label - Studio Sangeeta

    Singers -

    Padma Shree Bhikhudan Gadhvi, Padma Shree Diwaliben Bhil,
    Suresh Rawal, Meena Patel, Damyanti Bardaayi, Saroj Vaishnav, Jayesh Barot, Rekha Rathod

    Songs List -

    01. Mehndi Te Vavi Malve Ne Rang Gayo Gujarat Re
    02. Chando Ugyo Chokma Ghayal
    03. Maragdo Maro Meli Dyone
    04. Saag Seesam No Dholiyo
    05. Ame Maiyara Re
    06. Sona Vatakdi Re Kesar
    07. Limbuda Jule Taara Baag Ma
    08. Zalavadi Dhol Taru Zanzar Waage
    09. Ramo Ramo Govaliya
    10. Hambo Hambo Vichudo
    11. Ram Lakhan Be Bandhaav
    12. Sonala Hindhori Ne Rupla
    13. Aawi Rudi Anjawaali Raat
    14. Unchi Re Chau Ne
    15. Maadi Hu To Baar Varse
    16. Vahu Ae Vagovya Khorda
    17. Aaj Maari Mena Re Bole
    18. Rukhad Bawa
    19. Kunjal Na Maar Roya
    20. Kasumbi No Rang

    To Purchase Any Song -
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  • A.R. Rahman - Kun Faya Kun


    #berklee #berkleecollegeofmusic A.R. Rahman's “Kun Faya Kun” performed live by The Berklee Indian Ensemble at Symphony Hall, Boston. Sufism, the mystical sect of Islam, is partly characterized by its rich musical tradition, primarily based on the writings of Sufi poets such as Rumi, Amir Khusrau, and Bulleh Shah. Well known for drawing influence from his faith and the Sufi tradition, A.R. Rahman, rearranged this beautiful Qawwali by the Sufi-saint Hazrat Nizamuddin Auliya for the 2011 film, Rockstar, with additional lyrics penned by Irshad Kamil.

    Berklee India Exchange:

    “Kun Faya Kun (A.R. Rahman)
    Arrangement: Berklee Indian Ensemble

    Soloists in order of appearance:
    Dhruv Goel: vocals
    Rohith Jayaraman: vocals
    Sanjeeta Bhattacharya: vocals
    Harini Srinivasa Raghavan: vocals
    Fares Btoush: Oud
    Layth Al Rubaye: vocals
    Malavika Das: vocals
    Annalisa Lombardo: vocals

    This concert was produced by Annette Philip.

    Berklee Indian Ensemble

    Annette Philip - Kerala, India: director
    Shilpa Ananth - Kerala, India: vocals
    Sanjeeta Bhattacharya - New Delhi, India: vocals
    Dhruv Goel - Lucknow, India: vocals
    Vasundhara Gupta - Kolkata, India: vocals
    Rohith Jayaraman - San Jose, CA: vocals
    Harshitha Krishnan - Chennai, India: vocals
    Nalini Krishnan - Seattle, Washington: vocals
    Joakim Molander - Sørum, Norway: vocals
    Armeen Musa - Dhaka, Bangladesh: vocals
    Kanika Patawari - Antwerp, Belgium: vocals
    Purvaa Sampath - Bangalore, India: vocals
    Ishita Sinha - Patna, India: vocals
    Harini Srinivasa Raghavan - Chennai, India: vocals
    Aseem Suri - New Delhi, India: vocals
    Adriel Tjokrosaputro - Surakarta, Indonesia: vocals
    Sanchitha Wickremesooriya - Colombo, Sri Lanka: vocals
    Trinayan Baruah - New Delhi, India: vocals
    Salil Bhayani - Mumbai, India: vocals
    Malavika Das - Kerala, India: vocals
    Ganavya Doraiswamy - Chennai, India: vocals
    Ava Dudani - Brighton, MA: vocals
    Nicolas Emden - Osorno, Chile: vocals
    Christopher Kazarian - Worcester, MA: vocals
    Annalisa Lombardo - Boston, MA: vocals
    Malwina Masternak - Ostrowiec Świętokrzyski, Poland: vocals
    Wambura Mitaru - Nairobi, Kenya: vocals
    Zoya Mohan - Newport Beach, CA: vocals
    Paola Munda - Sicily, Italy: vocals
    Lydia Renold - Schönenwerd, Switzerland: vocals
    Gretchen Schadebrodt - Valdivia, Chile: vocals
    Ashwin Shenoy - Manama, Bahrain: vocals
    Sahana Simha - Andover, MA: vocals
    Pankhuri Singhal - Westford, MA: vocals
    Chantal Tribble - Brookfield, WI: vocals
    McKain Webb-Lakey - Bow, WA: vocals

    Yazhi Guo - Hong Kong, China: flute, suona, dizi
    Layth Al Rubaye - Amman, Jordan: violin
    Harini Srinivasa Raghavan - Chennai, India: violin
    Sashank Navaladi - New Delhi, India: sarod, harmonium
    Fares Btoush - Amman, Jordan: oud
    Jacy Anderson - Honoka'a, Hawaii: guitar
    Aleif Hamdan - Jakarta, Indonesia: guitar
    Shubh Saran - New Delhi, India: guitar
    David Milazzo - Bow, NH: alto saxophone
    Edmar Colon - Coamo, Puerto Rico: tenor saxophone
    Samuel Morrison - Seattle, WA: baritone saxophone
    Josh Shpak - Walnut Creek; CA: trumpet
    Michael Wang - Sacramento, CA: trombone
    Annette Philip - Kerala, India: piano
    Cheng Lu - Beijing, China: keyboard
    Achal Murthy - Strassen, Luxembourg: bass
    Daniel Gonzalez - Mexico City, Mexico: electronic drum sound
    Kaushlesh Purohit - Jodhpur, India: tabla, percussion
    Patrick Simard - Ottowa, Canada: drums, percussion
    Ranajoy Das - New Delhi, India: drums
    Joe Galeota Jr. - Wethersfield, CT: percussion
    M.T. Aditya Srinivasan - Chennai, India: tabla, kanjira
    Vignesh Venkataraman - Boston, MA: mridangam

    Recorded live at Boston’s Symphony Hall

    Rob Rose: executive producer
    Tom Riley: executive producer
    Annette Philip: artistic director/producer
    Clint Valladares: artist relations/co producer
    Mirek Vana: co producer
    Dave Wentling: production manager
    Steve Colby: sound engineer
    Kaushlesh Purohit: audio mixing
    Jonathan Wyner: audio mastering
    Reggie Lofton: video producer
    Thistle Communications: video production
    Nicole Egidio: editor #berklee #berkleecollegeofmusic #berklee #berkleecollegeofmusic

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  • ANAHATA – Sagan NIGHTWISH Cover + Lyrics


    Hey there, fellow headbangers! We are the Transylvanian Rock/Metal duo ANAHATA and we upload cover videos and originals EVERY TWO WEEKS (on Sundays).
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    ◉ COVERS:



    Andrea Kovács – Vocals/Backing Vocals
    Necro Mango – Arrangement



    Make me wonder, make me understand
    Spark the light of doubt and a new-born mind
    Bring the vast unthinkable down to Earth

    Always wary of a captive thought
    Beware the very first unkind word
    See who you are, where from, what of

    Entering the unknown
    Sending all the poets to the stars
    Daring to see beyond the man-made
    Woe to you who evade the horizon
    Listening to Sagan, dreaming Carl Sagan
    Unseen streams
    With understanding no poet is trapped
    Woe to all who stop at the horizon

    What kind of world would we call home, our own
    Oasis of love, humility and hope
    Eradicating all that's not for life

    What kind of aim would we call high, what kind
    Of life would bathe in the brightest white
    A limitless world will arise
    Son of man, dare to let go of the cowardice

    Entering the unknown
    Sending all the poets to the stars
    Daring to see beyond the man-made
    Woe to you who evade the horizon
    Listening to Sagan, dreaming Carl Sagan
    Unseen streams
    With understanding no poet is trapped
    Woe to all who stop at the horizon

    Entering the unknown
    Sending all the poets to the stars
    Daring to see beyond the man-made
    Woe to you who evade the horizon
    Listening to Sagan, dreaming Carl Sagan
    Unseen streams
    With understanding no poet is trapped
    Woe to all who stop at the horizon

    Entering the unknown
    Sending all the poets to the stars
    Daring to see beyond the man-made
    Woe to you who evade the horizon
    Listening to Sagan, dreaming Carl Sagan
    Unseen streams
    With understanding no poet is trapped
    Woe to all who stop at the horizon

  • Poetry Readings Day 4


    Four local poets read their original poetry at The Grand Rapids Poets' Conference on April 5, 2012.

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  • Surah AR RAHMAN سورة الرحمن - Recitiation Of Holy Quran - 55 Surah Of Holy Quran


    The Quran (/kɔːrˈɑːn/[n 1] kor-AHN; Arabic: القرآن‎ al-Qurʾān,[n 2] literally meaning the recitation; also romanized Qur'an or Koran) is the central religious text of Islam, which Muslims believe to be a revelation from God (Arabic: الله‎, Allah).[1] It is widely regarded as the finest piece of literature in the Arabic language.[2][3] Quranic chapters are called suras and verses, ayahs.
    Muslims believe the Quran was verbally revealed by God to Muhammad through the angel Gabriel (Jibril),[4][5] gradually over a period of approximately 23 years, beginning on 22 December 609 CE,[6] when Muhammad was 40, and concluding in 632, the year of his death.[1][7][8] Muslims regard the Quran as the most important miracle of Muhammad, a proof of his prophethood,[9] and the culmination of a series of divine messages that started with the messages revealed to Adam and ended with Muhammad. The word Quran occurs some 70 times in the text of the Quran, although different names and words are also said to be references to the Quran
    1. Al-Fatihah (the Opening)
    2. Al-Baqarah (the Cow)
    3. Aali Imran (the Family of Imran)
    4. An-Nisa’ (the Women)
    5. Al-Ma’idah (the Table)
    6. Al-An’am (the Cattle)
    7. Al-A’raf (the Heights)
    8. Al-Anfal (the Spoils of War)
    9. At-Taubah (the Repentance)
    10. Yunus (Yunus)
    11. Hud (Hud)
    12. Yusuf (Yusuf)
    13. Ar-Ra’d (the Thunder)
    14. Ibrahim (Ibrahim)
    15. Al-Hijr (the Rocky Tract)
    16. An-Nahl (the Bees)
    17. Al-Isra’ (the Night Journey)
    18. Al-Kahf (the Cave)
    19. Maryam (Maryam)
    20. Ta-Ha (Ta-Ha)
    21. Al-Anbiya’ (the Prophets)
    22. Al-Haj (the Pilgrimage)
    23. Al-Mu’minun (the Believers)
    24. An-Nur (the Light)
    25. Al-Furqan (the Criterion)
    26. Ash-Shu’ara’ (the Poets)
    27. An-Naml (the Ants)
    28. Al-Qasas (the Stories)
    29. Al-Ankabut (the Spider)
    30. Ar-Rum (the Romans)
    31. Luqman (Luqman)
    32. As-Sajdah (the Prostration)
    33. Al-Ahzab (the Combined Forces)
    34. Saba’ (the Sabeans)
    35. Al-Fatir (the Originator)
    36. Ya-Sin (Ya-Sin)
    37. As-Saffah (Those Ranges in Ranks)
    38. Sad (Sad)
    39. Az-Zumar (the Groups)
    40. Ghafar (the Forgiver)
    41. Fusilat (Distinguished)
    42. Ash-Shura (the Consultation)
    43. Az-Zukhruf (the Gold)
    44. Ad-Dukhan (the Smoke)
    45. Al-Jathiyah (the Kneeling)
    46. Al-Ahqaf (the Valley)
    47. Muhammad (Muhammad)
    48. Al-Fat’h (the Victory)
    49. Al-Hujurat (the Dwellings)
    50. Qaf (Qaf)
    51. Adz-Dzariyah (the Scatterers)
    52. At-Tur (the Mount)
    53. An-Najm (the Star)
    54. Al-Qamar (the Moon)
    55. Ar-Rahman (the Most Gracious)
    56. Al-Waqi’ah (the Event)
    57. Al-Hadid (the Iron)
    58. Al-Mujadilah (the Reasoning)
    59. Al-Hashr (the Gathering)
    60. Al-Mumtahanah (the Tested)
    61. As-Saf (the Row)
    62. Al-Jum’ah (Friday)
    63. Al-Munafiqun (the Hypocrites)
    64. At-Taghabun (the Loss & Gain)
    65. At-Talaq (the Divorce)
    66. At-Tahrim (the Prohibition)
    67. Al-Mulk – (the Kingdom)
    68. Al-Qalam (the Pen)
    69. Al-Haqqah (the Inevitable)
    70. Al-Ma’arij (the Elevated Passages)
    71. Nuh (Nuh)
    72. Al-Jinn (the Jinn)
    73. Al-Muzammil (the Wrapped)
    74. Al-Mudaththir (the Cloaked)
    75. Al-Qiyamah (the Resurrection)
    76. Al-Insan (the Human)
    77. Al-Mursalat (Those Sent Forth)
    78. An-Naba’ (the Great News)
    79. An-Nazi’at (Those Who Pull Out)
    80. ‘Abasa (He Frowned)
    81. At-Takwir (the Overthrowing)
    82. Al-Infitar (the Cleaving)
    83. Al-Mutaffifin (Those Who Deal in Fraud)
    84. Al-Inshiqaq (the Splitting Asunder)
    85. Al-Buruj (the Stars)
    86. At-Tariq (the Nightcomer)
    87. Al-A’la (the Most High)
    88. Al-Ghashiyah (the Overwhelming)
    89. Al-Fajr (the Dawn)
    90. Al-Balad (the City)
    91. Ash-Shams (the Sun)
    92. Al-Layl (the Night)
    93. Adh-Dhuha (the Forenoon)
    94. Al-Inshirah (the Opening Forth)
    95. At-Tin (the Fig)
    96. Al-‘Alaq (the Clot)
    97. Al-Qadar (the Night of Decree)
    98. Al-Bayinah (the Proof)
    99. Az-Zalzalah (the Earthquake)
    100. Al-‘Adiyah (the Runners)
    101. Al-Qari’ah (the Striking Hour)
    102. At-Takathur (the Piling Up)
    103. Al-‘Asr (the Time)
    104. Al-Humazah (the Slanderer)
    105. Al-Fil (the Elephant)
    106. Quraish (Quraish)
    107. Al-Ma’un (the Assistance)
    108. Al-Kauthar (the River of Abundance)
    109. Al-Kafirun (the Disbelievers)
    110. An-Nasr (the Help)
    111. Al-Masad (the Palm Fiber)
    112. Al-Ikhlas (the Sincerity)
    113. Al-Falaq (the Daybreak)
    114. An-Nas (Mankind)

  • Protikkha | প্ৰতীক্ষা | Rabindranath Tagore | Bangla Kobita Abritti | Ditipriya Sarkar


    Exclusively on Musiana :

    Poem : Protikkha
    Poet : Rabindranath Tagore
    Elocution : Ditipriya Sarkar

    Video : Bengal Web Solution
    Digital Partner : Bengal Web Solution

    Exclusively on The Musiana Collective
    Like, Share & Subscribe
    Curated By - Dr. Arna Seal
    Co-curator Proiti Seal Acharya

    #Rabindranathtagore #banglakobita #protikkha



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