Greek Orthodox Byzantine Chants
Chant of Constantinople more commonly known as Byzantine Chant is the sacred chant of the Orthodox churches in the former lands of the eastern Roman Empire and many of their ecclesiastical offshoots beyond those areas. This tradition, encompassing the Greek-speaking world, developed in Byzantium. It is undeniably of composite origin, drawing on the artistic and technical productions of the classical age, on Jewish music, and inspired by the monophonic vocal music that evolved in the early Christian cities of Alexandria, Antioch, and Ephesus. In the Orthodox Church today, many churches use Byzantine Chant as their primary musical tradition, including the Churches of Constantinople, Alexandria, Antioch, Jerusalem, Serbia, Romania, Bulgaria, Cyprus, Greece, and Albania.
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Byzantine Choir at Sixth Annual Symposium of Romanian Orthodox Spirituality
Recorded Saturday April 13, 2013 at Trinity College (University of Toronto)
Sixth Annual Symposium of Romanian Orthodox Spirituality:
Topic: STS EMPERORS CONSTANTINE AND HELEN AND THEIR LEGACY.
Christian Faith in the new context of freedom. Church's transformative dynamic between social responsibility and Christian commitment.
+ Introduction by HG Ioan Casian of Vicina and Rev. Dean D. Neelands
+ Rev. Dr. Robert J. Barringer Personal Reflections on Fr Dumitru Staniloae and on the Meaning of his Life and Work for Roman Catholicism
+ Rev. Dr. Dragos Giulea Re-Envisioning Communion and Truth after Volf-Zizioulas Dispute
+ Maria Simakova Theological Truth-Telling in Post-Imperial World
+ 1st Q&A
+ Prof. Lucian Turcescu Between Seperation and Establishment: Church-State Relations in Eastern Europe?
+ Prof. Maria-Fotini Polidoulis Kapsalis The Effects of the Edict of Milan on Christian Suffering and on the Rise of Monasticism
+ Prof. David Wagschal Orthodox Canon Law in a Post-Constantinian World: Problems and Prospects
+ 2nd Q&A
+ Prof. Richard Schneider Constantine without Eusebius: What understanding of Christian Faith is shown by his pragmatic actions - laws, church, building, etc. - and what are the consequences for Orthodox Ecclesiology?
+ Prof. Adriana Bara Byzantium after Byzantium in the Sixteenth Century Maldavia
+ 3rd Q&A
+ Byzantine Choir
The symposium has been intended to propose to the public the most viable, actual and inspiring ideas of the Orthodox thinking via two venues: (1) conferences held by the well-known hierarchs, theologians and professors in North - America and not only; (2) papers written by the younger theologians able to bring foreword their dynamic, creative and fresh spirit. We hoped that this initiative will give a push at the creation of a Christian orthodox forum, open to all, able to propose in a flexible, coherent and genuine way ideas for future solutions from an Orthodox Christian standpoint to the multiple challenges the contemporary society is confronted to.
From the outset the symposium has been designed to become: (a) a forum able to build a modern, coherent and consistent Christian Orthodox vision; (b) to bring a present witness to those who look for spiritual and intellectual resourcing while addressing some of the above mentioned challenges. Every year we chose a topic we thought relevant for the contemporary debates.
The organization of the symposium has been based on the idea of partnership: our Archdiocese (Romanian Orthodox Archdiocese in the Americas) and a University. We sponsored the event while involving guest
- speakers from various theological departments. This has been the way in which we understood to promote collaboration and dialogue between institutions at different levels.
Last but not least we hope in this way to partially overcome the gap which separates since some time the academic theology with its relevant achievements and the Church's life. We are convinced that from this collaboration both of them, Church and University, will result enriched: (1) the academic theology will be lighted up through the living instinct and experience of the Church's life; (2) the Church will discern better the historical context of its own faith and tradition.
This will allow us to strengthen and affirm the already emerging Orthodox Christian leadership in North - America and not only, setting us in a position of continuity with the patristic thinking and the newer theological tradition of 20th century.
Short thematic history and participants:
2008: Transfiguration in Christ (Union Theological Seminary - Columbia University, New York)
2009: The Cappadocians. Theology and Spirituality for 21st century (Concordia University, Montreal)
2010: Nicaea and Constantinople - a confession of faith - witness and source of unity (University of St. Thomas, St. Paul Minnesota)
2011: The Sacraments - ways of sanctification (Metropolitan Andrey Sheptytsky Institute - St. Paul University, Ottawa)
2012: The Sacrament of Anointing and the Care of the Sick (Hellenic College Holy Cross - Greek Orthodox School of Theology, Brookline, Boston)
Among the most well-known guest - speakers we had until now we can number Metropolitan Seraphim Joanta of Germany, prof. John McGuckin, prof. Charles Kannegiesser, prof. Pamela Bright, prof. Lucian Turcescu, prof. Peter Galadza, prof. Paul Meyendorff and other young intellectuals.
Provided to YouTube by NAXOS of America
Beatitudes · Akafist Male Chamber Choir
Famous Russian Choral Works
℗ 2007 haenssler CLASSIC
Released on: 2007-01-01
Choir: Akafist Male Chamber Choir
Conductor: Andrei Vasilyevich Malutin
Composer: Dobri Khristov
Auto-generated by YouTube.
Orthodox Sacred Music
These are the old and wrinkled faces of holy men throghout the world who have pledged their lives to Christ and the Orthodox church. The heavenly voices are those of the Antiochian Holy Church in Mt. Lebanon, singing to the Divine Byzantine Liturgy. Courtesy of:
YouTube - Aliluia!!! Psalmul 102.mp4
Jocelyn Pook - Masked Ball
Alla Sheiko.The Boys Choir. Byzantine Chant.
The Boys Choir of the P.Tchaikovsky National Music Academy of Ukraine
Artistic director and chief conductor - Alla Sheiko
Why Romania should be your next holiday destination
Romania: one of the most mysterious and beautiful countries in Europe. Its ancient cobblestone streets, mysterious forests, and buildings thoroughly permeated by medieval spirit will penetrate your core. This country will fascinate you with its humble beauty, its gorgeous Carpathian mountains, and wonderful frescoes of ancient Orthodox monasteries. The best thing about it might be its magnificent medieval castles; according to legend, Count Dracula lived in one of them.
Slobodan Zivkovic and Serbian Orthodox Choral Society Lazarica
MILIC VIDEO (Denis and Rista) Present Serbian Orthodox Choral Society Lazarica from Sydney formed of 30 non-professional singers (only 8 months after its foundation in October 1992) and Conductor Slobodan Zivkovic. They have performed on June 28, 1993, on St Vitus Day sacred and popular music by Serbian composers at Verbrugghen Hall of the Sydney Conservatorium of Music
The list of performers and Hymn to Saint Sava / part one
Russian Orthodox Music - Christ Has Risen / Childrens & Youth Choir Sophia
Christ Has Risen
Easter chant from the 12th century
Children's & Youth Choir Sophia, The playlist:
Olga Roussakova, Conductor
The Children’s and Youth Choir «Sophia» presents a program of Russian Orthodox sacred music throughout the centuries. The program is organized chronologically, beginning with contemporary composers and progressing back to the roots of this time-honored music.
The Children’s and Youth Choir «Sophia» was founded as a church choir by its current director, Ms. Olga Roussakova. More than 100 children between the ages of 6 and 18 now participate in the choir’s programs, which includes learning Old Russian, liturgical chant, sacred folk songs, concert music, etc.
The choir sings at weekly liturgical services and performs regularly in concert. The ensemble has performed at various national and international festivals in Russia, the Far East, Northern Europe and throughout Switzerland.
Opera vocal category:
Album N°: CD 9804
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J.-C. Gaberel, Image & Son
The Holy Mother Hodegetria, also called Pimenovskaya, Constantinople, 2nd half of the 14 century
BOOKLET SUPERVISION, LAYOUT & DESIGN
V. Ivanov & A. Mischenko
© 1998 Claves Records SA, Pully (Switzerland)
Recorded by Radio Krasnoyarsk.
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Bells of Lent
Part of a set list I am making for Sundays during Lent. I began by taking melodies from the Anglican Hymnary of 1938 and then twisted and reformed them until they worked on the Bells. They are a study in dissonance and clamour,
IACS Visit to the Transfiguration Greek Orthodox Church
IACS Visit to Transfiguration Greek Orthodox Church
Russian Basso Profondo: The Lowest Voices
Here are two short extracts of an exceptional record of Russian choral work (which includes anonymous ancient liturgical chant, popular folk songs, and music by well known Russian choral composers, such as Tchesnokov and Gretchaninov), introducing some of the lowest voices in the world. The two singers here are Vladimir Pasuikov and, with an even lower voice, Yuri Wichniakov, one of the most famous Basso Profondo, who are unique to Russian singing. Their vocal range is at least one octave below the normal bass range (think Paul Robeson). In the first extract the bass hits the low Ab1; in the second the bass hits a G1. Not only do they possess the lowest notes of any choral singer, but the soloists have such full voices that the effect is immediately striking.
Enjoy those exceptional samples of the magnificent Russian choral art!
Russian Orthodox Chant: Молитва Иисусова/The Jesus Prayer
This is a Russian Orthodox Chant known as the Jesus Prayer where the line Lord Jesus Christ, Son of God, have mercy on me, a sinner. is repeated many times!
This video looks into the hidden compositorial talents of some of history's most famous leaders. I am sure you are aware of the many political figures who also happened to be good musicians, but were you aware that Ivan the terrible, Henry VIII and Frederick the Great were also talented composers?
Links to Ivan the Terrible album:
Basso profondo from Russia
Russian Basso Profondo, the song is called
We bow down before your cross. Author P. Goncharov.
What is happening with the vocal chords?
Painting by: Ilya Yefimovich Repin
جوقة أبرشية طرابلس والكورة وتوابعهما للروم الأرثوذكس
The Choir of Eparchy of Tripoli
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97th Anniversary of Armenian Genocide in IRAN Tehran
97th Anniversary of Armenian Genocide in IRAN Tehran