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Playlist of List of Argentinian classical composers

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  • Itzhak Perlman Tango

    7:05

    Tango de Itzhak Perlman

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  • Roberto Lara: Argentina - The Guitar of the Pampas

    49:29

    DISCLAIMER: Unfortunately, Warner Chappell has monetized this video, and they are solely responsible for the ads. The song titles in the video were taken directly from Roberto Lara's cd. Please visit the Lyrichord website for the complete track list: Composer: Abel Fleury. Guitarist: Roberto Lara. Album: Argentina: The Guitar of the Pampas. Lyrichord (1997).

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  • Victor Villadangos: Guitar Music of Argentina, Vol. 1

    52:32

    Victor Villadangos. Selections from the album, Guitar Music of Argentina, Vol. 1. Naxos (2002). Recorded at St. John Chrystom Church, Newmarket, Ontario, Canada, from 24th to 27th February, 2000. Track list below. Enjoy the music!

    MÀXIMO PUJOL: TRES PIEZAS RIOPLATENSES
    [00:00] Don Julian
    [03:22] Septiembre
    [06:57] Rojo y negro

    HÉCTOR AYALA: SERIE AMERICANA
    [09:47] Preludio
    [12:24] Choro
    [14:43] Takirari
    [16:34] Guarania
    [21:11] Tonada
    [23:07] Gato y malambo

    MÀXIMO PUJOL: SUITE DEL PLATA, NO. 1
    [25:23] Preludio
    [26:57] Tango
    [29:58] Milonga
    [34:00] Murga
    [35:54] Candombe

    JUAN FALÚ: TRES PIEZAS
    [36:51] De la rais a la copa
    [38:37] Chacarera Ututa
    [41:04] Del buen riego

    WALTER HEINZE: CONCORDANCIAS
    [42:51] 1. Movido
    [43:57] 2. Tranquilo
    [45:45] 3. Tangueando
    [47:58] 4. Untitled
    [49:41] 5. Andando
    [51:26] 6. Movido da Capo

  • Llobet: Complete Guitar Music

    1:3:25

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    Composer & Artist:
    Composer: Miguel Llobet
    Artist: Giulio Tampalini (guitar)

    About this Album:
    This new recording presents the complete guitar works of Llobet, who himself was a virtuoso on his instrument, as shown in the complex and innovative writing. Barcelona-born Miguel Llobet once played for the Spanish royal family in the early 20th century. Credited with beginning the notion of a touring classical guitarist, Llobet travelled throughout Europe and beyond, briefly settling in both Paris and Buenos Aires. He later returned to Barcelona, unable to distance himself from his birthplace despite the grip of the civil war in which the city found itself.

    This collection brings together Llobet’s complete works for guitar, beginning with Leonesa and his popular arrangements of 13 Catalan folk songs. These arrangements, each of a varying character, wring a different emotion from the guitar, from the sprightly L’Hereu Riera and lilting El Noi de la Mare to the flourishes of Cançó de Lladre and the mournful El Testament d’Amelia. The Variations on a Theme of Sor, based on Fernando Sor’s B minor study, contrast a haunting melody with complex articulation. Also featured on the disc are Llobet’s 5 Preludes, the Argentinian Folk Songs, Etudes, the witty and bright Scherzo-Waltz, and the composer’s debut composition Romance, among others.

    Tracklist:
    00:00:00 Leonesa
    00:01:54 Popular Catalan Songs: Cançó de Lladre
    00:09:14 Popular Catalan Songs: El Testament d’Amelia
    00:10:51 Popular Catalan Songs: Lo Fill del Rei
    00:12:04 Popular Catalan Songs: La Pastoreta
    00:18:27 Popular Catalan Songs: La Nit de Nadal
    00:36:42 Variations on a Theme of Sor: Variation IV
    00:37:19 Variations on a Theme of Sor: Variation V
    00:37:48 Variations on a Theme of Sor: Variation VI
    00:38:19 Variations on a Theme of Sor: Intermezzo
    00:39:15 Variations on a Theme of Sor: Variation VII
    00:46:31 Prelude in A
    00:48:21 Prelude in D (à Maria Luisa Anido)
    00:48:35 Original prelude
    00:55:48 Etude-Caprice
    00:57:32 Etude in E
    00:59:18 Respuesta

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  • The Russian Guitar 1800-1850

    7:5:13

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    This comprehensive release is a celebration of the astonishing presence of the guitar in Russia at the beginning of the 19th century. Just the sheer number of composers featured on this 7CD album exemplifies how popular the instrument was. Though many of these composers have now fallen into obscurity, their works live on – discovered by renowned guitarist Oleg Timofeyev, an expert on the music of this time. Mr Timofeyev is known for reviving the seven-string Russian guitar, and it is on this instrument that he performs these works, many of which have never been recorded before.

    Artists: Oleg Timofeyev (Russian seven-string guitar), John Schneiderman (Russian seven-string guitar ), Dan Caraway (Russian seven-string guitar ), Anne Harley (soprano ), Etienne Abelin (classical violin), Kenneth Slowik (fortepiano)

    00:00:00 (Andrey Sychra) The Poor Branch
    00:05:04 (Andrey Sychra) In the Valley
    00:12:35 (Andrey Sychra) Troïka
    00:17:22 (Andrey Sychra) In the Garden
    00:21:30 (Andrey Sychra) Four Études: Étude No. 1
    00:30:10 (Andrey Sychra) Four Études: Étude No. 2
    00:35:08 (Andrey Sychra) Four Études: Étude No. 3
    00:41:10 (Andrey Sychra) Four Études: Étude No. 4
    00:48:02 (Andrey Sychra) Variations on Weber’s Last Thought
    00:56:13 (Andrey Sychra) Rondo à la Savoyard
    01:00:57 (Semion Aksionov) Kamarinskaia
    01:05:48 (Semion Aksionov) In the Valley
    01:11:06 (Semion Aksionov) Exercise in A Minor
    01:12:27 (Semion Aksionov) Feel Bad
    01:16:25 (Semion Aksionov) Pour biendans ma chaumière
    01:20:07 (Semion Aksionov) How Did I Upset You?
    01:24:16 (Semion Aksionov) Akh vy seni
    01:28:38 (Semion Aksionov) Mozart Variations
    01:33:29 (Mikhail Vysotsky) March
    01:37:45 (Mikhail Vysotsky) Stop Singing, oh Nature’s Friend
    01:41:00 (Mikhail Vysotsky) Love Pear
    01:45:39 (Alexander Vetrov) You Won’t Believe
    01:53:08 (Alexander Vetrov) Étude in D Major
    01:56:26 (Alexander Vetrov) Étude in G Major
    01:59:24 (Alexander Vetrov) Étude in A Minor
    02:02:31 (Alexander Vetrov) Rondoletto
    02:05:42 (Ignaz von Held)Rondo
    02:07:29 (Ignaz von Held)Polonaise de Mars
    02:11:48 (Joseph Kamensky) Sonata for Violin and Seven-string Guitar: I. Allegro moderato
    02:19:13 (Joseph Kamensky) Sonata for Violin and Seven-string Guitar: II. Polish Song with Variations
    02:24:51 (Ludwig Sychra) Fantasia
    02:31:03 (Vladimir Lvov) Sonata: I. Allegro moderato
    02:39:17 (Vladimir Lvov) Sonata: II. Rondo. Allegretto
    02:44:18 (Anon.) D’un mensonge
    02:45:52(Anon.) On dit que sans espérance
    02:47:37 (Anon.) À ma Clémence
    02:49:47 (Andrey Sychra) Polonaise
    02:52:15 (Ferdinando Antonolini) Perduta l’arbitra
    02:55:24 (Domenico Cimarosa) Se m’abandoni
    02:58:32 (A. Svientitsky) Variations
    03:02:47 (A. Svientitsky) Kozak – Air russe
    03:05:09 (Mikhail Vysotsky) Fantasia
    03:07:31 (Mikhail Vysotsky) Not a Peacock
    03:12:42 (Mikhail Vysotsky) Troïka
    03:16:43 (Mikhail Vysotsky) I Loved Rose
    03:20:38 (Mikhail Vysotsky) Don’t Be Surprised
    03:23:00 (Mikhail Vysotsky) Fantasia on the Themes from Cramer’s Études
    03:26:24 (Mikhail Vysotsky) Remember, My Friend
    03:31:31 (Mikhail Vysotsky) Bach’s Fugue
    03:35:36 (Mikhail Vysotsky) Cossack
    03:41:03 (Mikhail Vysotsky) Rondo
    03:44:18 (Mikhail Vysotsky) Go Home, Dear Cow
    03:51:15 (Mikhail Vysotsky) Ukrainian Song
    03:53:18 (Mikhail Vysotsky) Ogiński’s Polonaise
    03:57:31 (Mikhail Vysotsky) Ah, Mother, I Have a Headache
    04:01:53 (Mikhail Vysotsky) Vanyusha
    04:04:15 (Andrey Sychra) Polonaise
    04:12:07 (Mikhail Ivanovich Glinka) Polonaise
    04:16:11 (Mikhail Ivanovich Glinka) Kamarinskaia
    04:23:21 (Mikhail Ivanovich Glinka) Potpourri from Life for the Tsar
    04:33:50 (Michał Kleofas Ogiński) Polonaise in A Major
    04:37:09 (Michał Kleofas Ogiński) Polonaise in F Minor
    04:43:18 (Andrey Sychra) Variations on Two Songs
    04:59:15 (Pierre Rode) Polonaise
    05:05:03 (Nikolai Alexandrov) My Heart
    05:07:12 (Nikolai Alexandrov) Graziella
    05:09:32 (Nikolai Alexandrov) It is Hard for Me
    05:11:19 (Nikolai Alexandrov) Gallop
    05:14:25 (Nikolai Alexandrov) Scherzo
    05:18:40 (Nikolai Alexandrov) L’Illusion perdue
    05:20:08 (Nikolai Alexandrov) An Orphan’s Song
    05:21:33 (Nikolai Alexandrov) Ballad
    05:23:31 (Nikolai Alexandrov) Prayer
    05:26:01 (Nikolai Alexandrov) Melody
    05:27:53 (Fiodor Zimmerman) Capriccio in B Minor
    05:30:28 (Fiodor Zimmerman) Capriccio in G Major
    05:33:01 (Fiodor Zimmerman) Tyrolian Waltz
    05:34:18 (Fiodor Zimmerman) Waltz
    05:35:30 (Fiodor Zimmerman) Two Marches: No. 1
    05:37:07 (Fiodor Zimmerman) Two Marches: No. 2

    (Full tracklist can be found in the comment section!)

    #Classical #BrilliantClassics #Music #Composer #ClassicalMusic #RussianMusic #GuitarMusic #ClassicalGuitar

  • Argentina Folk Music

    27:42

    The traditional music of Argentina includes a variety genres. Folk music (called música folklórica or folklore in Spanish) comes in many forms, developed in different parts of Argentina with different European and indigenous influences. In northern Argentina, on the borders with Bolivia and Chile, the music of the Andes reflects the spirit of the land with the sounds of local wind, percussion and string instruments. Chacarera originating in Santiago del Estero, this folk music is accompanied by Spanish guitars and bombo legüero. The name originates from the word chacra (farm), as it was usually danced in rural areas, but it slowly made its way to the cities of that area. It is one of the few Argentine dances for couples where the woman has an equal opportunity to show off. Accordion-based Chamamé arose in the northeastern region (provinces of Corrientes, Formosa & Misiones) an area with many settlers from Poland, Austria and Germany. Polkas, Mazurkas and waltzes came with these immigrants, and soon mixed with the Spanish music already present in the area. According to the Harvard Dictionary of Music, Argentina has one of the richest art music traditions and perhaps the most active contemporary musical life.

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  • Gioachino Rossini - 8 Famous Overtures

    54:13

    Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.

    8 Famous Overtures

    1. Il barbiere di Siviglia (1816)
    2. La scala di seta (1812) (6:57)
    3. Il turco in Italia (1814) (13:08)
    4. Il Signor Bruschino (1813) (21:42)
    5. L'italiana in Algeri (1813) (26:19)
    6. La Cenerentola (1817) (34:24)
    7. La cambiale di matrimonio (1810) (42:30)
    8. La pietra del paragone (1812) (47:56)

    The Royal Philharmonic conducted by Evelino Pido

    1. The Sinfonia (overture) of the Barber of Seville was originally composed in 1813 for Aureliano in Palmira, then employed for the 1815 premiere of Elisabetta, regina d'Inghilterra in Naples before being used for the present opera, which has been its chief association ever since.
    The Barber of Seville, or The Useless Precaution is an opera buffa in two acts with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de Séville (1775). The première of Rossini's opera (under the title Almaviva, o sia L'inutile precauzione) took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.

    2. La scala di seta (The Silken Ladder or Die seidene Leiter) is an operatic farsa comica in one act to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire.

    3. Il turco in Italia (The Turk in Italy) is an opera in two acts. The Italian-language libretto was written by Felice Romani. It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann [de] in 1788.

    4. Il signor Bruschino, ossia Il figlio per azzardo (Signor Bruschino, or The Accidental Son) is a one act operatic farce (farsa giocosa per musica) to a libretto by Giuseppe Maria Foppa, based upon the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry. The opera was first performed in Venice at the Teatro San Moisè on 27 January 1813.

    5. L'Italiana in Algeri; The Italian Girl in Algiers) is an operatic dramma giocoso in two acts to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

    6. La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.

    7. La cambiale di matrimonio; The Bill of Marriage or The Marriage Contract) is a one-act operatic farsa comica to a libretto by Gaetano Rossi. The libretto was based on the play by Camillo Federici (1791) and a previous libretto by Giuseppe Checcherini for Carlo Coccia's 1807 opera, Il matrimonio per lettera di cambio. The opera debuted on 3 November 1810 at the Teatro San Moisè in Venice. It had a run of thirteen performances at Teatro San Moisè.

    8. La pietra del paragone (The Touchstone) is an opera, or melodramma giocoso, to an original Italian libretto by Luigi Romanelli. La pietra del paragone was first performed at La Scala, Milan, on 26 September 1812. It was the composer's first commission from a major opera house and was an instant success, being performed 53 times during its first season.

  • Spanish Classical Music | 17th Century Music From The Spanish Territories

    55:53

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    Composers: Antonio de Cabezón, Andrea Falconieri, Bartolomé de Selma y Salaverde, Bernardo Storace, Francesco Corbetta, Gaspar Sanz, Girolamo Montesardo, Santiago de Murcia
    Artists: Cordevento, Erik Bosgraaf (recorders), Izhar Elias (baroque guitars), Alessandro Pianu (harpsichord & organ)

    This collection draws directly from the works of Italian and Spanish guitarists Girolamo Montesardo, Carlo Calvi, Gaspar Sanz, Santiago de Murcia and Francesco Corbetta, keyboard players Antonio de Cabezón, Bernardo Storace, Jan Pieterszoon Sweelinck and Pieter de Vois, and authors of solo and chamber music for a variety of other instruments, Andrea Falconieri, Bartolomé de Selma y Salaverde and Jacob van Eyck.

    Emblem and ambassador of Spanish culture, it is the guitar that threads the story together, intrinsically intertwined with the Spanish fondness for variation sets on harmonic grounds. Spain’s imperial history explains the wide geographical variety of composers, though even the Dutch Sweelinck seeks to bring local colour to his sober Low Countries aesthetic in his Pavana Hispanica. Elsewhere there are variations on the perennially popular ‘La Follia’, jolly Correntes and tarantellas, and more sinuous diferencias and intabulations of love-songs. They are all performed by a trio of young and talented musicians who bring great rhythmic vitality and a freshly imaginative approach to this inventive act of reconstruction.

    00:00:00 Corriente dicha la Cuella
    01:03:16 La Suave Melodia, y su corrente
    00:04:00 Il Rosso, brando
    00:04:50 Sinfonia a due
    00:07:24 Tarantelas
    00:10:53 Canzon terza
    00:16:22 Pavane de Spanje
    00:17:57 Pavana hispanica
    00:20:30 Corrente dicha l’Avellina
    00:21:27 Il Spiritillo, brando
    00:22:26 Alemana dicha Villega
    00:24:35 Follie in G.sol.re.ut
    00:27:26 La Monarcha
    00:31:23 Follia
    00:35:42 Corrente
    00:36:44 Repicavan
    00:38:49 Canzon seconda
    00:41:50 Diferencias sobre la pavana italiana
    00:45:06 La Esfachata de Nápoles
    00:45:53 La Cavalleria de Nápoles, con dos clarines
    00:48:38 La Benedetta
    00:50:46 La Prudenza, corrente
    00:51:58 Corriente dicha la Mota, echa para D. Pedro dela Mota
    00:53:00 Brando dicho el Melo
    00:54:18 Pavaniglia

  • Richard Clayderman Greatest Hits - Best Songs Of Richard Clayderman - Richard Clayderman Playlist

    1:46:39

    Richard Clayderman Greatest Hits - Best Songs Of Richard Clayderman - Richard Clayderman Playlist

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  • 1 Hour With The Best Baroque Guitar Classical Music Ever - Focus Meditation Reading Concentration

    1:17:35

    00:00:00 Bach - Prelude In D Minor BWV999
    00:02:08 Weiss - Fantasie
    00:05:39 Bach - Suite In E Major BWV1006a
    00:08:51 Vivaldi - Concerto In D Major, RV93 Largo
    00:14:34 Dowland - Fantasie
    00:18:47 Bach - Cantata BWV 147, Jesus Bleibet Meine Freude
    00:22:42 De Visee - Ouverture De La Grotte De Versailles
    00:26:05 Handel - Suite From The Aylesford Pieces
    00:35:37 Weiss - Presto
    00:40:32 Praetorius - Suite In D Major From Terpischore
    00:46:13 Narvaes - Variations Sur Guardame Las Vacas
    00:49:15 Scarlatti - Sonata In D Major K. 490
    00:56:04 Scarlatti - Sonata In A Minor K. 36
    00:59:16 Handel - Xerxes, Largo
    01:04:09 Bach - Prelude, Fugue and Allegro In E Major
    01:06:40 Scarlatti - Sonata In D Minor K141
    01:10:20 Sanz - Danses Populaires

    2016 Marco Gaffurini
    All Rights Reserved

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  • Baroque Music - Classical Music from the Baroque Period

    2:33:55

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    BAROQUE MUSIC

    BACH - BRANDENBURG CONCERTO NO. 3 IN G MAJOR, BWV 1048
    I. — 00:00
    II. Adagio 05:55
    III. Allegro 06:21
    Orchestra da Camera Fiorentina conducted by Giuseppe Lanzetta

    VIVALDI - SINFONIA IN C MAJOR, RV 112
    I. Allegro 11:06
    II. Andante 13:04
    III. Presto 14:56
    Kaunas Chamber Orchestra conducted by Silvano Frontalini

    TELEMANN - VIOLA CONCERTO IN G MAJOR, TWV 51:G9
    I. Largo 15:39
    II. Allegro 19:12
    III. Andante 22:20
    IV. Presto 27:02
    Giovanni Antonioni, Warmia Symphonic Orchestra conducted by Silvano Frontalini

    CORELLI - CONCERTO GROSSO NO. 9 IN F MAJOR, OP. 6
    Preludio. Largo 30:07
    II. Corrente. Vivace 32:13
    III. Gavotta. Allegro 34:05
    IV. Minuetto. Vivace 35:10
    Kiev Camera Orchestra conducted by Liviu Buiuc

    VIVALDI - THE FOUR SEASONS, CONCERTO NO. 1 IN E MAJOR, RV 269 SPRING
    I. Allegro 38:25
    II. Largo 41:42
    III. Allegro pastorale 44:50
    Christiane Edinger, Orchestra da Camera Fiorentina conducted by Giuseppe Lanzetta

    BACH - BRANDENBURG CONCERTO NO. 5 IN D MAJOR, BWV 1050
    I. Allegro 49:07
    II. Affettuoso 59:48
    III. Allegro 1:05:26
    Orchestra da Camera Fiorentina conducted by Giuseppe Lanzetta

    VIVALDI - STRINGS CONCERTO IN B-FLAT MINOR, RV 164
    I. Allegro 1:10:55
    II. Adagio 1:12:55
    III. Allegro 1:13:53
    Kaunas Chamber Orchestra conducted by Marek Tracz

    CORELLI - CONCERTO GROSSO NO. 10 IN C MAJOR, OP. 6
    Preludio. Largo 1:15:14
    II. Adagio 1:17:54
    III. Allegro 1:21:44
    IV. Minuetto. Vivace 1:24:42
    Kiev Camera Orchestra conducted by Liviu Buiuc

    VIVALDI - THE FOUR SEASONS, CONCERTO NO. 4 IN F MINOR, RV 297 WINTER
    I. Allegro non molto 1:26:28
    II. Largo 1:29:56
    III. Allegro, Lento 1:32:08
    Christiane Edinger, Orchestra da Camera Fiorentina conducted by Giuseppe Lanzetta

    BACH - SUITE NO. 2 IN B MINOR, BWV 1067
    I. Ouverture. Lentamente 1:35:46
    II. Rondeau 1:43:30
    III. Sarabande 1:45:01
    IV. Bourrée 1:48:00
    V. Double 1:50:01
    VI. Minuetto 1:53:29
    VII. Badinerie 1:54:44
    Andreas Blau, Orchestra da Camera Fiorentina conducted by Giuseppe Lanzetta

    BACH - HARPSICHORD CONCERTO NO. 1 IN D MINOR, BWV 1052
    I. Allegro 1:56:05
    II. Adagio 2:03:52
    III. Allegro 2:09:53
    Saulis Dirvanauskas, Kaunas Chamber Orchestra conducted by Silvano Frontalini

    BACH - DAS WOHLTEMPERIERTE KLAVIER I: PRÉLUDE & FUGUE NO. 22, BWV 867 2:17:44
    Saulis Dirvanauskas (piano solo)

    BACH - ORCHESTRAL SUITE NO. 3 IN D MAJOR, BWV 1068: II. ARIA 2:20:31
    Giovanni Umberto Battel (piano solo)

    BACH - DAS WOHLTEMPERIERTE KLAVIER I: PRÉLUDE & FUGUE NO. 21, BWV 866 2:26:52
    Saulis Dirvanauskas (piano solo)

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    #baroque #baroquemusic #classicalmusic #classical

  • Agustín Barrios: Classics of the Americas, Vol. 3: Paraguay

    1:4:12

    (DISCLAIMER: Believe Distribution Services, a third-party music distribution company, is solely responsible for the ads that appear in the video. To bypass these ads, please feel free to download this album to your computer.) Composer: Agustín Barrios (1885-1944). Guitarist: Jesus Castro Balbi. Album: Classics of the Americas, Vol. 3: Paraguay. Opus 111 (1992). Track list below. Enjoy the music!

    [0:00] Aconquija (Suite Andina)
    [3:17] Aire de zamba (Suite Andina)
    [5:42] Prelude in G minor, (Opus 5, No.1)
    [8:18] Waltz in D minor (Opus 8, No. 3)
    [12:03] Waltz in G major (Opus 8, No. 4)
    [16:01] Mazurka Appassionata (Impassioned Mazurka)
    [21:00] Las Abejas (The Bees)
    [22:56] Romanza en imitación al violoncello (Romance in Imitation of the Cello)
    [25:51] Un Sueño en la Floresta (The Dream in the Forest)
    [32:30] La Catedral: Introducción
    [34:26] La Catedral: Andante religoso
    [36:16] La Catedral: Allegro
    [39:14] Oración (Prayer)
    [42:24] Caazapá (Popular Paraguayan Song)
    [45:37] Danza Paraguaya
    [48:45] Julia Florida (Barcarola)
    [51:49] Chôro da Saudade (Nostalgic Chôro)
    [56:45] Estudio de Concierto
    [59:13] Prelude in C minor
    [1:01:22] Una Limosna por el Amor de Dios (Alms for the Love of God), San Salvador, May 1944

  • 2 hours Best of Astor Piazzolla - Argentine Tango Music Collection

    1:57:58

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    Fuga Y Misterio
    Adiós Nonino 03:21
    Los Paraguas de Buenos Aires (feat Amelita Baltar) 11:27
    Libertango 16:25
    Tristeza de un Doble 'A' 19:13
    Violetas Populares (feat Amelita Baltar) 26:30
    Fuga 31:10
    Tangata Del alba 34:16
    Ave Maria 39:14
    L'évasion 44:56
    Onda Nueve 51:05
    Mufa 72 57:41
    Quattro Stagioni: Primavera Porteña 01:05:26
    Quattro Stagioni: Verano Porteño 01:10:43
    Quattro Stagioni: Otoño Porteño 01:20:01
    Quattro Stagioni: Invierno Porteño 01:25:14
    Concerto para Bandoneon Y Orchestra: Allegro Marcato Aconcagua (SFW Rundfunkorchester) 01:31:54
    Concerto para Bandoneon Y Orchestra: Moderato Aconcagua (SFW Rundfunkorchester) 01:39:45
    Concerto para Bandoneon Y Orchestra: Presto Aconcagua (SFW Rundfunkorchester) 01:46:59
    Balada Para Un Loco (Nuevos Aires) 01:53:48

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  • Can You Name the Classical Music Pieces?

    10:02

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  • Top 50 Best Classical Guitar Music

    3:22:30

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    Elise Neumann
    00:00:00 País de abanico
    00:04:40 Medallon Antiguo
    00:08:07 Habanera
    00:12:04 Vals Op.8 No.4
    00:16:13 Gavota al estilo antiguo
    00:18:51 Vals Tropical
    00:21:37 El sueño de la razón produce monstruos
    00:28:01 I. La Serenor
    00:32:43 II. La Joia
    00:35:57 III. La Calma
    00:39:02 IV. La Gaubança
    00:41:19 V. La Frisança

    Giorgio Mirto
    00:44:41 El destierro del jerarca
    00:48:47 La rosa eterna
    00:51:46 Rojas rodillas muertas
    00:55:11 Una senil illusion
    00:58:24 Los sueños reales son
    01:02:56 El ultimo viaje
    01:06:50 Flor de otoño

    Frédéric Zigante
    01:10:18 I. Mazurka-chôro
    01:13:44 II. Schottisch-chôro
    01:16:59 III. Valsa-chôro
    01:22:07 IV. Gavotta-chôro
    01:27:14 V. Chôrinho
    01:31:29 Andante – Valsa brilhante
    01:35:45 Mazurka
    Giusepe Feola
    01:38:10 No. 6, Fantasia. Aragon
    01:43:47 No. 2, Oriental
    01:48:25 No. 3, Sevillanas. Sevilla
    01:53:19 No. 1, Serenata. Granada
    01:58:37 No. 4, Saeta. Cadiz
    02:03:20 No. 4, Córdoba
    02:09:53 No. 8, Capricho. Cuba
    02:15:04 No. 5, Leyenda. Asturias
    02:22:16 No. 7, Seguidillas. Castilla
    02:26:02 No. 2, Curranda. Cataluña
    02:30:16 No. 3, Bajo la palmera

    Ermanno Brignolo
    02:35:58 Cançò en el mar
    02:39:51 Catalanesca
    02:42:09 Una leyenda
    02:48:05 I. Pueblo castellano
    02:49:55 II. En Aragón
    02:51:15 III. Brujerias
    02:53:00 I. Preludio
    02:56:55 II. Coral
    03:01:14 III. Cuna
    03:06:47 IV. Recitativo
    03:11:24 V. Canción
    03:14:21 VI. Muñeira
    03:17:13 Leyenda catalana

  • J.S. Bach: Sonatas and Partitas for Classical Guitar

    2:34:58

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    Why transcribe and perform the sonatas and partitas for solo violin on the guitar? It is surely the works themselves that provide the justification; their indestructible melodic poetry and their rich implied counterpoint at which the original violin can only hint.
    Many guitarists have already gone where more cautious spirits would fear to tread and made their own transcriptions; this new version carries the imprimatur of David Russell, one of the most internationally acclaimed guitarists of his generation, who writes that Francesco Teopini ‘plays with a beautiful sound, faithfully recorded. His interpretation shows a deep understanding of these major works.’
    In a useful booklet-note, Teopini himself notes that these works are now standard repertoire for guitarists, even mandatory for the sake of personal development, as perhaps Bach is for every musician regardless of instrument. His arrangement is relatively discreet, adding just a few more bass notes to amplify chords in movements such as the famous Chaconne which is the climax of the cycle. Elsewhere he has borne in mind the art of the clavecin, which no less relevant to the guitar as an instrument of Bach’s time than the original violin. There is naturally greater opportunity for ornamentation, which Teopini takes with discretion.
    Italian by birth, Teopini himself is a graduate of the Royal Academy of Music in London, currently resident as a teacher and performer in Hong Kong, with a repertoire ranging from Bach through the Classical Spanish repertoire to contemporary works, several of which he has commissioned and premiered by composers including Gian Carlo Mantovani and Fausto Tuscano .

    00:00:00 Sonata No. 1 in G Minor, BWV 1001: I. Adagio
    00:05:14 Sonata No. 1 in G Minor, BWV 1001: II. Fuga
    00:10:41 Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
    00:13:44 Sonata No. 1 in G Minor, BWV 1001: IV. Presto
    00:17:36 Partita No. 1 in B Minor, BWV 1002: I. Allemanda – Double
    00:27:17 Partita No. 1 in B Minor, BWV 1002: II. Corrente – Double
    00:35:23 Partita No. 1 in B Minor, BWV 1002: III. Sarabande – Double
    00:42:10 Partita No. 1 in B Minor, BWV 1002: IV. Tempo di borea – Double
    00:49:37 Sonata No. 2 in A Minor, BWV 1003: I. Grave
    00:55:07 Sonata No. 2 in A Minor, BWV 1003: II. Fuga
    01:03:01 Sonata No. 2 in A Minor, BWV 1003: III. Andante
    01:08:59 Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
    01:15:16 Partita No. 2 in D Minor, BWV 1004: I. Allemanda
    01:21:18 Partita No. 2 in D Minor, BWV 1004: II. Corrente
    01:23:43 Partita No. 2 in D Minor, BWV 1004: III. Sarabanda
    01:28:28 Partita No. 2 in D Minor, BWV 1004: IV. Giga
    01:32:37 Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
    01:50:59 Sonata No. 3 in C Major, BWV 1005: I. Adagio
    01:55:44 Sonata No. 3 in C Major, BWV 1005: II. Fuga
    02:08:04 Sonata No. 3 in C Major, BWV 1005: III. Largo
    02:11:21 Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai
    02:16:30 Partita No. 3 in E Major, BWV 1006: I. Preludio
    02:20:26 Partita No. 3 in E Major, BWV 1006: II. Loure
    02:24:07 Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
    02:27:40 Partita No. 3 in E Major, BWV 1006: IV. Menuet I et II
    02:31:21 Partita No. 3 in E Major, BWV 1006: V. Bourrée
    02:33:07 Partita No. 3 in E Major, BWV 1006: VI. Gigue

    Artist:
    Francesco (Teopini classical guitar)

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  • Top 50 Best Classical Violin Music

    2:47:58

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    Artists:
    Mela Tenenbaum (violin)
    Gil Sharon (violin)
    Matthieu Arama (violin)
    Aurélien Pontier (piano)
    Richard Kapp (piano)
    Anton Nel (piano)
    Idith Zvi (piano)

    Tracklist:
    00:00:00 Mazurka in A Minor, Op. 67 No. 4 (Chopin)
    00:03:01 Song Without Words, Op. 2 No. 3 (Tchaikovsky)
    00:06:20 Divertimento, K. 334: Menuet (Mozart)
    00:10:29 Hungarian Dance No. 6, WoO 1 (Brahms)
    00:13:42 Hungarian Dance No. 1, WoO 1 (Brahms)
    00:16:40 Romance in A Major, Op. 94 No. 2 (Schumann)
    00:22:02 Morceaux, Op. 10: No. 2, Humoresque in G Major. Menuet (Bocherini)
    00:25:34 Les millions D'Arlequin: Serenade (Drigo)
    00:30:10 Sonata in A Major (Paganini)
    00:35:04 Träumerei, Op. 21 (Drdla)
    00:37:45 Das Lied der Geige, Op. 2 (Schebek)
    00:40:56 Immer oder nimmer Walzer, Op. 156 (Waldteufel)
    00:50:22 Schön Rosmarin (Kreisler)
    00:52:10 Espana, Op. 165 No. 2: Tango (Albeniz)
    00:54:45 Russian Romance (Chernyetsky)
    00:57:36 Guitarre, Op. 45 No. 2 (Moszkowski)
    01:01:14 Menuet (Attr. Porpora) (Porpora / Kreisler)
    01:05:20 Allegretto grazioso (Porpora / Bonelli)
    01:07:25 Le triomphe de la République: Tambourin (Arr. Burmester) (Gossec (Francois))
    01:08:42 Salut d'amour, Op. 12 (Elgar)
    01:11:16 3 Pieces, Op. 11: Mazurka in F-Sharp Minor (Chopin)
    01:14:07 Poème for Violin and Piano, Op. 41 No. 4 (Arr. Weniger) (Fibich (Zdenek))
    01:16:01 5 Gedichte, WWV 91: V. Träume (Wagner)
    01:19:38 Valse scherzo (Tchaikovsky)
    01:21:30 Song Without Words, Op. 60: I. Andante espressivo “May Breezes” (Arr. Kreisler) (Mendelssohn)
    01:24:12 Myrthen, Op. 25: I. Dedication (Schumann)
    01:26:38 Romance (Rubinstein)
    01:29:18 Cantabile in D Major, Op. 17 (Paganini)
    01:32:19 Hungarian Dance No. 7 in F Major, WoO 1 (Allegretto) (Brahms)
    01:34:45 Romance, Op. 3 (Gliere)
    01:38:50 Kujawiak in A Minor (Wieniawski (Henryk))
    01:41:48 3 Old Viennese Dances: II. Liebesleid (Kreisler)
    01:44:48 Le roi s'amuse: VII. Passepied (Arr. Elman) (Delibes / Elman (Mischa))
    01:46:46 Waltz No. 1 in A Major, Op.54 (Moderato) (Dvorák)
    01:50:22 5 Spanish Dances, Op. 12: I. Allegro brioso (Moszkowski)
    01:52:01 16 Morceaux de Salon, Op. 49: VII. La Sevillana (Alard (Delphin))
    01:54:33 Bandana Sketches, Op. 12 Nobody Knows the Trouble I've Seen (White)
    01:57:57 Le Secret (Gautier (Jacques))
    02:00:40 14 Romances, Op. 34: No. 14, Vocalise (Rachmaninoff)
    02:06:31 Préludes, L. 117, Premier Livre: VIII. La fille aux cheveux de lin (Debussy)
    02:09:17 Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) (Von Gluck, arr. Jascha Heifetz)
    02:12:27 2 Pieces for Cello and Orchestra, Op.20: II. Serenade Espagnole (Arr. Kreisler) (Glazunov, arr. Kreisler)
    02:15:50 3 Romantic Pieces, Op. 75: I. Allegro moderato (Dvorák)
    02:19:25 3 Romantic Pieces, Op. 75: II. Allegro maestoso (Dvorák)
    02:22:22 3 Romantic Pieces, Op. 75: III. Allegro appassionato (Dvorák)
    02:25:13 Thaïs, Act 2: Méditation (Massenet)
    02:29:49 Zigeunerweisen, Op. 20 (Sarasate (Pablo de))
    02:39:46 Romance (Wieniawski (Henryk))
    02:44:46 Hora staccato (Dinicu (Grigoras))
    02:46:10 Pacsirta (Dinicu (Grigoras))

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    #Violin #Classical #BrilliantClassics #Music #ClassicalMusic

  • 50 Masterpieces of Classical Music

    3:42:29

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    50 MASTERPIECES OF CLASSICAL MUSIC: PIANO PIECES

    00:00 1 Chopin - Nocturnes, Op. 9: No. 2, Andante
    05:20 2 Debussy - Suite bergamasque: No. 3, Clair de lune
    10:40 3 Beethoven - Bagatelle No. 25 Für Elise
    14:26 4 Bach - Orchestral Suite No. 3: II. Aria
    20:39 5 Mendelssohn - Lieder ohne Worte, Op. 19b: No. 1 Andante con moto
    23:23 6 Grieg - Lyric Pieces, Op. 12: No. 1, Arietta
    24:31 7 Debussy - Deux arabesques: No. 1, Andantino con moto
    29:22 8 Chopin - Douze études, Op. 25: No. 1 Aeolian Harp
    31:45 9 Beethoven - Piano Sonata No. 14, Op. 27 No. 2 Moonlight Sonata
    38:16 10 Bach-Lodbell - Ave Maria
    39:58 11 Satie - Gymnopedie No. 1
    42:46 12 Schumann - Piano Sonata No. 1, Op. 11: III. Aria
    46:01 13 Schubert - Piano Sonata No. 14, Op. Posth. 143: II. Andante
    49:57 14 Ravel - Pavane pour une infante défunte
    56:03 15 Chopin - Fantaisie-impromptu, Op. 66
    1:00:09 16 Liszt - Études d'exécution transcendante: No. 5, Feux follets
    1:04:22 17 Haydn – Divertimento: III. Finale presto
    1:06:40 18 Mozart - Piano Sonata No. 16 For Beginners: I. Allegro
    1:09:40 19 Mozart - Piano Sonata No. 11: III. Alla Turca
    1:13:18 20 Bach - Notebooks for Anna Magdalena Bach: Menuet

    ORCHESTRAL WORKS
    1:14:35 21 Bach - Brandenburg Concerto No. 3, BWV 1048: I. —
    1:20:33 22 Haydn - Cello Concerto No. 1, Hob. VIIb:1: I. Moderato
    1:29:17 23 Beethoven - Symphony No. 8, Op. 93: II. Allegretto scherzando
    1:33:17 24 Dvorak - Serenata per archi, Op. 22, B. 52: II. Menuetto. Allegro con moto
    1:39:58 25 Brahms - Symphony No. 1, Op. 68: II. Andante sostenuto
    1:48:20 26 Beethoven - Symphony No. 6, Op. 68 Pastoral: I. Allegro ma non troppo
    1:59:12 27 Corelli - Concerto Grosso No. 10, Op. 6: IV. Minuetto. Vivace
    2:00:57 28 Corelli - Concerto Grosso No. 1, Op. 6: I. Largo
    2:03:52 29 Schubert - Symphony No. 8, D. 759 Unfinished: II. Andante con moto
    2:13:32 30 Strauss II - An der schönen blauen Donau, Op. 314
    2:24:56 31 Mozart: Ein musikalischer Spass, Op. 93, K. 522: I. Allegro
    2:27:43 32 Grieg - Holberg Suite, Op. 40: I. Preludio
    2:30:29 33 Bach - Orchestral Suite No. 2, BWV 1067: VII. Badinerie
    2:31:49 34 Bach - Orchestral Suite No. 2, BWV 1067: VI. Minuetto
    2:32:59 35 Vivaldi - The Four Seasons, Concerto No. 1, RV 269 Spring: I. Allegro
    2:36:16 36 Telemann - Viola Concerto, TWV 51:G9: II. Allegro
    2:39:24 37 Vivaldi - The Four Seasons, Concerto No. 3, RV 293 “Autumn”: I. Allegro
    2:44:26 38 Strauss I – Radetzky March, Op. 228
    2:46:52 39 Mozart - Eine Kleine Nachtmusik, K. 525: I. Allegro
    2:52:51 40 Vivaldi – Concerto for Strings, RV 152: I. Allegro molto
    2:54:48 41 Mozart - Symphony No. 40, K. 550: I. Molto allegro
    3:02:58 42 Rossini - Il Barbiere di Siviglia: Ouverture
    3:09:50 43 Strauss II - Tritsch-Tratsch-Polka, Op. 214
    3:12:24 44 Strauss II - Frühlingsstimmen, Op. 410
    3:19:56 45 Tchaikovsky - Nutcracker Suite, Op. 71a: No. 2c, Russian Dance. Trépak, molto vivace
    3:21:09 46 Mozart - Eine Kleine Nachtmusik, K. 525: IV. Rondò. Allegro
    3:24:18 47 Tchaikovskji - Serenade for Strings, Op. 48: II. Valse. Moderato
    3:28:09 48 Boccherini – String Quintet, Op. 11 No. 5, G. 275: III. Minuetto
    3:31:34 49 Mozart - Requiem, K. 626: I. Introitus. Requiem aeternam
    3:36:55 50 Mozart - Requiem, K. 626: Confutatis-Lacrimosa

    1, 3, 4, 7, 8, 9, 12, 13, 16, 17, 19, 20: Giovanni Umberto Battel
    2, 5, 6, 10, 11, 14, 15, 18: Carlo Balzaretti
    21, 23, 26, 29, 32, 41, 42: Orchestra da Camera Fiorentina, Giuseseppe Lanzetta, 49, 50: Harmonia Cantata, 35, 37: Christiane Edinger
    22, 24, 31, 47, 48: I Virtuosi del Teatro alla Scala (Live Recordings)
    25: Olsztyn Orchestra, Marek Tracz
    27, 28: Kiev Camera Orchestra, Liviu Buiuc
    Donetsk Orchestra, Silvano Frontalini
    Kaunas Chamber Orchestra, Marek Tracz
    Giovanni Antonioni, Orchestra Sinfonica Warmia, Silvano Frontalini
    Opole Orchestra, Werner Stiefel
    Stettino Orchestra, Stefan Marzcik
    Vilnius Orchestra, Silvano Frontalini
    #classicalmusic #classical #classicalmusicforstudying

  • J.S. Bach: Suites for Guitar

    2:14:24

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    Composer: Johann Sebastian Bach
    Artist: Luigi Attademo (guitar)

    J.S. Bach composed no original works for guitar, and although several compositions for lute have been attributed to him, his interest in this expressive instrument appears to have been rather limited, possibly because his mastery and knowledge of it was less extensive than of other instruments, such as the violin and keyboard.

    However, the 20th century still witnessed an increasing interest in the possibility of performing Bach’s music on the guitar. It was in the late 1920s that Andrés Segovia recorded the Courante of the 3rd Cello Suite, and he followed this with the Chaconne from the Partita No.2 for solo violin, later recording the entire work. Julian Bream and Narciso Yepes also made recordings on the guitar of Bach’s music, but it was John Williams who eventually recorded the complete works for lute.

    These discs focus particularly on Bach’s Suites for lute – including BWV996, now attributed to his pupil J.L. Krebs. Also included is the complete Partita No.2 for solo violin.

    To ensure that questions of interpretation were considered thoroughly, these recordings were made following extensive study of 18th century performance practice, as well as secondary sources that discuss how Bach’s music was originally played.

    00:00:00 Suite, BWV 996 in E Minor: I. Preludio: Passaggio – Presto
    00:02:57 Suite, BWV 996 in E Minor: II. Allemande
    00:06:47 Suite, BWV 996 in E Minor: III. Courante
    00:09:19 Suite, BWV 996 in E Minor: IV. Sarabande
    00:13:31 Suite, BWV 996 in E Minor: V. Bourée
    00:14:42 Suite, BWV 996 in E Minor: VI. Giga
    00:17:32 Suite, BWV 1006 in E: I. Präludium
    00:21:40 Suite, BWV 1006 in E: II. Loure
    00:25:10 Suite, BWV 1006 in E: III. Gavotte en Rondeaux
    00:28:12 Suite, BWV 1006 in E: IV. Menuett I
    00:29:28 Suite, BWV 1006 in E: V. Menuett II
    00:31:38 Suite, BWV 1006 in E: VI. Bourée
    00:33:12 Suite, BWV 1006 in E: VII. Gigue
    00:35:07 Partita, BWV 1004 in D Minor: I. Allemanda
    00:42:10 Partita, BWV 1004 in D Minor: II. Corrente
    00:44:58 Partita, BWV 1004 in D Minor: III. Sarabanda
    00:49:14 Partita, BWV 1004 in D Minor: IV. Giga
    00:53:46 Partita, BWV 1004 in D Minor: V. Ciaccona
    01:08:07 Suite, BWV 995 in A Minor: I. Prelude
    01:13:26 Suite, BWV 995 in A Minor: II. Allemande
    01:20:10 Suite, BWV 995 in A Minor: III. Courante
    01:22:43 Suite, BWV 995 in A Minor: IV. Sarabande
    01:26:46 Suite, BWV 995 in A Minor: V. Gavotte I
    01:28:54 Suite, BWV 995 in A Minor: VI. Gavotte II en Rondeaux
    01:31:14 Suite, BWV 995 in A Minor: VII. Gigue
    01:33:22 Suite, BWV 997 in A Minor: I. Prelude
    01:36:46 Suite, BWV 997 in A Minor: II. Fuga
    01:44:51 Suite, BWV 997 in A Minor: III. Sarabande
    01:50:04 Suite, BWV 997 in A Minor: IV. Giga
    01:52:57 Suite, BWV 997 in A Minor: V. Double
    01:55:48 Suite, BWV 998 in D: I. Prelude
    01:58:34 Suite, BWV 998 in D: II. Fuga
    02:03:50 Suite, BWV 998 in D: III. Allegro
    02:07:23 Prelude for lute, BWV 999 in D Minor
    02:09:05 Fugue, BWV 1000 in A Minor

    Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel:

    And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

  • Perfect Nostalgia: Best Music of the 1920s 30s & 40s Dance Bands, Big Bands, OIdies

    1:13:01

    Background Vintage Music While Working From Home - 1930s, 40s, 50s ➤
    Soothing Relaxing Vintage Music for Home Working ➤
    Upbeat Music For Home Working ➤ 

    The Past Perfect Channel expertly remasters #vintagemusic from the #1920s, #1930s, #1940s and 50s. French Music, Retro Music, Saxophone Music, Italian Music, Jazz Music, Swing Band Music, Morning Music, Piano and Guitar Music, Music while Cooking, Christmas Music, Background Music, Holiday Music, Big Bands, Dance Bands, Love Songs, Tea Dances, Vintage Parties, Murder Mystery Events, Ballroom Dancing, War Re-enactment Events, Nostalgic Songs. Master Rights Copyright: Past Perfect Limited

    Various Artists - Perfect Nostalgia
    Released 2006-05-29 on Past Perfect
    Buy CD on Amazon:
    Buy CD from Past Perfect:

    1. 00:00:00 Al Bowlly Love Is The Sweetest Thing
    2. 00:03:22 Marlene Dietrich Falling In Love Again
    3. 00:06:19 Nat King Cole Sweet Lorraine
    4. 00:09:32 Bing Crosby White Christmas
    5. 00:12:33 Connie Boswell All Alone
    6. 00:15:33 Glenn Miller Moonlight Serenade (Slow Foxtrot - End of Dance Tune) (Slow Foxtrot - End of Dance Tune)
    7. 00:18:58 Fred Astaire Top Hat White Tie and Tails
    8. 00:21:41 Vera Lynn The White Cliffs Of Dover
    9. 00:24:58 Frank Sinatra Nancy With The Laughing Face
    10. 00:28:22 Tony Martin If It's You
    11. 00:31:26 Gertrude Lawrence Someday I'll Find You
    12. 00:34:30 Noel Coward Mad Dogs And Englishmen
    13. 00:37:22 Hutch Night and Day
    14. 00:40:16 Paul Robeson Ol' Man River
    15. 00:42:53 Dorothy Lamour The Man I Love
    16. 00:46:02 Jack Buchanan Goodnight, Vienna (Square Tango) (Square Tango)
    17. 00:49:20 Flotsam & Jetsam Little Betty Bouncer
    18. 00:51:36 Flanagan & Allen Underneath The Arches
    19. 00:54:40 Hildegarde Darling je vous aime beaucoup
    20. 00:57:21 George Formby Leaning On A Lamp Post
    21. 01:00:25 Jean Sablon Si Tu M'aimes
    22. 01:03:41 Frank Crumit Abdul Abulbul Amir
    23. 01:06:38 Jessie Matthews Everything's In Rhythm With My Heart
    24. 01:09:37 Perry Como Till The End Of Time


    © Past Perfect Limited
    ℗ Past Perfect Limited

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  • Maria Callas Live: Bizets Carmen Habanera, Hamburg 1962

    6:22


    Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.

    __________

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    Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.

    Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.

    Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.

    Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.

  • Andrea Bocelli - Nelle Tue Mani from ‘Gladiator

    4:17

    ‘Return To Love’ featuring Ellie Goulding is out now! Listen here:
    Pre-order Sì Forever, the new album from Andrea Bocelli, here:

    Watch the Music for Hope full event here:
    Listen to the Music for Hope full event here:

    We are delighted to present the incredible video to Gladiator, from Andrea Bocelli’s brand new album Cinema.
    Pre order on iTunes:
    Pre order from the Official Store:
    The world's greatest tenor sings the world's greatest movie songs!
    Living legend Andrea Bocelli gives his unique voice to some of the best loved music from the movies ever composed. Released on October 23rd the album features themes from Doctor Zhivago, The Godfather, Gladiator, Breakfast at Tiffany's and many more, as well as popular songs from stage musicals, immortalised by their film versions, such as west side story and Evita.
    Don’t forget to leave a comment and join the conversation on Twitter with #BocelliCinema
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  • Francisco Tárrega - Gran Vals

    2:57

    Francisco de Asís Tárrega y Eixea (21 November 1852 - 15 December 1909) was an influential Spanish composer and guitarist of the Romantic period.

    He is the composer of what has been claimed to be probably the world's most heard tune: the Nokia ringtone, Nokia tune, or simply Nokia, also used in advertising spots, is based on Tárrega's Gran Vals.

    Guitar: David Russell

  • Postcards 葉書 - Japanese Ambient Music

    1:46

    Synth melodies, real Kyoto soundscapes and traditional sampled instrumentes mix togheter in a space of constant flow. Postcards reimagines the soundscapes of japanese ambient music from the 80s and the 90s.

    ???? Like Japanese Ambient? Tune in to The Kyoto Connection radio. A carefully-selected curation of the best Japanese Ambient/Environmental/Instrumental music. ???? We are live 24/7

    ???? Wondering how we made it? Visit for some interesting facts

    ✅ Check out our new japanese ambient album Kokoro:

    ❗NEW Download our FULL DISCOGRAPHY (10 albums, +100 tracks, one .zip file)

    Deeply inspired by the works of Hiroshi Yoshimura, whose soul we dedicate this album.

    Our tribute to Japanese Ambient Music POSTCARDS

    TRACKLIST
    00:00 Kansai
    03:38 DNA
    07:08 Kamakura
    11:28 Mindscape 1 (Lights)
    15:30 Inoue
    20:30 Rain
    24:00 Mindscape 2 (Fukushima)
    30:55 Tea House
    34:45 Suikinkutsu
    39:11 Birds
    41:10 Mindscape 3 (Insights)
    45:55 Quiet Forest
    50:20 Wave Notation
    53:24 Postcards
    58:55 The Matsuyama Mirror

    It may sound crazy, but we've never been in Kyoto. We are from Argentina and we feel a strong connection with the traditional japanese culture. So we get our japanese inspiration from Youtube videos, japanese musicians, blogs, books and pictures posted by locals and tourists.

    We love Kyoto and we want to get there! We want to visit the place that inspired so many songs to us for more than ten years.

    And you can help us.

    All donations will be destined to our first (and maybe only?) trip to Japan. Once there, we want to play our music but we also will be recording soundscapes, making video footages and taking pictures for our future releases. All that material will be freely available for download with a Creative Commons License.

    Be part of our dream. Your name will be put in a list of contributors, and that list will be stored in a sacred place at Kyoto when we get there. Every contribution will get us closer to our destination. Thank you!

    ????

    --
    ABOUT US

    The Kyoto Connection is a musical voyage. A step into the inner universe through a mixture of electronic ambients, melodies, and japanese sounds. Inspired by the emotions, colors and feelings of the traditional japanese culture, the music of The Kyoto Connection explores different ways and musical genres to reach a unique experience.

    11 years of musical development have turned into ten albums with more than 2 millon downloads world-wide.

    ???? Free download:
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    ❤️ Subscribe if you like!

    ???? tkc

  • Spanish guitar music instrumental acoustic chill out mix compilation

    1:43:43

    Spanish guitar music instrumental acoustic. Relaxing classical guitar and piano mix. Romantic, chillout, easy listening sensual compilation. Video set in Barcelona and Madrid.

    ???? Subscribe →
    ???? Facebook →

    ● Spanish Guitar music
    1.

    Music, thumbnail and video are copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

  • Requiem – John Rutter – COMPLETE Rivertree Singers & Friends conducted by Warren Cook

    37:20

    — If you would like to be a participant in the Rivertree Singers & Friends Choral Festival, please check our website for details each spring. Jump to a specific movement:
    01:11 - Requiem aeternam
    06:59 - Psalm 130: Out of the deep
    12:42 - Pie Jesu
    16:47 - Sanctus – Benedictus
    19:04 - Agnus Dei
    24:45 - Psalm 23: The Lord is my shepherd
    29:53 - Lux aeterna

    The soloists’ names in order of appearance: Heather Huron, Nikki Eoute

    Warren Cook and Rivertree Singers hosted the second Rivertree Singers & Friends, a choral festival and concert in Greenville, SC. 120 additional singers from 11 states joined the 42-voice Rivertree Singers and orchestra for a beautiful performance of John Rutter’s well-loved Requiem.

    The performance was dedicated to the congregation and loved ones affected by the tragic killings in Charleston, SC on June 17, 2015.

    In 2014, Rivertree Singers invited other accomplished musicians to join them in a performance of Dan Forrest’s highly acclaimed Requiem for the Living—a stirring and uplifting work exploring pain, loss, redemption, peace and rest.

    Posted with permission of Hinshaw Music.

  • Tchaikovsky Piano Concerto No 1 FULL / Martha Argerich, piano - Charles Dutoit, conductor

    34:57

    Martha Argerich, piano - Charles Dutoit, conductor
    Orchestre de la Suisse Romande 1975

  • Jubilate Deo – Dan Forrest – COMPLETE – Rivertree Singers & Friends

    52:26

    — If you would like to be a participant in the Rivertree Singers & Friends Choral Festival, please check our website for details each spring. You can also purchase an audio recording of Jubilate Deo at PROGRAM NOTES BELOW

    The soloists’ names in order of appearance: Nikki Eoute, Laura Brundage, Heather Huron

    Jubilate Deo (HMB269) is published by Hinshaw Music.

    For more information and free rehearsal tracks visit:


    From the composer:
    Jubilate Deo portrays the global aspect of the traditional Psalm 100 text, “O be joyful in the Lord, all ye lands,” by setting it in seven different languages and drawing from a wide spectrum of musical influences. Each movement combines some characteristics of its language-group’s musical culture with the composer’s own musical language. The opening movement sets the ancient liturgical Latin translation of the Psalm in a rather American musical idiom and introduces key musical motives for the work. The second movement sets the “from age to age” portion of the text in Hebrew and Arabic, evoking ancient cultures from the Middle East. The music intentionally intertwines the two languages in a symbolic gesture of unity between these cultures. Movement three, in Mandarin Chinese, is a tranquil setting of the shepherd-sheep metaphor from Psalm 100 and quotes “the Lord is my shepherd” from Psalm 23. The orchestra evokes the sounds of traditional Asian instruments. The fourth movement sets celebratory portions of the text in Zulu and draws from African vocal and drumming traditions. Movement five represents Latin America, setting Spanish text to a folk-song style melody and blending traditional folk instrumental sounds with imitative textures. The sixth movement, “Song of the Earth,” portrays the Earth itself singing—first wordlessly, but eventually finding its own voice— and leads seamlessly into the final movement. The finale unites many of the key themes and cultures from previous movements with other material, both old and new, as all the earth sings as one, “omnis terra, jubilate!”
    - Dan Forrest

    1. Jubilate Deo… – 0:50

    O be joyful in the Lord, all ye lands: serve the Lord with gladness, and come before his presence with a song. Be ye sure that the Lord he is God; it is he that hath made us, and not we ourselves; we are his people, and the sheep of his pasture. O go your way into his gates with thanksgiving, and into his courts with praise; be thankful unto him, and speak good of his name. For the Lord is gracious, his mercy is everlasting; and his truth endureth from generation to generation. (Psalm 100, Latin Vulgate)

    2. Ve adthdor vador (From age to age) – 9:40
    Bless his name. For the Lord is gracious, his mercy is everlasting, and his truth endures from age to age. (From Psalm 100:4-5, Hebrew and Arabic)

    3. Ta cao chang de yang (The sheep of his pasture) – 18:35

    It is he that has made us, and not we ourselves; we are his people, and the sheep of his pasture.The Lord is my shepherd, I shall not want. (From Psalms 100:3 and 23:1, Mandarin Chinese)

    4. Ngokujabula! (With great rejoicing!) – 27:15

    Shout with triumph to the Lord, all the earth! Serve the Lord with joy, come before his presence with singing. Know that the Lord is God! (From Psalm 100:1-3, Zulu)

    5. Bendecid su nombre (Bless his name) – 32:27

    Enter his gates with thanksgiving, his courts with praise. Be thankful, and bless his name. (Psalm 100:4, Spanish)

    6. Song of the Earth – 39:28

    Alleluia. (Praise Jehovah - nearly universal transliteration)

    7. ...Omnis Terra! – 44:56

    Sing for joy, dance in gladness, shout for joy, all the earth!
    (Adapted from various English translations)

    Commissioned by Henry Leck for the Indianapolis Children’s Choirs, Jubilate Deo was premiered in April 2016 and is Dan Forrest’s largest work to date. The work will receive its Carnegie Hall premiere in March 2017.

    Festival Staff
    Warren Cook – Artistic Director, Conductor
    Jean Cook – Rehearsal Accompanist
    Philip Eoute – Festival Producer
    Laura Brundage – Assistant to the Director
    Kevin Delp – Finance Manager
    Nikki Eoute – Orchestra Manager
    Caleb Greene – Designer
    Joey Hoelscher, Nikki Eoute – Rehearsal Coach
    Julianne Brown – Librarian
    Nikki Eoute, Kelly Martin – Section Leader
    T. J. Ellis, Ryan Martin – Section Leader
    Rodney McCarty – Stage Manager
    Matthew Steel – Sound Engineer
    Bill Kimzey – Video Producer

  • English Country Dances - 17Th Century Music - J.Playford,D.Douglass,P.ODette,A.Lawrence-King

    1:17:39

    English Country Dances - 17Th Century Music From The Publications Of John Playford (David Douglass, Paul O'Dette, Andrew Lawrence-King)

    Original Release Date: May 10, 1998
    Label: harmonia mundi
    Copyright: (c) 1998 harmonia mundi usa
    Total Length: 1:17:31
    Genres: Classical

    TRACKLIST:
    1 Tom Scarlett 2:59
    2 Old Simon The King 3:44
    3 Another Divison On A Ground By Mr. John Bannister 9:53
    4 Moll Peatly, Or The Old Marinett 2:15
    5 The Bear's Dance 4:25
    6 Hudson House 1:52
    7 Sir Martin Marah's Jigg 2:07
    8 Fy Nay, Prithee John! 2:21
    9 Paul's Steeple, Or The Duke Of Norfolk 3:34
    10 The Glory Of The West 1:37
    11 The Mock Glory Of The West 1:53
    12 The Glory Of The Sun 4:00
    13 Faronell's Division On A Ground 7:26
    14 Prelude 1:16
    15 Long Cold Nights 7:44
    16 Johney Cock Thy Beaver: Scotch Tune To A Ground 2:30
    17 Greene-Sleeves 3:47
    18 Stingo, Or The Oyle Of Barly 1:09
    19 Cockleshells 5:28
    20 Another Division On A Ground By Mr. P.B. 3:25
    21 The Queen's Jigg 3:58



    These selections of English Country Dances from the publications of the English music publisher John Playford are recorded and played so well as to relegate any criticism to spoiled grapes. Perhaps a musicologist might carp on some fine points, but then again probably not - musicologists actually enjoy a good tune, too. There is a nice couple pages of notes by Jack Ashworth on the historical background of the music, and a further short page by David Douglass on how he envisioned the 'nature' of several of the pieces. There is also a French translation following the English notes. Seven instruments are mixed higgledy-piggledy as the performers deem best - a copy of a 1652 Amati Violin, and copies of a Theorbo, a Cittern, a 16-string harp, an Italian Double Harp, an Irish Harp, and a Guitar. For the curious Douglass plays the violin only, but offers playing consanguineous with his name.
    Among the choices cut 15 - Long Cold Nights - seems almost New Age in its evocation of the heavens: one might be in Big Sur looking up at the stars. The many other pieces come in divers moods and tempi, with great care given to which instruments are employed. It's difficult to imagine anyone disliking such engaging tunes, such joy in their making. The recording is of course digital so it helps to have a system capable of taming the inevitable string stridencies, but that said - if you like music from this period, or are curious, this CD offers a wonderful selection.


    Painting: The Country Dance - Jean-Antoine Watteau, 1684-1721

  • All You Have To Say

    2:37

    Tabs and Sheet music are available here:
    Yet another love Song without words... Sorry... ;-)
    Guitar: Per Hallgren, Sweden (2011) (La Rubia)
    Guitar support. Sagework

  • Yanni Live at the Acropolis, Greece - Santorini

    3:07

    - Yanni performing Santorini from the album Live at the Acropolis in Greece.

    20th Anniversary Commemorative Items:

  • God Will Make A Way - Don Moen Religious Song

    4:21

    I really love this song that is why i made this video with lyrics of the song. When I heard this song it made me pause for while and talk to God.

  • Time To Say Goodbye - Katherine Jenkins

    4:03

    Order One Fine Day 2011
    A collection of favourite Katherine Jenkins songs coming this autumn, coupled with a special bonus DVD

    Music video to Time To Say Goodbye by Katherine Jenkins, one of the special feautures on the bonus DVD, along with all of Katherines music videos.

  • Vintage Brazil Touch - Best Of Vintage Brazilian Songs

    2:38:25

    Vintage Brazil Touch – Best Of Vintage Brazilian Songs

    Find the album here:

    Join us on facebook:

    Tracklist :
    00:00 - Antonio Carlos Jobim - One Note Samba
    03:20 - Joao Gilberto - Corcovado
    05:14 - Herbie Man - Once I loved
    07:50 - Joao Gilberto - Doralice
    09:15 - Joao Gilberto - O Pato
    11:10 - Stan Getz - Desafinado
    17:02 - Dorival Caymmi - Eu Nao Tenho onde Morar
    19:22 - Sylvia Telles - Dindi
    21:56 - Laurindo Almeida - Tocata
    26:40 - Carlos Lyra - Maria Ninguem
    29:34 - Flavio Farria - Wave
    33:47 - Sergio Mendes - Outra Vez
    36:10 - Stan Getz - Manha de Carnaval
    41:58 - Luiz Bonfa - Samba de Orfeu
    44:02 - Stan Getz - Chega de Saudade
    48:14 - Luis Eça - Aquarela do Brazil
    50:48 - Carlos Lyra - Voce e Eu
    51:48 - Joao Gilberto - Discussao
    53:36 - Os Cariocas - Zelao
    56:26 - Carlos Lyra - Coisa Mais Linda
    57:54 - Agostinho dos Santos - A Felicidade
    01:00:35 – Maysa - Meditacao
    01:03:30 - Joao Gilberto - Meditacao
    01:05:14 - Sylvia Telles - Fotografia
    01:07:56 - Eliseth Cardoso - Outra Vez
    01:09:50 - Joao Gilberto - So Em Teus Bracos
    01:11:37 - Dorival Caymmi - Rosa Morena
    01:13:56 - Dorival Caymmi - Acontece Que Eu Sou Baiano
    01:16:13 - Luiz Bonfa - Manha de Carnaval
    01:19:15 - Luiz Bonfa - Passeio no Rio
    01:21:06 - Bud Shank & Laurindo Almeida - Nocturno
    01:24:38 - Flavio Faria - Essa Moca Ta Differente
    01:28:00 - Stan Getz - Baia
    01:34:40 - Lucio Alves - Lamento Non Morro
    01:37:14 - Carlos Lyra - Cancao do Olhar Amado
    01:39:44 - Sylvia Telles - Samba de Uma Nota So
    01:42:01 - Joao Gilberto - Trevo de Quatro Folhas
    01:43:23 - Tamba Trio - Desafinado
    01:46:06 - Baden Powell - Do Jetto Que a Gente Quer
    01:48:41 - Lucio Alves - Samba Triste
    01:51:17 - Sergio Mendes - Tristeza de Nos Dois
    01:53:29 - Sonia Delfino - O Barquinho
    01:55:40 - Sylvia Telles - Se e Tarde Me Perdoa
    01:57:22 - Joao Gilberto - Amor Certinho
    01:59:13 - Baden Powell - Improviso Em Bossa Nova
    02:01:19 - Flavio Faria - Aquarela do Brazil
    02:05:00 - Carlos Lyra - Quem Quiser Encontrar O Amor
    02:06:57 - Joao Gilberto - Um Abraco No Bonfa
    02:08:33 - Stan Getz - Balanco No Samba
    02:11:32 - Dorival Caymmi - Eu Nao Tenho Onde Morar
    02:13:52 - Eliseth Cardoso - Caminho de Pedra
    02:16:36 - Sergio Ricardo - Pernas
    02:18:34 - Agostinho dos Santos - Dindi
    02:21:11 – Maciel - O Nossor Amor
    02:23:34 - Os Cariocas - Criticando
    02:26:37 - Agostinho dos Santos - O Amor Em Paz
    02:29:26 - Joao Gilberto - Insensatez
    02:31:49 - Carlos Lyra - Nada Como Ter Amor
    02:33:34 - Tamba Trio - Nos E O Mar
    02:35:48 - Sylvia Telles - Corcovado

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  • Balkan Gypsy Music

    31:32

    Romani music or Gipsy music is the music of the Romani people, who have their origins in northern India, but today live mostly in Europe. Historically nomadic, though now largely settled, the Romani people have long acted as entertainers and tradesmen. In many of the places Romanies live they have become known as musicians. The wide distances travelled have introduced a multitude of influences of Byzantine, Greek, Arabic, Indian, Persian, Turkish, Slavic, Romanian, German, Dutch, French, Spanish and even Jewish musical forms. It is difficult to define the parameters of a unified Romani musical style, as there are many differences in melodic, harmonic, rhythmic and formal structures from region to region. Lyrics to Romani songs are often sung in one or more dialects of the Romani language, and dance frequently accompanies Romani music performance.

    The quintessentially Spanish flamenco is to a very large extent the music (and dance, or indeed the culture) of the Romani people of Andalusia. Apart from Romani music for local use, in Eastern Europe a separate Romani music originated for entertainment at parties and celebrations. This music drew its themes from Hungarian, Romanian, Russian and other sources. Later on it gained popularity in Western Europe, where many Romani orchestras were active, playing sophisticated melodies of East European origin. Most Romani music is based on the folk music of the countries where the Romani went through or settled. Local music is adopted and performed – usually instrumental – and, slowly, it is transformed into Romani styles, which are usually more complex than the original styles. In its turn, Romani music has greatly influenced the local music.

    Traditional Music Channel is for everyone who has a passion for music and cultural heritage.
    Whether you are an educator, artist, archivist, student or music enthusiast.
    With your support we can continue our mission.

    With recordings from more than hundred nations our Collection of Traditional Music offers a staggering diversity of our shared humanity.

    Traditional Music Channel © All Rights Reserved

  • Carlos Guastavino - Cantilena No.5

    4:38

    This is from Diez Cantilenas Argentinas.

    Carlos Guastavino (1912 – 2000) was one of the foremost Argentine composers of the 20th century. His production amounted to over 500 works, most of them songs for piano and voice, many still unpublished. His style was quite conservative, always tonal and lusciously romantic. His compositions were clearly influenced by Argentine folk music. His reputation was based almost entirely on his songs, and Guastavino has sometimes been called the Schubert of the Pampas. Some of his songs, for example Pueblito, mi pueblo, La rosa y el sauce (The Rose and the Willow) and Se equivocó la paloma (The Dove Was Wrong), became national favorites. Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he really had little need for other income.

    Guastavino's musical style marked a stark contrast with the works of his 20th-century Argentine contemporaries such as Alberto Ginastera and reveals the influence of European composers such as Albéniz, Granados, Rachmaninoff, Chabrier, Falla, Debussy, and Ravel, but also is clearly inherited from the luminaries of 19th-century Argentine nationalist composers.

    Guastavino's stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians in the 1960s.

    ----

    Honestly, I am really happy to present this video. I studied this piece seriously the last weeks, analysed it, especially the load of melodic lines lingering, listened a couple of times to the composer's performance and analysed that one as well, played it dozens of times. It is a difficult piece, both technically as well as melodically. It was actually too difficult for the time I can really spend for YouTube, but I was just so amazed by the composition, that I felt it's worth it and I couldn't stop practicing it. I could write about so many little details which I enjoyed about this piece, for example did I not know that moving septs can have such a melancholic and whiny sound. I really put my personal interpretation into it. Hopefully this channel will see some other Cantilenas by him. What a great find.

  • ???? Rossini Barber of Seville Opera - Best opera songs of all time by Rossini

    2:7:53

    Best opera songs of all time. Rossini Barber of Seville Opera. Perfect Classical Music for studying, concentration and relaxation. Follow us on Facebook ►
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    Gioachino Antonio Rossini The Barber of Seville

    1. The Barber of Seville - Act 1 - 1st Part 00:00
    2. The Barber of Seville - Act 1 - 2nd Part 23:18
    3. The Barber of Seville - Act 1 - 3rd Part 44:11
    4. The Barber of Seville - Act 1 - Fin 1:04:51
    5. The Barber of Seville - Act 2 - 1st Part 1:24:47
    6. The Barber of Seville - Act 2 - Fin 1:47:05

    The Barber of Seville, or The Futile Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de Séville (1775). The première of Rossini's opera (under the title Almaviva, o sia L'inutile precauzione) took place on 20 February 1816 at the Teatro Argentina, Rome.

    Gioacchino Rossini (1792 - 1868) was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces. His best-known operas include the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola and the French-language epics Moïse et Pharaon and Guillaume Tell (William Tell). A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname The Italian Mozart. Until his retirement in 1829, Rossini had been the most popular opera composer in history.

    Frederic Chopin playlist:


    W. A. Mozart playlist:

  • Vals Argentinian - Jardin de las Rosas by Samuel Castriota

    3:12

    For more waltzes from the Latin Americas, please check out this playlist:

    The Argentinian Waltz is insipired by Spanish dance such as the tango and the milonga. It is still a romantic piece, flanked by the two main waltzes and a trio. There are various variations of it, ranging from the French and American Waltzes to regional variations such as the Creole and the Bostonian. Most of them had lyrics written to them, so they have a song-like quality to them.

    Samuel Castriota, born in Buenos Aires, (2 November 1885 - 8 July 1932) was a pianist, guitarist and composer. He started his career alternating between a barber and that of a guitarist. He later switched to the piano. He played with the violinist Francisco Canaro in one of his bands. He survived on his winnings from a casino winnings than from a copyright.

  • Guastavino Sonata 1. para Guitarra

    4:30

    2020 Essen

    Guitar:Paco Marin

    Carlos Guastavino (1912-2000)
    was one of the foremost Argentine composers of the 20th century. His production amounted to over 500 works, most of them songs for piano and voice, many still unpublished. His style was quite conservative, always tonal and lusciously romantic. His compositions were clearly influenced by Argentine folk music. His reputation was based almost entirely on his songs, and Guastavino has sometimes been called the Schubert of the Pampas.

    Carlos Guastavino 20th Anniversary!

    Sonata para Guitarra nr.1
    1. Allegro deciso e molto ritmico (Ausgeschnitten)

    played by Woongsik Choi

  • Ivan Danilov plays Schindlers List Theme on a 1993 Thomas Humphrey

    3:53

    Ivan Danilov plays Schindler's List Theme on a 1993 Thomas Humphrey. Follow us on Facebook, Twitter, Instagram and on our website:




    Don't forget to like, comment, share and subscribe the channel
    #classical guitar #guitare classique #クラシックギター

  • Rossini - The Barber of Seville Overture

    7:50

    Check out more on

    My Classical Music Playlist:


    The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de Séville (1775). The première of Rossini's opera (under the title Almaviva, o sia L'inutile precauzione) took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.
    Rossini's Barber has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all opere buffe. After two hundred years, it remains a popular work.
    (source:

    Composer: Gioachino Antonio Rossini (1792-1868)

    Audio source:
    The Barber of Seville - Overture by Davis High School Symphony Orchestra is under a Creative Commons Public Domain Mark 1.0 (

    Image source: by Nadar (1820-1910)

  • 100th Anniversary of the First World War : Classical Music composed during the Great War

    45:18

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    1914 – 2014: A collection of music composed in the years of the First World War by some of the most important European composers of the Early twentieth century, to remember and honour the victims of the Great War in the anniversary of the beginning of the conflict.

    Szymanowsky's concerto is performed by Warmia Symphonic Orchestra conducted by Silvano Frontalini; Beatice Antonionini plays the soloist violin.
    Caggiano's work is performed by Slupsk National Orchestra conducted by Silvano Frontalini.

    Ravel – Prelude (00:00)
    Puccini – Gianni Schicchi (01:31)
    Stravinskij – Danza Infernale (04:02)
    Szymanowski –Violin Concerto op. 61 – I mov (08:31)
    Szymanowski –Violin Concerto op. 61 – II mov (14:19)
    Szymanowski –Violin Concerto op. 61 – III mov (20:19)
    Szymanowski –Violin Concerto op. 61 – IV mov (21:52)
    Szymanowski –Violin Concerto op. 61 – V mov (24:24)
    Szymanowski –Violin Concerto op. 61 – VI mov (27:04)
    Caggiano – La tomba del Busento (29:45) Thank you so much for watching this video by Halidon Music channel, we hope you enjoy it!
    Don't forget to share it and subscribe to our channel

  • How to play THE EMERGING LIGHT by Casarotti | Smart Classical Piano | Classical & Film

    8:49

    Learn how to play The Emerging Light (Section 2) by Francisco Casarotti
    ►Watch the FULL Piano Tutorial, totally FREE (time-limited)
    ►► Click Here: ‎

    ♬ Sheet Music. Find the sheet for all the pieces on our website.

    ❤️ Share Love. Leave a comment. It took me about 3 hours to record this. Please let me how I did ;-)

    〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

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    ????Info: Francisco Casarotti iFrancisco Casarotti is a self-taught pianist and composer from Montreal, Quebec. He was born in Argentina but moved to Canada. His first single is The Emerging Light.

    ???? Enjoy the best classical music on piano taught and visualised by the Smart Piano School. Search nowhere else for epic classical piano tutorials. We are the channel dedicated to classical themes on the keyboard.

    ⚙️ Performance by Igor Kratovic © Smart Classical Piano (2020) Original Music © Francisco Casarotti

    Learn easy piano beginner lessons of classical music with SmartClassicalPiano lessons. We specialise only on classical music so head over to to learn tons & tons more!

  • Köhler romantic etude no. 7, In the Moonlight | an etude a day

    4:09

    Day 20! Köhler Romantic Etude no. 7, In the Moonlight ????

    find the music here:


    watch my Argentina concert vlog:


    - ✨ t a k e a n o n l i n e f l u t e l e s s o n w i t h m e ✨ -

    or
    email dearkatieflute@gmail.com with lessons in the subject


    - ✨ a b o u t a n e t u d e a d a y ✨ -

    I started the etude a day project as a way to keep in playing shape during this time off from concerts/gigs/performances/auditions/etc. due to the pandemic. Each day I have challenged myself to read through an etude, record it, and upload it.
    Q: What is an etude?
    A: An etude is an instrumental musical composition, usually short, of considerable difficulty, and designed to provide practice material for perfecting a particular musical skill. Etudes are also called studies.
    Q: How long do you practice each etude before recording?
    A: For the more simple ones I often read them through once before recording or even sight read them. For the more complex ones I practice them a bit more the day of recording!


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    Q: what flute do you play on?
    A: a 9 karat rose gold Muramatsu
    Q: where did you go to school?
    A: I studied at New England Conservatory, The Juilliard School, and Peabody Conservatory
    Q: What do you do besides YouTube/content creation?
    A: I am a freelance flutist! I play concerts and teach privately.


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  • Camellia: Music for a Tea Ceremony - Camellia Teahouse feat. The Kyoto Connection

    7:03

    A film collaboration featuring a tea ceremony at Camellia Teahouse and musical arrangements by The Kyoto Connection.

    Tea Instructor: Nao-san
    Music composer: Facundo Arena
    Violin: Jesica Rubino

    Special thanks to Kieren, Business Development Manager at Camellia Teahouse for making this project come true.

    About Camellia Garden Teahouse
    Camellia GARDEN’s striking surroundings make it one of the most beautiful locations to experience tea ceremony in Kyoto. The traditional Japanese house, which sits amongst stunning gardens, is over 100 years old.

    It is located a minute’s walk from the main gate of Ryoan-ji, one of Kyoto’s most popular destinations. The Zen temple is famed for its rock garden, possibly the most renowned of its kind in the world.



    About The Kyoto Connection
    The Kyoto Connection is a musical voyage. A step into the inner universe through a mixture of electronic ambients, melodies, and japanese sounds. Inspired by the emotions, colors and feelings of the traditional japanese culture, the music of The Kyoto Connection explores different ways and musical genres to reach a unique experience.

    15 years of musical development have turned into ten albums with more than 2 millon downloads world-wide.

    Help us get to Kyoto!
    It may sound crazy, but we've never been in Kyoto. We are from Argentina and we feel a strong connection with the traditional japanese culture. So we get our inspiration from Youtube videos, japanese musicians, blogs, books and pictures posted on social media.

    We love Kyoto and we want to get there! We want to visit the place that inspired so many songs to us for more than ten years.

    And you can help us.

    All donations will be go to our first trip to Japan. Once there, we want to play our music but we also will be recording soundscapes, making video footages and taking pictures for our future releases. All that material will be freely available for download with a Creative Commons License.

    Be part of our dream. Your name will be put in a list of contributors, and that list will be stored in a special place at Kyoto when we get there. Every contribution will get us closer to our destination. Thank you!

    ????

  • Dmitri Shostakovich - Homage to great Youtubers : imusiciki

    40:19

    Homage to great Youtubers : imusiciki
    Dmitri Shostakovich (1906-1975) (Russie)
    The Gadfly/Le Taon, suite (1955), music of Aleksandr Fajntsimmer's film (1955), based on the novel The Gadfly (1897) by Ethel Lilian Voynich.
    Dir : Vladimir Fedosseiev

    1- Ouverture (2.45)
    2- Contredanse (2.45)
    3- Fête folklorique (2.52)
    4- Interlude (2.40)
    5- Valse à l'orgue de Barbarie (2.10)
    6- Galop (2.04)
    7- Prélude (4.36)
    8- Romance (4.41)
    9- Intermezzo (5.49)
    10- Nocturne (4.08)
    11- Scène (2.54)
    12- Finale (3.13)

    On collectionCB2 we can also listen to Dmitri Shostakovich's « Hamlet, incidental music » (1932) and « Symphony No. 5 » (1937).

    Created on 2008, April the 25th, by a Canadian, « imusiciki »'s cultural musical channel, which seems to have stopped uploads on 2010, July the 18th, presents more than 400 classical or romantic works (in the broad sense) of composers of the four last centuries, from Jean-Sebastien Bach to Jean Sibelius, from Edvard Grieg to Dmitri Shostakovich, « imusiciki »'s favorite composer. Violinists and pianists are well represented, as well as famous conductors and sopranos. In this catalog of high quality, we especially recommend you : Wolfgang Amadeus Mozart's « Symphony No. 41 Jupiter » (1788) ; Piotr Tchaikovsky's « Piano Concerto No. 1 » (1875), « Swan Lake, ballet suite » (1876) ; and « Nutcracker, ballet suite » (1892) ; Edvard Grieg's « Holberg Suite, for strings » (1884) ; Frederick Delius's « Three Small Tone Poems » (1890) ; Dmitri Shostakovich's « Suite in F sharp minor, for two pianos » (1922), « Jazz Suite No. 1 » (1934) and « No. 2 » (1938), and « Piano Concerto No. 2 » (1957) ; André Mathieu's « Quebec Concerto », in the performance by Michel Plasson and Philippe Entremont ; Lars-Erik Larsson's « A Winter's Tale » (1938) ; Erich Wolfgang Korngold's « Violin Concerto » (1945) ; Dmitri Kabalevski's « Piano Concerto No. 3 » (1952) ; Joaquin Rodrigo's « Fantasia para un gentilhombre » (1954) ; Ernesto Lecuona's « Rapsodia cubana » (1955) and « Rapsodia argentina » (for piano and orchestra by Michael Bartos, 1994).
    Thank you « imusiciki » !


    LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3
    and
    IDEAL DISCOTHEQUE OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS :

  • Paulo Bellinati Jongo. Duo Saldaña-Bravo

    4:43

    Classical Guitar Duo Silvana Saldaña-Javier Bravo (Buenos Aires, Argentina, 2005)

  • Introducing Tine Thing Helseth & tenThing Brass Ensemble

    2:34

    NEW ALBUM AVAILABLE HERE: ... Trumpeter Tine Thing Helseth and nine other female players from Norway form the brass ensemble tenThing. They play a dazzling variety of music with brilliance, sensitivity - and often an irrepressible sense of fun. This kaleidoscopic collection, which journeys through Norway, Spain , Argentina, Vienna(with a Turkish flavour) and 1920s Berlin, also includes the Brass Symphony by the Dutchman Jan Koetsier, a sparkling work that displays tenThing's power and virtuosity to the full.




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    Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.

    Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.

    Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.

    Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.

  • Romance de Amor Anonymous/Classical Guitar Solo Cover by John G

    1:51

    Romance de Amor A Spanish Melody with an Emotional Sentimental Theme.
    One of the most Popular Traditional Spanish works for solo classical guitar.
    The work is known by several names,Romanza,Romance d Amour,Anonymous Romance,Spanish Romance, Estudio en Mi de Rubira, Jeux interdits and various other names.

    Classical Guitar Solo by John G
    Thanks so much for watching



    If you enjoyed this video please remember to subscribe and press bell for new music video releases

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  • Sérgio Assad — Variaciones sudamericanas sobre un estudio de Fernando Sor — Mateusz Kowalski

    6:14

    Brazilian-born Sérgio Assad was born four years after Ponce’s death. He is a direct heir to the art of performance of Andrés Segovia himself, whose student, Brazilian Monina Távora, was Sérgio’s teacher. He studied composition with Brazilian composer Esther Scliar. As a soloist and also performing in a duo with his brother Odair, in the repertoire he often includes his own works, of which he wrote over 50. The list of his guitar works contains more than 300 titles. Assad strongly identifies with the Latin American musical culture, which is visible in the work on both Astor Piazzolla’s iconic works and his own Variaciones sudamericanas sobre un estudio de Fernando Sor, commissioned by the International Guitar Competition in Antony (France) in 2017. Etude Op. 35 No. 17 by Fernando Sor, as a source of inspiration, appeared immediately and spontaneously, as the composer himself admits. As his starting point, he decided to use the variant developed by Andrés Segovia and Napoléon Coste, a version he had got to know as a student. ‘The étude has an excellent form consisting of three small, contrasting sections and a finale bringing a modified reprise to the first section. The harmony is also captivating. [...] I liked the idea of juxtaposing two stylistically different waltzes — a Brazilian and a Venezuelan one. Then I incorporated my two other favourite styles: Argentine Malambo and Candombe from Uruguay. Finally, the Canción emerged and it evoked associations with many Latin American regions […].’ Mateusz Kowalski, who was the winner of the first prize in this competition, in accordance with the rules and regulations, chose and performed three variations together with the theme: Vals venezoelano, Canción and Candombe.

    Zdjęcia / Photos: Bartosz Kolaczkowski
    Public relations: horsewithwings.agency

    © 2020 Mateusz Kowalski Classical Guitarist

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