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Playlist of Kay plays Bach Prelude in b minor from WTC Book 2 BWV 893

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    Rehearsal Kay plays Bach Prelude in b minor from WTC Book 2 BWV 893

    2:47

    recorded on May 12, 2019

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    Rehearsal Kay plays Bach Fugue in b minor from WTC Book 2 BWV 893

    2:22

    recorded on May 12, 2019

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    BWV893 WTC 2-24 Prelude & Fugue in b Gulda 1973

    5:28

    BWV893 WTC 2-24 Prelude & Fugue in b
    Friedrich Gulda 1973

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    J.S. Bach: Das Wohltemperierte Klavier: Book 2, BWV 870-893 - Prelude In G Minor BWV 885

    2:04

    Provided to YouTube by Universal Music Group

    J.S. Bach: Das Wohltemperierte Klavier: Book 2, BWV 870-893 - Prelude In G Minor BWV 885 · Rosalyn Tureck

    Bach: The Well-Tempered Clavier 1 & 2

    ℗ 1953 MCA Records Inc.

    Released on: 1999-01-01

    Producer: Alfred Kaine
    Producer: Mark Buecker
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

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    JS Bach / Malcolm Hamilton, 1964: WTC, Book II, Prelude and Fugue No. 18 in G sharp minor, BWV 887

    9:07

    #Bach #JSBach #Baroque #ClassicalMusic

    Digitized from the LP shown above, released in 1965 on the Everest label.

    The Well-Tempered Clavier, BWV 846–893, is a collection of two series of Preludes and Fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach. In the German of Bach's time Clavier (keyboard) was a generic name indicating a variety of keyboard instruments, most typically a harpsichord or clavichord – but not excluding an organ either.

    The modern German spelling for the collection is Das wohltemperierte Klavier. Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 major and minor keys, dated 1722, composed for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study. Some 20 years later Bach compiled a second book of the same kind, which became known as The Well-Tempered Clavier, Part Two (in German: Zweyter Theil, modern spelling: Zweiter Teil).

    Das Wohltemperierte Klavier / Το καλοσυγκερασμένο κλειδοκύμβαλο / הפסנתר המושווה / 平均律クラヴィーア曲集 / Хорошо темперированный клавир / El clave bien temperado
    十二平均律鋼琴曲集 / Il clavicembalo ben temperato / O Cravo Bem Temperado / Dobře temperovaný klavír / Le Clavier bien tempéré / Լավ տեմպերացված կլավիր / Temperovaný klavír




    David Hertzberg

    Добро темперовани клавир / Хорошо темперированный клавир / הפסנתר המושווה / Добре темперирано пиано / Temperovaný klavír / Le Clavier bien tempéré / El clave bien temperado / Dobře temperovaný klavír / Dobrze nastrojony klawesyn / Il clavicembalo ben temperato / O Cravo Bem Temperado / Добре темперований клавір / Добре темперований клавір / Tempered Wel Clavier / גוט טעמפּערעד קלאַוויער / Хорошо темперированный клавир / Добро темпериран тастатура /פּרעלודעס און פוגועס / Välartade Clavier / Iyi Clavier Temperli / 48 Preludes og Fugues / Добро темперовани клавир / Dobre temperovaného klavíra / 48 Preludier och fugor / 48 прелюдії й фуги / No Kaljena Klavijatura / 48 Preliwd a Ffiwg / Vel herdet Clavier / 48 прелудиуми и фуги / 48 Prelúdios e Fugas / 48 Preludii şi Fugues / 48 Прелиди и Фугуес

    If you enjoy Bach, I recommend the following:

    JS Bach / Marie-Claire Alain, 1964: Wachet Auf, Ruft Uns Die Stimme, BWV 645:

    Huguette Dreyfus: Concerto Pour Clavecin En Ré Mineur, BWV 1052 (Bach) - Movement 1:

    Herbert von Karajan, 1966: Brandenburg Concerto 1 in F major, BWV 1046 - Allegro (Bach/Бах) - DG:

    Ladowska, Prelude and Fugue No. 2 in C minor, BWV 847 - WTC, Book I -

    Ladowska, Prelude and Fugue No. 3 in C sharp, BWV 848 - WTC, Book I -

    Paul Jacobs: Herr Gott, Nun Schleuss' Den Himmel Auf! (Bach / Busoni) - 1979:

    JS Bach / Albert Schweitzer, 1952: A Mighty Fortress Is Our God - Gunsbach, Alsace:

    Bach / Karl Münchinger, 1951: Brandenburg Concerto No. 5 in D major, BWV 1050 (Allegro) -

    Ladowska, Prelude and Fugue No. 1 in C, BWV 846 - WTC, Book I -

    JS Bach / Jacqueline du Pré: Adagio, from the Toccata in C, BWV 564 - 1962 -

    Herbert von Karajan, BPO: Ouverture in D major, BWV 1068 - Air (Bach/Бах) - DG, 1966:

    Ladowska, Prelude and Fugue No. 5 in D, BWV 850 - WTC, Book I -

    Ladowska, Prelude and Fugue No. 6 in D minor, BWV 851 - WTC, Book I -

    Ladowska, Prelude and Fugue No. 7 in E flat, BWV 852 - WTC, Book I -

    Paul Jacobs: Jesus Christus, unser Heiland, der von uns den Zorn, Gottes Wandt (Bach / Busoni):

    Bach / Villa-Lobos: Fugue No. 1 in C major, BWV 846 (transcribed for Cellos by Villa-Lobos) - 1958 -

    JS Bach / Sylvia Marlowe: Concerto for Two Harpsichords in C major, BWV 1061 - Fuga - 1960 -

    Ladowska, Prelude and Fugue No. 8 in E-flat minor, BWV 853 - WTC, Book I -

    Bach / Hans Kalafusz: Violin Concerto in E major, BWV 1042 - Movement 3 - 1974 -
    ----------------------------------------------------------------

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    Praeludium & Fuga BWV 885: G Minor

    6:20

    Provided to YouTube by The Orchard Enterprises

    Praeludium & Fuga (A 4 Voci) BWV 885: G Minor · Ottavio Dantone · Johann Sebastian Bach

    Bach: The Well-Tempered Clavier, Book 2 - BWV 870-893

    ℗ 2001 Arts Music
    ℗ 2003 arts music
    ℗ ARTS Music

    Released on: 2006-11-07

    Auto-generated by YouTube.

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    Präludium Nr. 5, D-Dur, BWV 850

    1:24

    Provided to YouTube by The Orchard Enterprises

    Präludium Nr. 5, D-Dur, BWV 850 · Johann Sebastian Bach · Roger Woodward

    Bach: The Well-Tempered Clavier, Books I & II: BWV 846-893

    ℗ 2009 Celestial Harmonies

    Released on: 2009-01-01

    Auto-generated by YouTube.

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    BACH: Well-Tempered Clavier Book II, Prelude No. 6

    1:54

    Johann Sebastian Bach: The Well-Tempered Clavier Book II; Prelude No. 6 in D minor, BWV 875

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    Grumiaux, Hajdu - Favourite Violin Encores.wmv

    2:25:04

    Dedicated to Ursula Bagdasarjanz who did play together with this grandmaster.
    For all that never heard about Ursula: be amazed as i'm still :).

    Enjoy :)
    1. Sicilienne in E flat major by Maria Theresia Paradis
    2. Serenade no 7 in D major, K 250 (248b) Haffner: 4th movement, Rondo by Wolfgang Amadeus Mozart
    Notes: Arranged: Fritz Kreisler
    3. Danzas (12) españolas for Piano, Op. 37: no 5, Andaluza by Enrique Granados
    Notes: Arranged: Fritz Kreisler
    4. Schön Rosmarin by Fritz Kreisler
    5. Liebesleid by Fritz Kreisler
    6. Liebesfreud by Fritz Kreisler
    7. Allegro for Violin and Basso Continuo by Francesco Maria Veracini
    8. Concerto for 2 Violins and Cello in D minor, Op. 3 no 11/RV 565: Siciliano by Antonio Vivaldi
    9. Ellens Gesang III, D 839/Op. 52 no 6 Ave Maria by Franz Schubert
    10. Humoresques (8) for Piano, Op. 101/B 187: no 7 in G flat major by Antonín Dvorák
    11. Thaïs: Meditation by Jules Massenet
    12. Morceaux (6) for Piano, Op. 51: no 6, Valse sentimentale by Peter Ilyich Tchaikovsky
    13. Largo for Violin and Piano in F sharp minor by Francesco Maria Veracini
    14. Rondino on a theme by Beethoven by Fritz Kreisler
    15. Andantino in the style of Martini by Fritz Kreisler
    16. La capricieuse, Op. 17 by Sir Edward Elgar
    17. Valse triste by Franz von Vecsey
    18. Estrellita by Manuel Ponce
    Notes: Arranged: Jascha Heifetz
    19. Belshazzar's Feast, Op. 51: no 2, Nocturne by Jean Sibelius
    Notes: Arranged: M. Press
    20. Andantino by Giovanni Battista Pergolesi
    21. Schwanengesang, D 957: no 4, Ständchen by Franz Schubert
    Performer: Arthur Grumiaux (Violin), István Hajdu (Piano)
    Period: Romantic
    22. Divertimento for 2 Horns and Strings no 17 in D major, K 334 (320b): Minuet by Wolfgang Amadeus Mozart
    23. Kinderszenen, Op. 15: no 7, Träumerei by Robert Schumann
    24. Sonatina for Violin and Piano in G major, Op. 100/B 183: Larghetto by Antonín Dvorák
    25. Ave Maria by Charles Gounod
    Notes: This work is based on J.S. Bach's Prelude no 1 in C from 'The Well-Tempered Clavier.'
    26. Sonatas (6) for Violin and Guitar, Op. 3: no 6 in E minor by Niccolò Paganini
    27. Souvenir de Moscou, Op. 6 by Henri Wieniawski
    28. Pièce en forme de Habañera by Maurice Ravel
    29. Zigeunerweisen, Op. 20 by Pablo de Sarasate
    30. Les berceaux, Op. 23 no 1 by Gabriel Fauré
    31. Tzigane for Violin and Piano by Maurice Ravel
    32. Baal shem: 2nd movement, Nigun Improvisation by Ernest Bloch
    33. Après un rêve, Op. 7 no 1 by Gabriel Fauré
    34. Orfeo ed Euridice: Dance of the Furies by Christoph W. Gluck
    35. Minuets (6) for Piano, WoO 10: no 2 in G major by Ludwig van Beethoven
    36. Hojas de album (6), Op. 165 España: no 2, Tango by Isaac Albeniz
    Notes: Arranged: Fritz Kreisler
    37. Zigeunermelodien (7), Op. 55: no 4, Als die alte Mutter by Antonín Dvorák
    38. Pièces de clavecin, Op. 1: Suite no 1 - Allegro by Joseph-Hector Fiocco
    Notes: Arranged: A. Bent and N. O'Neill
    39. Adagio for Violin/Viola/Cello and Piano by Zoltán Kodály

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    Well-Tempered Clavier, Book 2, No. 16 in G Minor, BWV 885: Fugue / Songs Without Words, Op. 53...

    5:50

    Provided to YouTube by CDBaby

    Well-Tempered Clavier, Book 2, No. 16 in G Minor, BWV 885: Fugue / Songs Without Words, Op. 53 No. 3 Agitation · Willis Glen Miller, III

    Key Color

    ℗ 2014 Willis Glen Miller, III

    Released on: 2014-07-14

    Auto-generated by YouTube.

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    Bach Fugue No 10 in E minor, BWV 879 Well tempered Clavier Book II

    2:16

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    Praludium in D Minor for Viola & Cello

    1:55

    The Well-Tempered Clavier (German: Das Wohltemperierte Klavier), BWV 846–893, is a collection of solo keyboard music composed by Johann Sebastian Bach. He gave the title to a book of preludes and fugues in all 24 major and minor keys, dated 1722, composed for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study. Bach later compiled a second book of the same kind, dated 1742, with the title Twenty-four Preludes and Fugues. The two works are now considered to make up a single work, The Well-Tempered Clavier, or the 48, and are referred to as The Well-Tempered Clavier Book I and The Well-Tempered Clavier Book II, respectively. This collection is generally regarded as being among the most influential works in the history of Western classical music.

    The Prelude No. 6 in D minor (BWV 874) is from second book of the Well-tempered Clavier and is a didactic two-voice polyphonic piece of work, is dazzlingly fast, powerful and tense throughout, capturing the audience’s attention right from the beginning and keeping them mesmerized till the end.

    Although originally written for keyboard, I created this transcription for Viola and Cello.

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    Piano Sonata: I. Allegro con fuoco

    5:53

    Provided to YouTube by NAXOS of America

    Piano Sonata: I. Allegro con fuoco · Wolfgang Doberlein

    Ullmann, V.: Piano Sonata No. 6 / Klein, G.: Piano Sonata / Berman, K.: Suite for Piano

    ℗ 2002 Musicaphon

    Released on: 2002-01-01

    Artist: Wolfgang Doberlein
    Composer: Gideon Klein

    Auto-generated by YouTube.

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    Johann Sebastian Bach - Clavier Übung Dritter Theil

    47:02

    (00:00:00 - 00:08:58) No.1 - Praeludium pro Organo pleno (BWV 552/1)

    (00:08:59 - 00:12:29) No.2 - Kyrie, Gott Vater in Ewigkeit (BWV 669)

    (00:12:30 - 00:17:22) No.3 - Christe, aller Welt Trost (BWV 670)

    (00:17:23 - 00:22:21) No.4 - Kyrie, Gott heiliger Geist (BWV 671)

    (00:22:22 - 00:24:23) No.5 - Kyrie, Gott Vater in Ewigkeit alio modo (BWV 672)

    (00:24:24 - 00:26:11) No.6 - Christe, aller Welt Trost (BWV 673)

    (00:26:12 - 00:27:48) No.7 - Kyrie, Gott heiliger Geist (BWV 674)

    (00:27:49 - 00:30:57) No.8 - Allein Gott in der Höh sei Ehr (BWV 675)

    (00:30:58 - 00:35:45) No.9 - Allein Gott in der Höh sei Ehr (BWV 676)

    (00:35:46 - 00:37:08) No.10 - Fughetta super Allein Gott in der Höh sei Ehr (BWV 677)

    (00:37:09 - 00:42:00) No.11 - Dies sind die heiligen zehen Gebot (BWV 678)

    (00:42:01 - 00:43:55) No.12 - Fughetta super Dies sind die heiligen zehen Gebot (BWV 679)

    (00:43:56 - 00:47:01) No.13 - Wir gläuben all an einen Gott (BWV 680)


    Kay Johannsen
    Erasmus-Bielfeldt-Orgel/Organ, 1736
    St. Wilhadi, Stade

    HELMUTH RILLING

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    Bach, Praeludium and Fuga in H-dur from WTK I.

    3:35

    Bach, Praeludium and Fuga in H-dur from WTK I.
    Anastasiia Shaposhnikova piano.
    follow me @ms.anastasiia_sh
    advices, lessons, more music

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    Piano Sonata: I. Toccata

    3:48

    Provided to YouTube by NAXOS of America

    Piano Sonata: I. Toccata · Wolfgang Doberlein

    Hartmann, K.A.: Kleine Suites Nos. 1 and 2 / Piano Sonatas / Jazz Toccata and Fuge / Piano Sonatina

    ℗ 2005 Musicaphon

    Released on: 2005-01-01

    Artist: Wolfgang Doberlein
    Composer: Karl Amadeus Hartmann

    Auto-generated by YouTube.

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    Prelude in Eb Major for Harp

    2:49

    The first book of J. S. Bach's Das Wohltemperierte Klavier (The Well-Tempered Clavier) was complete by 1722. Bach gave the present title to the work, which was composed for the use and practice of musical youth eager to learn and for the amusement of those already skilled in this study. Bach composed a paired Prelude and Fugue in each of the 24 keys to demonstrate the viability of the new equal-temperament system, which allows one to play in all keys without producing out-of-tune intervals, as happened with Pythagorean and mean tone tunings. Furthermore, the pieces are as much compositional studies as keyboard works.

    Twenty years later, Bach assembled another set of preludes and fugues. The title page is missing from the manuscript, but its similarity to the first book of The Well-Tempered Clavier led editors to entitle it Book II. Bach worked on the second book over a long period of time, even reworking pieces he had written for other purposes, as he had in the first book. Some of the preludes and fugues date from the 1720s. Possibly the most substantial revision for the second book was to No. 3, in C sharp major, which was originally in C major. Fugues Nos. 15 and 17 survive in earlier versions in which they are connected with different preludes than we find in The Well-Tempered Clavier.

    There are many musical differences between the works of Book II and those of Book I. The preludes in the second group explore a greater range of forms and styles than do the earlier examples. Most striking are the experiments in the style of the Italian bipartite keyboard sonata, codified by Domenico Scarlatti. Like earlier dance movements, these consist of two repeated sections. Some of the sonata preludes in Book II, such as Nos. 5, 12, and 21, feature a recapitulation of the opening material, while others (Nos. 10 and 15) have parallel closing sections. Prelude No. 17 is an Italian concert-ritornello movement; Nos. 13 and 23 also display concerto traits. The tenth is a two-part invention and Nos. 4 and 14 are ariosos. Those that are clearly derived form dance forms -- No. 5 from the gigue and No. 8 from the allemande -- lack the traditional binary form.

    Graceful ornamental notes, specifically appoggiaturas, characterize this especially lyrical prelude, which takes the form of a loure. It leads into an alla breve fugue, a canzona evoking the old, harmonically pure style of Palestrina. The fugue's four voices enter in ascending order, the subject seeming to test the water with its first two notes, then splashing steadily along through free counterpoint.

    Source: Allmusic (

    Although originally written for Harpsichord. I created this Arrangement of the Prelude in Eb Major (BWV 876 No. 1) for Concert (Pedal) Harp.

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    Sofia Proietti, Prelude and Fugue BWV 870 of J.S. Bach, at Festival Piana del Cavaliere 2018

    11:49

    Sofia Proietti, Prelude and Fugue BWV 870 of J.S. Bach, piano Masterclass at Festival Piana del Cavaliere 2018 06 17 Pereto

    Performed on the 17th of June 2018
    at Chiesa di San Giovanni - Pereto (AQ)
    Accademia Internazionale di Alto Perfezionamento Musicale del Festival della Piana del Cavaliere

    Recorded + edited by operedigitali.com web agency / graphic design

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    Prelude & Fugue No. 9 in E Major for Harpsichord, BWV 878: Prelude

    4:10

    Provided to YouTube by The Orchard Enterprises

    Prelude & Fugue No. 9 in E Major for Harpsichord, BWV 878: Prelude · Johann Sebastian Bach · Anne Gallet

    Bach: Das wohltemperierte Klavier II, BWV 870-893 (24 Preludes and Fugues)

    ℗ 1987 VDE-GALLO

    Released on: 2013-06-06

    Auto-generated by YouTube.

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    Bach partitas nos. 3, 4, and 5. Ton Koopman, Harpsichord

    1:13:43

    Partita No. 3 in A minor, BWV 827
    Fantasia, Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue

    Partita No. 4 in D Major, BWV 828
    Ouvertüre, Allemande, Courante, Aria, Sarabande, Menuet, Gigue

    Partita No. 5 in G Major, BWV 829
    Praeambulum, Allemande, Corrente, Sarabande, Tempo di Minuetto, Passepied, Gigue

    To hear partitas 1, 2 and 6:

    Buy the CD here:

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    Prelude And Fugue No. 14 In F-Sharp Minor BWV 883: Praeludium

    3:07

    Provided to YouTube by The Orchard Enterprises

    Prelude And Fugue No. 14 In F-Sharp Minor BWV 883: Praeludium · Daniel Ben Pienaar

    Book 2 CD2 Well-Tempered Clavier

    ℗ 2006 Daniel Ben Pienaar. Licensed under the v1.0 by-nc-sa Creative Commons license.

    Released on: 2005-04-29

    Auto-generated by YouTube.

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    J.S: Bach/ Hribar Journey to Damascus

    7:55

    is an improvisation on J. S. Bach's holy cross theme (in this case e,c,f,g#) and arabic sounding effects. In 2006 I travelled through Syria and was hypnotised by the arabic culture; not only the unforgettable landscape and delicious food, but also warmth and friendliness of the people and the mixture of different religions. In Damascus, I saw a church and Mosque built next to each other and so in this piece, I was wanted to somehow unite the spiritual elements of these religions in music. It also reminded me of the Mosque-cathedral of Córdoba which was once a church, then became a mosque and now is a church agin. This piece is dedicated to Dr. Bettina Engelke and visual artist Wolfgang Tiemann with whom I travelled.I’m basically playing a prelude by Bach (, A min book 2) in between there is some improv which is supposed to represent the struggle between Christianity and Islam and attempts to unite the spiritual aspects of the music..

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    Prelude And Fugue No. 14 In F-Sharp Minor BWV 883: Fuga

    3:35

    Provided to YouTube by The Orchard Enterprises

    Prelude And Fugue No. 14 In F-Sharp Minor BWV 883: Fuga · Daniel Ben Pienaar

    Book 2 CD2 Well-Tempered Clavier

    ℗ 2006 Daniel Ben Pienaar. Licensed under the v1.0 by-nc-sa Creative Commons license.

    Released on: 2005-04-29

    Auto-generated by YouTube.

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    J.S.Bach Gigue From Suite No.1 For Lute

    3:31

    Classic Guitar, Kwangju Classical Guitar Ensemble

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    Bach/Brazilian Medley/Improvisation- Performed by Matthew Ocone

    22:06

    Pieces include-

    Prelude from Cello Suite #1
    Prelude from Prelude Fugue and Allegro for Lute
    Chaccone for violin(excerpts) -JS Bach

    Interrogando- Joao Pernambuco
    Xodo da Daiana- Dilermando Reis
    Conversa de Botequim- Noel Rosa

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    Dietrich Buxtehude - Suite D-minor, BuxWV 233 - Transcribed for guitar

    10:01

    Suite D-mol, BuxWV 233

    Transcribed for guitar and played by Per Dybro Sørensen.
    Recorded 2002-3 in Boholte Church, Køge, Denmark.

    Dietrich Buxtehude: Scandinavian cantatas
    One of the greatest Danish composers

    Who is the most significant Danish composer ever? Yes, if it comes to international distribution and the historical influence, then not Carl Nielsen-but Dietrich Buxtehude.
    He lived in the 17th century and was widely renowned as both composer and organ player. Bach was one of his major supporters, another was Handel. It says something about the quality of Buxtehudes music and about the influence he had on his contemporary.
    Where Buxtehude was born, has been discussed in eternity. Today is considered that he was born in Helsingborg, which at the time in 1637 was a Danish city. Another possibility is Helsingør. Then hang the Oresund region even closer together than they are today, because the whole country was Danish, under the Danish King.
    Will be considered to be a German Like his father worked Buxtehude as organist in both cities. However, in 1667, he was offered the post of organist at the shores of the Maria Church, and that he was the rest of his days. It is the works from the time in Lübeck, who drew the picture of Buxtehude for posterity, and abroad, many expect him to be a German.

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    פרלוד ופוגה מאת י.ס.באך מתוך הפסנתר המושווה- ספר ראשון

    4:39

    מתוך רסיטל בגרות בפסנתר של איתי אלון 23.3.2011
    יצירה 2 מתוך 6

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    Missa in F major BWV 233/E6: Kyrie

    5:18

    Provided to YouTube by Warner Classics

    Missa in F major BWV 233/E6: Kyrie (Chor) · Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent/Philippe Herreweghe

    Bach : Masses BWV 233-235, Sanctus BWV 238

    ℗ 1991 Erato/Warner Classics, Warner Music UK Ltd

    Bass: Pieter Coene
    Bass: Jan Depuydt
    Bass: Renaud MacHart
    Bass: Paul Van Den Berghe
    Bass: Frits Van Hulle
    Bass: Peter Kooy
    Bassoon, Musicians: Kate Van Orden
    Boy Soprano: Agnes Mellon
    Boy Soprano: Barbara Schlick
    Choir, Orchestra: Collegium Vocale, Ghent
    Chorus: Chorus of Collegium Vocale, Ghent
    Conductor: Philippe Herreweghe
    Counter- Tenor Vocals: Steve Dugardin
    Counter- Tenor Vocals: Rik Jacobs
    Counter- Tenor Vocals: Betty Van Den Berghe
    Counter- Tenor Vocals: Martin Van De Zeijst
    Double Bass, Musicians: Jonathan Cable
    Lead Vocals: Chorus of Collegium Vocale, Ghent
    Lead Vocals: Orchestra Of Collegium Vocale
    Lead Vocals: Philippe Herreweghe
    Musicians, Violin: Adrian Chamorro
    Musicians, Violin: Mihoko Kimura
    Musicians, Violin: Paulien Kostenze
    Musicians, Violin: Paul Lindenauer
    Musicians, Violin: Veronica Schepping
    Musicians, Violin: Peter Van Boxelaere
    Musicians, Violin: Ghislaine Wauters
    Musicians, Viola: Nic Idema
    Musicians, Viola: Peter Deenen
    Musicians, Violoncello: Ageet Zweistra
    Musicians, Violoncello: Harmen Jan Schwitters
    Musicians, Oboe: Marcel Ponseele
    Musicians, Oboe: Taka Kitazato
    Musicians, Organ: Pierre Hantaï
    Performance: Orchestra Of Collegium Vocale
    Performed by: Orchestra of Collegium Vocale, Ghent
    Producer: Simon Foster
    Producer: Nicholas Parker
    Soprano Vocals: Agnès Mellon
    Soprano Vocals: Agnes Mellon
    Soprano Vocals: Annelies Coene
    Soprano Vocals: Ellen Van Ham
    Soprano Vocals: Dominique Verkinderen
    Soprano Vocals: Barbara Schlick
    Soprano Vocals: Brigitte Verkinderen
    Sound Engineer: Mike Clements
    Tenor Vocals: Joseph Petit
    Tenor Vocals: Joël Suhubiette
    Tenor Vocals: Philip Van Isacker
    Tenor Vocals: Robert Wilson
    Vocals: Gérard Lesne
    Vocals: Gérard Lesne
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

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    J. S. Bach: Toccata, Adagio und Fuge C-Dur BWV 564

    14:11

    Visualisierung durch Pianorolle des MIDI-Sequenzers
    00:09 Toccata
    05:29 Adagio
    09:36 Fuge
    Info zur Komposition und zu Bach:

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    John Browning NU Masterclass - Szell Story from 1980 NU Masterclass

    45

    Recorded at Pick Staiger Concert Hall, February 20, 1980

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