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Playlist of J. S. Bach

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  • The Best of Bach

    1:51:21

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    THE BEST OF BACH
    Johann Sebastian Bach

    1. Brandenburg Concerto No. 1 in F major, BWV 1046
    Allegro (00:00)
    Adagio (4:43)
    Allegro (9:10)
    2. Brandenburg Concerto No. 3 in G major, BWV 1048
    Allegro (13:40)
    Allegro assai (19:11)
    Allegro (24:05)
    3. Brandenburg Concerto No. 4 in G major, BWV 1049
    Presto (31:42)
    Andante (36:37)
    Affettuoso (39:32)
    4. Brandenburg Concerto No. 6 in B flat major, BWV 1051
    Allegro (45:02)
    5. Concerto for Violin and Oboe in C minor, BWV 1060
    Allegro (50:38)
    Largo (54:59)
    Allegro (59:32)
    6. Orchestral Suite No. 2 in B Minor, BWV 1067: Menuet (1:02:35)
    7. Orchestral Suite No. 3 in D Major, BWV 1068: Air on the G String (1:05:35)
    8. Cantata BWV 147: Jesu, Joy of Man's Desiring (1:10:07)
    9. Toccata and Fugue in D Minor, BWV 565 (1:13:32)
    10. Harpsichord Invention No. 1 in C major, BWV 772 (1:22:23)
    11. Harpsichord Invention No 8 in F major, BWV 779 (1:23:43)
    12. Orchestral Suite No. 2 in B Minor, BWV 1067: Badinerie (1:24:42)
    13. Notebook for Anna Magdalena Bach: Minuet in G major, BWV Ahn. 114 (1:27:24)
    14. Notebook for Anna Magdalena Bach: Musette in D major, BWV Anh.126 (1:28:59)
    15. Violin Partita No. 3 in E Major, BWV 1006: Bourée (1:30:06)
    16. Sonata for Viola da Gamba & Harpsichord, BWV 1028 (1:31:48)
    17. Concerto in D minor, BWV 1059: 2nd Movt. (1:35:44)
    18. Cello Suite No. 4 in E-flat major, BWV 1010: Courante (1:38:54)
    19. Cello Suite No. 6 in D major, BWV 1012: Gavotte (1:42:32)
    20. Cello Suite No. 6 in D major BWV 1012: Prelude (1:46:42)

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    #classicalmusic #classical #baroque #baroquemusic #bach

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  • J.S. Bach: The Violin Concertos

    1:19:51

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    Composer: Johann Sebastian Bach
    Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin), Thomas Hengelbrock (violin), Amsterdam Bach (Soloists)

    Available as a separate release: all concertos for 1 violin by Bach. They are BWV 1041 and 1042: the well-known concertos. BWV1052, 1056 and 1064 are reconstructions. The latter one being for three violins. Soloists are among others Emmy Verhey and Rainer Kussmaul.

    Tracklist:

    Violin Concerto in A Minor, BWV 1041:
    00:00:00 I. Allegro
    00:03:52 II. Adagio
    00:10:23 III. Allegro

    Violin Concerto in E Major, BWV 1042:
    00:14:22 I. Allegro
    00:22:05 II. Adagio
    00:28:47 III. Allegro assai

    Violin Concerto in D Minor, BWV 1052:
    00:31:42 I. Allegro
    00:39:20 II. Largo
    00:46:22 III. Presto

    Violin Concerto in G Minor, BWV 1056:
    00:54:14 I. Allegro
    00:57:37 II. Andante
    01:00:52 III. Allegro assai

    Concerto for 3 violins, strings & b.c. in D Major, BWV 1064:
    01:04:30 I. Allegro
    01:10:23 II. Adagio
    01:15:35 III. Allegro

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    #Bach #Classical #Violin #ClassicalMusic #ViolinConcertos #J.S.Bach

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  • J.S. Bach - Prelude in C Major

    2:45

    J.S. Bach - Prelude in C Major
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    Hope you enjoy my performance of Bach's Prelude in C Major.

    Outro: Chopin - Prelude in E Minor (Op. 28 No. 4)

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  • J.S. Bach: 6 Suites for Cello Solo played by István Várdai

    2:18:51

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    About this album:
    In May 2014 the Hungarian cellist István Várdai performed three Bach Suites at an unusual venue in New York: not the storied glamour of Carnegie Hall or the hip 92st St Y, but the Board of Officers Room in the recently renovated Armory on Park Avenue, a room no less redolent of distinguished history: to which he made his own distinguished contribution according to the New York Times, with a recital which concluded with a ‘superb’ performance of the Sixth Suite.
    Bach’s iconic solo suites form the pinnacle of the entire cello repertoire, the ultimate challenge and a Mount Everest every young and aspiring cellist has to climb, no matter how often that has already been done.
    Young Hungarian cellist István Várdai is winner of the Geneva Competition, 3rd prize Tchaikovsky Competition 2007 and first prize winner of the prestigious ARD competition in 2014. He embarked on a successful international career, having played with Mikhael Pletnev, Adám Fischer, Zoltán Kocsis, and chamber music partner of Gidon Kremer, Mischa Maisky, Elisabeth Leonskaja, Andras Schiff, Klára Würtz and many others.


    Tracklist:
    00:00:00 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
    00:02:52 Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
    00:07:08 Cello Suite No. 1 in G Major, BWV 1007: III. Courante
    00:10:01 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
    00:12:39 Cello Suite No. 1 in G Major, BWV 1007: V. Menuet I & II
    00:15:56 Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue 1
    00:17:32 Cello Suite No. 3 in C Major, BWV 1009: I. Prelude
    00:21:25 Cello Suite No. 3 in C Major, BWV 1009: II. Allemande
    00:25:07 Cello Suite No. 3 in C Major, BWV 1009: III. Courante
    00:28:29 Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
    00:32:30 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I & II
    00:36:13 Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue
    00:39:31 Cello Suite No. 5 in C Minor, BWV 1011: I. Prelude
    00:46:20 Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande
    00:51:10 Cello Suite No. 5 in C Minor, BWV 1011: III. Courante
    00:53:20 Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
    00:57:12 Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte I & II
    01:02:08 Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue
    01:04:17 Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude
    01:08:20 Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
    01:11:27 Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
    01:13:29 Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
    01:17:48 Cello Suite No. 2 in D Minor, BWV 1008: V. Menuet I & II
    01:20:38 Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue
    01:23:12 Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prelude
    01:27;45 Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
    01:32:06 Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante
    01:35:47 Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande
    01:40:09 Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrée I & II
    01:45:04 Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue
    01:47:48 Cello Suite No. 6 in D Major, BWV 1012: I. Prelude
    01:52:54 Cello Suite No. 6 in D Major, BWV 1012: II. Allemande
    02:01:12 Cello Suite No. 6 in D Major, BWV 1012: III. Courante
    02:05:10 Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande
    02:10:45 Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte I & II
    02:14:38 Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue

    Artist:
    István Várdai (cello)

    Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel:

    And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

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  • J.S. Bach: Complete Concertos Vol. 1

    5:7:59

    Composer: J.S Bach

    Artist:
    Pieter-Jan Belder harpsichord
    Christine Schornsheim harpsichord
    Musica Amphion
    Neues Bachisches Collegium Musicum
    Netherlands Bach Ensemble

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    00:00:00 Brandenburg Concerto No. 1 in F Major, BWV 1046: I. —
    00:03:54 Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio
    00:07:28 Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro
    00:11:34 Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuet - Trio I - Polonaise - Trio II 00:19:39 Brandenburg Concerto No. 2 in F Major, BWV 1047: I. —
    00:24:37 Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
    00:27:42 Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
    00:30:26 Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
    00:35:45 Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
    00:36:06 Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
    00:40:51 Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
    00:47:33 Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
    00:51:04 Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
    00:55:39 Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
    01:05:26 Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
    01:11:08 Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
    01:16:20 Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: —
    01:22:17 Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
    01:27:00 Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
    01:32:41 Violin Concerto in E Major, BWV 1042: I. Allegro
    01:39:51 Violin Concerto in E Major, BWV 1042: II. Adagio
    01:46:38 Violin Concerto in E Major, BWV 1042: III. Allegro assai
    01:49:35 Violin Concerto in A Minor, BWV 1041: I. —
    01:53:23 Violin Concerto in A Minor, BWV 1041: II. Andante
    01:59:41 Violin Concerto in A Minor, BWV 1041: III. Allegro assai
    02:03:12 Violin Concerto in D Minor, BWV 1052: I. —
    02:10:38 Violin Concerto in D Minor, BWV 1052: II. Adagio
    02:17:22 Violin Concerto in D Minor, BWV 1052: III. Allegro
    02:25:04 Violin Concerto in G Minor, BWV 1056: I. —
    02:28:30 Violin Concerto in G Minor, BWV 1056: II. Largo
    02:31:06 Violin Concerto in G Minor, BWV 1056: III. Presto
    02:34:48 Concerto for Two Violins and Orchestra in E Major, BWV 1043: I. Vivace
    02:38:58 Concerto for Two Violins and Orchestra in E Major, BWV 1043: II. Largo ma non tanto
    02:46:09 Concerto for Two Violins and Orchestra in E Major, BWV 1043: III. Allegro
    02:51:19 Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro
    02:59:17 Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio
    03:04:48 Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro
    03:12:52 Harpsichord Concerto No. 2 in E Major, BWV 1053: I. —
    03:21:00 Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano
    03:25:30 Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro
    03:32:01 Harpsichord Concerto No. 3 in D Major, BWV 1054: I. —
    03:39:50 Harpsichord Concerto No. 3 in D Major, BWV 1054: II. Adagio e piano sempre
    03:45:03 Harpsichord Concerto No. 3 in D Major, BWV 1054: III. Allegro
    03:47:55 Harpsichord Concerto No. 4 in A Major, BWV 1055: I. Allegro
    03:52:22 Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto
    03:57:52 Harpsichord Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto
    04:02:03 Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. —
    04:06:31 Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo
    04:08:53 Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto
    04:12:31 Harpsichord Concerto No. 6. in F Major, BWV 1057: I. —
    04:19:46 Harpsichord Concerto No. 6. in F Major, BWV 1057: II. Andante
    04:23:28 Harpsichord Concerto No. 6. in F Major, BWV 1057: III. Allegro assai
    04:28:39 Harpsichord Concerto No. 7 in G Minor, BWV 1058: I. —
    04:32:49 Harpsichord Concerto No. 7 in G Minor, BWV 1058: II. Andante
    04:38:59 Harpsichord Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai
    04:43:00 Concerto for 2 Harpsichords in C Minor, BWV 1060: I. Allegro
    04:48:31 Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Largo ovvero adagio
    04:54:15 Concerto for 2 Harpsichords in C Minor, BWV 1060: III. Allegro
    04:58:00 Concerto for 4 Harpsichords in A Minor, BWV 1065: I. —
    05:01:59 Concerto for 4 Harpsichords in A Minor, BWV 1065: II. Largo
    05:04:31 Concerto for 4 Harpsichords in A Minor, BWV 1065: III. Allegro

  • Bach - Greatest Hits

    1:49:04

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    JOHANN SEBASTIAN BACH
    Greatest Hits

    01 Brandenburg Concerto No. 3 in G Major, BWV 104
    I. Allegro 00:00
    II. Adagio 05:56
    III. Allegro 06:21
    02 Brandenburg Concerto No. 4 in G Major, BWV 1049
    I. Allegro 11:08
    II. Andante 18:22
    III. Presto 22:02
    03 Brandenburg Concerto No. 5 in D Major, BWV 1050
    I. Allegro 27:06
    II. Affettuoso 37:46
    III. Allegro 43:25
    ▶ BUY Brandenburg Concertos No. 3, 4 & 5:
    04 Piano Concerto No. 1 in D minor, BWV 1052
    I. Allegro 48:56
    II. Adagio 57:09
    III. Allegro 1:03:48
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    05 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande 1:11:52
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    06 Orchestral Suite No. 2 in B Minor, BWV 1067
    I. Ouverture. Lentamente 1:14:33
    II. Rondeau 1:22:17
    III. Sarabande 1:23:47
    IV. Bourrées 1:26:45
    V. Double 1:28:45
    VI. Minuetto 1:32:12
    VII. Badinerie 1:33:28
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    07 The Well-Tempered Clavier, Book 1, Prelude and Fugue No 16 in G Minor, BWV 861 1:34:49
    08 Ave Maria 1:39:39
    09 Notebooks for Anna Magdalena Bach: Menuet in G Minor, BWV Anh. 114 1:41:23
    10 Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria 1:42:41
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    1, 2, 3 & 6: Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta
    4: Stanislav Soloviev (piano), Metamorphose String Orchestra cond. by Pavel Lyubomudrov
    5: Sarah Joy
    7 & 8: Carlo Balzaretti
    9 & 10: Giovanni Umberto Battel

    Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

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    #classicalmusic #bach

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  • Adagio - Johann Sebastian Bach

    5:40

    Τhis version is made by Elise Robineau - Concerto en re mineur BWV974 - Adagio d'apres Marcello - Piano & Cello

    Adagio - Johann Sebastian Bach Re minor BWV 974
    Piano-Violoncello

    I do not own any rights to the music nor I am profiting from uploading it on youtube.

  • J.S. Bach: Complete Partitas

    2:25:05

    This album contains the complete Partitas by Bach, presented by Piano Classics, a label of Brilliant Classics.

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    This recording of the complete 6 Partitas is a marvel of elegance, wit, rhetoric and brilliance, played on a modern Steinway.

    “China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer). Besides pursuing an international career Yuan Sheng is Professor of Piano at the Bejing Central Conservatory of Music.

    Composer: Johann Sebastian Bach
    Artist: Yuan Sheng (piano)

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    Tracklist:

    Partita No. 1 in B-Flat Major, BWV 825:
    00:00:00 I. Praeludium
    00:01:43 II. Allemande
    00:05:37 III. Corrente
    00:08:35 IV. Sarabande
    00:14:10 V. Menuet I&II
    00:17:20 VI. Giga

    Partita No. 2 in C Minor, BWV 826:
    00:19:22 I. Sinfonia
    00:23:43 II. Allemande
    00:28:20 III. Courante
    00:30:42 IV. Sarabande
    00:34:41 V. Rondeaux
    00:36:07 VI. Capriccio

    Partita No. 4 in D Major, BWV 828:
    00:39:41 I. Ouverture
    00:46:02 II. Allemande
    00:55:09 III. Courante
    00:58:49 IV. Sarabande
    01:04:58 V. Aria
    01:07:12 VI. Menuet
    01:08:38 VII. Gigue

    Partita No. 3 in A Minor, BWV 827:
    01:12:13 I. Fantasia
    01:14:22 II. Allemande
    01:17:09 III. Corrente
    01:20:34 IV. Sarabande
    01:25:03 V. Burlesca
    01:27:30 VI. Scherzo
    01:28:40 VII. Gigue

    Partita No. 5 in G Major, BWV 829:
    01:31:56 I. Praeambulum
    01:34:38 II. Allemande
    01:38:56 III. Corrente
    01:40:48 IV. Sarabande
    01:45:57 V. Tempo di menuetta
    01:47:52 VI. Passepied
    01:49:37 VII. Gigue

    Partita No. 6 in E Minor, BWV 830:
    01:53:26 I. Toccata
    02:00:26 II. Allemanda
    02:03:32 III. Corrente
    02:08:22 IV. Sarabande
    02:15:16 V. Air
    02:16:46 VI. Tempo di gavotte
    02:18:57 VII. Gigue

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    #Bach #Classical #Piano #Music

  • Bach Study Music Playlist | Classical Music for Studying, Concentration, Relaxation Instrumental Mix

    4:41:33

    4 Hours of some of the best Johann Sebastian Bach classical music for studying and concentration. It is a perfect relaxing instrumental music playlist mix for studying and better learning to focus memory and it is also great music to study and concentrate, writing or working in office. Use this classical music for relaxation and reading or as study music for exams and study time.

    -------------------

    Welcome to Just Instrumental Music!

    We love classical music as well as relaxing instrumental music so some years ago we decided to create this channel where you can find the best videos of well-known pieces of classical piano, violin and orchestral music combined with nature sounds and visuals in a unique way. We made original and educative videos from musical compositions which we transform making them perfect to focus on studying, reading, working and improving your concentration and memorization while listening to the greatest composers of all times.

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    - Music accreditations:
    Harpsichord Concerto No.1 in D minor, BWV 1052 performed by Fulda Symphonic Orchestra (imslp.org/wiki/Harpsichord_Concerto_No.1_in_D_minor%2C_BWV_1052_(Bach%2C_Johann_Sebastian) (CC BY-SA 3.0)
    Toccata and Fugue in D minor and Brandenburg Concerto No. 4 - I. Allegro are performed by Kevin MacLeod (incompetech.com) CC BY 3.0

    - Pictures purchased at Shutterstock and used under a Royalty-Free Subscription License Agreement (
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    #classicalmusic #bach #studymusic

    User ID: 166132752
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  • x
  • J. S. Bach - Brandenburg Concertos

    1:32:53

    Johann Sebastian Bach (1685-1750).
    Brandenburg Concertos.

    Concerto nº1 in F major BWV 1046
    1. (no tempo indication)
    2. Adagio
    3. Allegro
    4. Menuetto-Trio I-Polacca-Trio II

    Concerto nº2 in F major BWV 1047
    5. (no tempo indication)
    6. Andante
    7. Allegro assai

    Concerto nº3 in G major BWV 1048
    8. (no tempo indication)
    9. Adagio - Allegro

    Concerto nº4 in G major BWV 1049
    10. Allegro
    11. Andante
    12. Presto

    Concerto nº5 in D major BWV 1050
    13. Allegro
    14. Affettuoso
    15. Allegro

    Concerto nº6 in B flat major BWV 1051
    16. (no tempo indication)
    17. Adagio ma non tanto
    18. Allegro

    Soloists

    Orchestra Of The Age Of Enlightenment
    Bach, una de las cimas...

  • Mischa Maisky plays Bach Cello Suite No.1 in G

    19:28

    1. Prelude - 0:00
    2. Allermande - 2:45
    3. Courante - 7:09
    4. Sarabande - 9:47
    5. Menuet I / II - 13:41
    6. Gigue - 17:38

    Unitel 1993

  • J.S.Bach Cello Suite No.1, BWV 1007, Prelude

    2:46

    #bach #tatyanaryzhkova #guitar
    J.S. Bach Prelude from Cello Suite BWV 1007. Performed by Tatyana Ryzhkova.
    Join me at:

    Recording was made in St.-Lukas-Church, Bremen, Germany.
    Guitar is made by Michel Brück.

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  • Air on the G String J. S. Bach, original instruments

    5:20

    The second movement, Aria, from Bach's orchestral suite in D Major, BWV 1068, performed on original instruments from the time of Bach by the Early Music ensemble Voices of Music. You can purchase our recording of this track on the Evening with Bach CD on iTunes, Amazon and Magnatune

    Voices of Music FAQ
    Q. How can I support Voices of Music?
    A. Donate here: and we will make more
    videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors.
    Q. Where can I learn more about this music?
    A. You can visit our website, Also, subscribe to our video channel! Just click on the logo on our videos.
    Q. Where can we hear you play in concert?
    A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list
    Q. Where can I buy CDs?
    A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki:
    Q. What is Early Music performance, or historical performance?
    A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound.
    Q. Why are there no conductors?
    A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :)
    Q. What are period instruments or original instruments; how are they different from modern instruments?
    A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
    Q. Why is the pitch lower, or higher?
    A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See
    Voices of Music
    Hanneke van Proosdij & David Tayler, directors
    The musicians and their instruments
    Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754
    Maxine Nemerovski, baroque violin by Timothy Johnson, Indiana, 1999 (after Stradivarius)
    Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, 1660
    Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791
    Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680
    William Skeen, five string baroque cello, Anonymous, Italy, c1680
    Farley Pearce, violone by George Steppani, Manchester, 1985,
    after Amati, 1560
    David Tayler, archlute by Andreas von Holst, Munich, 2012
    after Magno Tieffenbrucker, Venice, c1610
    Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century
    northern German instruments
    #Bach #AirontheGString

  • J.S. Bach Complete Edition Vol. 1

    4:54:07

    This selection gives you an beautiful impression of the first volume of the J.S. Bach - Complete Edition. For the Complete first Volume and the Complete Boxset please check the following links:

    Physical purchase:

    Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):
    Vol. 1:
    Vol. 2:
    Vol. 3:
    Vol. 4:
    Vol. 5:
    Vol. 6:
    Vol. 7:
    Vol. 8:
    Vol. 9:
    Vol. 10:


    Tracklist:
    00:00:00 Concerto No. 1 in F Major, BWV 1046: I. –
    00:03:54 Concerto No. 1 in F Major, BWV 1046: II. Adagio
    00:07:28 Concerto No. 1 in F Major, BWV 1046: III. Allegro
    00:11:34 Concerto No. 1 in F Major, BWV 1046: IV. Menuet - Trio No. 1 - Polonaise - Trio No. 2
    00:19:39 Concerto No. 4 in G Major, BWV 1049: I. Allegro
    00:26:21 Concerto No. 4 in G Major, BWV 1049: II. Andante
    00:29:52 Concerto No. 4 in G Major, BWV 1049: III. Presto
    00:34:26 Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture
    00:40:05 Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante
    00:41:43 Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavotte No. 1 - Gavotte No. 2
    00:44:10 Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane
    00:45:27 Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuet No. 1 - Menuet No. 2
    00:48:12 Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrée No. 1 - Bourrée No. 2
    00:50:37 Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepied No. 1 - Passepied No. 2
    00:53:46 Violin Concerto in E Major, BWV 1042: I. Allegro
    01:00:57 Violin Concerto in E Major, BWV 1042: II. Adagio
    01:07:43 Violin Concerto in E Major, BWV 1042: III. Allegro assai
    01:10:31 Harpsichord Concerto in D Minor, BWV 1052: I. Allegro
    01:18:19 Harpsichord Concerto in D Minor, BWV 1052: II. Adagio
    01:24:00 Harpsichord Concerto in D Minor, BWV 1052: III. Allegro
    01:32:03 Harpsichord Concerto in F Minor, BWV 1056: I. –
    01:36:31 Harpsichord Concerto in F Minor, BWV 1056: II. Largo
    01:38:58 Harpsichord Concerto in F Minor, BWV 1056: III. Presto
    01:42:31 Concerto in C Major for Two Harpsichords and Strings, BWV 1061: I. –
    01:49:30 Concerto in C Major for Two Harpsichords and Strings, BWV 1061: II. Adagio ovvero largo
    01:54:40 Concerto in C Major for Two Harpsichords and Strings, BWV 1061: III. Fugue
    02:00:21 Concerto in A Minor, BWV 1044: I. Allegro
    02:09:16 Concerto in A Minor, BWV 1044: II. Adagio
    02:15:18 Concerto in A Minor, BWV 1044: III. Alla breve
    02:22:25 Sonata No. 1 in G Minor, BWV 1001: I. Adagio
    02:26:48 Sonata No. 1 in G Minor, BWV 1001: II. Fugue. Allegro
    02:32:16 Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
    02:45:21 Suite No. 5 in C Minor, BWV 1011: I. Prelude
    02:51:45 Suite No. 5 in C Minor, BWV 1011: II. Allemande
    02:58:32 Suite No. 5 in C Minor, BWV 1011: III. Courante
    03:00:58 Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
    03:04:01 Suite No. 5 in C Minor, BWV 1011: V. Gavotte No. 1 - Gavotte No. 2
    03:09:21 Suite No. 5 in C Minor, BWV 1011: VI. Gigue
    03:11:51 Suite No. 2 in D Minor, BWV 1008: I. Prelude
    03:15:51 Suite No. 2 in D Minor, BWV 1008: II. Allemande
    03:19:32 Suite No. 2 in D Minor, BWV 1008: III. Courante
    03:21:58 Sonata in E Minor, BWV 1034: I. Adagio ma non tanto
    03:25:04 Sonata in E Minor, BWV 1034: II. Allegro
    03:27:34 Sonata in E Minor, BWV 1034: III. Andante
    03:30:33 Sonata in E Minor, BWV 1034: IV. Allegro
    03:35:36 Musikalisches Opfer, BWV 1079: IV. Sonata sopr'il soggetto reale. Largo
    03:40:41 Musikalisches Opfer, BWV 1079: IV. Sonata sopr'il soggetto reale. Allegro
    03:45:15 Musikalisches Opfer, BWV 1079: IV. Sonata sopr'il soggetto reale. Andante
    03:47:49 Musikalisches Opfer, BWV 1079: IV. Sonata sopr'il soggetto reale. Allegro
    03:50:29 Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude
    03:53:33 Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fugue
    04:00:21 Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro
    04:04:42 Partita in C Minor, BWV 997: I. Prelude
    04:08:37 Partita in C Minor, BWV 997: II. Fugue
    04:16:20 Partita in C Minor, BWV 997: III. Sarabande
    04:20:45 Partita in C Minor, BWV 997: IV. Gigue – Double
    04:24:17 Sonata in G Minor, BWV 1029: I. Vivace
    04:30:13 Sonata in G Minor, BWV 1029: II. Adagio
    04:36:08 Sonata in G Minor, BWV 1029: III. Allegro
    04:40:26 Musikalisches Opfer, BWV 1079: I. Ricercare a 3
    04:46:43 Musikalisches Opfer, BWV 1079: II. Ricercare a 6

  • J.S. Bach - Toccata and Fugue in D minor BWV 565

    8:33

    Johann Sebastian Bach's Toccata and Fugue in D Minor BWV 565 played by organist Hans-André Stamm on the Trost-Organ of the Stadtkirche in Waltershausen, Germany.
    Toccata et fugue en ré mineur BWV 565 de Johann Sebastian Bach, interprété par Hans-André Stamm sur l'orgue Trost de la Stadtkirche, à Waltershausen, Allemagne.

  • Anastasiya Petryshak - J.S. Bach - Ciaccona, Partita n.2 in Re minore

    16:02

    Concerto di Lena Yokoyama e Anastasiya Petryshak all'Auditorium del Museo del Violino di Cremona il 13-10-2013. Anastasiya suona il violino Guarneri del Gesù 1734, Stauffer

  • Air On The G String, J. S. Bach - Anastasiya Petryshak

    5:45

    Anastasiya Petryshak, violin
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    Orchestra Cantelli
    Johann Sebastian Bach
    Air On The G String

    Milan, Basilica sant'Ambrogio - 18 December 2015

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  • What Made Bach Great? Johann Sebastian Bach 1685-1750

    13:46

    In this episode we explore the life and music of Johann Sebastian Bach 1685-1750.
    Photography in Leipzig by Fabian Pape
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  • Toccata and Fugue in D Minor

    9:21

    Though the composition is public domain, the performance belongs to the record label that recorded the following performer (see YouTube's attributes in the full description):
    Hannes Kästner
    Album:
    Bach, J.S.: Organ Music - Preludes and Fugues - Toccata and Fugue in D Minor - Chorales Preludes.

    This album was released in 1988 and it's also available on ITunes :

  • J.S. Bach - Air

    5:37

    Air, from J.S. Bach's 3rd Orchestral Suite (arranged by Siloti)
    Click the ????bell to always be notified on new uploads!
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    Hope you enjoy my performance of Bach's Air from his 3rd Orchestral Suite.

    Outro: Vivaldi - Winter (The Four Seasons)

    Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday and Thursday!

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  • HAUSER - Air on the G String

    5:09



    From the debut album CLASSIC
    HAUSER performing Air on the G String by Johann Sebastian Bach

    Filmed and edited by Medvid production

    Museum of Fine Arts, Budapest

  • J. S. Bach - Sonatas & Partitas For Lute

    2:11:02

    Johann Sebastian Bach (1685-1750).
    Sonatas & Partitas For Lute.

    Sonata I BWV 1001
    1. Adagio
    2. Fuga
    3. Siciliana
    4. Presto

    Partita I BWV 1002
    5. Allemanda
    6. Double
    7. Corrente
    8. Double
    9. Sarabanda
    10. Double
    11. Tempo di Borea
    12. Double

    Sonata II BWV 1003
    13. Grave
    14. Fuga
    15. Andante
    16. Allegro

    Partita II BWV 1004

    17. Allemanda
    18. Corrente
    19. Sarabanda
    20. Giga
    21. Ciaccona

    Sonata III BWV 1005
    22. Adagio
    23. Fuga
    24. Largo
    25. Allegro Assai

    Partita III BWV 1004

    26. Preludio
    27. Loure
    28. Gavotte en Rondeau
    29. Menuets I & II
    30. Bourrée
    31.Gigue
    32. Menuet II

    Hopkinson Smith, baroque lute

    Hermosas obras de Bach.

  • J.S.Bach Piano Concerto in D Minor BWV 1052 Polina Osetinskaya Anton Gakkel

    23:52

    NEW AMAZING MUSIC-VIDEO ON THIS CHANEL
    - Benjamin Britten
    - Arshia Samsaminia
    - Roberto Di Marino

    J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
    The Mariinsky String Orchestra
    Conductor: Anton Gakkel
    St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
    0:05 - 1mvt / 8:15 - 2mvt / 16:13 - 3mvt
    The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
    Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
    Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
    Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
    The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
    Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
    Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.

    The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.

  • Yo-Yo Ma - Bach: Cello Suite No. 1 in G Major, Prélude

    3:16

    Yo-Yo Ma Bach: Cello Suite No. 1 in G Major, Prélude

    Connect with Yo-Yo Ma




    Video Director:
    #CelloSuiteNo1 #YoYoMa #Bach
    #SonyMasterworks

  • J. S. Bach - Double Violin Concerto in D minor BWV 1043 Krakowska Młoda Filharmonia

    17:32

    Info:
    Polish Nationwide Music Schools' Symphonic Orchestras Competition
    00:23 I. Allegro
    04:30 II. Andante
    11:32 III. Allegro
    Winners Concert.
    Witold Lutosławski Concert Studio of Polish National Radio
    Audience Award
    Cracow Young Philharmonic, Kraków (Cracow, Krakau, Cracovia) Poland
    Natalia Stęposz - violin,
    Zuzanna Bolon - violin,
    Tomasz Chmiel - conductor,
    Ogólnopolski Konkurs Orkiestr Szkolnych Szkół Muzycznych II stopnia 2013,
    Krakowska Młoda Filharmonia, Orkiestra Symfoniczna Zespołu Państwowych Szkół Muzycznych im. Mieczysława Karłowicza w Krakowie,
    J. S. Bach Koncert na dwoje skrzypiec d-moll BWV 1043
    #Bach #ViolinConcerto

  • J.S. Bach Brandenburg Concertos 1 - 6, Claudio Abbado

    1:31:12

    J.S. Bach Brandenburg Concertos 1 - 6

    Disc 1
    1. Brandenburg Concerto No. 1 in F, BWV 1046 0:00
    2. Brandenburg Concerto No. 3 in G, BWV 1048 17:54
    3. Brandenburg Concerto No. 5 in D, BWV 1050 28:22

    Disc 2
    4. Brandenburg Concerto No. 6 in B flat, BWV 1051 47:25
    5. Brandenburg Concerto No. 4 in G, BWV 1049 1:03:55
    6. Brandenburg Concerto No. 2 in F, BWV 1047 1:20:01

  • Johann Sebastian Bach-Air on G String

    5:24

    Air from Johann Sebastian Bach's 3rd Orchestral Suites or Ouverture No. 3 in D major, BWV 1068.
    The Air is one of the most famous pieces of baroque music.

    Preformed By: The Berlin Philharmonic Orchestra
    Conducted By: Sir Simon Rattle

  • J.S. Bach: Suites for Guitar

    2:14:24

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    Composer: Johann Sebastian Bach
    Artist: Luigi Attademo (guitar)

    J.S. Bach composed no original works for guitar, and although several compositions for lute have been attributed to him, his interest in this expressive instrument appears to have been rather limited, possibly because his mastery and knowledge of it was less extensive than of other instruments, such as the violin and keyboard.

    However, the 20th century still witnessed an increasing interest in the possibility of performing Bach’s music on the guitar. It was in the late 1920s that Andrés Segovia recorded the Courante of the 3rd Cello Suite, and he followed this with the Chaconne from the Partita No.2 for solo violin, later recording the entire work. Julian Bream and Narciso Yepes also made recordings on the guitar of Bach’s music, but it was John Williams who eventually recorded the complete works for lute.

    These discs focus particularly on Bach’s Suites for lute – including BWV996, now attributed to his pupil J.L. Krebs. Also included is the complete Partita No.2 for solo violin.

    To ensure that questions of interpretation were considered thoroughly, these recordings were made following extensive study of 18th century performance practice, as well as secondary sources that discuss how Bach’s music was originally played.

    00:00:00 Suite, BWV 996 in E Minor: I. Preludio: Passaggio – Presto
    00:02:57 Suite, BWV 996 in E Minor: II. Allemande
    00:06:47 Suite, BWV 996 in E Minor: III. Courante
    00:09:19 Suite, BWV 996 in E Minor: IV. Sarabande
    00:13:31 Suite, BWV 996 in E Minor: V. Bourée
    00:14:42 Suite, BWV 996 in E Minor: VI. Giga
    00:17:32 Suite, BWV 1006 in E: I. Präludium
    00:21:40 Suite, BWV 1006 in E: II. Loure
    00:25:10 Suite, BWV 1006 in E: III. Gavotte en Rondeaux
    00:28:12 Suite, BWV 1006 in E: IV. Menuett I
    00:29:28 Suite, BWV 1006 in E: V. Menuett II
    00:31:38 Suite, BWV 1006 in E: VI. Bourée
    00:33:12 Suite, BWV 1006 in E: VII. Gigue
    00:35:07 Partita, BWV 1004 in D Minor: I. Allemanda
    00:42:10 Partita, BWV 1004 in D Minor: II. Corrente
    00:44:58 Partita, BWV 1004 in D Minor: III. Sarabanda
    00:49:14 Partita, BWV 1004 in D Minor: IV. Giga
    00:53:46 Partita, BWV 1004 in D Minor: V. Ciaccona
    01:08:07 Suite, BWV 995 in A Minor: I. Prelude
    01:13:26 Suite, BWV 995 in A Minor: II. Allemande
    01:20:10 Suite, BWV 995 in A Minor: III. Courante
    01:22:43 Suite, BWV 995 in A Minor: IV. Sarabande
    01:26:46 Suite, BWV 995 in A Minor: V. Gavotte I
    01:28:54 Suite, BWV 995 in A Minor: VI. Gavotte II en Rondeaux
    01:31:14 Suite, BWV 995 in A Minor: VII. Gigue
    01:33:22 Suite, BWV 997 in A Minor: I. Prelude
    01:36:46 Suite, BWV 997 in A Minor: II. Fuga
    01:44:51 Suite, BWV 997 in A Minor: III. Sarabande
    01:50:04 Suite, BWV 997 in A Minor: IV. Giga
    01:52:57 Suite, BWV 997 in A Minor: V. Double
    01:55:48 Suite, BWV 998 in D: I. Prelude
    01:58:34 Suite, BWV 998 in D: II. Fuga
    02:03:50 Suite, BWV 998 in D: III. Allegro
    02:07:23 Prelude for lute, BWV 999 in D Minor
    02:09:05 Fugue, BWV 1000 in A Minor

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  • J. S. Bach - Cantatas: BWV139, BWV163, BWV52, BWV140 - J. E. Gardiner

    1:12:39

    J. S. Bach
    Cantatas:
    BWV 139 [17:29]
    BWV 163 [14:29]
    BWV 52 [14:55]
    BWV 140 [25:25]
    Soprano: Gillian Keith [BWV 139, BWV 52]
    Soprano: Susan Hamilton [BWV 163, BWV 140]
    Alto: Hilary Summers
    Tenor: William Kendall
    Bass: Peter Harvey
    Monteverdi Choir
    English Baroque Soloists
    John Eliot Gardiner
    Live recordings from the Bach Cantata Pilgrimage.
    Winchester Cathedral, England.

  • J.S. Bach: Sonatas & Partitas for Solo Violin

    1:53:34

    Tracklist below.

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    Composer: Johann Sebastian Bach
    Artist: Kristóf Baráti (violin)

    Bach may well be one of the most widely acknowledged master composers of all time, but that only serves to make each performer’s interpretation of his work all the more challenging and distinctive: each musician must both do justice to the composer’s intention, making a decision as to the best way of conveying that within the music which is not fixed, and at the same time leave their own mark on the performance. This is especially true for these Sonatas and Partitas given the variety of styles in which such Baroque masterworks have been performed, ranging from the freely romantic to the strictly precise, and the technical challenge posed by these complex pieces for a single instrument.

    The works in this collection are something of an enigma, not only because of the uncertainty surrounding the circumstances and date of their composition, but, more crucially, because of the way in which they stretch the capacity for polyphony of a single violin beyond its physical limit. It is as though Bach had written for a full ensemble of instruments – but on a single staff. Modern musicians have even speculated as to the possible existence of a special bow with which an exact performance of the music might have been achieved in Bach’s day. The music is no less rich for all of this, however: on the contrary, the harmonic complexity of these pieces is at once captivating and beautiful; the implied but absent notes are thrillingly suggestive; and the multiplicity of voices leaves the listener marvelling at Bach’s compositional vision and the performer’s ability.

    This accomplished musical feat is performed by Kristóf Baráti, a Hungarian violinist who has worked with an astonishing number of world-famous orchestras and conductors. Baráti plays a 1703 Stradivarius violin, and one can sense this echo of the era of the pieces as much as one can his intense emotional involvement with the music.

    00:00:00 Sonata No. 1 in G Minor, BWV 1001: I. Adagio
    00:03:53 Sonata No. 1 in G Minor, BWV 1001: II. Fuga: Allegro
    00:09:21 Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
    00:12:25 Sonata No. 1 in G Minor, BWV 1001: IV. Presto
    00:15:04 Partita No. 1 in B Minor, BWV 1002: I. Allemanda
    00:19:29 Partita No. 1 in B Minor, BWV 1002: II. Double
    00:21:40 Partita No. 1 in B Minor, BWV 1002: III. Corrente
    00:23:55 Partita No. 1 in B Minor, BWV 1002: IV. Double: Presto
    00:26:39 Partita No. 1 in B Minor, BWV 1002: V. Sarabande
    00:28:31 Partita No. 1 in B Minor, BWV 1002: VI. Double
    00:29:53 Partita No. 1 in B Minor, BWV 1002: VII. Tempo di borea
    00:32:09 Partita No. 1 in B Minor, BWV 1002: VIII. Double
    00:34:33 Sonata No. 2 in A Minor, BWV 1003: I. Grave
    00:38:24 Sonata No. 2 in A Minor, BWV 1003: II. Fuga
    00:46:06 Sonata No. 2 in A Minor, BWV 1003: III. Andante
    00:51:24 Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
    00:55:30 Partita No. 2 in D Minor, BWV 1004: I. Allemanda
    00:58:34 Partita No. 2 in D Minor, BWV 1004: II. Corrente
    01:00:34 Partita No. 2 in D Minor, BWV 1004: III. Sarabanda
    01:03:00 Partita No. 2 in D Minor, BWV 1004: IV. Giga
    01:06:09 Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
    01:19:13 Sonata No. 3 in C Major, BWV 1005: I. Adagio
    01:23:12 Sonata No. 3 in C Major, BWV 1005: II. Fuga
    01:32:50 Sonata No. 3 in C Major, BWV 1005: III. Largo
    01:35:53 Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai
    01:39:29 Partita No. 3 in E Major, BWV 1006: I. Preludio
    01:43:20 Partita No. 3 in E Major, BWV 1006: II. Loure
    01:46:07 Partita No. 3 in E Major, BWV 1006: III. Gavotte en Rondeau
    01:48:54 Partita No. 3 in E Major, BWV 1006: IV. Menuet I, II
    01:50:53 Partita No. 3 in E Major, BWV 1006: V. Bourée
    01:52:00 Partita No. 3 in E Major, BWV 1006: VI. Gigue

  • Hilary Hahn - J.S. Bach: Partita for Violin Solo No. 1 in B Minor, BWV 1002 - 4. Doubl...

    3:34

    Music video by Hilary Hahn performing J.S. Bach: Partita for Violin Solo No. 1 in B Minor, BWV 1002 - 4. Double (Presto). © 2018 Hilary Hahn, under exclusive licence to Decca Music Group Limited

  • J. S. Bach - Prelude for Lute, BWV 999, Guitar Transcription in D minor

    1:53

    Bach's well-known prelude, BWV 999, is one of the earlier additions to our curriculum.
    Arranged and performed by Emre Sabuncuoglu. Copyright © 2011 Los Angeles Guitar Academy Publishing. All rights reserved.
    ???? Sheet music and tabs:


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  • Bach, Cello suite Nº 1 Música Clásica

    18:43

    El preludio (4/4) de la primera suite puede responder en un principio al carácter de estudio o ejercicio con el que muchos críticos y músicos del pasado querían identificar todas las suites. Su sencillo comienzo de arpegios en semicorcheas así nos pueden hacer pensar, pero en la parte central un arpegio ascendente muere en un calderón y a partir de aquí hay unos compases de tránsito hacia un pasaje de «bariolage» y otro seguido de punto de pedal en re y ascensión cromática que provocan una tensión dramática tal que no cabe hablar de simple estudio. Tras estos compases (33-38) se libera parte de la tensión acumulada y el movimiento acaba de forma brillante con un amplio acorde.
    .
    Johann Sebastian Bach para la mayoría no necesitará presentación. Alemán del periodo Barroco, es considerado por muchos (entre los que sin duda me incluyo) uno de los más grandes músicos de la Historia de Occidente. Fue un incansable trabajador y un compositor sumamente prolífico en todos los sentidos de la palabra: la anécdota que nunca se olvida es que tuvo 20 hijos, pero si observáis el catálogo de sus obras, veréis que su descendencia musical no es menor. Bach escribió (coged aire):

    224 cantatas, 10 misas, 7 motetes, 2 pasiones completas, 3 oratorios, 188 corales, 4 lieder, 1 quodlibet, 58 cantos espirituales, 7 canon para diversos instrumentos, 2 sinfonías orquestales, 4 suites orquestales, 24 conciertos para teclado, violín, flauta solistas y orquesta, 16 sonatas para violín, flauta y viola da gamba solistas y teclado o bajo continuo, 17 suites y partitas para violín, laúd, violonchelo y flauta a solo, 1 fuga para laúd, 2 obras teóricas especulativas para diversos instrumentos, 9 sonatas en trío para órgano, 26 preludios, tocatas, fantasías y fugas para órgano, 10 fugas, fantasías y preludios sueltos para órgano, 1 ejercicio para pedal para órgano, 1 pasacalle y fuga para órgano, 1 canzone, allabreve, aria y pastoral para órgano, 6 conciertos para órgano solo, corales para órgano, 3 partitas-corales para órgano, 1 variación canónica para órgano, 30 invenciones y sinfonías para clavecín, 4 dúos para clavecín, 27 suites y partitas para clavecín, 3 minuetti para clavecín, 56 preludios, fantasías y fuga o fughettas para clavecín, 34 tocatta, preludios y fugas sueltas para clavecín, 4 sonatas para clavecín, 18 conciertos para clavecín solo, 3 arias con variaciones, 2 caprichos para clavecín, 1 applicatio para clavecín…

    Esto es, un total de 525 obras vocales y 494 instrumentales. Para que os hagáis una idea, os dejo esta oferta de una edición digital de música de Bach, según la cual su obra completa dura más de 175 horas repartidas en 172 CDs lo que equivaldría a ¡más de una semana ininterrumpida escuchando su música!

    El valor del legado de Bach es incalculable en muchísimos aspectos, necesitaría escribir un post tan largo como la obra misma del maestro para hablaros de su contribución a la música. Pero quizás la primera palabra que nos viene a la mente cuando pensamos en Bach es contrapunto. Esta técnica de escritura musical se basa en la composición de varias líneas melódicas simultáneas y de relevancia parecida que se complementan entre sí, frente a la música homofónica (varias líneas melódicas paralelas que funcionan como una sola) o la melodía acompañada (donde una sola línea melódica predomina, generalmente en la voz superior, y los demás sonidos, sin valor melódico, se limitan a acompañarla). La cuestión es bastante más compleja que lo expuesto aquí, pero creo que lo resume. Os dejo también una analogía gráfica que puede aclarar los conceptos.
    ,
    Música Clásica es un canal dedicado solo a la música clásica, Mozart, Beethoven, Vivaldi, Tchaikovsky, Strauss, Bach y todos los demas grandes compositores.
    .
    Música clásica, apta para relajación, meditación, concentración, abrir tu mente, conciliar el sueño y muchas cosas mas.
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  • Bach - Cello Suite No. 1 in G Major BWV1007 - Mov. 1-3/6

    9:28

    JOHANN SEBASTIAN BACH (1685-1750)

    Six Suites for Unaccompanied Cello, Suite No. 1 in G Major BWV 1007

    1. Prelude

    2. Allemande

    3. Courante

    Performed by Yo-Yo Ma

  • Goldberg Variations Complete , with score, Kimiko Ishizaka piano

    1:22:23

    New album from Kimiko Ishizaka!

    Download the audio files (mp3, wav):
    Kimiko Ishizaka on Facebook:

    Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations' rapid, bravura passages (Vars 5 and 19, for example). Ishizaka's restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the music's agonising harmonic tension speak softly for itself.
    - Jed Distler, Gramophone Magazine

    She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone.
    - Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine

    The sound quality of the recording is top notch
    In fact, the album's an audiophile gem.
    - Reviewed by Christopher Lim in The Business Times, July 20, 2012.

    J.S. Bach's Goldberg Variations, BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see


    #0:00 Aria
    #5:00 Variation 1
    #6:57 Variation 2
    #9:03 Variation 3
    #11:00 Variation 4
    #12:10 Variation 5
    #13:44 Variation 6
    #15:22 Variation 7
    #17:35 Variation 8
    #19:31 Variation 9
    #21:38 Variation 10
    #23:24 Variation 11
    #25:33 Variation 12
    #27:49 Variation 13
    #32:04 Variation 14
    #34:20 Variation 15
    #38:54 Variation 16 Ouverture
    #42:03 Variation 17
    #43:47 Variation 18
    #45:37 Variation 19
    #47:03 Variation 20
    #49:08 Variation 21
    #53:02 Variation 22
    #54:36 Variation 23
    #56:55 Variation 24
    #59:41 Variation 25 (Black Pearl - slideshow)
    #1:09:01 Variation 26
    #1:11:03 Variation 27
    #1:12:55 Variation 28
    #1:15:20 Variation 29
    #1:17:30 Variation 30 Quodlibet
    #1:19:32 Aria da Capo

    Die Goldberg-Variationen | 哥德堡变奏曲 | ゴルトベルク変奏曲 | 골트베르크 변주곡 | Вариации Гольдберга

  • J.S. Bach: Violin Concerto No.1 In A Minor, BWV 1041 - 1. Allegro moderato

    3:24

    Provided to YouTube by Universal Music Group

    J.S. Bach: Violin Concerto No.1 In A Minor, BWV 1041 - 1. Allegro moderato · Hilary Hahn · Los Angeles Chamber Orchestra · Jeffrey Kahane

    J.S.Bach: Violin Concertos

    ℗ 2003 Deutsche Grammophon GmbH, Berlin

    Released on: 2003-01-01

    Producer: Martin T:son Engstroem
    Producer, Recording Producer: Thomas Frost
    Studio Personnel, Balance Engineer: Tom Lazarus
    Studio Personnel, Recording Engineer: Marc Stedman
    Studio Personnel, Asst. Recording Engineer: Sherri Hendrickson
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Johann Sebastian Bach - Chaconne, Partita No. 2 BWV 1004 | Hilary Hahn

    17:50

    Johann Sebastian Bach - Partita for solo violin Nº 2 in D minor, BWV 1004. 1720. Chaconne. Hilary Hahn, Violin, 1997.
    Violin Partita Nº 2, BWV 1004
    Violin Partita Nº 3, BWV 1006
    Violin Sonata Nº 3, BWV 1005

    In 1999, Hahn said that she played Bach more than any other composer and that she had played solo Bach pieces every day since she was eight. Bach is, for me, the touchstone that keeps my playing honest. Keeping the intonation pure in double stops, bringing out the various voices where the phrasing requires it, crossing the strings so that there are not inadvertent accents, presenting the structure in such a way that it's clear to the listener without being pedantic -- one can't fake things in Bach, and if one gets all of them to work, the music sings in the most wonderful way. — Hilary Hahn, Saint Paul Sunday

    In a segment on NPR entitled Musicians in Their Own Words, Hahn speaks about the surreal experience of playing the Bach Chaconne (from the Partita for Violin No. 2) alone on the concert stage.

    The Partitas are generally more extended, and of unorthodox formal design (as perhaps is implied by their more wide-ranging generic title), and by the more exploratory, improvisatory feel of the music even as they consist of sequences of Baroque dances. The awesome and eloquent Partita No. 2 in D minor, BWV 1004, seems for the most part to follow the conventional outline of the Baroque suite.

    The concluding movement of Partita No. 2 in D minor, BWV 1004 emphasis the most labyrinthine and intellectually powerful single movement ever devised for an unaccompanied string instrument. This is Bach's famous Chaconne (originally Ciaccona), a colossal arched series of 64 stunning variants upon the stark, open-ended four-measure phrase heard at the beginning. Two monumental outer sections in the minor enclose a major-key central episode, and this great structure encompasses every aspect of violin-playing technique and contrapuntal ingenuity that would have been known in Bach's day. The Chaconne, whose duration exceeds 15 minutes (and is thus longer than the rest of the work put together) is often performed as a free-standing movement and has also been widely transcribed for other instruments.

    Bach's Chaconne, Ciaccona, Chacona.

  • J.S. Bach: The Master

    9:53

    *The piece played in the beginning of the video was not composed by Bach. It is the Minuet in G composed by Christian Petzold, which was featured in Bach's Notebook for Anna Magdalena Bach.
    This is my tribute to the greatest composer of all time. This is a compilation of seven Bach pieces, most of which arranged for the electric guitar. The pieces are as follows:

    1: Minuet in G Major
    2: Tocatta and Fugue in D Minor
    3: Jesu, Joy of Man's Desiring
    4: Cello Suite No. 1
    5: Partita No. 6
    6: Air on a G String
    7: Chaconne in D Minor

    I arranged, recorded, and performed everything heard in this video.

    This video was filmed and edited by my good friend Daniel Park!

    I hope you enjoy!
    Thank you

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  • J. S. Bach - Bourreé BWV 996 by Fabio Lima

    1:36

    Fabio Lima interpreta Bourreé BWV 996 de J. S. Bach
    Aulas Online através do e-mail: fabiolimaclasses@gmail.com

  • J.S. Bach: Oboe Concertos

    1:5:41

    Composer: Johann Sebastian Bach
    Artists: Andrius Puskunigis (oboe and oboe d’amore), Simona Venslovaite (violin), St. Christopher Chamber Orchestra. Donatas Katkus (conductor)

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    We can’t be sure that Bach wrote any concertos specifically for the oboe aside from the C minor concerto BWV1060 – in which it’s partnered by the violin in an exercise of pathos out of all proportion to the modest dimensions of the work itself. The other concertos here come down to us as harpsichord concertos, in which guise they do not sit entirely happily, and it seems more than likely that Bach, as both unhappy Kapellmeister of the Thomaskirche in Leipzig and far more content in his role supplying music, musicians and concerts to Zimmermann’s coffee house in the city, would have been glad to take advantage of the soloistic potential of a resident oboist to craft these Italianate concertos that exploit both the instrument’s origins in pastoral idiom (notably BWV1053, in the ‘pastoral’ key of F major, and its gently swaying siciliano middle movement in 6/8), as well as more urbane and learned counterpoint of which he was undisputed master among his peers.

    Andrius Puskingis is a Lithuanian oboist, now resident in France, who returns to his home city to play and direct these spirited and intimate performances. At present he is the principal oboist with the Heidelburg Symphony Orchestra, who have made an acclaimed series of Haydn symphony recordings with their music director Thomas Fey, and something of Fey’s restless spirit of adventure can also be traced in these fine new recordings.

    00:00:00 Oboe Concerto in F Major, BWV 1053: I. Allegro
    00:07:15 Oboe Concerto in F Major, BWV 1053: II. Siciliano
    00:12:09 Oboe Concerto in F Major, BWV 1053: III. Allegro
    00:18:02 Concerto for Oboe d’amore in A Major, BWV 1055: I. Allegro
    00:22:15 Concerto for Oboe d’amore in A Major, BWV 1055: II. Larghetto
    00:26:18 Concerto for Oboe d’amore in A Major, BWV 1055: III. Allegro ma non tanto
    00:30:52 Oboe Concerto in G Minor, BWV 1056: I. Allegro
    00:34:07 Oboe Concerto in G Minor, BWV 1056: II. Largo
    00:36:29Oboe Concerto in G Minor, BWV 1056: III. Presto
    00:39:55 Concerto for Oboe d’amore in G Major: I. Bass aria (Arr. BWV 100)
    00:43:19 Concerto for Oboe d’amore in G Major: II. Alto aria (Arr. BWV 170)
    00:49:35 Concerto for Oboe d’amore in G Major: III. Bass aria (Arr. BWV 30)
    00:53:52 Concerto for Oboe and Violin in C Minor, BWV 1060: I. Allegro
    00:58:16 Concerto for Oboe and Violin in C Minor, BWV 1060: II. Adagio
    01:02:19 Concerto for Oboe and Violin in C Minor, BWV 1060: III. Allegro

    Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel:

    And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!

  • J. S. Bach - Harpsichord Concertos

    3:16:00

    Johann Sebastian Bach (1685-1750).
    Harpsichord Concertos.
    ¡Hermosos Concertos de Bach!
    Concerto for harpsichord in A major BWV 1055
    1. Allegro
    2. Larghetto
    3. Allegro ma non tanto

    Concerto for harpsichord in F minor BWV 1056
    4. Allegro
    5. Largo
    6. Presto

    Concerto for harpsichord in D major BWV 1054
    7. Allegro
    8. Adagio e sempre piano
    9. Allegro

    Concerto for harpsichord in E major BWV 1053
    10. Allegro
    11. Siciliano
    12. Allegro

    Concerto for harpsichord and two recorders in F major BWV 1057
    13. Allegro
    14. Andante
    15. Allegro assai

    Concerto for harpsichord in D minor BWV 1052
    16. Allegro
    17. Adagio
    18. Allegro

    Concerto for three harpsichords in D minor BWV 1063
    19. Allegro
    20. Alla Siciliana
    21. Allegro

    Concerto for two harpsichords in C major BWV 1061
    22. Allegro
    23. Adagio ovvero Largo (Quartetto tacet)
    24. Fuga Vivace

    Concerto for three harpsichords in C major BWV 1064
    25. Allegro
    26. Adagio
    27. Allegro

    Concerto for two harpsichords in C minor BWV 1060
    28. Allegro
    29. Largo ovvero Adagio
    30. Allegro

    Concerto for four harpsichords in A minor BWV 1065
    31. Allegro
    32. Largo
    33. Allegro

    Concerto for harpsichord in D minor BWV 1059
    34. Allegro
    35. Adagio
    36. Presto

    Concerto for harpsichord in G minor BWV 1058
    37. Allegro
    38. Andante
    39. Allegro assai

    Gustav Leonhardt, harpsichord
    Leonhardt Consort
    Gustav Leonhardt

    Herbert Tachezi, harpsichord (BWV 1052)
    Concentus musicus Wien
    Nikolaus Harnoncourt (BWV 1052)

  • J.S. Bach Chromatic Fantasia and Fugue in d minor, BWV 903

    12:03

    The Chromatic Fantasia and Fugue is an extravagant work of virtuosity and bold harmonic structure. It is an extraordinary piece - large, sprawling, emotional, and unique in its character compared to the rest of Bach's music. The title of the piece comes from either the fugue’s chromatic melody, or from the startling modulations in the Fantasia. Either opinion is equally acceptable and debated.

    Bach composed only a few “fantasies” – a type of prelude usually preceding a fugue. The Fantasia is highly virtuosic and similar in form to the toccata, English fantasy, and the canzone, in that it consists of alternating sections of differently textured music. The English fantasy differs from Bach’s fantasies because it does not contain any free, improvisational sections. And unlike the Italian canzone, Bach’s chromatic fantasy does not include sections of imitative counterpoint.

    The Fantasia consists of three main sections: the first (0:00) being a true prelude, the second (3:38) a recitative-like section, and the third (4:58) a mixture of the two. Some scholars, however, categorize the extensive arpeggio part preceding the recitative as a separate section in itself. The first section consists of technically demanding toccata-like passagework. Conversely, the recitative that follows is musically challenging, requiring extreme emotional sensitivity. And the third section combines the two elements in a virtuosic drive to the end.

    The fugue begins in a strict style but gradually loosens, revealing elements of the fantasy. It opens with a long and complex semitonal subject. The fugue has three sections with eleven entrances of the fugal theme. Every entry of the theme contains an element of uncertainty, yet each seems to be anticipated by the previous one. The first section stays mostly in d minor, while the second section modulates as the theme is introduced in distantly related keys. The third section again returns to d minor and ends with bravura passage work, scales, and “organistic” octave doubling in the bass, not unlike the closing of a toccata. Compared to the fugues of The Well-Tempered Clavier, this fugue is treated much more freely.

    0:00 - Fantasia
    6:54 - Fugue

    description adapted from:

  • J.S. Bach: Fuge BWV 998

    6:43

    Mp3 download at:

  • J. S. BACH - Complete Harpsichord Concertos on Antique Instruments – 3CD

    3:32:04

    J. S. BACH
    Complete Harpsichord Concertos on Antique Instruments
    3CD
    , artist, performer
    Davitt Moroney, performer
    Кaгеn Flint, artist, performer
    Arthur Нaas, artist, performer
    ЈungHae Kim, artist, performer
    Adam Pearl, artist, performer

    Harpsichords:
    Nicolas Dumont (Paris, 1707)
    Ioannes Ruckers (Antwerp, 1635)
    Anon. Spanish (Salamanca, c.1700)
    Domenicus Pisauriensis (Italian, 16th Cent.)

    Nina Ѕtern, recorder
    Daphna Mor, recorder
    Carla Moore, violin, leader
    Martin Davids, violin
    Amy Leonard, viola
    Douglas McNames, cello
    Anne Peterson, bass

    Track Listings

    0:00:00 Disc: 1
    1. Concerto in A minor for four unaccompanied harpsichords, BWV 1065: - Karen Flint, Arthur Haas, Davitt Moroney,& JungHae Kim
    2. Concerto in A minor for four unaccompanied harpsichords, BWV 1065: Largo - Karen Flint, Arthur Haas, Davitt Moroney & JungHae Kim
    3. Concerto in A minor for four unaccompanied harpsichords, BWV 1065: Allegro - Karen Flint, Arthur Haas, Davitt Moroney & JungHae Kim
    4. Concerto in A major, BWV 1055: Allegro - Davitt Moroney
    5. Concerto in A major, BWV 1055: Larghetto - Davitt Moroney
    6. Concerto in A major, BWV 1055: Allegro ma non tanto - Davitt Moroney
    7. Concerto in C major for two harpsichords, BWV 1061: - Karen Flint & Davitt Moroney
    8. Concerto in C major for two harpsichords, BWV 1061: Adagio ovvero Largo - Karen Flint & Davitt Moroney
    9. Concerto in C major for two harpsichords, BWV 1061: Fuga - Karen Flint & Davitt Moroney
    10. Concerto in D minor for three harpsichords, BWV 1063: - Arthur Haas, Davitt Moroney & Adam Pearl
    11. Concerto in D minor for three harpsichords, BWV 1063: Alla Siciliana - Arthur Haas, Davitt Moroney & Adam Pearl
    12. Concerto in D minor for three harpsichords, BWV 1063: Allegro - Arthur Haas, Davitt Moroney & Adam Pearl
    13. Concerto in A minor for four harpsichords with strings, BWV 1065: - Karen Flint, Arthur Haas, Davitt Moroney, JungHae Kim & Adam Pearl
    14. Concerto in A minor for four harpsichords with strings, BWV 1065: Largo - Karen Flint, Arthur Haas, Davitt Moroney, JungHae Kim & Adam Pearl
    15. Concerto in A minor for four harpsichords with strings, BWV 1065: Allegro - Karen Flint, Arthur Haas, Davitt Moroney, JungHae Kim & Adam Pearl

    1:07:20 Disc: 2
    1. Concerto in D minor, BWV 1052:Allegro
    2. Concerto in D minor, BWV 1052: Adagio
    3. Concerto in D minor, BWV 1052: Allegro
    4. Concerto in D major, BWV 1054:
    5. Concerto in D major, BWV 1054: Adagio e piano sempre
    6. Concerto in D major, BWV 1054: Allegro
    7. Concerto in G minor, BWV 1058:
    8. Concerto in G minor, BWV 1058: Andante
    9. Concerto in G minor, BWV 1058: Allegro assai
    10. Concerto in E major, BWV 1053:
    11. Concerto in E major, BWV 1053: Siciliano
    12. Concerto in E major, BWV 1053: Allegro

    2:21:10 Disc: 3
    1. Concerto in C minor for two harpsichords, BWV 1060: Allegro
    2. Concerto in C minor for two harpsichords, BWV 1060: Largo ovvero Adagio
    3. Concerto in C minor for two harpsichords, BWV 1060: Allegro
    4. Concerto in F minor, BWV 1056: Allegro
    5. Concerto in F minor, BWV 1056: Adagio
    6. Concerto in F minor, BWV 1056: Presto
    7. Concerto in F major for harpsichord and two recorders, BWV 1057:
    8. Concerto in F major for harpsichord and two recorders, BWV 1057:Andante
    9. Concerto in F major for harpsichord and two recorders, BWV 1057: Allegro assai
    10. Concerto in C minor for two harpsichords, BWV 1062:
    11. Concerto in C minor for two harpsichords, BWV 1062: Andante e piano
    12. Concerto in C minor for two harpsichords, BWV 1062: Allegro assai
    13. Concerto in C major for three harpsichords, BWV 1064:
    14. Concerto in C major for three harpsichords, BWV 1064: Adagio
    15. Concerto in C major for three harpsichords, BWV 1064: Allegro

  • J S Bach by Segovia

    5:38

    Andrés Segovia plays J S Bach
    Sarabande
    Gavotte en Rondeau

  • J.S. Bach - Prelude, Sarabande, Gigue & Double from BWV 997

    12:50

    0:07 Prelude, 3:25 Sarabande, 8:12 Gigue, 11:06 Double
    Three of the shorter movements from the Suite for Lute in C minor, BWV 997 (I consider the Double as a variation of the Gigue). If I ever have enough time to get that Fugue up to par, it will get its own video!
    Please smash that like button and destroy the subscribe button.
    I'll have a new video every month for the next few months.
    Thanks to Max Richard and Brent Crawford for helping me film this. It's a lot of work to transport all the gear, set everything up and then sit down and play. You guys made the process much smoother!
    Also, as you may have seen in some of my videos i'm using fake nails.

    These adhesives are fantastic for putting them on, and I have been using them without fail for over a year (even when playing the Aranjuez concerto with lots of rasguados and otherwise heavy playing). If you also use fake nails and are tired of using glue, this is probably a very good option for you.

  • La Pasion segun San Mateo de J. S. Bach.

    8:42

    Música religiosa, coral. En este fragmento Jesús es ungido en Betania.

    La Pasión según San Mateo, BWV 244 (título original en latín: Passio Domini Nostri J. C. Secundum Evangelistam Matthaeum; en alemán: Matthäus-Passion; en inglés: St. Matthew Passion) es una pasión oratórica escrita para voces solistas, doble coro y doble orquesta por Johann Sebastian Bach.

    Se estrenó en 1727

    Presenta el sufrimiento y la muerte de Cristo según el evangelio de San Mateo. Con una duración de más de dos horas y media (en algunas interpretaciones incluso más de tres horas), es la obra más extensa del compositor. Es una obra central de la música artística (Hubert Parry la ha definido como el más rico y noble ejemplo de la historia de la música sacra). La Pasión según San Mateo consta de dos grandes partes conformadas por 68 números. El texto del evangelio de San Mateo, capítulos 26 y 27, es cantado literalmente por un evangelista, y las personas de la trama (Cristo, Judas, Pedro, etc.) por los demás solistas. Alrededor del texto bíblico se agrupan coros, corales, recitativos y arias con la intención de interpretar el texto.

    Tras la muerte de Bach, la obra cayó en el olvido (como, en general, toda la obra del compositor) y no fue hasta 1829 cuando el compositor y director Felix Mendelssohn volvió a interpretarla con la Sing-Akademie de Berlín en una versión abreviada. La reinterpretación de esta obra dio inicio a un fuerte interés por el estudio y el análisis de las obras de Bach, particularmente las de gran escala, que ha persistido hasta nuestros días. Tras el redescubrimiento de la obra en 1829 por parte de Mendelssohn, Adolf Bernhard Marx, íntimo amigo por aquella época del compositor, persuadió al editor musical Adolf Martin Schlesinger de emprender la publicación de esa obra, haciendo a la obra maestra de Bach accesible para los académicos por primera vez.4 Hasta el siglo XX, era común que las fiestas del Luteranismo usaran la Pasión de Bach durante los servicios religiosos en la celebración del Viernes Santo.

    La obra está escrita para dos coros, cada uno formado por un grupo de cuatro voces (soprano, contralto, tenor y bajo) y un grupo de instrumentos (2 flautas, 2 oboes, oboe d'amore, cuerdas y bajo continuo). En este sentido se podría hablar de un coro y una orquesta dobles. Además, en los números 1° y 35º aparece una voz extra de sopranos (soprano in ripieno), que comúnmente es cubierta por un coro de niños (en contraposición a las voces femeninas de los dos coros). Sin embargo, esta tradición no corresponde con las intenciones de Bach, puesto que los coros en las iglesias no utilizaban voces femeninas, sino únicamente de niños y de falsetistas y, en este sentido, no distinguían entre las voces de los coros I y II y la de soprano in ripieno (a menos que los dos coros fueran únicamente interpretados por solistas, contrapuestos entonces a los ripienistas).

    El texto del libreto está basado, por una parte, en los capítulos 26 y 27 del evangelio de Mateo en la traducción de Martín Lutero y, por otra parte, en poesías del escritor Christian Friedrich Henrici (también conocido como Picander) y en corales luteranos relacionados con la pasión.

  • J.S Bach - Toccata and Fugue in D Minor - Best Version

    8:49

    The most famous composition for organ ever written, J.S Bach's Toccata and Fugue in D Minor BWV 565. It is performed by organist Karl Richter on the pipe organ of Ottobeuren Abbey. The organ was built by Karl Joseph Reipp in 1766.

  • J.S. Bach - Cantata BWV 32 Liebster Jesu, mein Verlangen

    25:24

    From the protestant church Trogen in Switzerland
    Choir and Orchestra of the J. S. Bach Foundation
    Rudolf Lutz - conductor
    Soloists
    Miriam Feuersinger - soprano
    Markus Volpert - bass

    Johann Sebastian Bach - Cantata BWV 32 Liebster Jesu, mein Verlangen (Dearest Jesus, my desire).

    0:44 Aria (soprano): Liebster Jesu, mein Verlangen,
    6:27 Recitative (bass): Was ist's, daß du mich gesuchet
    6:56 Aria (bass): Hier, in meines Vaters Stätte,
    14:18 Recitative (soprano, bass): Ach! heiliger und großer Gott
    16:49 Aria (soprano, bass): Nun verschwinden alle Plagen,
    22:14 Chorale: Mein Gott, öffne mir die Pforten

    Subscribe to our channel:

    For further information on the Bach Foundation, go to:
    The complete cantata, introductory workshop and reflection lecture (in German) is available at:

  • J. S. Bach Bourree en Mi menor - Guitar Tutorial Complete

    12:25

    Tutorial de un clásico Bourree de Bach en Mi menor
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