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Playlist of How to get WIDE stereo tracks

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    How to safely make WIDE stereo tracks

    58

    Useful trick to make metal guitars wide but it can be as useful on many other instruments, even masters with phase problems. The point of this video is to illustrate how using the Safe Bass control can make a stereo signal mono compatible by converting only the low end to mono and leave the mid and high frequencies wide (or making them even wider) to represent the stereo image.

    The plugin A1StereoControl is free to download:

    Safe Bass:

    The integrated Safe Bass algorithm centers all bass frequencies below a adjustable value right back into the middle of the stereo field. This gives your tracks the solidity and definition you want while preserving maximum transparency and sharpness. Similar techniques were used by professional studio producers over ages with either expansive hardware devices like elliptical equalizers or even advanced m/s-processors. With this plugin you will be able to manage this complicated task with a minimum effort. Simply turn on Safe Bass and adjust the frequency as needed.

    Enjoy!

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    Huge Stereo Width From Mono

    9:52

    How to make your sounds huge and wide with 5 essential mixing tips by Reid Stefan Realest Puppet In The Game. Making your tracks wide starts with spreading out your sounds with panning. In addition to panning reverb and delay are both very helpful in adding size depth and width to your mix!

    Plugins
    JST SideWidener
    StereoDelta
    Ableton Reverb
    Ableton Echo

    Get Whole Loops MASTER SAUCE


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    Create Wide Stereo Vocals | Logic Pro X

    12:20

    *** OUR FREE EBOOK 11 Key Music Production Skills IS OUT NOW! *** Click the link to download your free copy.


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    In this episode of Hyper Production we are going to take a look at how we create wide stereo vocals using the stock plugins that come with Logic Pro X. We do this by taking the main vocal track and duplicating it twice and then applying a pitch shifter on each of the newly duplicated channels. We then pan hard Left & Right each new vocal channel and apply the pitch shift as follows: Left: -6 Cents. Right +6 Cents. This will create a unison type effect in which will really open up your main vocal into the stereo field.

    We also take a look at a backing vocal to match the main vocal and apply the same technique to create a really full-sound vocal for your track.


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    Ableton Tutorial: 13 Random Tips To Widen Your Sounds & Mix Using Stock Plugins

    15:23

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    Ableton Tutorial on stereo widening and imaging. Creating stereo width from mono tracks and just generally creatively spreading out your sounds in your mix.

    Join Sam Antidote as he dives into useful and interesting tips and tricks to making stereo information and wideness, even from mono sounds in a very unprofessional yet enlightening tutorial.

    -Panning, Chorus, Grain Delay, Double Tracking, Delays, Reverb and more tricks covered in this video

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    Get Wider Mixes In Two Steps - TheRecordingRevolution.com

    10:26

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    Mixing Tips Pt. 2: Creating a Wide Stereo Image with Single Tracks

    3:39

    This is my quick tutorial on how to make your tracks sound wider in the mix, and even make your single tracks sound wide! I do this a lot when I feel a performance needs to consume more space and stand out.

    Thanks for watching!
    And subscribe for more recording / mixing tutorials!

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    Stereo Mastering A Pop Track

    20:01

    Music Credit: Lonely by Chris Martines -

    Mastering music has always been seen as something of a dark art and even a secret of the industry pros. The tools available to everyone now makes getting pro results much easier to achieve, which is why more and more people are mastering their own music.


    The video below is a full walkthrough of me mastering an electronic pop song called ‘Lonely by Chris Martines’. I had previously mastered this awesome track in April 2017, but with the artists consent, I’m remastering it now to show YOU how I approach stereo mastering. A stereo master can take me anywhere from 30 to 60 minutes to complete, but I’ve condensed this video into 20 minutes to keep it fast paced.



    Hopefully you’ll pick up a few tips and tricks to use in your next project.

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    Producing With Synths: Stereo vs Mono In A Full Track

    17:16

    Watch Weezna as he goes though the process of choosing to use stereo or mono synths for a track. First Weezna shows how to keep kick, snare, bass, and main vocals in the center of a mix. Then using a wide stereo synth and playing chords, you can create the thick full sound in your track. Last, by adding a mono lead you can create another layer to make the track seem even bigger.
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    HOW TO STEREO WIDEN YOUR TRACK PROPERLY - R3SPAWNED TUTORIALS #013

    4:19

    Want my YouTube videos one day in advance? Go to

    In these video series I'll talk about basic production tips as well as advanced production tips. In this tutorial I'm going to talk about stereo widening and when there's too much stereo widening.




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    5 Ways to Make Any Sound Wider

    23:01

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    In this video, Echo Sound Works goes through 5 simple ways to widen any sound.

    Like, favourite and subscribe to support ADSR.

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    How To Get A Wide Mix With LCR Panning - RecordingRevolution.com

    13:28

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

    Everyone I talk to wants a wide mix.

    They want a mix with impact, space, clarity - and width!

    What's funny is that the EASIEST way to get that wide mix is to use something called LCR panning.

    That's right - panning!

    No stereo widening plugins, no spacial imagery - just turning your pan knobs to THE RIGHT PLACE.

    It's the oldest trick in the book.

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    Wider - Expanding Your Stereo Image - First Look

    5:01

    ► Download Wider :

    In this video we look at Wider, the new free plug-in from Infected Mushroom & Polyverse.

    Widen Your Sound Today – For Free!

    Wider takes the massively popular stereo section from its sibling, Manipulator, and gives you the ability to expand the stereo image of any signal to an awe-inspiring amount of width.

    However, Wider is a unique stereo plugin in the sense that it is completely “mono-compatible”, meaning that any signal that has been extended will always remain in phase with itself, even if summed to mono.

    BROADEN YOUR HORIZONS

    Many stereo effects currently in use have the nasty habit of knocking signals out of phase, which can quickly make mixes sound muddy and unbalanced, or make sounds seem flat and lacking dynamics if one isn’t mindful of the effect.

    Thanks to Wider’s one-of-a-kind all pass and comb filtering algorithm, no phase in any mix or affected audio will be compromised, even at its broadest setting! Instead, Wider cancels itself out when summed to mono, so the original signal is left intact: a feature you won’t find in any other stereo plugin.

    Wider can be used to increase the stereo image of any signal up to 200% of full stereo for an extra wide, exaggerated effect.

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    No matter how far out and experimental Infected Mushroom’s sounds get, they always keep their mixes clean, crisp, and translatable without sacrificing power. Now you can achieve the same depth and clarity, absolutely free.

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    Wide Mix: How to get Wide stereo image with Harmonizer

    4:05

    In this technique, you can achieve wide mix without losing the mid + original sound!

    One of the most used techniques by mixers, to add stereo width to your mix. Using harmonizer with slight delay and pitch shift, signal goes wider than your speaker positioning.

    Legends used the hardware H3000 from Eventide to get this effect, in this digital era, let’s use Little Microshift from Soundtoys.

    Plug-ins used in this technique
    NLS Channel /waves
    EQ3 /Avid
    Little Microshift /Soundtoys

    Little Microshift was given away for free for certain period of time but it’s not available anymore unfortunately. You can purchase big brother of this “Microshift” on their website.


    This is one of many uses of parallel processing. If you wanna know more about those techniques, head to this video for thickening the bass while maintaining aggressive highs!


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    Hey youtube! Sohta from Mixer's Hive here.
    I've been mixing/mastering records for 10-ish years based in Boston, MA in the USA. I also manage the computer music lab at Berklee College of music called Learning Center. You can find small but effective tips here at Mixer's Hive that you can use in your daily mixing projects. Subscribe for new videos!
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    Intro to Stereo Imaging with the Waves S1 Plugin

    2:26

    Watch this introduction to the Waves S1 Stereo Imager plugin, a unique mixing tool for manipulating spatial images, panning and stereo separation in stereo tracks and full mixes.
    S1 Stereo Imager:

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    How To: Mono Signal To A Wide Stereo Signal Using A Delay Unit

    13:57

    Watch as Weezna shows how to take a mono signal and by using a analog delay, turn that track into a wide stereo signal.
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    BACKGROUND: Ryan Weezna - Producer, Mix Engineer, Mastering Engineer, Keyboardist, Drummer, Singer
    • Shared the stage with acts including Rihanna, Plain White T's and Teddy Geiger
    • Produced and recorded over 3500 tracks of mixed musical genres
    • Created music and appeared on major TV networks including, MTV, VH1 and CMT and ABC Family
    • Worked with industry leading producers such as Shep Goodman, Kenny Gioia, and Sam Conjerti Jr.

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    Getting Wider Mixes

    13:33

    Quick Tutorial on how i get my tracks to have more of a stereo feel to them...

    Retro Thunder - Better Ways to Die


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    channel mode in Studio One: Mixing stereo tracks

    9:04

    this video shows how to use the channel mode in studio one as well as my approach to mixing stereo tracks.

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    How to Get Bigger, Wider Guitar Tones in the Mix

    5:56

    In this video from GuitarIQ.com we take a look at getting bigger, wider and more spacious guitar tones in the mix. In short, this video demonstrates how to give your mono guitar tracks more stereo spread. This is a simple mixing technique that will help you get more out of your amp simulator (regardless of the plugin you are using). This video also gives us an opportunity to check out Softube’s 'Vintage Amp Room’ and 'TSAR - 1R’. These are two great sounding plugins for achieving authentic sounding guitar tones. Check it out!

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    Mix Essentials - Ozone 7 Stereo Imager Pro Tips

    10:19

    Full Ozone 7 Course -

    In this video, Echo Sound Works shows you how to use the powerful imager tool in Izotope Ozone 7 to widen and narrow a track based on frequency specific ranges!

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    Stereo Widening Mix Buss Automation - RecordingRevolution.com

    10:16

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

    Are your mixes not as wide as the competition?

    There's a good chance that some of your favorite tracks have been mixed or mastered with some stereo width enhancement.

    In today's video I show you the difference a little bit of stereo widening can make on your mix, but even more powerfully I show you how you can AUTOMATE your mix buss plugins including stereo width, mix compression, and more.

    Just knowing that you can do this is helpful as a mixer, whether you use it on every mix or not.

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    STEREOBUSS - Wider at the chorus with stereo imaging

    7:45

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    The Best Plugins For Stereo Widening | Tutorial Video

    34:56

    SoundOracle.net - These are some off the best VST plugins for making your sounds appear wider. In today’s music, the listener really craves a wide stereo image. In this video we will show you some of the best tools to give your tracks a wider and fuller sound.

    Follow along as professional engineer Eric Michaels gives you step-by-step techniques on how to use stereo tools.

    Even though this tutorial is done in Pro Tools, you can use these plugins and techniques in any DAW (Logic, Ableton, FL Studio, etc).

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    Get Wider Mixes With Just 2 Plugins - RecordingRevolution.com

    9:55

    ►► Create radio-worthy songs from your bedroom. Download my FREE Radio Ready Guide and learn my 6 step process →

    Need more width in your latest mix? Already tried creative panning and arranging to open up the mix as much as possible?

    Are you using a lot of stereo tracks and virtual instruments that are all blending together?

    Today's trick might help you a ton.

    Using two simple plugins on your master fader you can instantly bring out more width and excitement in your mix.

    Let's check it out!

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    How to Achieve Wide Stereo Snares in your Mix

    2:16

    Using wide snares is an amazingly powerful way to add excitement, fullness, and an extra dimension to your track!

    But as I mentioned in the video, if you are creative with how you use these wide stereo snares in your arrangement, such as adding these stereo snares only in at the chorus, you can tremendously enhance your arrangements attempts!

    View the write-up on the blog:


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    The difference between mono and stereo tracks

    3:17

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    Matty Harris is a music producer, mixing and mastering engineer from Boston. As a young musician, he won several awards, most notably, the best drummer in New England. He toured with jazz, blues and calypso bands, playing bars and clubs at the young age of 14. After High School, he attended Berklee College of Music where he studied Music Production and Engineering. Learning from some of the most accomplished producers and engineers in the industry. Since then, he has worked on countless records with such artist as; Atlantic Records, RCA Records, WB Records, Kelly Clarkson, Sammy Adams, A$AP Rocky, Logic, Lil Yachty, Cam Meekins, Just Juice, Action Bronson, Danny Brown, Fat Joe, Styles P, La Coka Nostra, and many more. He worked on the Grammy Award-winning song “Stronger” by Kelly Clarkson and won the 2008 Boston Music Award for Best Hip-Hop/R&B Producer. He now lives in Los Angeles where he works with artists from all over the world helping them to realize their dreams.

    Matty started his online mixing and mastering company, mixandmastermysong.com, with the vision of helping new artists get the same quality mixes and masters as the major label artists he works with. After realizing the advancements of technology, he knew it was time to launch his online mixing and mastering company when he no longer needed the effects of a “big room” studio to achieve high-end mixing and mastering.

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    How to Contextually Bring a Vocal Forward in a Mix

    4:25

    Instant access to every in-depth mixing course from Matthew Weiss:
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    Sometimes bringing a vocal forward in a mix isn't about actually processing the vocal, but rather the contextual elements in the same mix space around it.

    Software used:
    - Avid Pro Tools
    - Waves S1 Stereo Imager

    ---

    Transcript:

    Hey guys, Matt Weiss here, Today I'm going to demonstrate the idea that sometimes affecting one thing is really about how the other things around it are actually affected.

    In this specific case we're going to be talking about how to keep a vocal sounding forward, but I'm not actually going to show you what I do with the vocal. It's really what I do with a lead element that takes up the same space as the vocal.

    So, first, I'm going to play the record.

    Okay, the vocal is pretty forward. Behind that is this drone sound. I've done some processing to this, but let's just hear what it sounds like just with some basic EQ and level matched to about where it should sound.

    Actually, it sounds good. There's nothing wrong with the way that it sounds. The only thing is that I would have to be willing to accept the vocal not being like right there. It would have to be more like accepting the vocal being here. Usually, for hip-hop you want the vocal as forward as you can possibly get it.

    Okay, how do I do this? Well, I'm going to take off the volume boost that I I'm going to blend this little thing in in parallel.

    So, here's without it.

    With.

    Okay, what is this weirdness? Well, it's the same thing as the main drone, except I've got the Digidesign Lo-Fi here and I'm doing some saturation and adding some distortion, which is basically adding harmonics to thicken the sound. Then, I'm taking this Waves Imager and I'm cranking it. I've got it really way up so that it's no longer mono compatible. Basically, I'm just going to blend that in underneath the main sound.

    What this is ultimately doing is it's adding more presence and fullness to the sound of the drone without actually moving it forward or bringing the main content of it forward which then in turn synchs the vocal back.

    The vocal stays nice and forward now. It's a subtle difference, but I think it's an important difference.

    Lastly, there's this reverb return, which I think adds a nice little depth and also synchs that drone sound, that sample sound, back a little bit further even in the mix while at the same time filling it out a bit more.

    Anyways, that's all to illustrate the point that it's not always about what you're trying to affect. Sometimes it's about how you treat the things around it.

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    Creating a Stereo Mix from a Mono Source

    10:45

    Creating a stereo mix from a mono source. In this video we'll explore a couple of ways to create a big stereo spread from mono source! Enjoy!!

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    Make you Mix Sound Wider

    14:36

    Everybody needs a wide stero image so this is the video for you. Just a few tweaks by ear helps your mix sounds professional and clean.
    Make my mix wide, stereo widening, sounds like flume, sound like modern trance. Make my Edm track huge, how to make music, how to producer trance, how to make a massive edm track, cubase 8.5 tutorials, how to compose in cubase. How to producer trance music in cubase.

    how to make music

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    Panning 101: How to use Panning for a Wider Mix | LANDR Mix Tips

    3:54

    What is panning in music? Find out how to pan in your music production for a wider mix.

    Read more on the blog:


    Panning is one of the essential features of your DAW’s mixer.

    Along with fader level, panning is one of the most important processes you’ll apply in your mix outside of plugin effects like EQ, compression and reverb.

    In this video I’ll go through everything you need to know to use panning effectively in your mix.

    Panning is the process that positions an audio signal spatially in the stereo field created by two speakers.

    By varying the intensity of a signal in each speaker, we can trick our brains into localizing a sound source on an imaginary plane relative to our listening position.

    How does panning work?
    Panning works by changing the ratio of a signal in one speaker relative to the other.

    Both speakers playing a signal at the same level is equivalent to a mono recording—we perceive it as dead center in the stereo field.

    When fully centered, the identical signals will stack together and seem louder.

    To compensate, the signal is slightly attenuated relative to center position to create a smooth semi-circular stereo image around the listener.

    Choosing the stereo position of your tracks is just as important as setting their level or sculpting their frequency balance with EQ.

    There’s as many approaches to panning as there are mix engineers. But there are some common threads that can steer you toward an approach that works for your own mixing process.

    If you’re just getting started with identifying frequency ranges and finding out which sounds are masking which, mixing in mono can be a helpful exercise.

    Taking panning out of the equation forces you to focus on your mix’s frequency balance only.

    This can help you pick out the main sources of confusion in your mix. Once you’ve dealt with the clutter in mono, you can pan things back out again with increased clarity.

    On the other hand, even experienced engineers forget how powerful the simplest functions of the mixer can be.

    A huge amount of mixing work can be accomplished just by setting the pan position and fader levels.

    If you take the time to level and pan your mix intelligently, you may find you don’t need to do as much processing to accomplish your goal.

    If you’re unsure where to even start, you might consider the LCR technique.

    With LCR, your choice of where to position a track is limited to three options—hard left, dead centrer or hard right.

    It may sound extreme, but LCR panning can help you combat narrow stereo spread—one of the most glaring signs a track has been mixed by an inexperienced engineer:

    Even if you decide not to go for a strict LCR approach, don’t be afraid to pan some of the elements in your mix out the edges of the stereo field.

    A wide sounding mix is always made up of sources panned in a variety of positions, including the extremes.

    Example
    In this example, I have an early mix of a track that’s sounding a little too narrow.

    Since I’m only working with a few sources, my options are a bit limited and I opted to keep things close to the centrer. I’ll see if I can get a wider soundstage by being more aggressive with my panning.

    I’ll start by using the LCR technique to get my sources out to the edges of the stereo field.

    My stereo synth pad, double-tracked guitar lines and background vocals can all get hard panned.

    Listening in the mix, this already gives the track a lot more dimension.

    I’ll pull slightly back on the guitars to create a bit of variation but overall this LCR-style approach sounds broader and gives the impression of wider soundstage.

    Panning is a key function of your DAW.

    Now that you have some ideas about how to get started with panning, get back to your DAW and move some sounds around the stereo field.

    ---
    Read more about the basics of panning:

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    Stereo Widening Using EQ

    4:30

    ► Subscribe and join ADSR Youtube :
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    In this video, Echo Sound Works shows you how to add some stereo enhancement to a stereo track using just EQ.

    Like, favourite and subscribe to support ADSR.

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  • desc

    Stems vs. Multitracks: Whats The Difference?

    6:39

    Watch as Weezna talks about the difference between Stems and Multitracks.
    Stems: A file containing a group of like instruments that has all of the processing effects mixed down within the stem. A drum stem would be all of the individual drum elements such as the kick in, kick out, snare top, snare bottom, tom 1, tom 2 etc, all mixed down into a stereo drum stem.
    Multitrack: Are the individual elements from the recording session without any post processing. So if your recording session had 20 total tracks for your one song, the 20 tracks would be your 20 multitracks with no compression, no eq, no effects!
    ---------------------------------------------------------------------------------
    Get your track mixed and mastered by Weezna at True Sound:
    MIXING: $30/Hour
    MASTERING: $30/Track (Digital) - $50/Track (Analog)
    We Produce: HIP HOP - EDM - POP - ROCK Tracks
    ---------------------------------------------------------------------------------
    CONTACT TRUE SOUND STUDIOS:
    Email: tssrecording@gmail.com
    ---------------------------------------------------------------------------------
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    Instagram: truesoundstudios
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    ---------------------------------------------------------------------------------
    True Sound Studios uses:
    DAW - Cakewalk Sonar Platinum:
    Mixing Console - Allen & Heath GL 4000:
    Master Clock - Apogee Big Ben:
    AD/DA Converters - Solid State Logic Alpha-Link MX:
    Compressors - DBX 160x,160a,163:
    Monitors - Dynaudio BM6A:
    ---------------------------------------------------------------------------------
    BACKGROUND: Ryan Weezna - Producer, Mix Engineer, Mastering Engineer, Keyboardist, Drummer, Singer
    • Shared the stage with acts including Rihanna, Plain White T's and Teddy Geiger
    • Produced and recorded over 3500 tracks of mixed musical genres
    • Created music and appeared on major TV networks including, MTV, VH1 and CMT and ABC Family
    • Worked with industry leading producers such as Shep Goodman, Kenny Gioia, and Sam Conjerti Jr.

  • desc

    StereoSavage - Stereo Widening Plugin - Overview With Rob Jones

    8:21

    Rob Jones introduces the new stereo widening and image placement plugin from Plugin Boutique & Credland Audio called STEREOSAVAGE (

    StereoSavage ( - Broaden Your Horizons - Achieve the stunning stereo your mix deserves. StereoSavage provides an innovative stereo toolbox, combining tried and tested studio techniques with emulations of modern and classic tools that will bring your mix to life.

    Generate stereo from mono with the: VOX, DELAY and EXPAND programs. Place sounds precisely in the stereo field with the adjustment tools: WIDTH, PAN and ROTATION. Create movement and chorus-like effects with the LFO and retain a solid low end with the adjustable BASS BYPASS. 

    StereoSavage includes all of these features in a single plugin for the first time, offering the flexibility to enhance your track with dramatic effects, or add the perfect subtle finishing touches. 

    Benefits

    • Create stereo from mono sources for richer soundscapes.
    • Control the placement and width of stereo sources. Separate instruments within the stereo field.
    • Use the rotation effect for an incredibly natural sounding pan.
    • Get lush wide vocals in seconds.
    • Quick simple controls for achieving a ‘big sound’.
    • Add motion or excitement with modulation.
    • Retain great mono compatibility with the bass bypass feature.
    • Reduce the number of vocal takes required for rich, tight, backing vocals. 
     
    Effects

    Generate stereo from mono…

    • VOX - Get that classic wide vocal sound: huge leads or rich backing choirs. It’s also brilliant on synths, guitars and has hundreds of other uses.
    • DELAY - Use a simple delay on a channel to pan or widen a sound, this is great for percussive parts.  It also has a huge benefit for club mixes where you want to pan some percussion without making either channel quieter!
    • EXPAND - Add some aggressive early reflections to make sounds stereo and engaging without adding any unwanted movement. 

    Stereo Adjustment

    • WIDTH - Make it wider, make it wider than wide … or bring it in so other sounds draw focus. 
    • PRE - Move the panning before widening for super-wide auto-panning.
    • ROTATION - Super-natural panning. 

    LFO 

    Add modulation to key controls for movement and excitement. Use the sync to ensure all modulation happens in time with your track. Check out the audio demos to hear this in action. 

    Bass Bypass

    Essential for maintaining a solid low end signal by allowing the bass to be passed through the plugin unprocessed. The gain knob can be used to compensate for differences in level that mayarise as a result of the stereo processing.

    Metering

    Ultra precise goniometer for visual display of the stereo placement of your sound. Use the input and output peaks to help keep things balanced. 
    System Requirements

    Mac

    • 32, 64 bit
    • AU, VST, AAX 
    • OSX 10.7 +
    Win

    • 32, 64 bit
    • VST, AU, AAX
    • Win 7 +

    For more information and purchasing visit:

  • desc

    WIDER: The Perfect In-Phase Stereo Plugin

    31

    Download Wider for FREE at:



    Wider is a unique stereo plugin in the sense that it is completely “mono-compatible”, meaning that any signal that has been extended will always remain in phase with itself, even if summed to mono.

    Many stereo effects currently in use have the nasty habit of knocking signals out of phase, which can quickly make mixes sound muddy and unbalanced, or make sounds seem flat and lacking dynamics if one isn’t mindful of the effect.

    Thanks to Wider’s one-of-a-kind all pass and comb filtering algorithm, no phase in any mix or affected audio will be compromised, even at its broadest setting! Instead, Wider cancels itself out when summed to mono, so the original signal is left intact: a feature you won’t find in any other stereo plugin.

  • desc

    StereoSavage - Stereo Widening Plugin - Vocal Widening Tips With ‘Multiplier’

    4:17

    Producer Adam Pollard aka ‘Multiplier’shows us his methods for vocal widening of a single mono vocal take, with the new StereoSavage ( plugin from Plugin Boutique.

    About StereoSavage

    StereoSavage ( provides an innovative stereo toolbox, combining tried and tested studio techniques with emulations of modern and classic tools that will bring your mix to life.

    Generate stereo from mono with the: VOX, DELAY and EXPAND programs. Place sounds precisely in the stereo field with the adjustment tools: WIDTH, PAN and ROTATION. Create movement and chorus-like effects with the LFO and retain a solid low end with the adjustable BASS BYPASS.

    StereoSavage includes all of these features in a single plugin for the first time, offering the flexibility to enhance your track with dramatic effects, or add the perfect subtle finishing touches.

    Benefits

    • Create stereo from mono sources for richer soundscapes.
    • Control the placement and width of stereo sources. Separate instruments within the stereo field.
    • Use the rotation effect for an incredibly natural sounding pan.
    • Get lush wide vocals in seconds.
    • Quick simple controls for achieving a ‘big sound’.
    • Add motion or excitement with modulation.
    • Retain great mono compatibility with the bass bypass feature.
    • Reduce the number of vocal takes required for rich, tight, backing vocals.

    Effects

    Generate stereo from mono…

    • VOX - Get that classic wide vocal sound: huge leads or rich backing choirs. It’s also brilliant on synths, guitars and has hundreds of other uses.
    • DELAY - Use a simple delay on a channel to pan or widen a sound, this is great for percussive parts. It also has a huge benefit for club mixes where you want to pan some percussion without making either channel quieter!
    • EXPAND - Add some aggressive early reflections to make sounds stereo and engaging without adding any unwanted movement.

    Stereo Adjustment

    • WIDTH - Make it wider, make it wider than wide…or bring it in so other sounds draw focus.
    • PRE - Move the panning before widening for super-wide auto-panning.
    • ROTATION - Super-natural panning.

    For more information and purchasing visit:

  • desc

    Mixing in Mono - Save Your Stereo Mix!

    12:51

    Learn more about Reason:


    Hear Matt's song, The Hardest Part, and the album mix by Shane D Wilson:


    If you've ever had the unfortunate experience of taking a mix you've done outside your studio only to find out it doesn't sound nearly the same or nearly as good on other playback systems and devices, it's time to take your stereo mixes into the mono realm.

    If mixing in mono for better stereo results sounds counter-intuitive right now, watch as Ryan takes you through some of the benefits on a huge multi-track production by songwriter Matt Tinsley.

  • desc

    How to Make a Mono Track Stereo

    9:00

    FREE RECORDING CHEAT SHEET HERE:

    *****
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  • desc

    One Stereo Track: 5 Minutes To A Better Mix III - TheRecordingRevolution.com

    6:00

    Part 6 of 31 - Want bigger, wider, fuller sounding mixes? Don't use a bunch of stereo tracks. In fact, just pick one and fold the rest to mono.

    Download my free eBook The #1 Rule Of Home Recording for more tips

  • desc

    Wide Plugins of 2019

    8:36

    What are the widest plugins in 2019? Today we are creating width effects in our mix using my top 3 stereo imaging plugins in 2019. These plugins take stereo imaging to the next level and allow you to create mixes that sound wider than your speakers!

    ATLIENS & SARA SKINNER - Interstellar


    Get Whole Loops Samples

  • desc

    Do We Mix Synth Bass in Mono or Stereo?

    5:28

    // // The fifth video in the Ask Weiss series. This question comes from Alexander Hartung: “I like the Future House style of bass. The problem is, I always see in tutorials that people mix the sub parts to mono, but if you listen to the music, the bass is mixed wide in the panorama field?!“

    More Ask Weiss videos:

    If you have a question for Matt related to mixing, recording, producing or mastering music, simply leave a comment on one of the Ask Weiss YouTube videos.



    Transcript:

    The problem with wide bass is two-fold. First of all, we have difficulty localizing sub frequencies. Meaning, it's very difficult to tell if a bass is actually wide or not. Second of all, when we fold bass into mono, because of the waveforms, we tend to get a lot more phase cancellation and problems showing up if we use stereo effects.

    So that's why people generally advise working in mono when we're looking at the bass, specifically, the sub-bass.

    Now, as we move above the sub-bass, we start getting into the realm of audio that's more easy to localize, and that's an important idea, because we can create wide basses by going to that next octave up – which is like our primary bass range from maybe 70 Hz to like, 200 Hz. That zone, that's where we can get our width pretty cleanly.

    From the programming side of things, if you have a couple of oscillators, like if you have a three-oscillator or more synth, you can simply go an octave up and do a little distune on two of the oscillators and pan them apart, and maybe throw in a filter there, and you will get a wide sounding bass.

    Now, let's look at your specific question. You said future house, so I pulled up a Tchami record called Afterlife. Let's give it a listen.

    [song plays]

    So, just listening to that clip, I'm hearing most of the low information happening in the center. There is a bass layer that feels like it's being spread out, and that main synth definitely has some spread to it, so I think that there's probably some reverb going on, or perhaps some kind of stereo enhancement processing going on.

    I'm not sure which, but I will say this. I don't think that the bass is entirely mono. So right off the bat, we can take everything we're reading online about mixing sub into mono with a grain of salt.

    Alright, now let's analyze this a little further. I've got a low pass filter here. This will allow us to hear what's happening in the low range a little more clearly.

    [song plays, filtered]

    Right? So we can definitely hear now very clearly that there is bass information on the sides, but let's take it one step further. I'm going to use some mid/side processing to eliminate the center signal, so we just hear what's living in the stereo field.

    [song plays, sides only, filtered]

    So that's what we have on our sides. Let's listen one more time.

    [song plays, sides only, filtered]

    So, first of all, all of it sounds like reverb for the most part. It has this sort of ghostly, washy kind of quality, and that to me says, “Yup, that's a reverb.”So I think that the stereo sound is coming from a reverb return for the most part, as opposed to actual stereo stuff that's been panned apart. What I find interesting, is that I'm actually hearing a good amount of kick drum, which means there's probably some reverb on the kick.

    Okay. One more time, let's listen, and then let's take a listen at another analyzer.

    [music plays, sides only, filtered]

    So that main synth, which has a bass element to it, has reverb on it as well, and we're hearing that too, and that's in our primary bass range.

    But now let's look on an analyzer.

    [music plays, sides only, filtered]

    So, looking at it on the analyzer, there is actual sub information that is getting into the reverb return. So there is a little bit of spread on the sub.

    Now, is there a lot? Definitely not. It's subtle. But, it is there. So, to answer your question, no, you can certainly use stereo elements on the low part of your bass to get a wider feel.

    My recommendation is just be cautious how you're doing it. Reverb is a good way of doing it, upper octave stereo kind of subtle stuff tucked in there can be a good way to do it. I don't recommend doing very stereoized low information because it will phase poorly in mono, but that said, now at least we can hear what's going on.

  • desc

    Top 5 Tips To Get Wide Vocals

    11:02

    ►Mixing Presets & Templates:
    *NEW* Divine Mixing Vocal Chains V2 (Waves):
    *NEW* Divine Mixing Vocal Chains (Logic Pro X & Cubase):
    *NEW* Divine Mixing Drum Chains (Waves):
    Divine Mixing Waves Template (Logic Pro, Cubase & Pro Tools):
    *UPDATED* Divine Mixing Template One (Logic Pro X 10.4, Cubase & Pro Tools):

    ►Video Training Courses:
    Divine Beat Mixing (Mixing & Mastering Course):
    Divine Mixing Session 1 (Mixing & Mastering Course):
    Divine Mixing Session 2 (Mixing & Mastering Video Course):
    Hip Hop Vocal Production (Lynda.com Course):

    ►Synth Presets & Drum Samples:
    8oh!8 Bass Presets for Serum -
    Urban Dreamscapes for Serum -
    The Niche Kit (Creative Drum and Loop Kit) -

    ►My Studio Gear


    ►Let's Connect

    Instagram:
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  • desc

    Mixing Modern Music: A Full Breakdown Of My Mixing Method

    14:58

    In this video Weezna goes through his method of mixing modern music. First Weezna shows how to keep kick, snare, bass, and main vocals in the center of a mix. Then using wide stereo synths, two guitar tracks, or playing chords, you can create the thick full sound in your track. Then by adding a mono lead you can create another layer to make the track seem even bigger. Last by adding stereo vocal harmonies, vocal doubles, and fx vocals, we complete the modern mix.
    ---------------------------------------------------------------------------------
    We Produce: HIP HOP - EDM - POP - ROCK Tracks
    We Mix Tracks $30/hour & Master $30/track
    **NEW** $60 Mix & Master Package (limited track count) - Check out the deal here:
    ---------------------------------------------------------------------------------
    TRUE SOUND STUDIOS:
    Located in: Lancaster NY
    Contact Email: tssrecording@gmail.com
    Facebook:
    Instagram:
    ---------------------------------------------------------------------------------
    Find Our Beats HERE:
    ---------------------------------------------------------------------------------
    MIXING ($30/Hour) - If you’re looking for True Sound Studios to mix your next track or album, please email us at tssrecording@gmail.com

    Typical the amount of hours to mix 1 song:
    Hip Hop: 2-4 hours
    Full Band: 4-6 hours
    Acoustic: 2-3 hours
    Pop/EDM: 3-5 hours
    (This is all based on track count, amount of processing needed, length of track, and amount of production required)

    MASTERING ($30/Track) - If you’re looking for True Sound Studios to master your next track or album, please email us at tssrecording@gmail.com
    ---------------------------------------------------------------------------------
    BACKGROUND: Ryan Weezna - Producer, Mix Engineer, Mastering Engineer, Keyboardist, Drummer, Singer
    • Shared the stage with acts including Rihanna, Plain White T's and Teddy Geiger
    • Performed and toured on the East Coast
    • Produced and recorded over 3400 tracks of mixed musical genres
    • Created music and appeared on major TV networks including, MTV, VH1 and CMT and ABC Family
    • Worked with industry leading producers such as Shep Goodman, Kenny Gioia, and Sam Conjerti Jr.

  • desc

    The Stereo Image: How To Widen with Native FL Studio Plugins

    7:10

    Using FL Studio native plugins to achieve stereo widening at any frequency, FOR FREE.

    The stereo image is one of the most important parts of your mix. Here is a quick way to achieve widening without buying any other plugins.

    #FLStudio #StereoImaging #NativePlugins

  • desc

    WIDE MIXDOWN | How to mix your tracks better Tutorial

    6:19

    Your mixdown sounds boring and you don't know what to do about it?
    Here are 3 Tips for a wider and more powerful mixdown!

    What do you want me to explain further or to talk about more?
    Let me know in the comments :)


    DOWNLOAD DIMENSION EXPANDER HERE:



    NOTE:
    If you're a FL Studio user you should DEFINITELY check out the Stereo Expansion tool by Nasko! He did an amazing job with this one and it'll help you make your mix sound very smooth:





    =========================================================

    ❤Follow me on Spotify for more H I G H M U S I C ❤



    ❤ or visit my soundcloud page ❤



    =========================================================

    Leave me a like on facebook,
    if you think that I'm High 'n' Rich enough for you oi oi


    =========================================================

    Vocals for demonstration from:
    High 'n' Rich - Wrong Sh!t (ft. Arizona Zervas)

    Arizona Zervas:


    All rights cleared by the record label 'Tuvali':



    =========================================================

    Intro music:
    Artist: High 'n' Rich
    Title: Bandit (High 'n' Rich Edit)
    [created specifically for my intros]


    =========================================================

    Outro Music:
    Artist: Inverted Silence
    Title: Diverse

    Socials:



    Free download link:


    [Released by: Safari Network
    ]

    =========================================================

  • desc

    Elvis Presley Baby I Don t Care Master Wide 2 Tracks Stereo

    1:53

    This is NOT the alternate binaural mix, it is the wide 2 track from the master mix

  • desc

    Mastering with iZotope Ozone 5: Stereo Imaging

    7:37

    Learn compression:
    Learn to mix hip-hop:
    Ear training:
    Drum samples:
    Mixing articles:

    ** Mastering with iZotope Ozone 5 **
    Part 1 (Overview):
    Part 2 (EQ):
    Part 3 (Reverb):
    Part 4 (Harmonic Exciter):
    Part 5 (Multiband Compression):

    Part five of Eric Tarr's series on using iZotope's Ozone 5 for mastering music. This one focuses on stereo imaging.



    Transcript:

    Hey guys, Eric Tarr here for theproaudiofiles.com. In this video I’ll show you how to process the stereo image of your mix to tighten up low end and make your overall mix larger than life.

    So far I’ve used the iZotope Ozone 5 plugin to enhance my mix, clean it up and control the dynamic range.

    [song being mastered]

    The stereo image is very important in a great mix. However when you’re working on the mastering stage, the stereo is something that’s very to screw up. Especially with things like compressors and limiters that can change the stereo image in a bad way. Always use them very carefully and intentionally. However, you can change the stereo width of your mix in a good way, especially at specific frequency regions that can take a good mix and make a great mix. Let’s look at the plugin.

    I’m gonna switch to the module. This is a multiband processor, just like the dynamics and the harmonic exciter, so you can change the stereo width of different frequency regions. You’ll notice the visualizations, this is the energy that’s happening at different frequency regions. I can also switch to this view, a stereo spectrum, and you can see how wide the stereo image is in each one of these regions. You can also watch the correlation trace, this is gonna tell you if you’re two channels — your left and your right — are out of phase which can be a problem, especially with mono compatibility. So you always want to watch this. Another great visualization.

    I know one important thing that I always recommend for pop/rock music is you want your low frequency to be tight and in the center. These are things like your kick drum and your bass guitar which are almost always panned to the center. So you don’t want those being very wide. you don’t want them going to the left channel and right channel differently. You want them to be exactly the same. It’s almost always my recommendation to make this narrower.

    [song being mastered]

    It can sound funny or loose if you make it wider here. Tightening it up right in the center sounds much better. Just another trick to tighten up the low end. This low-mid frequency region is where a lot of my vocals and my melodic instruments are living. Up here I have more of the cymbals and harmonics of different instruments. And high frequencies, that’s really the brightness and the brilliance of the track. So it’s a matter of figuring out, well, for instance do I want my vocals to be wide?

    You know, this is even something that could be automated during the verse I tighten up the center of the low-mids, and during the chorus I bring it out. My reverbs, do I want my reverbs to sound extra wide on the vocals or do I want them to sound narrower? Depends on whether I want to widen or narrow it.

    Then you have cymbals and high-mids. Do I want cymbals to be extra wide? That’s a typical thing, drums that are larger than life. This is a great area to widen them. Then the high frequencies it might be the case depending on what energy and what instruments are living up there, you might want to widen it, you might want to narrow it.

    [song + stereo imaging]

    So what I’ve been able to do here, especially using this upper-mid frequency region, is it’s really just gonna make the mix open up. Let it breathe. It has more space for different instruments now in the stereo field. I don’t get too crazy in the low-mids because that’s where my vocals are and I don’t want the vocals to sound anywhere but in the center. I get more creative here with the higher ones and I like what that’s doing. It just seems to open up the whole stereo field, just providing more interest, more space for different instruments to fit in.

    [song + stereo imager]

    Without doing anything too crazy, I think what I’ve done it been able to really enhance my mix and open it up and make more space for the different instruments. And that’s all there is really to it. It’s just a matter of trying it out, experimenting, you know, this module is very simple. Easy to use. And there’s nothing with wrong your mix figuring out what works and what doesn’t work. Trying out different things and experiments. Stay tuned for the next video where I’ll discuss how to use EQ to balance the frequency spectrum of your mix.

  • desc

    Mono Stereo and Panning Explained

    5:22

    Audio School Online is the brain child of song writer, producer, mix engineer, and musician, Ken Lewis. He is sharing his 20+ years of experience in the music industry to provide an education to those who want to create, mix, or produce music. Check out his videos and please visit audioschoolonline.com for full lessons and additional content.

  • desc

    Only have a stereo mix? Make it hit harder! - Warren Huart: Produce Like a Pro

    4:34

    Learn how to make a stereo mix hit harder:

    Want to up your Hip Hop game quicker? Check out this 4 hour course of Ariel mixing a hard hitting hip hop song from the ground up!

    Sometimes the producer loses the original files. For example, Ariel mixed Roman Reloaded by Nicki Minaj and Eminem to a 2 track because Swizz Beatz couldn't locate the multitracks!

    Alternatively, an up and coming artist may only have access to the 2 track, which is what they'll give to you.

    This is one of the most helpful and significant things you can do with a 2 track to make it much easier to mix to.

    How to make a stereo mix hit harder:




    Sign up here to get exclusive videos and content



    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • desc

    Creative Mix tricks for Electric Guitars for Pop: Mono to Stereo Effects for Wider and Clearer Mix

    34:28

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    In this in depth video David shows us a collection of mixing techniques for real electric guitars for a pop song. Multiple recordings of clean and distorted guitars, both mono and stereo, using panning, level automation, compression, dynamic eq, saturation and modulation effects, he places different guitars at different distance from the listener, giving the mix a 3D effect. Stereoizing and enhancing depth to make all the guitars fit this modern pop song.
    A look at the routing, submixes and effect sends we can see both single tracks and group processing, how to control single notes dynamically and tame peaks while retain transients and sustain.
    Stay tuned for the next videos.

    Comment, Like and Subscribe!

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  • desc

    Reaper Tutorials- Creating Wide Rock Guitars using JS PLugins

    7:52

    Mixing wide rock guitars using JS and free plugins.

    Track used- Burning Bridges by Dark Ride

    Give my Facebook page a like,







  • desc

    8 New Stereo Mix Sample Teasers

    3:57

    Stereo Mixes Sampler Teasers

    Here are my latest 8 stereo mixes sampler teasers (November 2015).

    I made the mixes with a blend of technics : Center Removal, Synchronization, Speed, Alignment, Pitch, Balance Adjustments, DCS.

    The first three tracks are Dave Clark 5 Instrumentals (backing tracks):

    1- Dave Clark Five - Because Wide Stereo Instrumental 00:00 - 39:50

    2- Dave Clark Five - Bits And Pieces Wide Stereo Instrumental 39:50 - 1:12:50

    3- Dave Clark Five - Catch Us If You Can Wide Stereo Instrumental 1:12:50 - 1:46:70

    The next track is a merge between the undubbed stereo version (left channel) and the mono overdubbed version (right channel),
    some noticeable differences can be heard in the right (mono) channel: more vocals and overdubbed drums (crash cymbals and more snare drums)

    4- Dave Clark Five Can't You See That She's Mine (Stereo Left Mono Right Channel) 1:46:70 - 2:19:70

    Here are three different stereo mixes I made of Over And Over:

    5- Dave Clark Five Over And Over Stereo Mix Attempt 1
    (Vocals and some instruments, including the hamonica break, centered) 2:19:70 - 2:39:20

    6- Dave Clark Five Over And Over Stereo Mix Attempt 2
    (Vocals and some instuments, including the hamonica break at 80% in the right channel) 2:39:20 - 2:59:80

    7- Dave Clark Five Over And Over Stereo Mix Attempt 3
    (Vocals and some instuments, including the hamonica break at 80% in the left channel) 2:59:80 - 3:20:50

    I already made several stereo mixes of this track in the past, this mix has been made from some of the sources I already have
    and some other sources I was able to get to make a wide 2 track stereo mix:

    8- Chad & Jeremy Yesterday's Gone (Wide Two track Stereo) 3:20:50 - 3:53:50

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