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Playlist of How The Pros Use EQ

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  • How The Pros Use EQ - How To EQ All Instruments and Your Mixes

    36:44

    Secrets of How The Pros Use EQ - Parametric, Graphic and Filters on All Instruments. Where The Sweet Spots Are On All Instruments.

    In this video I will show you how all types of Equalizers. The great Boost and Cut sweet spots of all the Individual Drums, Bass, Guitars, Piano, Organ and Strings. I discuss all my favorite Analog and Digital EQ's:
    Neve 1073,1066,1084 and 1081
    API 550A, 550B, 560
    Pultec EQP- 1A, MEQ5
    GML 8200
    Electrodyne 511, Quad Eight 310
    Trident A-Range
    Helios Type 69
    SSL E and G Series EQ

    Digital EQ's:

    MCDSP Filter Bank E606, F202,P606
    Metric Halo Channel Strip
    Waves - Q10, Scheps 73, Renaissance EQ, SSL, API, V-EQ4, H-EQ Hybrid
    Universal Audio - Cambridge EQ, Pultec, Neve, Helios, Harrison, Neve 31102, Trident
    SoundToys - Filter Freak
    FabFilter Pro Q2

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  • How The Pros Use Compression and EQ - How To EQ and Audio Compression for Instruments and Mixes

    27:56

    Secrets of How The Pros Use Compression and How To Use EQ - Plugins Settings for Instruments. How to Find The Sweet Spots. All With Real Examples. Ratio, Threshold, Attack, Release, Hard-Knee, Soft Knee, Gain Reduction, Band Width, Q-factor (Q), Gain.

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  • Vocal Mixing For Pros - Using EQ, Compression and FX | Featuring Michael Johns

    21:08

    This is how I approach how to mix a vocal in a track from top to bottom. I discuss spot EQing, De-essing, Compression, EQ, Dealing with Sibilance, Harshness and using Effects like Reverb, and Delays. I am demonstrating with a demo I did with my dear friend Michael Johns, an Australian singer that performed on American Idol in 2008. He finished in 8th place and died unexpectedly in 2014 at the age of 35 of dilated cardiomyopathy. He was a dear friend and one of the best human beings I have ever had the pleasure of knowing. He is greatly missed by his friends, family and his lovely wife Stacey.

    If you want to hear some of my vocal production work, check out the Needtobreathe album The Reckoning (2011 Atlantic Records) that I Engineered and Produced.

  • 5 Quick EQ Mixing Tricks - Warren Huart: Produce Like A Pro

    21:49

    ►► Get the 5 Quick EQ Mixing Tricks cheatsheet here:

    1.Bass Guitar EQ Multiple sources differently to create one great sound.

    i. With the first source, the DI, control lows and highs with EQ filters- Using a stock plugin, set around 170-200Hz, and everything above that is low passed away. After that is another EQ, which is a less than 60Hz (this can drop lower to 40hz) and gently sloping, controlling the low end, giving room for the Kick Drum. 

    ii. With the Bass Amp High Pass at the same point around 170-200hz allowing the high end of the Bass Amp to give the sound personality. 

    iii. You can also duplicate the Bass Amp and follow the same steps above but also use to add additional Saturation or Distortion to help it glue together with the guitars.

    2.Brighten Electric Guitar and Controlling Excessive High End 8:37

    3.Creating a great Kick Sound Using Multiple Mics 11:41

    4.Carve out Low Mids and high pass Low End from Room Mics to create room for your Kick 14:41

    5.High and Low Pass your reverb Sends 17:36

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  • Top 5 EQ Tips You Need To Know

    7:24

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    Top 5 EQ Tips You Need To Know

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    Download EQ Cheat Sheet Here:
    _______________________________________________________________

    In this episode we show you our Top 5 EQ Tips you need to know!

    We cover various different types of EQ such as Match EQ and Mid/Side processing as well as giving you a few pointers as to what certain frequencies mean within a track.

    Top 5 Tips Include...

    1.) Know Your Frequencies - Understand the audio spectrum and where certain elements sit

    2.) Mid/Side EQ - How to organise your stereo field

    3.) Don't Boost/Cut Too Much - Too much over processing can end up killing a sound, period.

    4.) Match EQ - How to get your mid frequencies sitting right

    5.) Low Cut Everything - There is method in the madness!

    Hope you enjoy and thanks for watching!

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    TAGS
    Top 5 EQ Tips You Need To Know,Hyper Production Top 5 EQ Tips,Hyper Production Top 5 EQ Tips You Need To Know,Top 5 Advance EQ Tips,How To Use EQ Properly,What is EQ and How Do I Use It?,EQ Tips and Tricks,Best EQ For Your Music Production,What Are The Best Tips For EQ,What Technique is The Best For EQing,How To I Mix My Track With EQ,Understanding How An EQ Works,What Technique Should I use For EQing,I Don't Know How To Use an EQ,Best EQ Tips For Advanced Users

  • How The Pros Use Compression - Audio Compression Instruments and Mixes

    29:57

    Secrets of How the Pros use Compression. In this video I discuss how compression works: Ratio, Threshold, Attack, Release, Hard-Knee, Soft Knee, Gain Reduction. What are and How to use the Plugin and Hardware Versions of:

    Optical Compressors - like the LA2A, LA3A, Shadow Hills Mastering Compressor.Tube Tech CL1B

    FET Compressors - Universal Audio 1176, Purple Audio MC77, Universal Audio 1176 Blue Stripe, Universal Audio 1178

    VCA Compressors - SSL G Series, Alan Smart C2, Neve 33609

    Variable MU - Fairchild 660 and 670, Manley Variable MU. Altec 436C,

    How To Compress and What to Use - Kick Drum, Snare, Toms, Overheads, Room Mic and Drum Buss Compression.

    I also provide examples of using compression plugins in individual Instruments and the Mix Buss.

    The song I use at the end is called Live This Lie that I wrote with my friend and Australian DJ TyDi

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  • How to Use FabFilter Pro-Q 3 EQ for Mastering

    9:05

    A video on using the FabFilter Pro-Q 3 EQ to clean up some problematic areas of a mix during mastering. // Learn more from Ian:

  • Want To Sound Like a Pro? - TOP 10 EQ Tricks You Need To Know!

    3:54

    This video will show you 10 essential EQ tips that might help you get that crisp & clear mix you've always wanted.

    EQ is arguably one of the most important mixing tool available to you as a producer, so it's important to know how to use it correctly.
    Here's 10 good EQ tips and tricks I think you might find helpful.

    ☑️ Get the Fabfilter Pro Q3 EQ Here:


    Important note:

    Music production is not an exact science. There are really no RULES when it comes to music production. What's right in one situation is totally wrong in another. All these tips are to be considered general guidelines, and they might not be true in every situation.

    For example: While it's true that for the most part, you should low cut anything that's not a bass sound, this does not apply if there's very few instruments going on or if you have a quiet breakdown for example. In those situations you always want some low end in there or the track will sound thin.

    Music production depends heavily on experience. With time, you will know what's required in any given situation.

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  • How to Record - Lesson 9: Equalization - Warren Huart: Produce Like A Pro

    32:06

    Sign up here to see exclusive videos and download practice sessions

    In Lesson 9 of the How to Record series, Warren discusses Equalization (EQ). He talks about different kinds of EQ including parametric, semi-parametric, active, passive, and high & low pass filters. He shows a variety of both hardware and plug-in EQ's and how he uses them on a fuzz guitar.

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

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  • HOW TO EQ VOCALS : Easy 3 Step Formula for Eqing Vocals

    8:27

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    These easy-to-use presets will mix your vocals for you.

    Each preset includes all plugins set and ready to use. The presets include adjusted EQ, Compression, Pitch Correction, Harmonics, De-Essers, Reverbs, Delays, & more! I have successfully tried and proven, on hundreds of different vocals, that these vocal presets are guaranteed and flexible to work with all kinds of range(s).

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  • Mixing with Analog EQ and Compressors - Pros, Cons and Ultimate Tutorial from Pro Mixer

    49:42

    Mixing with Analog EQ and Compressors. Audio Engineering Tutorial on Gain Staging, Pros and Cons of Analog with DAW. How to Connect Channel Strip to Audio Interface. SSL Mynx. SSL Preamp. SSL 4000 E-EQ. 4000 EQ. SSL 9000 EQ. SSL SuperAnalogue EQ. SSL Alpha Channel. Solid State Logic. SPDIF In. Focusrite Audio Interface with Digital Input. Headroom. Line Output. Resistance, Impedance. dbVU, dbFS. 18 db. Plugin Emulation. Line In. Clipping. Coloration. Compression. Analog Bus. Saturation. Stainberg Cubase Tutorial. Audio Mixdown. Render In-Place. Real-Time Export. ADC converter. Analog to Digital Converter. Delay Compensation. Phase Explained. Phase Cancellation. External Plugin. UAD 1176 Compressor. Word Clock. Negative Phase. Wide sounding Synth. Panning. What is Mono. What is Stereo. Mixing in Mono. Left Channel. Right Channel. Cubase Routing Editor. Mixing in the box VS Mixing in Analog. Softube Console 1. Slate Digital FG-S. Solid State Logic Duende. Waves SSL Channel. Native Instuments Solid EQ. Acoustica Audio. Train Ears. Fine Tuning. Sound Professional. Mixing Skills. Audio Mixing Education. Class. Mixing Tips. Liniar Phase EQ. Price. Sound Test. Guess which Track is Processed with Plugin and Which one with Analog EQ. Pluck Synth. Lead Synth. Kick. Snare. Hihat. Bass. Harp. XLogic. Monitor Mixer. Monitor Amplifier. Monitors Connection. Waveform. How to Use EQ. How to Use Compressor. EQ Settings. Compressor Settings. How to Connect Analog EQ and Compressor to DAW. Delay. Snare Drum. Kick In. Overhead Mic. Master Bus Plugins. Focusrite Mixer. Omnisphere Synth. Best Presets for Mixing. Presence. Clarity. Stereo Field. Audio Quality.
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  • Should you leave any effects or EQ on your master bus? | FAQ Friday

    24:01

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    ➡️➡️Today's FAQ Friday questions:
    ➡️What is the final volume limit preferable when mixing before mastering? Should you leave any effects or equalizers on your master bus? 1:58
    ➡️Do you reckon it’s worth studying an audio engineering Bachelor’s degree? Or just working hard, creating and mixing as much as possible, and learning from online resources? 7:08
    ➡️Do you lose your objectivity as an artist or songwriter who self-produces by mixing your own songs? 13:18


    Today’s featured question is: What final volume limit is preferable when mixing before mastering? Should you leave any effects or equalizers on your master bus?

    Honestly, you don’t want to be mastering when you are mixing. However, every single great mixer I know does have stuff on the master bus. When I am mixing, I have a pair of Mastering Bus Pultecs in there, and I also use the SSL4000 bus compressor, so I get a little overall compression and EQ, and then I mix into that. When I mix in the box, you’ll see me put gentle compression and gentle EQ on it, although increasingly, I do less and less in the box than I might do on the console.

    If you’re mixing through multiband compressor, and all kinds of fancy plugins, you’re really stopping yourself from learning and, frankly, creating a better mix leading up to the master bus. If there is a plugin that is doing all kinds of ducking of different frequencies all over the places, go figure out where they are causing that buildup in your mix. We did this with the Gulfoss a little while ago! I used it on the master bus to find problems and solve them. Rather than having all the ducking on the master bus, I would much rather do it inside the individual tracks, and then by the time it hits the master bus, it is just gentle compression and EQ.

    If all you are doing is some gentle EQ and compression, and maybe a tiny bit of limiting, that is perfectly permissable and absolutely wonderful. I personally want to avoid putting tons of multiband compressors, EQ, and limiters, and because you will end up with a big blob of square wave. Try to use the least amount you can on the master bus!

    When it comes to levels, I always ask the mastering engineer what level they prefer, and all of the ones I have worked with say the same thing: it doesn’t really matter. The only thing they care about is that there is no clipping or digital distortion. Part of their job is to make sure it is at a competitive level, so if you want to print it loud, but it is a bit too loud for a streaming service, for example, they will help you bring it down enough to be competitive, and vice versa if you want to print it quieter!

    Within reason, any decently printed level will be okay for a mastering engineer!

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  • EQ 101! Equalization / Explanation / How to Best Use EQ / Frequencies / Things Like That!

    21:03

    If you're curious about EQ, this is the video for you! In it I explain what EQ does on a fundamental level, go through some example settings, and share about my favorite EQ plugins and pieces of hardware. Feel free to leave any comments or questions below!

    Headphones recommended!

    Intro / Sound / Frequency: 0:00
    What is EQ?: 2:48
    Graphic EQs: 3:08
    Parametric EQs: 4:32
    Helpful Terms: 7:23
    Examples – Drums: 9:13
    Examples – Bass: 12:10
    Examples – Acoustic Guitar: 13:28
    Examples – Electric Guitar: 14:37
    Examples – Piano: 15:55
    Examples – Vocals: 16:55
    My favorite EQs: 18:30

  • How To Get KILLER Sounding Mixes!

    55:31

    In this episode we discuss all aspcts of how to make your nixes sound great! Panning, Phase, Low End, Movement from Automation, Sub Woofer, Buss Compression, Ref Mixes, Monitor Speakers and Level and EQ.

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  • Making Vocals sound great using reductive EQ with Fabfilter Pro Q2 Wyatt

    13:11

    Danny Wyatt here, and today I show how to EQ problem frequencies out of vocals.

  • 5 EQ Mistakes We Make While Mixing - Warren Huart: Produce Like A Pro

    16:24

    ➡️➡️Download the Cheat Sheet here:

    ➡️Tip 1: Don’t just cut Frequencies On The Mix Bus: Find the source of EQ Build up. (0:49)
    ➡️Tip 2: Your Mix is Too Bright: Don’t Mix Too Loud (4:13)
    ➡️Tip 3: Use Proper High and Low Passing (6:40)
    ➡️Tip 4: Don’t Over Use EQ: If you’re Applying A Lot Correctional EQ Stop, Take a Break then Listen to it without EQ(10:28)
    ➡️Tip 5: Don’t Spend too Much Time in Solo: Check Frequently How the EQ Choices you Make work with your Mix(13:16)


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  • How To Use EQ In FL Studio LIKE A PRO!

    9:46

    Do you have trouble understanding EQ? I get it! You’ve been searching through YouTube trying to understand how to use EQ in FL Studio like a pro but fail due to the large amount of people that explain things like a boring math teacher. I’m here to teach you the very basics of EQ-ing so you can finally learn what makes EQ so powerful! I’ll explain what EQ is and show you everything that FL Studio’s Parametric EQ 2 can do! Stay tuned.

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  • EQ Basics: Electric Guitars | Minute Mix Monday

    6:12

    Minute Mix Monday is back and today, Steven walks us through the basic EQ moves to get your guitars to sit well in any mix. Steven starts with the problem areas of electric guitar and moves you can make to correct those areas. Afterwards, he'll show a few moves you can make to polish the sound of your guitars. Be sure to comment down below to add topics to focus on in future Minute Mix Mondays!

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  • How to EQ and Compress Strings

    6:31

    Hey! In this video I'm going to show you how to EQ and Compress Strings!

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  • Four EQ tips for a better mix

    3:37

    Learn more about Reason:

    EQ is probably the most important tool to make sure your mix sounds good. But how do you know where to cut or boost? What frequencies are important? In this video Propellerhead product specialist Mattias lets you in on four EQ tips for a better mix. Learn basic EQ usage, what frequencies matter in a kick drum and more!

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  • How I use EQ to mix saxophone!

    10:29

    In this short video I wanted to take you through how I use EQ in Pro Tools to get the best out of saxophone recordings. I was using Pro Tools stock EQ and no other processing in this video.

    Music used:

    Truth (example 1)
    Fragile (example 2)
    Mr. Clean (example 3)

    Background music:

    If you want to learn more about EQ I recommend Mixing Breakthroughs

    The sonicscoop podcast is also great

  • EQ Tutorial - Basics

    23:24

    Today's tutorial is about EQ basics and is aimed at beginners - however, more seasoned users may get some great tips from it!

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  • Best Vocal Frequencies To EQ

    5:03

    Learn the 5 vocal frequencies I use when EQing vocals.
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    Matty Harris is a music producer, mixing and mastering engineer from Boston. As a young musician, he won several awards, most notably, the best drummer in New England. He toured with jazz, blues and calypso bands, playing bars and clubs at the young age of 14. After High School, he attended Berklee College of Music where he studied Music Production and Engineering. Learning from some of the most accomplished producers and engineers in the industry. Since then, he has worked on countless records with such artist as; Atlantic Records, RCA Records, WB Records, Kelly Clarkson, Sammy Adams, A$AP Rocky, Logic, Lil Yachty, Cam Meekins, Just Juice, Action Bronson, Danny Brown, Fat Joe, Styles P, La Coka Nostra, and many more. He worked on the Grammy Award-winning song “Stronger” by Kelly Clarkson and won the 2008 Boston Music Award for Best Hip-Hop/R&B Producer. He now lives in Los Angeles where he works with artists from all over the world helping them to realize their dreams.

    Matty started his online mixing and mastering company, mixandmastermysong.com, with the vision of helping new artists get the same quality mixes and masters as the major label artists he works with. After realizing the advancements of technology, he knew it was time to launch his online mixing and mastering company when he no longer needed the effects of a “big room” studio to achieve high-end mixing and mastering.

  • Should you use EQ before or after compression? | Mixing Basics - Warren Huart: Produce Like A Pro

    19:33

    ➡️➡️Click here to learn more about using EQ or Compression first:

    In today’s video we are going to be talking about whether we should EQ before or after compression! There is not a lot of consensus on this topic, because the truth is, it may vary from case to case. The main question you should be asking when trying to make this decision is: what is the best thing to do on this project?

    In the video, I will give you a few examples of where I EQ, why I EQ and how I use it, whether it is before or after compression, of a combination of the two.

    In the first example, I have a lead vocal with loads of energy, where the vocalist is at the top of her range. First, I’ve got an REQ with high passing, and then I am going into a de-esser. This is a single band compressor set to 5 and a half K, and then going into a compressor.

    So why am I doing this? The REQ is wiping off the low-end in the singer’s voice that isn’t necessary. There is a whole bunch of noise coming in the background – AC and foot noise – and a lot of low-end that we don’t need. Many of you know that low-end takes up a lot of energy, meaning that if there’s low-end in her vocal that I don’t want, that might compress earlier than anything else, so I am EQ-ing right away, before I do into any kind of compression or de-essing. I want you to do two things here: listen, and also look over to see how much compression is going on. On this vocal, there was about 2-3 dB of extra compression.

    On the piano part of this track, a lot of the low-end was too compressed, and you lost some of the exciting bounce in the track, which is why you would EQ before compressing, in that case.

    With many things, especially vocals, you will use a combination of serial EQ and compression. For me, de-essing always has to start as either the first or second step. Even though I high-pass, I don’t want to boost any of the high-mids and I wouldn’t want to do that without using a de-esser first, because I don’t want to boost something that I don’t want there in the first place.

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  • Which EQ Should You Choose?

    14:05

    A video on the subtleties of different equalizers and how to decide which EQ to use in your mix.

    Learn more ➥

  • The Reverb Trick All The Pros Use...

    5:56

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  • How to use stock EQ plugins in Logic Pro X with Rob Mayzes - Warren Huart: Produce Like a Pro

    12:01

    How to use stock EQ plugins in Logic Pro X:

    Equalization is one of the first tools that many of us begin using when learning to mix. At the beginning it's very easy to hear drastic changes that occur when making large cuts and boosts. However, it's much more difficult to hear subtle EQ moves.

    This video from Rob Mayzes of Musician on a Mission will get you up an running with all the stock EQs in Logic Pro X. If you use another DAW, you'll get closer to fully understanding how to use EQ in your next mix.


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  • My 7 best EQ Techniques for Mixing

    13:17

    In this video, I show you 7 of the best eq techniques I know for mixing. Cutting, boosting, and a few tips that will probably blow your mind. Or maybe not. Guess you'll have to watch the video ^^.

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  • When Mixing Matters More Than Recording + Amazing Pultec EQ Tutorial from the Pro Song Mixer

    20:59

    When Mixing Matters More Than Recording. Amazing Pultec EQ Tutorial from the Pro Song Mixer. Prfessional Sound Mixing Examples From the Top Mixer/Audio Engineer Andrew Zeleno. Song Mixing Tutorial. Song Mixer. How to Mix Songs. UAD Plugins Tutorial. Audio Production Course. Mixing Course. Skype Course. Top Level Mixes. How to Get Top Quality Songs. Buying Audio Equipment. How to Use Audio Plugins. Recording Equipment. Fender Jazz Bass. DI Recording. Both Pickups. Cubase 9. FabFilter Pro-Q 2. Audio Processing. Muddy Sound. Universal Audio Plugins. UAD Plugins. UAD Neve 88RS Channel Strip. Tight Sounding Bass Guitar. How to Get Rid of Muddiness. Low Mid Frequencies. Upper Mid Range. How to Inscrease Articulation. How to Get Articulated Sounding Bass. Mid Frequencies. Vocals. 1.5K. Medium Q. 3K. 5K. 6K. Snare. 0 dbVU. Line Input. Output Transformer Coloration. Mixing Tricks. Mixing Techniques. More Compressed. Fatter Sounding. Analog Bus Emulation Plugins. 1176 Compressor. How to Setup a Compressor 1176. Release Setting. How to Increase Sustain of the Bass Guitar. Waves CLA 1176 Plugin. Residual Compression. Where to Learn Audio Engineering. Where to Learn Mixing. The Best Mixing School. The Best Online Mixing School. Online Mixing Course of Andrew Zeleno. Shootout. Comparison. Dynamics. How to Get Bass Guitar Tone. Top 20 Audio Engineers. Pultec EQ. How to Boost Low Frequencies. How to Mix a Bass Guitar. How to Mix Drums. Sub Woofers. How to Get Huge Drum Sound. 10K Shelf Filter. Resonant Shelf Explanation. EQ Curves. Neve 88RS Tutorial. Cutting Through the Mix. How to Make a Bass Cutting Through the Mix. Sounding in the Mix. Trained Ears. High Boost. Q-Factor of EQ. EQing Techniques. DI BaBB. Making Big Low End Sounding Songs. Deep Sound of a Bass. Bass Guitar Amplifier. Vintage EQs. 100Hz. 80Hz. 60Hz. Humming Bass. How to Fix Humming Low Frequencies. How to Deal with Boomy Sounding Instruments. Upper Bass. Room Resonances. Pultec Fat Sound. How to Setup Pultec EQ. Pultec EQ Tutorial. Pultec EQ Settings. Changing Pickups. New Strings. Bright Sounding Strings. Plectrum. What the right Microphone to Record a Bass Guitar Amplifier. How to Choose a Mic. What to Best Preamp for the Microphone. What Converter to Buy. Pultec Attenuation. Pultec EQ Explanation. Mixed Drums. How to Get Professional Sounding Songs. What's the difference between different plugins. What is the difference between Waves Plugins, Slate Plugins, UAD.

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  • How to EQ Layered Synths in a Mix

    13:55

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    How to use EQ to give every synth layer its own harmonic space in the mix.

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  • Subtractive EQ Using Instrument Frequency Charts

    23:59

    In this video, Eric David Smith will demonstrate some techniques that he uses to clean up a mix and allow room for other instruments. More specifically, we will be using a technique called Subtractive EQ'ing which basically removes the unused frequencies of instruments. This creates an overall better balance and will make your mixing process much easy to work with.

    Follow along with this helpful interactive instrument frequency chart below and be sure to use this technique in your next mix.

  • EQ Explained in 4 Minutes: How to EQ For a Better Mix | LANDR Mix Tips #6

    3:41

    EQ is a massive subject for audio engineers. It’s so fundamental to the process that the majority of your mix time is probably spent tweaking EQ plugins.

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    In this video I’ll go over everything you need to know to start using EQ like a pro—from the ground up.

    Imagine two instruments playing the same unison melody

    we notice the two sounds overlap, making it difficult to to hear them individually. This effect is called masking.

    EQ is used in mixing to help reduce the effect of masking so that each instrument can be heard clearly.

    To understand EQ, we need to talk about filters. Your EQ is essentially a specialized kind of filter. The characteristics of the filter determine a lot the sound of the EQ—and the best way to use it.

    If you break down the settings of an individual band of EQ, they all refer to basic characteristics of filters: type, slope, Q, and gain and frequency.

    I’ll explain each one and how they affect your sound.

    HPF/LPF: These filters are named for the frequencies they leave unaffected, rather than the range they cut. A low cut is known as a high-pass filter and a high cut is known as low-pass filter.

    Reach for these filter types when you need to clean up issues at the extreme ends of the spectrum.

    The steep drop-off around the corner frequency can easily tame boomy low-end or piercing ultra-high resonance.
    Bell: Bell filters are your standard tools boosting and cutting. Their shape can be manipulated using the Q parameter.

    This is your go-to choice for sculpting and tone-shaping. Boost or cut at specific points and decide how broadly to affect neighboring frequencies with the Q control.

    Shelf: Shelf or shelving filters boost or cut all frequencies above or below the corner frequency.

    This type is effective for making broad tonal changes. Think of low and high shelves like the tone controls on your stereo system.

    Q is short for quality factor. You can think of it as the “bandwidth” of an EQ band.

    Q values of less than 1 will give you broader EQ curves, while values greater than 1 will give you tighter, more selective boosts or cuts

    Gain determines the amount of boost or cut you apply with your EQ. It’s measured in dB. Positive gain values indicate a boost, while negative ones make it a cut.

    The frequency is the center of your EQ band’s action. This control determines the range where boosts or cuts will occur.

    It’s important to remember that there’s no such thing as a perfect filter. No matter how tightly you set your Q or how steep you make your slope, an EQ band will always affect a range of frequencies around the target.

    The first rule of EQ is less is more. Extreme tonal shifts can have a negative impact on your sound.

    The best way to use EQ is however you can get away with using the least.

    With that in mind, there are two main ways to approach EQ.

    Additive EQ means boosting frequencies to achieve the results you want, while Subtractive EQ means cutting offending frequencies out.

    There’s plenty of debate about whether it’s better to do one or the other.

    But if your goal is to use the least amount of EQ, you can simply choose whichever approach is the most direct route to your destination.

    For example, if you only need to cut one narrow range, using 3-4 bands to boost every other region of the spectrum is less transparent that using a single band to cut the main offender.

    On the other hand, if all you need to do to make a sound pop is boost one range, cutting everything else and applying makeup gain isn’t the quickest route.

    In the course of the mix process, you’ll probably use EQ on every single track in your session.

    With such an important tool, it’s important to have a solid foundation in how to use it.

    Now that you have the fundamentals down, get back to your DAW and sculpt some sounds with EQ.

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  • Are You Listening? | Ep. 6 | EQ in Mastering

    29:22

    How should you use EQ in mastering? How do you know what filter shape to choose? And when should you make additive vs subtractive EQ decisions?

    In Episode 6 of Are You Listening?, listen as professional mastering engineer and Director of Education Jonathan Wyner demonstrates why we use EQ when mastering, what differentiates EQ in mixing from mastering, and why you should trust your eyes as much as your ears.

    Note: Some audio examples you hear have been altered from their original recordings to bring attention to the core concepts highlighted in the 'Are You Listening?' series.

    Learn the fundamentals of EQ in mastering, and follow along with this episode by downloading a free trial of iZotope’s intelligent mastering software, Ozone 8:


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    #AreYouListening #iZotope #OzoneEQ

  • How to EQ Vocals in Logic Pro X | Beginner Tutorial #1

    8:17

    This video is meant to teach you to first steps of EQing your vocals so they mix well with the beat.



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  • Consistent Mixes with Match EQ ???? Ozone 9

    8:46

    In this video, we're checking out the new and improved Match EQ module in Ozone 9. This powerful plugin allows you to capture and apply the frequency curve from a reference track, creating tonal consistency for mixing and mastering your album / EP!

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  • Fabfilter Pro Q 3 Plugin Review | Best Eq Ever? ????????????

    12:06

    In this video we take a look at the brand new Fabfilter pro q 3. The lastest update to one of the best eq plugins ever made.

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  • A Word About EQ | iZotope Pro Audio Essentials

    2:07

    To produce great sounding music, it’s important to know how to use EQ effectively. This video introduces EQ and explains its importance in music production.
    Think you're a studio master? Find out! Take the free iZotope Pro Audio Essentials challenge!

  • How To Mix Vocals Like A Pro

    20:07

    Vocal mixing 101 - An easy way to mix vocals for all genres. Full walkthrough from start to finish! New videos every week so make sure you subscribe and click the bell if you're cool!!

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  • EQ Kick Drum | Using Sub-harmonic Processor To Boost Undertone

    1:05

    (Drums) EQ Kick Drum | Using Sub-harmonic Processor To Boost Undertone

    In our latest excerpt from the full-length tutorial: Mick Guzauski Mixing Jamiroquai, Mick demonstrates how he uses the Avid Sub-harmonic plugin to boost the undertones on the kick drum and fatten the low end.

    In our latest blog, we explain this technique further and provide audio demos to teach you how to use this technique in your productions.

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  • Mixing Thick Warm Vocals Like A Pro

    7:24

    In this video, we're checking out pro techniques to get a warmer, more pleasant vocal tone + the best plugins to tame harshness and achieve an upfront sound!

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  • How to Use EQ in Music Production

    12:57

    This video is an excerpt from The Music Production Crash Course at AudioSkills.com. Learn more:

    Equalizers (or EQs) are one of the most important tools in any music producer's arsenal... but you have to know how to use them well!

    In this video, Ben Runyan ( ), Music Technology instructor at Drexel and Rowan Universities shows you how to use EQ with one of his new songs.

    Whether it's a parametric EQ, a graphic EQ, boosting, or cutting... using equalizers can improve your productions dramatically.

  • How To Mix Epic Vocals

    23:09

    How to mix vocals with a dubstep beat for trap nation. Reid Stefan realest puppet in the game demonstrates mixing vocals in pro tools 12 with compression, eq, multiband compression, reverb, and delay. These techniques are applicable for Ableton fl studio 20 and logic users as well!

    Check out my follow-up tutorial about mixing this vocal with the mastered instrumental


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  • Mixing Bass - Warren Huart: Produce Like A Pro

    10:35

    Mixing Bass: How to mix bass for a full and punchy low end.
    Sign up here to see exclusive videos and download practice sessions

    Warren shows how he mixes bass using both a DI and amp. Tips for getting a great bass tone when mixing multiple sources together.

    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • 4 Ways to Eliminate Bad Frequencies

    14:06

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    In this tutorial we show you how to eliminate bad frequencies! This is very important to know if you want to have clean mixes. When you have a track with many stems with bad frequencies they will add up to a muddy sounding mix.

    1. EQ - We explain how to scan through your tracks using an EQ with an Analyzer and find the problem areas. This also includes cutting out frequencies below 100

    2. De-Esser - We open the Fab Filter Pro-DS to explain how to use a De-Esser to cut out bad frequencies.

    3.  Waves C1 Sidechain - We use this great old school plug in to show you how to isolate bad frequencies and draw them down. Using this plug in is great as opposed to straight EQ because we can control the bad frequencies much more.

    4. Multiband compression - This is an amazing way to get rid of bad frequencies by compressing different bands of the sound. A fun and very powerful technique. A great option to have to shape sounds.

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  • How to Create Instrument Separation with EQ Flipping and Swapping

    6:52

    Have you ever struggled with instruments fighting over the same frequencies in your mix? EQ swapping or flipping can help solve that issue!

    One of the most common reasons to use an equalizer is to create separation among tracks. In many mixing projects, it helps for each track to own it's part of the frequency spectrum.

    This EQ swapping technique is all about crafting EQ curves that mirror each other.

    I show how to do it in this video with a little cover I put together of Kids from the Original Soundtrack to Stranger Things - a Netflix Original Series.

  • Mixing 808s Like A Pro

    8:04

    This lesson is from Module 1 of the new Divine Beat Mixing course, a deep-dive into the art of mixing beats.

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  • Removing Dissonant Frequencies with Surgical EQ | Local Dialect

    8:17

    In this mixing tutorial, Reed from Local Dialect covers how to use narrow EQ bands to remove dissonant frequencies from your mix. He demonstrates the technique using the FabFilter Pro-Q 2, but the technique can be applied using almost any EQ.

  • Mixing With Headphones Like A Pro

    9:18

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  • How The Pros Use EQ - How To EQ All Instruments and Your Mixes

    23:23

    How The Pros Use EQ - How To EQ All Instruments and Your Mixes
    How to clean your instruments like pro.
    how to eq and clean your mix more beautiful.
    today i will show you how to eq your track using chart.
    how to easily add clarity on your mix
    Ever wondered how to make your own music on your computer? Follow along with me as I explain the steps I take to begin creating a new song in Ableton Live 10. I will only use default/stock plugins in this video so everyone can copy my steps. As long as you have Ableton, you can follow along with this video! This is an updated, more modern rework of an older video where I do something similar in Ableton Live 10.

    i will teach you full course about music.

    so , what are you learning on this channel ??

    1 . basic notes and music theory.
    2 . about ableton.
    3 . how to get creativity idea.
    4 . how to know compose theory.
    5 . how to arrang a track.
    6 . how to mixing a track.
    7 . how to master a track for publish.
    8 . and finally i will teach you sound designing on Xfer Records
    SerumXfer Records Serum...

    hope you found lot's of fun...
    keep watching my channel .....

    Mixing Chart link :

    Facebook :

    and if you need any plug-ins...so plz, pick a comment on my video comment box with your email address....

    i will sent you vst's link.

    Thank you..................................................................................

  • Sine Sweeps...OUCH!!! | How the Pros Use EQ

    2:33

    Sine sweeps are an important part of mixing. It helps you figure out where the mud is. Watch us clean up a vocal track and stick it into a mix! Thanks to Carlos Dwayne for letting us use a clip from one of the tracks off of his upcoming album!

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