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Playlist of Giovanni Animuccia

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  • Giovanni Animuccia: Missa Victimae Paschali Laudes / Church Music

    44:40

    There is a very convenient myth that the greatest composers of the past were men whose genius cannot be reasonably accounted for. It is a seductive argument, if only because it encourages a clear and simple view of any musical age, in which its great composers stand our as isolated eruptions of genius. It also saves us the trouble of exploring the surrounding area where, for all we know, we will find only bluffs and impasses.

    Convenient this myth may be, but there is no evidence that the great composers would themselves have subscribed to it. Take Bach, who evidently thought enough of Buxtehude’s music to walk 200 miles to Lubeck to hear him play: when we listen to Buxtehude, we see why Bach thought the journey so worthwhile. Then consider Palestrina, who was, until recently, the only name to be widely known from the circle of composers associated with the Vatican of the late Renaissance. True, Palestrina was evidently so uniquely esteemed that he held positions in both the Capella Sistina and the Capella Giulia of St. Peter’s, but as a composer he was far from isolated. Rome, as the centre of Christianity, acted as a fulcrum for church composers, and it is probable that Palestrina met Victoria and Lassus during their time spent in the city.

    Yet it was not just foreign composers who influenced Palestrina. In particular, the name of Giovanni Animuccia seems virtually synonymous with that of Palestrina. Born in Florence in the early years of the sixteenth century, in 1555 he succeeded Palestrina (who was his junior by some 15 years) as maestro di capella at St. Peter’s, Rome. Animuccia held this position until his death in 1571, at which point Palestrina returned to St. Peter’s. Whether or not Animucica formally taught Palestrina is not known, but in their clear harmonic sense and close correlation of text and music, stylistically the two have much in common.

    Animuccia’s Missa Victimae Paschali Laudes was published in Rome in 1567. The collection in which this mass appears claims that the music has been written “according to the stipulations of the Council of Trent” – in other words, with the Counter-Reformation ethics of simplicity and intelligibility to the fore. In fact, this six-part mass, which is chordal only fleetingly, could scarcely be described as a simple work. In one respect the Missa Victimae Paschali Laudes is sympathetic to the wishes of the Council, however, and that is in its dignified and serious style. It is based on the Easter sequence Victimae Paschali Laudes, a minor mode melody. Treated with a measure of freedom, the melody appears throughout the mass in one of the soprano lines, but by means of imitation, is referred to in all parts.

    Despite the title of its theme, Animuccia’s Victimae Paschali Laudes could have been performed on virtually any day of the church’s year. However, its expansive style is perfectly suited to the lavishness of a major liturgical feast. On Easter Sunday, guns on the battlements of the Castel Sant Angelo announced the celebration of Mass in St. Peter’s. It is this context which we have recreated here to frame the music of two major figures of the age – Palestrina and Animuccia.

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    Giovanni Animuccia: Missa Victimae Paschali Laudes by The Tudor Consort is licensed under a Attribution 3.0 International License.

  • BENEDETTO SIA LO GIORNO - Giovanni Animuccia

    3:14

    Lauda Spirituale di Giovanni Animuccia (1520 - 1571); esecuzione live del Coro Dulcis Memoria diretto da Federico Raffaelli.


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  • Giovanni Animuccia - Lodate Dio

    3:20

    Giovanni Animuccia 1520-1571 Lodate Dio,dal Libro delle laudi Spirituali raccolte da Francesco Soto (1589)
    Photo by Sebastos100
    Abbazia di Sant'Eustachio (Nervesa della Battaglia,Treviso)

  • Giovanni Animuccia Kyrie Fractal Zoom

    3:28

    Composer: Giovanni Animuccia
    Title: Kyrie
    Artist: The Tudor Consort
    Discography on FMA:
    Official Website:

    Legal:
    This recording was released under a Creative Commons Attribution License. Details can be found here:

    Under this license I am allowed to use this recording for a derivative work. I must also release my work under the same license, which I do most gladly. Contrary to the one you might see this video is Creative Commons under the exact same rules as the one above. You may use the video or video/music for your own purposes, but you must attribute the visuals to me and the music to the Tudor Consort. Just leave a message or comment if anything is unclear.

    The Tudor Consort has not commisioned this video, nor are there any obligations or any active support or endorsment from them or any other involvment, but they are aware of what is going on and I hope they like it and approve. I would like to thank them for being so kind to give us this wonderful music and give the general public the chance and right to produce derivative works or distribute their music freely within the CC guidelines. Rock on !

    Because the Youtube servers are located in the U.S., logically american law applies to any upload. U.S. Copyright Laws are very strict, there is virtually no audio recording in the Public Domain (not even before 1923 or any other orphaned record, no stuff recorded outside the U.S. that might be Public Domain in your country). Open Source and Creative Commons are a nice alternative to this, if you want to find more CC music the Free Music Archive might be a good starting point.

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  • Giovanni Animuccia - Nunc dimittis

    2:17

    Giovanni Animuccia (1520-1571)
    'Nunc Dimittis a 3'
    uit Libro I delle laudi Spirituali, 1563

    Nunc dimittis servum tuum, Domine,
    secundum verbum tuum in pace:
    Quia viderunt oculi mei salutare tuum
    Quod parasti ante faciem omnium populorum:
    Lumen ad revelationem gentium,
    et gloriam plebis tuae Israel.

    Gloria Patri et Filio et Spiritui Sancto.
    Sicut erat in principio et nunc et semper
    et in saecula saeculorum. Amen.

    (Lucas 2:29-32)

    Nu laat u, Heer, uw dienaar in vrede heengaan, zoals u heeft beloofd.
    Want met eigen ogen heb ik de redding gezien
    die u bewerkt heeft ten overstaan van alle volken:
    een licht dat geopenbaard wordt aan de heidenen
    en dat tot eer strekt van Israël, uw volk.

    Eer aan de Vader en de Zoon en de heilige Geest.
    Zoals het was in het begin, en nu en altijd en in de eeuwen der eeuwen. Amen.

    (vertaling: Nieuwe Bijbelvertaling)

    Arezzo Consort, Henk Vogel
    18 juni 2016
    Abdijkerk, Aduard

  • Giovanni Animuccia - O Jesu Buono - Fairy Consort

    3:22

    A simple but inspired 3 voices Lauda from the XVI sec. composer Giovanni Animuccia, performed live with three male voices, gamba and organ by Fairy Consort. The organ introduction is an impromptu in style by Walter D'Arcangelo.

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  • The Tudor Consort - Giovanni Animuccia - Kyrie

    3:14

    Artist: The Tudor Consort
    Title: Giovanni Animuccia - Kyrie
    License: CC-BY

  • The Marion Consort : Gloria - Giovanni Animuccia

    7:07

    Recorded live at St. Tarcissus Parish, Chicago
    Sunday, May 17, 2015

    Sacred Music of Renaissance Florence

  • 天主彌撒 犧牲復活 Giovanni Animuccia:The Tudor Consort

    53:04

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  • Benedetto sia lo giorno - Giovanni Animuccia

    1:45

    Encore une fois dans les églises de France...
    Cette fois-là c'étatit L'Auvergne: Ternan, en 2004
    Live da un concertino a Ternan, agosto 2004

  • I Believe in One God - Church choir

    7:06

    Music:
    Credo in Unum Deum
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

  • Giovanni Animuccia - Lodate Dio - Confraternita de Disciplini .

    3:16

    Chiesa di S. Francesco,Brescia
    2 aprile 2011
    Confraternita de' Disciplini
    Alessandro Casari, direttore

  • The Marion Consort - Gloria - Giovanni Animuccia

    7:06

    Gloria by Giovanni Animuccia

    Recorded live at St. Tarcissus Parish
    Sunday, May 17, 2015

  • Giovanni Animuccia Benedetto sia lo giorno

    2:06

    Fu uno dei più famosi contemporanei di Giovanni Pierluigi da Palestrina e membro della Scuola Romana; la sua influenza si fece sentire soprattutto nello sviluppo del genere della lauda polifonica a Roma di cui Benedetto sia lo giorno ne è un esempio.

  • The Tudor Consort - Sequence - Victimae Paschali Laudes

    4:07

    Artist: The Tudor Consort
    Title: Sequence - Victimae Paschali Laudes
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • Church choir - Gloria in Excelsis Deo † † †

    6:04

    Music:
    Gloria in Excelsis Deo
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

  • Kyrie Eleison - Church choir

    3:12

    Music:
    Kyrie Eleison
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)

  • Giovanni ANIMUCCIA : Benedetto sia lo giorno

    1:31

    La Caffettiera Stioppeta directed by Eszter Murányi

  • The Tudor Consort - Pater Noster

    1:33

    Artist: The Tudor Consort
    Title: Pater Noster
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • Lodate Dio - G. Animuccia

    2:47

    Lodate Dio - G. Animuccia
    Ensemble della Rinascenza Avigliano Dicembre 2011
    Serenella Casilli
    Francesca Del Bianchi
    Eugenia Chianese

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  • Renaissance Composers Pt. 9 - The Italian School Pt. 1

    27:01

    Welcome to the ninth part of the Renaissance Composers (First part of the Italian School)!

    It contains composers such as Zacara da Teramo, Matteo da Perugia, Gulielmo Ebreo da Pesaro, Franchinus Gaffurius, Giacomo Fogliano, Vincenzo Capirola, Francesco Spinacino, Andrea Antico, Bernardo Pisano, Franceso de Layolle, Costanzo Festa, Francesco Canova da Milano, and Albert de Rippe; from 1350 to 1500.

    The next part will include composers such as Giovanni Animuccia, Vincenzo Galilei, Giovanni Pierluigi da Palestrina, Fabritio Caroso, Claudio Merulo, Giovanni Maria Nanino, and Orazio Vecchi; from 1501 to 1550.

  • Música gregoriana religiosa católica medieval mística en latín mix

    1:28:32

    Música gregoriana religiosa católica medieval mística en latín mix

    ● Sígueme
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    ● Canciones
    00:00:00 - 1. Kyrie_Eleison
    00:03:10 - 2. Gloria in Excelsis Deo
    00:09:05 - 3. Collect Deus Quid Hodierna
    00:10:04 - 4. Expurgate Vetus Fermentum
    00:10:56 - 5. Gradual Haec Dies
    00:12:34 - 6. Pascha Nostrum
    00:14:28 - 7. Victimae Paschali Laudes
    00:18:26 - 8. Maria Magdalene et Maria Jacobi
    00:20:32 - 9. Credo in Unum Deum
    00:27:12 - 10. Terra Tremuit
    00:29:43 - 11. Surum Corda
    00:31:36 - 12. Sanctus
    00:33:44 - 13. Benedictus
    00:35:00 - 14. Pater noster
    00:36:27 - 15. Agnus Dei
    00:38:51 - 16. Agnus Dei II
    00:41:19 - 17. Pascha Nostrum
    00:42:29 - 18. Spiritum Nobis Domine
    00:43:37 - 19. Ite missa est

    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    Author: The Tudor Consort
    Music License: Attribution-Share Alike 3.0 United States License

    Image and videos are copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

  • Pater Noster - Choir prayer

    1:34

    Music:
    Pater Noster
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

  • Sequence - Victimae Paschali Laudes - The Tudor Consort - Sacral church choir

    4:07

    Music:
    Sequence - Victimae Paschali Laudes
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

  • The Tudor Consort - Gradual - Haec Dies

    1:50

    Artist: The Tudor Consort
    Title: Gradual - Haec Dies
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • The Tudor Consort - Credo in Unum Deum

    7:08

    Artist: The Tudor Consort
    Title: Credo in Unum Deum
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • Animuccia Giovanni - Benedetto sia lo Giorno

    4:20

    Odor Rosae Chorus & La Vaga Harmonia

    SOPRANI
    Antonazzo Rossella, Dubla Anna, Fanigliulo Serena, Fornaro Rosa, Agata Liuzzi
    ALTI
    D'Amicis Maddalena, Lenti Virginia, Leone Isa, Magazzino Tina, Martino Mariangela, Carlucci Clementina
    TENORI
    D'Amicis Antonio, Fabietti Pietro, Fina Don Antonio, Recchiuto Francesco
    BASSI
    Faiano Ciro, Santoro Spiro

    Flauti a Becco: Mimmo Fornaro
    Violino Barocco: Domenico Nisi
    Viola: Carmine Fanigliulo
    Violoncello: Vincenzo Vitti
    Arpa: Gabriella Russo
    Organo & Spinetta: Antonio Andriulli
    Direttore: Fabio Anti

  • The Tudor Consort - Kyrie Eleison

    3:14

    Artist: The Tudor Consort
    Title: Kyrie Eleison
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • Giù per la mala via di G. Animuccia

    2:43

    Concerto del Coro M.E. Bossi della Cappella del Duomo di Salò tenuto il 2 febbraio 2008 al Santuario della Madonna del Carmine di San Felice del Benaco. Dirige il Maestro Carlo Ragnoli. Riprese video Pierantonio Pelizzari.

  • Alla dolcombra

    1:57

    Paolo Animuccia

  • The Tudor Consort - Gloria in Excelsis Deo

    6:05

    Artist: The Tudor Consort
    Title: Gloria in Excelsis Deo
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • BENEDETTO SIA LO GIORNO dI G. ANIMUCCIA - CORO CANTICUM NOVUM DI METELLA PETAZZI

    1:53

    BENEDETTO SIA LO GIORNO DI G. ANIMUCCIA ESEGUITO DAL CORO CANTICUM NOVUM DI RAPALLO DIRETTO DA METELLA PETAZZI IN OCCASIONE DEL RADUNU DELLE CORALI 2014

  • Il primo libro delle laudi: Lauda

    3:22

    Provided to YouTube by NAXOS of America

    Il primo libro delle laudi: Lauda · Arianna Vendittelli

    Intorno all'oratorio di San Filippo Neri

    ℗ 2014 Urania Records

    Released on: 2014-03-01

    Artist: Arianna Vendittelli
    Artist: Gabriella Martellacci
    Artist: Mauro Borgioni
    Ensemble: Mvsica Perdvta
    Conductor: Renato Criscuolo
    Artist: Simona Braida
    Composer: Giovanni Animuccia

    Auto-generated by YouTube.

  • Laudate Dio

    2:38

    Brano eseguito dalla Ensemble Vocale Euterpe nel corso del concerto tenutosi presso la Chiesa Madre Santuario Maria SS. del Soccorso a Castellammare del Golfo (Tp).
    Autore: Giovanni Animuccia
    Direttore: Mirco Reina

  • Agnus Dei II - The Tudor Consort - Sacral church choir

    2:38

    Music:
    Agnus Dei II
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

  • Deh, venitene, pastori

    2:54

    Provided to YouTube by NAXOS of America

    Deh, venitene, pastori · Cocerto Romano

    Sacred Music for the Poor

    ℗ 2014 Christophorus

    Released on: 2014-02-04

    Conductor: Alessandro Quarta
    Ensemble: Cocerto Romano
    Composer: Giovanni Animuccia

    Auto-generated by YouTube.

  • Gradual - Haec Dies - The Tudor Consort - Sacral church choir

    1:51

    Music:
    Gradual - Haec Dies
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

  • Signor, ti benedico

    2:20

    Provided to YouTube by NAXOS of America

    Signor, ti benedico · Cocerto Romano

    Sacred Music for the Poor

    ℗ 2014 Christophorus

    Released on: 2014-02-04

    Conductor: Alessandro Quarta
    Ensemble: Cocerto Romano
    Composer: Francisco Soto de Langa

    Auto-generated by YouTube.

  • Kyrie, Christe, Kyrie

    4:29

    Provided to YouTube by NAXOS of America

    Kyrie, Christe, Kyrie · Vox Hesperia

    Musica per i cardinali

    ℗ 2014 Bongiovanni

    Released on: 2014-04-01

    Conductor: Romano Vettori
    Ensemble: Vox Hesperia
    Composer: Giovanni Animuccia

    Auto-generated by YouTube.

  • Polifonia Sacra - Mottetti, SCHOLA CANTORUM - Giovanni Vianini, Milano, It.

    10:05

    BASILICA DI SAN MARCO, Polifonia Sacra - SCHOLA CANTORUM, dir. Giovanni Vianini, Milano, It.
    Mottetti: AVE MARIA, Jacob Arcadelt; ALMA REDEMPTORIS, Giovanni P. Palestrina; Madrigale o Aria spirituale: BEN VENGA AMORE, Giovanni Animuccia; ALLE PSALLITE CUM - LUJA, Contrappunto doppio, Montpellier XII sec.; RESTE AVEC NOUS, Corale William Monk

  • The Tudor Consort - Entrance

    26

    Artist: The Tudor Consort
    Title: Entrance
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • Animuccia | Lodate Dio á 3; Musica Perduta

    3:41

    Italian Spiritual Lauda for three voices
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  • Ite, missa est - The Tudor Consort - Sacral church choir

    49

    Music:
    Ite, missa est
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

  • lodate dio

    1:36

    coro MIC le signore cantano. Una bellissima lauda filippina di Animuccia. molto bella anche da cantare ai matrimoni

  • Benedetto sia lo giorno - G. Animuccia - Coro Vexilla Regis

    1:48

    Benedetto sia lo giorno - G. Animuccia (1514-1571) - Coro Vexilla Regis

  • Lodate Dio - Animuccia

    1:42

    lauda filippina della scuola di San Filippo Neri. Faith Gospel Choir diretti da Rossana Bonvento-chiesa di St.Francis a San Francisco, 5 gennaio 2012

  • Offertory - Terra Tremuit - The Tudor Consort - Sacral church choir

    2:24

    Music:
    Offertory - Terra Tremuit
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

  • The Tudor Consort - Post-Communion - Spiritum, Nobis Domine

    1:13

    Artist: The Tudor Consort
    Title: Post-Communion - Spiritum, Nobis Domine
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • The Tudor Consort - Sanctus

    2:15

    Artist: The Tudor Consort
    Title: Sanctus
    Album: Giovanni Animuccia: Missa Victimae Paschali Laudes
    License: CC-BY

  • Benedictus - The Tudor Consort - Sacral church choir

    1:22

    Music:
    Benedictus
    Giovanni Animuccia: Missa Victimae Paschali Laudes
    by The Tudor Consort is licensed under a CC Attribution 3.0 International License.

    Photo:
    Jules & Jenny

    Attribution 2.0 Generic (CC BY 2.0)
    Oakham, All Saints' church, S. transept window detail
    Depicting Fortitude, as portrayed by a scene from Jesus' life.

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