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Playlist of G. F. Händel

  • The Best of Händel


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    Concerto Grosso Op. 6
    No. 1, in G Major I. A Tempo Giusto 00:00
    No. 1, in G Major II. Allegro 01:54
    No. 1, in G Major III. Adagio 04:10
    No. 1, in G Major IV. Allegro 07:30
    No. 1, in G Major V. Allegro 10:13
    No. 2, in F Major I. Andante Larghetto 13:19
    No. 2, in F Major II. Allegro 17:45
    No. 2, in F Major III. Largo 20:33
    No. 2, in F Major IV. Allegro ma non troppo 23:47
    No. 3, in E Major I. Larghetto 26:10
    No. 3, in E Major II. Andante 27:58
    No. 3, in E Major III. Allegro 30:50
    No. 3, in E Major IV. Polonaise, Andante 33:50
    No. 3, in E Major V. Allegro ma non troppo 40:04
    No. 4, in A Minor I. Laghetto affettuoso 41:50
    No. 4, in A Minor II. Allegro 44:33
    No. 4, in A Minor III. Largo e piano 47:52
    No. 4, in A Minor IV. Allegro 50:14
    Water Music
    Suite No. 1, in F Major I. Overture 53:14
    Suite No. 1, in F Major II. Adagio e Staccato 58:55
    Suite No. 1, in F Major III. Minuet 1:06:28
    Suite No. 1, in F Major IV. Aria 1:10:34
    Suite No. 1, in F Major V. Minuet 1:14:49
    Suite No. 1, in F Major VI. Bouree 1:16:58
    Suite No. 1, in F Major VII. Hornipipe 1:19:19
    Suite No. 1, in F Major VIII. Allegro 1:21:27
    Suite No. 2, in D Major I. Allegro 1:25:48
    Suite No. 2, in D Major II. Alla Hornpipe 1:28:01
    Suite No. 2, in D Major III. Minuet 1:32:52
    Suite No. 2, in D Major IV. Lento 1:34:15
    Suite No. 2, in D Major V. Bouree 1:36:15
    Suite No. 3, in G Major I. Allegro 1:37:37
    Suite No. 3, in G Major II. Rigaudon 1:Corona40:23
    Suite No. 3, in G Major III. Minuet 1:43:15
    Suite No. 3, in G Major IV. Minuet 1:44:27
    Suite No. 3, in G Majo V. Allegro 1:46:40
    Suite No. 3, in G Major VI. Allegro 1:47:25
    Rinaldo, HWV 7: Act II Lascia Ch'io Pianga 1:48:17
    Serse, HWV 40: Act I Ombra Mai Fu 1:52:52
    Messiah, HWV 56: Chorus Hallelujah 1:55:25
    Messiah, HWV 56: Chorus For unto us a Child is Born 1:59:14
    Zadok the Priest, HWV 258 ( Coronation anthem ) 2:03:18
    Suite in D Minor, HWV 437: IV. Sarabande 2:05:25
    Samson, HWV 57: Act III Let their celestial concerts 2:07:42

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  • G. F. Handel: Messiah HWV 56


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  • G. F. Händel, Lascia Chio pianga. Soprano; Julia Lezhneva


    G. F. Händel, Lascia Chio pianga. Soprano; Julia Lezhneva, Trondheim soloists, artistic director: Øyvind Gimse. Samuelsen Productions, Hamardomen.
    Video by Tor Melgalvis. Camera: Kjetil Andersen, Jan Gunnar Martinsen and Tor Melgalvis.

  • George Frideric Handels - Water Music


    Read Before Watching:

    Due to the unexpected success of my first Best of Beethoven and Tchaikovsky vid (see link below to watch) I have decided to make another classical style/ Baroque era music vid. Again, same warning as my last two vids.


    Thanks and, as always, leave your comments and ratings.

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  • G.F. Händel: Water Music - Akademie für alte Musik Berlin - Live concert HD


    Kijk voor meer concerten op:

    Akademie für alte Musik Berlin
    Georg Kallweit, viool/leiding

    G.F. Händel 1685-1759

    Water Music, HWV 348-350
    - Overture: Largo-Allegro
    - Adagio e staccato
    - Allegro / Andante / Allegro da capo
    - Allegro
    - Air
    - Minuet
    - Bourrée
    - Hornpipe
    - Allegro moderato
    - Allegro
    - Alla hornpipe
    - Minuet
    - Rigaudon 1 / Rigaudon 2 / Rigaudon 1 - Lentement
    - Bourrée
    - Minuet 1 / Minuet 2
    - Gigue 1 / Gigue 2 da capo
    - Minuet

    Opname: 10 januari 2016, Het Concertgebouw Amsterdam voor Het Zondagochtend Concert

    Händels Water Music
    Bijna drie eeuwen geleden gaf Händel een concert dat we ons nu nóg herinneren. Op een groot vlot voer hij, met orkest, over de Theems. De kabbelende rivier begeleidde de première van zijn Water Music. Een stuk dat niet bedoeld was voor de vissen en trekschuiten, maar voor koning George I. De drie suites van Water Music vormden de achtergrond voor een diner op zijn koninklijke jacht. Het smaakte deze ‘royals’ uitstekend: Händel en zijn musici moesten het werk twee keer herhalen.

    Akademie für Alte Musik Berlin
    Dit seizoen waagt Akademie für Alte Musik Berlin (Akamus) zich met HändelsWater Music aan een van de bekendste klassieke werken. Akamus won onlangs de Bach-medaille van de stad Leipzig, voor hun verdiensten in het historisch verantwoord uitvoeren van oude muziek. Wat dat betreft is Water Music extra interessant omdat er meerdere versies van het werk bestaan. Op het water klinkt muziek immers heel anders dan op het land.

  • GF HANDEL: Messiah - Hallelujah


    Conductor: Chai, Hoon Cha

    Korean Students' Glee Club (대학합창단)
    Honors Capella (아너스카펠라)
    Chai Hoon Cha Choir (최훈차콰이어)

    Prime Philharmonic Orchestra

    Seoul Arts Center, December 2008.

    헨델 메시야

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  • George Frideric Handel - Music for the Royal Fireworks


    George Frideric Handel's Music for the Royal Fireworks (1749), composed at the behest of King George II of Great Britain for the great fireworks display celebrating the signing of the peace of Aix-la-Chapelle, which concluded the War of the Austrian Succession on October 18, 1748.

    0:00 Ouverture
    8:24 Bourrée
    9:55 La paix
    13:42 La Réjouissance
    17:25 Minuet I & II

    (Performed by the English Chamber Orchestra, conducted by Raymond Leppard.)

    The terms of the treaty were largely negotiated between the Kingdom of Great Britain and the Kingdom of France, with the other powers, chief among them Austria, Prussia and Spain, following their lead. The treaty affirmed the right of Austrian Empress Maria Theresa to the Habsburg thrones and recognized the gains of the rising Kingdom of Prussia, which had, with France and Spain, opposed the Habsburg monarchy and Great Britain. Although the position of Britain in the struggle was arguably less than paramount, it was decided that a great public fireworks celebration should be conducted to commemorate the peace. Handel composed his Music for the Royal Fireworks after being commissioned to provide suitable music for this celebration, to be held on April 27, 1749 in London in Green Park, by St. James's.

    The Music for the Royal Fireworks was first performed publicly six days before the great fireworks display, on April 21, 1749, when a full rehearsal of the music was held at Vauxhall Gardens. However, Handel himself objected to this performance. It is assumed his objection was due to logistics, but was more due to his promise to repeat the music for a charity concert at the Foundling Hospital four weeks after the main display. The Vauxhall performance was publicly advertised, and would thus be widely attended, so Handel feared it would lessen interest in subsequent performances.

    At any rate, over twelve thousand people, each paying two shillings and six pence, rushed en-masse for the Vauxhall rehearsal, causing a three-hour traffic jam. The Westminster Bridge was closed for subsidence repairs, so London Bridge was severely overcrowded. Carriages were forced across with great inconvenience, and there were reports of scuffles among the footmen. The rehearsal itself was accompanied by an 18 cannon salute, conducted with powder that had been delivered in a batch of 36 pounds.

    Against George II's wishes, Handel insisted upon including strings in the orchestra for the main celebration. Renowned designer Florentine Servandoni was summoned to construct what was dubbed an enormous machine as the centerpiece. A great wood and canvas structure measuring over 400 feet long and 100 feet high, it was constructed in the manner of a magnificent Doric Temple and executed in the trompe-l'oeil style. It was complete with a triumphal arch topped with a grand Sun, bearing the latin epigraph VIVAT REX in letters of bright fire which were to burn for five hours. The structure featured impressive side pavilions and elaborate decoration.

    On the great day, the King and his entourage toured the machine, presenting purses to its operatives while the entire band played, commencing at 6 o'clock. The beginning of the fireworks display went well enough, as The Gentleman's Magazine vol. 19 (April, 1749), describes:

    At half an hour after eight, the works were begun by a single rocket from before the library, then the cannon within the chevaux de frize were fired...101 pieces of cannon placed on Constitution-hill, were discharged; after which a great number of rockets of different sorts, balloons, &c. were discharged, to surprising perfection.

    However, catastrophe ensued when the great machine misfired and burst into intense flame. The left pavilion of the structure was most affected, and according to the Description II of the celebration, published afterwards, the contrivance burnt with great Fury. Two of the arches smoldered to the ground, and the whole building was only saved when carpenters cast away another two arches and fire engines were brought in to suppress the flames. The stress was apparently great, because another misfortune followed when Florentine Servandoni threw a tantrum and drew his sword on Charles Frederick, Comptroller of the event. Servandoni was imprisoned but released the next day after tendering his apologies. In the end, the great sun, 32 feet in Diameter, the literal high-light of the arrangement, survived the disaster to fulfill expectations.

    Handel's orchestration begins with an Overture suited for the royal progress across St. James's park, the middle portion of which relaxes and turns toward B minor. Then, a Bourrée for woodwind and string follows, moving into a siciliano entitled La Paix, which splendidly reflects the eighteenth-century view of peace as a country pastorale. The piece then moves to the brilliant and varied Réjouissance, and finally, is concluded with two Minuets, finishing off the music in an august atmosphere.

  • Handel Water Music


    A right royal pleasure: With these effervescent suites, Georg Frideric Handel created Baroque masterpieces that still delight people to this day with their infectious vitality.

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    00:00- Riccardo Muti - Water Music, Suite No. 1 in F Major, HWV 348: I. Ouverture. Maestoso - Allegro - Adagio e staccato - II. Allegro - Andante – Allegro
    14:46- Riccardo Muti - Water Music, Suite No.1 in F Major: III. Moderato
    18:37- Riccardo Muti - Water Music, Suite No.1 in F Major: IV. Air
    26:16- Riccardo Muti - Water Music, Suite No.1 in F Major: VI. Bouree - VII. Hornpipe
    29:37- Riccardo Muti - Water Music, Suite No.1 in F Major: VIII. Allegro molto
    34:24- Riccardo Muti - Water Music, Suite No.2 in D Major: I. Allegro - II. Hornpipe
    40:41- Riccardo Muti - Water Music, Suite No.2 in D Major: III. Menuet
    45:24- Riccardo Muti - Water Music, Suite No.2 in D Major: IV. Lentement - V. Presto
    50:15- Riccardo Muti - Water Music, Suite No.3 in G Major: I. Lento
    53:29- Riccardo Muti - Water Music, Suite No.3 in G Major: II. Aria. Allegro
    54:42- Riccardo Muti - Water Music, Suite No.3 in G Major: III. Menuet - IV. Andante - V. Country Danc

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  • G.F. Handel Concerti Grossi Op.6 Nos.1- 6, Andrew Manze


    G.F. Handel Concerti Grossi Op.6 Nos.1- 6
    1. No.1 in G major, HWV 319 0:00
    2. No.2 in F major, HWV 320 11:08
    3. No.3 in E minor, HWV 321 22:16
    4. No.4 in A minor, HWV 322 34:09
    5. No.5 in D major, HWV 323 44:27
    6. No.6 in G minor, HWV 324 58:37
    Academy of Ancient Music
    Andrew Manze, Conductor

    In video: London, The Thames from Somerset House Terrace towards the City by Canaletto

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  • George Frideric Handel - The Arrival of the Queen of Sheba


    George Frideric Handel - The Arrival of the Queen of Sheba from the oratorio Solomon (1749)

    Georg Friedrich Händel

  • Agrippina, G. F. Handel: Part I


    Performed in Zilkha Hall at the Hobby Center for the Performing Arts
    Houston, Texas 
    November 16, 2018 

    Music by George Frideric Handel (1685–1759) 
    Libretto attributed to Cardinal Vincenzo Grimani (c1655–1710) 
    First performed in Venice, December 26, 1709

    Agrippina: Sofia Selowsky, mezzo-soprano      
    Nerone (Nero): John Holiday, countertenor
    Pallante (Pallas): Brian Shircliffe, baritone
    Narciso (Narcissus): Cecilia Duarte, mezzo-soprano 
    Lesbo (Lesbus): Eduardo Tercero, tenor
    Ottone (Otho): Aryeh Nussbaum Cohen, countertenor 
    Poppea (Poppæa): Camille Ortiz, soprano
    Timothy JonesClaudio (Claudius)Emperor of Rome 
    Production Team:
    Tara Faircloth, Stage Director 
    Matthew Dirst, Conductor/Artistic Director 
    Kinga Ferguson, Producer/Executive Director 
    Frank Vela, Lighting Designer 
    Macy Lyne, Costume Designer 
    Meg Edwards, Stage Manager

    © Ars Lyrica Houston

  • SARABANDE - G. F. Händel / Camerata Cambrensis


    La Camerata Cambrensis es una orquesta de cámara con base en Navarra dirigida por Caroline Collier y que cuenta con músicos profesionales pertenecientes a las orquestas más importantes de la zona vasca y vascofrancesa. Forman este grupo desde el año 2002.

    The Camerata Cambrensis is a string based chamber orchestra conducted by Caroline Collier and made up of professional musicians who work in the regional orchestras of Navarre and the Basque Country. They come together to form this ensemble since 2002.

  • LVHF 2017: G.F. Händel - Ombra mai fu


    4. festivalový koncert | Duchovní hudba
    Janáčkův komorní orchestr

    Jakub Černohorský - umělecký vedoucí
    Patricia Janečková - soprán


    Second Annual Festival - LEDNICE|VALTICE FESTIVALU 2017
    4th Festival Concert / Sacred Music

    Jakub Černohorský - Artistic Director
    Patricia Janečková - Sopran

  • G.F. Handel -Harpsichord suite in D minor vol.2 No 4 HWV 437 Sarabande


    * George Frideric Handel(23 February 1685 -- 14 April 1759) was a German-born British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music. He received critical musical training in Halle, Hamburg and Italy before settling in London (1712) and becoming a naturalised British subject in 1727. By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.

    * Harpsichord suite in D minor vol.2 No. 3 HWV 436 (Sarabande)

  • Chaconne G.F.Händel


    complete version of Händel's Chaconne HWV435 for solo guitar. Transcribed and played by Enno Voorhorst.

  • Handel - Largo Opera


    Handel , Largo
    from the opera Serse (Xerxes) by George Frideric Handel.

    Date: 1734

  • G.F. Handel - Addio, mio caro bene - Jakub Józef Orliński & Natalia Kawałek


    G.F. Händel (1685 - 1759)
    Duetto Arcane & Clizia: Addio, mio caro bene from opera Teseo HWV 9

    Mezzo-soprano - Natalia Kawałek
    Countertenor - Jakub Józef Orliński
    Conductor / 1st violin - Stefan Plewniak
    Ensemble - Il Giardino d'Amore

    Addio, mio caro bene
    Addio, dolce mia vita
    Io parto
    Or vanne
    Parto ma parto in pene che teco resta ognor questo mio cor.
    Breve sia la partita poi farò pago allor il tuo desio.
    Addio, etc.

    Ëvoe Records New CD: Händel - Enemies in Love

    Jakub Jóżef Orliński Facebook:

    Natalia Kawałek Facebook:

    Stefan Plewniak website:

    Il Giardino d'Amore website:

    Ëvoe Records website:

    Jakub Józef Orliński website:

  • Regula Mühlemann: He shall feed his flock - Messiah - G. F. Handel


    Regula Mühlemann
    Weihnachtskonzert für den Bundespräsidenten ZDF 2017
    Neue Philharmonie Westfalen
    Rasmus Baumann, Leitung

    He shall feed his flock – Aus Händels Oratorium Der Messias
    HWV 56 (Er weidet seine Herde)

    official website at

    Wallfahrtskirche St. Marien - Marienbasilika Kevelaer

  • Händel Messiah - Hallelujah Chorus


    Georg Friedrich Händel - Oratorio - Messiah, HWV 56
    Part 2, No. 44 Chorus
    Hallelujah Chorus
    Performed by The English Concert & Choir

    Hallelujah, for the Lord God Omnipotent reigneth, Hallelujah!
    The Kingdom of this world is become the Kingdom of our Lord and of his Christ, and he shall reign for ever and ever, Hallelujah!
    King of Kings, and Lord of Lords, and he shall reign for ever and ever, Hallelujah!
    (Revelation 19:6; 11:15; 19:16)
    Directed from the harpsichord by Trevor Pinnock
    Remember: to watch in stereo quality, just add &fmt=18 to the link.

  • Haendel - Sarabande


    Suite pour clavecin n°4

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  • Arrival of the Queen of Sheba - G.F. Händel - Saint Martin-church Dudelange


    Live-registratie van Arrival of the Queen of Sheba, Sinfonia uit oratorium Solomon van Georg' Friedrich Händel (1685-1759) door Gert van Hoef, tijdens de opname van zijn CD 'Reprise' in Dudelange

    Verkrijgbaar op

    Met dank aan John van Kleef

    Live recording of Arrival of the Queen of Sheba, Sinfonia uit oratorium Solomon van Georg' Friedrich Händel (1685-1759) by Gert van Hoef, during the recording of his album 'Reprise' in Dudelange

    Available on

    Thanks to John van Kleef

  • Jakub Józef Orliński - He was despised from G.F. Handel Messiah


    G.F. Handel (1685-1759)
    Aria He was despised from oratorio Messiah HWV56.

    Warsaw Philharmonic Orchestra and Choir

    Martin Haselböck - conductor
    Bartosz Michałowski - choir director
    Sunhae Im - soprano
    Jakub Józef Orliński - countertenor
    Samuel Boden - tenor
    José Antonio López - baritone

    Check full recording of the concert in the Warsaw Philharmonic:
    Messiah part 1:
    Messiah part 2:

    Official page:

    Thumbnail photo by Kamil Szkopik

  • G.F.Handel Harpsichord Suites, Scott Ross 1/2


    G.F.Handel Harpsichord Suites (1720) 1/2

    Disc 1
    1. Suite No.1 in A major, HWV 426 0:00
    2. No.2 in F major, HWV 427 11:56
    3. No.3 in D minor, HWV 428 21:19
    4. No.4 in E minor, HWV 429 44:43

    Scott Ross Harpsichord
    Played on harpsichord after Blanchet 1733 (in video)

  • G.F. Händel - Scherza, infida - Philippe Jaroussky - countertenor


    8 January 1735 Ariodante was performed in Haymarket Theatre in London. Carestini sang the title role, and was rewarded with a succession of glorious arias. The battle between Carestini and Farinelli had started.

    Philippe Jaroussky - countertenor
    Le Concert d'Astrée
    Emmanuelle Haïm - conductor
    Virgin Classics Carestini The story of a castrato.
    EMI Records
    Photo's taken by Hendrik Kerstens

  • Handel - Passacaglia in G minor


    Orchestre de Chambre Francais/French Chamber Orchestra (Paris) Horst Sohm (Dirigent/Conductor) G. F. Händel - Passacaglia in g-moll, sol menor, G minor (chamber orchestra version)
    Orquesta de Cámara francesa de Paris
    Director: Horst Sohm


    News: If you are interested in a wonderful CD with this piece of music, and the same musicians, then order, write to: / The new CD is called: Highlights of Baroque Music by Händel, Vivaldi, Caccini, Telemann.

    Contact: with MusicArtstrings or “Horst Sohm” for concerts, music business, film music,etc. - check the channel info, there you will find an email address, or write your text in: Send Message

    Live in Concert 2012
    Especial agradecimiento a:
    Festival de Música de L´Escala 2012
    Cámeras: María Negre y Francesc Bigaró,
    Canal 10 Empordà, Director: Miguel Pagès

  • G. F. Händel, Un pensiero nemico di pace


    G. F. Händel, Un pensiero nemico di paceSoprano; Julia Lezhneva. Trondheim soloists, artistic director: Øyvind Gimse. Samuelsen Productions, Hamardomen.
    Video by Tor Melgalvis. Camera: Kjetil Andersen, Jan Gunnar Martinsen and Tor Melgalvis.

  • Hallelujah Chorus - G.F Handel


    George Frideric Handel's Hallelujah Chorus from his oratorio The Messiah.

    It is common in performances of this piece for the audience to stand while the Hallelujah is being sung. This is reportedly because at the oratorio's premier in 1742 the present King George II stood up as this section started. Royal protocol dictates that all others must stand and thus a tradition was born (apparently!) His majesty could have stood for various reasons namely he was so moved by the music he wanted to give his appreciation or that he was signifying his obedience to the ultimate 'King of Kings' as the work described. Of course it could have been that his leg had fallen asleep!

  • G.F. Händel: Passacaille from Suite 7, Andreas Lindae playing classical guitar


    This is the Passacaille from the Harpsichord Suite No. 7 by Georg Friedrich Händel (HWV 432) played by me in Jan, 2014.
    It is basically the arrangement by David Russell, you can buy his score at

    guitar: Raffael Morena Rodriguez, 1986
    strings: Augustine classic gold MT
    equipment: Rode NT5 via a H4n

  • G.F. Handel, Bourree - Jennifer Jeon제니퍼 전


    G.F. Handel, Bourree - Jennifer Jeon
    Accompanied by Jungjoo Bae

    A Violin for His Glory

  • G.F. Händel: 6 Concerti Grossi Op.3 Academy of Ancient Music-R.Egarr


    Georg Friedrich Händel, 1685-1759

    6 Concerti Grossi Opera 3 [p.1734]:
    1. Concerto No.1 in B-flat major/G minor HWV 312 [-/-/-] 0:08
    2. Concerto No.2 in B-flat major HWV 313 [Vivace/Largo/Allegro/-/-] 8:38
    3. Concerto No.3 in G major HWV 314 [Largo, e staccato-Allegro/Adagio/Allegro] 19:55
    4. Concerto No.4 in F major HWV 315 [-/Andante/Allegro/Allegro] 28:07
    5. Concerto No.5 in D minor HWV 316 [-/Fuga.Allegro/Adagio/Allegro,ma non troppo/Allegro] 41:08
    6. Concerto No.6 in D major HWV 317 [-/Improvisation/Allegro] 50:52

    Academy of Ancient Music

    Pavlo Beznosiuk, Rebecca Livermore, Persephone Gibbs [violins I]
    Pauline Nobes, William Thorp, Joanna Lawrence [violins II]
    Trevor Jones, Rachel Byrt [violas]
    Joseph Crouch, Imogen Seth Smith [cellos]
    Judith Evans [double bass]
    Rachel Brown [flute, recorder]
    Katy ircher [recorder]
    Frank de Bruine, Lars Henriksson [oboes]
    Alastair Mitchell, Philip Turbett [bassoons]
    Richard Egarr [continuo - harpsichord&organ, conductor]

  • Regula Mühlemann: Rejoice greatly, O daughter of Zion - G. F. Handel


    Regula Mühlemann
    ZDF Adventskonzert 2019
    Adventliche Festmusik aus der Frauenkirche Dresden
    Staatskapelle Dresden

    Alondra de la Parra, conductor
    Rejoice greatly, O daughter of Zion - G. F. Handel (The Messiah)

    official website at

  • Handel - Sarabande


    Title : George Frederic Handel , Sarabande

    Handel 's Sarabnande was played in the movie Barry Lyndon

  • G.F. Händel - Messiah, HWV 56 | Part 2


    From Dvorak Hall, Rudolfinum in Prague, 2016
    Oratorio performed by Collegium 1704 under the baton of Václav Luks

    Watch the full oratorio:
    Subscribe for more content:

    Collegium 1704
    Collegium Vocale 1704
    Marie-Sophie Pollak - soprano
    Raffaele Pe - countertenor
    Krystian Adam - tenor
    Kresimir Strazanac - bass
    Václav Luks - conductor

    George Frideric Händel - Messiah, HWV 56 - Part 2
    0:03 Scene 1: Christ's Passion
    22. Behold the Lamb of God (chorus)
    23. He was despised and rejected of men (alto)
    24. Surely he has borne our griefs and carried our sorrows (chorus)
    25. And with his stripes, we are healed (fugue chorus)
    26. All we like sheep have gone astray (duet chorus)
    27. All they that see him laugh him to scorn (secco recitative for tenor)
    28. He trusted in God that he would deliver him (fugue chorus)
    29. Thy rebuke hath broken his heart (tenor)
    30. Behold and see if there be any sorrow (tenor)

    26:02 Scene 2: Christ's Death and Resurrection
    31. He was cut off (tenor)
    32. But thou didst not leave His soul in hell (tenor)

    28:48 Scene 3: Christ's Ascension
    33. Lift up your heads, O ye gates (chorus)

    31:40 Scene 4: Christ's reception in Heaven
    34. Unto which of the angels (tenor)
    35. Let all the angels of God worship Him (chorus)

    33:28 Scene 5: The beginnings of Gospel preaching
    36. Thou art gone up on high (soprano, alto, or bass)
    37. The Lord gave the word (chorus)
    38. How beautiful are the feet (soprano, chorus)
    39. Their sound is gone out

    43:00 Scene 6: The world's rejection of the Gospel
    40. Why do the nations so furiously rage together (bass)
    41. Let us break their bonds asunder (chorus)
    42. He that dwelleth in heaven (tenor)

    47:38 Scene 7: God's ultimate victory
    43. Thou shalt break them with a rod of iron (tenor)
    44. Hallelujah (anthem and fugue chorus)

  • LVHF 2017: G. F. Händel - Acis & Galatea / Árie soprán


    5. festivalový koncert: Pocta barokním mistrům
    Janáčkův komorní orchestr
    Patricia Janečková - soprán


    Second Annual Festival - LEDNICE|VALTICE FESTIVALU 2017
    Jakub Černohorský - Artistic Director
    Patricia Janečková - Sopran

    More info:

  • Hallelujah - G.F. Händel - Gert van Hoef in de Nieuwe Kerk Katwijk



    Hallelujah uit oratorium 'Messiah' - G.F. Händel (1685-1759)

    5 juni 2017
    Live opname Orgelconcert
    Nieuwe Kerk Katwijk
    Van den Heuvel-orgel
    Organist: Gert van Hoef
    Registranten: Jan de Rooij en Marjolein Speijer
    Audio:Jaap van Rijn

    liveconcert, by Gert van Hoef in the New Church in Katwijk (Holland).
    He plays:
    Hallelujah - oratorium 'Messiah' - G.F. Händel (1685-1759)

    June 5, 2017
    Live recording concert
    New Church Katwijk
    Van den Heuvel-organ
    Organist: Gert van Hoef
    Assistants: Jan de Rooij and Marjolein Speijer
    Audio Jaap van Rijn

  • G. F. Handel - Worthy is the Lamb from Messiah HWV 56 | Academy of Ancient Music, VOCES8, Apollo5


    Soloists and chorus from VOCES8, VOCES8 Scholars, Apollo5 and choir from the VCM Foundation perform 'Worthy is the Lamb' from G. F. Handel's Messiah with Barnaby Smith and the Academy on Music in this live performance, streamed from the Chapel of Trinity College, Cambridge on 5 December, 2018.


    VOCES8 Scholars
    director & harpsichord: Barnaby Smith
    leader: Bojan Cicic

    Recorded at Trinity College Chapel, Cambridge
    5 December, 2018
    Recording Engineer: David Hinitt
    Filming: Academy of Ancient Music

  • Sixième Concerto - G.F. Händel - Transcription for organ: Marcel Dupré - Hauptwerk


    'Sixième Concerto' van G.F. Händel - Transcriptie voor orgel: Marcel Dupré
    Gespeeld door Gert van Hoef op de Cambiare 323 van Content Orgels Ermelo.
    Sample-set: St. Michaelskerk Zwolle

    'Sixième Concerto' - G.F. Händel (Transcription for organ: Marcel Dupré)
    Played by Gert van Hoef by Content Organs Ermelo.
    Sample-set: St. Michaelskerk Zwolle (Netherlands)

  • G. F. Händel - The Harmonious Blacksmith - Marco Vincenzi, harpsichord


    Marco Vincenzi plays the famous Haendel's Air The Harmonious Blacksmith. A rehearsal recording before a concert near Vicenza - 27.07.2009. Harpsichord B. Formentelli after a Ch. Zell, 1728.
    More infos in or under menu about me

  • Kathleen Battle - Ombra Mai Fu / Largo - G.F. Handel


    #Handel #KathleenBattle #Opera
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  • G.F. Händel - Ombra mai fu - Sara Mingardo, Accademia degli Astrusi, Federico Ferri dir.


    Georg Friedrich Haendel
    da Serse
    Ombra mai fu

    Sara Mingardo - contralto
    Accademia degli Astrusi
    Federico Ferri, direttore

    Lorenzo Colitto - violino
    Luca Giardini - violino
    Gianni Maraldi - viola
    Federico Ferri - violoncello
    Giovanni Valgimigli - violone
    Stefano Rocco - arciliuto
    Daniele Proni - clavicembalo, organo

    Live at Wigmore Hall
    September 27th, 2012

  • G.F. Handel - Zadok the Priest | Academy of Ancient Music


    George Frideric Handel's 'Zadok the Priest' from his Coronation Anthem HWV258, performed by the Academy of Ancient Music and Choir of the AAM, conducted by Music Director Richard Egarr and recorded live at Symphony Hall, Birmingham.

    Composed for the coronation of King George II on 11 October 1727, Handel's ???????????????????? ???????????? ???????????????????????? (HWV 258) stands alongside 'The King Shall Rejoice', 'My Heart is Inditing' and 'Let Thy Hand Be Strengthened' as one of the composer's Coronation Anthems. One of Handel's best-known works, ???????????????????? ???????????? ???????????????????????? has been performed prior to the anointing of the sovereign at the coronation of every British monarch since its composition and is universally recognised as a staple of British patriotic music.

    Fun fact: English composer Tony Britten rearranged 'Zadok the Priest' in 1992 as the basis for the UEFA Champions League Anthem, now enshrined as one of the best-known sports songs in the world!

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    #ZadokThePriest #Handel #ChampionsLeague

  • Georg Friedrich Händel / Largo


    A Spadecaller video that features the London Symphony Orchestra performing Largo from the Opera Xerxes and the visual arts and photography of artist, Matthew Schwartz.

  • G.F. Handel Flute Sonatas, William Bennett, ASMF


    Disc 1
    1. Flute Sonata in A minor, HWV 374 Halle No.1
    2. Flute Sonata in E minor, HWV 375 Halle No.2
    3. Flute Sonata in B minor, HWV 376 Halle No.3
    4. Flute Sonata in E minor, Op.1, No.1a, HWV 379
    5. Flute Sonata in D major, HWV 378
    6. Trio Sonata for 2 Recorders and Continuo in F, HWV 405
    7. Sinfonia for 2 Violins and Continuo in B flat, HWV 338
    8. Trio Sonata for 2 Flutes and Continuo in E minor, HWV 395

  • G.F.Handel- How Beautiful are the feet of them from Messiah


    G.F.Handel(1685-1759)- How Beautiful are the feet of them from Messiah
    Soprano: Esther Yi-An Tien 田以安
    Piano: Chu-Han Huang 黃楚涵

  • G F Händel MUSICA ACUATICA Suite No 2


    Obra del compositor Ingles GEORGE FRIEDRICH HÄNDEL, la Musica Acuatica es unaa obra exquisita. Aqui se presenta la segunda Suite.

  • G.F. HÄNDEL: «La Resurrezione» HWV 47, Le Concert dAstée


    Georg Friedrich Händel 1685-1759

    Oratorio per La resurrezione di Nostro Signor Gesù Cristo HWV 47
    Rome, 1708

    I. Sonata
    II. Aria: Disserratevi, O Porte D'Averno
    III. Accompagnato: Qual'insolita Luce
    IV. Aria: Caddi, E Ver
    V. Accompagnato: Ma Che Veggio?
    VI. Recitativo Chi Sei? Chi E Questo Re
    VII. Aria: D'amor Fu Consiglio
    VIII. Recitativo: E Ben, Questo Tuo Nume
    IX. Aria: O Voi Dell'Erebo
    X. Recitativo: Notte, Notte Funesta
    XI. Aria: Ferma L'ali
    XII. Recitativo: Concedi, O Maddalena
    XIII. Arioso: Piangete, Si, Piangete
    XIV. Recitativo: Ahi, Dolce Mio Signore
    XV. Duetto: Dolci Chiodi, Amate Spine
    XVI. Recitativo O Cleofe, O Maddalena
    XVII. Aria: Quando E Parto Dell'affetto
    XVIII. Recitativo: Ma Dinne, E Sara Vero
    XIX. Aria: Naufragando Va Per L'onde
    XX. Recitativo: Itene Pure, O Fide Amiche Donne
    XXI. Aria: Cosi La Tortorella
    XXII. Recitativo: Se Maria Dunque Spera
    XXIII. Aria: Ho Un Non So Che Nel Cor
    XXIV. Recitativo: Uscite Pur, Uscite
    XXV. Coro: Il Nume Vincitor

    I. Introduzione
    II. Recitativo: Di Quai Nuovi Portenti
    III. Aria: Ecco Il Sol Ch'esce Dal Mare
    IV. Recitativo: Ma Ove Maria Dimora
    V. Aria: Risorga Il Mondo
    VI. Accompagnato: Di Rabbia Indarno Freme
    VII. Recitativo: Misero! Ho Pure Udito?
    VIII. Aria: Per Celare Il Nuovo Scorno
    IX. Recitativo: Oh Come Cieco Il Tuo Furor Delira!
    X. Duetto: Impedirlo Sapro!
    XI. Recitativo: Amica, Troppo Tardo Fu Il Nostro Pie
    XII. Aria: Per Me Gia Di Morire
    XIII. Recitativo: Ahi, Aborrito Nome!
    XIV. Aria: Vedo Il Ciel
    XV. Recitativo: Cleofe, Siam Giunte Al Luogo
    XVI. Aria: Se Per Colpa Di Donna Infelice
    XVII. Recitativo: Mio Gesu, Mio Signore
    XVIII. Aria: Del Ciglio Dolente
    XIX. Recitativo: Si, Si, Cerchiamo Pur
    XX. Aria: Augelletti, Ruscelletti
    XXI. Recitativo: Dove Si Frettolosi
    XXII. Aria: Caro Figlio, Amato Dio
    XXIII. Recitativo: Cleofe, Giovanni, Udite
    XXIV. Aria: Se Impassibile, Immortale
    XXV. Recitativo: Si, Si, Col Redentore
    XXVI. Coro: Diasi Lode In Cielo, In Terra

    Camilla Tilling [soprano]
    Kate Royal [soprano]
    Sonia Prina [soprano]
    Toby Spence [tenor]
    Luca Pisaroni [bass-baritone]

    Le Concert d'Astee
    Emmanuelle Haim [direction]

  • G.F. Handel - Total Eclipse - Air of Samson from Samson (...


    Music video by George Frideric Handel performing G.F. Handel - Total Eclipse - Air of Samson from Samson (Oratorio HWV 57). (C) 2012 Josef-Stefan Kindler & Andreas Otto Grimminger,

  • G. F. Händel - Dettingen Te Deum, HWV 283


    Dettingen Te Deum, HWV 283 (Live)

    1. We praise Thee, O God
    2. All the earth does worship
    3. To Thee all angels cry aloud
    4. To Thee Cherubin and Seraphim
    5. The glorious company of th'apostles
    6. Thine honourable, true, and only Son
    7. Thou art the King of glory
    8. When Thou tookest upon Thee
    9. When Thou hadst overcome the sharpness of death
    10. Thou didst open the kingdom of heaven
    11. Thou sittest at the right hand of God
    12. (Adagio)
    13. We therefore pray Thee
    14. Make them to be number'd
    15. Day by day we magnify Thee
    16. And we worship Thy name
    17. Vouchsafe, O Lord
    18. O Lord, in Thee have I trusted

    History: On 27 June 1743, the British army and its allies, under the command of King George II and Lord Stair, won a victory at the Battle of Dettingen, over the French army, commanded by the Maréchal de Noailles and the Duc de Grammont. On the King's return a day of public thanksgiving was appointed, and Handel, at that time Composer of the Musick to the Chapel Royal, was commissioned to write a Te Deum and an anthem (The King Shall Rejoice) for the occasion. The work was composed between 17 and 29 July 1743 and was first performed on 27 November 1743 in the Chapel Royal of St. James's Palace, London in the presence of George II.

    Soloists: Matthew White, Frédéric Antoun & Joshua Hopkins
    Orchestra & Chorus: San Francisco Symphony & San Francisco Symphony Chorus
    Conductor: Bernard Labadie
    Composer: Georg Friedrich Händel (1685 - 1759)


  • Hallelujah - Messiah G. F. Handel


    Christopher Hogwood, Academy of Ancient Music, Choir of Westminster Abbey

  • G.F. Handel Suites for Harpsichord, Kenneth Gilbert


    G.F. Handel Suites for Harpsichord
    1. Suite No.1 in A major
    2. Suite No.2 in F major 10:21
    3. Suite No.3. in D minor 18:36
    4. Suite No.4 in E minor 35:35
    5. Suite No.5 in E major 47:45
    6. Suite No.6 in F sharp minor 59:46
    7. Suite No.7 in G minor 1:08:16
    8. Suite No.8 in F minor 1:21:16
    Kenneth Gilbert harpsichord
    Harpsichord by Hubert Bedard 1974 after Taskin
    Rec.: London 1976



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