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Playlist of Emanuel Dimas de Melo Pimenta

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  • Emanuel Dimas De Melo Pimenta - Lisbon Revisited

    3:08

    Emanuel Dimas De Melo Pimenta Lisboa Portugal

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  • Emanuel Dimas de Melo Pimenta - LOreille Et Les Yeux

    6:48

    Various Artists - The Great New World In Environment And Acceleration

    Label | V2_Archief, 1993
    No copyright infringement intended.Copyright belongs to the Record Label/Company and the Artist.

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  • NGC1316 by Emanuel Pimenta

    44:29

    NGC1316 is a composiion by Emanuel Dimas de Melo Pimenta created in 2018, dedicated to the Italian composer and pianist Luigi Esposito and in memory of the composer Daniele Lombardi.
    NGC1316 is for one piano, a hundred or more.
    All information can be found at

  • Emanuel Pimenta CANTO 6409

    3:41

    CANTO 6409, with world première at the Cannes International Film Festival, in France, is a joint project by Emanuel Dimas de Melo Pimenta (music) and Dino Viani (movie) in honor and benefit of the victims of the earthquake in Abruzzo, Italy, in 2009. Here it is only a short film on the virtual music score created by Emanuel Pimenta not the movie created by Dino Viani. More information at or

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  • METANOIA by Emanuel Pimenta, at Batalha Monastery 2018

    3:27

    Metanoia is a concert - electronic opera by Emanuel Dimas of Melo Pimenta, with world premiere on November 17, 2018, in one of the most fascinating Gothic buildings in the world: the Monastery of Batalha, built in 1385, made for world peace. The concert / electronic opera is part of the celebrations for the hundred years from the end of World War I 1918-2018, and was elaborated for the end of the idea of war. Metanoia counts on the participation of Audrey Riley (cello) and Laetitia Grimaldi (soprano). The text is by Fernando Pessoa. The scenarios are seven films made by the composer. There is more information at

  • Emanuel Pimenta - DARK MATTER

    37:49

    DARK MATTER by Emanuel Dimas de Melo Pimenta

    Celebrating the centennial of René Berger (1915-2015)


    DARK MATTER was composed in 2014. It was based on dark matter filament 3D studies made for the first time by astronomers using the NASA/ESA Hubble Space Telescope. Research team was directed by Astrophysicist Mathilde Jauzac. The music score was developed inside virtual environments.

    Emanuel Pimenta had no direct connection with Ms. Jauzac. The information used as the base for the composition was collected online.

    The world première of DARK MATTER was performed in November 22, 2104, at the Conservatory of Milan, Italy, in the ambit of the activities of Fare Mondi - Laboratory for study and research on the piano, the contemporary and the new virtuosity.

    Luciano Berio, Claudio Abbado, Carlos Gomes, Bruno Maderna, Pietro Mascagni, Riccardo Mutti, Arturo Benedetti Michelangelo, Maurizio Polini and Giacomo Puccino are among the many musicians who studied at the Conservatory of Milan, founded in 1807.


    All thanks to the marvelous musicians at the Conservatory of Milan.


    Fare Mondi Lab
    Marco Rapattoni
    Alberto Serrapiglio


    Andrea Serrapiglio: violoncello
    Andrea Tritto: piano
    Eugenia Nulli Aloato: clarinet
    Federico Callagno: bass clarinet
    Francesco Ronzio: saxophone
    Genaro Cotena: guitar
    Giulia Rossini: piano
    Lou Yiheng Yang: piano
    Luca Maringola: piano
    Martina Tavano: percussion
    Michele Mazzini: clarinet
    Riccardo Acciarino: clarinet, bass clarinet
    Thomas Umbaca: trumpet
    Umberto Ruboni: piano


    3rd camera: Andrea Serrapiglio

    Production and Sound Engineer Assistant: Carmen Canale
    Coordination: Marco Rapattoni
    Directed by Emanuel Pimenta

    More information about the concert at
    More information about Emanuel Pimenta at
    More information about Mathilde Jauzac research at and
    More information about Emanuel Pimenta's cds at
    More information about Emanuel Pimenta's books at

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  • Emanuel Pimenta 2005 SBBR

    5:36

    SBb(r) was composed by Emanuel Dimas de Melo Pimenta in 1984. It was choreographed by Merce Cunningham in 1986, under musical direction by John Cage. This video was recorded during a performance with Merce Cunningham in 2005, at Maison de la Danse, in Lyon, France. In that concert, SBb(r) is performed by Emanuel Pimenta (transversal flute) and Takehisa Kosugi (violin). SBb(r) is always performed by Merce Cunningham in sequence of ShortWaves 1985, also composed by Emanuel Pimenta. See also

  • Emanuel Pimenta SETI REDUX net

    7:07

    SETI is a concert composed in 2002 by Emanuel Dimas de Melo Pimenta, exclusively using extraterrestrial sounds. In 2008, Emanuel Pimenta created the movie SETI, with images from the sidereal space for a special concert in New York City. Please, see, and especially and - SETI was dedicated to the Swiss Peruvian artist Francesco Mariotti.

  • Emanuel Pimenta 2001 WALKING

    5:47

    Walking is a piano solo composed by Emanuel Dimas de Melo Pimenta in 2001. This concert, performed by the composer had place in Trento, Italy, also in 2001. It was integrated in a contemporary art festival curated by Fabio Cavallucci. See more at

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  • Trismegistus - Ana Spasic and Emanuel Pimenta

    13:05

    In July 14 2019 Punta Campanella (tenuta del Genio) celebrated the hundred years of Merce Cunningham, with concerts, lecture, movies and a special concert by the soprano Ana Spasic and the composer and flutist Emanuel Dimas de Melo Pimenta. Ana Spasic studied at the celebrated Conservatory of Milan (where also studied Puccini, Claudio Abbado among others) and worked with the Italian composer Daniele Lombardi becoming a specialist on John Cage. Emanuel Pimenta started as commissioned composer for Merce Cunningham in 1986, creating several concerts for him.
    At Punta Campanella, Pimenta also gave a lecture, presented some of his movies and two published books in celebration of Merce Cunningham's hundred years. Ana Spasic performed Cage's songs written by Merce Cunningham and by ee cummings, beyong a fragment of Cage's Aria.
    The event was dedicated to Valeria and Alberto del Genio, who transformed Punta Campanella into a contemporary art, music and philosophy reference. In 2004, del Genio and Pimenta created the Holotopia Art, Sciences, Philosophy and Music Academy there.
    Punta Campanella is a magical place in the Amalfi Coast, between Sorrento and Positano. It is said that it was described by Homer as the place where Ulysses met the sirens.

    More information at

  • Emanuel Pimenta 2003 SUN

    4:02

    SUN is a concert by Emanuel Dimas de Melo Pimenta that was dedicated to John Cage, his friend, in 1987. It is based on an analysis about the soundwaves from the Sun. SUN was also performed (this video) in 2003 at the MART Modern and Contemporary Art Museum of Rovereto and Trento, in Italy. MART is the largest museum of the kind in Italy, a project by the architect Mario Botta, and the concert - part of an exhibition dedicated to Emanuel Pimenta's artworks - inaugurated the international section of the museum. In this performance, the composer included a part for alto flute. The art exhibition was curated by Lucrezia de Domizio, Baroness Durini. More information about the event at Se also

  • Emanuel Pimenta 2004 DIFESA DELLA NATURA

    3:10

    DIFESA DELLA NATURA was composed by Emanuel Dimas de Melo Pimenta in 1998 for a movie about Joseph Beuys. DIFESA DELLA NATURA was dedicated to Hans Joachim Koellreutter. This concert was recorded at Campo Nomade in 2004 - a small village in Ticino, Switzerland, which refuses the continue use of electricity since the 19th century. Se also

  • Emanuel Pimenta 2004 NUAGES CH

    4:19

    CLOUDS was composed by Emanuel Dimas de Melo Pimenta in 1980. This video is on a performance at Campo Nomade, Ticino, Switzerland, in 2004. Campo Nomade is a small village that has refused to use continue electricity since the 19th century. See also

  • FIVE STEPS . Emanuel Pimenta 2019 | concert | movie

    15:27

    Five Steps is a concert and an experimental movie in celebration of Merce Cunningham's hundred years. The world première happened in Bolognano, Italy, at the Place of Nature, in May 19, 2019, in the context of the international meeting Remember created and directed by Lucrezia De Domizio, Baroness Durini, also celebrating the legendary artist Joseph Beuys.
    The music Five Steps was composed with information collected from dancers' body movement.
    More information can be found at

  • Emanuel Pimenta 2002 CAGE

    5:41

    CELEBRATE CAGE was a meeting of musicians and artists to celebrate John Cage in the tenth anniversary of his disappearance. The meeting happened at the Tatintsian Contemporary Art Gallery, in New York City, and was curated by Emanuel Dimas de Melo Pimenta - who plays transversal flute in the event. The other participants in the event were William Anastasi, Dove Bradshaw, Peter Zummo, Denardo Coleman, Richard Mauro, Joseph Baptista, Bernnie Mix and Jo Locandro. The site of the event is See more at

  • Emanuel Pimenta XUACSAL Second Life net 2010.wmv

    10:46

    XUACSAL is a contemporary music composition by Emanuel Dimas de Melo Pimenta, which music score was based on drawings from Lascaux caves, in France. The world premiere happened at the Second Life, in May 23, 2010, with the classic guitar player Francesco Cuoghi on guitar and electronic live streaming, and Emanuel Pimenta on digital systems and electronic live streaming. The virtual space was created by David Lucas Desiderio. Sound production was made by Pablo Valença, PV Valenca Slade, from Xtream Hotspot. The concert was associated and supported by PIPOL Online Integrated Research Projects, at the UNESP State University of São Paulo, Baurú, Brazil; and the AddLabs UFF. More information can be found at - This film is a fragment of the concert, which had thirty eight minutes.

  • Emanuel Pimenta 1985 SEA HD

    10:01

    The Sea is a composition of Emanuel Dimas de Melo Pimenta with world première at the 18th Biennale of São Paulo, Brazil, in 1985. A large ensemble of musicians was distributed inside the building of the Biennale. They played just one note, all the time. The composition had a virtual graphical music score - when graphic computers were not popular yet. Everything was based on a zone of the South pacific Ocean. Pimenta researched the acoustic instruments and used their design of harmonics, subtle pitch fkuctuations were added and the resultant sounds in the acoustic of Oscar Niemeyer's building was simply astonishing. Emanuel Pimenta met John Cage for the first time in this Biennale. It was one of the most important Biennales of Sao Paulo ever. It counted with the light of Sheila Leirner, Julio Medaglia, Anna Maria Kieffer, Haron Cohen among others. More information at

    O Mar é uma composição de Emanuel Dimas de Melo Pimenta, com estréia mundial na 18ª Bienal de São Paulo, Brasil, em 1985. Um grande conjunto de músicos foi distribuído dentro do prédio da Bienal. Eles tocavam apenas uma nota, o tempo todo. A composição teve uma partitura musical gráfica virtual - quando os computadores gráficos ainda não eram populares. Tudo foi baseado numa zona do Oceano Pacífico Sul. Pimenta pesquisou os instrumentos acústicos e utilizou os seus desenhos de harmônicos, sutis flutuações de afinação foram adicionadas e os sons resultantes na acústica do edifício de Oscar Niemeyer eram surpreendentes. Emanuel Pimenta conheceu John Cage pela primeira vez nesta Bienal. Foi uma das mais importantes Bienais de São Paulo de sempre. Contou com a luz de Sheila Leirner, Julio Medaglia, Maria Anna Kieffer e Haron Cohen entre outros. Mais informações em

  • Emanuel Pimenta 2007 KEPLER

    10:42

    KEPLER'S VESTIGES was composed by Emanuel Dimas de Melo Pimenta in 2007 for violoncello solo, and it is dedicated to Audrey Riley. This concert was recorded at the Santa Maria Church - a medieval church - in Trancoso, Portugal, in 2007, in the ambit of the art and science international meetings. For more information on Audrey Riley: en.wikipedia.org/wiki/Audrey_Riley and on the KEPLER'S VESTIGES concert: on the art and sciences international meetings: See also

  • Decameron - Emanuel Pimenta

    7:09

    Decameron is a concert for cell phones created by Emanuel Dimas de Melo Pimenta, dedicated to Peppe Morra and Alberto del Genio. It was world premiered in Naples, Italy, for the opening of the art center Casa Morra in 2016 ( In 2017, it was performed at The New Art Fest '17, in Lisbon, Portugal, in the ambit of the Web Summit, together with another of Pimenta's works - IoT Internet of Things (
    Decameron concert and the IoT Internet of Things concert-installation and movie were curated by António Cerveira Pinto, and produced by Luísa Moreira and Teresa Boieiro founders of Ocupart.
    The cell phones concert Decameron is a reference to Emanuel Pimenta's book The Grasshopper Man (
    The concert happened in November 10, 2017.

    more information at

  • Emanuel Pimenta 2003 with Reck Miranda

    3:43

    Concert for transversal flute and brain processing by Emanuel Dimas de Melo Pimenta and Eduardo Reck Miranda. The concert was composed in 2003 and was performed in that same year at the First World Art Forum, in Bolognano, Italy. More information about the event at See also

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  • Emanuel Pimenta 2007 GHED

    10:31

    GHED was composed in 2007 by Emanuel Dimas de Melo Pimenta for viola solo and dedicated to Maurizio Barbetti. This performance had place at the Romanesque medieval church of Santa Maria in Trancoso, Portugal, by Maurizio Barbetti in 2007. The concert happened in the ambit of the international art and science meetings. For more information about Maurizio Barbetti: The site about the concert is For more information about the art and science meetings: See also

  • Emanuel Pimenta 2002 PSCA

    4:46

    Meeting of Emanuel Dimas de Melo Pimenta (transversal flute) and Peter Zummo (trombone) at the PSCA Paul Sharpe Contemporary Art Gallery in New York City, in 2002. See more at

  • Emanuel Pimenta - Como Um Bocado de Vidro noschool

    5:07

    Como um Bocado de Vidro é uma composição de Emanuel Dimas de Melo Pimenta ( como primeiro hino da no-school, em Lisboa, Portugal, criada pelo artista robótico Leonel Moura. A primeira audição mundial deste concerto teve lugar em Lisboa no dia 25 de Setembro de 2012. A peça combina música concreta, acústica e sons sintetizados. Há mais informações em
    Deve-se ouvir bem alto.

    Como um Bocado de Vidrois a composition by Emanuel Dimas de Melo Pimenta ( as the first hymn of the no-school, in Lisbon, Portugal, created by the robotic artist Leonel Moura. The world première of this concert happened in Lisbon in September 25 2012. The piece combines concrete, acoustic music and synthesized sounds.There are more information at
    It must be listened very loud.

  • TERRA - Audrey Riley | Emanuel Pimenta, 2017

    20:59

    Terra is a long cello solo composed by Emanuel Dimas de Melo Pimenta and dedicated to the great British cellist Audrey Riley.
    Its world première happened at the Trinity Chapel (13th century) of the De Montfort University, in Leicester, England, in June 14, 2017.

    Created inside Virtual Reality, Terra is divided in three movements, all based on the human body and on planet Earth.

    More information (including fragments of the music scores created inside VR) can be found at

    images. NASA

  • Emanuel Pimenta 2004 HOLOTOPIA

    2:35

    This is a solo flute by Emanuel Dimas de Melo Pimenta, one of the creators of the Holotopia Academy, together with Alberto del Genio and Maria Graff, at the Amalfi Coast, in Italy. This video was made in 2004. You find more information about the event and the Academy at See also

  • Emanuel Pimenta 2001 IMPROVISATION

    6:28

    Concert at Zedosbois Contemporary Art Gallery in Lisbon, Portugal. It was a celebration of the American composer Phill Niblock. The concert had the participation of Emanuel Dimas de Melo Pimenta - solo flute in this video - and Joao Pinto, Manuel Mota, Magarida Garcia, David Maranha and Adriana Sa. See more at

  • MED - concert . Emanuel Pimenta 2019

    19:12

    Concert for the Big Bang and the expansion of the Universe, using radiation data. For electronics and piano.

    In memory of Harald Szeemann. Dedicated to Ingeborg Lüscher and Lucrezia De Domizio Durini.
    Monte Verità Foundation, Ticino, Switzerland. April 6 2019.



    The short film here is a trip inside the virtual musical score, which was created after the information of Big Bang expansion.



    See description, Virtual Reality musical scores, and more information at

  • Emanuel Pimenta 2003 BHLEG

    4:25

    BHLEG is a concert by Emanuel Dimas de Melo Pimenta for transversal flute and electronics. It is dedicated to the American composer Phill Niblock. BHGLEG was performed by the composer at the EIF Experimental Intermedia Foundation in New York City in 2003. See more at

  • IoT Internet of Things Concert - Emanuel Pimenta 2017

    10:20

    IoT is a concert composed by Emanuel Dimas de Melo Pimenta in 2017. It is made using the Internet of Things in a central zone of the city of Lisbon, in Portugal.
    Hundreds of networks were detected in a small portion of the city, just in a short street, and they determined the sounds of the concert.
    The concert was created for The New Art Fest, an international contemporary art festival parallel to the Web Summit, directed by the Portuguese artist and thinker António Cerveira Pinto.
    IoT - Internet of Things - was inspired on Cerveira Pinto's concept of second city.
    More information about IoT at
    about the New Art Fest:
    and about Emanuel Pimenta:

    This is a fragment of the concert-installation at The New Art Fest '17.

  • Emanuel Pimenta 2003 MESOSTIC

    3:11

    MESOSTIC is a concert by Emanuel Dimas de Melo Pimenta that was dedicated to John Cage, his friend, in 1991. The composition uses the sounds of John Cage's breath. MESOSTIC was performed in 2003 at the MART Modern and Contemporary Art Museum of Rovereto and Trento, in Italy. MART is the largest museum of the kind in Italy, a project by the architect Mario Botta, and the concert - part of an exhibition dedicated to Emanuel Pimenta's artworks - inaugurated the international section of the museum. In this performance, the composer included a part for piano. The exhibition was curated by Lucrezia de Domizio, Baroness Durini. More information about the event at Se also

  • Emanuel Pimenta XUACSAL 2010_REDUX.wmv

    8:03

    XUACSAL is a concert by Emanuel Dimas de Melo Pimenta, with world premiere at the Second Life in May 2010. Francesco Cuoghi in guitar and electronics live streaming, MaxMSP and Nicecast software and Emanuel Pimenta on electronics. The video shows the virtual music score made on an image of Lascaux, in France. David Lucas Desiderio created the space at the Second Life. Pablo Valença - or PV Valenca Slade - from the Xtream Hotspot Streams was responsible for the sound production. More information at or

  • Leonardo in Locarno 2007

    6:31

    Contemporary music concert by Emanuel Dimas de Melo Pimenta to celebrate 500 years of Leonardo da Vinci's work in Locarno.

  • Emanuel Pimenta 2001 FROGS

    3:36

    Concert for Frogs and Crickets was composed by Emanuel Dimas de Melo Pimenta in 1984. This concert, directed by the composer, had place in the Republic of San Marino in 2001. Then, powerful sound systems spread out the concert through the city. This concert was dedicated to John Cage. See more at

  • Emanuel Pimenta 2004 BOLOGNANO

    3:46

    Concert in Bolognano, Italy, at Cantina Zacagnini, in 2004, with Emanuel Dimas de Melo Pimenta (transversal flute) and Matteo Licitra (piano). See also

  • IoT Emanuel Pimenta 2017 . New Art Fest Lisbon | Portugal

    2:20

    IoT is a concert composed by Emanuel Dimas de Melo Pimenta in 2017. It is made using the Internet of Things in a central zone of the city of Lisbon, in Portugal.
    Hundreds of networks were detected in a small portion of the city, just in a short street, and they determined the sounds of the concert.
    The concert was created for the New Art Fest, an international contemporary art festival parallel to the Web Summit, directed by the Portuguese artist and thinker António Cerveira Pinto.
    IoT - Internet of Things - was inspired on Cerveira Pinto's concept of second city.
    More information about IoT at
    about the New Art Fest:
    and about Emanuel Pimenta:

  • Variation on Olivestone

    8:40

    Concert by Emanuel Dimas de Melo Pimenta in the medieval village of Bolognano, Abruzzi, Italy, August 2001. The concert is an improvisation on the first movement of his composition titled Olivestone, which is the soundtrack of a movie on Joseph Beuys, dated of 1999. It is one of his rare appearances as flutist. Normally, Pimenta appears as composer and dealing with electronic music.

  • Emanuel Pimenta 2004 CLOUDS LX

    4:04

    The concert CLOUDS was composed by Emanuel Dimas de Melo Pimenta in 1980. This performance had place in the end of 2004 at CEM - Centro em Movimento, in Lisbon, Portugal. See also

  • Emanuel Pimenta 2005 15 STONES

    8:05

    FIFTEEN STONES is a concert for piano and computer composed by Emanuel Pimenta in 2005. It is dedicated to the art philosopher René Berger. This performance was recorded at the Monte Verita, in Ascona, Locarno, Switzerland, in 2005. More information at See also

  • PERCEX 2015 10

    15:52

    PERCEX

    música: Carne e Osso (Composição Coletiva do grupo PERCEX em torno de um meio tom.

    músicos:
    Roberto Gava: guitarra
    Ricardo Stuani: percussão
    Eufrásio Prates:cítara
    Max Schenkman: voz/efeitos
    Miguel D. Antar: contrabaixo
    Antonio Herci: piano

    performance/dança: Aila Regina e Denise Melo

    gravado no dia 1 de Outubro de 2015, no auditório Lupe Cotrin, da ECA/USP Escola de Comunicações e Artes da Universidade de São Paulo, Brasil, em celebração aos cem anos de Hans Joachim Koellreutter

    um filme de Emanuel Dimas de Melo Pimenta



    PERCEX

    music: Flesh and Bone (Colective composition of the PERCEX ensemble, around a half tone)

    musicians:
    Roberto Gava: guitar
    Ricardo Stuani: percussion
    Eufrásio Prates:sitar
    Max Schenkman: voice/efects
    Miguel D. Antar: bass
    Antonio Herci: piano

    performance/dance: Aila Regina and Denise Melo

    recorded in October 1, 2015, at the Lupe Cotrin amphitheater, at the ECA/USP School of Communication and Arts of the University of São Paulo, Brazil, in celebration of the centennial of Hans Joachim Koellreutter


    a film by Emanuel Dimas de Melo Pimenta

  • Open Signal Three

    7:17

    Provided to YouTube by CDBaby

    Open Signal Three · Audrey Riley

    Open Signal 4

    ℗ 2018 Ar Records

    Released on: 2018-12-28

    Auto-generated by YouTube.

  • Antologia De Música Electrónica Portuguesa

    1:2:38

    00:00 Nuno Canavarro - Alsee (1987)
    00:56 Cândido Lima - Oceanos (1978)
    06:53 Nuno Rebelo - New Amp (1984)
    10:40 Isabel Soveral - Anamorphoses I (1994)
    16:03 Filipe Pires - Homo Sapiens (1972)
    20:45 Telectu - Performance # (1984)
    25:37 Jorge Peixinho - Elegia a Amílcar Cabral (1973)
    30:54 Rafael Toral - Mills Session (introdução) (1997)
    33:21 João Pedro Oliveira - Silence to Light (1992)
    36:59 Anar Band - Plasticman (1977)
    41:45 René Bertholo - África Aqui (1996)
    43:36 Carlos Zíngaro - #444-07 (1981)
    47:05 Emanuel Dimas de Melo Pimenta - Lisbon Revisited (1986)
    50:15 No Noise Reduction - RLO I (1995)
    53:52 António Ferreira - O Verão Nasceu da Paixão de 1921 (1988)

  • Emanuel Dimas Pimenta - 15 Pedras excerto

    4:09

    15 Pedras é um concerto para piano e computador onde este cria, em tempo real utilizando recursos de inteligência artificial, a partitura musical. É dedicado ao filósofo René Berger.

  • Emanuel Pimenta . Clue-Up Due Abyss . piano: Marco Rapattoni

    47:59

    Clue-Up Due Abyss is a solo piano composed by Emanuel Pimenta in celebration of the 150 years of the birth of Claude Debussy. It is dedicated to the great Italian pianist Marco Rapattoni, who performed the world première at Monte Verita, in Ascona, Switzerland, in April 6 2014. The method of composition included stochastic operations, creating a new logic complex exclusively using the notes determined by Debussy in his Images 1 and 2. This concert was presented by the legendary Lucrezia De Domizio, Baroness Durini. There are more information at

  • Emanuel Dimas Pimenta - 15 Pedras excerto_2

    3:04

    15 Pedras é um concerto para piano e computador onde este cria em tempo real, utilizando recursos de inteligência artificial, a partitura musical. A primeira audição mundial teve lugar em Locarno, Suíça, no ano de 2004, na Fundação Monte Verità e é dedicado ao filósofo René Berger

  • Melo de pimenta

    1:00

  • PIMENTA Set 2018 SÓ MÚSICA FODA

    1:12:48

    SÓ MÚSICA FODA ! Aumente o Volume, Esqueça os Problemas, E Curta Essa Vibe Incrível.

    Set Mixado por PIMENTA Com as Melhores da Cena Atual das Pistas.

  • Pulsar

    3:34

    Provided to YouTube by Routenote

    Pulsar · Mazza

    Afterglow

    ℗ Maxim Whisler

    Released on: 2018-02-20

    Auto-generated by YouTube.

  • Ponteio e Toccatina - Lina Pires de Campos

    5:00

    Marcelo Ijaille - 2008. Recital no II Simpósio Acadêmico de Violao de Curitiba. Na Escola de Música e Belas Artes do Paraná (Unespar).
    The brazilian guitarrist Marcelo Ijaille playing in 2008.

  • The Haters / Lieutenant Caramel - An Ordinary Shovel / Schachmatt Im Vorübergehen

    17:37

    Various Artists - The Great New World In Environment And Acceleration

    Label | V2_Archief, 1993
    No copyright infringement intended.Copyright belongs to the Record Label/Company and the Artist.

  • EMMANUEL DIMAS

    1:52

    EL PROXIMO SUCESOR DE JOSE ALFREDO JIMENEZ

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