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Playlist of Configuring Mid

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  • Configuring Mid-Side Processing in Cubase 9.5

    6:12

    Enroll now and get 80% off (Sale Price: $10) -

    Learn how to design music that will have specific emotional impact.
    *******************************
    Mid-side processing is setup differently in different DAWs. Cubase requires some workarounds to configure the correct routing for Mid-Side processing, but it can offer a great mixing enhancement. This hands on lesson contains a demo project and demonstrates how to setup Mid-Side routing on your own.

    This lesson is accompanied by a complete online course that focuses on providing a clear approach to using EQ and compression for beginning audio engineers.

    Enroll in this Online Course Here: 
    Student Portal (Downloads):
    *******************************
    This course is produced by Music Protest




  • x
  • dbx DriveRack PA2 Custom Speaker and Amplifier Setup

    9:36

    If your amplifier or amplifiers are not listed in the DriveRack PA2's Setup Wizard, this video will show you how to manually optimize your gain structure. Here is the link to the additional Gain Structure Setup video mentioned in this video:

  • x
  • dbx DriveRack® PA2 Wizard Setup Video

    7:11

    This video details the process for running the dbx DriveRack PA2 Wizards. The DriveRack PA2's Wizards walk you through the configuration process with simple, step-by-step instructions, making it easy to configure the PA2 for your amplifiers, speakers and venue.

    It covers:
    Setup Wizard functions - which consist of Input Setup, GEQ (Graphic EQ) Setup and Speaker/Amp Setup.

    Input Setup - allows you to select your input configuration between mono and stereo.

    GEQ (Graphic EQ) Setup - allows you to select your GEQ configuration between dual mono and stereo linked.

    Speaker/Amp Setup - allows you to select your speakers and/or amplifiers so the PA2 can optimize its settings for your particular system components.

    AutoEQ/Level Assist Wizard - helps you balance the left/right speaker levels, the low/mid/high speaker levels (for 2-way and 3-way systems) and automatically equalizes the speakers to the current room environment.

    AFS (Advanced Feedback Suppression) Wizard - walks you through the process of ringing out your system to provide higher system gain before feedback.

  • How to Use Mid/Side in Mixing and Mastering

    2:15:30

    This is the recording of the live masterclass held on September 28th on the topic of Mid/Side in mixing and mastering.

    Find out what Mid/Side is and how to employ it at its best for your mixing and mastering situations.

    Study with us! Book your private 101 online masterclass!

  • x
  • How to use Hardware in Mid Side

    2:49

    My way of using hardware in mid/side thanks to the free Voxengo MSED mid/side encoder/decoder :

    Solid State Logic (SSL) AWS 900 as analog desk.
    Burl Bomber B2 ADC
    Culture Vulture Phoenix

  • Mixing with Mid Side Processing!?

    8:11

    If you've ever wondered what mid/side processing is on your plugins, this video will explain and also show you how it can be extremely useful in your mixing and production work.

    Song:

    ►Mixing Presets & Templates:
    *NEW* Divine Mixing Drum Chains (Waves):
    *NEW* Divine Mixing Vocal Chains V2 (Waves):
    Divine Mixing Vocal Chains (Logic Pro X & Cubase):
    Divine Mixing Waves Template (Logic Pro, Cubase & Pro Tools):
    *UPDATED* Divine Mixing Template One (Logic Pro X 10.4, Cubase & Pro Tools):

    ►Video Training Courses:
    Divine Beat Mixing (Mixing & Mastering Course):
    Divine Mixing Session 1 (Mixing & Mastering Course):
    Divine Mixing Session 2 (Mixing & Mastering Video Course):
    Hip Hop Vocal Production (Lynda.com Course):

    ►Synth Presets & Drum Samples:
    8oh!8 Bass Presets for Serum -
    The Niche Kit (Creative Drum and Loop Kit) -
    Urban Dreamscapes for Serum -

    ►My Studio Gear


    ►Let's Connect

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  • x
  • Mixing Live Sound

    10:07

    Get your free Backstage Toolkit at
    Audio Engineer David Wills’ (Michael Jackson, Whitney Houston, Phil Collins) personal Backstage Toolkit developed from over 30 years in the business.

    Perfect for any Musician, Audio Engineer or Music Producer. The kit includes our EQ Cheat Sheet, Live Sound Checklist, Mixing Tricks, Compression Chart & Interviews by Grammy Award Winning Engineers.
    _______________________

    Live Sound Training is available to purchase here at this link


    Thanks for checking out ProAudioEXP's channel!

    Please SUBSCRIBE and tap the bell to get our new videos in your feed!
    David Wills

    PS: If you want to know what is inside the training we've put the outline below.

    INTRODUCTION

    Introduction to Live Sound
    Course Outline
    What is a sound system made up of?
    What is the role of a live sound engineer?
    (mediator between artistic and engineering worlds)

    SOUND THEORY

    What is Sound?
    Understanding Levels
    Understanding Frequency Spectrum
    Understanding Acoustics

    THE EQUIPMENT

    Can you design it yourself?
    (Music Store vs. Professional Designers)
    Choosing a Vendor
    Overview of Equipment
    Snakes
    Mixing Consoles
    Amps
    Speakers
    Monitors
    Effects
    Microphones
    Wireless Systems

    SETTING UP THE STAGE

    Overview
    Input Types
    Mic Selection/Placement
    Monitor Placement
    Front of House Speaker Placement (Delays)

    USING A MIXING CONSOLE

    Overview
    Input Channel
    Aux Sends
    Using Effects
    Monitor Mixes
    SubGroups
    Advanced Applications

    TROUBLESHOOTING

    What kinds of problems will you have?
    Understanding Signal Flow
    Troubleshooting Logic
    Line Checks
    Wireless Systems
    Feedback Issues
    Distortion
    Sound Checks

    MIXING

    Breakdown of the tools available
    Blending Levels
    Using EQ
    Controlling Dynamics
    Using Effects
    Monitor Mixes

    RECORDING/DUPLICATION

    Recording
    Duplication

    GRADUATION!

  • How To Setup A Drum Set! - Tips & Tricks - Behind My Setup

    25:01

    My Drum Lessons!
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    22x18 Kick Drum
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    Pearl Demon Drive Double Pedal

    Zildjian Cymbals:
    Check out my artist profile here:

    Cymbals Featured in This Video:
    23 A Sweet Ride
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    20 A Thin Crash
    14 1/4 K Custom Hybrid Hats

    Vic Firth Sticks:

    Buddy Rich Signatures

    Remo Drumheads:

    Toms: Coated Emperors
    Snare: Coated Emperor X
    Kick: Powerstroke Pro

  • Mid-Side Audio Processing With Studio One 4.5 Artist - Tutorial

    17:38

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  • x
  • Donde utilizar ECUALIZACION MID/SIDE || EQ MID/SIDE IZOTOPE

    9:20

    En mundo digital nos aporta herramientas para tomar el control total de nuestras mezclas. Aprende a DONDE UTILIZAR EQ MID/SIDE dentro de la mezcla y COMO UTILIZAR EQ MID/SIDE.
    Con este ecualizador MID/SIDE de IZOTOPE puedes lograr mezclas mas claras, nítidas y hacer que cada uno de los elementos dentro de la mezcla tengan su respectivo espacio.

    ✅EQ MID/SIDE PARA FL STUDIO FREE✅:


    ????Que se utilizo????:
    ???? - FL STUDIO:
    ???? - IZOTOPE OZONE 8:

    ????REDES SOCIALES????:




    ▶KM Music Academy:

  • How to use MID-SIDE processing on Reverb

    8:12

    NEW Merch Available ➡️
    Download MSED:

    #inthestudiowithdonnycarr #124
    Want feedback on your track?

    Hello, my name is Donny Carr.
    I'm a DJ/Producer living in Salt Lake City Utah.

    The focus of this show is to give you a inside look into my production process as well as go over various production tips and tricks.

    In this episode I show you how to use mid-side processing on reverb

    Comments, questions and general feedback are always welcome.

    ◀️ CONNECT ON THE WEB ▶️
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    Check out my Underground Discovery spotify playlist placement and soundcloud repost service

    Track Submissions:

    ▶️ GENRES ACCEPTED:
    progressive - melodic house & tehcno - deep - minimal or anything else that tickles my fancy

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    Use my affiliate link:

  • Understanding and Setting Up an External Audio Interface

    5:07

    In this video, I cover a more general music production topic: external audio interfaces. After explaining how they work, I talk about why they are beneficial to Maschine users, as well as how to set one up with the Maschine software.

    External audio interfaces connect to your computer and take care of analog/digital conversion. This allows inputs (mics, turntable, etc) to be recorded and outputs (speakers, headphones) to be heard. The interface also hosts a variety of connections that aren't found on a basic computer sound card. These connections, including XLR, 1/4, and MIDI, open up countless possibilities.

    Although an external interface isn't a necessity, it makes the recording and playback processes much easier and more stable. If you're really into sampling, an interface will let you record vinyls, microphones, and other sources with ease. Plus, the higher-quality preamps with Phantom power will let you use high-quality microphones for recording instruments, vocals, or anything else.

    Setting up the interface is as easy as opening up the Audio and MIDI Settings tab within Maschine. Here, you can select your device, change buffer sizes and sample rates, and assign inputs and outputs.

    Thanks for watching! More Maschine videos coming soon.

  • Tuto #81 Le MID SIDE

    6:07

    Dans cette video, je vous explique ce qu'est le Mid-Side et son utilité par l'exemple ! A utiliser pendant la phase du Mastering !...

    ???? Les Formations :
    ???? Le Coaching
    ???? Les Stages

  • String Height Action | How To Setup Your Electric Guitar 3/10 with Charlie Chandler

    3:57

    More info:
    Learn how to measure your string height - the 'action' - this is key for your guitar setup!
    In this ten part series we look at all the steps you need to take to setup your electric guitar with Master Guitar Technician, Charlie Chandler. In this first video we look at doing a basic condition report and assessing what might be done. We use 'the cheapest electric guitar on amazon' and we end up with something pretty cool!



    Please SUBSCRIBE ► ♥️ Your Support Appreciated!

    See JustinGuitar.com for over 1500 completely free lessons - not random stuff like you find on YouTube, but well structured courses so you can see your progress. Register on the site (still free) get PDF downloads for many lesson, your own dashboard to keep track of your practice, get help with lessons and make requests.

    It's nearly all 100% free and card details are not needed to register. You have everything to gain, and nothing to lose! My theory course is the best on the web (and one of the very few paid parts of the site) and it's awesome - if your theory is lacking and you wanna fix it - that's the place to go! At my store, you'll find a huge range of super cool guitar themed t-shirts, all my (paper) books, merch and lots more ???? and we got proper fun backing tracks for you to jam along with too!

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  • FREE Voxengo MSED mid-side tool, pan, stereo expander

    1:51

    This plugin can do the same and more than other paid plugins like Propane for example... The only problem is the extremely ugly GUI...for a plugin anyways.
    If Voxengo hired an imaginative graphic designer (without exaggerations, not like in the latest Waves plugins) there would be a bit of a cult around their plugins!

    From the web:

    MSED is a professional audio encoder-decoder AAX, AU and VST plugin for mid-side processing which is able to encode (split) the incoming stereo signal into two components: mid-side pair, and vice versa: decode mid-side signal pair into stereo signal.

    MSED is also able to work in the “inline” mode with the ability to adjust mid and side channels’ gain and panning without the need of using two plugin instances in sequence.

    MSED can be used to flip the phase of the mid and side channels by 180 degrees, and swap the stereo channels, and to extract the mid or side channel.

    MSED features the “plasma” vector scope, stereo correlation and balance meters which make it easier to monitor the stereo information present in the audio signal.

    Applications:

    Mid-side encoder
    Mid-side decoder
    Mid-side stereo widener
    Stereo channels swapper
    180-degree channel phase flipper
    Stereo correlation and balance meter



    Enjoy!

  • How to Sync Lighting to Your Live Show

    4:15

    Here is a tutorial on how to sync lighting in your live show. We know that well-synchronized lighting can take your live show to a new level — chaotic lighting can clear the room in a hurry. Mitch Gallagher shares advice on using a DMX interface to control your lighting show from DAW software running on a laptop.

    Buy the ENTTEC DMXIS interface here:

  • Mid-Side Recording for Fingerstyle Guitar - Doug Young

    9:03

    A demo and discussion about the Mid-Side technique for recording, applied to solo instrumental guitar. For more info on mid-side, see the AES Paper by Wes Dooley:



    Or here:



    This DPA University article also does a great job of explaining it:

  • Ardour - Configuring a MIDI controller for note input

    4:26

    Run through this first if you have not setup your Linux system to work with Jack Audio before:


    Running under Kubuntu 17.10.
    Cadence used for managing Jack and Catia used for patching Jack software together.

    For more tutorials and content visit

  • Mid/Side proses

    4:42

  • How to setup Flux Studio Session Analyzer to use with your DAW

    1:04

    *Free for Focusrite registered users through January 2017 on the Focusrite Plugin Collective*

    I found myself struggling to understand this simple process so I decided to share my findings. Flux Studio Session Analyzer is FREE for Focusrite users during January 2017. Check out your Focusrite account and Plugin Collective!

    Enjoy!

  • x
  • FL Studio 12: How To Assign Your Midi Drum Pad To FPC | #CURTorials

    3:50

    This FL Studio 12 Tutorial will show you how to setup your midi drum pad using a plugin called FPC. Drum Pads are generally used by FL Studio Hip Hop Producers whom wish to have a better control over their drum kit sounds. This tutorial will help FL Studio Beginners who may have just purchased their first midi keyboard and are eager to get started. - Curtiss King | CURTorials

    LEARN HOW TO PROMOTE YOUR MUSIC RAPPERS & PRODUCERS


    LISTEN TO BEATS BY CURTISS KING BEATS


    GET THIS BOOK FOR MUSIC PRODUCERS
    The Prosperous Hip Hop Producer


    HOW TO CREATE A MUSIC PRODUCER WEBSITE TO SELL BEATS


    HOW TO CREATE A RAPPER WEBSITE TO SELL MUSIC & MERCH


    1 ON 1 RAPPER AND PRODUCER COACHING WITH CURTISS KING


    LEARN HOW TO USE FL STUDIO


    DRUM KITS FOR MUSIC PRODUCERS


    CONNECT WITH CURTISS KING ONLINE



    ======================================================
    CURTISS KING PRODUCTS
    ►► 1 On 1 Coaching: Rapper, Music Producer, Youtube →
    ►► My Beats: Curtiss King Beats →
    ►► My Drum Kits: Big Drums Knock Vol. 1-3 →
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    ►► My Class: Music Producer Website & Beat Store →

    CURTISS KING PARTNERS
    ►► Distrokid: Get Your Music On Apple Music, Spotify, Tidal →
    ►► Splice: Sign Up To Splice (2M Sounds) Using My Custom Link →
    ►► Learn Music Theory In A Day →
    ►► Busy Works Beats: Online Courses →

    VIDEO EQUIPMENT
    ►► My Camera →
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    MUSIC PRODUCER SOFTWARE & PLUGINS
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    SPOTIFY PLAYLISTS
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    FOLLOW CURTISS KING
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  • Learn Live 10: Configuring your audio ins and outs

    1:47

    How to configure your audio inputs and outputs in Ableton Live 10.

    Watch the entire Learn Live series:

    #abletonlive #learnlive #live10 #ableton

  • What is a Crossover and How Does it Affect Speaker Configuration?

    2:28

    Have you ever wondered what we mean when we talk about speaker configuration and crossover frequencies? As part of the Fluance Ultimate Guide to Home Theater , we will take you through the difference between a 2-way and 3-way speaker, and which one is better. We also explain what is a crossover frequency, and why it is a crucial element of multi-driver speakers.

    The Ultimate Guide to Home Theater Setup:



    Facebook:
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    - - -

    When we talk about speaker configuration and speaker crossover design, we are talking about the number and type of drivers that a speaker has. Drivers are generally classified according to the frequency range of sounds they reproduce. Woofers play low frequencies, tweeters play high frequencies and midrange drivers play frequencies between these two extremes.

    The most common configurations in modern speakers are 2-way and 3-way configurations, which indicate the number of drivers the speaker has. A 2-way speaker has a woofer and tweeter, whereas a 3-way crossover for speakers controls a woofer, tweeter, and midrange driver. In the case of our signature series floor standing speakers, there are two woofers, in this 3-way configuration. A subwoofer typically only has one driver.

    The reason that speakers have multiple drivers is that speaker drivers perform optimally only within a certain range of frequencies. For example, low frequencies require the driver to move a lot of air slowly, so the driver needs to be larger. However, high frequencies require the driver to move small quantities of air quickly, which requires a small driver.

    It’s natural to assume that a 3-way speaker is better than a 2-way speaker because it has an extra driver, but the truth is more complex. A 2-way speaker only requires a single crossover frequency. Sounds above this frequency are sent to the tweeter, while sounds below this frequency are sent to the woofer.

    In a 3-way speaker, the designer must use two different crossover frequencies, one between the woofer and midrange, and another between the midrange and tweeter. This means more parts, and more cost, so sometimes a 2-way speaker might sound better than a 3-way speaker in the same price range.

    What is a crossover frequency

    Each driver in a speaker should only receive the frequencies that it’s able to handle better than the other drivers. The crossover frequency is the frequency at which one driver hands off to the other. Think of it like the speaker telling the drivers: 2.5kHz is our crossover point. Woofer: you handle everything below that, Tweeter, you take everything above that.

    The crossover frequency is set by the speaker maker, and it is a very critical decision - especially in multi-driver speakers. Poorly chosen crossover frequencies are one of the most common reasons that speakers of otherwise high quality don’t sound as good as they should.

  • M/S & L/R routing in Cubase 9.5

    2:13

  • TUTOS EN FRANCAIS utilisation du Ketron SD90 / SD60 ou SD9 , tutos et format

    9:47

    TUTOS ET FORMATIONS KETRON

    Extraits vidéo formation Ketron SD90 , SD9 , SD60

    Ces vidéos sont fournies lors de l'acquisition d'un module ou d'un clavier Ketron SD chez musicmatos.com

    Vous pouvez également accéder à l'enemble de la formation :



    Au programme :

    • Configuration mid i
    • Configuration avec un accordéon mid i
    • Configurer le pédalier 6 ou 13 effets
    • Gestion des Voices
    • Gestion des styles
    • Les Registrations
    • Environnement, touches et curseurs du SD90, SD60, SD9
    • L’écran Menu
    • Connexion vidéo
    • Controls
    • Medias
    • Mode Arabic
    • Connexion avec un ordinateur
    • Launchpad SD90, SD60, SD9
    • Utilisation du jukebox
    • Fichiers audio multipistes

    Ketron SD90 :
    Ketron SD60 :
    Ketron SD9 :

    Ketron Center :

  • 500R8 Quick Tutorial | Configuring 500R8s USB Outputs For System Sound And DAW Playback.

    3:16

    In this weeks #tutorialtuesday, Elliott walks us through how to send audio into 500R8's dedicated Monitor Controller using dedicated DAW return paths on USB channels 9 and 10.
    .
    By setting up the correct stereo outputs in your mac/Windows device, you can easily and independently blend between the live tracks coming from the Summing Mixer and the audio coming from the DAW playback allowing you to effortlessly flip/flop between live and program material whilst accessing all of 500R8's speaker management facilities. This video focuses on both mac and Windows for system sounds as well as how to setup the correct monitor path in popular DAW, Pro Tools.
    .
    Check below for more information on how to do this in other DAWs:
    .
    Cubase:
    Assign the Device Port of the Stereo Out to 500R8 USB Output 9 and 10
    Link:

    .
    Logic pro X:
    Logic Pro has a slight work around that is required to setup up audio playback. Please follow the Custom Configuration For Logic Pro X instructions from page 51 of the 500R8 User manual
    Page 51:

    .
    Please consult the user manual of your chosen DAW for instructions on how to do this in other DAWs.
    .
    Learn more about 500R8:

    .
    Read the Sound on sound review of 500R8:

    .
    Learn more about Camden 500:

    .
    .
    .
    .
    #500series #mixengineer #musicproducer #API #SSL #500series #musicgear #studioscapes #vintagegear #audio #proaudio #studio #recordingstudio #recording #recording #audioengineer #studiogear #studiogoals #studiolife #studioflow #gearporn #gearjunkie #mastering #homerecordingstudio #500adat #cranborneaudio #soundonsound

  • Mid Side Processing

    5:12

  • Understanding Mid/Side Processing Tecniques EQ | Studio One 3.5.2

    9:23

    Understanding Mid/Side Processing EQ | Studio One 3.5.2

    Subscribe for more tutorials for mixing, mastering, music production and other good tips to do with music production.

    Email me for Skype lessons, mixing or mastering at: N828music@gmail.com

    Studio gear:

    1. iMac (Retina 5K, 27-inch, Late 2015) 3.3 GHz Intel Core i5 24 GB 1867 MHz DDR3 AMD Radeon R9 M395 2048 MB

    2. DAW: Studio One 3, Logic Pro X, Machine 2

    3. JBL LSR 305 Studio Monitors & Yamaha HS8S Sub

    4. Audio Interface: Antelope Audio Zentour & UAD Apollo

    5. DAW: Studio one 3, Maschine 2, Logic x 10.3

    6. Software: Native Instruments Komplete 9, Tone 2 electra 2

    Screen Video Capture: Screen flow 6.2

    -~-~~-~~~-~~-~-
    Check out my Music Trap Radio | Graceful

    -~-~~-~~~-~~-~-

  • Complete Guitar Setup in 60 Seconds

    9:12

    A guitar setup is much easier than most people realize. It's not necessary to be a professional tech to bring your axe back to factory specs. Here's how to do a complete setup in less than sixty seconds...way less.

    ** Music at 7:26 is by Dee J Nelson, Pants on Fire
    A complete chapter list can be found below these paragraphs. This lesson is an overview. You can view the whole process in only 9 minutes. Please keep in mind that this is very condensed. There is more left out of this video than included. I also chose different guitars that feature simple parts for clarity. So.... please don't ask why I didn't give tips for a nine string ZR50 with six pickups in drop G tuning. Thanks for understanding.

    00:09 The single most important setup adjustment
    00:45 Neck bow, also called relief
    00:49 Concave bow
    01:00 Truss rod defined
    01:38 View the relief of your fretboard
    01:58 Measuring the gap
    01:58 Tools include straight edge and feeler gauge
    02:50 Make the adjustment
    03:10 Decrease the gap (flatten the neck)
    03:38 Increase the gap (add more concave curve)
    03:50 Floating bridge angle adjustment
    04:11 Spring tension adjustment
    04:39 Action (string height) adjustment
    05:36 Intonation adjustment - tune the twelfth fret note to the harmonic (chime)
    05:50 12th fret is in middle of the string
    06:24 Making the intonation adjustment
    06:47 If the note is sharp of the harmonic do this to flatten the note until it matches the harmonic.
    06:54 If the note is flat of the harmonic do this to sharpen the note until it matches the harmonic.
    07:26 Metal Method instructor Dee J Nelson very cool tune, Pants on Fire
    09:00 Closing

  • A Better Way To Record Electronic Drums

    11:42

    It's easy to record electronic drums, right? Sure...if you can get past cable/signal routing, MIDI mapping, software, latency, and a ton of other little gotchas that eat up the time you should be spending on playing.

    ROUTING DIAGRAM (new for 2020):

    The key to getting the most out of your electronic drum kit is creating a versatile, efficient, and effective workflow. In this video, I share my always on workflow that allows me to have my Roland V-Drums ready to practice, write, or record at the push of a button. I no longer spend time moving stuff around, connecting wires, or remembering how something should be configured. In this video I walk you through how I configure my drums and home studio to get this level of flexibility.

    It doesn't matter whether you're using something like the new Alesis Strike Pro, a mid-level Roland V-Drum kit, or even something like an old entry-level Simmons kit. This workflow will work for you.

    Links From The Video:
    Angry Again Cover -
    Audio Production 101 (LINK UPDATED 2020) -
    USB Repeater (for long USB cable runs) -
    Great Tennis Ball Drum Riser Tutorial -
    Tennis Ball Drum Riser -

    Jamnatomy is a web series that dissects music production, performance, and promotion for DIY the musician.

    MUSICIANS - Ready to get your music on all of the streaming services? Check out DistroKid at this link: ...this gets you 7% off and also supports the channel (at no extra cost to you) so I can continue to make more & better content. So much win!

    Stalk me on other networks:





    My band:

  • Traktor Pro Guide - Preferences Pt 1/4: Audio Setup + Timecode Configuration

    11:30

    More info -
    In this new four-part video tutorial series, Dubspot Instructor and Native Instruments DJ product specialist Mike Henderson aka DJ Endo breaks down everything you ever wanted to know about Native Instruments' Traktor 2 preferences. Throughout the series, Endo will be exploring Traktor's inner-workings and explaining the myriad of features and creative DJing possibilities Traktor offers.

    In part 1 of the series, Endo walks us through Traktor audio setup and timecode configuration, revealing all the nuts and bolts and showing you how to make Traktor work the way you want it. The following summary is a exert taken from Endo's previous mega-post Traktor Pro Preferences Guide (which you can read in its entirety here

    Tracklisting:
    Tiger Stripes - Crossroads [My Favorite Robot Records]
    Tanner Ross - B side [No. 19 Music]
    Odd Parents - Silk & Wine [Ellum Audio]

  • Mackie MCU Pro - Cubase Setup

    1:02

    For more information regarding our speakers please check out our Knowledgebase documents located at the link below.




    If you still need help please contact us directly.
    Email – techmail@loudtechinc.com
    Hours
    Monday – Friday 8:00am – 4:00pm PST
    Phone – 800-258-6883 ext. 1630

    Technical Support
    Mackie

  • How to Use any Stereo Plugin in Mid/Side Mode - Thinking Inside the Box #17

    8:49

    Welcome to this week's episode on Mid/Side Processing. The series Thinking Inside the Box focuses on analog music production techniques in the modern DAW. Subscribe for more tips and tricks!

    Plugin: Midside Matrix by Goodhertz and Neve 33609 by Universal Audio.

    #NoahsArkMusic #ThinkingInsideTheBox #MidSide

    Input Settings:
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  • Mastering Cubase Pro

    5:04

    The ultra popular Mastering Cubase series has been updated! This course now covers Cubase Pro 8, 8.5, and 9. For more information, or to sign up please visit

    Syllabus

    Lesson 1: An Intro to Cubase
    Topics:
    The Transport Panel
    The Project Window
    Setting up the inspector
    The Mixer

    Lesson 2: Starting a Project
    Topics:
    Organizing your hard drives
    Creating a new Cubase Pro project
    Steinberg Hub templates
    The Project Set-up panel
    Sample rate, bit depth, and file type
    The Device Set-up window
    The VST Connections window

    Lesson 3: Track Types
    Topics:
    What are tracks
    Adding audio tracks
    How Cubase Pro handles your files
    FX Tracks & Sends
    Marker & Ruler Tracks
    Folder Tracks
    Sampler Tracks
    VCA Faders vs Group Tracks
    Signature, Tempo, and, Arranger Tracks
    Chord Tracks

    Lesson 4: Recording
    Topics:
    Microphone Types
    Recording Chain
    Mic Pres
    Audio Interfaces
    Latency
    The Control Room & Cue Mixes
    Recording
    Lanes
    Track Versions

    Lesson 5: The Cubase Mixer
    Topics:
    Configuring the Mixer
    Creating link groups
    Zones & Visability
    The Channel Racks
    EQ & Channel Strip
    The Faders

    Lesson 6: Editing
    Topics:
    What is an audio event?
    Split tracks button, and the waveform amplifier
    Using the tools in the toolbar
    Processing events vs using plug-ins
    Phase

    Lesson 7: Using the Sample Editor
    Topics:
    Opening the sample editor
    Hit Points
    Audio Warp
    Tuning with VariAudio
    Processing events

    Lesson 8: Tempo Correction
    Part 1 - What is tempo correction?
    Topics:
    A short history on tempo correction
    Using the third pointer tool mode
    What is Cubase doing when you adjust the tempo?
    Musical Mode in the Pool

    Part 2 - Tempo Detection
    Topics:
    The time correction algorithms
    Tempo Detection
    Working with a tempo track
    Set Definition from tempo
    Tempo correction multiple tracks
    Using Hit Points

    Part 3 - Hit Points & Audio Warp
    Topics:
    Audio Warp
    Quantizing audio

    Lesson 9: MIDI, Virtual Instruments, and the Score Editor
    Part 1 - MIDI
    Topics:
    What is MIDI?
    Setting up your MIDI device
    Adding a MIDI track and connecting a virtual instrument
    The MIDI Key Editor
    Expression Maps
    Quantizing
    VST 3.5

    Part 2 - Virtual Instruments
    Topics:
    Mounting a virtual instrument
    Groove Agent SE
    Creating your own drum patch
    Beat Designer
    Halion Sonic SE
    Loop Mash
    Padshop
    MIDI Control setup

    Part 3 - The Score Editor
    Topics:
    Opening the Score Editor
    The Staff tab
    Display Quantize
    Polyphonic tab
    Adding chords
    Adding lyrics
    Using the Layout Tool
    Creating an XML file

    Lesson 10: The Media Bay, and the Pool
    Topics:
    Bring up the Media Bay
    Scanning your drives
    Searching for files
    The Pool
    Splitting up multi-channel files

    Lesson 11: Mixing Part 1
    Topics:
    Using EQ’s
    Using a Parametric EQ - including “Frequency”
    Mid-side
    Linear Phase EQ’s
    Compressors
    Limiters
    New York Compression
    Reverb

    Lesson 12: Mixing Part 2
    Topics:
    What is automation?
    Using the R and W buttons
    Touch automation
    Latch automation
    Using the automation panel
    Viewing the automation lanes
    Stereo Panning
    Surround Sound Panning
    The Loudness Meter

    Lesson 13: Finishing a Project
    Topics:
    44.1 vs 48 kHz
    Exporting your mix
    Uncompressed file types
    Compressed file types
    What are stem mixes?
    Creating stem mixes using the channel batch export
    A brief overview on mastering

  • CANYON.MID for KORG M3-M

    2:04


    KORG M3-M is playing CANYON.MID by native MIDI data.
    コルグM3-MでCANYON.MIDを演奏しています。
    MIDIデータは、M3-M向けにアレンジしています。
    MIDI data is arranged for M3-M.

  • Best Logitech MX Master 2s Setup -

    7:03

    Best MX Logitech Master 2s Setup - (Custom Settings for Mac Users)

    Here is my setup of the Logitechs MX Master mouse. These custom settings will be a game changer if you are switching over from the Apple Trackpad or if you want to incorporate OS gestures into your MX Master workflow. Hope this helps!


    Logitech MX Master 2S-




    Patrick Breen on Social Media:








    --------CAMERA GEAR Used To Shoot This Video -------

    Camera — Canon EOS 80D


    Primary Lens - Sigma 18-35mm f/1.8 Art Lens


    2nd Lens — Sigma 17-50mm f/2.8


    3rd Lens - Canon EF-S 24mm f/2.8 STM Lens


    Microphone — Rode VideoMic Pro


    Lighting — Supon LED


    DISCLAIMER: This video and description contains affiliate links. As an Amazon Associate I earn from qualifying purchases.

  • How to use an external mic on a Macbook Pro - IT WORKS!

    7:05

    Not having a mic input on your MacBook Pro is a shame... is it? The truth is that there's a trick that allows you to use the headphone jack with an external mic, allowing you to record straight to your MacBook Pro without any audio interface or USB preamp. It can be a lapel mic, a Rode Videomicro, you name it! It's kinda tricky but extremely easy to do once you figure out how!

    Complete post:

    Headsets Splitter:
    Rode Videomicro:
    Lavalier Lapel Mic Kit:
    TRRS to TRS adaptor:


    DIY MIDI Controller Workshop:
    Making Music with Arduino:

    Fazendo Música com Arduino (português)
    Curso gratuito:
    Curso completo:

    Equipment I use: 
    Canon PowerShot G7 X Mark II:
    Lavalier Lapel Microphone Kit:
    MXL 990 Condenser Microphone:
    Focusrite Scarlett 18i8:

    Patreon:
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  • Stage Left Audio - Bridging a QSC amplifier

    4:41

    A brief tutorial on bridging an amplifier (QSC PLX). This method of bridging can apply to other current professional amplifiers as well. However, not all amplifiers support a bridged mode.

    A reference is made to +1 and -1 when viewing the binding posts - this references the use of Speakon connectors on the speaker side (not the amplifier side).

  • The Sequetron MkII Configuration Demo

    2:52

    This shows how to configure the MIDI input and output devices. All background sounds are from the microKORG+Sequetron video demos.
    Follow developments on

    What if you could record & multi-track directly on your music keyboard while you are playing it, without ever touching a computer keyboard or mouse?
    The Sequetron is a sequencer program with a twist; designed from the outset as a live instrument for hands-on use, played & controlled from where your hands are - the music keyboard. It runs from switch-on with no interaction, and converts the simplest MIDI keyboard into a multi-track recording, playback & looping instrument.

    Conventional s/w sequencers & DAWs have more powerful editing & audio features, but the Sequetron takes a fresh approach by using a command structure designed around a keyboard first, then adding a display later, so it really is a different concept...
    ...a front-end instrument for ideas & inspiration... and fun!

    Full info & downloads at

  • Cubase 5

    4:57

    Видео уроки Cubase 5
    Магазин музыки

  • Recording Acoustic Guitar with Mid-Side

    10:21

    If you want a wide stereo image of a single performance on acoustic guitar, mid-side can be a great option. In this video, I demonstrait how to set up the mics and the extra processing you'll need to do inside your daw to make it work.

  • Frequency EQ NEW Vst Effect Cubase Pro 9

    5:44

    Welcome to ADSR Pro, Steinberg Cubase and Music Production Tutorials.

    In this video we show you the new Frequency EQ unit from Steinberg,
    This new 8 band EQ is a much needed improvement over the previous eq units in cubase, this now allows mid side processing and has a nice visual representation of the audio to allow you to not only hear the audio but see how its been effected with your eq decisions.


  • Mid-Side Multiband Mastering | How To Get Wide Punchy Mixes

    58:22

    In a first for the channel, we are going to take a look at a mastering technique today. This trick should help us to add stereo width and clarity to our mixes and give us much greater control of our low end!

    The technique is basically to use multiband compression in a mid-side set-up. There are a lot of dedicated mastering plugins that will let you accomplish this, but I wanted to try and find a way to do it using only stock plugins. So this is the result!

    There is a bit of routing required, but once set-up, it is fairly quick to apply the technique to any mix that you have bounced to audio. You could even set-up the routing and save it as a template for ease of use in the future.

    I should point out that this was an experiment and like most experiments, it didn't go completely to plan. It took me three attempts to get a result I was happy with, but often these failures teach us valuable lessons in the process. So why not give it ago yourself?

    As always, thanks for watching.
    Love, light and laughter!
    Unknown

    Support the channel here:





    Donate:

  • Configuring the SD-90 for Use with a Roland Accordion

    11:12



    Introduction to setting up the SD-90 to work with the Roland V-Accordion (based on previously posted V-accordion Midi channel mappings)
    The last 1 minute of this video recaps important information on How to save the above settings permanently.. Please take note.

  • MOTU M4 Unbox and Workout

    33:48

    In this episode, I'll take a look at the MOTU M4, a 4x4 audio interface that's pretty new to the market. I'll go through its features, installing drivers, configuring it in my DAW, and I'll record a project through it to illustrate how it works.

    Timestamps:
    0:00 - Music video excerpt
    0:32 - Intro, unboxing, features
    5:52 - Powering up the interface
    6:47 - Downloading and installing drivers
    8:36 - Configuring ASIO buffer size
    11:47 - Recording sampled drums
    13:17 - Recording acoustic guitar
    15:48 - Recording bass guitar
    18:34 - Recording electric guitar
    21:45 - Plugging in an external preamp
    23:17 - Recording acoustic drums
    24:53 - Recording vocals
    25:51 - Music video with final project
    29:09 - Final thoughts

    A little info about the microphones, instruments, amplifiers and effects in this project:

    Scratch drums: Superior Drummer 3, Indiependent SDX
    Acoustic guitar: Martin D-41, AKG C414 XLS
    Bass guitar: MIM Fender Precision Bass. In the mix it went through Waves GTR3, NI Solid Bus Comp, ReaEQ
    Electric Guitar 1: Fender American Deluxe Telecaster, Mesa Lonestar Special, Cascade Fathead
    Electric Guitar 2: 1965 Fender Jazzmaster, Fender '68 Custom Deluxe Reverb, Ibanez TS9, Cascade Fathead
    Electric Guitar 3: Jazzmaster, '68 DR, Fulltone OCD, Cascade Fathead, Lexicon MPX room reverb
    Vocals: Lewitt LCT440 PURE, Empirical Labs Distressor, ReaEQ, Lexicon MPX plate reverb
    Backing vocals: LCT440, FMR RNC (Super Nice engaged), ReaEQ, Waves Deesser
    Acoustic Drums: Yamaha Stage Custom Birch, Zildjian A cymbals, AKG C414 XLS on overheads (Glyn Johns setup), Shure SM57 on snare, Sennheiser MD-421 on kick, Distressors, NI Solid Bus Comp, ReaEQ

  • MacBook Pro 13-inch, Mid 2012 & Maschine Latency Test

    9:13

    I did a latency test with my new MacBook Pro 13-inch, Mid 2012 & Maschine using the built-in sound card on the mac and a beat that came with the True School Maschine Expansion Pack titled Slow Push.

    My results where:
    @44100 - Latency 64 Samples - 4.4 ms
    @48000 - Latency 96 Samples - 5.4 ms
    @88200 - Latency 224 Samples - 6.1 ms
    @96000 - Latency 256 Samples - 6.4 ms

    MacBook Pro:
    Processor 2.9 GHz Intel Core i7
    Memory 8 GB 1600 MHz DDR3
    Graphics Intel HD Graphics 4000 512 MB
    Software OS X 10.8.2 (12C3103)

    Also check me out @:



    Twitter: @kayhamtracks

  • Mackie MCU Pro - ProTools Setup

    1:04

    For more information please check out our Knowledgebase documents located at the link below.




    If you still need help please contact us directly.
    Email – techmail@loudtechinc.com
    Hours
    Monday – Friday 8:00am – 4:00pm PST
    Phone – 800-258-6883 ext. 1630

    Technical Support
    Mackie

  • Voxengo Msed audio encoder decoder FREE VST/AU PLUGIN - Quick Test

    2:08

    Download Here:

    MSED is a professional audio encoder-decoder AAX, AudioUnit and VST plugin for mid-side processing which is able to encode (split) the incoming stereo signal into two components: mid-side pair, and vice versa: decode mid-side signal pair into stereo signal.

    MSED is also able to work in the “inline” mode with the ability to adjust mid and side channels’ gain and panning without the need of using two plugin instances in sequence.

    MSED can be used to flip the phase of the mid and side channels by 180 degrees, and swap the stereo channels, and to extract the mid or side channel.

    MSED features the “plasma” vector scope, stereo correlation and balance meters which make it easier to monitor the stereo information present in the audio signal.

    If you have any comments, suggestion or request I would love to hear from you in the comments below!
    Thanks for your time, and have a nice day
    Julian

    Hi, my name is Julian Doe! I am a guitar player and producer based in London.
    Thank you for watching!

    If you want to know more about me, check out
    Facebook:
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    SoundCloud:

    Artists I Like & Support:
    Irievichy
    Haze&Pony
    Maki Flow
    Acho Oraha
    IdRA
    A Sloth Dance
    Pain is a Dress

    #voxengo #freevst

  • Learn Live 10: Setting up MIDI

    2:48

    How to set up MIDI in Ableton Live 10.

    Watch the entire Learn Live series:

    #abletonlive #learnlive #live10 #ableton

  • The Zoom L-20 - Add More to the Mix!

    1:37

    You asked for more, and with the LiveTrak L-20 you get more.

    * 20 inputs with independent channel faders.
    * 3-band mid parametric EQ with variable frequency Lo-Cut.
    * Six independent monitor outputs, switchable level for headphone or balanced line output for powered monitors/wedges.
    * Record up to 22 discrete channels to SD card and simultaneously to your DAW via the internal USB audio interface.
    * Wireless mixing via iPad using the Zoom L-20 app (Zoom BTA-1 Bluetooth adaptor required, sold separately)
    * 22-in/4-out USB audio interface
    and more

    Check out the full spec at

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