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Playlist of Clarence Barlow

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  • Barlow - Cogluotobusisletmesi

    31:07

    Klarenz Barlow's outrageously complex Çoǧlu otobüs işletmesi (1975-79), performed with remarkable faithfulness to the score by Herbert Henck. The picture shows a snippet from the sheet music, what's virtually impossible to follow.

  • Clarence Barlow - ...until... Version 7 for guitar

    19:01

    info from liner notes (Los Angeles River Records LAL2-12):

    Version 7 for guitar wholly comprises natural harmonics. Alternate strings are retuned to an A-minor triad reaching up a minor tenth to Middle C, the intervening strings to the same chord a quarter-tone higher. At first only non-microintervallic notes sound; the reverse is true at the end, the E drone rising a quarter-tone. - Clarence Barlow

  • x
  • Clarence Barlow - Variazioni e un pianoforte meccanico

    24:36

    performed here by John Snijders on a Yamaha disklavier

    info from liner notes of hat[now]ART 126:

    Variazioni e un pianoforte meccanico for pianist and player piano was made possible by compositional techniques that allow (through computer assistance) finely-graded real-time alterations of musical factors such as tonal and metric field-strength at any time in any of a number of parallel streams of music. The composition itself is harmonically and metrically based on Beethoven's Opus 111 Arietta; each programme-run results in a different realisation of the composition, various realisations mutually differing only in details of lesser relevance. On a formal level, the piece consists of nine variations, characterized towards the end by a radical deceleration of the harmonic rhythm - whereas the first seven variations are each just under two minutes in length, the eighth lasts for more than two-and-a-half minutes and the ninth for over eight minutes.
    - Clarence Barlow

  • 1981 by Clarence Barlow

    8:17

    Performed by Aisha Orazbayeva, Alice Purton and Mark Knoop, at Music We'd Like to Hear, St Mary at Hill, London, on 3rd July 2015.
    Sound by Lawrence Dunn.

  • x
  • 1981

    8:58

    Provided to YouTube by The Orchard Enterprises

    1981 (1981) · Clarence Barlow · Josje Ter Haar · Job Ter Haar · John Snijders

    Clarenece Barlow: Musica Derivata

    ℗ 2000 Hat Hut Records Ltd.

    Released on: 2000-01-01

    Auto-generated by YouTube.

  • Clarence Barlow ~ Variazioni e un Pianoforte Meccanico

    24:34

    Variazioni e un Pianoforte Meccanico
    Clarence Barlow
    (1986)

    *John Snijders*

  • x
  • Clarence Barlow, Dokumissa87 + Intro to Januar am Nil

    6:22

    Piece 1: 1987
    Piece 2: 1984
    Two electronic pieces, of course very obscure, by stochastic composer Clarence Barlow. For the second piece, Barlow used a spiral to inform the structure of his music. The computer was programmed to produce melody to fill time equal to the segments produced from a series of spokes radiating from the center of spiral. The distances between these spokes increases as the path reaches farther out in the spiral.

  • Clarence Barlow - Approximating Pi

    7:44

    Joel Hunt, Soprano Saxophone
    Lotte Lehmann Concert Hall, University of California, Santa Barbara
    Primavera Festival 2013, Cosmic Klang 4/24/13

  • Klarenz Barlow ~ Pandora

    7:31

    Pandora
    Klarenz Barlow
    (1989)

    .Calder.

  • x
  • Ensemble Modelo62 plays Septima de Facto - Clarence Barlow

    7:16

    Performed in Cologne in 2016 at the BAR70W Festival and Symposium dedicated to Clarence Barlow on the occasion of his 70th birthday

  • Xylophonie I by Klarenz Barlow

    4:51

    Composed by Klarenz Barlow (1945-)
    Performed by Adilia Yip at aNOther Festival 2018, Vienna


  • Clarence Barlow - Estudio Siete

    2:02

    Studio/Study 7 for player piano

    This was written for the Hundred Years of Film event organised by the Kunsthalle of Bonn as an accompaniment to the 1930s film 'Study No. 6' by Oskar Fischinger. I found that Fischinger's work bore a resemblance in one respect to that of Conlon Nancarrow: both oeuvres were born of an aesthetically unproblematic and technically brilliant ease and a fascination for the mechanically feasable. I therefore included Nancarrow's same-named 'Study No. 6' in my compositional plan, creating a paraphrase of it (slightly trimmed to fit the duration of the film) using my computer program 'Autobusk'. Running alongside the Nancarrow paraphrase is a metamorphosis of Fischinger's dancing objects, whose shapes have been transposed to phonetic tone clouds. Horizontally stretched objects correspond, in a manner similar to that of the human mouth, to the sound of the vowel [i] and square objects to [u], with [e], [a] and [o] in-between. Bernhard Wagner and Dominik Eichelberg, using the Automatic Blob Recognition Program of Martin Bischel, analytically captured the visual objects for me, from which I then realised my tone clouds at The Hague Conservatory's Studio 7, which I directed at the time. The piece was meant to be performed on a player piano synchronised with the film; it may, however, be heard as autonomous music.

    - Clarence Barlow (from the liner notes of Feedback Studio Cologne's CD #8, CYBELE SACD 960.308)

  • The Winters Passed by Wayne Barlow

    4:53

    Accompanied by Scott Morris at Trinity Presbyterian Church's Young People's Concert.

  • Clarence Barlow - until Version 7

    19:01

    For Guitar.

  • Orchideae Ordinariae The Twelfth Root of Truth: No. 5, Lorchidée dargent

    43

    Provided to YouTube by NAXOS of America

    Orchideae Ordinariae The Twelfth Root of Truth: No. 5, L'orchidée d'argent · Clarence Barlow

    Darmstadt Aural Documents, Box 4: Pianists

    ℗ 2017 NEOS Music

    Released on: 2017-01-06

    Artist: Clarence Barlow
    Composer: Clarence Barlow

    Auto-generated by YouTube.

  • Lorien Barlow: You Always Hurt the One You Love

    2:24

  • Clarence Barlow - ...until... Version 8 for piccolo

    10:19

    info from liner notes (Los Angeles River Records LAL2-12):

    Version 8 for piccolo flute is strongly characterised by difference tones caused by the high given pitches sounding against the drone. Both the composed melody and the difference tones independently follow the compositional principle. The B-flat drone rises at the end by a whole-tone. - Clarence Barlow

  • Clarence Barlow - Relationships for melody instruments

    10:13

    Relationships for melody instruments is a variable composition conceived in 1974 in the form of a short verbal score.
    This work has been realized in six different versions. The first four in the years 1974-1976, and the last two in 1985.

    Version 6, for one or two melody instruments (in this case bass clarinet), computer-driven synthesizer, and percussion, is based on two hexatonic pitch scales in D.

  • Orchideae Ordinariae The Twelfth Root of Truth: No. 7, Pandora

    8:23

    Provided to YouTube by NAXOS of America

    Orchideae Ordinariae The Twelfth Root of Truth: No. 7, Pandora · Clarence Barlow

    Darmstadt Aural Documents, Box 4: Pianists

    ℗ 2017 NEOS Music

    Released on: 2017-01-06

    Artist: Clarence Barlow
    Composer: Clarence Barlow

    Auto-generated by YouTube.

  • Clarence Barlow: ...until... , excerpt of a performance by Christine Tavolacci

    2:55

    Clarence Barlow: ...until... (1981), excerpt of a performance by Christine Tavolacci

    Christine Tavolacci, piccolo

  • x
  • These are the days - The Video

    2:57

    From Lighthouse Beach!

    Starring: Makenna Ranney; Mary Tavolacci; Oskar Tavolacci

  • Xylophonie I

    6:38

    Champ d'Action (Elyssa Shalla) plays 'Xylophonie I' (Klarenz Barlow) - Textiles 15/11/2009 - M HKA - Antwerp

  • Santiago Lascurain plays ...until... by Clarence Barlow

    13:11

    This video is about until

  • Ensemble Modelo62 plays Sachets des ciseaux insatiables by Clarence Barlow

    9:08

    Performed in Cologne at the BAR70W Festival and Symposium on the occasion of his 70th birthday

  • Klarenz bei René - Clarence chez René

    48:14

    Klarenz Barlow präsentiert eigene Kompositionen
    Clarence Barlow présente ses compositions

    13 octobre 2012, Petite grange des sons, Wissembourg, France

    ©2012 by Atelier BACH.Bogen, France and Germany

  • Trains

    10:43

    Provided to YouTube by NAXOS of America

    Trains · Alice Purton

    Joanna Bailie: Artificial Environments

    ℗ 2019 NMC Recordings

    Released on: 2019-09-27

    Artist: Alice Purton
    Artist: Joanna Bailie
    Composer: Joanna Bailie

    Auto-generated by YouTube.

  • Until... Version 7 ....

    2:38

    Champ d'Action (Toon Callier) plays Klarenz Barlow's ...Until... version 7 - 15/11/2009 - M KHA - Antwerp

  • Inter-Mission

    1:53

    A free improvisation based on conversational patterns. Both an inter-mission and an intermission for a larger concert of interdisciplinary music. Performed at Galapagos Art Space in Brooklyn- Spring 2007. Concept, video, and sound processing by Sean Hagerty.

  • DVD Trailer: Microtona international DVD Project about microtonal music 2016

    10:24

    DVD Trailer: International DVD Project about Microtonal Music worldwide. Curator P-ART. Contact him about this edition: p.art@skynet.be

    Microtona is a extended Booklet (68 pages) with personal comments from the microtonal artists: 8 original videotracks & 9 original Audio tracks on DVD Video NTSC 16:9

    Microtonal video and/or audio by
    Hitomi Shimizu (Japan) Clarence Barlow (California, US) Pascale Criton (France) Hidekazu Wakabayashi (Japan) Ulf-Diether Soyka (Austria) Tolgahan Çoğulu (Turkey)
    Elaine Walker (USA) Shaahin Mohajeri (Iran) Dolores Catherino (Alaska, US) Georg Hajdu (Germany) P-ART (Belgium)
    DVD Index

    Hitomi Shimizu: Video Track #1: Meet my 43-tone Organ (2016) 9:05 Hitomi Shimizu (organ) & Hiromi Nishida (violin) booklet p. 5

    Clarence Barlow: Video Track #2: )ertur( (2015) 16:04 related to Alphonse Mucha (paintings) / L. Janáček (music) booklet p. 11

    Pascale Criton: Video Track #3: Microtonal Limits (2016) 4:42 & Audio Track #1: Trans (2014) for 2 guitars (Estelle Lallement & Filipe Marquès) Parts: Double 6:00 + Diagonal 7:14
    & Audio Track #2 : Bothsways (2015) for violin (Silvia Tarozzi) & cello (Deborah Walker) Parts: Coalescent 2:14 + Impulse 2:04 + Sways 2:12 booklet p. 15

    Hidekazu Wakabayashi Video Track #4: Iceface tuned Piano in F# (2015) 3:15 booklet p. 21

    Ulf-Diether Soyka : Video Track #5 Intro & Micro-Toccata (2007) 6:32 & Audio Track #3: Zwischentöne (2009) 7:28 for clarinet (Slavko Kovacic) und guitar (Zarko Ignjatovic) booklet p. 25

    Tolgahan Çoğulu : Audio Track #4: Gelin Savması by İlke Şen (2015) 5:18 for adjustable microtonal guitar booklet p. 33

    Elaine Walker : Video Track #6: My Microtonal Universe 4:42 & Audio Track #5: Sid Song in 10 edo (2015) 4:00 booklet p. 38

    Shaahin Mohajeri: Audio Track #6 Cyrus the Great entered the city of Babylon (2015) 4:32 & Audio Track #7: Tragic parting of the Souls (2015) 3:12 for virtual orchestral instruments booklet p. 44

    Dolores Catherino: Video Track #7: Polychromatic Horizons (2015) 8:13 Polychromatic Impressions (2015) 4:13 booklet p. 48

    Georg Hajdu : Audio Track #8: Just her - Jester - Gesture (2015) 8:23 booklet p. 55

    P-ART: Video Track #8: Microtonal Jamming (2016) 7:24 & Audio Track #9: Pluk in 9ET 2:27 / Lined Up in 6ET 1:48 / Ele in 10ET 3:13 (2015) p. 61

  • Billie Barlow - Seizing The Moment.mov

    3:38

    Billie Barlow presenteert Seizing The Moment
    Ons voorlopig laatste wapenfeit.
    Met dank aan iedereen die is komen kijken en die van dichtbij of veraf betrokken was!!!!
    Speciale dank aan Dominique De Vlieger voor de video en Alex Janssens voor de opnames!!

  • Aint Nobody Here But Us Chickens

    4:30

    Provided to YouTube by The state51 Conspiracy

    Ain't Nobody Here But Us Chickens · Clarence Gatemouth Brown

    Pressure Cooker

    ℗ 1986 Alligator Records & Artist Mgmt., Inc

    Released on: 2009-06-18

    Composer: Kramer
    Lyricist: Kramer
    Music Publisher: Kramer-Whitney Music c/o Harry Fox Agency, 711 3rd Ave. NY, NY 10017
    Composer: Whitney
    Lyricist: Whitney

    Auto-generated by YouTube.

  • DVD trailer The Intuitive PARTy

    4:20

    The Intuitive P'ARTy (Booklet 44 pages with DVD) is an independent edition of P-ART and the following participating artists. © 2015. (DVD Video 16:9 widescreen NTSC)
    1. P-ART (Belgium) covers six different sound-talking colors in a set of six oil paintings. Searching for perceptual reciprocity between color and timbre, he accompanies the 6 coloring images intuitively with distinct sets (piano, sound objects, spinet, synthesizing) of six sound samples at every turn.
    Music video track #1: MusiChroma I. Sound-talking colors. 2014. 6:19
    2. Klaus RUNZE (Germany) elongates his arms with felt-hammer rails originating from a grand piano. He intuitively fraps a board of wood, a slab of stone (basalt) and a sheet of metal with his musical wings, just like Icarus. Music video track #2: Icarus Piano. 2007. 6:41
    3. Clarence BARLOW (USA) masters computer-assisted algorithms in his fascination of sound color (timbre), rhythms and microtonal scales (pitch space). Septime de facto (2006) is 'synthrumentation': digital synthesis of a song (harmony and phonetic) transformed into synth-instrumentation, in this case on a computer-driven grand piano. Regarding the psychological harmony of intervals as a measure of the harmonic proximity, Clarence Barlow created a multidimensionally scaled map of just intonated harmony. Für Simon Jonassohn-Stein (2012) was created on a computer-driven church organ.
    Audio track #1: Septime de facto. 2006. 6:19
    Audio track #5: Für Simon Jonassohn-Stein. 2012. 5:06
    4. Carl BERGSTRØM-NIELSEN (Denmark) integrates improvisation in structural creativity. Using his voice, the Hohner melodica and French horn, his performance is an intuitive dialogue with the memory of some minutes ago: back to the past and towards the future. Music video #3: Memory Piece #6. 2011. 5:18
    5. CORE SHIFT interpreted by Mike KRAMER (Australia/The Netherlands) invites intuitive listening again and again. Through Time is a timeless experience of ambient music, a 'dance for the mind'. Audio track #2: Through Time. 2014. 20:00
    6. Timo VAN LUIJK (Belgium) composes like a poet with a flexible set of acoustic instruments, found or recycled (sound) objects and sound effect recordings. In Fantaisie magnétique the intuitive composer uses only the musical results of sound feedback.
    Audio track # 3: Fantaisie magnétique. 2012. 5:00
    Timo van Luijk filmed his passage of the Bosporus in a single take, and fit the image with an introspective soundscape based on an old music tape. Music video track #4: Passage. 2010. 3:58
    7. Marc EVANS (USA) is an experimental composer, working from scratch. He integrates the opportunity of computing where it is relevant. He composes for classical instruments, for mixed media and for sounds of ordinary human activities like eating. In respect to natural processes, he admires trees as living witnesses of history and as unique personalities. The Longevity of a Tree is visual music composed and designed by him and is performed by cellist Amy Kwon. Music video track #5: The Longevity of a Tree. 2010. 4:42
    8. CIRCULAR (Argentina) is a duo formed by José Alberto MARCHI and Daniel VARELA. Influenced by the fullness of light, by the presence of stillness and the spiritual flow of timbres and resonances, they are sound poets painting slow-down music.
    Audio track #4: Deitas. 2014. 21:02
    Send a mail to p.art@skynet.be to order this amazing DVD with extended booklet.

  • Grateful Dead, Three Stooges Mash Up - Shakedown Street 5/12/81

    2:12


    The Three Stooges Get Down to The Grateful Dead Shakedown Street 5/12/81

    Shakedown Street Lyrics:)
    You tell me this town aint' got no heart. Well, well, well, you can never tell.
    The sunny side of the street is dark. Well, well, well, you can never tell.
    Maybe that's cause its midnight, in the dark of the moon besides.
    Maybe the dark is from your eyes, maybe the dark is from your eyes,
    Maybe the dark is from your eyes, maybe the dark is from your eyes,
    Maybe the dark is from your eyes, maybe the dark is from your eyes,
    You know you got such dark eyes
    Nothin' shakin' on shakedown street. Used to be the heart of town.
    Don't tell me this town ain't got no heart. You just gotta poke around.
    You think you've seen this town clear through.
    Well, well, well, you can never tell.
    Nothin' here that could interest you. Well, well, well, you can never tell.
    Its not because you missed out on the thing that we had to start.
    Maybe you had too much too fast. Maybe you had too much too fast.
    Maybe you had too much too fast. Maybe you had too much too fast.
    Maybe you had too much too fast. Maybe you had too much too fast.
    Or just over played your part.
    Nothin' shakin' on shakedown street. Used to be the heart of town.
    Don't tell me this town aint' got no heart. You just gotta poke around.
    Since I'm passing your way today. Well, well, well, you can never tell.
    I just stopped in cause I want to say, well, well, well, you can never tell.
    I recall your darkness when it crackled like a thundercloud.
    Don't tell me this town aint' got no heart.
    Don't tell me this town aint' got no heart.
    Don't tell me this town aint' got no heart.
    Don't tell me this town aint' got no heart.
    Don't tell me this town aint' got no heart.
    Don't tell me this town aint' got no heart.
    When I can hear it beat out loud!
    Nothin' shakin' on shakedown street. Used to be the heart of town.
    Don't tell me this town aint' got no heart. You just gotta poke around.
    Songwriters: JEROME J. GARCIA, ROBERT C. HUNTER

    The Grateful Dead:
    Jerry Garcia
    Bob Weir
    Phil Lesh
    John Perry Barlow
    Tom Constanten
    Donna Jean Godchaux
    Keith Godchaux
    Mickey Hart
    Bruce Hornsby
    Robert Hunter
    Bill Kreutzmann
    Ron Pigpen McKernan
    Brent Mydland
    Vince Welnick

  • Grateful Dead - Wizard of OZ Mash Up, The Wheel of OZ, 10/8/89

    3:39

    The Wizard of OZ Mashed Up to The grateful Dead 'The Wheel' 10.8.89.

    'The Wheel'
    Lyrics By: Robert Hunter
    Music By: Jerry Garcia, Bill Kreutzmann
    The wheel is turning and you can't slow down
    You can't let go and you can't hold on
    You can't go back and you can't stand still
    If the thunder don't get you then the lightning will
    Won't you try just a little bit harder
    Couldn't you try just a little bit more
    Won't you try just a little bit harder
    Couldn't you try just a little bit more
    Round, round, Robin run around
    Gotta get back where you belong
    Little bit harder, just a little bit more
    Little bit further than you gone before
    Small wheel turning by the fire and rod
    Big wheel turning by the grace of God
    Every time that wheel turn round
    Bound to cover just a little more ground

    The Grateful Dead:)
    Jerry Garcia
    Bob Weir
    Phil Lesh
    John Perry Barlow
    Tom Constanten
    Donna Jean Godchaux
    Keith Godchaux
    Mickey Hart
    Bruce Hornsby
    Robert Hunter
    Bill Kreutzmann
    Ron Pigpen McKernan
    Brent Mydland
    Vince Welnick

  • Trigger Finger Freestyle

    1:51

    Lil Wayne - Trigger Finger
    I Am Not A Human Being 2

  • Trstenice 2013

    1:29

    17th ANNUAL PERCUSSION WORKSHOP SYMPOSIUM
    TRSTENICE 2013
    International Courses for Composers and Percussion Players
    with:
    Clarence Barlow (D-USA) Jeff Beer (D), Ivo Medek (CZ) Tomáš Ondrůšek (CZ-D),
    Olaf Tzschoppe (D) ...and others
    June 30 - July 7 2013
    Music Centre Haus Urban Trstenice Czech Republic

  • The Fidelitys - Memories Of You 1958

    2:36

    Biography : The Fidelitys

    The Fidelitys were an Albany, NY-based doo wop quintet the Fidelitys formed in 1956 -- according to Marv Goldberg's profile on his website, bass Earl Thorpe assembled the founding lineup shortly after relocating from Jacksonville, FL. Thorpe's cousin Emmitt Smith was assigned lead duties, with Clarence Carter and Robert McCann assuming the tenor spots and Arthur Morning coming aboard as baritone. Originally dubbed the Mellow-Tones, the group rechristened itself the Fidelitys when tenor Maurice Newton (a friend of Thorpe's from Jacksonville) moved to Albany and replaced Carter.
    In December 1957 the Fidelitys traveled to New York City in the hopes of landing a slot on the Apollo Theatre's famed amateur showcase -- instead, Apollo bandleader Reuben Phillips agreed to manage the Fidelitys, securing them an audition with booking agent Ben Bart of the firm Universal Attractions. Bart in turn landed the Fidelitys an audition with Baton Records, which signed the quintet on the spot -- their debut single, a reading of the Harold Barlow/Lew Harris chestnut The Things I Love, followed in February 1958, consciously evoking the Platters with its sophisticated, gossamer approach.
    The single went on to reach the number 60 spot on the Billboard pop charts, and in June the Fidelitys resurfaced with another oldie, Andy Razaf and Eubie Blake's Memories of You -- although its release was celebrated with a weeklong stint at the Apollo, the single failed to match the success of its predecessor, missing the charts altogether.
    The Fidelitys' third Baton effort, Captain of My Ship, appeared in the autumn of 1958, coinciding with another week at the Apollo, but when it too failed to earn attention from radio and retail the group's momentum ground to a halt. Baton owner Sol Rabinowitz shuttered the label in the spring of 1959, shortly thereafter teaming with Morty Craft to co-found the new SIR imprint -- the Fidelitys issued the Irving Berlin-penned Marie on SIR that July, again to little notice.
    This Girl of Mine appeared that spring, and in August the Fidelitys issued their swan song, Wishing Star, also the last gasp of the struggling SIR. When Smith was drafted into the military in 1962, lead Kenny French signed on his absence, and the Fidelitys continued performing live until the close of the decade. In 2005, the surviving members (Thorpe, Smith, Newton, and French) revived the group for a handful of Albany-area dates. ~ Jason Ankeny, All Music Guide

  • 4. Sinfoniekonzert Anachronismus

    5:18

    Den Blick zurück in ein vermeintlich goldenes Zeitalter haben im 20. Jahrhundert viele Komponisten geworfen. Die Welt war komplizierter geworden - und auch die Musik. Man sehnte sich nach einer neuen Einfachheit. Anachronismus heißt wörtlich soviel wie Verwechslung der Zeiten. Der stilistische Rückgriff aufs 18. Jahrhundert geschah in bewusster Abwendung von Pathos und Schwulst. Maurice Ravel huldigte mit Tänzen dem französischen Barockmeister François Couperin. Couperins Instrument, das Cembalo, war nach einer langen Zeit des Vergessens plötzlich wieder in Mode. Auch Francis Poulenc entdeckte dessen silbrigen Klang. Poulencs Concert champetre ist eine graziöse Hommage an die galanten Feste des Rokoko. Christian Rieger, Professor für Historische Tasteninstrumente und Generalbass an der Folkwang Universität der Künste in Essen, übernimmt den Cembalopart in diesem charmanten Werk. Am Pult steht Hermann Bäumer, Generalmusikdirektor des Staatstheaters Mainz.

    Mit Pulcinella schaute Igor Strawinsky zurück in die Zeit um 1750. Strawinsky borgte sich Motive aus Kompositionen, die man damals Giovanni Battista Pergolesi zuschrieb. Er zog der alten Musik mit seinen eigenen Rhythmen und Harmonien gewissermaßen ein modernes Gewand an. Ähnlich verfuhr auch Sergej Prokofjew in seiner Symphonie classique. Er wolle eine Sinfonie schreiben, als wenn Haydn heute leben würde, sagte Prokofjew - was ihm brillant gelang.

  • Clarences Flur Elise

    1:04

    December 2009

  • fantasia quasi una sonata

    20:58

    Provided to YouTube by The Orchard Enterprises

    fantasia quasi una sonata (con Mantra di Stockhausen) (1973) · Clarence Barlow · Josje Ter Haar · John Snijders

    Clarenece Barlow: Musica Derivata

    ℗ 2000 Hat Hut Records Ltd.

    Released on: 2000-01-01

    Auto-generated by YouTube.

  • NASTYA CASADELAGO COMPLETO

    1:1:39

    Nastya Roca:

    15 de Agosto de 1979 Reynosa Tamaulipas pianista y compositora, estudió por un breve periodo en el Conservatorio Nacional de Música, toma la decisión de renunciar a sus estudios en México para integrarse a los talleres libres con Clarence Barlow en La Haya Holanda y en la Akademija za glasbo Univerze v Ljubljani.
    Nastia es una compositora que pertenece a esa minoría que en México esculpe con el sonido convirtiéndolo en materia. También estudia el sonido producido por el cuerpo, ella es una artista que busca construir un discurso a partir de la vida.
    Fue Becaria del FONCA en la emisión 2001-2002 en el área de multimedia, con el proyecto, paisajes sonoros de la ciudad de México, posteriormente fue becaria en jóvenes creadores del FONCA donde realizo el proyecto maquinas sonoras. Su trabajo siempre ha sido interdisciplinario, suigéneris y polémico
    Actualmente vive entre la Ciudad de México y San Petesburgo en donde pasa la mayor parte del tiempo, colaborando en el Sankt-Peterbúrgskaya konservatoriya en Rusia.

  • Der Mond in Wogen --- für eine Tänzerin, Schlagzeug und Djster

    10:05

    Komponist: Fu, Xiao
    Tanz & Schlagzeug: Lin Chen

    HfMT Hamburg 18.01.2014

    In China, the Mid-Autumn Fest (Chinese 中秋节 Zhongqiujie) is on the 15th day of the 8th lunar month according to the traditional calendar. The festival is also known as the Moon Festival, since the moon plays a central role here. The plea for security and togetherness in the family is crucial.
    In The Moon in waves — for dancer/percussionist and multimedia I talk about the melancholy of a Chinese woman in a foreign land who can not be together with her family during the Moon Festival.
    In this piece I use a Max4Live Device (DJster, Max port by Georg Hajdu of Clarence Barlow's real-time pitch and rhythm generator AUTOBUSK) as well as a Kinect, a 3D camera built by Microsoft. Via the Kinect, the movements of the dancer control pitch, rhythm, dynamics of the music.

  • …Until… version 7 for guitar

    12:29

    Bob Ward, guitar

    Clarence Barlow (b. 1945, India)
    …Until… version 7 for guitar

    Boston Guitarfest 2013
    Thursday, June 20, 2013
    Fenway Center at Northeastern University

  • TRAILER P ART CD project 12 Portraits

    8:16

    Trailer (2017) of the P-ART CD Project: Booklet with CD 12 Portraits (EDITION 2002).
    P-ART Margaret Leng TAN Baudouin OOSTERLYNCK Clarence BARLOW Moniek DARGE Klaus RUNZE Alvin CURRAN Laurie SPIEGEL Sabine SCHAEFER / Joachim KREBS Carl BERGSTROEM-NIELSEN Ward WEIS Dominique VERMEESCH & Daniel VAN ACKER
    P-ART website:
    Description of the CD 12 Portraits: go to webpage:
    Click in this webpage on the emailadress to order a digital or physical copy.

  • variazioni e un pianoforte meccanico

    24:34

    Provided to YouTube by The Orchard Enterprises

    variazioni e un pianoforte meccanico (1986) · Josje Ter Haar · Job Ter Haar · John Snijders · Clarence Barlow

    Clarenece Barlow: Musica Derivata

    ℗ 2000 Hat Hut Records Ltd.

    Released on: 2000-01-01

    Auto-generated by YouTube.

  • The Creatives - Nick Norton

    17:57

    THE CREATIVES is an educational resource created for STARS OF DIFFERENT HUES, an outreach project started by new renaissance artist Elizabeth A. Baker, to make the tools and practitioners of experimental music and performance art accessible to school aged youth in the State of Florida.

    ABOUT NICK NORTON
    Nick Norton is – like you – made from materials forged in the cores of stars. He was born in Los Angeles approximately 13.6 billion years after the universe and at least a few hundred thousand after vertebrates developed a system to interpret vibrating air as sound, and has been making music ever since. The LA Times describes his work as crazy, and NewMusicBox referred to his pieces as “visceral sonic haiku.”

    At an early age Nick discovered that he got a seriously life-affirming kick out of certain arrangements of sound, so started making some by playing guitar and saxophone in bands. He studied composition in college at UC San Diego, then at L’ecole Normale de Musique de Paris, then in graduate school at King’s College, London and UC Santa Barbara – and in a whole bunch of garages, studios, apartments, backyards, beaches, mountains, bars, libraries, clubs, restaurants, forests, and deserts.

    He’s been really lucky, because he’s had great teachers along the way, including Clarence Barlow, Curtis Roads, Andrew Tholl, Joel Feigin, Lei Liang, Robert Keeley, Rand Steiger, Chinary Ung, Harvey Sollberger, and Michel Merlet. He has also worked with George Benjamin and Sofia Gubaidulina.

    Nick rejects the distinction between high and low forms of art, and is interested in creating new experiences for listeners from all backgrounds and destroying social barriers to enjoying music. He has a Chewbacca bobble head on his desk and wishes he had SPENT WAY TOO MUCH MONEY ON a Han Solo to go with it. He enjoys craft beer, sci fi, being in or near the ocean, and Oxford commas.

  • DVD Trailer THE ART OF SILENCE 2018

    10:18

    RELEASE 2018 JANUARY 10TH
    DVD Trailer: The Art of Silence (2018) is a thirty-six page booklet (A5) with personal comments by the contributing artists: Hildegard Westerkamp (CA), Clarence Barlow (USA/EU), Baudouin Oosterlynck (B), Hitomi Shimizu & H. Wakabayashi (JP), Mike Kramer (Core Shift) (AUS/NL), Carl Bergstrøm- Nielsen (DK), Vincent Tordjman (Vicnet) (FR), Dina Maria Mouton (B), Tolgahan Çoğulu (TR), Dominique Vermeesch & daniel duchamP (B), Jeroen van Veen (NL), Raymond Delepierre (B), Shaahin Mohajeri (IR), Klaus Runze (DE) and P-ART (BE), curator of The Art of Silence. The booklet also includes a DVD which consists of 8 original video tracks and 7 original audio tracks. The non-profit project is an international edition of unpublished pieces by composers from Canada, USA, Japan, Iran, Turkey, Australia, The Netherlands, Denmark, France, Germany and Belgium.
    Webpage: ARTOFSILENCE/ArtOfSilence.htm
    DVD-trailer:
    Contact: p.art@skynet.be

  • The Clarence Curvan Orchestra Sparkie the Magic Piano

    3:46

    Freon the album The Greatest Sound Around.(1962)
    Arranged by Beverly Griffith.

  • Spright the Diner by Nib Wryter

    22:29

    Provided to YouTube by The Orchard Enterprises

    Spright the Diner by Nib Wryter (1986) · Clarence Barlow · Josje Ter Haar · Job Ter Haar · John Snijders

    Clarenece Barlow: Musica Derivata

    ℗ 2000 Hat Hut Records Ltd.

    Released on: 2000-01-01

    Auto-generated by YouTube.

  • Lets Do It - Bella Barlow

    4:01

    Bella Barlow sings Lets Do It at her Caberet CALLING ALL DIVAS

    BELLA BARLOW
    CREATIVE BLAST AGENCY
    13-15 Clarence Road, Grays, Essex, RM17 6QA
    T:020-8123 6386 / 01375 386247
    E:info@cbagency.co.uk
    W:

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