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Playlist of Bulgarian literature

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  • Gravitational generator replica from Bulgarian inventors. Български гравитационен генератор.

    27:40

    Gravitational generator replica from Bulgarian inventors. Български гравитационен генератор.

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  • DJ 89 - ДУДА | DUDA BALKAN TRAP | BRATЯТА

    3:59

    ДУДА | DVDΛ

    “СТАВАЙТЕ, РОБОВЕ! АЗ НЕ ЩЪ ЯРЕМ!”

    Това са част от думите написани от “патриарха на българската литература” Иван Вазов за Георги Бенковски в “Епопея на забравените” през 1881г. Около празника Св.Троица през 1867г., Васил Левски идва в Копривщица и създава първия Революционен комитет. Апостолът на свободата готви духовете на копривщенци за едно бъдещо въстание. На 20 април 1876 г. тук на Калъчевия мост, пуква първата пушка и избухва Априлското Въстание.
    В търсене на възрожденски дух пътят ни премина през посипани с листа, изстинали паметници на културата, като този на Тодор Каблешков и стигнем до дома на загиналият като доброволец на Македонския фронт, поет и писател Димчо Дебелянов, който пада убит в това сражение на 2 октомври 1916 г. Скулптурата „Майка“ е поставена на гроба на поета през 1934 г. в родната му къща в Копривщица.
    Това е мястото, от което започна новото българско културно въстание на “BRATЯТА”.

    EN:

    ARISE, SLAVES! I WANT NOT A YOKE!

    Those are some of the words written by The Patriarch of Bulgarian literature Ivan Vazov for Georgi Benkovski in Epopee of the forgotten ones in 1881. Sometime around The Saint Trinity festivities in 1867, Vasil Levski comes to Koprivshtitsa and establishes the first Revolutionary committee. The Apostle of freedom prepares the spirits of the locals for a future rebellion. On April 20th, 1876 here, at the Kalachev bridge, the first rifle is fired and the April Rebellion breaks out.
    In search of the national revival spirit, our path has crossed leaf-covered and chilled cultural memorials, such as the one of Todor Kableshkov, through the house of Dimcho Debelyanov - poet and writer, volunteer on the Macedonian front, who dies in combat on October 2nd, 1916. The famous sculpture Mother is placed at his grave in 1934, at the house of his birth in Koprivshtitsa. This is the place where the new cultural rebellion began for BRАТЯТА.

    #BRATЯТА #DJ89 #BALKANTRAP #ДУДА

    [BALKAN TRAP I & II]:
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    (C) 2015 BRATЯTA

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  • Dilmano, Dilbero - Variations on a Bulgarian folk song

    10:18

    Pre-order Thomas Enhco & Vassilena Serafimova's album Funambules:

    Follow Thomas Enhco:
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    Composer: Thomas Enhco & Vassilena Serafimova

    Thomas Enhco: piano, voice
    Vassilena Serafimova: marimba, crotales, voice

    Directors: Julien Poulain & Ronan Furet
    Producer: Pâte à Films

  • Christopher Walken - I Wanna Be Like You

    3:05

    The Jungle Book soundtrack featuring “I Wan’na Be Like You” is available now!
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    Music video by Christopher Walken performing I Wan'na Be Like You (2016). (C) 2016 Walt Disney Records

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  • Атлас - Кукла

    3:49

    Здравейте! Екипът на My Piano Lesson се радва да ви поздрави с пиано аранжимента си на прекрасната песен на група Атлас - Кукла .
    Надяваме се да ви хареса!
    Абонирайте се за канала, за да гледате и новите ни клипове. ????
    Тук можете да се насладите и на оригиналното изпълнение на песента:
    Атлас - 1990 музика: Пепи Попов, текст: Димитър Воев, аранжимент: АТЛАС

    Hi there! ????
    My Piano Lesson is greeting you with one of the most beloved Bulgarian songs Doll.

    You can enjoy the original song here:

    Thank you so much for watching! Click the ????bell to stay tuned for the newest releases.

    If you like this video, please give a thumb up and subscribe to the channel.
    Also feel free to share your thoughts with us:


    If you want a tutorial for your favorite song, please leave a comment below.

    My Piano Lesson is a youtube channel for music lovers.
    Here you can find piano covers and Synthesia midi tutorials of your favorite songs
    from beginner to advanced, even impossible level.
    With our piano lessons we hope to make the music theory easier and playing the piano more fun and interesting for you.
    Browse our video library also to find free piano sheet music, piano step by step (explained) lessons and piano tips:

    ★ Here you can support the channel by donating and help us stay focused on the good work. We can also buy new equipment for more interesting and better quality videos:
    Thank you so much for your support and have a great time with the music!


    #АтласКукла #AtlasKukla #Кукла

  • Gioachino Rossini - LItaliana in Algeri, Act I

    1:28:01

    From the Schwetzinger Festspiele in 1987
    Radio-Sinfonie-Orchester Stuttgart
    Ralf Weikert - conductor
    Michael Hampe - stage design
    The Bulgarian Mens Choir of Sofia

    Günther von Kannen - Mustafà, the Bey of Algiers (bass)
    Nuccia Focile - Elvira, his wife (soprano)
    Susan MacLean - Zulma, her confidante (mezzo-soprano)
    Rudolf A. Hartmann - Haly, the captain of the Bey's guard (tenor)
    Robert Gambill - Lindoro, in love with Isabella (tenor)
    Doris Soffel - Isabella, the Italian girl (contralto)
    Enric Serra - Taddeo, an elderly Italian (bass)
    Anna-Maria Mörgeli - Pascha, a little monkey

    Gioachino Rossini - L'Italiana In Algeri
    operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli

    Go to part 2:

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    Michael Hampe’s ingenious Rossini stagings show two of the master’s pieces in the best possible light. „L’Italiana in Algeri“, on the surface a frothy little farce, on a deeper level an acerbic social satire, is coupled with the composer’s magnum opus, the eternally popular “Il barbiere di Siviglia”, one of the most admirable works in the entire operatic literature.
    In both productions, Michael Hampe draws the inspiration for his international cast from the clever plots and the grand spirit of Rossini’s brilliant music, avoiding all the hackneyed gags of yesteryear. Magnificent cantilena as Mauro Pagano’s imaginative settings and costumes combine with the expert musical direction of Gabriele Ferro and Ralf Weikert to make these two operatic performances a delight to the eye and the ear alike.

    Gioacchino Rossini (1792 – 1868)
    During his lifetime Rossini occupied an unrivalled position in the Italian musical world. The son of a horn-player and a mother who made a career for herself in opera, as a boy Rossini had direct experience of operatic performance, both in the orchestra pit and on stage. He is considered to be the last and greatest composer of comic opera in the buffo style, but is more important as a composer of opera seria.
    From his first relative success in 1810, his operas were performed in all the Italian operatic centres. In 1824 Rossini settled in Paris where he wrote his final opera, Guillaume Tell, which was staged there in 1829.
    The revolution of 1830 put an end to French royal commissions for the theatre and Rossini returned to Italy. Although he continued to enjoy considerable esteem, both in Paris and in his native Italy, he stopped composing, partly due to bad health.
    He returned to Paris in 1855 and began to compose again, writing a number of piano works and ensembles, many of which were performed at Rossini’s Samedi Soirs.

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  • NIGHTMARE - Sick Dark Piano Beat Hiphop Rap / Vlap Beats 86 bpm

    2:07

    Title: Nightmare
    Tipe: Dark Piano
    Bpm: 86
    Sample: Lucas King - Sleep Paralysis


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  • War beat - like a trailer- 2016

    4:41

    Enjoy my trailer beat ------------ Non-Exclusiv is for free!
    Mp3 Download:

    Support me! share, like and subscribe it!!

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  • WIND - Dark Sad Piano Beat / Sad Underground Beat - 80bpm

    2:45

    Title: WIND
    Type: Dark Sad Piano
    Bpm: 80






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  • Literature Quizbowl Questions 1

    12:31

  • Denis Petrunin - Mirrors of Emptiness by Grigory Smirnov

    15:26

    VF Artist Denis Petrunin performs Mirrors of Emptiness for marimba and digital delay by Grigory Smirnov!

    This piece is available for purchase at:


    Vic Firth Performance Page:


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    MALLETS:

    Robert Van Sice Signature Series


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    ABOUT THE PIECE:

    I wrote Mirrors of Emptiness by request from the Danish music publisher Edition Svitzer in 2008. Seeking a way to expand the expression of marimba sound and technique without adding extra instruments, I used the electronic effect of stereo delay (echo) which produces reflections of sound, very much like a mirror produces reflections of light. Sound of marimba reminded me of something empty: marimba actually uses a physical emptiness for the acoustic resonance. These suggested the title of the piece. I thought about how emptiness can produce some illusion of ‘fullness’ just through numerous reflections of itself. In the same way some of our ‘empty’ thoughts or ideas multiplied by reflections and repetitions may produce an entire ‘empty’ reality. Starting from a “heartbeat-like” motive in the beginning of the piece, the music develops into a large multi-sectional composition. On a technical side, the performance of Mirrors of Emptiness requires a microphone or two, a digital audio processor or software for the stereo delay effect, and a pair of speakers on the stage.

    - Grigory Smirnov

    I instantly fell in love with Mirrors of Emptiness when I have heard it for the first time - it was absolutely striking.

    The way Grigory uses digital delay in this piece takes the sound of marimba to a different level.

    I strongly believe, that Mirrors of Emptiness is one of the masterpieces which enriches our repertoire and allows the listener to perceive marimba from a completely different perspective.

    - Denis Petrunin

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    ABOUT THE PERFORMER:

    Mr. Petrunin's percussive activity covers solo, chamber, and orchestra areas.

    He has appeared at Carnegie, Avery Fisher, and other prestigious concert halls in the United States, Russia, Bulgaria, China, Croatia, England, Holland and Spain.

    Coming from Moscow, Russia, Denis has been playing music since the age of five. He started his education at The Gnessins School of Music (guided by his father, George Petrunin), received his Bachelor degree from The Curtis Institute of Music under the guidance of Don Liuzzi and Michael Bookspan, completed his Artist Diploma and Master of Music degree at the Yale University School of Music under the instruction of Prof. Robert van Sice.

    Full bio here:

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    ABOUT THE COMPOSER:

    A native of Siberia, Russia, Grigory Smirnov is a composer and pianist living in New York.

    His compositions have been performed around the globe in major venues, such as Lincoln Center, Tanglewood, Merkin Concert Hall, Moscow Philharmonic Society and The Copenhagen Opera House. Among his recent works is a large-scale song cycle Dowson Songs, commissioned by The ASCAP Foundation, premiered at Merkin Concert Hall at Kaufman Music Center in New York and released on a CD by Naxos Records. Grigory Smirnov's music has been featured on WQXR, America's leading classical music radio station, and in a number of festivals worldwide, including Tanglewood Music Center (MA, USA), Brevard Music Center (NC, USA), ppIANISSIMO (Sofia, Bulgaria), Chamber Music Sessions (Kiev, Ukraine), CTAM Festival (Moscow, Russia), Blue Lake Summer Arts Festival (MI, USA). He was a Tanglewood Music Center Fellow and has taught at Rutgers University.

    Full bio here:

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  • Bulgarian Etude

    3:52

    James Hewitt performs his Bulgarian Etude, a virtuoso caprice with constant sixteenth notes in irregular groupings. Performed at the Royal Conservatoire, The Hague 26/05/2010

  • L. V. Beethoven - Piano Sonata N.5 in C minor, op. 10 N.1 - I part

    5:22

    29.02.2020
    Solo concert in Library for Foreign Literature, Bulgarian Cultural Institute, Moscow
    Ivaylo Vassilev, 12 y.o.
    Солов концерт в залата на Библиотека за чуждестранна литература, Български културен институт - Москва

  • Viktor Kalabis - Accents op. 26: N.3 Andantino and N.5 Agitato. Molto Allegro

    3:36

    29.02.2020
    Solo concert in Library for Foreign Literature, Bulgarian Cultural Institute, Moscow
    Ivaylo Vassilev, 12 y.o.

    Performance: Viktor Kalabis - Accents op. 26:
    - N.3 Andantino - 0:00
    - N.5 Agitato. Molto Allegro - 2:33

  • “Gankino Horo / Kopanica” with a special guest Theodosii Spassov

    2:18

    Rehearsal for 24th of May 2019 celebration of Bulgarian culture and literature at Bulgarian Cultural Institute London
    Kopanica (Digging dance) can refer to any number of dances in 11/16 time, but can also be used to describe this basic village dance. Gankino (Ganka's dance) is the name used in the NW of Bulgaria. There are some who say that Gankino refers to the dance and Kopanica to the rhythm, but this doesn't seem to correspond to actual usage.

    *** Credits ***
    Theodosii Spassov - kaval

    Raya Kostova - piano



    Lora Marinova - cello

    Boyan Ivanov - clarinet

    ***Audio***

    Recorded with

    Zoom F1 - kaval
    Zoom Q3 - piano
    Zoom H5 plus Audio Technica ATM350 - cello
    Zoom H5 plus Zoom XYH-5 - room microphone

    Mixed in Cakewalk by bandlab
    Mastering with Final Touch

    ***Video***

    Recorded with Sony a5100
    Lens: Sony SEL16F28

    Video Editing with LumaFusion

  • Isabelle Olivier in Bulgaria

    10:22

    Famous French harp player Isabelle Olivier performs in Bulgain National Radio's concert hall together with high-class Bulgarian jazz musicians Antoni Dontchev, piano, Georgi Dontchev, contrabass, Dimitar Semov, percussions and Rossen Zahariev on the trumpet, on Bulgaria's Education, Culture and Slavonic Literature National Holiday 24 May, 2010.
    Note: Quality is terrible as I've made the recodrings with a mobile phone.
    ---
    Френската арфистка Изабел Оливие изнася концерт в зала 1 на БНР заедно с българските джаз музиканти Антони Дончев (пиано), Георги Дончев (контрбас), Димитър Семов (перкусси), Росен Захариев (тромпет) на 24 май 2010 г.
    (Качеството е ужасно, тъй като записът е правен с мобилен телефон.)

  • D. Scarlatti - Sonata in F minor, K 466

    5:13

    29.02.2020
    Solo concert in Library for Foreign Literature, Bulgarian Cultural Institute, Moscow
    Ivaylo Vassilev, 12 y.o.
    Солов концерт в залата на Библиотека за чуждестранна литература, Български културен институт - Москва

  • Lud Gidiya - opera by Parashkev Hadjiev

    2:53

    Parashkev Hadjiev
    27 April 1912, Sofia - 28 April 1992, Sofia

    Hadjiev was taught initially by his parents, both leading figures in the early years of Bulgarian opera (his father was a conductor, his mother a singer); he then studied composition with Josef Suk (1932-33) before entering the State Musical Academy in Sofia (1933) as a pupil of Vladigerov. On the recommendation of Vladigerov he took lessons with Joseph Marx in Vienna before completing his studies at the Berlin Hochschule fur Musik (1938-40).

    In 1940 Hadjiev became a lecturer at the Sofia Academy. He was one of the most prolific Bulgarian opera composers, and one of the most frequently staged. His spontaneously emotional side and inborn theatrical sense are evident in both dramatic and humorous contexts, and he has proved able to communicate effectively with children.

    For his librettos he has drawn on foreign as well as Bulgarian literature and on fairy-tales. The individuality of his musical language results above all from his characteristic melodies, built on elements of Bulgarian folk music. Artistic simplicity, accessibility, knowledge of how to write for the human voice and a rich harmonic palette are dominant features.

    Lud gidiya (The Madcap), generally regarded as the best example of Bulgarian comic opera, has also been performed abroad.

  • Gioachino Rossini - LItaliana in Algeri, Act II

    1:18

    From the Schwetzinger Festspiele in 1987
    Radio-Sinfonie-Orchester Stuttgart
    Ralf Weikert - conductor
    Michael Hampe - stage design
    The Bulgarian Mens Choir of Sofia

    Günther von Kannen - Mustafà, the Bey of Algiers (bass)
    Nuccia Focile - Elvira, his wife (soprano)
    Susan MacLean - Zulma, her confidante (mezzo-soprano)
    Rudolf A. Hartmann - Haly, the captain of the Bey's guard (tenor)
    Robert Gambill - Lindoro, in love with Isabella (tenor)
    Doris Soffel - Isabella, the Italian girl (contralto)
    Enric Serra - Taddeo, an elderly Italian (bass)
    Anna-Maria Mörgeli - Pascha, a little monkey

    Gioachino Rossini - L'Italiana In Algeri
    operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli

    Go back to part 1:

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    Michael Hampe’s ingenious Rossini stagings show two of the master’s pieces in the best possible light. „L’Italiana in Algeri“, on the surface a frothy little farce, on a deeper level an acerbic social satire, is coupled with the composer’s magnum opus, the eternally popular “Il barbiere di Siviglia”, one of the most admirable works in the entire operatic literature.
    In both productions, Michael Hampe draws the inspiration for his international cast from the clever plots and the grand spirit of Rossini’s brilliant music, avoiding all the hackneyed gags of yesteryear. Magnificent cantilena as Mauro Pagano’s imaginative settings and costumes combine with the expert musical direction of Gabriele Ferro and Ralf Weikert to make these two operatic performances a delight to the eye and the ear alike.

    Gioacchino Rossini (1792 – 1868)
    During his lifetime Rossini occupied an unrivalled position in the Italian musical world. The son of a horn-player and a mother who made a career for herself in opera, as a boy Rossini had direct experience of operatic performance, both in the orchestra pit and on stage. He is considered to be the last and greatest composer of comic opera in the buffo style, but is more important as a composer of opera seria.
    From his first relative success in 1810, his operas were performed in all the Italian operatic centres. In 1824 Rossini settled in Paris where he wrote his final opera, Guillaume Tell, which was staged there in 1829.
    The revolution of 1830 put an end to French royal commissions for the theatre and Rossini returned to Italy. Although he continued to enjoy considerable esteem, both in Paris and in his native Italy, he stopped composing, partly due to bad health.
    He returned to Paris in 1855 and began to compose again, writing a number of piano works and ensembles, many of which were performed at Rossini’s Samedi Soirs.

  • Borislava Taneva - Pieces for Little pianists - Balloons, Riddle, The Old Clock, Clowns

    3:20

    29.02.2020
    Solo concert in Library for Foreign Literature, Bulgarian Cultural Institute, Moscow
    Ivaylo Vassilev, 12 y.o.

    Performance:
    - Balloons - 0:03
    - Riddle - 1:02
    - The Old Clock - 1:25
    - Clowns - 2:43

  • x
  • Kukla - Atlas Cover

    3:07

    Me singing and playing Kukla in Bulgarian.

    Singe electric piano sound.

  • Bulgarian My Songs by Ivan Vazov | A cappella | Моите Песни Вазов

    2:58

    Lyrics: Ivan Vazov
    Voice: Aaron Kovner
    Idea, photo: Aaron Kovner, Nathan Rasputkov

    SAN is performing slideshow with a cappella singing of a legendary Bulgarian song.

    The poem My Songs (Bulgarian Moet Songs) was written by Ivan Vazov in 1913. A popular version of the song was performed by a musical group Episode (Епизод).

    Ivan Minchev Vazov (Bulgarian: Ivan Minchev Vazov) (June 27, 1850 - September 22, 1921) was a Bulgarian poet, novelist and playwright, often called the “Patriarch of Bulgarian Literature”. The works of Ivan Vazov reveal two historical eras - the era of the Bulgarian Renaissance and the era after liberation (from the rule of the Ottoman Empire). Ivan Vazov has the highest honorary title of the Bulgarian Academy of Sciences - academician. From September 7, 1897 to January 30, 1899, he served as Minister of Education and Enlightenment of the People, representing the People's Party.


    Моите песни
    Иван Вазов, Януари 1913

    И аз на своя ред ще си замина,
    трева и мен ще расне над прахът.
    Един ще жали, друг ще ме проклина,
    но мойте песни все ще се четат.

    И много имена и лесна слава
    годините без жал ще изметат
    ил ще покрие плесен на забрава,
    но мойте песни все ще се четат.

    В тях зов се чуй за правда, за свобода,
    любов и благи чувства ги красят
    и светлий лик на нашата природа,
    та мойте песни все ще се четат.

    В тях вее на Балкана лъхът здрави
    и тайните хармоний му звучат,
    и гръмът на народните ни слави,
    та мойте песни все ще се четат.

    Във тях душата ми изля се цяла
    с най-скъпите си бисери, цветя,
    в тях всичко светло, ценно си е дала,
    във тях живей, звънти и тръпне тя.

    Не ме смущава див вой от омрази,
    не стряска ме на завистта гневът —
    спокойно гледам в бъдещето ази:
    там мойте песни все ще се четат.

    Те жив са отклик на духа народни,
    а той не мре, и дор сърца туптят
    от скръб и радост в наший край свободни,
    и мойте песни все ще се четат.

  • Isabelle Olivier in Bulgaria 2

    10:06

    Famous French harp player Isabelle Olivier performs in Bulgain National Radio's concert hall together with high-class Bulgarian jazz musicians Antoni Dontchev, piano, Georgi Dontchev, contrabass, Dimitar Semov, percussions and Rossen Zahariev on the trumpet, on Bulgaria's Education, Culture and Slavonic Literature National Holiday 24 May, 2010.
    Note: Quality is terrible as I've made the recodrings with a mobile phone.
    ---
    Френската арфистка Изабел Оливие изнася концерт в зала 1 на БНР заедно с българските джаз музиканти Антони Дончев (пиано), Георги Дончев (контрбас), Димитър Семов (перкусси), Росен Захариев (тромпет) на 24 май 2010 г.
    (Качеството е ужасно, тъй като записът е правен с мобилен телефон.)

  • Keiko Abe // Variations on Downlands Lachrimae Pavane by Vivi Vassileva

    1:22

    The percussionist Vivi Vassileva is one of the most fascinating classical soloists of her generation, and she now releases her debut cd, entitled singin' rhythm, on the alpha classics label. Born in 1994 to a Bulgarian family of musicians – her mother is a pianist, her father and brother are violinists, her sister plays violin too and she herself learned the instrument – Vivi was captivated by music at an early age especially when she heard some hand drummers playing on a remote, unspoiled beach at the Black Sea where her parents own a house. It was then that she decided to change from violin to percussion. with her dynamic, infectious way of making music, Vivi exudes a sense of enjoyment that is in no way limited to the elaboration of rhythms or the igniting of a display of tonal pyrotechnics. Her main aim is to touch people, to tell stories expressed in terms of melodies, harmonies and rhythms. Vivi is motivated and inspired by the diversity of tonal colours and the opportunities they offer, and that is why she is so convinced that percussion is the instrument of the 21st century. However, since the repertoire for percussion is limited, Vivi Vassileva not only commissions new compositions; she arranges and composes herself, constantly on the lookout for new formations and heading up various chamber music groups. As a result, this new album features works by Guillo Espel, Eric Sammut, Oriol Cruixent and Keiko Abe, most of them premiere recordings, alongside some rarely heard or premiere arrangements and compositions by Vivi Vassileva herself.

    Release date → June 2019
    Stream//Download//Buy → Coming soon

    FACEBOOK→
    TWITTER →
    INSTAGRAM →
    YOUTUBE →
    WEBSITE →

  • London Festival of Bulgarian Culture - LFBC

    4:59

    LFBC will be celebrating the Bulgarian Culture in the UK throughout November 2010!
    A string of fantastic events will be held in London such as concerts, educational workshops, lectures, and painting exhibitions.
    For more information please visit or

  • As she sings - Wolekh

    5:48

    Performance of As she sings on August 1, 2019 in Plovdiv during the International folklore festival.

    Wolekh - a great song written by Michael Felsenbaum.

    Oh you, Wolekh, do not weep
    guard the bones of my ancestors
    and my house in the alley
    by the spring with the bridge ........

    ... a song about having to leave the land where you were born, but instead of being sad we will dance ...

    As She sings are:
    Ginka Tser (Gypsy, Bulgarian)
    Mariya Pasheva (Bulgarian)
    Lucette van den Berg (Yiddish)

    Bandmembers:
    Miroslav Turiyski - Keyboards
    Kristian Jelev - Drums
    Slavcho Lambov - Accordeon
    Yashko Argirov - Klarinet

  • Bulgarian Cultural Center Festival Svornati Horo

    4:11

  • Mozart / Piano Concerto No. 9 in E-flat major

    12:00

    An excerpt from a concert organized by Ruse Opera and Philharmonic Society and Rousse National School Of Arts Prof. Vesselin Stoyanov.

    Held on May 24th 2010 - Bulgarian Education and Culture, and Slavonic Literature Day

    Conductor: Jean-Yves Gaudin

    Live Video Recording by: NLE Productions, nle.ltd@gmail.com

  • 2nd London Festival of Bulgarian Culture - Trailer

    58

    Full details and festival programme at

    The 2nd London Festival of Bulgarian Culture will be held in the British capital from 1 -- 30 November 2012, in partnership with the Bulgarian Embassy in London and the Bulgarian Cultural Institute in London.

    There will be over 20 events -- concerts, theatre, cinema, and exhibitions presented in a number of central London venues.

    Video produced by Lepton Productions

  • Magic Violin

    3:16

    Provided to YouTube by Believe SAS

    Magic Violin · Furkan Soysal

    Magic Violin

    ℗ You Music

    Released on: 2018-02-01

    Music Publisher: 2645 Records
    Composer: Furkan Soysal

    Auto-generated by YouTube.

  • Lenche Kumanovche 7/10 - Macedonian comedy

    10:49

    Macedonian comedy Lence Kumanovce/Begalka (Lenche of Kumanovo) by the Macedonian writer, dramatist, professor and an important figure in the Macedonian literature, especially in Macedonian drama between the two World Wars, Vasil Iljoski.

    His play Begalka was performed first time in 1928 in the Skopje theatre and it is considered one of the first plays written in the Macedonian language but at once prohibited.
    In 1936 the same drama with the same text was performed again under the title Lenche Kumanovche

    Седум децении од изведбата на „Ленче Кумановче

  • Composers Datebook for April 12, 2019 - Henri Lazarof

    2:00

    Bulgarian-American composer Henri Lazarof was born on today’s date in 1932. He organized LA’s first festival of contemporary music in 1963 and has continued to be a champion of new music.

    Learn more about this date in classical music history:

    The award-winning Composers Datebook is a daily two-minute program designed to inform, engage, and entertain listeners with timely information about composers of the past and present. Each program notes significant or intriguing musical events involving composers of the past and present—with appropriate and accessible music related to each.

    (c) 2019 American Public Media

  • Soundstreams presents Yamagara Diary by Akira Miyoshi

    9:31

    Miyoshi based the music of this work on some melodies of Hungarian folk songs. The story of the story is inspired by the Bulgarian folk tale. Yamagara translates to Varied Tit, a perching bird that is found in Japan, Korea, Taiwan and northern China.

    Recorded on March 5, 2013 at the 'Fujii Percussion & Voices' concert presented by Soundstreams At Koerner Hall in Toronto, Canada. Performed by the Toronto Children's Chorus, Chorale, Mutsuko Fujii and Haruka Fujii.

    Discover the Soundstreams commissions catalogue on the SoundMakers website: SoundMakers.ca/soundstreams-commissions

  • Piano cover on two Bulgarian songs

    2:27

    Моята импровизация на музиката от две български песни - Високи сини планини и Хубава си моя горо в изпълнение на пиано.

  • Without You - FREE Dark Piano Underground Beat | Sad HipHop Rap Instrumental

    3:34

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  • The Adventure of the Noble Bachelor

    33

    Provided to YouTube by Kontor New Media GmbH

    The Adventure of the Noble Bachelor (Part 28) · Arthur Conan Doyle · David Jenkins

    The Adventures of Sherlock Holmes

    ℗ British Literature Audiobooks

    Released on: 2019-09-28

    Artist: Arthur Conan Doyle
    Artist, Narrator: David Jenkins
    Lyricist: Arthur Conan Doyle
    Music Publisher: British Literature Audiobooks

    Auto-generated by YouTube.

  • Stefka & Amer Shanati Mijn vlakke land/Haddi Ya Bahr@ Festival Winternachten 2018

    2:28


    Video impression of performance Stefka & Amer Shanati at International Literature Festival Winternachten 2018, Theater aan het Spui, The Hague.
    Songs about the Sea: transforming Dutch song Mijn Vlakke Land (Jacques Brel) into Palestinian folksong Haddi Ya Bahr (Abu Arab), from the musical program Eerst was er Thuis / First there was Home, collaboration between Stefka (Stephanie Ruijsenaars: singer-songwriter, bass: Christian ten Hoope, trumpet: Robbert Verweij) and Amer Shanati (ud)

  • Old Russian Romances - Franco Cesarini

    6:40

    Mitropa Concertwork Series Grade 3-4
    1925-13-010 M


    Foreign culture - art, literature and above all music - have long fascinated Franco Cesarini and often serve as a source of inspiration for his compositions. For Old Russian Romances, Cesarini immersed himself in the study of Russian folk songs and eventually selected a number of joyful and also melancholy melodies which he worked into his composition with typical craft and imagination but also with respect for the original tunes.

  • Hopa Trop Childrens Folk Dance Ensemble Presentation 2014

    3:39

    Hopa Trop Children's Folk Dance Ensemble 2014
    Performing traditional Bulgarian dances and songs from all regions of Bulgaria.
    Choreographer: Dani Makedonska
    For more information:
    Follow us on Facebook:

  • Literary Theory - Fall 2019 Student Presentations

    1:5:53

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  • PRIVATE TOURS AROUND ROME - Trance music 2018 by Adel Karanov private guidein Rome

    2:11

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  • bulgaria

    10:35

  • Beethoven Mondschein Sonate op 27 No 2, 3 part LILI ATANASOVA

    5:20

    Ludvig van Beethoven (1770 - 1827) - Mondschein Sonata Op. 27, No 2, Third movement.
    Performed by prof. Lily Atanassova. Recorded by Bulgarian National Radio in 1956.
    LILY ATANASSOVA (1921 - 2004) was born in Sofia in the family of the pianist-pedagogue and composer Georgi Atanassov who garduated from the Prague Music Academy. She studied with the academician Andrei Stoyanov - the
    founder of the BUlgarian piano school and lately became his assistant and follower of his traditions. As a piano
    professor in the State Music Academy Lili Atanassova created a bunch of great performers and pedagogues at the
    international status. She was a Dean of the Instrumental Faculty and a Deputy Rector of the Academy for many years. She has edited a great amount of piano literature. Took part as a jury member in many prestigious competitions, founder of the Pleven Festival Laureate Days Katia Popova. She has been awarded the orders of Peoples Republic of Bulgaria - First Grade, St Cyril and Methodius - First Grade, Golden Century and elected as Doctor Honorius Causa of the State Academy of Music - Sofia.
    Lily Atanassova is an inimitably performer of works by Chopin, Beethoven, Schumann, Brahms. Her great musical achievements give her a place among the greatest Chopin performers in Bulgaria. Critics and public alike feel that one of the peaks in her interpretative art is the Chopin's concert Op.21 f minor and the recital from 1972 with four Scherzos and four Ballads by Chopin - a concert still to be remembered.
    The pianistic talent of Lily Atanassova has flourished also in works by Bach, Mozart, Schubert, Mendelsohn and others. Until this every day people talk about her fabulous playing works by another beloved composer of hers - Beethoven.
    Apart from solo recitals and stylish evenings she took part in the first integral performance of the ten Beethoven Sonatas for piano and violin blending in a remarkable team with Prof. Vladimir Avramov. She is a partner in a rare ensemble feeling and great musicanhip. These works as well as Brahms Sonatas and some Sonatas by Mozart are in the Golden Fund of the Bulgarian National Radio.
    Typical for her interpretative style is a deeply thought-out performer's conception, classical traditions, balance between form and emotional freedom, wonderful articulation, colorful ton, pedal with great finesse. All this is an emanation of her artistyc personality combining artistry with refined taste and freedom, which acts powerfully on the listener.
    Lily Atanassova's pedagogical method combines clear tasks, psychologically preparing the student for performance
    on stage, respect and love toward the young performer and the help both in professional and all other matters of life.
    Lily Atanassova is born in a generation of Bulgarian intellectuals deeply bound with the classical traditions of European aesthetics. She lived long enough to see the revival of the new, natural personality of our time and had great expectations for it.
    Lily Atanassova departed from us in the position of a strict guard of the Beautiful who has put many questions to her pupils and is waiting for their adequate answers.

  • Tomáš Valiček — Don Rhapsody No 2, / CD VIRTUOSO

    7:53

    Tomáš VALIČEK - CD VIRTUOSO



    Sólové CD s názvom VIRTUOSO, zahŕňa skladby vážnej hudby a varieté. Skladby sú prevažne zamerané na akordeónovú literatúru. Efekt, vážnosť a brilantnosť skladieb dáva celému albumu virtuozitu z čoho vychádza aj názov CD. Tento album je prierezom diel rôzneho žánru a charakteru od klasickej vážnej hudby cez varieté až po argentínske tango.

    Z verejných zdrojov podporil Fond na podporu umenia.

    Solo debut CD called VIRTUOSO. His debut CD called
    VIRTUOSO includes classical music and varieties. The compositions are mostly focused on
    accordion literature. The effect, seriousness and brilliance of the compositions gives the
    album the virtuosity, also reflected in the CD title. This album is a cross-section of works of
    different genres and character from classical music through varieties to Argentine tango.

  • Božidar Boki Milošević- review of the books for the clarinet by the author Radivoj Lazić

    1:47

    Our renowned clarinet artist Božidar Boki Milosevic gives his review of
    The Instructive Clarinet Literature by the author Radivoj Lazić
    intended for pupils, teachers and students.

    Belgrade, 31 Maj 2012

    More about this and Božidar Milošević on the Web site:


    and


    ----------------------------------------------------------------------------------------------------

    Kritički osvrt na obimnu Instruktivnu klarinetsku literaturu autora
    Radivoja Lazića, namenjenu đacima, studentima i pedagozima,
    iznosi naš renomirani umetnik na klarinetu Božidar Boki Milošević.

    Belgrade, 31. Maj 2012. godine

    Više o ovome i Božidaru Bokiju Miloševiću pogledajte na websajtu:


    i

  • Turkish Mansur Ney

    8:49

    I am playing Turkish mansur ney with my friend on Iranian Tombak. The photos I took when I was in Turkey and Egypt between 1999-2007 learning ney. I have included photos from the Galatasaray Mevlevi Semahane, courtyard and cemetery, in Istanbul, which is now the Literature Museum, but was the place where Sema took place. The musicians were in the balcony and the sema was performed on the floor. In Cairo´s Mevlevi Semahane there were vents in the roof and these were opened at the end of the sema during the Yuruk semai section. I have a few a few photos of the Alevi Cem, their sema is not with the ney but it is a sema/cem all the same, I took these at the Abdal Musa Bayram in southern Turkey.

  • Magic saxophone world music by Finn Martin. Song no. 1

    5:31

    Finn Martin's life lastet from
    3. October 1961 - 2. September 2011.

    At the end of his life Finn met with Thomas Schauffert, a composer, producer and musician from Basel, Switzerland.
    At their very personal and privat meeting in the studio of THS (Thomas Schauffert), Finn Martin handed over his only full album which has never been released before.
    So finally in 2016 THS, Thomas Schauffert found the right time and heart to release these unbelievable warm and powerful 10 songs of Finn Martin.

    If you want to get to know more contact

    thomas@ths-music.ch

    RIP Finn.

    Finn Martin was performance artist, multi instrumentalist, singer, composer and director.

    Finn Martin was a quite unusual artist. His versatility and his commitment to quality and authenticity have made him become a renowned allrounder in the international art and show production scene.

    As the son of an Irish mother ( who was raised in Kenya, East Africa) and a Swedish father, he was born in Sweden in 1961. After classical music studies in Switzerland and several years of residence and a degree in Stockholm, he moved to the world music capital of Paris, where during 20 years he worked as a studio musician and sideman in many cultural projects. In the mid-eighties, he worked in parallel to his musical activities, also as an actor in several film productions.

    Among his musical references you can find African Stars like Salif Keita, Manu Dibango, Mory Kante, Angelique Kidjo, Idrissa Diop, Ray Lema or Lokua Kanza, Balkan Greats like The Bulgarian Voices of Prof. Stefanov, Bogdan Rankovic, Arabic Star Cheb Mamy, The Orchestra National de Barbes or Rachid Bahri, Blues Diva Marla Glen, Brasilian Artists Rosanna & Zelia, Cuban Great Ruben Gonzales or “Electro Pope” Laurent Garnier and many others with whom he participated in international music festivals all over the World.
    His intense traveling was always characterized by rich cultural encounters and his goal was always cross-border communication.
    Various encounters with representatives of other art forms and cultures such as acrobatics, dance, literature, theater, painting and multi media have inspired him to fuse these different forms of expression in some of his productions with one another.
    Some may recall the original and award-winning show Carpe Diem. His cross culture productions Sonido ( world music / modern circus ) or Soulfoot ( world music / dance ) have been performed successfully in major theaters throughout Germany.

    Finn has won several awards for innovative concepts ( GALA Awards 2008 Gala Award for „VW Mumbai Cross Culture Experience“ in the „Best Multiple-Day Event Program for a Corporation or Association“ or the Gala Award for „Caterpillar Bauma 2007“ in the „Best Event Entertainment Concept and Execution)

    Finn has been working since 1994 with his multi-media production VERTIGO on the worlds event markets and collaborates regularly with the internationally renowned Agency Circ Responsibility and its Grameen Social Lab of founder and Nobel Price Winner Prof. Muhammad Yunus.


    -Video Upload powered by

  • Ivan Spassov - Movements for 12 String Instruments

    10:10

    Ivan Spassov - Movements for 12 String Instruments (1967)
    New Symphony Orchestra, Bulgaria
    Guerguan Tsenov - conductor
    Live performance from Bulgaria Hall
    Sofia, Bulgaria, April 25, 2016

    Ivan Spassov (1934-1996) was born into a family of professional musicians. After graduating from the composition and conducting classes at the Bulgarian State Music Academy, Spassov continued his studies in Warsaw as a student of Kazimierz Sikorski and Stanisław Wisłocki. At the end of his studies Spassov conducted the Warsaw National Philharmonic Orchestra in premières of his own works. After his return to Bulgaria in 1962 Spassov was appointed conductor of the Plovdiv State Philharmonic Orchestra and began actively to promote modern music. He occupied this position for six seasons before being dismissed for introducing modernist ideas and for ‘not acknowledging the authority of the Party’. In 1964 he founded the Plodiv Musical Youth society, at whose concerts the works of Lutosławski, Penderecki, Baird, Milhaud, and others were performed in Bulgaria for the first time. In 1964 Spassov composed music for the film Morsel of the Sky for Three (‘Къшче небе за трима’). This film score was the first experiment in aleatoric (based on chance and improvisation) music in Bulgaria and the first to employ graphic notation; it formed the basis of his Episodes for Four Timbral Groups (Епизоди за четири групи тембри,1965), which was heard in the West for the first time at Darmstadt in 1968. Movements for 12 String Instruments (Движения за 12 струнни инструмента,1967) was the first experiment with “instrumental theatre” in Bulgaria.

    At a time when most European composers were following other trends in music, Spassov turned to folk music. His professed aim was to unite folk elements with the modern idiom, believing that aleatoric techniques found their ideal counterpart in the Bulgarian unmeasured folksongs.

    Although the term neo-folk was coined to describe specifically his very unique choral style, the development and application of folk techniques by Spassov was not limited only to his choral music; his Cello Concerto No. 1 (1974), for example, calls upon the soloist and orchestra to imitate a folk-derived vocal style. Simultaneously, Spassov developed a parallel line of compositional thought, one of deep spiritual and transcendental reflection in which folk elements are conspicuously absent, as evidenced in Canti lamentosi (Sorrowful Songs,1979), Canti dei morti (Songs of the Dead,1983), Pieta for 12 cellos (1991), Songs of a Soul Ascending to Paradise (Песни на една душа, отлитаща към рая, 1991), and the Mass (1993). This aspect of his musical personality was further heightened by the personal tragedy of the death of his only daughter in 1991.

  • London Festival of Bulgarian Culture PROMO

    54

    Promotional video clip of the First London Festival of Bulgarian Culture, which happened throughout November 2010.
    More videos of what is planned for the next edition in 2012 you can find at

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