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Playlist of Bulgarian literature

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  • Bulgarian Etude

    3:46

    James Hewitt performs his Bulgarian Etude, a virtuoso caprice with constant sixteenth notes in irregular groupings. Performed at the Royal Conservatoire, The Hague 26/05/2010

  • Bulgarian My Songs by Ivan Vazov | A cappella | Моите Песни Вазов

    2:58

    Lyrics: Ivan Vazov
    Voice: Aaron Kovner
    Idea, photo: Aaron Kovner, Nathan Rasputkov

    SAN is performing slideshow with a cappella singing of a legendary Bulgarian song.

    The poem My Songs (Bulgarian Moet Songs) was written by Ivan Vazov in 1913. A popular version of the song was performed by a musical group Episode (Епизод).

    Ivan Minchev Vazov (Bulgarian: Ivan Minchev Vazov) (June 27, 1850 - September 22, 1921) was a Bulgarian poet, novelist and playwright, often called the “Patriarch of Bulgarian Literature”. The works of Ivan Vazov reveal two historical eras - the era of the Bulgarian Renaissance and the era after liberation (from the rule of the Ottoman Empire). Ivan Vazov has the highest honorary title of the Bulgarian Academy of Sciences - academician. From September 7, 1897 to January 30, 1899, he served as Minister of Education and Enlightenment of the People, representing the People's Party.


    Моите песни
    Иван Вазов, Януари 1913

    И аз на своя ред ще си замина,
    трева и мен ще расне над прахът.
    Един ще жали, друг ще ме проклина,
    но мойте песни все ще се четат.

    И много имена и лесна слава
    годините без жал ще изметат
    ил ще покрие плесен на забрава,
    но мойте песни все ще се четат.

    В тях зов се чуй за правда, за свобода,
    любов и благи чувства ги красят
    и светлий лик на нашата природа,
    та мойте песни все ще се четат.

    В тях вее на Балкана лъхът здрави
    и тайните хармоний му звучат,
    и гръмът на народните ни слави,
    та мойте песни все ще се четат.

    Във тях душата ми изля се цяла
    с най-скъпите си бисери, цветя,
    в тях всичко светло, ценно си е дала,
    във тях живей, звънти и тръпне тя.

    Не ме смущава див вой от омрази,
    не стряска ме на завистта гневът —
    спокойно гледам в бъдещето ази:
    там мойте песни все ще се четат.

    Те жив са отклик на духа народни,
    а той не мре, и дор сърца туптят
    от скръб и радост в наший край свободни,
    и мойте песни все ще се четат.

  • x
  • НАРИСУВАЙ МИ ТЪГА, ТЕО УШЕВ | КИНОМАНИЯ 2019

    4:36

  • Lud Gidiya - opera by Parashkev Hadjiev

    2:53

    Parashkev Hadjiev
    27 April 1912, Sofia - 28 April 1992, Sofia

    Hadjiev was taught initially by his parents, both leading figures in the early years of Bulgarian opera (his father was a conductor, his mother a singer); he then studied composition with Josef Suk (1932-33) before entering the State Musical Academy in Sofia (1933) as a pupil of Vladigerov. On the recommendation of Vladigerov he took lessons with Joseph Marx in Vienna before completing his studies at the Berlin Hochschule fur Musik (1938-40).

    In 1940 Hadjiev became a lecturer at the Sofia Academy. He was one of the most prolific Bulgarian opera composers, and one of the most frequently staged. His spontaneously emotional side and inborn theatrical sense are evident in both dramatic and humorous contexts, and he has proved able to communicate effectively with children.

    For his librettos he has drawn on foreign as well as Bulgarian literature and on fairy-tales. The individuality of his musical language results above all from his characteristic melodies, built on elements of Bulgarian folk music. Artistic simplicity, accessibility, knowledge of how to write for the human voice and a rich harmonic palette are dominant features.

    Lud gidiya (The Madcap), generally regarded as the best example of Bulgarian comic opera, has also been performed abroad.

  • x
  • Anthem of Bulgaria

    1:29

    May 24, 2011 - Day of Bulgarian literature and culture

  • 2nd London Festival of Bulgarian Culture - Trailer

    58

    Full details and festival programme at

    The 2nd London Festival of Bulgarian Culture will be held in the British capital from 1 -- 30 November 2012, in partnership with the Bulgarian Embassy in London and the Bulgarian Cultural Institute in London.

    There will be over 20 events -- concerts, theatre, cinema, and exhibitions presented in a number of central London venues.

    Video produced by Lepton Productions

  • x
  • КИНОМАНИЯ 2019 | Нарисувай ми тъга – вечер посветена на Тео Ушев – Trailer

    18

    КИНОМАНИЯ представя вечер, посветена на Теодор Ушев под наслов „Нарисувай ми тъга”. Бъдете част от преживяването „Четирите годишни времена” на Вивалди, анимационен концерт и сред първите зрители на единствената прожекция за България на най-новия филм на Теодор Ушев „Физика на тъгата” (по едноименния роман на Георги Господинов)
    Анимационните адаптации са вдъхновени от най-популярното произведение на Вивалди – „Четирите годишни времена” и са изработени по покана и продуцирани от Университета по изкуства в Токио (Tokyo University of the Arts). Автори са четиримата световноизвестни аниматори: Теодор Ушев (България/ Канада), Прит и Олга Парн (Естония), Атсуши Вада (Япония), Анна Буданова (Русия).
    „По същество това е киноконцерт - новаторското е, че визуализацията (филмите) , веднъж направена, се синхронизира по изпълнението на съответния ансамбъл. Всеки оркестър свири със собствена бързина на интерпретацията. Чрез технологията японците следват ритъма на изпълнението, постигайки перфектен синхрон - така, както авторите сме го заложили. това позволява във всяка страна да свирят различни оркестри, със собствен почерк. Иначе казано - анимацията е част от оркестъра, а не оркестъра да гони темпото на файла.”, споделя самият Теодор Ушев.
    Насладете се на прекрасното музикано изпълнение на „Quarto ансамбъл” със солист Иван Пенчев - цигулка, пресътворявайки своята версия на „Пролет”, „Лято”, Есен” и „Зима”, визуализирани с анимационната интерпретация на отделните части.


    След премиерата си в края на 2017 г. в Токио, проектът „Четирите годишни времена” е представян на различни места по света, сред който Барселона, Лисабон, Талин и др. За първи път в България той ще бъде представен на тазгодишната КИНОМАНИЯ.
    Най-новият филм на Теодор Ушев „Физика на тъгата” по едноименния роман на Георги Господинов е филм за носталгията, пропилените шансове и неслучилите се мечти на цяло едно поколение, премерен през личния разказ. С гласа на популярния канадски кинорежисьор Ксавие Долан и неговия баща Монюел Тадрос във френската версия на филма и с гласа на Росиф Съдърланд и неговия световноизвестен баща Доналд Съдърланд в английската версия на филма.
    Плод на 8-годишен труд, „Физика на тъгата” е първият анимационен филм, изцяло нарисуван чрез античната техника на „енкаустиката”. Всеки кадър е създаден на ръка, променяйки изображението чрез нагряване и рисувайки с горещ пчелен восък с пигменти.
    Събитието се реализира с подкрепата на Токийския университет на изкуствата и Столична община!

    Прожекции:
    Неделя, 17 ноември 2019, 19:00, Зала 1

    Билети:
    цена 20 лв.; 15 лв. намаление за пенсионери, студенти и учащи

  • Nebojša Jovan Živković - Bulgarian Dance

    2:21

    Jan Čibej - marimba
    Konservatorij za glasbo in balet Ljubljana
    23.12.2013

  • Bulgarian Etude

    3:49

    Provided to YouTube by CDBaby

    Bulgarian Etude (Live) · James Hewitt

    Bulgarian Etude (Live)

    ℗ 2016 James Hewitt

    Released on: 2016-11-04

    Auto-generated by YouTube.

  • x
  • London Festival of Bulgarian Culture PROMO

    54

    Promotional video clip of the First London Festival of Bulgarian Culture, which happened throughout November 2010.
    More videos of what is planned for the next edition in 2012 you can find at

  • Marin Goleminov Fresco

    1:40

    Marin Goleminov (1908 - 2000) - Fresco, piano miniature from Five Impressions piano cycle (1959).
    Marin Goleminov belongs to the second generation of Bulgarian artists. He educated generations of Bulgarian musicians. His work initiated a music movement in Bulgarian culture marked by the use of Bulgarian traditional music elements interwoven with an original style and vision. He graduated from the State Academy of Music in 1931. He studied Violin with Professor Todor Torchanov and music theory subjects with Professor Dobri Hristov and Professor Nikola Atanassov. From 1931 to 1934 he studied at the Schola Cantorum in Paris majoring in Composition under Professor Vincent d'Indy, Paul le Flemm and Albert Bertlain. He attended composition classes of Paul Ducas at the Ecole Normale de Musique, as well as Theory of Music, Aesthetics and Literature classes at the Sorbonne. In 1934 he returned to Bulgaria and joined the Contemporary Music Society. He played the second violin in the famous Avramov Quartet (1935-38). He was among the founding members of a chamber orchestra at Radio Sofia and his first conductor (1936-38). In 1938 he went to Munich to specialise in Conducting under Professor Karl Erenberg and Composition under Professor Josef Haas and Professor Knappe at the Academy of Music. Since 1943 for over four decades he worked as Professor at the State Academy of Music, teaching Music Instruments, Orchestration, Conducting and Composition. He was elected Rector (1954-56) and Director of the Sofia Opera (1965-67). He won the Gottfried von Herder Award of the Vienna University (1976). He joined the Bulgarian Academy of Sciences and was
    promoted Academician (1989).
    He wrote four operas, two dance dramas, among which The Fire-Dancing Woman considered to be a masterpiece; works for choir and orchestra, for voice and orchestra; four symphonies and other works for symphony and string orchestra; eight string quartets and other chamber works for various instruments; choral and solo songs. A great part of his works has entered the permanent repertoire of the Bulgarian performers. His numerous works have their roots in the melody, metre and rhythm of Bulgarian folk music.
    He also wrote four music theory studies and textbooks, over 200 articles, essays, notices, etc. published in Bulgaria and abroad.
    This recording is from live concert of Bulgarian pianist Veselinka Ivanova in Dartmouth college, NH on 25 February 2004

  • “Gankino Horo / Kopanica” with a special guest Theodosii Spassov

    2:18

    Rehearsal for 24th of May 2019 celebration of Bulgarian culture and literature at Bulgarian Cultural Institute London
    Kopanica (Digging dance) can refer to any number of dances in 11/16 time, but can also be used to describe this basic village dance. Gankino (Ganka's dance) is the name used in the NW of Bulgaria. There are some who say that Gankino refers to the dance and Kopanica to the rhythm, but this doesn't seem to correspond to actual usage.

    *** Credits ***
    Theodosii Spassov - kaval

    Raya Kostova - piano



    Lora Marinova - cello

    Boyan Ivanov - clarinet

    ***Audio***

    Recorded with

    Zoom F1 - kaval
    Zoom Q3 - piano
    Zoom H5 plus Audio Technica ATM350 - cello
    Zoom H5 plus Zoom XYH-5 - room microphone

    Mixed in Cakewalk by bandlab
    Mastering with Final Touch

    ***Video***

    Recorded with Sony a5100
    Lens: Sony SEL16F28

    Video Editing with LumaFusion

  • London Festival of Bulgarian Culture - LFBC

    4:59

    LFBC will be celebrating the Bulgarian Culture in the UK throughout November 2010!
    A string of fantastic events will be held in London such as concerts, educational workshops, lectures, and painting exhibitions.
    For more information please visit or

  • bulgaria

    10:35

  • Bulgarian Rap choir beat - Choir rap beat 2016 - choir trap beat - Hiphop instrumental

    4:51

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  • Making Download Books

    5:51

    DIY Download Books instead of CDs: My most recent download book is a fold out map that details a hitchhiking journey from Bulgaria to Denmark. The Music part of the album download is a collection of unique, rare and previously unreleased demo versions of several LB classics along with a few recently unearthed surprises. YOU CANNOT ORDER THESE ONLINE. You must come to the show, or allow or orchestrate an elaborate happy coincidence! - LB


    -----------------------------------------------------------


    FIND ME ON:
    Facebook:
    Instagram:
    Twitter:

  • Ethno Sweden 2015 - Bulgarian concert

    1:41

    Viktor, Zhivko and Rayna from Bulgaria performing at Cafe Nyfiket, Gammelgården, Rättvik.

  • John Steel & Blaze Bayley / Bulgarian Tour 2015

    54

    20.03.2015 - Polinero Place / Plovdiv
    21.03.2015 - Varna Live Club / Varna
    22.03.2015 - Rock It / Sofia

  • Ukrainian choir beat 2016 Hip Hop Rap Beat Instrumental

    4:51

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    vocal, rap beat, hip hop beat, rap beat 2015, rap beats 2015, hip hop beats 2015, hip hop, hip hop instrumental, rap instrumentals, rap instrumentals 2015, rap instrumental 2015, hip hop instrumentals, hip hop instrumentals 2015, rap beats, yeah beats, Motivational, aggressive beat, aggressive rap beat, choir rap beat, choir instrumental, choir rap instrumental
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  • Isabelle Olivier in Bulgaria

    10:22

    Famous French harp player Isabelle Olivier performs in Bulgain National Radio's concert hall together with high-class Bulgarian jazz musicians Antoni Dontchev, piano, Georgi Dontchev, contrabass, Dimitar Semov, percussions and Rossen Zahariev on the trumpet, on Bulgaria's Education, Culture and Slavonic Literature National Holiday 24 May, 2010.
    Note: Quality is terrible as I've made the recodrings with a mobile phone.
    ---
    Френската арфистка Изабел Оливие изнася концерт в зала 1 на БНР заедно с българските джаз музиканти Антони Дончев (пиано), Георги Дончев (контрбас), Димитър Семов (перкусси), Росен Захариев (тромпет) на 24 май 2010 г.
    (Качеството е ужасно, тъй като записът е правен с мобилен телефон.)

  • x
  • Marin Goleminov Pierrot

    1:39

    Marin Goleminov (1908 - 2000) - Pierrot, piano miniature from Five Impressions piano cycle (1959).
    Marin Goleminov belongs to the second generation of Bulgarian artists. He educated generations of Bulgarian musicians. His work initiated a music movement in Bulgarian culture marked by the use of Bulgarian traditional music elements interwoven with an original style and vision. He graduated from the State Academy of Music in 1931. He studied Violin with Professor Todor Torchanov and music theory subjects with Professor Dobri Hristov and Professor Nikola Atanassov. From 1931 to 1934 he studied at the Schola Cantorum in Paris majoring in Composition under Professor Vincent d'Indy, Paul le Flemm and Albert Bertlain. He attended composition classes of Paul Ducas at the Ecole Normale de Musique, as well as Theory of Music, Aesthetics and Literature classes at the Sorbonne. In 1934 he returned to Bulgaria and joined the Contemporary Music Society. He played the second violin in the famous Avramov Quartet (1935-38). He was among the founding members of a chamber orchestra at Radio Sofia and his first conductor (1936-38). In 1938 he went to Munich to specialise in Conducting under Professor Karl Erenberg and Composition under Professor Josef Haas and Professor Knappe at the Academy of Music. Since 1943 for over four decades he worked as Professor at the State Academy of Music, teaching Music Instruments, Orchestration, Conducting and Composition. He was elected Rector (1954-56) and Director of the Sofia Opera (1965-67). He won the Gottfried von Herder Award of the Vienna University (1976). He joined the Bulgarian Academy of Sciences and was
    promoted Academician (1989).
    He wrote four operas, two dance dramas, among which The Fire-Dancing Woman considered to be a masterpiece; works for choir and orchestra, for voice and orchestra; four symphonies and other works for symphony and string orchestra; eight string quartets and other chamber works for various instruments; choral and solo songs. A great part of his works has entered the permanent repertoire of the Bulgarian performers. His numerous works have their roots in the melody, metre and rhythm of Bulgarian folk music.
    He also wrote four music theory studies and textbooks, over 200 articles, essays, notices, etc. published in Bulgaria and abroad.
    This recording is from live concert of Bulgarian pianist Veselinka Ivanova in Dartmouth college, NH on 25 February 2004

  • Love was in my eye - A Love Poem

    41

    When're I sat upon the wall
    and kicked my heels
    or bounced a ball
    I could not offer you a call
    for love was in my eye

    When're I listened to you air
    and smiled a sip or touched your hair
    I could not offer you a care
    for love was in my eye

    Then're you came besidal me
    and looked as pretty as can be
    You sweetly asked if I would be
    for love was in your eye

  • Gunnar Berg: GAFFKYs 2 - GalyaKolarova

    7:48

    Bulgarian pianist Galya Kolarova at the Snow Mask Composer Group concert at KUNSTEN - Museum of Modern Art Aalborg (DK) Saturday 11. January 2014.
    GAFFKY's assortiment 1-10 is one of Gunnar Berg's two major works for solo piano - Eclatements (1954-88) is the other. They are both of a size that places them among the most voluminous manifestations in the Danish piano literature in the second half of the twentieth century.
    Gaffky's 2 is composed during Berg's stay at Askov Folk Highschool in July 1958. Published by Edition S -

  • Bulgarian hip hop instromental

    49

    fl studio

  • Isabelle Olivier in Bulgaria 2

    10:06

    Famous French harp player Isabelle Olivier performs in Bulgain National Radio's concert hall together with high-class Bulgarian jazz musicians Antoni Dontchev, piano, Georgi Dontchev, contrabass, Dimitar Semov, percussions and Rossen Zahariev on the trumpet, on Bulgaria's Education, Culture and Slavonic Literature National Holiday 24 May, 2010.
    Note: Quality is terrible as I've made the recodrings with a mobile phone.
    ---
    Френската арфистка Изабел Оливие изнася концерт в зала 1 на БНР заедно с българските джаз музиканти Антони Дончев (пиано), Георги Дончев (контрбас), Димитър Семов (перкусси), Росен Захариев (тромпет) на 24 май 2010 г.
    (Качеството е ужасно, тъй като записът е правен с мобилен телефон.)

  • Dilmano, Dilbero - Variations on a Bulgarian folk song

    10:18

    Pre-order Thomas Enhco & Vassilena Serafimova's album Funambules:

    Follow Thomas Enhco:
    Facebook:
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    Official Site:

    Follow Vassilena Serafimova:
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    Official Site:

    Composer: Thomas Enhco & Vassilena Serafimova

    Thomas Enhco: piano, voice
    Vassilena Serafimova: marimba, crotales, voice

    Directors: Julien Poulain & Ronan Furet
    Producer: Pâte à Films

  • Vetcheryai Rado

    1:40

    Provided to YouTube by Nonesuch

    Vetcheryai Rado (Come To Supper Tonight, Rada) · Various Artists / Explorer Series

    Music Of Bulgaria - Ensemble Of The Bulgarian Republic/Koutev

    ℗ 1989 Elektra/Asylum/Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

    Choir: Ensemble of the Bulgarian Republic
    Conductor: Philip Koutev

    Auto-generated by YouTube.

  • Kukla - Atlas Cover

    3:07

    Me singing and playing Kukla in Bulgarian.

    Singe electric piano sound.

  • Bulgarian Childrens Chorus and School Gergana, Dance Studio

    4:42

    10th Anniversary Concert, 15 June 2014

  • DJ 89 - ДУДА | DVDΛ BALKAN TRAP | BRATЯТА

    3:59

    ДУДА | DVDΛ

    “СТАВАЙТЕ, РОБОВЕ! АЗ НЕ ЩЪ ЯРЕМ!”

    Това са част от думите написани от “патриарха на българската литература” Иван Вазов за Георги Бенковски в “Епопея на забравените” през 1881г. Около празника Св.Троица през 1867г., Васил Левски идва в Копривщица и създава първия Революционен комитет. Апостолът на свободата готви духовете на копривщенци за едно бъдещо въстание. На 20 април 1876 г. тук на Калъчевия мост, пуква първата пушка и избухва Априлското Въстание.
    В търсене на възрожденски дух пътят ни премина през посипани с листа, изстинали паметници на културата, като този на Тодор Каблешков и стигнем до дома на загиналият като доброволец на Македонския фронт, поет и писател Димчо Дебелянов, който пада убит в това сражение на 2 октомври 1916 г. Скулптурата „Майка“ е поставена на гроба на поета през 1934 г. в родната му къща в Копривщица.
    Това е мястото, от което започна новото българско културно въстание на “BRATЯТА”.

    EN:

    ARISE, SLAVES! I WANT NOT A YOKE!

    Those are some of the words written by The Patriarch of Bulgarian literature Ivan Vazov for Georgi Benkovski in Epopee of the forgotten ones in 1881. Sometime around The Saint Trinity festivities in 1867, Vasil Levski comes to Koprivshtitsa and establishes the first Revolutionary committee. The Apostle of freedom prepares the spirits of the locals for a future rebellion. On April 20th, 1876 here, at the Kalachev bridge, the first rifle is fired and the April Rebellion breaks out.
    In search of the national revival spirit, our path has crossed leaf-covered and chilled cultural memorials, such as the one of Todor Kableshkov, through the house of Dimcho Debelyanov - poet and writer, volunteer on the Macedonian front, who dies in combat on October 2nd, 1916. The famous sculpture Mother is placed at his grave in 1934, at the house of his birth in Koprivshtitsa. This is the place where the new cultural rebellion began for BRАТЯТА.

    #BRATЯТА #DJ89 #ДУДА #BALKANTRAP

    [BALKAN TRAP]:
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    (C) 2015 BRATЯTA

  • BULGARIA 2014 MOJITO BEACH BAR GOLDEN SANDS PARTY

    3:27

    Party in Mojito Beach Bar Golden Sands 2014.
    ENJOY!

  • Mendelssohn Lieder ohne Worte Op 19 No 1 LILI ATANASOVA

    4:22

    FELIX MENDELSSOHN-BARTOLDY (1809 - 1847) - Lieder ohne Worte op 19 No 1
    Performed by prof. LILY ATANASSOVA, recorded by Bulgarian National Radio in 1955.
    LILY ATANASSOVA (1921 - 2004) was born in Sofia in the family of the pianist-pedagogue and composer Georgi Atanassov who garduated from the Prague Music Academy. She studied with the academician Andrei Stoyanov - the founder of the Bulgarian piano school and lately became his assistant and follower of his traditions. As a piano professor in the State Music Academy Lili Atanassova created a bunch of great performers and pedagogues at the international status. She was a Dean of the Instrumental Faculty and a Deputy Rector of the Academy for many years. She has edited a great amount of piano literature. Took part as a jury member in many prestigious competitions, founder of the Pleven Festival Laureate Days Katia Popova. She has been awarded the orders of Peoples Republic of Bulgaria - First Grade, St Cyril and Methodius - First Grade, Golden Century and elected as Doctor Honorius Causa of the State Academy of Music - Sofia.
    Lily Atanassova is an inimitably performer of works by Chopin, Beethoven, Schumann, Brahms. Her great musical achievements give her a place among the greatest Chopin performers in Bulgaria. Critics and public alike feel that one of the peaks in her interpretative art is the Chopin's concert Op.21 f minor and the recital from 1972 with four Scherzos and four Ballads by Chopin - a concert still to be remembered.
    The pianistic talent of Lily Atanassova has flourished also in works by Bach, Mozart, Schubert, Mendelsohn and others. Until this every day people talk about her fabulous playing works by another beloved composer of hers - Beethoven.
    Apart from solo recitals and stylish evenings she took part in the first integral performance of the ten Beethoven Sonatas for piano and violin blending in a remarkable team with Prof. Vladimir Avramov. She is a partner in a rare ensemble feeling and great musicanhip. These works as well as Brahms Sonatas and some Sonatas by Mozart are in the Golden Fund of the Bulgarian National Radio.
    Typical for her interpretative style is a deeply thought-out performer's conception, classical traditions, balance between form and emotional freedom, wonderful articulation, colorful ton, pedal with great finesse. All this is an emanation of her artistyc personality combining artistry with refined taste and freedom, which acts powerfully on the listener.
    Lily Atanassova's pedagogical method combines clear tasks, psychologically preparing the student for performance on stage, respect and love toward the young performer and the help both in professional and all other matters of life.
    Lily Atanassova is born in a generation of Bulgarian intellectuals deeply bound with the classical traditions of European aesthetics. She lived long enough to see the revival of the new, natural personality of our time and had great expectations for it.
    Lily Atanassova departed from us in the position of a strict guard of the Beautiful who has put many questions to her pupils and is waiting for their adequate answers.

  • News - Belarus ISKCON Devotees Detained for Offering Religious Literature

    3:12

    Belarus ISKCON Devotees Detained for Offering Religious Literature

    By: Olga Glace Forum18.org on July 6, 2015
    Three Hare Krishna devotees, Aleksandr Grankin, Aleksei Vlasyuk and Pavel Ivanov, were detained in the streets of Vitebsk on 17 June for sharing their religious views and offering religious literature to passers-by, they complained to Forum 18. The three were detained by Sergei Fadeenkov, the Chief Specialist of Vitebsk Regional Executive Committee Department of Religious Affairs and Nationalities.
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    #malathy

  • Gravitational generator replica from Bulgarian inventors. Български гравитационен генератор.

    27:40

    Gravitational generator replica from Bulgarian inventors. Български гравитационен генератор.

  • Happy Birthday from your Bulgarians fans Justin!

    1:52

    This is idea of me and my friend Chrisie..Don't copy..we'll show this video on JB with facebook!!!

  • Bulgarian Spices - Featuring Svet Stoyanov

    8:04

    Especiarias Búlgaras (based on Bulgarian traditional Dilmano, Dilbero)

    Composed, Conducted and Produced by RAFAEL PICCOLOTTO DE LIMA

    Svet Stoyanov - MARIMBA / TAPAN
    Asiya Korepanova - PIANO
    Maria Anna Chlebus - TRIANGLE / BASS DRUM / SHAKER
    Geoffrey Saunders - BASS
    Murph Aucamp - DRUMS

    Cassandra Eisenreich - FLUTE
    Arianne Urban - VIOLIN 1*
    Victor Colmenares - VIOLIN 2*
    Amanda Diaz - VIOLA*
    Chris Young - CELLO*

    *Stamps String Quartet

    Recorded may 13, 2014
    Frost School of Music - University of Miami

    Recorded by LORENZO CARRANO
    Mixed and edited by RAFAEL P. DE LIMA

    RAFAEL PICCOLOTTO DE LIMA
    Nominated for the Latin Grammy as a classical composer in 2013, Rafael has a degree in Classical Composition (2004-2009) and Brazilian Jazz Studies (2007-2011) from UNICAMP (São Paulo, Brazil). He has a Master of Music Degree in Studio Jazz Writing (2011-2013) at University of Miami and is now a Jazz Composition Doctoral candidate at the same school. Rafael also works as a composer at the Henry Mancini Institute since 2011 receiving the ASCAP Foundation Henry Mancini Music Fellowship.

    As a composer and arranger he had works premiered and/or recorded by artists and ensembles such as the jazz legends Terence Blanchard and Chick Corea (2013), rising jazz start Gregory Porter (2014), Metropole Orkest (2014), FIU Symphony Orchestra (2014), Costa Rica National Orchestra (2013), ASCAP/NYU Studio Orchestra (2012), Henry Mancini Institute Jazz Philharmonic (2012-13), Frost Concert Jazz Band (2012-13), Frost Symphony Orchestra (2012), Frost Recording Ensemble (2012-14), Henry Mancini Institute Chamber Orchestra (2011-14), Extensions Vocal Group (2011), UNICAMP Symphony Orchestra (2011), UNICAMP Collective Orchestra (2009-2011), Campinas String Ensemble (2008) and Campinas Symphony Orchestra (2004/2014).

    Other awards include other 5 DOWNBEAT Awards, the first place in the Ricardo Rizek Latin American Composition Contest II for young composers (2009), São Paulo State winner in the competition FURNAS: GERAÇÃO MUSICAL III (2008-2009) for young musicians as a composer and performer with his quartet, ARS BRASILIS national arrangers contest in tribute to Milton Nascimento (2012), JEN Student Showcase Award (2014) and ASCAP Herb Alpert Young Jazz Composer Award (2014).

    SVET STOYANOV
    Praised by The New York Times for his unmistakable virtuosity on the marimba and a wide variety of percussion instruments, Bulgarian-born Svet Stoyanov is a winner of the 2003 Concert Artists Guild International Competition. Featured on the cover of the January 2006 issue of Symphony magazine's Emerging Artists, Stoyanov made appearances in the 2008-09 season performing the Schwantner Percussion Concerto with the Imperial Symphony (FL)) and Midland Symphony (MI). In addition, he was heard in recitals in New Jersey, North Carolina, Georgia, and throughout New York. In fall 2008, Stoyanov released his debut recording on the CAG label entitled Percussive Counterpoint, featuring music by Steve Reich, Alejandro Viñao, Paul Lansky, and others. In 2007-08, Stoyanov returned to Carnegie Hall for a performance of Phillip Glass' Concerto Fantasy for two timpanists and orchestra with the New York Youth Symphony. He has also performed this work with timpanist Jonathan Haas with the Chicago Symphony led by James Conlon at the Ravinia Festival, the American Symphony Orchestra and Leon Botstein at Avery Fisher Hall, the Seattle Symphony with music director Gerard Schwarz, and the New York Pops with Skitch Henderson at Carnegie Hall. In fall 2006, Mr. Stoyanov was engaged for a week-long educational residency and concerto performance with the Annapolis Symphony Orchestra, where his performance of the Schwantner Concerto was hailed as spectacular (The Capital). Recent percussion recitals include three concerts at the Orange County Performing Arts Center as part of the Informally Yours Series, appearances in New York, Connecticut, Iowa, the Brooklyn Public Library, as well as collaborative performances with members of the Brooklyn Philharmonic at the Brooklyn Museum and DROM in New York City. In addition, Stoyanov has performed in NYC Downtown River to River Festival's Summer Stars series in both 2005 and 2006 (the latter with violinist Joseph Lin), a collaboration with CAG pianist Jade Simmons on the CAG/New Works Series at the Thalia at Symphony Space, Weill Recital Hall at Carnegie Hall, Merkin Concert Hall, California's Jose Iturbi Gold Medal Series, and a duo program with Lin for the Arizona Friends of Chamber Music. Other musical collaborations include projects with Oliver Knussen, Elliott Carter, Robert van Sice, Leon Fleisher, John Adams, and Donald Sutherland. Stoyanov was invited to perform as part of a select group called the Zankel Band, for the opening of Carnegie Hall's newest space, Zankel Hall.

    Visit for more info and video.
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  • Mozart / Piano Concerto No. 9 in E-flat major

    12:00

    An excerpt from a concert organized by Ruse Opera and Philharmonic Society and Rousse National School Of Arts Prof. Vesselin Stoyanov.

    Held on May 24th 2010 - Bulgarian Education and Culture, and Slavonic Literature Day

    Conductor: Jean-Yves Gaudin

    Live Video Recording by: NLE Productions, nle.ltd@gmail.com

  • Cerys Matthews and the London Bulgarian Choir A Ei Dir Deryn Du?

    3:06

    A Ei Di'r Deryn Du? (Will You Go, Blackbird?) A beautiful Welsh Folk Song sung here be Cerys Matthews and the London Bulgarian Choir performing at Rich Mix on 2rd June 2012. The original folk song is combined here with a version of Kaval Sviri, a Bulgarian tune from the repertoire of the LBC.

    Original words and translation of the Welsh folk tune is here...

    A ei di'r 'deryn du
    To my dearest love?
    O cais fy nghangen gu,
    For I'm so deep in love.

    Ni welaf yn unman
    Such a damsel in my sight
    Â'r ferch mor lân o liw -
    She is a beauty bright.

    Mae'i gwallt yn felyn aur,
    Just like a ring of gold,
    Â'i phryd fel eira gwyn -
    The truth it must be told.

    Translation into English by Richard B Gillion:

    Will you go, Black Bird
    To my dearest love?
    O quest for my dear lass,
    For I'm so deep in love.

    I cannot see anywhere
    such a damsel in my sight
    As the girl fair of colour -
    She is a beauty bright.

    Her hair is golden yellow,
    Just like a ring of gold,
    And her countenance like white snow -
    The truth it must be told.

  • Bloody Voilent Choir Beat - Choir rap beat 2016 - choir trap beat - Hiphop instrumental

    4:19

    Choir beat, choir rap beat, choir trap beat, choir instrumental, choir rap instrumental, choir trap instrumental , best
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  • Hard Aggressive Bulgarian Choir Hip Hop Rap Beat 2016 - Mi8 & Nupel Beats

    4:03

    New Beat Collab !

    Beat for non commercial, non profitable use.

    Beat Produced By : Nupel Beats & Mi8

    Check out more music from KNX Beats and subscribe !



    If you like this beat and you want to buy it



    Comment and Subscribe if you like!

    Thanks for watching :)
    #beat #instrumental #rapbeat
    Nupel Beats © 2014-2016

  • Boris Godunov: Act 4, Farewell and Death of Boris

    11:34

    Provided to YouTube by CDBaby

    Boris Godunov: Act 4, Farewell and Death of Boris · Nicolai Ghiaurov

    The Bulgarian Opera Voices, Vol. 1: Arias from Operas

    ℗ 1996 Balkanton

    Released on: 1996-01-01

    Auto-generated by YouTube.

  • POETIC PILGRIMAGE - On Hip Hop and being Woman, Muslim and Black in Britain

    2:30

    Poetic Pilgrimage, a female hip hop duo founded in 2002, are one of UK's most critically acclaimed hip hop artists, poets and performers. They are Sukina Abdul Noor (Yashima Douglas) who holds a BA (Hons) Degree in English Literature and Caribbean Studies from London Metropolitan University, and Muneera Rashida (Tanya Williams) who holds a BA Degree (Hons) from the University of Westminster in Creative Media Practice. They have been featured in numerous documentaries and studies, including the film Hip Hop Hijabis directed by filmmaker Mette Reitzel.

  • Beethoven Mondschein Sonate op 27 No 2, 1 part LILI ATANASOVA

    5:15

    Ludvig van Beethoven ( 1770 - 1927) - Mondschein Sonate Op. 27, No 2, First movement.
    Performed by prof. Lily Atanassova. Recorded by Bulgarian National Radio in 1956.
    LILY ATANASSOVA (1921 - 2004) was born in Sofia in the family of the pianist-pedagogue and composer Georgi Atanassov who garduated from the Prague Music Academy. She studied with the academician Andrei Stoyanov - the founder of the Bulgarian piano school and lately became his assistant and follower of his traditions. As a piano professor in the State Music Academy Lili Atanassova created a bunch of great performers and pedagogues at the international status. She was a Dean of the Instrumental Faculty and a Deputy Rector of the Academy for many years. She has edited a great amount of piano literature. Took part as a jury member in many prestigious competitions, founder of the Pleven Festival Laureate Days Katia Popova. She has been awarded the orders of Peoples Republic of Bulgaria - First Grade, St Cyril and Methodius - First Grade, Golden Century and elected as Doctor Honorius Causa of the State Academy of Music - Sofia.
    Lily Atanassova is an inimitably performer of works by Chopin, Beethoven, Schumann, Brahms. Her great musical achievements give her a place among the greatest Chopin performers in Bulgaria. Critics and public alike feel that one of the peaks in her interpretative art is the Chopin's concert Op.21 f minor and the recital from 1972 with four Scherzos and four Ballads by Chopin - a concert still to be remembered.
    The pianistic talent of Lily Atanassova has flourished also in works by Bach, Mozart, Schubert, Mendelsohn and others. Until this every day people talk about her fabulous playing works by another beloved composer of hers - Beethoven.
    Apart from solo recitals and stylish evenings she took part in the first integral performance of the ten Beethoven Sonatas for piano and violin blending in a remarkable team with Prof. Vladimir Avramov. She is a partner in a rare ensemble feeling and great musicanhip. These works as well as Brahms Sonatas and some Sonatas by Mozart are in the Golden Fund of the Bulgarian National Radio.
    Typical for her interpretative style is a deeply thought-out performer's conception, classical traditions, balance between form and emotional freedom, wonderful articulation, colorful ton, pedal with great finesse. All this is an emanation of her artistyc personality combining artistry with refined taste and freedom, which acts powerfully on the listener.
    Lily Atanassova's pedagogical method combines clear tasks, psychologically preparing the student for performance on stage, respect and love toward the young performer and the help both in professional and all other matters of life.
    Lily Atanassova is born in a generation of Bulgarian intellectuals deeply bound with the classical traditions of European aesthetics. She lived long enough to see the revival of the new, natural personality of our time and had great expectations for it.
    Lily Atanassova departed from us in the position of a strict guard of the Beautiful who has put many questions to her pupils and is waiting for their adequate answers.

  • D Energybeat choir beat

    4:51

    Thx for listen my music! Thx for your support!
    If you use my beat, than write my name and link into description, thank you for support.

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  • Romain Nosbaum | Ginastera - Danza de la moza donosa

    2:49


    “The music played by Romain Nosbaum is a matter close to his heart. This can be felt with each note. He questions the works, romantically lives them for some moments, and retreats into insight afterwards.” (Pizzicato)

    Romain Nosbaum is an individualist among the pianists of his generation. Without airs and graces, but with modesty and passionate devotion, he is solely focused on music. Both the grand gesture and sheer brilliancy have no meaning to him – instead, his playing stands out through intelligence, subtle individuality and technical perfection.

    The subtlety and immediacy of his pianistics encourage Romain’s repertoire, which focuses on the romantic piano literature as well as music of contemporary composers. A universal interest in ‘tradition and innovation’ expresses itself not only soloistically, but also through his activities as a passionate chamber musician. Thus, he regularly performs as a vocal accompanist with artists such as his sister Véronique. He is also a member of the Random Trio, which comes with the colorful instrumentation of flute, violoncello, and piano. Moreover, Romain is very involved in interdisciplinary projects such as Claude Mangen’s staging of Schubert’s Winterreise, Giorgio Mancini’s live choreography A nima, or the musical readings of texts by Vaslav Nijinsky and Michel Houellebecq together with actor Christian Berkel and pianist Kevin Tamanini.

    Musicality was literally put into the cradle of Swiss-born Romain. His grandmother, who was also a pianist, met artists such as Alfred Cortot or Clara Haskil and performed under the direction of Felix Weingartner. Romain started to play the piano at the age of 7 and completed his studies at the conservatories of the city of Luxembourg and Metz. Advances studies led him to the City of Basel Music Academy, the conservatory of Bern, and to the Mozarteum University of Salzburg. Among his teachers were Alexander Müllenbach, Marie-Paule Aboulker, Peter Efler, and Rada Petkova. From 1998 till 2008 Romain himself served as a lecturer at the Conservatoire de Luxembourg.

    In recitals, as a soloist as well as a chamber musician, Romain’s concerts have led him throughout Europe and Russia to East Asia. His solo recordings have received critical acclaim and were especially praised for both the personal interpretation of the romantic repertoire and his sense for and the varied shaping of contemporary music. After two self-published solo albums (2010/2014), he recorded the integral piano works of Bulgarian composer Albena Petrovic Vratchanska for the label GEGA new in 2016. In 2017 he will release his new solo CD Encores with the label ARS Produktion.

  • Aggressive Battle/Choir beat 2017 choir rap beat/ rap beat

    4:51

    Thx for listen my music! Thx for your support!
    If you use my beat, than write my name and link into description, thank you for support.

    Another very good beat!


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    soundcloud =

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  • Astor Piazzolla - Libertango par Adélaïde Ferrière

    3:28

    Extrait filmé du concert enregistré en public au studio 106 de la Maison de la radio, le 3 septembre 2016 - Génération Jeunes Interprètes à réécouter dans son intégralité sur France Musique :

  • Aggressive choir beat / rap beat /choir rap beat =DIVINITY= Freebeat

    3:34

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  • Gioachino Rossini - LItaliana in Algeri, Act I

    1:28:01

    From the Schwetzinger Festspiele in 1987
    Radio-Sinfonie-Orchester Stuttgart
    Ralf Weikert - conductor
    Michael Hampe - stage design
    The Bulgarian Mens Choir of Sofia

    Günther von Kannen - Mustafà, the Bey of Algiers (bass)
    Nuccia Focile - Elvira, his wife (soprano)
    Susan MacLean - Zulma, her confidante (mezzo-soprano)
    Rudolf A. Hartmann - Haly, the captain of the Bey's guard (tenor)
    Robert Gambill - Lindoro, in love with Isabella (tenor)
    Doris Soffel - Isabella, the Italian girl (contralto)
    Enric Serra - Taddeo, an elderly Italian (bass)
    Anna-Maria Mörgeli - Pascha, a little monkey

    Gioachino Rossini - L'Italiana In Algeri
    operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli

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    Michael Hampe’s ingenious Rossini stagings show two of the master’s pieces in the best possible light. „L’Italiana in Algeri“, on the surface a frothy little farce, on a deeper level an acerbic social satire, is coupled with the composer’s magnum opus, the eternally popular “Il barbiere di Siviglia”, one of the most admirable works in the entire operatic literature.
    In both productions, Michael Hampe draws the inspiration for his international cast from the clever plots and the grand spirit of Rossini’s brilliant music, avoiding all the hackneyed gags of yesteryear. Magnificent cantilena as Mauro Pagano’s imaginative settings and costumes combine with the expert musical direction of Gabriele Ferro and Ralf Weikert to make these two operatic performances a delight to the eye and the ear alike.

    Gioacchino Rossini (1792 – 1868)
    During his lifetime Rossini occupied an unrivalled position in the Italian musical world. The son of a horn-player and a mother who made a career for herself in opera, as a boy Rossini had direct experience of operatic performance, both in the orchestra pit and on stage. He is considered to be the last and greatest composer of comic opera in the buffo style, but is more important as a composer of opera seria.
    From his first relative success in 1810, his operas were performed in all the Italian operatic centres. In 1824 Rossini settled in Paris where he wrote his final opera, Guillaume Tell, which was staged there in 1829.
    The revolution of 1830 put an end to French royal commissions for the theatre and Rossini returned to Italy. Although he continued to enjoy considerable esteem, both in Paris and in his native Italy, he stopped composing, partly due to bad health.
    He returned to Paris in 1855 and began to compose again, writing a number of piano works and ensembles, many of which were performed at Rossini’s Samedi Soirs.

  • Halloween Song - Yumbo Bear - דובון יומבו

    2:45

    Halloween Song - Yumbo Bear - דובון יומבו (Piano Cover by Amosdoll)
    Visit Amosdoll's Best Piano Method website for information on all piano courses and services:

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    -- ABOUT AMOSDOLL --

    Amosdoll Music is a piano channel filled with thousands of piano covers and step by step piano tutorials on popular songs.
    With both Licentiate Diploma Classical Piano qualifications; and the ability to play and teach ANY SONG in the world, my goal is to teach you how to play any song you like on the piano in 3 ways.

    There are 3 different teaching methods and services I provide because I know everyone has different learning preferences:

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