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Playlist of Bill Evans

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  • Bill Evans - Piano Jazz Classics

    3:52:51

    Bill Evans - Piano Jazz Classics

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    Bill Evans is considered as one of the greatest jazz pianists. Influenced by impressionist composers such as Claude Debussy or Maurice Ravel, he’s famous for revisiting the jazz repertoire, his compositions “Waltz for Debby”, “Very Early”, and his collaboration with Miles Davis.

    Tracklist :
    00:00 - Waltz for Debby
    06:52 - Someday My Prince Will Come
    11:45 - Autumn Leaves
    17:07 - What Is This Thing Called Love
    21:42 - Beautiful Love
    26:48 - How Deep Is the Ocean
    30:21 - My Romance
    37:27 - Bill Evans & Cannonball Adderley - Goodbye
    43:37 - Milestones
    50:03 - Haunted Heart
    53:30 - My Foolish Heart
    58:21 - Blue In Green
    01:02:46 - Young and Foolish
    01:08:37 - I'm So Lucky to Be Me
    01:12:14 - Spring Is Here
    01:17:20 - The Washington Twist
    01:23:42 - Let's Go Back to the Waltz
    01:28:12 - Very Early
    01:33:18 - Re : Person I Knew
    01:38:58 - Bill Evans & Jim Hall - Skating In Central Park
    01:44:17 - Bill Evans, Jim Hall & Freddie Hubbard - You Go to My Head
    01:49:20 - If You Could See Me Now
    01:53:45 - Bill Evans & Jim Hall - Dream Gipsy
    01:58:17 - Bill Evans & Jim Hall - Romain
    02:03:36 - Polka Dots and Moonbeans
    02:08:35 - Some Other Time
    02:13:32 - I Fall In Love Too Easily
    02:16:13 - Bill Evans, Jim Hall & Freddie Hubbard - I'll Never Smile Again
    02:22:43 - I Wish I Knew
    02:27:23 - I Believe In You
    02:33:11 - Londonderry Air
    02:36:52 - Bill Evans & Cannonball Adderley - Who Cares
    02:42:48 - Bill Evans & Jim Hall - My Funny Valentine
    02:48:08 - Bill Evans, Art Farmer & Benny Golson - I Love You
    02:55:05 - Bill Evans & Cannonball Adderley - Nancy
    02:59:11 - Bill Evans, Art Farmer & Benny Golson - Jubilation
    03:03:26 - Bill Evans & Jim Hall - I Hear a Rhapsody
    03:08:02 - Bill Evans, Art Farmer & Benny Golson - The Touch of Your Lips
    03:12:55 - Bill Evans & Cannonball Adderley - Toy
    03:18:02 - Bill Evans, Jim Hall & Freddie Hubbard - When You Wish Upon a Star
    03:23:46 - Bill Evans, Freddie Hubbard & Oliver Nelson - Cascades
    03:29:11 - Bill Evans, Jim Hall & Freddie Hubbard - Wrap Your Troubles In Dreams
    03:35:36 - Bill Evans & Cannonball Adderley - Elsa
    03:41:25 - Bill Evans & Jim Hall - Darn That Dream
    03:46:32 - It Might As Well Be Spring

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  • Bill Evans - Waltz For Debby

    4:30

    Bill Evans - Waltz For Debby,players' cast shown in comment of [lk2u] and [stefshop].thanks for the information.

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  • Bill Evans Sunday at the Village Vanguard Not Now Music 1

    1:22:21

  • Heres That Rainy Day

    5:22

    Provided to YouTube by Universal Music Group

    Here's That Rainy Day · Bill Evans

    Alone

    ℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

    Released on: 1969-01-01

    Producer: Helen Keane
    Composer Lyricist: Jimmy van Heusen
    Composer Lyricist: Johnny Burke

    Auto-generated by YouTube.

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  • Bill Evans - All the Best

    1:45:08

    TRACKLIST
    01- Conception 00:10
    02- Easy Living 04:39
    03- Elsa 08:29
    04- Haunted Heart 13:51
    05- How deep is the Ocean 17:19
    06- How My Heart Sings 20:54
    07- I Love You 25:53
    08- I Should Care 29:48
    09- If you could see me now 34:46
    10- I'll never smile again 39:18
    11- In your own sweet way 45:56
    12- Israel 52:56
    13- Milestones 59:11
    14- My Romance 01:05:44
    15- Speak Low 01:12:57
    16- Sweet and lovely 01:18:06
    17- The Boy Next Door 01:24:00
    18- Very Early 01:29:06
    19- Walking Up 01:34:12
    20- When You Wish Upon A Star 01:39:20

    Bill Evans - ALL THE BEST (FULL ALBUM)
    Donwload on Google Play:

    William John Bill Evans (August 16| 1929 äóñ September 15| 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony| inventive interpretation of traditional jazz repertoire| block chords| and trademark rhythmically independent| singing melodic lines continue to influence jazz pianists today. Born in Plainfield| New Jersey in 1929| he was classically trained| and studied at Southeastern Louisiana University and the Mannes School of Music| where he majored in composition and received the Artist Diploma. In 1955| he moved to New York City| where he worked with bandleader and theorist George Russell. In 1958| Evans joined Miles Davis's sextet| where he was to have a profound influence. In 1959| the band| then immersed in modal jazz| recorded Kind of Blue| the best-selling jazz album of all time. In late 1959| Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian| a group now regarded as a seminal modern jazz trio. In 1961| ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby| LaFaro died in a car accident. After months of seclusion| Evans re-emerged with a new trio| featuring bassist Chuck Israels. In 1963| Evans recorded Conversations with Myself| an innovative solo album using the unconventional (in jazz solo recordings) technique of overdubbing over himself. In 1966| he met bassist Eddie Gí_mez| with whom he would work for eleven years. Several successful albums followed| such as Bill Evans at the Montreux Jazz Festival| Alone and The Bill Evans Album| among others. Many of his compositions| such as Waltz for Debby| have become standards and have been played and recorded by many artists. Evans was honored with 31 Grammy nominations and seven awards| and was inducted in the Down Beat Jazz Hall of Fame.

    Listen to the Best Music of:
    Etta James, Billie Holiday, Bill Evans, Stevie Wonder, Ray Charles, Nina Simone, Muddy Waters, Django Reinhardt, Louis Armstrong, Miles Davis, James Brown, Chet Baker, Ella Fitzgerald, Nat King Cole, Duke Ellington, Elvis Presley, Count Basie, Herbie Hancock, Edith Piaf, Aretha Franklin, Charlie Parker, Lightnin' Hopkins, B.B. King, Thelonious Monk, Howlin' Wolf, Quincy Jones, Johnny Cash, Chuck Berry, Paul Anka, John Coltrane, John Lee Hooker, Coleman Hawkins, Robert Johnson, Dean Martin, Oscar Peterson, George Gershwin, Frank Sinatra, Hank Williams, Benny Goodman, Art Tatum, Joe Turner, Bing Crosby, Dave Brubeck, Mahalia Jackson, Fats Domino, Marvin Gaye, Bud Powell, Sonny Rollins, Tony Bennett... and many others!

  • Bill Evans - Like Someone in Love

    6:29

    Probably my favorite track from Bill. His genius is on full display here.

    Amazing stuff.

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  • Bill Evans Live 64 75

    1:35:24

    Just great!

  • Bill Evans - Sunday at the Village Vanguard

    1:2:38

    Sunday at the Village Vanguard is a 1961 album by jazz pianist and composer Bill Evans. The album is routinely ranked as one of the best live jazz recordings of all time.

    Personnel: Bill Evans (p) Scott LaFaro (b) Paul Motian (dr)
    Released: Early October 1961
    Recorded: June 25, 1961
    Label: Riverside
    Producer: Orrin Keepnews

    Gloria's Step (take 2) (Scott LaFaro)
    My Man's Gone Now (George Gershwin)
    Solar (Miles Davis)
    Alice in Wonderland (take 2) (Sammy Fain)
    All of You (take 2) (Cole Porter)
    Jade Visions (take 2) (Scott LaFaro)
    Gloria's Step (take 3)
    Alice in Wonderland (take 1)
    All of You (take 3)
    Jade Visions (take 1)

    Sunday at the Village Vanguard was recorded live on June 25, 1961 at the Village Vanguard in New York City over five recorded sessions (2 matinee and 3 soiree). It is well remembered as the final performance by the Evans trio of the time, which included bassist Scott LaFaro and drummer Paul Motian. LaFaro was killed in a car accident ten days after the recording.

    Evans and producer Orrin Keepnews reportedly selected the tracks for Sunday at the Village Vanguard to best feature LaFaro's masterly performance on bass, beginning and ending with two tracks (Gloria's Step and Jade Visions) written by LaFaro himself, and with all the others featuring solos by him. This album is routinely ranked as one of the best live jazz recordings of all time.

    Additional material from the same day's performance was released in a second album Waltz for Debby (also 1961), as was other material in another LP Bill Evans — More From the Vanguard. The entire day's recordings were released in 2005 as The Complete Village Vanguard Recordings, 1961.

    Writing for Allmusic, music critic Thom Jurek wrote of the album: This trio is still widely regarded as his finest, largely because of the symbiotic interplay between its members. This is a great place to begin with Evans. Samuel Chell of All About Jazz wrote Along with bassist wunderkind Scott LaFaro and drummer Paul Motian, Evans perfected his democratic vision of trio cooperation, where all members performed with perfect empathy and telepathy... It is these performances, currently available as Sunday at the Village Vanguard and Waltz for Debby that comprise the number one best jazz live recording in this present series.

    The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.

  • Bill Evans Solo Sessions I-II

    1:24:34

    The Solo Sessions, Vol. 1 is an album by jazz pianist Bill Evans, released in 1989.
    Evans recorded The Solo Sessions, Vol. 1 and Vol. 2 at the same session, on January 10, 1963 and the tracks were originally released as part of Bill Evans: The Complete Riverside Recordings in 1984.[2] The Bill Evans Memorial Library states these sessions were never intended for release.

    The Solo Sessions, Vol. 2 is an album by jazz pianist Bill Evans, released in 1992.
    Evans recorded The Solo Sessions, Vol. 1 and Vol. 2 at the same session, on January 10, 1963. The Bill Evans Memorial Library states these sessions were never intended for release.

    Personnel: Bill Evans (p)
    Released: 1989, 1992
    Recorded: January 24, 1963
    Label: Milestone M-9170, MCD 9195-2
    Producer: Orrin Keepnews

    Vol I:
    0:00 What Kind of Fool Am I? [Take 1] (Bricusse, Newley)
    6:17 Medley: My Favorite Things/Easy to Love/Baubles, Bangles, & Beads (Borodin, Wright, Forrest)
    18:51 When I Fall in Love (Heyman, Young)
    21:52 Medley: Spartacus Love Theme/Nardis (Alex North)
    30:27 Everything Happens to Me (Adair, Dennis)
    36:15 April in Paris (Duke, E. Y. Harburg)

    Vol II:
    42:06 All the Things You Are (Hammerstein II, Kern)
    51:14 Santa Claus Is Coming to Town (Coots, Gillespie)
    55:53 I Loves You Porgy (Gershwin, Gershwin, Heyward)
    1:01:44 What Kind of Fool Am I? [Take 2] (Bricusse, Newley)
    1:08:31 Love Is Here to Stay (Gershwin, Gershwin)
    1:12:33 Ornithology (Harris, Parker)
    1:18:08 Medley: Autumn in New York/How About You? (Duke, Freed, Lane)

    Vol I:
    In need of money and wanting to quickly fulfill his contractual obligations to Riverside, Bill Evans recorded two albums worth of solos in one day. The emotional and rather stark music was not initially released until the late '80s although it is now available on a pair of CDs. Due to the lack of much mood or tempo variation, this particular set is recommended mostly for Evans completists and longtime fans. There are two medleys (the pianist was playing one tune after another and a few songs overlapped) and every number would be recorded by Evans (generally in trio formats) at other times. Interesting but not essential music.
    AllMusic Review by Scott Yanow

    Vol II:
    This CD's booklet liner notes written by Gene Lees tell as much -- if not more -- of the story about the circumstances surrounding this session as the music itself. Though in retrospect Lees hears added value in these solo piano works from Bill Evans, there is a palpable and recognizable deterioration in the great pianist's ability to perform at his optimal genius level. In trouble with heroin addiction during 1963 when these tracks were documented, Evans both struggles and prevails through his drug-induced haze to produce an effort that is at many times expectedly brilliant -- the prerequisite and operative word being effort. Where Evans was normally fluid and cool to the point of nonchalance, here he is as much poignant and inventive as he is distracted and removed at times from the melodies. Since this endeavor is his first as a solo pianist, and the second issued volume of these sessions minus outtakes, perhaps Evans was more uncomfortable without rhythm mates and not as confident. The story told by Lees, with his undeniable support for Evans and frank honestly about his plight, needs to be read and understood. It is Evans as an incredible player -- albeit diminished on any minimal or distinguishable level -- that deserves close attention to appreciate both his beauty and pain. During Love Is Here to Stay, Evans is clearly having difficulty, yet he rallies out of an unsure thought to carry this theme onward. On What Kind of Fool Am I? (misidentified by Lees in the liner notes as Who Can I Turn To?), the pianist recalls a pensive and introspective, almost gut-wrenching mood, perhaps a self-examination of his condition. The better reinterpretations include a wonderfully spacious version of All the Things You Are, a playful medley of Autumn in New York and How About You?, and the lively jazzed-up Santa Claus Is Coming to Town. The tricky Charlie Parker bop anthem Ornithology has the pianist rambling off the beaten path in a carefree but a rough dissertation. Apparently Evans did not care for these recordings, but listeners have two CD editions to enjoy, and despite his lessened capacity, they are still enjoyable in their flawed but brilliant way. After all, this is the great Bill Evans, and he remains so for all time.
    AllMusic Review by Michael G. Nastos

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  • Bill Evans - Never Let Me Go

    14:42

    Evans's Universal Mind

    Alone. 1968

  • Chet Baker, Bill Evans - Alone Together

    6:54

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    THE UNFORGETTABLES è il canale che raccoglie i classici di tutti i tempi della musica internazionale che ti farà rivivere la magia del grande Jazz, le emozioni della musica classica, il rock trasgressivo delle origini passando attraverso le intramontabili melodie del pop.
    Su THE UNFORGETTABLES troverai i tuoi artisti preferiti organizzati in playlist secondo criteri storici e di genere.
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  • Bill Evans Live at Molde Jazz Festival

    42:35

    At the Molde Jazz Festival, August 1980.

    Personnel: Bill Evans (p) Marc Johnson (b) Joe La Barbera (dr)

    0:00 - Re: Person I Knew
    5:55 - Days of Wine and Roses

  • Bill Evans Copenhagen Rehearsal Tape

    44:56

    Bill rehearsing for a concert with Monica Zetterlund swedish singer, and Alex Riel danish drummer in Copenhagen, Denmark.
    1966 Oct. 25

    16:44 - Very Early
    22:04 - Who Can I Turn To
    28:09 - If You Could See Me Now
    32:34 - Autumn Leaves
    36:35 - Five

    Personnel: Bill Evans (p) Eddie Gómez (b) Alex Riel (dr)
    Video is from Alex Riel's private achive.
    All rights reserved to Alex Riel and the Danish Broadcasting Corporation

  • Bill Evans - The Two Lonely People

    6:14

    Siguenos en Facebook:
    Del álbum The Bill Evans Album (1971)

  • Bill Evans Trio - Some Day My Prince Will Come - 19 Mar 65

    5:06

    London, March 19, 1965

    For those who know of Evans as primarily a lyrical player, listen to these chops.

    Personnel:

    Bill Evans - p
    Chuck Israels - b
    Larry Bunker - d

    Set:

    Part I

    Five (theme)
    Elsa
    Summertime
    Come Rain Or Come Shine
    My Foolish Heart
    Re: Person I Knew
    Israel
    Five (theme)

    Part II

    Five (theme)
    How My Heart Sings
    Nardis
    Who Can I Turn To?
    Some Day My Prince Will Come
    How Deep Is The Ocean?
    Waltz For Debby

    Notes:

    Some Day My Prince Will Come was written by Larry Morey (lyrics) & Frank Churchill (music) for the 1937 Walt Disney animated film SNOW WHITE AND THE SEVEN DWARFS.

    This is the third incarnation of Bill Evans' great '60s piano trios, playing at a very high level. Chuck Israels' bass work, in particular, is nothing short of virtuosic. His playing shows the influence of Scott LaFaro -- especially in his use of counterpoint -- but he's supremely inventive.

    Background:

    Evans' first (and greatest) trio featured the irreplaceable Scott LaFaro on double bass and Paul Motian on drums. After LaFaro's tragic death in a car accident in 1961 (at age 25), Evans was so overcome with grief that he didn't play again publicly for almost a year. In early '62, he reformed his trio and hired Chuck Israels to replace LaFaro. Motian departed the trio in 1964, and was replaced by Larry Bunker.

    If you're interested in hearing the greatest of all piano trios, here are the CDs to buy:

    PORTRAIT IN JAZZ (1959)
    EXPLORATIONS (1961)
    THE COMPLETE VILLAGE VANGUARD RECORDINGS, 1961 (3-CDs representing the trio's complete five sets at the Village Vanguard on Sunday, June 25, 1961, 11 days before LaFaro's death).

  • Bill Evans Peace Piece

    6:46

    Virtual Museum Exhibit: Pasos Peace Museum (visit: www. pasospeacemuseum.org)—Bill Evans's Peace Piece is an unrehearsed modal composition that he recorded for his Everybody Digs Bill Evans LP in 1958. It is hailed as one of the most beautiful and evocative solo piano improvisations ever recorded.

  • What Are You Doing the Rest Of Your Life? - Bill Evans

    4:42

    Album From Left to Right released in 1970
    Fender Rhodes and Piano

    Credits
    Bill Evans -- piano, Fender-Rhodes
    Eddie Gomez -- bass
    Marty Morell -- drums
    Sam Brown -- guitar
    Michael Leonard -- conductor, arranger
    Unidentified brass, woodwinds and strings

  • Bill Evans - I Will Say Goodbye

    45:56

  • Unlocking Your Inner Bill Evans — Piano Stylings of Bill Evans | Piano Lesson

    21:46

    More videos like this jazz piano lesson ????
    Shop pianos at Sweetwater ????

    Sweetwater's Jacob Dupre explores the musical style of jazz great Bill Evans, and shows you how you can incorporate some of his techniques in your playing.


    #Sweetwater #PianoLesson #PianoStylings


    The Zoom F8N Multitrack Field Recorder was used to record the audio in this video, and can be purchased here:

  • Bill Evans - All The Things You Are

    9:02

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  • Bill Evans - Like Someone In Love - Piano Transcription

    6:27

    Bill Evans - Like Someone In Love, from the album 'Time Remembered'

    If you would like the sheet music in PDF format, please feel free to visit my website: or send me an email at rhtranscriptions@hotmail.com. I charge £5 (or $7 US) per transcription.

    If you're interested in hearing my own music you can listen to my album here:

  • Bill Evans - The Creative Process and Self-Teaching

    4:34

    Extracted from the movie The Universal Mind of Bill Evans - Creative Process and Self-Teaching.

    In this part, Bill talks about how to deal with obstacles, and how to build one's vocabulary step-by-step.

    Take a look at my other youtube page at for lots of other videos.

  • Bill Evans - Since We Met

    53:32

    Since We Met is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1976.

  • Bill Evans Tony Bennett Together Again

    27:58

    A half-hour of pure bliss.

  • Miles Davis interview about Bill Evans

    6:12

    Short interview with Miles Davis about Kind of Blue and the contribution of Bill Evans.
    I made an intro with an aborted session track.
    Then the short interview with Miles and concluding with the intro of All Blues
    I got several interviews from the late Brian Hennessey, Evans friend, writer for Jazz Journal International and founder of the The Bill Evans Memorial Library before he died September 4, 2014. From his material I make some videos.

  • Bill Evans - Eloquence

    40:53

    Eloquence is an album composed of songs played by jazz musicians Bill Evans and Eddie Gomez between the years of 1973 and 1975. It was released posthumously in 1982 on Fantasy Records

    Personel: Bill Evans (p) Eddie Gómez (bs)
    Released: 1982
    Recorded: November 19, 1973 Fantasy Studios, Berkeley
    Label: Fantasy F-9618
    Producer: Helen Keane, Orrin Keepnews

    0:00 Gone With the Wind (Herbert Magidson, Allie Wrubel)
    5:36 Saudade Do Brasil (Antônio Carlos Jobim)
    11:19 In a Sentimental Mood (Duke Ellington, Manny Kurtz, Irving Mills)
    17:29 But Beautiful (Johnny Burke, Jimmy Van Heusen)
    21:11 All of You (Cole Porter)
    26:10 Since We Met (Bill Evans)
    29:52 Medley: But Not for Me (George Gershwin, Ira Gershwin) / Isn't It Romantic? (Richard Rodgers), Lorenz Hart / The Opener (Bill Evans)
    34:59 Medley: When in Rome / It Amazes Me (Cy Coleman)

    This interesting album was originally released posthumously in 1982. Pianist Bill Evans is featured on four duets with his longtime bassist Eddie Gomez in 1974-75, exploring a quartet of superior standards. The second half of the program (which dates from 1973 and 1975) is not on the same level. Evans is heard playing two songs he was not all that familiar with late at night at a club, and he performs two other songs and a wandering medley while rehearsing in a recording studio. Being a musical perfectionist, it is a bit doubtful if he would have wanted this music to be released although longtime Bill Evans collectors will find the explorations to be intriguing.

  • Bill Evans, Round Midnight

    6:04

    Bill Evans Trio,
    'Round Midnight ,
    Sweden-1970 Eddie Gomez Marty Morrell.
    'Round Midnight is a 1944 composition by pianist Thelonious Monk.
    It is the most recorded jazz standard composed by a jazz musician.

  • Bill Evans - Live in Paris vol. I-II-III

    2:58:36

    This compilation collects the complete February 6, 1972 concert by the Bill Evans Trio that was first aired by A la Masion de la Radio in Paris and subsequently issued on two individual CDs by France's Concert.

    Personnel: Bill Evans (p) Eddie Gómez (bs) Marty Morrell (dr)
    Released: January 10, 2006
    Recorded: February 6, 1972
    Label: -

    CD1
    0:00 Présentation André Francis
    1:35 Re : Person I Knew (Bill Evans)
    10:39 Turn Out The Stars (Bill Evans)
    16:01 Gloria's Step (Scott LaFaro)
    24:48 Two Lonely People (Bill Evans)
    33:21 Waltz For Debby (Bill Evans)
    42:21 What Are You Doing The Rest Of Your Life (M. Legrand)

    CD2
    47:58 Twelve Tone Tune (Bill Evans)
    55:38 Sugarplum (Bill Evans)
    1:04:25 Quiet Now (Denny Zeitlin)
    1:10:02 Very Early (Bill Evans)
    1:15:37 Autumn Leaves (Joseph Kosma)
    1:19:53 Time Remembered (Bill Evans)
    1:26:31 My Romance (Lorenz Hart, Richard Rodgers)
    1:37:14 Someday My Prince Will Come (Frank Churchill)

    CD3
    1:43:50 Elsa (E. Zindars)
    1:51:12 Detour Ahead (Ellis, Frigo, Carter)
    1:56:42 34 Skidoo (B. Evans)
    2:03:05 Alfie (Bacharach, David)
    2:08:14 Peri's Scope (B. Evans)
    2:17:19 Blue'n Green (B. Evans, M. Davis)
    2:21:25 Emily (J. Mandel)
    2:28:10 Who Can I Turn To (Newley, Bricusse)
    2:34:45 Some Other Time
    2:40:04 Nardis (M. Davis)
    2:51:44 Waltz for Debby (B. Evans)

    This compilation collects the complete February 6, 1972 concert by the Bill Evans Trio that was first aired by A la Masion de la Radio in Paris and subsequently issued on two individual CDs by France's Concert. The pianist, joined by bassist Eddie Gomez and drummer Marty Morell, is in top form throughout the performance, even if the first half of the concert is a bit laid-back for Evans. But drawing from a walk of material, including numerous originals, there's also the haunting Turn Out the Stars and the bittersweet The Two Lonely People, on which the trio gathers steam in the second half, with a wild romp through Evans' demanding Twelve Tone Tune and a delightfully breezy treatment of Very Early (showcasing Gomez), along with a moving rendition of Denny Zeitlin's gorgeous requiem Quiet Now among the highlights. The final track is from a Yugoslavian jazz festival recorded a few months later and previously issued on the Enja compilation Live at the Festival with British drummer Tony Oxley in Morell's place. Evidently due to lack of rehearsal and familiarity working with Evans, Oxley never really blends in very well with the pianist and Gomez in the extended workout of Nardis. But due to the excellent performances by Evans and Gomez, this is a rewarding disc that returns once rare music to print.

  • Bill Evans Trio - Autumn Leaves

    6:01

    Album: Portrait In Jazz
    Year: 1959
    Label: Riverside

    Bill Evans - piano
    Scott LaFaro - bass
    Paul Motian - drums

  • Bill Evans Trio - How My Heart Sings

    5:01

    Album: How my heart sings! (1962) Bill Evans: piano, Chuck Israels: bass, Paul Motian: drums; Composition: Earl Zindars

  • Jazz Piano - Bill Evans - I will Say Good Bye Full Album

    46:26

  • Bill Evans - Beautiful Love

    4:51

    ---
    Bill Evans, Niels Hening Orsted Pedersen, Alan Dawson - Beautiful Love - Jazz Piano Workshop Berlin 1965

  • Bill Evans Trio - Jazz 625 complete

    1:10:43

    Bill Evans
    Chuck Israel
    Larry Bunker

    BBC Studios London, March 19th 1965

  • Bill Evans Trio - Autumn Leaves

    4:41

    The Oslo Concerts

  • Bill Evans - Live in Switzerland

    1:18:01

  • Bill Evans Live in Munch Museum, Oslo

    30:15

    Bill Evans Live at Munch Museum, 1966 Oslo

    Personnel: Bill Evans (p) Eddie Gomez (b) Alex Riel (dr)

    0:00 - Very Early
    4:56 - Stella By Starlight
    9:17 - If You Could See Me Now
    13:57 - Autumn Leaves
    18:23 - Time Remembered
    22:11 - Nardis
    27:19 - Five

  • Bill Evans Chords: A Tutorial on their Voicing

    11:45

    Here's a quick look at how Bill Evans tended to voice his left hand jazz piano chords: usually rootless, with higher degrees. I'll also share some of Evans' classic voicings, like his voicings of minor 11 or dominant 13th chords. Overall, this video should give you general ideas on how voice these chords in context and into the style of Bill Evans as a whole. I hope you enjoy!

    Added Dec 4, 2018: One of the viewers, X YZ, has notated the chords using the online Muse service which is free for all. He has kindly shared the link to his work:

    Thanks X YZ, on behalf of myself and the viewers!

  • Bill Evans Trio - Only Child

    4:14

    Bill Evans Trio - Only Child (1966)

    Personnel: Bill Evans (piano), Eddie Gomez (bass), Shelly Manne (drums)

    from the album 'A SIMPLE MATTER OF CONVICTION' (Verve Records)

  • Bill Evans - Heres That Rainy Day

    5:25

    Here's That Rainy Day is a popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke, published in 1953. It was introduced by Dolores Gray in the Broadway musical Carnival in Flanders.

    William John Evans, known as Bill Evans (August 16, 1929 -- September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, singing melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.

    Born in Plainfield, New Jersey, Evans was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.

    In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.

    In 1963, Evans recorded Conversations with Myself, an innovative solo album using the unconventional (in jazz solo recordings) technique of overdubbing over himself. In 1966, he met bassist Eddie Gomez, with whom he would work for eleven years. Several successful albums followed, such as Bill Evans at the Montreux Jazz Festival, Alone and The Bill Evans Album, among others. In 1973, he married Nenette Zazzara, with whom he had a son, Evan, who became a film composer.

    Despite his success as a jazz artist, Evans suffered personal loss and struggled with drug abuse. Both his girlfriend Elaine and his brother Harry committed suicide, and he was a long time user of heroin, and later of cocaine. As a result, his financial stability, personal relationships and musical creativity suffered until his death, in 1980.

    Many of his compositions, such as Waltz for Debby, have become standards and have been played and recorded by many artists. Evans was honored with 31 Grammy nominations and seven awards, and was inducted in the Down Beat Jazz Hall of Fame.

  • Discovering Bill Evans

    9:38

    Let's examine how Bill Evans could use a very few amount of notes to evoke an immense amount of emotion.

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    Aimee Nolte

  • Bill Evans - When I Fall In Love

    4:55

    Bill Evans - Portrait in Jazz - When I Fall In Love

  • Bill Evans Trio - Who Can I Turn To? - 19 Mar 65

    6:26

    London, March 19, 1965

    Personnel:

    Bill Evans - p
    Chuck Israels - b
    Larry Bunker - d

    Set:

    Part I

    Five (theme)
    Elsa
    Summertime
    Come Rain Or Come Shine
    My Foolish Heart
    Re: Person I Knew
    Israel
    Five (theme)

    Part II

    Five (theme)
    How My Heart Sings
    Nardis
    Who Can I Turn To?
    Some Day My Prince Will Come
    How Deep Is The Ocean?
    Waltz For Debby

    Notes:

    Who Can I Turn To? was written by Leslie Bricusse and Anthony Newley for the ill-fated musical The Roar of the Greasepaint—the Smell of the Crowd, and published in 1964. (Lyttelton incorrectly associates the song with Stop the World -- I Want to Get Off; he was likely confusing this song with 'What Kind of Fool Am I?) Originally recorded by Tony Bennett; Evans was one of the first jazz musicians to perform the song.

    This is the third incarnation of Bill Evans' great '60s piano trios, playing at a very high level. Chuck Israels' bass work, in particular, is nothing short of virtuosic. His playing shows the influence of Scott LaFaro -- especially in his use of counterpoint -- but he's supremely inventive.

    Background:

    Evans' first (and greatest) trio featured the irreplaceable Scott LaFaro on double bass and Paul Motian on drums. After LaFaro's tragic death in a car accident in 1961 (at age 25), Evans was so overcome with grief that he didn't play again publicly for almost a year. In early '62, he reformed his trio and hired Chuck Israels to replace LaFaro. Motian departed the trio in 1964, and was replaced by Larry Bunker.

    If you're interested in hearing the greatest of all piano trios, here are the CDs to buy:

    PORTRAIT IN JAZZ (1959)
    EXPLORATIONS (1961)
    THE COMPLETE VILLAGE VANGUARD RECORDINGS, 1961 (3-CDs representing the trio's complete five sets at the Village Vanguard on Sunday, June 25, 1961, 11 days before LaFaro's death).

  • Bill Evans Trio - Emily

    5:32

    Bill Evans Trio
    At Ilkka Kuusisto's home,
    Lauttasaari, Helsinki
    Finland
    1970 (or 1969)

    Bill Evans - p
    Eddie Gomez - bs
    Marty Morell - dr

    1. Emily

  • Bill Evans - You Must Believe In Spring

    5:50

    You Must Believe in Spring, recorded in 1977, was the first album published after the death of Bill Evans, in 1980. Themes like absence, loss, death (so close to Bill, after the death of his brother, and his friend Scott La Faro) are expressed in the musical research & development of this cd, a pearl in his Jazz recording history. This is the title track, #2, You Must Believe in Spring.

  • Bill Evans interveiw 1970

    8:51

    Bill Evans Trio At Helsinki, Finland 1970, interview excerpts

  • Bill Evans - Twelve Tone Tune

    6:00

    From Bill Evans' Blue in Green: The Concert in Canada, 1974 © Milestone

    Bill Evans: piano, Eddie Gomez: bass, Marty Morell: drums
    Recorded in Camp Fortune, Ottawa, Canada in August, 1974.

  • Jazz entre amigos - Bill Evans

    1:3:29

    Programa de jazz español de Juan Claudio Cifuentes (Cifu).

    Programa biográfico sobre el gran pianista Bill Evans, renovador del ambiente jazzístico y maestro indiscutible para toda una generación. Entre las entrevistas, declaraciones y montajes sobre su persona se intercalan temas musicales que forman parte de la que se ha considerado su mejor actuación, grabada el 28 de noviembre de 1979 en los estudios de TVE de Esplugues de Llobregat, acompañado de Marc Johnson (contrabajo) y Joe Labarbera (bateria).

    RTVE a la carta:

    Web de Cifu:

  • Bill Evans - Dream Gypsy

    4:35

    Bill Evans (piano)
    Jim Hall (guitar)

    UNDERCURRENT

    Dream Gypsy 4:31

  • Bill Evans Trio - Nardis

    5:52

    Album: Explorations (1961) Bill Evans: piano, Scott LaFaro: bass, Paul Motian: drums
    Composition: Who knows? Bill Evans? Miles Davis? -- go here for example: ...and conceive your own opinion.

  • Bill Evans feat. by WDR BIG BAND: Lets Pretend

    9:53

    30. Leverkusener Jazztage 2009: Die WDR Big Band spielt unter der Leitung von Michael Abene das Konzert Bill Evan's Special während der Leverkusener Jazztage 2009. Weitere Gastsolisten sind Dave Wreckl (Schlagzeug) und Mark Egan (Bass). Der Song Let's Pretend stammt von Bill Evans und wurde von Michael Abene für die WDR Big Band arrangiert. Soli spielen Bill Evans (Tenorsaxofon) und Frank Chastenier (Hammond).


    Komposition: Bill Evans

    Arrangement: Michael Abene



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