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Playlist of Bach - Wir glauben all an einen Gott BWV 740 - Jellema | Netherlands Bach Society

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  • Bach - Wir glauben all an einen Gott BWV 740 - Jellema | Netherlands Bach Society

    6:09

    Solemn and bordering on sluggish, the whole arrangement of 'Wir glauben all an einen Gott, Vater' BWV 740, performed here by Theo Jellema, takes place in the same mood; obediently plodding along in four-four time. The professional literature is critical of the inconsistencies in the pedal parts and the weak harmonies. So could this really be a work by Bach?

    Recorded for the project All of Bach on August 26th 2015 at Stiftskirche St. Georg, Goslar-Grauhof. If you want to help us complete All of Bach, please subscribe to our channel and consider donating

    For the interview with organist Theo Jellema on 'Wir glauben all an einen Gott, Vater' BWV 740 go to
    For more information on BWV 740 and this production go to

    All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material For concert dates and further information go to

    Theo Jellema, organ
    Organ: Christoph Treutmann, 1731

  • Jellema on Wir glauben all an einen Gott BWV 740 | Netherlands Bach Society

    3:42

    “The double pedal Bach requires is of course a challenge for the organist. Playing one part with two feet can be hard enough and playing two parts is more difficult still.” Organist Theo Jellema talks about 'Wir glauben all an einen Gott, Vater' BWV 740, which he performed for All of Bach.

    Recorded for the project All of Bach on August 26th 2015 at Stiftskirche St. Georg, Goslar-Grauhof. If you want to help us complete All of Bach, please subscribe to our channel and consider donating

    For the complete performance of 'Wir glauben all an einen Gott, Vater' BWV 740 go to
    For more information on BWV 740 and this production go to

    All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material For concert dates and further information go to

    Theo Jellema, organ
    Organ: Christoph Treutmann, 1731

  • x
  • J.S. Bach - Chorale Wir glauben all an einen Gott BWV 740

    5:07

    Johann Sebastian Bach - Chorale 'Wir glauben all an einen Gott' BWV 740
    From a liveconsert 14 sep. 2014 in Hedvig Eleonora Church, Stockholm.
    Ulf Norberg, organ.
    Assistant: Ulrik De Geer
    Recorded and edited by Anders Söderlund

  • Wir glauben all an einen Gott, BWV 740

    5:15

    Provided to YouTube by Warner Classics

    Wir glauben all an einen Gott, BWV 740 (Formerly attrib. to J.S. Bach) · Marie-Claire Alain

    Bach: Complete Organ Works (Analogue Version - 1959-67)

    ℗ 1965 Erato Disques, a Warner Music UK Division. Remastered (p) 2018 Parlophone Records Limited, a Warner Music Group Company .

    Organ: Marie-Claire Alain
    Composer: Johann Ludwig Krebs

    Auto-generated by YouTube.

  • x
  • J.S. Bach: Wir glauben all an einen Gott, Vater, BWV 740

    5:45

    Provided to YouTube by Universal Music Group

    J.S. Bach: Wir glauben all' an einen Gott, Vater, BWV 740 · Peter Hurford

    Bach, J.S.: The Organ Works

    ℗ 1981 Decca Music Group Limited

    Released on: 1995-01-01

    Producer: Chris Hazell
    Studio Personnel, Balance Engineer: Simon Eadon
    Studio Personnel, Engineer: Michael Mailes
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Bach Wir glauben all’ an einen Gott BWV 740 We All Believe in One God Hans-André Stamm 432Hz

    4:54

  • x
  • J.S. Bach - Wir glauben all an einen Gott, Vater

    6:17

    Johann Sebastian Bach
    'Wir glauben all an einen Gott, Vater'
    BWV 740
    Grote of Sint-Michaëlskerk, Zwolle (via Hauptwerk)

    For more information about registration etcetera, see:

  • J.S. Bach, Wir glauben all an einen Gott

    5:05

    J.S. Bach (1685-1750)
    Wir glauben all' an einen Gott | BWV 740
    a 5 voci, a 2 clav.et pedale doppio
    Performed by Bart Rodyns
    Thomas Organ , Sint-Katharinakerk Hoogstraten (B)

    Artist Management |

  • Jacques van Oortmerssen - J.S. Bach - Wir Glauben All an einen Gott, Vater BWV 740 - Live

    5:17

    Jacques van Oortmerssen - J.S. Bach - Wir Glauben All' an einen Gott, Vater BWV 740 - Live
    Jacques van Oortmerssen (Rotterdam, the Netherlands, 1950) studied at the Conservatory of Rotterdam, where he completed his soloist diplomas for both the organ, as a student of André Verwoerd, and for piano as a student of Elly Salomé. Thereafter he undertook postgraduate study with Marie-Claire Alain in Paris (France). He was awarded the Prix d’ Excellence in 1976.

    In 1977 he won first prize in the National Improvisation Competition in Bolsward (NL) and was runner-up in the Tournemire Prize in St Albans (England). He has been professor of organ at the Conservatory of Amsterdam (NL) since 1979, where his organ class attracts students from many countries.
    In 1982 he succeeded Gustav Leonhardt as Organiste Titulaire of the Waalse kerk in Amsterdam, where he plays the famous 1734 Christian Müller organ. Jacques van Oortmerssen enjoys an international reputation as both soloist and pedagogue, in which context he is regularly invited to teach at Universities and Conservatories throughout the world.

    He has been leader of the Falun Organ Academy in Falun (Sweden) for many years since 1984, was Betts Fellow in Organ Studies at the University of Oxford (England) during the 1993-1994 academic year and Associate Professor at the Sibelius Academy in Helsinki (Finland) during the 1994-1995 academic year. He will receive an honorary doctorate at this academy in June 2012.
    Jacques van Oortmerssen was a regular guest professor of organ at the Lyon Conservatory (France) between 1999 and 2004, and he has also been a guest professor at the Royal Northern College of Music in Manchester (England) and during many years at the Conservatory in Göteborg (Sweden). In addition he has been a member of the advisory board of the Göteborg Organ Art Centre (GOArt) at the University of Gothenburg.
    As soloist Jacques van Oortmerssen regularly performs throughout Europe, North and South America, Africa, Japan and South Korea and is frequently invited at prestigious international festivals sucu as the BBC Proms in London (England), the Prague (Czech Republic) Spring Festival, the Bach Festival in Leipzig (Germany) and the City of London Festival. He is well known for his interpretations of early music and in particular of music of J.S. Bach.

    Jacques van Oortmerssen is also active as a composer and conductor.
    As a recording artist, van Oortmerssen has featured on more than 50 CD releases for prominent international labels, as well as broadcasting on both radio and television.

    Among the recordings he made are the complete works of C.P.E. Bach and Johannes Brahms as well as a series of records of J.S. Bach’s organ music, already having released nine volumes.

    Jacques van Oortmerssen has been actively involved with the art of organ building in the broadest sense since 1970. Through his international career he intensively used and examined many organs, both historical and new, all over the world. As an organ expert he guides both restorations of historical instruments and constructions of new instruments.

    Jacques van Oortmerssen is one of the inspirators of the Göteborg Organ Art Centre (GOArt) at the University of Gothenburg. This centre is committed to improve the quality of the art of organ building, both in restoring historic instruments and building new instruments, having built up a huge international reputation in doing so. Therefore interdisciplinary research is being conducted here in which musical instrument builders, musicians, organologists, technologists and musicologists cooperate on an international level. Thus the Chalmers University of Technology in Gothenburg carries out important research on different aspects of historical organ building in the field of metallurgy, thermo-dynamics and acoustics.
    As a result of these efforts two large projects have been realized, of which the North German Organ Research Project particularly caused an international stir.
    Jacques van Oortmerssen believes the current profile of ‘omniscient advisor’ to now be obsolete. The complexity of restoring organs and the diversity of the historic patrimony demand a different approach in which the organ advisor will increasingly develop into a leader of a team of specialists.


    Current and former positions:

    Organiste Titulaire Wallonian Church Amsterdam
    Professor of organ Conservatory of Amsterdam
    Guest teacher University of Gothenburg
    Regular guest teacher Lyon Conservatory
    Regular guest teacher Royal Northern College of Music Manchester
    Leader Falun Organ Academy
    Member of the advisory board of the Göteborg Organ Art Centre (GOArt) at the University of Gothenburg

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  • Wir glauben all’ an einen Gott BWV 740

    4:55

    Provided to YouTube by The Orchard Enterprises

    Wir glauben all’ an einen Gott BWV 740 (We All Believe in One God) · Hans-Andre Stamm · Johann Sebastian Bach

    Bach Greatest Organ Works Volume 1

    ℗ 2014 mediaHYPERIUM

    Released on: 2001-01-01

    Producer: Producer Herbert Waltl
    Producer: Associate Producer Wolfgang Ellers
    Producer: Associate Producer Hugo Gneipelt
    Producer: Surround Sound Producer Herbert Waltl
    Producer: Executive Producer Herbert Waltl

    Auto-generated by YouTube.

  • Wir glauben all an einen Gott Vater, BWV 740

    5:41

    Provided to YouTube by The Orchard Enterprises

    Wir glauben all' an einen Gott Vater, BWV 740 (Chorale prelude) · Willem Hendrik Zwart · Johann Sebastian Bach

    Organs and Organists

    ℗ 1995 JQZ Muziekproducties

    Released on: 2017-02-10

    Music Publisher: Public Domain

    Auto-generated by YouTube.

  • J.S. Bach, Wir glauben all an einen Gott BWV 740

    5:30

    J. S. Bach, 'Wir glauben all an einen Gott' (BWV 740). Played by David Aprahamian Liddle on the two-manual and pedal Gonzalez chamber organ once belonging to André Marchal.

  • Wir glauben all an einen Gott, Vater, BWV 740

    4:48

    Provided to YouTube by Believe SAS

    Wir glauben all' an einen Gott, Vater, BWV 740 · Marie-Claire Alain

    Bach: Pièces inédites pour orgue (Aux grandes orgues de l'église Saint-Merri à Paris) (Stereo Version)

    ℗ Believe Digital

    Released on: 1960-01-01

    Music Publisher: D.R
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Bach: Wir glauben all an einen Gott, Vater, BWV 740

    6:34

    Provided to YouTube by The state51 Conspiracy

    Bach: Wir glauben all' an einen Gott, Vater, BWV 740 (Corale) · Sergio de Pieri

    Bach: Orgelwerke (I)

    ℗ 1989 Rivoalto

    Released on: 2018-09-26

    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Wir glauben all an einen Gott, BWV 740

    5:14

    Provided to YouTube by The Orchard Enterprises

    Wir glauben all' an einen Gott, BWV 740 · David Sanger · Johann Sebastian Bach

    The Organ Music of J.S. Bach, Vol. 3

    ℗ 2009 meridian records

    Released on: 2009-11-11

    Music Publisher: 0

    Auto-generated by YouTube.

  • Wir glauben all an einen Gott, BWV680

    3:23

    Provided to YouTube by Symphonic Distribution

    Wir glauben all an einen Gott, BWV680 · Classical Piano 101 · Classical Piano 101

    J.S. Bach Clavier-Übung III

    ℗ 2019 Classical Piano 101

    Released on: 2019-05-29

    Auto-generated by YouTube.

  • バッハ オルガン作品 BWV 680: Wir glauben all an einen Gott

    2:55

    ヨハン・ゼバスティアン・バッハ オルガン作品
    BWV 680: Wir glauben all an einen Gott

    ---------

    ご視聴ありがとうございます。
    「Goodボタン」「コメント」「チャンネル登録」をお願い致します。

    チャンネル登録はこちら


    ---------

    [ライセンス情報]
    Bach Organ Works: Clavierubung III by James Kibbie is licensed under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. (
    Artist:

    ---------

    こちらもご覧ください。

    バッハ オルガン作品 BWV 552,1:Prelude in E-Flat Major


    バッハ オルガン作品 BWV 552,2: Fugue in E-Flat Major


    バッハ オルガン作品 BWV 669: Kyrie, Gott Vater in Ewigkeit


    バッハ オルガン作品 BWV 670: Christe, aller Welt Trost


    バッハ オルガン作品 BWV 671: Kyrie, Gott heiliger Geist


    バッハ オルガン作品 BWV 672: Kyrie, Gott Vater in Ewigkeit


    バッハ オルガン作品 BWV 673: Christe, aller Welt Trost


    バッハ オルガン作品 BWV 674: Kyrie, Gott heiliger Geist


    バッハ オルガン作品 BWV 675: Allein Gott in der Hoh sei Ehr


    バッハ オルガン作品 BWV 676: Allein Gott in der Hoh sei Ehr


    バッハ オルガン作品 BWV 677: Fughetta super Allein Gott in der Hoh sei Ehr


    バッハ オルガン作品 BWV 678: Dies sind die heilgen zehen Gebot


    バッハ オルガン作品 BWV 679: Fughetta super Dies sind die heiligen zehen Gebot


    バッハ オルガン作品 BWV 680: Wir glauben all an einen Gott


    バッハ オルガン作品 BWV 681: Fughetta super Wir glauben all an einen Gott


    バッハ オルガン作品 BWV 682: Vater unser im Himmelreich


    バッハ オルガン作品 BWV 683: Vater unser im Himmelreich


    バッハ オルガン作品 BWV 684: Christ, unser Herr, zum Jordan kam


    バッハ オルガン作品 BWV 685: Christ, unser Herr, zum Jordan kam


    バッハ オルガン作品 BWV 686: Aus tiefer Not schrei ich zu dir


    バッハ オルガン作品 BWV 687: Aus tiefer Not schrei ich zu dir


    バッハ オルガン作品 BWV 688: Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt


    バッハ オルガン作品 BWV 689: Fuga super Jesus Christus, unser Heiland


    バッハ オルガン作品 BWV 802: Duetto I


    バッハ オルガン作品 BWV 802: Duetto II


    バッハ オルガン作品 BWV 803: Duetto III


    バッハ オルガン作品 BWV 805: Duetto IV

  • J.S. Bach: Wir glauben allan einen Gott, BWV 680

    3:22

    Provided to YouTube by Universal Music Group

    J.S. Bach: Wir glauben all'an einen Gott, BWV 680 · Peter Hurford

    Bach, J.S.: The Organ Works

    ℗ 1978 Decca Music Group Limited

    Released on: 1995-01-01

    Producer: Chris Hazell
    Studio Personnel, Balance Engineer: Stanley Goodall
    Studio Personnel, Engineer: Andrew Pinder
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • J.S. Bach - Wir glauben all an einen Gott, Vater BWV 740

    6:31

    Recorded on October 16, 2018. See my website ‟Playing Keyboard Instruments in the 21st Century”:

  • Wir glauben all an einen Gott, BWV 740

    4:29

    Provided to YouTube by Believe SAS

    Wir glauben all’ an einen Gott, BWV 740 · Olivier Latry

    Bach: L'œuvre d'orgue (La vie spirituelle)

    ℗ Scam

    Released on: 2012-12-20

    Composer: Johann Sebastian Bach
    Music Publisher: D.R

    Auto-generated by YouTube.

  • x
  • J.S. Bach: Wir glauben all an einen Gott, Vater, BWV 740

    5:01

    Provided to YouTube by Universal Music Group

    J.S. Bach: Wir glauben all' an einen Gott, Vater, BWV 740 · Wolfgang Rübsam

    Bach, J.S.: The Organ Works

    ℗ 1977 Universal International Music B.V.

    Released on: 1996-11-14

    Producer: Teije Van Geest
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Wir glauben all an einen Gott, BWV 765

    3:54

    Provided to YouTube by Warner Classics

    Wir glauben all' an einen Gott, BWV 765 · Marie-Claire Alain

    Bach: Complete Organ Works (Analogue Version - 1959-67)

    ℗ 1967 Erato Disques, a Warner Music UK Division. Remastered (p) 2018 Parlophone Records Limited, a Warner Music Group Company .

    Organ: Marie-Claire Alain
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Wir Glauben All an Einen Gott: Vater BWV 740

    5:51

    BWV 740

    Bach: Organ Works Vol. 4
    Jacques van Oortmerssen
    (c) 2007 Challenge Classics

    CC72061

  • Wir glauben all an einen Gott, Vater BWV 740

    5:47

    Provided to YouTube by The Orchard Enterprises

    Wir glauben all' an einen Gott, Vater BWV 740 · J.S. Bach · Jacques Van Oortmerssen

    Bach: Organ Works Vol. 4

    ℗ 2007 Challenge Classics

    Released on: 2007-04-13

    Auto-generated by YouTube.

  • Prelude: Wir glauben all an einen Gott for Brass Quintet

    3:54

    As organist at Weimar, Johann Sebastian Bach was charged with providing a harmonic underpinning for the singing of Lutheran chorale tunes chosen for each day. Bach wrote out many of these harmonizations, in part as instruction for younger composers (they are still used for this purpose). A derivation of this practice, Bach's conception of the organ chorale, as manifested in the chorale preludes, dates from 1713 -1714, about the time he became familiar with Vivaldi's concertos.

    Bach's Orgelbüchlein (Little Organ Book) contains chorale preludes for the church year written during the composer's service at Weimar (1708 - 1717). In about 1713, Bach began assembling the Orgel-Büchlein, and his earliest entries seem to be Her Christ, der ein'ge Gottes-Sohn, BWV 601, In dulci jubilo, BWV 608, Christ ist erstanden, BWV 627, and Heut' triumphieret Gottes Sohn, BWV 630. These were very original compositions, highly expressive miniatures based on a chorale melody, supported with refined counterpoint, and featuring highly condensed motivic writing.

    Bach's Orgelbüchlein was essentially complete by 1716. Only the fragment O Traurigkeit and the chorale prelude, Helft mir Gottes Güte preisen, BWV 613, were added later. Complete is used with some reservation here, because Bach originally projected 164 pieces but completed fewer than 50. In Bach's manuscript, pages with finished pieces alternate with blank ones intended for other chorale preludes. The later pieces differ from Bach's earlier chorale elaborations, in that they contain only one statement of the melody and are intended to demonstrate how to accompany a chorale with contrapuntally proper figurations that support the meaning of the text.

    In the early 1740s Bach assembled a number of chorale preludes, possibly with the intention of publishing them as a set. These Achtzehn Choräle (Eighteen Chorales) BWV 651 - 668 were almost certainly written before 1723 and revised later. The Fantasia super Komm, heiliger Geist, BWV 651 is an especially impressive, extended elaboration of the chorale melody, which is in the pedal. The tune is treated in a less ornate fashion in the next prelude of the set (BWV 652). The highly convoluted Von Gott will ich nicht lassen, BWV 658 also contains the chorale melody in the pedal.

    The six Schübler chorales (BWV 645 - 650) are derived from Bach's cantatas and contain one of his most popular chorale preludes, on the melody Wachet auf, ruft uns die Stimme, BWV 645.

    The third part of Bach's Clavier-Übung, published in Leipzig in 1739, contains 21 chorale preludes (not all appear in every publication), many of which are for manuals only. Nine of these are meant for use during the Mass, while the others are for the catechism. Among the most impressive is Kyrie, Gott heiliger Geist, BWV 671, which is in five voices with the chorale melody in the pedal. More complex is the first of two preludes on Aus tiefer Not schrei ich zu dir, BWV 686, which is in six parts, including two pedal parts.

    Although the authorship of this work is in question, one can surmise that if Bach did compose it, he probably did so in the early years of the eighteenth century. For one thing, he wrote another setting of this chorale theme for organ during this time, the BWV 1098, which was discovered in the so-called Neumeister collection in 1985. That work is generally dated to the years 1700-1708. Of course, Bach also did two additional ones for the 1739 Deutsche Orgelmess, but this BWV 740 rendition has less in common with the composer's later style. Like the Neumeister effort, this one begins in a somewhat somber manner, though the mood is light here and dreamy, imparting a contemplative sense. Most of the writing of the main thematic materials is in the upper ranges and conveys a somewhat fragile ethereality. The contrapuntal activity, while well-crafted, is not as subtle as that in many other Bach keyboard works, despite the five-part writing here (two voices in the pedals). Still, this five-minute work is a fine effort whose complexity and other features suggest that Bach could well be the composer.

    Source: Allmusic (

    Although originally written for Pipe Organ, I created this Interpretation of the Chorale Prelude (BWV 740) Wir glauben all an einen Gott (We all believe in one true God) for Brass Quintet (Bb Trumpet, Flugelhorn, French Horn, Trombone, Euphonium & F Tuba).

  • Wir glauben all an einen Gott, BWV 680

    3:16

    Provided to YouTube by CDBaby

    Wir glauben all' an einen Gott, BWV 680 · Reitze Smits

    Pro Organo Pedaliter

    ℗ 2016 Reitze Smits

    Released on: 2016-01-27

    Auto-generated by YouTube.

  • Prelude: Wir glauben all an einen Gott for Brass Quintet

    4:02

    As organist at Weimar, Johann Sebastian Bach was charged with providing a harmonic underpinning for the singing of Lutheran chorale tunes chosen for each day. Bach wrote out many of these harmonizations, in part as instruction for younger composers (they are still used for this purpose). A derivation of this practice, Bach's conception of the organ chorale, as manifested in the chorale preludes, dates from 1713 -1714, about the time he became familiar with Vivaldi's concertos.

    Bach's Orgelbüchlein (Little Organ Book) contains chorale preludes for the church year written during the composer's service at Weimar (1708 - 1717). In about 1713, Bach began assembling the Orgel-Büchlein, and his earliest entries seem to be Her Christ, der ein'ge Gottes-Sohn, BWV 601, In dulci jubilo, BWV 608, Christ ist erstanden, BWV 627, and Heut' triumphieret Gottes Sohn, BWV 630. These were very original compositions, highly expressive miniatures based on a chorale melody, supported with refined counterpoint, and featuring highly condensed motivic writing.

    Bach's Orgelbüchlein was essentially complete by 1716. Only the fragment O Traurigkeit and the chorale prelude, Helft mir Gottes Güte preisen, BWV 613, were added later. Complete is used with some reservation here, because Bach originally projected 164 pieces but completed fewer than 50. In Bach's manuscript, pages with finished pieces alternate with blank ones intended for other chorale preludes. The later pieces differ from Bach's earlier chorale elaborations, in that they contain only one statement of the melody and are intended to demonstrate how to accompany a chorale with contrapuntally proper figurations that support the meaning of the text.

    In the early 1740s Bach assembled a number of chorale preludes, possibly with the intention of publishing them as a set. These Achtzehn Choräle (Eighteen Chorales) BWV 651 - 668 were almost certainly written before 1723 and revised later. The Fantasia super Komm, heiliger Geist, BWV 651 is an especially impressive, extended elaboration of the chorale melody, which is in the pedal. The tune is treated in a less ornate fashion in the next prelude of the set (BWV 652). The highly convoluted Von Gott will ich nicht lassen, BWV 658 also contains the chorale melody in the pedal.

    Although the authorship of this work is in question, one can surmise that if Bach did compose it, he probably did so in the early years of the eighteenth century. For one thing, he wrote another setting of this chorale theme for organ during this time, the BWV 1098, which was discovered in the so-called Neumeister collection in 1985. That work is generally dated to the years 1700-1708. Of course, Bach also did two additional ones for the 1739 Deutsche Orgelmess, but this BWV 740 rendition has less in common with the composer's later style. Like the Neumeister effort, this one begins in a somewhat somber manner, though the mood is light here and dreamy, imparting a contemplative sense. Most of the writing of the main thematic materials is in the upper ranges and conveys a somewhat fragile ethereality. The contrapuntal activity, while well-crafted, is not as subtle as that in many other Bach keyboard works, despite the five-part writing here (two voices in the pedals). Still, this five-minute work is a fine effort whose complexity and other features suggest that Bach could well be the composer.

    Source: Allmusic (

    Although originally written for Pipe Organ, I created this Interpretation of the Chorale Prelude (BWV 740) Wir glauben all an einen Gott (We all believe in one true God) for Brass Quintet (Bb Trumpet, Flugelhorn, French Horn, Trombone, Euphonium & F Tuba).
    Sheet music made with MuseScore -

  • J.S. Bach: Choral Prelude Wir glauben all an einen Gott, BWV 680

    2:28

    Provided to YouTube by Universal Music Group

    J.S. Bach: Choral Prelude Wir glauben all an einen Gott, BWV 680 (Arr. Carl Tausig) · Antony Gray

    Bach Piano Transcriptions

    ℗ 2012 Australian Broadcasting Corporation

    Released on: 2013-07-29

    Composer: Johann Sebastian Bach
    Arranger, Work Arranger: Carl Tausig

    Auto-generated by YouTube.

  • Wir Glauben all an einen Gott, Vater - J.S. Bach, BWV 740

    5:46

    Opgenomen op het Schmidt-orgel (1808) in de Brugkerk te Waddinxveen.
    Opname 1 juli 2015

  • Wir glauben all an einen Gott Vater, BWV 740

    5:41

    Provided to YouTube by The Orchard Enterprises

    Wir glauben all' an einen Gott Vater, BWV 740 (Choralvorspiel) · Willem Hendrik Zwart · Johann Sebastian Bach

    Orgels en Organisten in Kampen

    ℗ 1995 JQZ Muziekproducties

    Released on: 2017-04-10

    Music Publisher: Public Domain

    Auto-generated by YouTube.

  • J.S. Bach: Fughetta super: Wir glauben all an einen Gott, BWV 681

    1:32

    Provided to YouTube by Universal Music Group

    J.S. Bach: Fughetta super: Wir glauben all an einen Gott, BWV 681 · Simon Preston

    Bach, J.S.: Complete Organ Works

    ℗ 2000 Deutsche Grammophon GmbH, Berlin

    Released on: 2000-01-01

    Producer, Executive Producer: Sid McLauchlan
    Producer, Recording Producer: Helmut Burk
    Studio Personnel, Balance Engineer: Andrew Wedman
    Studio Personnel, Editor: Ingmar Haas
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Chorale Preludes: Wir glauben all an einen Gott, BWV 680

    5:09

    Provided to YouTube by NAXOS of America

    Chorale Preludes: Wir glauben all an einen Gott, BWV 680 · Wolfgang Rübsam

    Bach: Clavierübung III, Vol. 1

    ℗ 1994 Naxos

    Released on: 1994-06-20

    Artist: Wolfgang Rübsam
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Dritter Theil der Clavier Übung: Wir glauben all an einen Gott, BWV 680

    3:28

    Provided to YouTube by IDOL

    Dritter Theil der Clavier Übung: Wir glauben all an einen Gott, BWV 680 · Bernard Foccroulle

    Bach: Complete Organ Works - L'oeuvre d'orgue intégrale - Gesamte Orgelwerke

    ℗ Outhere

    Released on: 2009-10-08

    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Wir glauben all an einem Gott, BWV 740

    4:32

    Provided to YouTube by Believe SAS

    Wir glauben all an einem Gott, BWV 740 · Olivier Latry

    Les douze plus belles pages

    ℗ Scam

    Released on: 2002-10-09

    Composer: Johann Sebastian Bach
    Music Publisher: D.R

    Auto-generated by YouTube.

  • Chorale prelude `Wir glauben all an einen Gott` BWV 740 - Johann Sebastian Bach

    5:01

    Composer: Johann Sebastian Bach
    Title: Chorale prelude `Wir glauben all an einen Gott` BWV 740

    Johann Sebastian Bach

  • Wir glauben all an einen Gott, Vater, BWV 740

    5:22

    Provided to YouTube by The Orchard Enterprises

    Wir glauben all' an einen Gott, Vater, BWV 740 · Jacques Van Oortmerssen · Johann Sebastian Bach

    Chr. Müller organ: Live at the St. Bavo

    ℗ 2007 Challenge Classics

    Released on: 2007-08-16

    Auto-generated by YouTube.

  • Wir glauben all an einen Gott, Vater, BWV 740

    5:02

    Provided to YouTube by Entertainment One Distribution US

    Wir glauben all' an einen Gott, Vater, BWV 740 · Walter Kraft

    Bach: Complete Organ Works (The VoxBox Edition)

    ℗ Vox

    Released on: 2013-05-28

    Auto-generated by YouTube.

  • J.S.BACH - Wir Glauben all` an einem Gott BWV 680

    4:24

    Stephen Mann at St Patrick`s RC Church, Collyhurst, Manchester UK.

  • Wir glauben all an einen Gott, BWV 680

    3:07

    Provided to YouTube by NAXOS of America

    Wir glauben all an einen Gott, BWV 680 · Joan Lippincott

    J.S. Bach: Clavierübung III & Schübler-Chorales

    ℗ 2010 Gothic

    Released on: 2010-08-01

    Artist: Joan Lippincott
    Composer: Johann Sebastian Bach

    Auto-generated by YouTube.

  • Bach - Ein feste Burg ist unser Gott BWV 720 - Jellema | Netherlands Bach Society

    4:13

    'Ein feste Burg ist unser Gott’, performed by Theo Jellema for All of Bach, is Luther's battle hymn of the Reformation. So you might expect Bach to have made more than one organ arrangement of it. Yet it remained a one-off, undated piece, whose authorship is even doubted by some. The earliest copy is found in the Plauener Orgelbuch, which was compiled in 1708.

    Recorded for the project All of Bach on August 24th 2015 at Stiftskirche St. Georg, Goslar-Grauhof. If you want to help us complete All of Bach, please subscribe to our channel and consider donating

    For the interview with organist Theo Jellema on 'Ein feste Burg ist unser Gott' go to
    For more information on BWV 720 and this production go to

    All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material For concert dates and further information go to

    Theo Jellema, organist
    Organ: Christoph Treutmann, 1731

  • J. S. Bach, BWV 680 Wir glauben all an einen Gott , Irena Kosíková - organ

    3:14

    Johann Sebastian Bach (1675 - 1750): Clavier-Übung III (German Organ Mass)
    Wir glauben all an einen Gott, BWV 680
    Irena Kosíková - organ

    Recorded in Prague.

    Czech Organist Irena Kosíková,


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    Czech Organist and Composer Irena Kosíková -
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    Order organ 2CD's 18 Leipzig Chorales with the recording of the 18 Leipziger Choräle (BWV 651-658 / 659-668) by Johann Sebastian Bach (1685 - 1750), performed by Czech Organist and Composer Irena Kosíková - .

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    Music score by ( is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License).

  • Cantata, MWV A 12: Wir glauben all an einen Gott: Wir glauben all an einen Gott

    6:03

    Provided to YouTube by NAXOS of America

    Cantata, MWV A 12: Wir glauben all' an einen Gott: Wir glauben all' an einen Gott · Kammerchor Stuttgart

    Luthers Lieder

    ℗ 2016 Carus

    Released on: 2016-11-04

    Choir: Kammerchor Stuttgart
    Conductor: Frieder Bernius
    Orchestra: Deutsche Kammerphilharmonie Bremen
    Composer: Felix Mendelssohn

    Auto-generated by YouTube.

  • J.S. Bach: Wir glauben all an einen Gott BWV 681

    1:36

    Johann Sebastian Bach (1685-1750):
    Wir glauben all an einen Gott BWV 681
    aus dem 3. Teil der Clavierübung
    Bernhard Schneider an der Klais-Orgel von St. Aegidien, Braunschweig.

  • Johann Sebastian Bach Einzelne Choralvorspiele BWV 714 - 740

    1:14:16

    Johann Sebastian Bach Einzelne Choralvorspiele BWV 714 - 740

    Photo: Josef Rafaja at Guilmant's, Messiaen's and Hakim's Organ in Église de la Sainte-Trinité in Paris, december 2017 built by Aristide Cavaillé-Coll (1868-1871)

    (00:00:00): Ach Gott und Herr (BWV 714)
    (00:01:18): Allein Gott in der Höh'sei Ehr (BWV 715)
    (00:03:24): Fuga super: Allein Gott in der Höh'sei Ehr (BWV 716)
    (00:06:01): Allein Gott in der Höh'sei Ehr (BWV 717)
    (00:08:24): Christ lag in Todesbanden (BWV 718)
    (00:13:45): Der Tag, der ist so freudenreich (BWV 719)
    (00:15:45): Ein'feste Burg ist unser Gott (BWV 720)
    (00:19:27): Erbarm'dich mein, o Herr Gott (BWV 721)
    (00:24:07): Gelobet seist du, Jesu Christ (BWV 722)
    (00:25:44): Gelobet seist du, Jesu Christ (BWV 723)
    (00:28:02): Gottes Sohn ist kommen (BWV 724)
    (00:29:31): Herr Jesu Christ, dich zu uns wend' (BWV 726)
    (00:30:39): Hrzlich tut mich verlangen (BWV 727)
    (00:33:10): Jesus, meine Zuversicht (BWV 728)
    (00:35:49): In dulci jubilo (BWV 729)
    (00:37:54): Liebster Jesu, wir sind hier (BWV 730)
    (00:39:36): Liebster Jesu, wir sind hier (BWV 731)
    (00:42:09): Lobt Gott, Ihr Christen, allzugleich (BWV 732)
    (00:43:35): Fuga sopra il Magnificat (BWV 733)
    (00:47:49): Nun freut euch, lieben Christen g'mein (BWV 734)
    (00:49:45): Fantasia super Valet will ich dir geben (BWV 735)
    (00:54:06): Valet will ich dir geben (BWV 736)
    (00:59:28): Vater unser im Himmelreich (BWV 737)
    (01:02:00): Vom Himmel hoch, da komm'ich her (BWV 738)
    (01:03:42): Wie schön leucht't uns der Morgenstern (BWV 739)
    (01:08:56): Wir glauben all'an einen Gott, Vater (BWV 740)

    Josef Rafaja, Ahlborn - Organ DS-25, Holešov, recorded 17.1.2004 - 15.5.2005

  • Wir glauben all an einen Gott BWV 1098

    2:28

    Provided to YouTube by The Orchard Enterprises

    Wir glauben all an einen Gott BWV 1098 · Johann Sebastian Bach · Hans Helmut Tillmanns

    J.S. Bach: Orgelwerke

    ℗ 2007 Danacord

    Released on: 2007-04-24

    Auto-generated by YouTube.

  • 3:02

    Chorale Preludes van J.S. Bach
    Grote of Eusebiuskerk Arnhem
    Vocaal Ensemble Szabó uit Velp (Gelderland)
    Registratie: 12 augustus 2015

    Dirigent: Katalin Szabó
    Kistorgel: Susanne Paulsen
    Cello: Hans Vader

  • Bach - Choral - Wir glauben all an einen Gott

    17:18

    Jean-Sébastien Bach - Johann Sebastian Bach (1685-1750)

    Choral - Choral - Chorale
    Wir glauben all an einen Gott


    Choral - Choral - Chorale BWV 437
    00:00 Wir glauben all an einen Gott (1 + 2 + 3)
    Gächinger Kantorei Stuttgart - Bach-Collegium Stuttgart - Helmuth Rilling
    Prélude de choral - Choralvorspiel - Chorale prelude BWV 680
    06:25 Wir glauben all an einen Gott
    Kay Johannsen (Orgue - Orgel - Organ)
    Prélude de choral - Choralvorspiel - Chorale prelude BWV 681
    09:22 Wir glauben all an einen Gott
    Kay Johannsen (Orgue - Orgel - Organ)
    Prélude de choral - Choralvorspiel - Chorale prelude BWV 765
    10:33 Wir glauben all an einen Gott
    Andrea Marcon (Orgue - Orgel - Organ)
    Prélude de choral - Choralvorspiel - Chorale prelude BWV 1098
    14:38 Wir glauben all an einen Gott
    Kay Johannsen (Orgue - Orgel - Organ)

    Peinture - Gemälde - Painting
    Nymphéas 1917 (Claude Monet)

  • After Dark Organ Music: J. S. Bach: Wir glauben all an einen Gott, Vater w/ Score & Text

    6:54

    AFTER DARK ORGAN MUSIC: J. S. Bach's chorale prelude on We All Believe in One True God (Wir glauben all' an einen Gott, Vater) BWV 740. Some attribute this work to J. L. Krebs. Video includes score and text.

    Recorded from a Rodgers console connected to a GrandOrgue virtual pipe organ and the sample set Długa Kościelna by Piotr Grabowski (

    Registration | I: Flet kryty 8 | II: Gemshorn 8 Flet kryty 4 | Ped: Flet kryty 8

    David Schaller, organ

  • J. S. Bach - BWV 680 - Wir glauben all an einen Gott, In Organo pleno

    3:04

    Johann Sebastian Bach (1685-1750)

    Wir glauben all' an einen Gott, In Organo pleno, BWV 680

    Organ: Daniel Bruun

    Clavier-Übung III by Johann Sebastian Bach, recorded by Daniel Bruun, on the historic-style Carsten Lund organ in Copenhagen's Garnisons Church.

    Photo of the organ: Carsten Lund
    Video recording and editing: Daniel Bruun

    Please visit:

  • Johann Sebastian Bach Chorale Preludes Wir glauben all an einen Gott, Vater, BWV 740

    6:01

    HELLOW EVERYBODY if you like my cchanel of classical music SUBSCRIBE MY CHANEL, allways thank's for watching :)
    and have nice day to everyone :)


    Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.

    viola da gamba and basso continuo. Bach himself wrote in the extant score Concerto à 1 Flaut. 1 Hautb. 1 Viola d'Amour. 1 Viola da Gamba. Sopr. è Baßo coll' Organo. The cantata is Bach's only one using the viola d'amore.

    Chorale Preludes, BWV 714-765
    The Chorale Preludes, BWV 714-765 , were composed at various points during the life of Johann Sebastian Bach. BWV 714, 719, 737, 742, 751 are also usually listed as part of the Neumeister Chorales. Chorale BWV 740 is likely a composition by Johann Ludwig Krebs, and BWV 759 is a a composition by Gottfried August Homilius.

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