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Playlist of 6 Gain Staging Mistakes That Everyone Makes (Are You?) |

  • The TRUTH About Proper Gain Staging in Your Mix


    It seems like every audio channel out there wants you to believe that you can get better mixes simply by using proper gain staging.
    This is a total MYTH!
    It drives me crazy when I see all the hype around gain staging online, so I finally had to make this video.
    Here's the truth behind some of the myths and misinformation about gain staging, PLUS a real-time demonstration of the dead simple way I handle gain staging in my mixes.

    Watch this video to FREE YOURSELF from pointless time-wasting activities and start focusing on what actually makes your mixes better!

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  • Gain Staging Explained - 3 things you need to know - Warren Huart: Produce Like A Pro


    Here are 3 things you need to know about gain staging.
    1. You don't have to print hot - 2:08
    2. Don't clip your tracks - 3:05
    3. Keep your faders at unity - 4:16

    Gain staging is a very hotly debated topic around the internet!

    When getting started in music, gain staging meant something completely differently than it does now. In Ye Olden Days we were concerned with signal to noise ratio and tape hiss. We were always trying to print a signal that was super hot so that we would be well above the noise floor of the console and the tape machine's hiss.

    Later, when first switching to digital recording one of the pervasive theories was that you needed to have a hot signal because printing a quiet signal would produce a degradation in what was being recorded and converted into a digital audio file. Whether that is true or not really doesn't matter these days because modern convertors are more than capable of accurately reproducing the source that is being recorded! You also don't need to record a super hot signal, just a clean healthy signal that is above the noise floor! This brings us to our first tip.

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  • Headroom 101: How to use Gain Staging for a Better Mix | LANDR Mix Tips #7


    What is headroom? Headroom is how much room your audio signal has before it starts to get compressed and distorted.

    Every recording medium has a finite amount of headroom. If you try to record a signal that’s louder than what the medium is capable of handling, it will clip the tops of the waveform and you’ll hear that as distortion.

    Good headroom in recording means that your levels are in the “sweet spot” range for the recording medium.

    That sweet spot is the perfect balance between a system’s noise floor and clipping point.

    Today’s digital recording software has an extremely low noise floor, but headroom still matters.

    You need good Headroom for your mixes to sound the best they can.

    Your DAW has an impressive dynamic range, but you still have to convert your signal to analog to hear it.

    Bad headroom affects the way your AD/DA converters handle what comes in and out.

    Record too low and you’re fighting the noise floor. Record too high and you push things into distortion and clipping.

    The key to getting the right headroom is gain staging. A good rule of thumb is to equate -18dBFS with the analog standard of 0dBVU.

    If you keep your peaks hitting not much above -10 dBFS, and keep the average level around -18 dBFS you should have a signal that’s right in the sweet spot.

    Just keep in mind that more dynamic instruments like drums or percussion might need more space as their signals can have very large peaks.

    Example: For this tutorial I’ll be tracking DI electric guitar. To get a precise overview of our levels, I’ll start by adding a meter plugin to the track.

    Right away I can see that my interface’s input is set too high. The guitarist’s loudest notes are peaking at -3 dBFS—not quite in the sweet spot.

    Before I record the part again, I’ll decrease the gain of the preamp until the signal falls into the range I want.

    Now the loudest notes are just touching -10 dBFS and the body of the signal is hovering around -18. That will give me great headroom for tracking.

    The need for proper gain staging doesn’t end when your tracks are recorded…

    As you process your audio with plugins during the mix, you’ll be affecting their levels.

    Compressor make-up gain, EQ boosts and cuts and other mixing processes are level-based operations.

    This means that they’re subject to proper gain staging as well.

    Maintaining the same practices of good gain staging that you use during recording is your best bet so -18dBFS is a good average level to aim for.

    Example: Now that we’ve recorded our guitar track with good headroom, we’ll add some compression.

    As I was adjusting the settings, I added makeup gain to account for the compressor’s gain reduction. To double check that I’ve maintained the right headroom I’ll add another instance of my meter plugin directly after the compressor.

    By comparing the two meters, we can see that I’ve gone a little bit overboard with the makeup gain. I’ll decrease the compressor’s output slightly to get back to the sweet spot.

    Good headroom is important for your sound. It’s also a great way to start thinking about your dynamics before mixing even starts.

    Use these tips to get headroom right on everything you record.

    Learn how to get perfect headroom for your mix with gain staging:

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  • How To Gain Stage Like A Boss | Gain staging in Logic Pro X


    How To Gain Stage Like A Boss | Gain staging in Logic Pro X

    Knowing how to gain stage like a boss before you start your mix, will definitely help you in achieving a professional mix

    In this video I show you how 'Pre Fader' metering can be used to gain stage professionally

    Some engineers don't bother with this function, but it's something I picked up on the way and wanna share it with you so you can get your mixes sounding fiya!

    I forgot to mention in the video that gain staging will have an effect on the plug ins you use as inserts, as some plugins behave differently depending on how much level is being pushed in to them - thats a whole other video to really go in depth

    Let me know if you gain stage in a different way by dropping a comment below



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  • Gain Staging, Digital Distortion, Safe DAW Recording Levels


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    Since gain staging and signal flow are such important topics for this section we’ll begin by talking about recording into the DAW. With analog recordings traditionally you wanted to record loud in order to minimize mechanical noise (tape hiss, wire hum, etc.). With digital it’s kind of the opposite. Recording too loud will introduce artifacts and distortion that you simply cannot remove. One nice feature of digital recordings is that you can bring up the level afterward and rarely will you have a fidelity problem. Obviously don’t record too low but with digital it’s better to record quiet and bring the level up afterwards if necessary.

    Recording is always the very first stage. This is true for your own recordings and the samples you are bringing in (they had to be recorded digitally at some point).

  • Gain Staging Followup - Your Questions Answered!


    I got a lot of good (and bad) feedback on my recent video called 'Gain Staging Simplified: The TRUTH About Proper Gain Staging in Your Mix (link:

    I decided to take a few minutes to address some of the concerns and clear up any confusion that my first video might have caused...

    Ultimately, there's ONE important thing to take away from all of this: Don't spend 95% of your time on something that makes a 5% impact.

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  • Gain Staging in Logic Pro X | Avoid Clipping in Logic


    Gain Staging: How to set correct levels for your audio production in Logic Pro X

    Today I'll be showing you how to set Correct Audio Input Signals Through Gain Staging.

    #mttc #musictechtraining #producegreatmusic
    I am Dr Duce and I have been using Logic as my main DAW since 1997. I started out in version 2.8 on the PC then moved to the Mac platform when Emagic was bought by Apple. Although I am proficient in Pro Tools and Ableton Live, Logic Pro has been my digital audio workstation of choice for all aspects of my music production process, from creation to completion.

    I have developed these tutorials to help musicians, composers, beat makers, music producers, audio editors, sound recording and mixing engineers as well as music tech enthusiasts with speeding up their workflow when using Logic as their primary Digital Audio Workstation or DAW.

    Please Like, Comment and Subscribe for more videos. Thanks for watching.

    Check out my last video if you haven't already

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  • The Crucial Step Before Mixing That Most Overlook -


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    After you've recorded your latest song, JUST before you mix it, there is one crucial step you need to take - and most people skip right over it.

    This one step can take a good recording and turn it into an even better one. And turn a slightly amateur one into a more polished and professional one.

    All before the mixing process even begins.

    The pros are doing it - and so should you.

  • Gain Staging - Gain Structure - Balance Tracks - SSL Mixer Series - Reason - LearnReason


    In this video tutorial I show you how to Gain Stage to get your levels right and help your mix have a great beginning. Gain Staging is the first thing you do when you start to mix before any effects and it's rather easy but there are tons of people that for some reason make it difficult....In Reason I show you how easy it is to get a static mix via Gain Staging.

    See Gain Staging used in a real world full mix of a song in my free Learn How To Mix series.

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    In this video, I will be showing you how I gain stage in Logic Pro X meaning I'll be showing you the levels I like my instruments, Waves, Midi Files, & Vocals to be.

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  • Recording Basics 5. Gain Staging and Signal Flow


    Good gain staging is mega important! Here we discuss what it is and cover basic signal flow.

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  • Headroom & Gain Staging


    Need more headroom? Finding that you have to pull down faders in order to gain back room to mix? This week I show the strategies I use every mix to determine the initial balance and ideal fader positions in relation to the master fader.

    New videos will appear whenever I can make them. Stay tuned by Subscribing and smashing that Like button!

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    Happy Mixing!

  • The Digital Audio Sweet Spot -


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    Did you know that your software has a sweet spot?

    There is actually an optimal level for all of your tracks when recording and mixing in a digital system (DAW) and knowing this can help you get the best sound possible out of your software.

    In this video I explain why recording and mixing in digital is WAY different than in analog and a big mistake that many young engineers are making because of it.

    Once you know where the digital audio sweet spot is, you'll be certain you are getting the clearest and most musical sound out of your software possible.

  • Gain Staging is a Myth


    ***The thumbnail is not a reference to any political stance.

    Gain Staging is a Myth unless dealing with analog or analog emulations. It’s not the magical answer to making your mixes better, however the practice of the process when there is no signal to noise ratio to avoid, does allow for a more meticulous leveling outcome as it brings awareness to signal flow. If you only watch a minute and respond with a rebuttal that signals that you didn’t listen to the entire argument, I will delete it. Otherwise, I’m stating that you do not have to mix with the gain knob on the mixer, as a subscriber claimed in another video.

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    #GainStaging #GainStructure

  • FL Studio 20 - Introduction to Gain Staging


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  • 25 Checking the Gain Stage of the Master Fader


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  • Using A VU Meter To Do Gain Staging


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  • Gain Staging with a VU Meter


    In this video I cover how to quickly get proper levels before mixing using an analog-style VU meter and clip gain adjustments.

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  • Quick Tip #1: Gain Staging Vocals


    Today we discuss vocal recording and gain staging techniques for your covers, want more (professional) information on these topics? Check out the links below! As always, if you enjoyed please leave a like and let me know, I will make more videos like this!


    If you enjoyed, please check out another cover/tutorial!
    crash -
    sex -
    and -
    gold -
    love; not wrong -

    Or check out some of my originals on Spotify!

  • How To Mix


    What is gain staging? This tutorial will show you how to set up gain staging in fl studio 12. Gain staging is a very important part of the mixing process, yet many producers forget about this crucial step. In this video you will learn what gain staging is and why you should use it, as well as how to set it up in FL Studio.

    Make sure to watch the entire video so that you don't miss anything.

    This video is part of my how to mix series, where I will be making videos that covers the most important aspects of mixing. By watching these videos, you should be able properly mix your track.

    Note: You can gain stage your samples too if you want, but it's not required as samples are pre-recorded and there's no chance of clipping at the source, unless they were recorded that way. That's why I prefer to just leave them at 80% volume in the channel rack. There's no need to spend time turning it up to 100% because you would then just have to pull it down even more in the mixer later.

    You should be good if you gain stage your synths, and then pull down the volume of your samples in the mixer to match. :) Your final mix should read around -6 to -3 on the master.

    Note: In this video I'm using patterns with high velocity notes. When gain staging, you should press a key on your keyboard hard, to make sure you have the highest velocity possible, or make a pattern with velocity at maximum. Gain staging at soft velocities will make it possible to clip when the velocity eventually goes up.

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  • 3 DAW Mistakes Home Studio Owners Are Making -


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    Your DAW (or recording and mixing software) is such a powerful tool.

    So much so that HOW you use it can have a big impact on how your final mix will sound.

    And while your mixing software might seem complex, don't be overwhelmed. Instead focus on the big wins of EQ, compression, and level and then AVOID these three mistakes.

  • Gain Staging - warum Headroom Entscheidungsfreiheit ist!


    Deutsche Blogpost zum Video:

    - Warum Headroom Entscheidungsfreiheit ist
    - Sinnvoll: Roughmix als Referenz. Zu laute Mixe werden via Gainer-Plugin um -10 dB heruntergedreht
    - 18dB analog = 0 dB digital
    - Psychologie des richtigen Gainstagings
    - Gainer Plugin als Variable und Nulling-Concept
    - Lautstärke für Spotify und iTunes: Streaming
    - Hifi vs. Dynamik vs. alte vs. neue Welt
    - Wo Dynamik nutzlos wird: Billige Lautsprecher
    - Dynamik vs Lautstärke - Der Mix wird im Zweifel so gewünscht, wie der aktuelle Hit klingt
    - Rockmusik und Bass: Stabilität im Bass
    - Der Mix beginnt im dynamischsten Teil: Maximumpunkte als Ausgangspunkte für Dynamikentscheidungen
    - Lead-Vocal-Processing: Lautstärke-Unterschied zwischen Chorus und Strophe

  • Volume Balance - Gain Staging


    Thought I would do a tutorial video showing you all how I balance a finished track. The Mixed version of Remember me can be found on all streaming platforms

    Want the VU meter Im using =

    Thank you for watching!

    have any questions feel free to drop them in the comments!!

    my 1st official video lol

  • How to Improve the Gain Staging in Your Mix


    Gain Staging is one of the most important things to get right when mixing. When executed well, you'll preserve headroom and avoid unwanted audio clipping/distortion in your mix.

    This video offers several tips to help you with digital Gain Staging (inside your DAW).

    Keep in mind, when talking about the signal, inside the box it's measured in decibels relative to full scale (dBFS).

    The tips here may surprise you with how simple, yet effective, they can be!

  • Easy Gain Staging


    In today's video, we take a look at my new gain staging workflow, which has been considerably streamlined following the 4.5 Update to Studio One.

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  • Recording Level Gain Staging - Mic/Preamp/Compressor/Interface/DAW


    Watch as Weezna shows how to get a clean and loud signal from the mic..preamp..compressor..interface..DAW. This same gain staging can be used when not using a compressor or a separate mic preamp. A great level of input signal into your DAW should still be between -7db and -5db. ALWAYS AVOID DIGITAL CLIPPING!
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  • Gain Staging is EASY | How To Gain Stage in FL Studio Tutorial


    *IMPORTANT* This video is meant for gain staging in FL Studio when using stock plugins and fx. Tip: When using hardware or hardware emulation plugins, refer to the manual to know the reference point on what levels you'll experience saturation/distortion/harmonics. Remember to use your ears. There is no magic number, even if the manual says so. You might like more or less depending on the instrument/sound itself.

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    Gain Staging is EASY | How To Gain Stage in FL Studio Tutorial

    This music producer tutorial channel was created to focus on modern techniques to produce music inside of FL Studio. Many of these FL Studio tutorials can still be applied to any DAW by using the same concepts I explain with each producer tutorial.

    Currently I teach future producers who aspire to improve their music production by showing both basic and rare techniques using FL Studio 20 (now FL Studio 20.1). I cover topics that range from non-traditional music theory to sound design to mixing and mastering. Each beat tutorial includes tips and tricks for FL Studio and general music production ideas that can help producers generate more musical ideas for your drums, 808/bass, chords and melodies in multiple genres, including trap, pop, edm and others by using the stock plugins they already have in FL Studio or using free or cheap plugins, available to download or buy online.

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  • How to set Levels to Avoid Clipping


    This video will explain some key concepts to remember when setting Recording levels into your DAW for the home studio.

    Follow these instructions and you'll get a quality recording that fully captures your voice or instrument, every time.

    This method will work in any DAW: Logic Pro, Pro Tools, Reaper etc.

    The first key point to take away from this lesson is the balance between Gain and Volume.
    And though these often get lumped together they are very different things.

    Volume refers to the OUTPUT level of a channel. How loud that one instrument is coming out your speakers.

    Gain refers to the INPUT of the amplifier that powers that channel, the pre amplifier. This pre amp controls the tone, loudness, character and saturation of the signal.

    There are some key differences between recording onto an analog medium, like tape, and recording into a computer using a DAW.

    The ideal recording level for digital doesn’t really matter much unless we go over 0dBFS
    This is the top of the digital scale and to your computer, nothing above here exists and it will get turned into a cut off, rounded out, square wave that just reeks of DIGITAL DISTORTION.

    Big rule of thumb with Digital:
    Don’t record too loud (Never cross 0dB)

    so remember this...

    The Ideal Digital Recording level to use when setting mic level is: -18dBFS

    Aim for this and you will give yourself lots of headroom to avoid any possibility of clipping.
    The truth is as long as the audio you record is within that 0dBFS limit it will sound great and react just fine when you go to process it.

    A recording with a bunch of squared off peaks, is garbage unless that some sort of effect you’re going for. It best to avoid this because it just sounds awful and isn’t something you wanna work with.

    If it’s just a few peaks that clipped, A simple solution would be to:
    ► Lower your preamp gain level to around -18dB
    ► Record the passage again, and then
    ► Comp out those peaks with the new unclipped audio.

    This -18dB trick will work for any for signal, because the position you set on the interface is dependent on the source audio, and therefore will always give it the room it needs for a stray peak or an extra energetic performance, you know how drummers like to play much loud AFTER sound check!.

    But If that happens mid session, you know what level you’re gonna shoot for.

    Aim for -18dB, don’t cross 0dBFS and your recordings will sound great!

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  • Gain Staging Techniques That Will Make Your Productions Sound Better


    Today’s video tutorial is all about gain staging. This technique is going to make your productions sound drastically better, so be sure to watch to the end!

    This has been the hot topic at the studio for the last couple of months, just revisiting the idea and drilling down further into the concepts and applications.

    I’m going to go through some of the ways that I have been using gain staging while producing over the past few months. I find that this can help you be more creative in your both producing and in mixing, while still maintaining healthy levels and managing your sounds.

    Let’s dive in!


    Original Blog Post:

    Mixing Pop Vocals

    How I Start An Electronic Pop Production Using Splice


    What is Gain Staging?

    Gain staging is the effective management of your audio levels throughout your production in order to reduce distortion and noise. Doing so will result in better sounding productions.

    Levels of the Audio Regions

    Alot of producers these days are pulling samples of a website called Splice. One major issue with these samples is that they are essentially all at a “mastered” level. Typically, a sample will be anywhere from 9-12 dB over 0 dBVu or 0 dB PPM. For more info on dBVU and dB PPM, please check out Brad Smith’s post titled “Metering Methods using the Klanghelm VUMT”.

    So, there are a lot of plugins that specify an input level of 0 dBVU, such as alot of the modelling plugins from Universal Audio. Now given that a lot of producers are using these plugins, it is pretty important to ensure that we’re sending the right level to them. If you want that “blown up” sound, you can still drive the plugin as it’s meant to. Therefore, we need to trim the level of each sample to reflect that. We all use the Klanghelm VUMT at our studio for metering. You can gain things back in Pro Tools by using either a trim plugin or clip gain on the actual region. Get the levels right and your mixes will instantly feel better.

    Setting Your Levels With Each Plugin

    Whenever you have a chain of plugins, ensure that you set the level at the end of the plugin back to 0 dBVU or peak. By doing this, you’ll be able to actually hear what the plugin is doing, rather than thinking it sounds better due to an increase in volume.

    Additionally, I find this allows you to be more creative, as you might make more aggressive moves if you’re managing your levels as you go. Even if you make a crazy move like a +15 dB boost at 8 kHz, managing your levels will help you understand if that is actually the right move or not. We have another blog post up that discusses from the studio wizard, Mr. Brad Smith, called Metering Methods Using the Klanghelm VUMT Plugin. Click here to read that as well.

    Manage Your Levels All The Way To The Mix Bus

    This same concept can be applied to any busses you have along the way. Let’s say you have a drum bus that is comprised of all your drum tracks. When setting the initial input level, group all the drum tracks and adjust their levels on the fader until you’re at an optimal level on the bus!From there, you can use plugins on the bus just like any other track. Simply make your moves and manage your levels. Finally, apply the same principle to every track or bus that sends to your mix bus. Ensure they are collectively hitting them mix bus at an optimal level, and then your mix bus plugins will operate in the best way possible.

    After that, enjoy your great sounding mixes!

    Velveteen Audio is a state of the art recording studio located in Edmonton, Alberta. Our team includes some of Edmonton's leading talent in music production. Our commitment is to create music at the highest level, and we do so by utilizing world-class​ equipment, a strong and supportive team, and a comfortable environment.

    Brad is the owner/founder of Velveteen Audio. He produces with the duo Towers and plays in his own project called Optics.


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  • Gain Staging - The Secret For Better Sound


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    In this video Rawstyle Producer General Guyble is talking about Gain Staging. He’s showing why it is important and some techniques how to implement it in your workflow.

    Enjoy the Video and don’t forget to leave a comment, if you would like to see more!


    This is the official channel of Rawstyle Producer General Guyble.

    Here you find all of his releases, mixes and podcasts. Make sure you subscribe and follow him on his social media.


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  • Gain Staging Logic Pro X


    Gain Staging is super importing in your mix, in this video all show you how to Gain Stage in Logic Pro X.

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  • Cubase 9.5 Tutorial - Gain Staging


    Did you ever want to learn how to gain stage your mixes in Cubase Pro 9.5? Well, today, I am going to give you some tips and tricks on how to do just that.

  • How to use GAIN STAGING | Logic Pro X Mixing Tutorial


    Getting clean mixes is something that seems almost impossible when starting out producing music. In this video we'll be going over the topic of gain staging and why you need to be using it in every production that you make. Gain staging is the process of managing the levels throughout each stage of your audio signal, which helps to eliminate unwanted artifacts, frequencies, and distortion. Managing the levels at each stage allows you to give headroom, which in turn helps a ton when it comes to the mixing and mastering phase. I will go over what gain staging is and how to apply it effectively using the pre fader metering mode in Logic Pro X. Let's clean up those mixes!

    For this tutorial, I will be using Logic Pro X but the concepts can be applied in any DAW such as: Ableton Live, FL Studio, Pro Tools, Reason, Cubase, etc.

    Side note: Sorry about the background noise and the render freezing at the end. I have officially ordered a new MBP so both of those issues should go away soon!

    If you enjoyed watching this video give it a like, comment, subscribe!

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    #LogicProXTutorial #GainStaging #HowToGainStage

  • How to Gain Stage in Cubase - Gain Staging Mixing Tutorial


    I perform gain staging in Cubase from start to finish showing the exact method I use to prevent digital clipping and unwanted distortion.
    Grab my Free eBook 'Bare Essentials For A Home Music Studio' here:
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    #homemusicstudio #mixingmastering #audiomixingtraining
    Gain staging is critical in a mix to make sure that you are getting the best quality out of your mix and out of the plugins used in the mix. Plugins that emulate vintage analog equipment also emulate the distortion characteristics of that equipment when pushed.

  • Gain Staging in Cubase 10


    I show you how to setup gain staging in Steinberg Cubase 10 from start to finish showing the exact technique I use to give my tracks headroom, improve fader resolution, and prevent digital clipping and unwanted distortion.


    Gain staging is a really important part of a mix, making sure you are getting the best you can out of your mix and the plugins you use. Plugins that emulate analog equipment often emulate the distortion characteristics when pushed.



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  • Recording Vocals is Easy!


    In this video, I'm going to show you how to set your microphone for the prefect level in your recording. This video will show you how to gain stage the right way. And make Recording Vocals is Easy!

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    #Recording #Vocals #Gainstaging

  • 5 Minutes To A Better Mix: Proper Gain Staging -


    Part 1 of 31 - In this video I show you how to properly setup your mix before you start dialing in on all those great sounds. If you skip this step in the mix, you risk compromising clarity and audio quality when it's all said and one.

    Download my free eBook The #1 Rule Of Home Recording for more tips

  • Mixing Beats 101 For Beginners Part 1 Gain Staging


    In this video I will show you Mixing Beats 101 For Beginner and how to get your levels rights for you beats.

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  • Gain Staging | Make Better Mixes | trance Tutorials


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    As an absolute necessary process is gain staging, it sounds more complex than what it is too. It is the art of keeping your levels balanced through out your processing chain and this has huge benefits to your workflow and mix.

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    #talfiter2 #tranceproduction #pluginreview



    #FLStudio #Mixing

    Hi, This is SAM here from Resonance.
    This video contains tips for getting better result and workflow while mixing with FL Studio.
    If you're looking for more FL Studio tutorials or want to learn how to make beats, subscribe to our channel!

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    Miks işlemine başlamadan önce yapmanız sonucu olumlu etkileyecek olan gain staging ve headroom ayarlarını anlattığım video yayında. Yapmış olduğum akustik cover çalışması Neyse - Siyah kaydı üzerinden cubase ile anlatımı gerçekleştirdim.
    Video hoşunuza gittiyse beğenmeyi , yeni gelen videolardan haberdar olabilmek için linkinden abone olabilirsiniz.

    İlgi gören başlıklar ;

    - ## Ev Stüdyosu Kuruyoruz.
    - ## Cubase Eğitim serisi
    - ## Mikrofon kayıt ve karşılaştırma serisi
    - ## Cover ve beste çalışmalarımız
    - ### Sıfırdan şarkı kaydı serisi
    - ### Canlı kayıt ve mix bakış açısı serisi.

    Merhaba arkadaşlar ben Ufuk Bulut. Eskişehir ‘de ses kayıt ve prova stüdyosu sahibi ve müzikseverler için enstrüman ses sistemi ve ses stüdyosu ekipmanları tedarikçisiyim. Sizlerle bu platformda müzik ve ses kayıt teknolojilerinden , ev stüdyosu ve profesyonel ses stüdyolarında kullanabileceğiniz pratik bilgiler aktarmaya çalışırken aynı zamanda mikrofon , ses kartı, referans kulaklık ve hoparlörleri gibi birçok stüdyo ekipmanıyla ve müzik enstrümanıyla ilgili karşılaştırma tanıtma ve eğitim videoları paylaşmayı amaçlıyorum.
    Ayrıca uzun yıllardır kullandığım ses kayıt yazılımı Steinberg firmasının Cubase programı hakkında Türkçe pratik kullanışlı eğitimler vermeyi uygulamalı dersler yapmayı planlıyorum.



    ???? FORMATION OFFERTE Devenir Beatmaker (VALEUR 97€) :
    Vous apprendrez le beatmaking en 4 étapes simples et ludiques.
    ⬇⬇⬇ Clique sur PLUS y a pleins d'infos utiles ⬇⬇⬇

    Dans ce nouveau tutoriel, je vous explique l'importance de bien comprendre et d'appliquer correctement l'étape du #gainstaging (structure de gain en francais) avant de débuter le #mixage.

    En complément, visionnez le tutorial sur Le GAIN STAGING numérique FACILE :


    ✅ Méthodes et Outils pour Beatmakers

    Beatmaker Pro :
    La formation complète pour maitriser la production musicale de A à Z

    Mixer comme un Pro :
    La méthode ultime pour en finir avec les mixages amateurs

    Mastering 2.0 :
    La solution pour faire un bon mastering en home studio

    Drums Théorie 2.0 :
    Le programme pas à pas pour programmer des rythmes modernes

    Théorie Musicale 2.0 :
    La formule magique pour créer des mélodies mémorables sans solfège.

    Pack de Samples et Drumkits Pro :

    Contrats de vente d'instrumental :

    Accés gratuit à des milliers de samples :


    ✅ Formation que je recommande

    - Producteur et Artiste à Succès:
    (Promo -10% avec le code : DBM10)


    ✅ Musique libre de droit (instru rap et pop)


    ✅ Comment devenir beatmaker pro

    1. Abonne toi à ma chaîne Youtube:
    2. Like ma page Facebook:
    3. Suis moi sur Twitter:
    4. Visite mon Blog:


    ✅ Matériel pour débuter en home studio

    ▶ PC Portable MSI PS63 MODERN :

    ▶ DAW Presonus Studio One 4 Professional :

    ▶ Clavier Maitre Nektar GX61:
    ou Nektar LX61:

    ▶ Carte son : SCARLETT 2i2 :
    ou AUDIENT ID4:
    ou MOTU M2 :

    ▶ Enceintes KRK RP5 G3 :

    ▶ Casque DT990PRO (Ouvert) pour Mixage :
    ou DT770PRO (Fermé) pour Enregistrer :
    ou DT880PRO (Semi-Ouvert) pour les 2 :



    ✅ Ma playlist du moment

    Comment faire de la musique quand on y connait rien
    SEEZY (Beatmaker Vald, Niska, Ninho, Columbine, Koba Lad ..) - OKLM Focus : Beatmakers
    3 minutes pour faire de la trap avec SEEZY
    4 conseils pour percer en tant que beatmaker (ICO, Le Motif, BBL..)
    Comment faire des MÉLODIES INTENSES | Tutoriel FL Studio 20
    FAIRE une INSTRU TRISTE pour NINHO | Composer un beat FL Studio 20
    Mixer sa voix comme XXXTENTACION & TRIPPIE REDD (Tuto de A à Z)
    COMMENT MIXER UN SON DE A à Z ? ( Reaper / Logic pro ... )
    COMMENT MIXER et MASTERISER ses INSTRUS | Tutoriel FL Studio 20


    ✅ Vous pouvez également regarder

    CYCLE DES QUINTES : Comment l'utiliser pour composer ?

  • Why Gain Staging Is So Important & How I Wasted Two Years Of Records


    Hayden Jamal kicks off a series of videos in which he speaks about the biggest mistakes he's made in recording himself. This one talks about Gain staging and recording levels within a home studio.

    Hayden Jamal argues that recording too loud will have alot of artists wasting time, and that proper gain staging will help with better mixing. He shows what to look for on an audio interface like a presonus, focusrite or Mbox and also what too look for within pro tools
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    Matthew-Jamahl Hayden (born August 3rd), known mononymously as Hayden Jamal, is a Black-American rapper, songwriter, producer, and entrepreneur. Hayden Jamal initially gained recognition as a rapper and video blogger on youtube in the mid-2010’s creating videos about home studio equipment. Intent on pursuing a career as a rapper, he releases songs on a semi-weekly basis. Hayden Jamal is also known to have coined the term “Igloo” and “Little Igloo” for the state of Minnesota.
    Daybreak by Electric Mantis
    Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0

    Music promoted by Audio Library

  • Gain Staging Explained: The Ultimate Video. Master Fader, Clip Gain, ITB and OTB differences


    #audiomixing #mixandmaster #gainstaging
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    In this video David gives us the definitive video on Gain Stagin, Clip Gain, Faders, how to start a mix properly and how to be consistently getting good mixes using correct levels, and the big difference between gain staging when you're 100% ITB vs mixing with analog gear in a hybrid mixing setup. The difference between using only samples and loops and real recordings of real instruments.
    This is the ultimate video on Gain Staging

    Comment, Like and Subscribe!


  • Studio One 3 - Gain Staging & Mixing when making a beat.


    Studio one 3
    Logic x

    Check out my Music Trap Radio | Graceful


  • Lets Talk About Gain Staging


    Gain Staging. A hot topic whether in recording, mixing, mastering and everything else in the DAW! Explaining + sharing perspectives on this important, yet sometimes overstressed concept.

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    #MixEngineer #AudioMixing

  • How to mix and master Vocal part 1 gain staging


    In this first of many videos I will teach you how to mix and master your vocals all these tips can work in any major DAW you use.

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  • How to Gain Stage using a VU Meter - Gain Staging Mixing Tutorial


    I perform gain staging in Cubase using the Klanghelm VU Meter showing the exact method I use to prevent digital clipping and unwanted distortion.

    Want to get the Klanghelm VUMT click here:
    Grab my Free eBook 'Bare Essentials For A Home Music Studio' here:
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    Subscribe so you never miss a training video -
    #homemusicstudio #mixingmastering #audiomixingtraining
    Gain staging is critical in a mix to make sure that you are getting the best quality out of your mix and out of the plugins used in the mix. Plugins that emulate vintage analog equipment also emulate the distortion characteristics of that equipment when pushed.

  • How to Mix and Set Your Levels Easily Using Pink Noise


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    In the following video Echo Sound Works will teach you a super effective mixing trick you can use in your mixes. Learn how pink noise can help determine your tracks volume levels.

    Like, favourite and subscribe to support ADSR.

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  • Should You EQ Virtual Instruments? -


    ►► Overwhelmed by EQ and how to use it? Just download my FREE EQ Checklist →

    Should I EQ my virtual drums and pianos? Or are they already processed and therefore don't require any additional EQ?

    I get some variation of these questions on an almost weekly basis and I'd like to clear the air once and for all.

    Whether you use something like EZ Drummer or a sampled piano here is a framework that will help you answer that question each and every time.