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Playlist of 5 Quick EQ Mixing Tricks

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  • How To Clean Up Vocals With EQ | Pro Vocal Mixing Tips

    6:38

    How To Clean Up Vocals With EQ

    Pt2 of my 'How To Edit Vocals Like A Pro' series

    In this video I show you how to use Subtractive EQ to clean up your vocals with Logics Stock EQ (You can use any EQ you prefer)

    By removing annoying frequencies in your vocal files after you've edited them, it'll help your vocals sound Pro

    Use a narrow Q, boost the Eq band and sweep through the vocal frequencies to find what pokes out and is annoying to your ears

    Don't get too caught up with numbers - if it sounds good, it is good!

    Drop a comment and let me know what your favourite EQ is for removing unwanted frequencies from your vocal files

    MiL



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  • HOW TO EQ VOCALS LIKE A PRO

    16:10

    Learn how to eq vocals like a pro; in this video we'll talk about the key frequencies to pay attention to in order to get crisp, clear, well-defined vocals that sit perfectly in the mix.

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  • Best Vocal Frequencies To EQ

    5:03

    Learn the 5 vocal frequencies I use when EQing vocals.
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    Matty Harris is a music producer, mixing and mastering engineer from Boston. As a young musician, he won several awards, most notably, the best drummer in New England. He toured with jazz, blues and calypso bands, playing bars and clubs at the young age of 14. After High School, he attended Berklee College of Music where he studied Music Production and Engineering. Learning from some of the most accomplished producers and engineers in the industry. Since then, he has worked on countless records with such artist as; Atlantic Records, RCA Records, WB Records, Kelly Clarkson, Sammy Adams, A$AP Rocky, Logic, Lil Yachty, Cam Meekins, Just Juice, Action Bronson, Danny Brown, Fat Joe, Styles P, La Coka Nostra, and many more. He worked on the Grammy Award-winning song “Stronger” by Kelly Clarkson and won the 2008 Boston Music Award for Best Hip-Hop/R&B Producer. He now lives in Los Angeles where he works with artists from all over the world helping them to realize their dreams.

    Matty started his online mixing and mastering company, mixandmastermysong.com, with the vision of helping new artists get the same quality mixes and masters as the major label artists he works with. After realizing the advancements of technology, he knew it was time to launch his online mixing and mastering company when he no longer needed the effects of a “big room” studio to achieve high-end mixing and mastering.

  • My Favorite Mix Buss EQ Trick - TheRecordingRevolution.com

    5:09

    ►► Overwhelmed by all of the EQ techniques? Just download my FREE EQ Checklist →

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  • 7 EQ Tips with Fab Filter Pro-Q2

    14:34

    FabFilter has some of the best plugins in the game. Their EQ series is no different.

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    6. Sidechain Analyzer: 9:44
    7. EQ Matching: 11:55

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  • Tips for Mixing Drums with EQ

    14:05

    A video with tips for using EQ on acoustic drums in a mix.
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  • Kick Drum Tutorial – How to Eq the Perfect Kick Drum | Soundoracle.net

    16:10

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    SoundOracle.net - Kick drums are one of the most important elements in the modern day mix. Producers, musicians, & your average listener all appreciate a great sounding kick. It can be tricky at times to mix this significant piece of the mixing puzzle. There are certain frequencies in a kick that are ear pleasing & some frequencies that can cause disaster to any mix.

    In this video we discuss a detailed analysis of the fundamental frequencies of a kick drum. We talk about & demonstrate what specific boosted frequencies will help a kick drum cut through the mix without overcrowding the rest of the music. We also examine different frequencies that should be cut to avoid chaos throughout your mix.

    As with any aspect of music, the type of kick & song vary with frequencies; however, these key elements will point you in the right direction of a successful kick drum. Your mastering engineer will love you for a clean low end in your mix & your audience will feel the authority of your kick drum punching through the music.

    Follow along as professional engineer Eric Michael as he gives you a step-by-step guide on choosing the right frequencies to boost & cut for a kick drum.

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  • 5 Grammy Winning Vocal Mixing Tricks - Warren Huart: Produce Like A Pro

    33:09

    ➡️➡️Download the 5 Vocal Mixing Tips cheat sheet here:


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  • 5 EQ Mistakes People STILL DO in 2020 When Mixing Metal Guitars

    22:23

    In this video I show you the most common mistakes that most people still do when mixing distortion guitars. I also so you how to fix those mistakes and put you in the right mindset when mixing modern guitars for genres such as :
    djent, metalcore, post hardcore, progressive metal, deathcore, mathcore, groove metal etc...


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  • 8 Tips for Amazing Low End!

    44:41

    ➡️➡️Click here to learn more about these tips & download the cheat sheet:

    Tips for Mixing Low End:

    Monitoring - Can you hear the lows?

    You can’t mix what you can’t hear. Should you get a sub woofer? Closed back headphones will give you an extended low end. The Blue Headphones I use have an extended low end, they are not that accurate, however I am used them. While you’re learning your room don’t be afraid to check in other environments. There is nothing wrong with the car test, or the boombox test, or any other multiple ways of double checking what you are hearing! Many amazing Mix professionals check their mixes on multiple systems. Once you’ve got the low end to translate on many different systems you will start to understand how it should sound in your own mix room.

    Not All Low End Mix Tips are Created Equal

    Mixing a live recorded Bass Guitar is very different from mixing a programmed bass line, also mixing a live Kick Drum is very different from mixing a programmed one.

    Use A Frequency Analyser

    Using a Frequency Analyser will really help you learn what you’re hearing, especially if you’re working in an untreated room with issues and using headphones that don’t have an accurate low end.

    Don’t Boost What You Can’t Hear

    If you work mainly on 4, 5 or 6 inch monitors you can create great mixes as long as you understand you won’t be reproducing super lows through those smaller speakers. Don’t boost the frequencies that the speakers can’t reproduce effectively, if you do boost them and they start to become audible then you end up with excessive low end which will become evident in other systems.

    Don’t be afraid to high pass!

    Create space in the mix for clean Low End for the Kick Drum and Bass. Take care of your high passing on individual channels rather than trying to fix on the stereo master bus.

    Evening out Low End on Organic Instruments

    Plug ins like Waves RBass not only adds consistent low end it also adds harmonics, which (particularly on programmed sounds) can add extra sonic characteristics to your bass sound. Programmed Bass Synths and Bass Guitars will stand out of the mix more if you add definition by adding presence, high mids and even saturation.

    Keep Your Low Lows Mono

    High frequencies are very directional, low lows are not. Keeping the Kick Drum and Bass centred. Removing low information from the sides will help them feel firmly in the sides, giving your mix more width.

    Solve Your Problems inside of the Mix, not on your Master Bus

    This is a big one for me! I like to find the issues inside of the mix and deal with them at their source. Trying to fix low end on your Master Stereo Bus (Mix Bus) should be a last resort, removing above 20hz will severely remove real low end and compromise your mix. So if you feel like you’re reaching for this area then look for the cause inside of the mix, looking at the individual elements that generate the low end.
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  • How to EQ Kick and Bass for Better Low End | LANDR Mix Tips #9

    4:46

    Kick and bass can be the most difficult things to get right in a mix.

    In this video, I’ll show you some of the best ways to EQ kick and bass to get the low end you’re looking for.

    Before we start, the specific EQ frequencies we’re using in this video are just starting points. As always you have to use your ears to determine the best ranges to apply EQ.

    Beginner and intermediate producers almost always underestimate the effects of their listening environment.

    You could perfect your mix in a bad sounding room—only to realize that it’s completely wrong when you hear it in a different environment.

    Your low end is particularly affected by your mixing room. But there are a few things you can do to make sure you’re judging your bass frequencies as accurately as possible:

    Mix reference as often as you can: Referencing different tracks in different environments will help you get an idea of where the biggest flaws are in your room.

    Use good open headphones to check lows: If you know your room is flawed, a good pair of headphones can go a long way to help you make mix decisions.

    If you have a good idea of what frequencies are problematic, you’ll know to be careful when EQing them.

    When you first start mixing with EQ, it seems like you could just boost the low end to get that powerful bass you’re looking for.

    Too much low end energy in the mix can actually make your tracks sound weaker.

    All speaker systems have a limit of how low they can go. If there’s a lot of sonic information at a lower frequency than a speaker can play, it will struggle—and fail—to reproduce it.

    If your kick or bass instruments have too much sub bass, you’ll need to use a hi-pass filter to reduce it.

    By bringing up an EQ on this bass track I can see right away that there’s a lot happening at very lowest frequencies.

    I’ll start with a 48 db/octave low cut at 30 Hz. The timbre of the bass hasn’t changed at all, but I can already hear a bit of a tightening effect when I add the kick back in.

    I’ll gradually move the frequency of the hi-pass filter up until I start to hear a negative change in the sound of the bass.

    It’s actually best to do this with your eyes closed since the visual feedback from an EQ can affect how you judge low end.

    I’ll backtrack a bit right as I start hear the body of the bass get weaker . That should be a pretty good spot for the high-pass filter.

    Sculpting

    EQing a track is like putting together a puzzle. You have to shift things around to make space.

    For your kick and bass to punch you need make space for them in the mix.

    The inverse is also true. If your mix doesn’t have the right space for your bass, you’ll never get the beefy sound you’re looking for.

    Example: This kick drum sounds great solo’d, but I can tell that it’s fighting the other elements when I listen in the mix. The low-mids is especially congested.

    To deal with this, I’ll carve out some of this area in the kick to let the rest of the mix sit. I’ll start by sweeping a fairly tight Q, -10 db cut in the 200-500 Hz range.

    As I sweep my EQ band I can hear the other mix elements becoming more clear right around 300 Hz, so I’ll park the filter here.

    Lows are the foundation of great kick and bass tracks, but that’s not all there is to the story.

    “Big” and “punchy” kicks and basses often have a lot going on in other frequency ranges.

    Experiment with EQ in ranges other than the low end to find which frequencies bring your kick and bass into focus.

    As I’ve been EQing I’ve noticed that the kick lacks the presence it needs compete with the rest of my mix. I’ll take another EQ band, but this time a more bell shaped 6dB boost.

    Sweeping from 1kHz-5kHz, I can hear the point of the kick pop out at about 2kHz. In the mix, this gives my kick a ton of authority and provides nice separation from the bass.

    In some cases, adding a bit top end detail can bring out the articulation in the bass. I’ll check it out by sweeping an even gentler broad Q boost around the high end—listening from about 5k-10k.

    With this bass sound, there’s not a lot going on in the top end, so I won’t bother boosting any frequencies here.

    That’s why you always have to rely on your ears first to find out where to add EQ.

    General guidelines can be helpful, but they may not always be perfect. Make sure to decide for yourself in the context of your own tracks.

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  • 5 TIPS TO IMPROVE YOUR MIXES

    40:48

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  • How to Mix Acoustic Guitar - EQ

    11:48

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  • Mixing With EQ - Logic Pro X - Hindi - EP 11

    8:49

    Learn The Best Techniques To EQ Tracks Properly - Logic Pro X - Hindi - EP 11

    An equaliser is one of a kind of amazing tool, it can shape sound in so many incredible ways, from shaping something slightly to changing something drastically. Today we will learn the best practices to follow with you eq or while you are in a mixing mode.

    Let's nail the art of EQ


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  • Snare EQ For More Smack & Crack

    6:02

    ► Drum Mixing Masterclass

    In this video, I'll show you how to EQ a snare drum to clean up some excessive ring and create a little more SMACK and CRACK so it hits harder and sits better in the mix. If you'd like to learn more about how to mix drums, definitely check out my full Drum Mixing Masterclass linked above for more in-depth training on ABBDRUMS.COM. Thanks for watching!

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  • My Favorite Trick For Fat And Tight Low End On Mixes | Slate Digital

    3:31

    Ask any mix engineer, “What’s the hardest thing to do in a mix?” and you can bet they’ll answer, “Getting solid, big and tight low end.” In this vlog I’ll show you one method that I like to use to get big and tight bottom end.

    Watch the video to learn this awesome trick and click Subscribe to get updates when we release new Vlogs.









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  • When to EQ Bass over Kick When Mixing Low End | LANDR AskAnEngineer

    3:17

    It can be hard to tell whether your kick track or bass track should occupy the lowest frequencies. To help you avoid muddying your low end Al gives three tips for spotting the right EQ for the right instrument.

    Here’s the 3 things Al watches for when mixing low end for kick and bass EQ:
    How were the kick and bass recordings tracked? (0:51)
    How does the track survive on small speakers? (1:23)
    How fast and how busy are the kick and bass parts? (1:53)

    #AskAnEngineer with LANDR’s Senior Audio Engineer Al Isler is back!

    Get answers to your burning questions about mixing, recording, mastering, and more.

    Need help with your mix? Post your question in the comments below!

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  • Mid-Side Mixing Tips: EQ & Compression

    10:25

    Learn how to mix with compression ➥
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  • ????️ 3 EQ Techniques/Tips To Get A Cleaner Mix! Logic Pro X Beginner Tutorial

    7:24

    ????️ 3 EQ Techniques/Tips To Get A Cleaner Mix! Logic Pro X Tutorial

    - In this logic pro x tutorial, I will show you 3 essential EQing techniques/tips that will get you cleaner mixes. Creating space for other instruments is essential. We carve our way through the different frequencies to find the balance that we are looking for. Thanks for watching!

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  • How to EQ Bass

    12:13

    ???? Get better mixes by this weekend. Plug this FREE 5-Step Mix process into your system and get ready for great results ????


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  • EQ Tutorial: The Basics of How to EQ Properly

    15:22

    This tutorial will teach you the fundamentals of EQ or Equalization using the Parametric EQ 2 in FL Studio 12, and how to EQ, carve or shape any instrument or sound to your liking. This knowledge can be transferred to just about any equalizer in any DAW (Digital Audio Workstation).

    00:28 - Introduction to Frequencies
    00:42 - What is the Frequency Spectrum?
    01:21 - Where Sounds or Instruments Live in the Frequency Spectrum
    02:11 - Example #1: Kick Drum
    02:56 - Example #2: Clap
    03:18 - Example #3: Hi-hat
    03:42 - Example #4: Bassline
    03:56 - Example #5: Pluck
    04:16 - What is EQ or Equalization?
    04:31 - Uses of EQ
    04:54 - Compression Tutorial
    05:01 - Fruity Parametric EQ 2 - 7 Band Equalizer
    05:09 - What are Bands?
    05:16 - Band Properties
    05:21 - Frequency
    05:29 - Amount
    05:49 - Shape/Type
    06:42 - (Breasts)
    08:17 - Bandwidth, Resonance or Q
    09:05 - Order (Steep vs. Gentle)
    10:08 - Recap of Band Properties
    10:46 - EQ is an ART!
    11:14 - EQ Example
    11:50 - Targeting and Cutting a Resonating Frequency
    12:20 - A/B Compare
    12:42 - Low Cutting Frequencies
    13:19 - Make-up Gain
    14:12 - Practice, practice, practice!

    Questions or comments? Leave them below and I will be happy to help. Tutorial requests for future videos? Let me know!

  • 3 Rules of #EQ

    11:42

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  • 5 Tips for Getting Better Mix Balances

    9:25

    ► Want more? Learn to mix better than ever before with our FREE workshop, The Top 5 Habits of Truly Great Mixers: ◀

    Justin Colletti is back on the SonicScoop video blog with some quick tips on getting your mix balances right and keeping your perspective throughout a mixing session.

  • Kick and Bass Low End Mixing Tricks w Ulrich Wild, Cameron Webb & Warren Huart: Produce Like A Pro

    21:02

    Before you mix kick drum and bass guitar, make sure you download this cheat sheet to reference when mixing:

    Used in this video:
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  • Want To Sound Like a Pro? - TOP 10 EQ Tricks You Need To Know!

    3:54

    This video will show you 10 essential EQ tips that might help you get that crisp & clear mix you've always wanted.

    EQ is arguably one of the most important mixing tool available to you as a producer, so it's important to know how to use it correctly.
    Here's 10 good EQ tips and tricks I think you might find helpful.

    ☑️ Get the Fabfilter Pro Q3 EQ Here:


    Important note:

    Music production is not an exact science. There are really no RULES when it comes to music production. What's right in one situation is totally wrong in another. All these tips are to be considered general guidelines, and they might not be true in every situation.

    For example: While it's true that for the most part, you should low cut anything that's not a bass sound, this does not apply if there's very few instruments going on or if you have a quiet breakdown for example. In those situations you always want some low end in there or the track will sound thin.

    Music production depends heavily on experience. With time, you will know what's required in any given situation.

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  • What are the best EQ settings for your mixing style?

    7:47

    In this tutorial Jamie Hartley breaks down the different settings available to change the behaviour of your EQ's. With certain styles of DJ'ing suiting isolation rather than EQ, Jamie explains how to change the settings and which modes you should be using!

    Sign up on our website to access free lessons, join our community forum and access free DJ music and resources.


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  • 5 Beginner Mixing Mistakes

    8:31

    Whether you’ve added too many reverbs, overlooked phase relationships, or just have too much processing on a track, we all make mistakes. In this video, follow along as we cover 5 common beginner mixing mistakes and strategies to avoid them in your next session.

    Learn more mixing tips and tricks on iZotope Learn:
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  • Mixing With EQ - Carving EQ Holes - TheRecordingRevolution.com

    11:52

    ►► Overwhelmed by all of the EQ techniques? Just download my FREE EQ Checklist →

    Part 5 of 7 - Mixing with EQ is all about creating space for every track to sit nicely together. Today I have a powerful trick to help you do just that - carving out EQ holes.

    This one strategy on just the outside instruments in your mix can give you more clarity + width in just minutes. Check it out!

  • How to EQ Vocals - 5 Tips for CLEAN Vocals!

    11:53

    Some tips for EQing vocals on Logic Pro X (this really works with all DAWs). In this video I give you guys a basic-ish look at my process for how to eq vocals.

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  • 10 Tips for Creating Better Mixes

    17:01

    Don't throw in the towel just yet! Start the year off with some new skills using our free 5-part mixing tutorial series, Mix Resolutions: 10 Tips for Creating Better Mixes in 2017.

    You'll learn about topics like:

    Week 1: Developing good mix habits
    Week 2: Balancing like a music lover, not like an engineer
    Week 3: Tackling gain staging and using reference recordings
    Week 4: Frequency distribution and preserving the musical balance
    Week 5: Defending the craft and knowing when your mix is done

    Hosted by Jonathan Wyner and Enrique Gonzalez Müller, this is one resolution where you don’t even have to leave the couch.

    Sign up for more tips:

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    Song Credits: The Rare Occasions

  • 10 Tips for Creating Better Mixes

    27:40

    Don't throw in the towel just yet! Start the year off with some new skills using our free 5-part mixing tutorial series, Mix Resolutions: 10 Tips for Creating Better Mixes in 2017.

    You'll learn about topics like:

    Week 1: Developing good mix habits
    Week 2: Balancing like a music lover, not like an engineer
    Week 3: Tackling gain staging and using reference recordings
    Week 4: Frequency distribution and preserving the musical balance
    Week 5: Defending the craft and knowing when your mix is done

    Hosted by Jonathan Wyner and Enrique Gonzalez Müller, this is one resolution where you don’t even have to leave the couch.

    Sign up for more tips:

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  • 5 EQ Tips for Professional Sounding Vocals

    5:55

    In this video I outline 5 EQ tips for getting a professional vocal sound. These are just the first ones that first came to mind so hopefully you find them helpful. But remember, vocal EQing always comes down to listening first then deciding what to do.

    Want to learn more?
    Visit my blog for more helpful articles about professional audio at:

    My name is Josh and I am a mastering engineer from Newcastle, Australia. Since the beginning of 2020 I am now apart of the mastering team at Viking Lounge Mastering where I have access to world-class facilities to make your music sound the best it can be. I am also apart of the audio team at Tommirock Studios and love making educational videos on all things audio-related. Feel free to request future video topics that you want to know or learn about in regards to production, recording, mixing or mastering!

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  • 5 EQ Mistakes We Make While Mixing - Warren Huart: Produce Like A Pro

    16:24

    ➡️➡️Download the Cheat Sheet here:

    ➡️Tip 1: Don’t just cut Frequencies On The Mix Bus: Find the source of EQ Build up. (0:49)
    ➡️Tip 2: Your Mix is Too Bright: Don’t Mix Too Loud (4:13)
    ➡️Tip 3: Use Proper High and Low Passing (6:40)
    ➡️Tip 4: Don’t Over Use EQ: If you’re Applying A Lot Correctional EQ Stop, Take a Break then Listen to it without EQ(10:28)
    ➡️Tip 5: Don’t Spend too Much Time in Solo: Check Frequently How the EQ Choices you Make work with your Mix(13:16)


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  • EQ richtig einstellen - Diese 6 Problem Frequenzen solltest du kennen!!

    10:24

    Einen EQ richtig einstellen ist wichtig Der Equalizer gehört zu den mächtigsten Mixing Werkzeugen, die du zur Hand hast. Es ist aber auch wichtig Frequenzen zu kennen, die Probleme verursachen können. Sechs dieser Frequenzbereiche im EQ stelle ich dir in diesem Video vor.

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  • 5 Minute Mix Tips: EQ on multiple instruments

    5:31

    In this 5 minute mix tip video I show the power of applying several instances of a high pass filter on multiple guitar/instrument tracks to allow low end energy to be reserved for low frequency instruments like bass and kick drum as well as how to un-muddy a mix.

    Please consider making a donation to my Paypal account to allow me to keep making more content on this YouTube channel - thanks! Paypal: bbuck822@gmail.com

  • EQ, Equalisers & Mixing Tutorial Part-1

    41:09

    Part-1 of new playlist of tutorials on Eq & mixing. In this video we look at that absolute basics... frequencies!! (Logic project file:

  • DJ Tutorial: The Art of EQ Mixing House - After Hours

    17:43

    DJ Tutorial: The Art of EQ Mixing House - After Hours (Sunrise)

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  • DJ BETTER - HOW TO EQ MIX!!!

    12:19

    Learn how to EQ mix vs. simple level fader mixing, and develop more control over your mixes.

    Track 1: Varia - Aparde
    Track 2: Soul Child - Robert Mason

    Please subscribe, like, comment and share if you enjoy my videos :D




  • 3 Golden Rules for Low End Hip Hop Mixing | Lu Diaz

    9:35

    Multi-platinum producer/mixer Lu Diaz (Jay Z, Kodak Black, Pitbull) gives 3 tips for blending 808s and kicks to get a clean, punchy low end in your tracks. Get more hip hop production tips:

    1:16 Tip #1: Enhancing 808 Harmonics & Tone
    4:29 Tip #2: Multiple EQs for the Kick
    6:58 Tip #3: Sidechaining Kick & 808

    Plugins used by Lu Diaz in this video:

    Vitamin Sonic Enhancer:
    PuigTec EQs:
    F6 Floating-Band Dynamic EQ:
    SSL E-Channel:
    API 550:

    Music: Feel It Babe by Realzz. Produced by The Track Burnaz.

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  • EQ Explained in 4 Minutes: How to EQ For a Better Mix | LANDR Mix Tips #6

    3:41

    EQ is a massive subject for audio engineers. It’s so fundamental to the process that the majority of your mix time is probably spent tweaking EQ plugins.

    In this video I’ll go over everything you need to know to start using EQ like a pro—from the ground up.

    Imagine two instruments playing the same unison melody

    we notice the two sounds overlap, making it difficult to to hear them individually. This effect is called masking.

    EQ is used in mixing to help reduce the effect of masking so that each instrument can be heard clearly.

    To understand EQ, we need to talk about filters. Your EQ is essentially a specialized kind of filter. The characteristics of the filter determine a lot the sound of the EQ—and the best way to use it.

    If you break down the settings of an individual band of EQ, they all refer to basic characteristics of filters: type, slope, Q, and gain and frequency.

    I’ll explain each one and how they affect your sound.

    HPF/LPF: These filters are named for the frequencies they leave unaffected, rather than the range they cut. A low cut is known as a high-pass filter and a high cut is known as low-pass filter.

    Reach for these filter types when you need to clean up issues at the extreme ends of the spectrum.

    The steep drop-off around the corner frequency can easily tame boomy low-end or piercing ultra-high resonance.
    Bell: Bell filters are your standard tools boosting and cutting. Their shape can be manipulated using the Q parameter.

    This is your go-to choice for sculpting and tone-shaping. Boost or cut at specific points and decide how broadly to affect neighboring frequencies with the Q control.

    Shelf: Shelf or shelving filters boost or cut all frequencies above or below the corner frequency.

    This type is effective for making broad tonal changes. Think of low and high shelves like the tone controls on your stereo system.

    Q is short for quality factor. You can think of it as the “bandwidth” of an EQ band.

    Q values of less than 1 will give you broader EQ curves, while values greater than 1 will give you tighter, more selective boosts or cuts

    Gain determines the amount of boost or cut you apply with your EQ. It’s measured in dB. Positive gain values indicate a boost, while negative ones make it a cut.

    The frequency is the center of your EQ band’s action. This control determines the range where boosts or cuts will occur.

    It’s important to remember that there’s no such thing as a perfect filter. No matter how tightly you set your Q or how steep you make your slope, an EQ band will always affect a range of frequencies around the target.

    The first rule of EQ is less is more. Extreme tonal shifts can have a negative impact on your sound.

    The best way to use EQ is however you can get away with using the least.

    With that in mind, there are two main ways to approach EQ.

    Additive EQ means boosting frequencies to achieve the results you want, while Subtractive EQ means cutting offending frequencies out.

    There’s plenty of debate about whether it’s better to do one or the other.

    But if your goal is to use the least amount of EQ, you can simply choose whichever approach is the most direct route to your destination.

    For example, if you only need to cut one narrow range, using 3-4 bands to boost every other region of the spectrum is less transparent that using a single band to cut the main offender.

    On the other hand, if all you need to do to make a sound pop is boost one range, cutting everything else and applying makeup gain isn’t the quickest route.

    In the course of the mix process, you’ll probably use EQ on every single track in your session.

    With such an important tool, it’s important to have a solid foundation in how to use it.

    Now that you have the fundamentals down, get back to your DAW and sculpt some sounds with EQ.

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  • How The Pros Use EQ - How To EQ All Instruments and Your Mixes

    36:44

    Secrets of How The Pros Use EQ - Parametric, Graphic and Filters on All Instruments. Where The Sweet Spots Are On All Instruments.

    In this video I will show you how all types of Equalizers. The great Boost and Cut sweet spots of all the Individual Drums, Bass, Guitars, Piano, Organ and Strings. I discuss all my favorite Analog and Digital EQ's:
    Neve 1073,1066,1084 and 1081
    API 550A, 550B, 560
    Pultec EQP- 1A, MEQ5
    GML 8200
    Electrodyne 511, Quad Eight 310
    Trident A-Range
    Helios Type 69
    SSL E and G Series EQ

    Digital EQ's:

    MCDSP Filter Bank E606, F202,P606
    Metric Halo Channel Strip
    Waves - Q10, Scheps 73, Renaissance EQ, SSL, API, V-EQ4, H-EQ Hybrid
    Universal Audio - Cambridge EQ, Pultec, Neve, Helios, Harrison, Neve 31102, Trident
    SoundToys - Filter Freak
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  • 5 Quick Compression Mixing Tricks - Warren Huart: Produce Like A Pro

    18:47

    ➡️ ➡️ Before you start using compression, make sure you download this FREE Compression Tricks cheatsheet right now:

    Today we are talking about five compression mixing tips! These aren't the most straightforward ways that we use compression. For some of you they may seem that way but these are the more interesting things you can do with the compressor!

    1. Side Chain the guitar to the lead vocal 1:37

    2. Use a compressor to sculpt the room mics 4:42

    3. Set up your compressor like a transient designer 6:47

    4. Side chain overhead mics to the main snare track 11:12

    5. Duplicate the track and nudge it backward to setup “look ahead” compression 13:44


    5 Quick Saturation Mixing Tricks


    5 Quick Delay Mixing Tricks


    5 Quick Reverb Mixing Tricks


    5 Quick Master Bus Mixing Tricks



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  • My 7 best EQ Techniques for Mixing

    13:17

    In this video, I show you 7 of the best eq techniques I know for mixing. Cutting, boosting, and a few tips that will probably blow your mind. Or maybe not. Guess you'll have to watch the video ^^.

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  • Top 5 EQ Tips You Need To Know

    7:24

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    Top 5 EQ Tips You Need To Know

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    Download EQ Cheat Sheet Here:
    _______________________________________________________________

    In this episode we show you our Top 5 EQ Tips you need to know!

    We cover various different types of EQ such as Match EQ and Mid/Side processing as well as giving you a few pointers as to what certain frequencies mean within a track.

    Top 5 Tips Include...

    1.) Know Your Frequencies - Understand the audio spectrum and where certain elements sit

    2.) Mid/Side EQ - How to organise your stereo field

    3.) Don't Boost/Cut Too Much - Too much over processing can end up killing a sound, period.

    4.) Match EQ - How to get your mid frequencies sitting right

    5.) Low Cut Everything - There is method in the madness!

    Hope you enjoy and thanks for watching!

    Rory @ Hyper Production


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  • EQ Tips And Tricks - 5 EQ Tips

    11:50

    In this video I show you how to EQ 5 different things, using certain tricks to achieve great sounds.
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  • Four EQ tips for a better mix

    3:37

    Learn more about Reason:

    EQ is probably the most important tool to make sure your mix sounds good. But how do you know where to cut or boost? What frequencies are important? In this video Propellerhead product specialist Mattias lets you in on four EQ tips for a better mix. Learn basic EQ usage, what frequencies matter in a kick drum and more!

  • 5 Quick Saturation Mixing Tricks - Warren Huart: Produce Like A Pro

    27:48

    5 Quick Saturation Mixing Tricks:


    Flock Audio Patchbay:

    Adding saturation to your mix can help to smoothen out transients and add thickness to the sounds that you apply it to. You can use it on just about everything too, drums, bass, guitars, or keyboards. If you’re looking to add some new flavor to your mixes, look no further. Here are 5 tips to get your started.

    1. Use Saturation on Snare.
    2. Saturate the Bass Guitar
    3. Saturate the Guitar DI
    4. Use saturation on Piano
    5. Saturate to remove harshness


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  • 5 Quick Reverb Mixing Tricks - Warren Huart: Produce Like A Pro

    16:26

    ➡️ ➡️ Before you start using reverb, make sure you download this FREE Reverb Tricks cheatsheet right now:

    Trick 1: EQ your reverb: 4:09
    Trick 2: Pan Your reverbs: 6:54
    Trick 3: Trigger your Snare reverb from the sample: 8:54
    Trick 4: Use multiple reverbs on Vocals: 11:19
    Trick 5: Compress your reverb: 15:14

    Learning how to use reverb is essential in mixing. It can add width and distance between you instruments. Reverb can also make your tracks sound like they were recorded in a completely different space. This is particularly helpful if you are recording in a bedroom or small home studio environment and you want your tracks to have that big studio sound! The biggest mistake that you can make with reverb is going overboard and making a washy muddy sound mix where everything is smeared together in reverb.


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    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

  • 5 Quick EQ Mixing Tricks - Warren Huart: Produce Like A Pro

    21:49

    ►► Get the 5 Quick EQ Mixing Tricks cheatsheet here:

    1.Bass Guitar EQ Multiple sources differently to create one great sound.

    i. With the first source, the DI, control lows and highs with EQ filters- Using a stock plugin, set around 170-200Hz, and everything above that is low passed away. After that is another EQ, which is a less than 60Hz (this can drop lower to 40hz) and gently sloping, controlling the low end, giving room for the Kick Drum. 

    ii. With the Bass Amp High Pass at the same point around 170-200hz allowing the high end of the Bass Amp to give the sound personality. 

    iii. You can also duplicate the Bass Amp and follow the same steps above but also use to add additional Saturation or Distortion to help it glue together with the guitars.

    2.Brighten Electric Guitar and Controlling Excessive High End 8:37

    3.Creating a great Kick Sound Using Multiple Mics 11:41

    4.Carve out Low Mids and high pass Low End from Room Mics to create room for your Kick 14:41

    5.High and Low Pass your reverb Sends 17:36

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    Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.

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