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Playlist of 1 Hour Classical Music with TOMASO ALBINONI - Concertos for Oboe and Violin (Full Recording)[HQ]

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  • 1 Hour Classical Music with TOMASO ALBINONI - Concertos for Oboe and Violin HQ

    1:17:48

    Soft best classical music for relaxation and studying, concentration.

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    Concerto for oboe in D minor Opus IX-2
    1. Allegro 00:01
    2. Adagio 03:47
    3. Allegro 09:45

    Concerto for two oboes in F major Opus IX-3
    4. Allegro 12:28
    5. Adagio 17:12
    6. Allegro 19:28

    Concerto for oboe in C major Opus IX-5
    7. Allegro 23:07
    8. Adagio 26:08
    9. Allegro 28:20

    Concerto for two oboes in G major Opus IX-6
    10. Allegro 31:18
    11. Adagio 34:35
    12. Allegro 37:53

    Concerto for violin in F major Opus IX-10
    13. Allegro 41:08
    14. Adagio 44:28
    15. Allegro 48:03

    Concerto for oboe in B flat major Opus IX-11
    16. Allegro 51:07
    17. Adagio 54:34
    18. Allegro 58:32

    Adagio for organ and strings in G minor
    19. Adagio / Sol Mineur G-Moll / G Minor 1:01:32

    2001 ITS Philharmonic Orchestra, Louis Jullien / All Rights Reserved

    #classicalmusic #albinoni #oboe

  • 1 Hour Classical Music with TOMASO ALBINONI - Concertos for Oboe and Violin HQ

    1:11:41

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  • Albinoni: Complete Oboe Concertos

    2:45:18

    Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):


    String instruments and especially the violin demanded a key position in Baroque music particularly in Italy. Like many of his contemporaries Tomaso Albinoni composed a large number of pieces for string ensemble and many concertos for the violin.

    00:00:00 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro non presto
    00:03:43 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Adagio
    00:07:57 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro
    00:10:48 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro
    00:12:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Adagio
    00:13:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro
    00:15:40 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allego
    00:18:21 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Adagio
    00:20:01 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allegro
    00:22:15 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Allegro
    00:26:15 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Adagio
    00:28:45 Concerto à 5, Op. 9/9: C Major for two Oboes and Strings: Allegro
    00:32:14 Concerto, Op. 7/8: D Major for two Oboes and Strings: (no tempo)
    00:34:32 Concerto, Op. 7/8: D Major for two Oboes and Strings: Largo
    00:36:30 Concerto, Op. 7/8: D Major for two Oboes and Strings: Allegro
    00:38:16 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Allegro
    00:41:36 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Adagio
    00:43:33 Concerto à 5, Op. 9/5: C Major for Oboe and Strings: Allegro
    00:46:42 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro
    00:49:29 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Adagio
    00:51:32 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro
    00:53:45 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro
    00:58:15 Concerto, Op. 9/3: F Major for two Oboes and Strings: Adagio
    01:00:29 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro
    01:04:25 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro
    01:08:28 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Adagio
    01:11:08 Concerto à 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro
    01:14:28 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro
    01:17:15 Concerto, Op. 7/11: C Major for two Oboes and Strings: Adagio
    01:19:06 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro
    01:21:42 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Allegro
    01:25:43 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Adagio
    01:27:49 Concerto à 5, Op. 9/8: G Minor for Oboe Solo and Strings: Allegro
    01:31:27 Concerto, Op. 7/5: C Major for two Oboes and Strings: Allegro
    01:33:19 Concerto, Op. 7/5: C Major for two Oboes and Strings: Adagio
    01:34:48 Concerto, Op. 7/5: C Major for two Oboes and Strings: Allegro
    01:36:09 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Allegro
    01:38:39 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Adagio
    01:39:36 Concerto, Op. 7/9: F Major for Oboe Solo and Strings: Allegro
    01:41:59 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Allegro
    01:45:36 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Adagio
    01:47:59 Concerto à 5, Op. 9/6: G Major for two Oboes and Strings: Allegro
    01:51:00 Concerto, Op. 7/12: C Major for two Oboes and Strings: Allegro
    01:53:56 Concerto, Op. 7/12: C Major for two Oboes and Strings: Adagio
    01:55:55 Concerto, Op. 7/12: C Major for two Oboes and Strings: Allegro
    01:58:07 Concerto, Op. 9/12: D Major for two Oboes and Strings: Allegro
    02:01:16 Concerto, Op. 9/12: D Major for two Oboes and Strings: Adagio
    02:03:26 Concerto, Op. 9/12: D Major for two Oboes and Strings: Allegro
    02:04:56 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Allegro
    02:08:09 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Adagio
    02:09:55 Concerto for Violin and Strings, Op. 9/1: B-Flat Major: Allegro
    02:12:23 Concerto, Op. 9/10 in F Major for Violin and Strings: Allegro
    02:15:52 Concerto, Op. 9/10 in F Major for Violin and Strings: Adagio
    02:19:15 Concerto, Op. 9/10 in F Major for Violin and Strings: Allegro
    02:22:44 Concerto, Op. 9/7: D Major for Violin and Strings: Allegro
    02:26:14 Concerto, Op. 9/7: D Major for Violin and Strings: Andante e sempre piano
    02:33:51 Concerto, Op. 9/7: D Major for Violin and Strings: Allegro
    02:36:32 Concerto, Op. 9/4: A Major for Violin and Strings: Allegro
    02:39:58 Concerto, Op. 9/4: A Major for Violin and Strings: Adagio
    02:42:16 Concerto, Op. 9/4: A Major for Violin and Strings: Allegro

    Artist:
    Stefan Schilli (oboe)
    Stuttgart Chamber Orchestra

  • Albinoni - Adagio 1Hour Loop

    1:4:59

    We love this song.

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  • Tomaso Albinoni Oboe & Concertos - Baroque Classical Music | Enchanting Focus Reading Study

    1:48:19

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    Concerto for 2 Oboes in C Major, Op. 7, No. 2 I. Allegro
    Concerto for 2 Oboes in C Major, Op. 7, No. 2 II. Adagio
    Concerto for 2 Oboes in C Major, Op. 7, No. 2 III. Allegro
    Oboe Concerto in B-Flat Major, Op. 7, No. 3 I. Allegro
    Oboe Concerto in B-Flat Major, Op. 7, No. 3 II. Adagio
    Oboe Concerto in B-Flat Major, Op. 7, No. 3 III. Allegro
    Concerto for Strings in G Major, Op. 7, No. 4 I. Allegro -
    Concerto for Strings in G Major, Op. 7, No. 4 II. Adagio -
    Concerto for Strings in G Major, Op. 7, No. 4 III. Allegro
    Concerto for 2 Oboes in C Major, Op. 7, No. 5 I. Allegro -
    Concerto for 2 Oboes in C Major, Op. 7, No. 5 II. Adagio -
    Concerto for 2 Oboes in C Major, Op. 7, No. 5 III. Allegro
    Oboe Concerto in D Major, Op. 7, No. 6 I. Allegro
    Oboe Concerto in D Major, Op. 7, No. 6 II. Adagio
    Oboe Concerto in D Major, Op. 7, No. 6 III. Allegro
    Oboe Concerto in G Major I. Allegro
    Oboe Concerto in G Major II. Adagio
    Oboe Concerto in G Major III. Allegro
    Oboe Concerto in G Minor I. Allegro
    Oboe Concerto in G Minor II. Adagio e pizzicato
    Oboe Concerto in G Minor III. Vivace
    Oboe Concerto in G Major (for TC670103 tracks 25-27) I. Adagio - Allegro
    Oboe Concerto in G Major (for TC670103 tracks 25-27) II. Largo
    Oboe Concerto in G Major (for TC670103 tracks 25-27) III. Vivace
    Concerto a 5 in B-Flat Major, Op. 5, No. 1 I. Allegro
    Concerto a 5 in B-Flat Major, Op. 5, No. 1 II. Adagio
    Concerto a 5 in B-Flat Major, Op. 5, No. 1 III. Allegro
    Concerto a 5 in F Major, Op. 5, No. 2 I. Allegro
    Concerto a 5 in F Major, Op. 5, No. 2 II. Largo
    Concerto a 5 in F Major, Op. 5, No. 2 III. Allegro assai
    Concerto a 5 in D Major, Op. 5, No. 3 I. Allegro
    Concerto a 5 in D Major, Op. 5, No. 3 II. Adagio - Presto - Adagio
    Concerto a 5 in D Major, Op. 5, No. 3 III. Allegro
    Concerto a 5 in G Major, Op. 5, No. 4 I. Allegro
    Concerto a 5 in G Major, Op. 5, No. 4 II. Adagio
    Concerto a 5 in G Major, Op. 5, No. 4 III. Allegro
    Concerto a 5 in A Minor, Op. 5, No. 5 I. Allegro
    Concerto a 5 in A Minor, Op. 5, No. 5 II. Adagio
    Concerto a 5 in A Minor, Op. 5, No. 5 III. Allegro
    Concerto a 5 in C Major, Op. 5, No. 6 I. Allegro
    Concerto a 5 in C Major, Op. 5, No. 6 II. Adagio - Presto - Adagio
    Concerto a 5 in C Major, Op. 5, No. 6 III. Allegro

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  • Tomaso Albinoni - Adagio

    8:27

    Copernicus Chamber Orchestra, Horst Sohm (conducting/Leitung)
    Tomaso Albinoni - Adagio en sol menor, in G minor,
    Live in concert - Festival de Musica de L´Escala
    Concerts Clàssics L'Escala-Empúries
    Live performance - 2011

    Contact: MusicArtstrings or with Horst Sohm for concerts, music business, film music,etc. - check the channel info, there you will find an email address, or write your text in: Send Message


    If you are interested in a wonderful CD with the same music, then write to: horstsohmmusic@gmail.com
    The CD is called: Highlights of Classical Music (Handel, Albinoni, Mozart, Morricone, Piazzolla)

    Violins: Anna Piniuta, Michał Kwaśniak, Marta Rusiniak, Ewa Żołyniak,
    Aleksandra Pilarska Sabina Milewska, Katarzyna Składanek,
    Violas: Magdalena Swiąder, Weronika Maniakowska,
    Violoncellos: Michał Litwa, Joanna Laskowska,
    Bass: Krzysztof Sypek,
    Director/Dirigent: Horst Sohm

    #horstsohm

    Especial agradecimento al
    Festival de Musica de L´Escala (Catalunya/Spain)2011;
    A Francesc Bigaró y María Negre: Cámeras y grabación
    Miguel Pagès:Director del Canal 10 Empordà

    2011 - All rights: MusicArtstrings - Horst Sohm

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  • Albinoni: Oboe Concertos

    1:4:26

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    Composer: Tomaso Giovanni Albinoni
    Artist: Stefan Schilli (oboe), Giovanni Deangeli (oboe), Stuttgart Kammerorchester, Nicol Matt conductor

    00:00:00 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Allegro non presto
    00:03:49 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Adagio
    00:07:56 Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: Allegro
    00:10:48 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Allegro
    00:12:49 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Adagio
    00:13:49 Concerto in C Major for two Oboes and Strings, Op. 7 No. 2: Allegro
    00:15:40 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Allego
    00:18:21 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Adagio
    00:20:00 Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: Allegro
    00:22:15 Concerto à 5 in C Major for two Oboes and Strings, Op. 9 No. 9: Allegro
    00:26:15 Concerto à 5 in C Major for two Oboes and Strings, Op. 9 No. 9: Adagio
    00:28:45 Concerto à 5 in C Major for two Oboes and Strings: Allegro, Op. 9 No. 9
    00:32:14 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: No Tempo Indication
    00:34:32 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: Largo
    00:36:30 Concerto in D Major for two Oboes and Strings, Op. 7 No. 8: Allegro
    00:38:16 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Allegro
    00:41:36 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Adagio
    00:43:32 Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: Allegro
    00:46:42 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Allegro
    00:49:29 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Adagio
    00:51:31 Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: Allegro
    00:53:45 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Allegro
    00:58:15 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Adagio
    01:00:29 Concerto in F Major for two Oboes and Strings, Op. 9 No. 3: Allegro

  • Albinoni

    1:21:38

    Tomaso Giovanni Albinoni (1671 - 1751) Complete Oboe Concertos (Part 01)

    00:00:00 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro non presto
    00:03:43 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Adagio
    00:07:57 Concerto a cinque, Op. 9/2: D Minor for Solo Oboe and Strings: Allegro
    00:10:48 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro
    00:12:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Adagio
    00:13:49 Concerto, Op. 7/2: C Major for two Oboes and Strings: Allegro
    00:15:40 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allego
    00:18:21 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Adagio
    00:20:01 Concerto, Op. 7/6: D Major for Oboe Solo and Strings: Allegro
    00:22:15 Concerto a 5, Op. 9/9: C Major for two Oboes and Strings: Allegro
    00:26:15 Concerto a 5, Op. 9/9: C Major for two Oboes and Strings: Adagio
    00:28:45 Concerto a 5, Op. 9/9: C Major for two Oboes and Strings: Allegro
    00:32:14 Concerto, Op. 7/8: D Major for two Oboes and Strings: (no tempo)
    00:34:32 Concerto, Op. 7/8: D Major for two Oboes and Strings: Largo
    00:36:30 Concerto, Op. 7/8: D Major for two Oboes and Strings: Allegro
    00:38:16 Concerto a 5, Op. 9/5: C Major for Oboe and Strings: Allegro
    00:41:36 Concerto a 5, Op. 9/5: C Major for Oboe and Strings: Adagio
    00:43:33 Concerto a 5, Op. 9/5: C Major for Oboe and Strings: Allegro
    00:46:42 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro
    00:49:29 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Adagio
    00:51:32 Concerto, Op. 7/3: B-Flat Major for Oboe Solo and Strings: Allegro
    00:53:45 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro
    00:58:15 Concerto, Op. 9/3: F Major for two Oboes and Strings: Adagio
    01:00:29 Concerto, Op. 9/3: F Major for two Oboes and Strings: Allegro
    01:04:25 Concerto a 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro
    01:08:28 Concerto a 5, Op. 9/11: B-Flat Major for Oboe and Strings: Adagio
    01:11:08 Concerto a 5, Op. 9/11: B-Flat Major for Oboe and Strings: Allegro
    01:14:28 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro
    01:17:15 Concerto, Op. 7/11: C Major for two Oboes and Strings: Adagio
    01:19:06 Concerto, Op. 7/11: C Major for two Oboes and Strings: Allegro

    Artist:
    Stefan Schilli (oboe)
    Stuttgart Chamber Orchestra

  • 🎼 1 hour Tomaso Albinoni Oboe Concerto in D minor, Op. 9, no.2 | Baroque Music for Relaxation

    1:9:15

    Tomaso Albinoni Oboe Concerto in D minor, Op. 9, no.2 in 1 hour loop. Baroque Music for Relaxation Studying.
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    The Concertos à cinque, Op. 9, by Tomaso Albinoni, were first published in 1722. Of the twelve works that make it up, the Oboe Concerto in D minor (no. 2) and the Double Concerto in F major (no. 3) are probably the best known works. The pieces were dedicated to Maximilian Emanuel, Duke of Bavaria.

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  • Albinoni - 12 Concertos, Op.9 | Christopher Hogwood The Academy of Ancient Music

    1:57:36

    Tomaso Giovanni Albinoni (1671 - 1751)

    12 Concertos, Op.9
    The Twelve Concertos, Op.9

    Concerto for Violin No.1 in B flat major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Andrew Manze, (Violin)

    Concerto for Oboe No.2 in D minor, Op.9

    01. Allegro e non presto
    02. Adagio
    03. Allegro

    Frank de Bruine, (Oboe)

    Concerto for Two Oboes No.3 in F major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Frank de Bruine, (Oboe I)
    Alfredo Bernardini, (Oboe II)

    Concerto for Violin No.4 in A major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Andrew Manze, (Violin)

    Concerto for Oboe No.5 in C major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Frank de Bruine, (Oboe)

    Concerto for Two Oboes No.6 in G major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Frank de Bruine, (Oboe I)
    Alfredo Bernardini, (Oboe II)

    Concerto for Violin No.7 in D major, Op.9

    01. Allegro
    02. Andante e sempre piano
    03. Allegro

    Andrew Manze, (Violin)

    Concerto for Oboe No.8 in G minor, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Frank de Bruine, (Oboe)

    Concerto for Two Oboes No.9 in C major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Frank de Bruine, (Oboe I)
    Alfredo Bernardini, (Oboe II)

    Concerto for Violin No.10 in F major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Andrew Manze, (Violin)

    Concerto for Violin No.11 in B flat major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Frank de Bruine, (Oboe)

    Concerto for Two Oboes No.12 in D major, Op.9

    01. Allegro
    02. Adagio
    03. Allegro

    Frank de Bruine, (Oboe I)
    Alfredo Bernardini, (Oboe II)

    Christopher Hogwood
    The Academy of Ancient Music

    [on original instruments]

    ------------------------

    Artwork: Three Musicians and servant with parrot of the Medici Court by Anton Domenico Gabbiani

  • 🎼 1 hour Tomaso Albinoni 12 Concertos à cinque, Op.7 | Baroque Music for Relaxation Studying

    1:3:50

    Tomaso Albinoni 12 Concertos à cinque, Op.7 in 1 hour loop. Baroque Music for Relaxation Studying.
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    The Concertos a cinque, Op. 7 were published in 1715 and dedicated to Gio Donato. The score calls for string orchestra plus violin (for no.s 1, 4, 7 and 10), oboe (3, 6, 9, 12), and two oboes (2, 5, 8, 11). The finale of the 10th concerto was re-used by Vivaldi in his Sinfonia in C, RV 192a.

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  • Albinoni: Sonate da Chiesa Op. 4

    1:7:52

    Tracklist in the Comment Section.

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    The Venetian late Baroque composer Tomaso Albinoni had a long career in the theatre, and his prolific output included fifty-three operas. However, these stage works were lost and are now largely forgotten, and he is remembered chiefly for his concertos.

    The Sonate da Chiesa or ‘church’ sonatas, were four-movement concertos and fairly solemn in nature as they were written to be performed in church. However, Albinoni’s Sonate da Chiesa are less traditional, incorporating a range of dance forms, and displaying his elegant style and considerable melodic talents to great effect. The slow movements, such as the Adagio of Op.4 No.6 are particularly appealing.

    Albinoni’s lyrical ‘church sonatas’ are not what they seem though. There are two works by the composer which are assigned ‘Op.4’: the Cantate a voce sola, and the Sonate da Chiesa. The latter, or ‘second’ Op.4, were not originally put together by Albinoni himself but collected under that opus number, by the French publisher Éstienne Roger, who borrowed it from the Cantate a voce sola, which he didn’t intend to republish. The Sonate da Chiesa was widely circulated in Europe, and achieved far greater success than the Cantate a voce sola. However, the commercially-minded Roger had a growing number of customers, and needed to keep the flow of new publications going at low cost. This led him to put together unauthorised collections, including this set of Sonate da Chiesa. In fact it contained inauthentic material, possibly by other composers. The authorship of the third sonata in particular is debated by music scholars.

    Albinoni’s Sonate da Chiesa are performed on this recording by Baroque expert Luca Scandali (organ and harpsichord) and early music specialists Alessandro Ciccolini (violin), Alberto Guerrero (cello), Maurizio Piantelli (theorbo), Miguel Rincón (archlute) and Francesco Baroni (harpsichord)

  • Classical Oboe Concertos

    1:3:46

    From around 1750, the oboe, an instrument hitherto largely used in chamber and church music, began to make its way into concert halls, and to be played by virtuoso soloists. The instrument’s construction was evolving to increase the penetration of its hi register, making it more suitable both as an orchestral and a concertante instrument. Even so, the oboe of Mozart’s day could still only play two keys, thus restricting its technical range of available music and expression. Mozart overcame those limitations most wholly successfully, as one might imagine, but none of the other works here is negligible. His friend Carl Ditters van Dittersdorf composed four concertos for the instrument and its close but obsolescent relative, the sweeter and gentler oboe d’amore, which is heard here in the A major concerto.

    The first and most exuberant of three concertos by Giuseppe Ferlendis (1755 - 1810) opens the recording with pleasant and undemanding, slightly Haydnesque sequences. Then comes a greater rarity, the C major concerto by Leopold Hofmann (1738 - 1793) of more archaically Baroque cut, owing a little of its dash and brio to the Italian concertos for the instrument such as those composed by Vivaldi. In true classical style, the cadenzas for each concerto were composed/improvised by Puskunigis, who also contributes booklet notes which give valuable context to the Classical-era oboe and discuss the particularities of each composer’s writing for the instrument.

    From around 1750 the oboe, an instrument hitherto largely used in chamber music and church music, began to make its way into the concert halls, and to be played by virtuoso soloists. The Oboe Concertos on this new recording represent the Classical Viennese Style, with Wolfgang Amadeus Mozart as its undisputed genius. Although the other composers, Ferlendis, Ditters von Dittersdorf and Hofmann are lesser known, their Oboe (or Oboe d’Amore) Concertos share the same grace, sparkle and melodious flow as Mozart’s masterwork.

    Composers: Carl Ditters von Dittersdorf, Leopold Hofmann, Wolfgang Amadeus Mozart
    Artists: Andrius Puskunigis (oboe), St. Christopher Chamber Orchestra, Donatas Katkus (conductor)

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    00:00:00 Oboe Concerto in F Major, Nr. 1: I. Allegro
    00:06:24 Oboe Concerto in F Major, Nr. 1: II. Adagio
    00:09:11 Oboe Concerto in F Major, Nr. 1: III. Rondo, allegro con brio
    00:13:04 Oboe Concerto in C Major: I. Allegro – Maestoso
    00:19:22 Oboe Concerto in C Major: II. Adagio
    00:25:29 Oboe Concerto in C Major: III Allegro (non) molto
    00:30:57 Oboe d’amore concerto in A Major: I. Moderato
    00:36:11 Oboe d’amore concerto in A Major: II. Adagio
    00:41:33 Oboe d’amore concerto in A Major: III. Presto
    00:44:18 Oboe Concerto in C Major, K. 314: I. Allegro aperto
    00:51:32 Oboe Concerto in C Major, K. 314: II. Adagio non troppo
    00:57:49 Oboe Concerto in C Major, K. 314: III. Rondo, allegretto

  • Tomaso Albinoni Concerto oboe

    4:56

    Tomaso Albinoni Concerto for 2 oboes opus 9 no 3 in F major - First Movement - ABRSM High Achiever Concert 2016 HK

    young oboe duet player - Wong Sa Wong Si
    Pianist - Ms Lai Bo Ling (trio)
    @DBS Hong Kong

    The Phantom of the Opera


    Martha oboe solo


    Beauty and the beast violin oboe duet


    Canon in D violin oboe duo


    what a wonderful world violin oboe duet


    moon river violin oboe duo

  • 🎼 1 hour Albinoni Adagio in G minor | Albinoni Baroque Music for Relaxation Studying

    1:4:40

    Albinoni Adagio in G minor (Harpsichord) 1 hour loop. Albinoni Baroque Music for Relaxation Studying.
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    The Adagio in G minor for violin, strings, and continuo is a composition usually attributed to 18th century composer Tomaso Albinoni. It was actually written by 20th century Albinoni scholar Remo Giazotto. The story put forward by Giazotto is that, after WWII, he supposedly found a small manuscript fragment between the collections of the Dresden Saxon State Library. He allegedly concluded that this was from a second movement of an otherwise undiscovered sonata da chiesa by Albinoni, possibly part of his Op. 4 set. Giazotto then constructed a complete movement based on this theme, which he published in 1958 under the title Adagio in G Minor for Strings and Organ, on Two Thematic Ideas and on a Figured Bass by Tomaso Albinoni. Giazotto never produced the fragment, and no records have been found of it. The scholarly consensus is that the Adagio is in fact a composition of his own, regardless his inspiration source. The Adagio has become widely popular, and it can be found in many versions and instrumentations. It has been used in many films and television programs, as well as advertisements.

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    Adagio in G minor (Harpsichord) by Markus Staab

  • Albinoni - 12 Sonatas a tre ,Op.1

    1:15:44

    Albinoni - 12 Sonatas a tre (for 2 violins and basso continuo),Op.1 or 12 Trio Sonatas, Op.1 (Complete)
    Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concertos, some of which are regularly recorded.

    Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. His first opera, Zenobia, regina de Palmireni, was produced in Venice in 1694.
    Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany.

    In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni's. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe.

    Unlike most composers of his time, he appears never to have sought a post at either a church or noble court, but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.

    Around 1740, a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However, it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in Venice in 1751, of diabetes mellitus.

    Op. 1: 12 Sonate a tre (for 2 violins and basso continuo), Venice 1694
    Tracklist:
    Sonata Op.1 No. 1 in D minor
    Sonata Op.1 No. 2 in F major
    Sonata Op.1 No. 3 in A major
    Sonata Op.1 No. 4 in G minor
    Sonata Op.1 No. 5 in C major
    Sonata Op.1 No. 6 in A minor
    Sonata Op.1 No. 7 in G major
    Sonata Op.1 No. 8 in B minor
    Sonata Op.1 No. 9 in D major
    Sonata Op.1 No. 10 in F minor
    Sonata Op.1 No. 11 in E minor
    Sonata Op.1 No. 12 in B-flat major

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    Creative Commons license: Public Domain.

  • Tomaso Albinoni - Adagio in G Minor

    8:06

    Albinoni's Piece that Portrays the Hight of Neo-Baroque Music.
    This Beautiful peice has become -sometimes regrettably- a synonym for sorrow and sadness.
    This Version is Probably the best interpitation of this Immortal Piece.

    By The Prague Baroque Orchestra
    Conducted By Trevor Pinnock

    Hope You Enjoy =]

  • 🎼 Tomaso Albinoni 12 Concertos à cinque, Op.7 | Baroque Music for Relaxation Studying

    8:00

    Tomaso Albinoni 12 Concertos à cinque, Op.7 in 1 hour loop. Baroque Music for Relaxation Studying.
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    The Concertos a cinque, Op. 7 were published in 1715 and dedicated to Gio Donato. The score calls for string orchestra plus violin (for no.s 1, 4, 7 and 10), oboe (3, 6, 9, 12), and two oboes (2, 5, 8, 11). The finale of the 10th concerto was re-used by Vivaldi in his Sinfonia in C, RV 192a.

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  • Albinoni Concerto in D Minor

    11:08

    Concerto in D Minor, by Tomaso Albinoni. Performed by Marisa Minogue, oboe, and Gloria Shih, piano, on April 9, 2013, at the John J. Cali School of Music, Montclair State University.Recorded and edited by Rodney Leinberger

  • Tomaso Giovanni Albinoni Concerti

    1:12:12

    Harmonices Mundi - An ensemble dedicated to tackling the entire classical repertoire, the result of an idea by the violinists Gianfranco Contadini and Stefano Rondoni. Their members perform since 1998 as soloists, in duets, trios, quartets, and as a complete orchestra of 22 players.
    Claudio Astronio - Italian conductor, harpsichordist and organist
    Albinoni Concerto N 2 Astronio
    Albinoni Concerto N 4 Astronio
    Albinoni Concerto N 5 Astronio
    Albinoni Concerto N 7 Astronio
    Albinoni Concerto N 8 Astronio
    Albinoni Concerto N 9 Astronio
    Albinoni Concerto N 11 Astronio
    Albinoni Concerto for 2 Violins and Recorder in G

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  • Tomaso Albinoni - Violin Concerto Op. 9, No. 1

    8:16

    Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concertos, some of which are regularly recorded.

    From Six Concerti, Op. 9

    Concerto No. 1 for violin

    I Musici

  • CLASSICAL MUSIC| BEST OF ALBINONI : Adagio - BUDAPEST SCORING SYMPHONIC ORCHESTRA - HD

    7:52

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    The BUDAPEST SCORING SYMPHONIC ORCHESTRA in Sonata a tre in G Minor, Op. 6 II. Adagio, Op. 6: II. Adagio - ALBINONI. Conductor: Daniel Somogyi - Toth. Recorded in Budapest at Magyar Radio, Studio 22. (SOUNDIVA COPYRIGHT)
    Label: SOUNDIVA CLASSICAL. -Album: THE BEST OF CLASSICAL MUSIC (14 tracks)

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  • Vivaldi: Complete Oboe Concertos

    3:1:18

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    Tracklist:
    00:00:00 Oboe Concerto in C Major, RV 449: I. Allegro00:02:58 Oboe Concerto in C Major, RV 449: II. Largo
    00:05:51 Oboe Concerto in C Major, RV 449: III. Allegro
    00:09:08 Oboe Concerto in G Minor, RV 460: I. Allegro non tanto
    00:12:52 Oboe Concerto in G Minor, RV 460: II. Largo
    00:15:54 Oboe Concerto in G Minor, RV 460: III. Allegro non molto
    00:19:30 Oboe Concerto in B-Flat Major, RV 465: I. Allegro
    00:21:46 Oboe Concerto in B-Flat Major, RV 465: II. Adagio
    00:23:29 Oboe Concerto in B-Flat Major, RV 465: III. Allegro
    00:25:20 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: I. Largo
    00:29:02 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: II. Allegro – Adagio
    00:31:36 Oboe Concerto in F Major, RV 456 “Harmonia Mundi”: III. Presto
    00:33:33 Oboe Concerto in D Minor, RV 454: I. Allegro
    00:36:31 Oboe Concerto in D Minor, RV 454: II. Largo
    00:38:48 Oboe Concerto in D Minor, RV 454: III. Allegro
    00:41:31 Oboe Concerto in B-Flat Major, RV 464: I. Allegro
    00:44:12 Oboe Concerto in B-Flat Major, RV 464: II. Largo
    00:45:54 Oboe Concerto in B-Flat Major, RV 464: III. Allegro
    00:47:43 Oboe Concerto in D Major, RV 453: I. Allegro
    00:50:54 Oboe Concerto in D Major, RV 453: II. Largo
    00:52:57 Oboe Concerto in D Major, RV 453: III. Allegro
    00:56:06 Oboe Concerto in A Minor, RV 463: I. Allegro
    00:59:11 Oboe Concerto in A Minor, RV 463: II. Largo
    01:02:40 Oboe Concerto in A Minor, RV 463: III. Allegro
    01:05:35 Oboe Concerto in C Major, RV 450: I. Allegro molto
    01:09:49 Oboe Concerto in C Major, RV 450: II. Larghetto
    01:12:57 Oboe Concerto in C Major, RV 450: III. Allegro
    01:15:47 Oboe Concerto in F Major, RV 457: I. Allegro non molto
    01:20:22 Oboe Concerto in F Major, RV 457: II. Andante
    01:23:19 Oboe Concerto in F Major, RV 457: III. Allegro molto
    01:26:04 Oboe Concerto in C Major, RV 448: I. −
    01:30:31 Oboe Concerto in C Major, RV 448: II. Larghetto
    01:34:31 Oboe Concerto in C Major, RV 448: III. Allegro
    01:37:15 Oboe Concerto in A Minor, RV 461: I. Allegro non molto
    01:40:45 Oboe Concerto in A Minor, RV 461: II. Larghetto
    01:43:42 Oboe Concerto in A Minor, RV 461: III. Allegro
    01:46:13 Oboe Concerto in C Major, RV 451: I. Allegro molto
    01:48:58 Oboe Concerto in C Major, RV 451: II. Largo
    01:52:15 Oboe Concerto in C Major, RV 451: III. Allegro
    01:55:07 Oboe Concerto in C Major, RV 184: I. Allegro - Adagio
    02:00:22 Oboe Concerto in C Major, RV 184: II. Andante
    02:02:55 Oboe Concerto in C Major, RV 184: III. Allegro
    02:06:21 Oboe Concerto in A Minor, RV 462: I. Allegro
    02:08:13 Oboe Concerto in A Minor, RV 462: II. Largo
    02:10:41 Oboe Concerto in A Minor, RV 462: III. Allegro
    02:12:44 Oboe Concerto in C Major, RV 447: I. Allegro non molto
    02:17:27 Oboe Concerto in C Major, RV 447: II. Larghetto
    02:21:00 Oboe Concerto in C Major, RV 447: III. Minuetto
    02:27:23 Oboe Concerto in F Major, RV 455: I. −
    02:30:52 Oboe Concerto in F Major, RV 455: II. Grave
    02:33:07 Oboe Concerto in F Major, RV 455: III. Allegro
    02:35:49 Oboe Concerto in C Major, RV 452: I. Allegro
    02:37:58 Oboe Concerto in C Major, RV 452: II. Adagio
    02:39:54 Oboe Concerto in C Major, RV 452: III. Allegro
    02:42:07 Oboe Concerto in F Major, RV 458: I. Allegro
    02:44:12 Oboe Concerto in F Major, RV 458: II. Adagio e staccato
    02:48:08 Oboe Concerto in F Major, RV 458: III. Allegro presto
    02:47:56 Oboe Concerto in C Major, RV 446: I. −
    02:51:10 Oboe Concerto in C Major, RV 446: II. Adagio
    02:54:06 Oboe Concerto in C Major, RV 446: III. Allegro
    02:56:06 Oboe Concerto in G Minor, RV 459: I. Allegro
    02:58:10 Oboe Concerto in G Minor, RV 459: II. Adagio
    02:59:08 Oboe Concerto in G Minor, RV 459: III. Allegro da capo

  • Albinoni Oboe Concerto Op. 9 no. 2 in D minor

    13:25

    Aldo Salvetti, solo oboe
    Richard Brunner, conductor
    St. James' Church 29.05.2016

  • T. Albinoni Concertos Nos.1-6 Op.9, I Musici, Ayo, Holliger

    1:4:00

    Thomaso Albinoni Concertos Nos.1-6 Op.9

    1. Concerto a 5 in B flat, Op.9, No.1 0:00
    2. Concerto a 5 in D minor, Op.9, No.2 8:16
    3. Concerto a 5 in F, Op.9, No.3 for 2 Oboes 20:48
    4. Concerto a 5 in A ,Op.9, No.4 for Violin 32:51
    5. Concerto a 5 in C, Op.9, No.5 for Oboe 43:21
    6. Concerto a 5 in G, Op.9, No.6 for 2 Oboes 53:54

  • Tomaso Albinoni-Concerto for oboe in D minor -Adagio

    6:00

    No copyright infringement intended

    Tomaso Giovanni Albinoni-Baroque composer
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  • Locatelli: Concerti Grossi

    6:6:10

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    Composer: Pietro Antonio Locatelli
    Artists: Igor Ruhadze (violin), Ensemble Violine Capricciosi

    Virtuosity, showy improvisation and stratospherically high violin playing are the characteristics of Baroque composer Pietro Antonio Locatelli’s theatrical concerti grossi for soloists and ripieno. While concerti grossi from this time could usually be divided into two types, ‘da camera’ and ‘da chiesa’ – with the former containing more dance movements – Locatelli went down his own distinct path, creating a new model more like that of Torelli. His ripieno section was larger than the traditional accompanying group, and his slow movements contained drawn-out notes over which the first violinist or harpsichordist was free to improvise. Indeed, one harpsichord passage in Op.7 is so extraordinarily virtuosic that Locatelli labelled it ‘ad libitum’, presumably to avoid frightening the amateur musician.

    Only the most consummate and accomplished musicians can perform works of this calibre. Igor Ruhadze and his ensemble Violini Capricciosi have spent years recording Locatelli’s works, having previously released his violin concertos and trio sonatas, described by Gramophone magazine as ‘brilliantly and at times breathtakingly performed’. They bring their expertise to this release once more, with a tight and supple ripieno section supporting the sumptuous, virtuosic solo playing.

    The Concerto Grosso is a popular Baroque form, in which two instrumental groups complete against each other: a small group of soloists and the tutti of the orchestral group. It is the forerunner of the solo concerto form, which features only one solo instrument.
    This set present the complete Concerti Grossi by Pietro Antonio Locatelli, modelled on the popular concerti grossi of his teacher Corelli. The writing, as might be expected from Locatelli the devil violinist, is highly virtuosic and brilliant, inventive in harmony and counterpoint, written to impress and entertain.
    This set is part of the Locatelli Edition, the complete works by Locatelli, as performed by Igor Ruhadze and his early music band Violini Capricciosi, playing with great gusto, zest and dazzling virtuosity.

  • Albinoni Oboe Concerto in D minor op 9 no 2

    4:23

    Albinoni Oboe Concerto in D minor 1st Movement op 9 no 2 (1st movement) performed by Amy Roberts (solo oboe) with Epiphany at their 'Classics at Christmas' concert at St George's Church in Poynton on 18th December 2015.

    See also a performance of Bach Oboe & Violin concerto in Dec 2018 featuring Amy Roberts here:

    For more information about Epiphany, visit

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  • Adagios Classical Music | Albinoni Vivaldi Donizzetti - Relaxing Soothing Meditation Music

    1:13:29

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    Adagio in G Minor (attrib. to Albinoni) (arr. for oboe, violin and organ) Giazotto, Remo Frei, Constance|Giuliani, Giuliano|Macinanti, Andrea
    Oboe Concerto in D Minor: II. Adagio Marcello, Alessandro Giuliani, Giuliano|Macinanti, Andrea
    Sonata for Violin, Oboe and Organ in C Major, RV 779: III. Largo e cantabile Vivaldi, Antonio Frei, Constance|Giuliani, Giuliano|Macinanti, Andrea
    Celebre canzone napolitane trascritta e variatta: No. 1. Fenesta che lucivi Sebastiani, Augusto Esposti, Emanuela Degli
    Larghetto and Allegro in G Major Donizetti, Gaetano Esposti, Emanuela Degli|Frei, Constance
    Solo (arr. F. Caldini) Donizetti, Gaetano Giuliani, Giuliano|Macinanti, Andrea
    Suite in G Major, P. 58: Aria (arr. for violin and organ) Respighi, Ottorino Frei, Constance|Macinanti, Andrea
    Prelude-Berceuse (arr. for harp and organ) Ravanello, Oreste Esposti, Emanuela Degli|Macinanti, Andrea
    Preghiera della sera Ranzato, Virgilio Esposti, Emanuela Degli|Frei, Constance|Macinanti, Andrea
    Largo (arr. I. Fuser) Mule, Giuseppe Macinanti, Andrea
    Piccola suite natalizia Scattolin, Pier Paolo Esposti, Emanuela Degli|Frei, Constance|Giuliani, Giuliano|Macinanti, Andrea|Troilo, Angela
    Elegia Rota, Nino Giuliani, Giuliano|Macinanti, Andrea
    Elegia Giarda, Goffredo Frei, Constance|Macinanti, Andrea
    The Mission: Gabriel's Oboe Morricone, Ennio Giuliani, Giuliano|Macinanti, Andrea
    No. 1. Danza notturna Salvadori, Luca Esposti, Emanuela Degli|Frei, Constance|Giuliani, Giuliano|Macinanti, Andrea
    No. 2. Danza meridiana Salvadori, Luca Esposti, Emanuela Degli|Frei, Constance|Giuliani, Giuliano|Macinanti, Andrea

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    Our Fantastic Selection With The Best Classical Music Is For Relaxation, Meditation, Focus, Reading And Stress Relief.
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  • J.S. Bach: Oboe Concertos

    1:5:41

    Composer: Johann Sebastian Bach
    Artists: Andrius Puskunigis (oboe and oboe d’amore), Simona Venslovaite (violin), St. Christopher Chamber Orchestra. Donatas Katkus (conductor)

    Tracklist below.

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    We can’t be sure that Bach wrote any concertos specifically for the oboe aside from the C minor concerto BWV1060 – in which it’s partnered by the violin in an exercise of pathos out of all proportion to the modest dimensions of the work itself. The other concertos here come down to us as harpsichord concertos, in which guise they do not sit entirely happily, and it seems more than likely that Bach, as both unhappy Kapellmeister of the Thomaskirche in Leipzig and far more content in his role supplying music, musicians and concerts to Zimmermann’s coffee house in the city, would have been glad to take advantage of the soloistic potential of a resident oboist to craft these Italianate concertos that exploit both the instrument’s origins in pastoral idiom (notably BWV1053, in the ‘pastoral’ key of F major, and its gently swaying siciliano middle movement in 6/8), as well as more urbane and learned counterpoint of which he was undisputed master among his peers.

    Andrius Puskingis is a Lithuanian oboist, now resident in France, who returns to his home city to play and direct these spirited and intimate performances. At present he is the principal oboist with the Heidelburg Symphony Orchestra, who have made an acclaimed series of Haydn symphony recordings with their music director Thomas Fey, and something of Fey’s restless spirit of adventure can also be traced in these fine new recordings.

    00:00:00 Oboe Concerto in F Major, BWV 1053: I. Allegro
    00:07:15 Oboe Concerto in F Major, BWV 1053: II. Siciliano
    00:12:09 Oboe Concerto in F Major, BWV 1053: III. Allegro
    00:18:02 Concerto for Oboe d’amore in A Major, BWV 1055: I. Allegro
    00:22:15 Concerto for Oboe d’amore in A Major, BWV 1055: II. Larghetto
    00:26:18 Concerto for Oboe d’amore in A Major, BWV 1055: III. Allegro ma non tanto
    00:30:52 Oboe Concerto in G Minor, BWV 1056: I. Allegro
    00:34:07 Oboe Concerto in G Minor, BWV 1056: II. Largo
    00:36:29Oboe Concerto in G Minor, BWV 1056: III. Presto
    00:39:55 Concerto for Oboe d’amore in G Major: I. Bass aria (Arr. BWV 100)
    00:43:19 Concerto for Oboe d’amore in G Major: II. Alto aria (Arr. BWV 170)
    00:49:35 Concerto for Oboe d’amore in G Major: III. Bass aria (Arr. BWV 30)
    00:53:52 Concerto for Oboe and Violin in C Minor, BWV 1060: I. Allegro
    00:58:16 Concerto for Oboe and Violin in C Minor, BWV 1060: II. Adagio
    01:02:19 Concerto for Oboe and Violin in C Minor, BWV 1060: III. Allegro

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  • Karajan compilation

    55:16

    Download/Descargar:

    Tomaso Albinoni:
    01 Adagio for organ-violin & strings in G minor 00:00

    Antonio Vivaldi:
    02 Flute Concerto ('La Notte'), for flute, strings & continuo in G minor, Op. 10-2, RV 439- 1st Mvt 11:51

    03 Flute Concerto ('La Notte'), for flute, strings & continuo in G minor, Op. 10-2, RV 439- 2nd Mvt 15:15

    04 Flute Concerto ('La Notte'), for flute, strings & continuo in G minor, Op. 10-2, RV 439- 3rd Mvt 17:30

    Johann Sebastian Bach:
    05 Suite for orchestra No 3 in D major, BWV 1068- Air 21:14

    Johann Pachelbel
    06 Canon and Gigue for 3 violins & continuo in D major- Arr for harpsichord by Max Seiffert 27:20

    Christoph Willibald Gluck
    07 Orfeo ed Euridice, opera, Wq 41- Danceof the Blessed Spirits 34:29

    Wolfgang Amadeus Mozart
    08 Serenade No. 6 for orchestra in D major ('Serenata Notturna'), K. 239- Marcia, Maestoso 41:20

    09 Serenade No. 6 for orchestra in D major ('Serenata Notturna'), K. 239- Menuetto & Trio 45:43

    10 Serenade No. 6 for orchestra in D major ('Serenata Notturna'), K. 239- Rondeau, Allegretto 50:22

  • Baroque Adagios - Studying & Learning

    1:13:51

    40-60 Beats Per Minutes (BPM)




    1 JS Bach – Suite 3 BWV 1068: Air 0:00

    2 Vivaldi – Guitar Concerto: Largo 3:31

    3 JS Bach – Clavier Concerto BWV 1056: Largo 7:35

    4 Albinoni – Oboe Concerto Opus 9/11: Largo 10:46

    5 Handel – Water Music, Suite 1: Air 14:38

    6 Vivaldi – Four Seasons, Winter: Adagio 16:47

    7 Wassenaer – Concerto 4: Adagio-Allegro 19:20

    8 JS Bach – 3-Clavier Concerto BWV 1064 flute/violin version: Andante 25:05

    9 Wassenaer – Concerto 3: Andante 31:48

    10 Handel – Oboe Concerto 2: Andante 35:40

    11 Boyce – Concerto Grosso in b: 4th movement 38:13

    12 Geminiani – Concerto 9: Largo 39:42

    13 Albinoni – Sonata (Symphony) Op 2/5: Adagio 44:27

    14 Alessandro Scarlatti – Concerto 4: Allegro 46:61

    15 JS Bach – Sonata for Harpsichord & Violin BWV 18: mvt 3 49:21

    16 Corelli – Concerto Grosso Op 6/12: 3rd movement 56:15

    17 JS Bach – Clavier Concerto BWV 1058: Adagio 58:14

    18 Handel – Oboe Concerto 1: Adagio 1:04:45

    19 Corelli – Concerto Grosso Op 6/1: 3rd movement 1:06:40

    20 Alessandro Scarlatti – Sinfonia 12: Adagio-Allegro 1:10:24


    Theological Hall Baroque Library in Prague
    Photo taken by Ernest Glez. Roda -- found at --

  • Albinoni - Oboe Concerto #2 in D Minor Op. 9

    10:32

    TOMASO ALBINONI (1671 - 1751)

    Concerto No. 2 for oboe and strings in D minor Op. 9

    1. Allegro e no presto

    2. Adagio (3:55)

    3. Allegro (7:55)

    Performed by Il Fondamento
    Directed by Paul Dombrecht, oboe



    Piazza San Marco with Jugglers by Luca Carlevaris (1663 - 1730)

    *Tomaso Giovanni Albinoni was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded.

    Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany.

    In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni's. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe.

    Unlike most composers of his time, he appears never to have sought a post at either a church or noble court, but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.

    Around 1740, a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in Venice in 1751, of diabetes.

    He wrote some fifty operas of which twenty-eight were produced in Venice between 1723 and 1740, while there are a few modern sources attributing - probably inaccurately - 81 operas to the composer. Today he is most noted for his instrumental music, especially his oboe concertos. He is thought to have been the first Italian composer to employ the oboe as a solo instrument in concerti (c. 1715, in his masterful 12 concerti a cinque, op. 7) and the first composer globally to publish such works, while it is likely that the first existing concerti featuring a solo oboe came from German composers such as Telemann or Händel, although probably unpublished. In Italy, Alessandro Marcello published his well known oboe concerto in D minor a little later, in 1717. Albinoni has also been fond of the instrument regarding chamber works.

    His instrumental music greatly attracted the attention of Johann Sebastian Bach, who wrote at least two fugues on Albinoni's themes and constantly used his basses for harmony exercises for his pupils.

    Part of Albinoni's work was lost in World War II with the destruction of the Dresden State Library, thus little is known of his life and music after the mid-1720s.

    The Albinoni Adagio in G minor is a 1958 composition entirely composed by Remo Giazotto, which Giazotto claimed to have based on fragments from a slow movement of an Albinoni trio sonata he had been sent by the Dresden State Library.

  • Baroque Adagios - For Relaxing

    1:14:51

    1: GEMINIANI: Preludio / Sarabanda, from Concerto No. 8 in e minor
    2: J.S. BACH: Andante from Harpsichord & Cello SonataBWV 1028
    3: ALBINONI: Adagio / Grave, from Symphony a Cinque in A Major, Op. 2/3
    4: GEMINIANI: Preludio, from Concerto No. 9 in A Major
    5: ZIPOLI: Adagio for Oboe, Cello, Organ & Strings
    6: HANDEL: Largo, from the Opera “XERXES”
    7: BONPORTI: Adagio Assai - Concerto a Quattro in F Major, Op. 11/5
    8: GEMINIANI: Preludio / Sarabanda, from Concerto No. 10 in F Major
    9: J.S. BACH: Sinfonia from Cantata 156
    10: J.S. BACH: Sinfonia from Cantata 21
    11: J.S. BACH: Adagio, from Brandenburg Concerto No. 6, BWV 1051
    12: HANDEL: Larghetto, from Lute & Harp Concerto Op/6
    13: ALBINONI: Adagio / Grave, from Symphony a Cinque Op. 2/6
    14: VIVALDI: Concerto a 4 “Madrigalesco” in d minor, RV 129

    From

  • Tomaso Albinoni/Remo Giazotto: Adagio for violin, organ, and strings, in G minor

    10:06

    Tomaso Albinoni / Remo Giazotto - Adagio for violin, organ and strings in G minor, Gunars Larsen – violin, Eduard Kaufmann - organ, Lucerne Festival Strings, Rudolf Baumgartner

    The Adagio in G minor for violin, strings, and organ continuo is a neo-Baroque composition popularly attributed to the 18th-century Venetian master Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work.
    In his account, Giazotto then constructed the balance of the complete single-movement work based on this fragmentary theme. He copyrighted it and published it in 1958 under a title which, translated into English, reads Adagio in G Minor for Strings and Organ, on Two Thematic Ideas and on a Figured Bass by Tomaso Albinoni. Giazotto never produced the manuscript fragment.
    The piece is most commonly orchestrated for string ensemble and organ, or string ensemble alone, but with its growing fame has been transcribed for other instruments. The composition has also permeated popular culture, having been used as background music for many films, in television programmes, and in advertisements. (wikipedia)

  • Adagio in G Minor

    8:57

    Enjoy this beautiful piece with an appropriately awe-inspiring slideshow :)

    The Adagio in G minor for violin, strings and organ continuo, is a neo-Baroque composition popularly attributed to the 18th century Venetian master Tomaso Albinoni, but in fact composed almost entirely by the 20th century musicologist and Albinoni biographer Remo Giazotto.

    MoodTools is available at

    Piece actually composed by Remo Giazotto based on Tomaso Albinoni's work.

  • Albinoni, 12 concerti a cinque Opus 5. I Musici

    1:17:11

    -
    Tomaso Giovanni Albinoni (1671 - 1751)
    12 concerti a cinque Opus 5
    [00:01] Nº 1 en Si bemol mayor
    [05:21] Nº 2 en Fa mayor
    [11:52] Nº 3 en Re mayor
    [19:14] Nº 4 en Sol mayor
    [24:29] Nº 5 en la menor
    [31:59] Nº 6 en Do mayor
    [38:33] Nº 7 en re menor
    [44:33] Nº 8 en Fa mayor
    [52:28] Nº 9 en mi menor
    [56:45] Nº 10 en La mayor
    [1:01:57] Nº 11 en sol menor
    [1:09:45] Nº 12 Do mayor
    I Musici
    Pina Carmirelli, violino concertante
    Anna Maria Cotogni, violin
    con
    Michael S. Murray-Robertson y
    Carol Figeroid, violas
    __________________________________________________________

  • Tomaso Albinoni - Oboe Concerto Andante

    4:56

    Tomaso Ablinoni, Adagio from Oboe Concerto A 5 in D minor for Oboe, Strings and continuo, Op. 9, No. 2.

    George Friedrich Hendel, violin
    Jacques Chambon, Oboe
    Saar Radio Chamber Orchestra
    Karl Ristenpart, Conductor

    A Musical Heritage Society release
    An Erato recording

    Photo by Lyle Richards on Unsplash.com

    Like Baroque Christmas music?

  • 2 Hours Baroque Adagios | Best Relaxing Classical Music For Studying & Learning

    2:34:19

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    1994 / 2004 ITS Philharmonic Orchestra, Louis Jullien / All Rights Reserved

    00:00:00 Cantata No. 140, 'Wachet auf, ruft uns die Stimme, J. S. Bach
    00:02:39 LuteConcerto, Antonio Vivaldi
    00:08:11 Goldberg Variations, J. S. Bach
    00:12:15 Canon in D major, Johann Pachelbel
    00:17:05 Violin Concerto ('L'inverno', The Four Seasons), Antonio Vivaldi
    00:19:53 Adagio for organ-violin & strings in G minor, Tomaso Albinoni
    00:27:22 Orfeo ed Euridice, Dance of the blessed spirits, Christoph Willibald Gluck
    00:34:27 Concerto for 2 violins & strings in D minor, J. S. Bach
    00:41:26 Concerto a 5 for oboe in D minor, Tomaso Albinoni
    00:46:08 Nisi Dominus (Psalm 127), for voice, viola d'amore, strings, Antonio Vivaldi
    00:51:30 Concerto Grosso in A minor, Op.6-4, Georg Friedrich Händel
    00:55:45 Organ Concerto in F major 'Cuckoo & the Nightingale', Georg Friedrich Händel
    00:59:43 Harpsichord Concerto No. 2 in E major, J. S. Bach
    01:02:36 Concerto for violin, strings & continuo in D major, Giuseppe Tartini
    01:05:55 Double Oboe Concerto for 2 oboes, strings & continuo, Antonio Vivaldi
    01:08:05 Concerto Grosso in D major, Op.6-1, Arcangelo Corelli
    01:12:10 Harpsichord Concerto No. 4 in A major, J. S. Bach
    01:10:59 Serse (Xerxes), Ombra mai fu, Georg Friedrich Händel
    01:20:04 Nulla in mundo pax sincera, solo motet for voice, strings, Antonio Vivaldi
    01:23:40 Suite for orchestra - Air on a 'G' string, J. S. Bach
    01:28:59 Violin Concerto ('La Primavera', The Four Seasons), Antonio Vivaldi
    01:30:05 Harpsichord Concerto No. 3 in D major, J. S. Bach
    01:37:57 Concerto for oboe in D minor, Op.9-2, Tomaso Albinoni
    01:43:07 Sonata for viola da gamba & keyboard in G minor, J. S. Bach
    01:46:56 Harp Concerto in B flat major, Op.4-6, Georg Friedrich Händel
    01:51:53 Violin Concerto No. 1 in A minor, J. S. Bach
    02:03:35 Brandenburg Concerto No. 5 in D major, J. S. Bach
    02:04:33 Stabat Mater for soprano, alto, strings & organ, Giovanni Battista Pergolesi
    02:09:17 Cantata No. 156, 'Ich steh mit einem Fuss im Grabe,' J. S. Bach
    02:11:25 Double Mandolin Concerto, for 2 mandolins, strings, Antonio Vivaldi
    02:15:07 Concerto for 2 harpsichords & strings in C minor, J. S. Bach
    02:20:09 Violin Concerto ('L'autunno', The Four Seasons), Antonio Vivaldi
    02:21:58 Oboe Concerto in D minor- Adagio, Alessandro Marcello
    02:20:28 Concerto grosso No. 6 in D major, Domenico Scarlatti
    02:22:38 Ground for harpsichord in C Minor, William Croft
    02:25:56 Dido and Aeneas, opera, Dido's Lament, Henry Purcell
    02:30:03 Rinaldo, opera, Lassia ch'io pianga, Georg Friedrich Händel

    Non Stop Mix | Total Running Time 02:33:54
    (P) (C) 2018 Classical Tunes Ltd
    All Rights Reserved


    2 Hours Baroque Adagios | Best Relaxing Classical Music For Studying & Learning
    2 Horas De Adagios Barroco | La Mejor Música Clásica Relajante Para Estudiar y Aprender
    2 Horas Adagios Barrocos | Melhor Música Clássica Relaxante Para Estudar e Aprender
    2 Heures Adagios Baroque | Meilleure Musique Classique Relaxante Pour Etudier et Apprendre
    2 Stunden Barockadagios | Beste Entspannende klassische Musik Zum Studieren und Lernen
    2時間、バロック様式アダージョス| ベストリラックスクラシック音楽、学習と学習のため
    2 часа барокко Адагиос | Лучшая расслабляющая классическая музыка для изучения и обучения


    Our Fantastic Selection With The Best Classical Music Is For Relaxation, Meditation, Focus, Reading And Stress Relief.
    Check our channel including the best music from Grieg,Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more.

    #classicalmusic #baroque #adagio

  • T.G. Albinoni: Oboe Concertos Il Fondamento - P. Dombrecht

    1:4:14

    Tomaso Giovanni ALBINONI 1671-1751

    CONCERTO a cinque for Oboe, 2 Violins, Viola, Cello, and Continuo in B-flat major Op.7/3:
    1. Allegro 0:01
    2. Adagio 2:41
    3. Allegro 5:01

    CONCERTO a cinque for Oboe, 2 Violins, Viola, Cello, and Continuo in D major Op.7/6:
    1. Allegro 6:56
    2. Adagio 9:29
    3. Allegro 11:38

    CONCERTO a cinque for Oboe, 2 Violins, Viola, Cello, and Continuo in F major Op.7/9:
    1. Allegro 13:39
    2. Adagio 16:06
    3. Allegro 17:04

    CONCERTO a cinque for Oboe, 2 Violins, Viola, Cello, and Continuo in C major Op.7/12:
    1. Allegro 19:15
    2. Adagio 22:05
    3. Allegro 24:01

    CONCERTO a cinque for Oboe, 2 Violins, Viola, Cello, and Continuo in D minor Op.9/2:
    1. Allegro 25:58
    2. Adagio 29:47
    3. Allegro 33:45

    CONCERTO a cinque for Oboe, 2 Violins, Viola, Cello, and Continuo in C major Op.9/5:
    1. Allegro 36:21
    2. Adagio 39:41
    3. Allegro 41:41

    CONCERTO a cinque for Oboe, 2 Violins, Viola, Cello, and Continuo in G minor Op.9/8:
    1. Allegro 44:43
    2. Adagio 48:19
    3. Allegro 50:17

    CONCERTO a cinque for Oboe, 2 Violins, Viola, Cello, and Continuo in B-flat major Op.9/11:
    1. Allegro 54:03
    2. Adagio 58:05
    3. Allegro 1:01:27

    IL FONDAMENTO
    Paul Dombrecht [oboe, direction]

  • Baroque Classical Music Selection Non Stop | Albinoni Vivaldi Pergolesi Corelli

    2:1:56

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    Violin Sonata in G Minor, Op. 2, No. 1, RV 27 I. Preludio: Andante Accademia I Filarmonici|Martini, Alberto Vivaldi, Antonio
    Concerto a 5 in B-Flat Major, Op. 5, No. 1 I. Allegro Cameriste, Le|Trentin, Anna Albinoni, Tomaso Giovanni
    Sonata a 3 in A Major, Op. 4, No. 3 I. Preludio: Largo Ruggiero, Il Corelli, Arcangelo
    Intavolutare di liuto e tiorba Intavolutare di liuto e tiorba: Il gran Monarca Torelli, Francesca Melli, Pietro Paolo
    Concerto for Violin, 2 Oboes & 2 Horns in D Major, RV 562a I. Allegro Modo Antiquo|Sardelli, Federico Maria Vivaldi, Antonio
    Rorate coeli dulcem Aria: Amare et non videre Marcante, Emanuela|Ruggiero, Il Scarlatti, Alessandro
    Violin Sonata in G Minor, Op. 2, No. 1, RV 27 II. Giga: Allegro Accademia I Filarmonici|Martini, Alberto Vivaldi, Antonio
    Motetti, Op. 3 Motetti, Op. 3: Pulchra es Cera, Francesco|Ensemble Arte Musica Colonna, Giovanni Paolo
    Toccata Toccata Loreggian, Roberto Ferrini, Giovanni Battista
    Violin Sonata in G Minor, Op. 2, No. 1, RV 27 III. Sarabanda: Largo Accademia I Filarmonici|Martini, Alberto Vivaldi, Antonio
    Concerto a 5 in C Major, Op. 5, No. 6 I. Allegro Cameriste, Le|Trentin, Anna Albinoni, Tomaso Giovanni
    Sonata a 3 in D Major, Op. 4, No. 4 II. Corrente: Allegro Ruggiero, Il Corelli, Arcangelo
    Stabat Mater, P. 77 Sancta Mater, istud agas Croci, Giorgio|Custer, Manuela|Filarmonici di Bologna, I|Forgione, Michela|Ricciarelli, Katia Pergolesi, Giovanni Battista
    Trio Sonata in E Major, Op. 1, No. 3 I. Andante Modo Antiquo|Sardelli, Federico Maria Locatelli, Pietro Antonio
    Il secondo libro delle canzoni da suonare, Op. 9 Il secondo libro delle canzoni da suonare, Op. 9: No. 6. La Vesconta Aulos Consort Merula, Tarquinio
    Toccate e correnti Toccata VIII Cera, Francesco Rossi, Michelangelo
    L'Aurora ingannata Intermedio I Scene 1: Cefalo, dove sei, garzon crudele? (Aurora, Venere) Fanciullacci, Paolo|Fracassini, Mya|Gran Consort Li Stromenti|Lastraioli, Gian Luca|Maccartini, Paolo|Marini, Nino|Mazzantini, Antonia|Perrella, Marco|Tomasello, Santina|Vargetto, Marcello Giacobbi, Girolamo
    Violin Concerto in B-Flat Major, Op. 12, No. 6, RV 361 I. Allegro Filarmonici di Bologna, I|Martini, Alberto|Martini, Alberto Vivaldi, Antonio
    Pièces de clavecin Vivement Loreggian, Roberto Geminiani, Francesco
    Violin Concerto in G Minor, Op. 6, No. 1, RV 324 I. Allegro Filarmonici di Bologna, I|Martini, Alberto|Martini, Alberto Vivaldi, Antonio
    Sonata da chiesa a tre in F Major, Op. 3, No. 1 III. Vivace Marcante, Emanuela|Ruggiero, Il Corelli, Arcangelo
    Divertimenti per camera, Op. 2: Sonata No. 4 (version for mandolin and harpsichord) I. Cantabile Frati, Dorina|Roi, Daniele Boni, Giuseppe Gaetano
    Variation in C Minor Variation in C Minor Rambaldi, Silvia Pasquini, Bernardo
    Sonata da camera a 3 in D Minor, Op. 2, No. 2 I. Allemanda: Adagio Marcante, Emanuela|Ruggiero, Il Corelli, Arcangelo
    Oboe Concerto in G Major (for TC670103 tracks 25-27) I. Adagio - Allegro Pollastri, Paolo|Pollastri, Paolo|Symphonia Perusina Albinoni, Tomaso Giovanni

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    Our Fantastic Selection With The Best Classical Music Is For Relaxation, Meditation, Focus, Reading And Stress Relief.
    Check our channel including the best music from Grieg,Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more.

    #classicalmusic #vivaldi #baroquemusic

  • Tomaso Albinoni - Violin Concerto Op. 9, No. 10

    11:30

    Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concertos, some of which are regularly recorded.

    From Six Concerti, Op. 9

    Concerto No. 10 for Violin

    1. Allegro
    2. Adagio
    3. Allegro

    I Musici

    Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concertos, some of which are regularly recorded.

    From Six Concerti, Op. 9

    Concerto for violin in F major, Op. 9, No. 10

    I. Allegro
    II. Adagio
    III. Allegro)

    I Musici

    The 12 Concerti a cinque were dedicated to Maximilian II Emanuel, Elector of Bavaria, and were first published in Amsterdam. It is possible, but not certain, that they were written in the Elector's court during a 1722 visit there by Albinoni during performances of his theatrical compositions

  • Tomaso Giovanni Albinoni. Concerto Op.9 No.2 in D Minor for oboe, strings & continuo

    12:36

    Tomaso Giovanni Albinoni

    Concerto Op.9 No.2 in D Minor for oboe, strings & continuo

    I. Allegro non presto
    II. Adagio
    III. Allegro

    Heinz Holliger, oboe
    Maurice Bourgue, 2nd oboe
    I Musici
    Maria Teresa Garatti, harpsichord

    Recording: 1966 - 1967 in Italy

    The music and video published in this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.

  • Tomaso Albinoni - Adagio in G Minor

    9:53

    Adagio in G minor for violin, strings and organ, T. Mi 26, 1730.
    Dresden Philharmonic with Herbert Kegel

  • G.P. Telemann Oboe Concertos

    46:08

    G.P. Telemann Oboe Concertos

    1. Concerto in E minor 0:00
    2. Concerto in D minor 11:32
    3. Concerto in C minor 20:19
    4. Concerto in F minor 29:40
    5. Concerto in D 37:26

    Painting: detail of Still Life with Flowers and Fruits by Jan Frans van Dael (1840)

  • Concerto for oboe Op 9, No 2 in D minor Score Animation

    12:37

    Pierre Pierlot, oboe
    I Solisti Veneti
    Claudio Scimone, dir

    *Remember: Some early music (medieval, renaissance and baroque) can vary on pitch.

  • Wolfgang Amadeus Mozart: Clarinet Concerto in A major, K.622

    31:06

    Wolfgang Amadeus Mozart: Clarinet Concerto in A major, K.622
    - Allegro (0:27)
    - Adagio (12:58)
    - Rondo (Allegro) (20:07)

    Iceland Symphony Orchestra
    Cornelius Meister, conductor
    Arngunnur Árnadóttir, clarinet

    From Iceland Symphony's concert, Harpa, Reykjavík, September 10th 2015.

  • Tomaso Albinoni: Adagio - 1 HOUR G Minor Healthy Music Strings and Organ

    59:49

    You might wonder why this music should be healthy. But it really is. Scientists found out that Adagio reduces our blood pressure, decreases our heart rate and even decreases our cortisol, which is also known as stress hormone.

    First of all, you might think this music is very sad or melancholy, what it is, but the scientists found out that this sad music triggers positive emotions. So, in fact, it is sentimental music, which makes you happier!

    While listening to this music you get nostalgic, you think about old times, think about memories. Moreover, sad music helps you to handle complex situations in your life. You got a bad grade in school? No, problem. Listen to Adagio and you will come along with it! We are all just humans! Sometimes we are happy, sometimes we are sad. If you are sad, listen to melancholy music!

    You can find the study here:

    I just love to listen to this music. I feel super relaxed afterwards, I can concentrate way better and I also feel healthier.

    So listen to this wonderful music and have fun!

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  • T. ALBINONI: Concerto for 2 Oboes in F major Op. 9/3, La Serenissima

    10:53

    Tomaso Albinoni 1671 – 1751

    Concerto for 2 Oboes, Strings and Continuo in F major Op. 9/3
    I. Allegro 0:01
    II. Adagio 4:33
    III. Allegro 7:03

    La Serenissima
    Rachel Chaplin, Gail Hennessy [oboes]
    Adrian Chandler [direction]

  • Tomaso Albinoni - Oboe Concerto Op. 9 no. 8 in g minor

    2:28

    Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. His first opera, Zenobia, regina de Palmireni, was produced in Venice in 1694. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany.

    Unlike most composers of his time, he appears never to have sought a post at either a church or noble court, but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.

    Most of his operatic works have been lost, largely because they were not published during his lifetime. However, nine collections of instrumental works were published. These were met with considerable success and consequent reprints. He is therefore known more as a composer of instrumental music (99 sonatas, 59 concerti and 9 sinfonie) today. In his lifetime these works were compared favourably with those of Corelli and Vivaldi. His nine collections published in Italy, Amsterdam and London were either dedicated to or sponsored by an impressive list of southern European nobility. Albinoni wrote at least fifty operas, of which twenty-eight were produced in Venice between 1723 and 1740.

    His instrumental music attracted great attention from Johann Sebastian Bach, who wrote at least two fugues on Albinoni's themes (Fugue in A major on a theme by Tomaso Albinoni, BWV 950, Fugue in B minor on a theme by Tomaso Albinoni, BWV 951) and frequently used his basses for harmony exercises for his pupils. Part of Albinoni's work was lost in World War II with the destruction of the Dresden State Library. As a result, little is known of his life and music after the mid-1720s.
    The famous Adagio in G minor for violin, strings and organ, the subject of many modern recordings, is thought by some to be a musical hoax composed by Remo Giazotto. However, a discovery by musicologist Muska Mangano, Giazotto's last assistant before his death, has cast some doubt on that belief. Among Giazotto's papers, Mangano discovered a modern but independent manuscript transcription of the figured bass portion, and six fragmentary bars of the first violin, bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken. This provides support for Giazotto's account that he did base his composition on an earlier source.

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