Genre Station of Jazz

SALT PEANUTS by Dizzy Gillespie with Charlie Parker 1945 JAZZ!

3:09

Excellent progressive jazz by Dizzy Gillespie with Charlie Parker, Sidney 'Big Sid' Catlett, Al Haig, and Curly Russell. Recorded in 1945 and here released on a GUILD label 78 rpm record. Enjoy!

Gerald Wilson - Viva Tirado

5:45

New York, New Sound (Mack Avenue MAC 31009 + MAC 1019)

Follow me @mike_silb

Charlie Parker - My Little Suede Shoes

3:04

Personnel:
Charlie Parker, alto saxophone
Walter Bishop Jr., piano
Teddy Kotick, bass
Roy Haynes, drums
Luis Miranda, congas
Jose Mangual, bongos

Charlie Parker: Star Eyes

3:37

Charles Charlie Parker, Jr. (August 29, 1920 -- March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker acquired the nickname Yardbird early in his career and the shortened form, Bird, which continued to be used for the rest of his life, inspired the titles of a number of Parker compositions, such as Yardbird Suite, Ornithology, Bird Gets the Worm, and Bird of Paradise. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, sometimes combining jazz with other musical genres, including blues, Latin, and classical. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer...

A link to this wonderful artist's personal website:

Please Enjoy!

I send my kind and warm regards,

Billies Bounce / Charlie Parker　The Savoy Recordings

3:11

Charlie Parker Reboppers

Miles Davis (tp)
Charlie Parker (as)
Dizzy Gillespie (p)
Curly Russell (b)
Max Roach (ds)

26.Nov.1945.WOR Studios, Broadway, NYC,

Bobby Troup Lemon Twist Julie London Colour TV Show

1:53

Julie London watches husband Bobby Troup perform his hipster jazz classic 'Lemon Twist' on her colour TV show from the 1960's

Herbie Mann - Memphis Underground

7:08

Bass [Fender] -- Mike Leech, Tommy Cogbill
Design [Album Design] -- Graffiteria*
Drums -- Gene Christman*
Flute -- Herbie Mann
Guitar -- Larry Coryell, Reggie Young, Sonny Sharrock
Organ -- Bobby Emmons
Photography By [Back Liner Photo] -- William Albert Allard
Photography By [Cover Photo] -- Joel Brodsky
Piano, Electric Piano -- Bobby Wood
Producer, Engineer -- Tom Dowd
Vibraphone -- Roy Ayers

Henry Mancini - So Neat

3:11

From the soundtrack album High Time (1960).

Charlie Bird Parker - Yardbird Suite

3:01

Charlie Bird Parker - Yardbird Suite ALL RIGHTS GO TO THEM/FOR ENTERTAINMENT PURPOSES ONLY Please rate, comment, and check out my other metal/jazz videos. Thanks for watching.

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Horace Silver - The Jody Grind

5:51

* Horace Silver (piano)
* Woody Shaw (trumpet)
* James Spaulding (flute, alto sax)
* Tyrone Washington (tenor sax)
* Larry Ridley (bass)
* Roger Humphries (drums)

Recorded on 1966 for Blue Note

Joe Henderson - Blue Bossa

8:03

Album: Page One
Year: 1963
Label: Blue Note

Kenny Dorham - trumpet
Joe Henderson - tenor saxophone
McCoy Tyner - piano
Butch Warren - bass
Pete La Roca - drums

Theme For Malcolm By Donald Byrd

7:57

Donald Byrd is an American jazz and rhythm and blues trumpeter. He was performing with Lionel Hampton before finishing high school. Byrd is one of the only bebop jazz musicians who successfully pioneered the funk & soul genres while remaining a pop artist. In 1973 he created The Blackbyrds, a fusion group consisting of his best students. The Blackbyrds had several major hits including Happy Music, Rock Creek Park, and Walking In Rhythm. In 1972 he teamed up with the Mizell Brothers for the album Black Byrd. Black Byrdwas highly successful and became Blue Note Records' highest-ever selling album. He has performed with a variety of jazz musicians including John Coltrane, Sonny Rollins, Herbie Hancock, & Thelonious Monk. In addition to his Masters from Manhattan School of Music, Byrd has two masters from Columbia University. Byrd received a law degree in 1976, and his doctorate from Columbia University Teachers College in 1982. He has taught music at Rutgers University, the Hampton Institute, New York University, and Howard University. He has also taught music at Queens College, Oberlin College, Cornell University and Delaware State University. In September 2009, he was named an artist-in-residence at Delaware State University. This selection, written by Byrd, first appeared in his 1990 album Getting Down To Business. It has also been included in numerous compilation albums including his Landmarks released in 1998.

Clifford Brown and Max Roach - Sandu

4:58

Poinciana by Ahmad Jamal

8:11

From the album At The Pershing: But Not for Me (1958).

Art Blakey & the Jazz Messengers - Along Came Betty

6:13

Along Came Betty

Album:
Moanin' (1958)

Written by:
Benny Golson

Personnel:
Art Blakey — drums
Lee Morgan — trumpet
Benny Golson — tenor saxophone
Bobby Timmons — piano
Jymie Merritt — bass

Benny Goodman. Stompin at the Savoy -.wmv

3:14

Benny Goodman. Stompin' at the Savoy

Chet Baker - But Not For Me

6:22

Chet Baker - But Not For Me. 1955, Holland. Baker (t, voc), Dick Twardzik (p), Jimmy Bond (b), Peter Littman (d).

Theme from Exodus - Eddie Harris

7:00

Theme from Exodus by Ernie Gold, played by Eddie Harris from his first solo record Exodus to Jazz. According to Wikipedia, this is the first Jazz record ever certified gold! This record was recorded in 1962 at Bill Putnam's Universal Recording, in Chicago. (Bill later formed UREI from Universal Audio.) It never ceases to amaze me how good these records sound. When I was a young mastering engineer (at Eva-tone, another company formed in Evanston, Ill) my supervisor was Jerry DeClerk; Jerry was an engineer for these sessions and remembered working on this album...

from Vee Jay LP-3016
Single and Album versions can be purchased here:

Eddie Harris - TS
Joseph Diorio - G
William Yancy - B
Willie Pickens - P
Harold Jones - D

Art Tatum plays Tea for Two

3:35

Of all Tatum's recordings, this is probably my favorite. I think it's by far his best version of Tea for Two (even better than the earlier, transcribed version which as of now is the only other version on Youtube). It's almost classical the way he develops and varies the theme. If Liszt played Tea for Two, it would sound something like this. :)

SONNY ROLLINS.St. Thomas

6:49

Personnel: Sonny Rollins (tenor saxophone); Tommy Flanagan (piano); Doug Watkins (bass); Max Roach (drums).

John Coltrane / Johnny Hartman / Lush Life

5:32

1963 album John Coltrane and Johnny Hartman

Randy Weston Quintet at the Five Spot - Hi-Fly

7:26

Randy Weston Quintet at the Five Spot - Hi-Fly (1959)

Personnel: Kenny Dorham (trumpet), Coleman Hawkins (tenor sax), Randy Weston (piano), Wilbur Little (bass), Roy Haynes (drums), Melba Liston (arrange)

from the album 'LIVE AT THE FIVE SPOT' (Fresh Sound Records)

Miles Davis Quintet - Blues By Five

9:57

Album: Cookin' With The Miles Davis Davis Quintet
Personnel: Miles Davis (tp), John Coltrane (ts), Red Garland (p), Paul Chambers (b), Philly Joe Jones (ds)
Recorded: October 26, 1956

Glenn Miller---In The Mood

3:37

Arguably Glenn Miller's theme song, In the Mood, the biggest hit of 1940, which stayed on the Billboard charts for 30 weeks, peaking at #1.

John Coltrane - Lazy Bird

7:08

Lazy Bird

Album:
Blue Train (1957)

Written by:
John Coltrane

Personnel:
John Coltrane tenor saxophone
Paul Chambers — double bass
Kenny Drew — piano
Curtis Fuller — trombone
Philly Joe Jones — drums
Lee Morgan — trumpet

Charlie Parker - Ornithology

3:05

Horace Silver Quintet - Sister Sadie

6:22

Horace Silver Quintet - Sister Sadie (1959)

Personnel: Blue Mitchell (trumpet), Junior Cook (tenor sax), Horace Silver (piano), Gene Taylor (bass), Louis Hayes (drums)

from the album 'BLOWIN' THE BLUES AWAY' (Blue Note Records)

Pensative - Bud Shank & Clare Fischer

3:32

Bossa Nova Jazz Samba/ Bud Shank & Clare Fischer (1962)

Wes Montgomery - Bumpin On Sunset

4:52

No copyright infringement intended.

Duke Ellington and his Famous Orchestra - The C Jam Blues

2:45

Duke Ellington and his Famous Orchestra playing: The C Jam Blues
Written By: Duke Ellington
Label: His Masters Voice
Dance Orchstra Speed 78 rpm
Swing Music 1942 Series

Benny Goodman - Sing Sing Sing

8:41

Performer(s): « Benny Goodman »
« Sing Sing Sing »
Audio : Very Hq - CD Quality Sound -- MP3 320 Kbps

Album : « 99 Hits : Benny Goodman » by « Benny Goodman »

Genre et sous style:
Jazz

Gene Ammons 04 Canadian Sunset

5:33

Gene Ammons Boss Tenor (Prestige PRLP 7180)

Gene Ammons Quintet
Gene Ammons (ts)
Tommy Flanagan (p)
Doug Watkins (b)
Art Taylor (d)
Ray Barretto (cga)

Rudy Van Gelder Studio, Englewood Cliffs
NJ, June 16, 1960

Eddie Harris & Les McCann - Compared To What

8:44

Fats Waller - Aint Misbehavin

3:59

Groovin High - Charlie Parker, Dizzy Gillespie

5:15

This superb performance of Groovin' High was recorded by Dizzy Gillespie (tp) Charlie Parker (as) John Lewis (p) Al McKibbon (b) and Joe Harris (d) at Carnegie Hall, NYC, September 29, 1947.

Best Dizzy's solo in Groovin High ever.

Cast Your Fate to the Wind Vince Guaraldi Trio

3:09

Cast Your Fate to the Wind written by Vince Guaraldi was a hit single in 1963 and won the Grammy Award for Best Original Jazz Composition that year. It was included in the album, Jazz Impressions Of Black Orpheus, released on April 18, 1962 by the Vince Guaraldi Trio on Fantasy Records now available on CD on the Ojc label. This sound recording is administered by UMG. I do not own the right to the song, audio, or images contained in this video.No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

Thelonious Monk-Green Chimneys from Straight, No Chaser

6:35

Straight, No Chaser is an album by Thelonious Monk, released in 1967.
The album was reissued on CD in 1996, including restored versions of previously abridged performances and three additional tracks.

The song This Is My Story, This Is My Song is much better known by the title Blessed Assurance.

Charlie Parker Quintet - Blues for Alice

2:50

Classic Mood Experience The best masterpieces ever recorded in the music history.
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Charles Charlie Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.
Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname Yardbird early in his career. This, and the shortened form Bird, continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as Yardbird Suite, Ornithology, Bird Gets the Worm, and Bird of Paradise. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer.
Charles Parker, Jr. was born in Kansas City, Kansas, and raised in Kansas City, Missouri, the only child of Adelaide Addie (Bailey) and Charles Parker. He attended Lincoln High School in September 1934, but withdrew in December 1935, just before joining the local musicians' union.
Parker began playing the saxophone at age 11, and at age 14 he joined his school's band using a rented school instrument. His father, Charles, was often absent but provided some musical influence; he was a pianist, dancer and singer on the T.O.B.A. circuit. He later became a Pullman waiter or chef on the railways. Parker's mother Addie worked nights at the local Western Union office. His biggest influence at that time was a young trombone player who taught him the basics of improvisation.
In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day.
Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style.
In 1939 Parker moved to New York City, to pursue a career in music. He held several other jobs as well. He worked for nine dollars a week as a dishwasher at Jimmie's Chicken Shack, where pianist Art Tatum performed.
According to an interview Parker gave in the 1950s, one night in 1939 he was playing Cherokee in a jam session with guitarist William Biddy Fleet when he hit upon a method for developing his solos that enabled one of his main musical innovations. He realized that the 12 semitones of the chromatic scale can lead melodically to any key, breaking some of the confines of simpler jazz soloing.
A longstanding desire of Parker's was to perform with a string section. He was a keen student of classical music, and contemporaries reported he was most interested in the music and formal innovations of Igor Stravinsky and longed to engage in a project akin to what later became known as Third Stream, a new kind of music, incorporating both jazz and classical elements as opposed to merely incorporating a string section into performance of jazz standards. On November 30, 1949, Norman Granz arranged for Parker to record an album of ballads with a mixed group of jazz and chamber orchestra musicians. Six master takes from this session comprised the album Charlie Parker with Strings: Just Friends, Everything Happens to Me, April in Paris, Summertime, I Didn't Know What Time It Was, and If I Should Lose You.
In 1953, Parker performed at Massey Hall in Toronto, Canada, joined by Gillespie, Mingus, Powell and Roach. Unfortunately, the concert happened at the same time as a televised heavyweight boxing match between Rocky Marciano and Jersey Joe Walcott, so the musical event was poorly attended. Mingus recorded the concert, resulting in the album Jazz at Massey Hall. At this concert, Parker played a plastic Grafton saxophone. At this point in his career he was experimenting with new sounds and materials. Parker himself explained the purpose of the plastic saxophone in a May 9, 1953 broadcast from Birdland and did so again in a subsequent May 1953 broadcast. Parker is known to have played several saxophones, including the Conn 6M, the Martin Handicraft and Selmer Model 22. He is also known to have performed with a King Super 20 saxophone. Parker's King Super 20 saxophone was made specially for him in 1947.
FROM WIKIPEDIA:

John Coltrane - Equinox

8:33

John Coltrane — Tenor Saxophone McCoy Tyner — Piano
Steve Davis — Bass Elvin Jones — Drums

From : Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things.

Cherokee - Charlie Barnet

3:18

Cherokee - Charlie Barnet

Herbie Hancock - Cantaloupe Island

5:33

Cantaloupe Island

Album:
Empyrean Isles (1964)

Written by:
Herbie Hancock

Personnel:
Herbie Hancock — piano
Freddie Hubbard — cornet
Ron Carter — bass
Tony Williams — drums

Art Blakey & the Jazz Messengers - Blues March

6:18

Blues March

Album:
Moanin' (1958)

Written by:
Benny Golson

Personnel:
Art Blakey — drums
Lee Morgan — trumpet
Benny Golson — tenor saxophone
Bobby Timmons — piano
Jymie Merritt — bass

Thelonious Monk - In Walked Bud

3:04

Thelonious Monk - In Walked Bud (1947) - The Overjazz Channel aims to offer only the best recordings of the begining era of modern music. Re-discover genius compositions from the parents of todays music like Miles Davis, Billie Holiday or John Coltrane. Subscribe for free to stay connected to our channel and easily access our video updates!

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Chilli Peppers - Duke Pearson

6:41

Miles Davis - Freddie Freeloader

9:50

The 2nd track of Miles Davis's 1959 album Kind of Blue

Bobby Hutcherson - Little Bs Poem

5:15

Components (1966)

Personnel:

Bobby Hutcherson (Vibraphone, Marimba)
James Spaulding (Alto Saxophone, Flute)
Ron Carter (Bass)
Freddie Hubbard (Trumpet)
Joe Chambers (Drums)
Herbie Hancock (Piano)
--
Alfred Lion (Producer)
Rudy Van Gelder (Recording Engineer)

Eddie Harris: The ORIGINAL COLD DUCK TIME

7:00

From his 1969 classic Album: Swiss Movement- Live at The Montreux Jazz Festival in Switzerland- [Original recording]. Produced by Nesuhi Ertegun & Joel Dorn
© 1969, Atlantic Recording Corporation.
Published under Fair Use clause.

Donald Byrd - Slow Drag

9:47

Donald Byrd - Slow Drag. 1967 - Blue Note

Cal Tjader Quintet - Cubano Chant

4:05

One of the greatest versions of the Ray Bryant's classic.The Cal Tjader Quintet: Cal Tjader (vibes), Vince Guaraldi (piano), Al Mckibbon (bass), Willie Bobo (timbales) & Mongo Santamaría (congas). Recorded in 1958. Fantasy Records.

Cal Tjader & Eddie Palmieri - Picadillo

7:04

Álbum El Sonido Nuevo
Tema Picadillo
Autor Tito Puente
Link ---
This Video Is For Educational And Entertainment Purposes Only.

Thelonious Monk-Ruby My Dear

6:22

Thelonious Monk & John Coltrane,Ruby My Dear

Mose Allison - Your Mind is On Vacation

2:37

Ramsey Lewis Trio - Christmas Blues

2:52

Christmas Blues is a song by Skitch Henderson & Ramsey Lewis.

Miles Davis Bye Bye Blackbird 1955

7:54

Wayne Shorter - Footprints

7:30

Wayne Shorter - Footprints. From 'Adam's Apple'. Shorter (ts), Herbie Hancock (p), Reggie Workman (b), Joe Chambers (d).

Antonio Carlos Jobim - Wave 1967

2:57

Antonio Carlos Jobim - Wave 1967/ Classic Bossa Nova / Just one of the many classic Bossa Nova compositions by Antonio Carlos Jobim. Wave has been covered by many Jazz musicians and vocalists.

King Porter Stomp - Benny Goodman

3:08

King Porter Stomp - Benny Goodman

Dizzy Gillespie - Con Alma

5:05

Con Alma is a jazz standard written by Dizzy Gillespie. It incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Versions have been recorded by Oscar Peterson, Wes Montgomery, Ed Bickert, Stan Getz and Kenny Burrell. The song was recorded by Chaka Khan in 1982 as part of the Be Bop Medley from her album Chaka Khan.

John Birks Dizzy Gillespie (October 21, 1917 -- January 6, 1993) was an American jazz trumpeter, bandleader, composer and occasional singer. Allmusic's Scott Yanow wrote, Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated. Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time.

Gillespie was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.

Gillespie's trademark trumpet featured a bell which bent upward at a 45-degree angle rather than pointing straight ahead as in the conventional design. According to Gillespie's autobiography, this was originally the result of accidental damage caused by the dancers Stump and Stumpy falling onto it while it was on a trumpet stand on stage at Snookie's in Manhattan on January 6, 1953, during a birthday party for Gillespie's wife Lorraine. The constriction caused by the bending altered the tone of the instrument, and Gillespie liked the effect. He had the trumpet straightened out the next day, but he could not forget the tone. Gillespie sent a request to Martin Committee to make him a bent trumpet from a sketch produced by Lorraine, and from that time forward Gillespie played a trumpet with an upturned bell. Gillespie's biographer Alyn Shipton writes that Gillespie probably got the idea for a bent trumpet when he saw a similar instrument in 1937 in Manchester, England, while on tour with the Teddy Hill Orchestra. According to this account (from British journalist Pat Brand) Gillespie was able to try out the horn and the experience led him, much later, to commission a similar horn for himself.

Whatever the origins of Gillespie's upswept trumpet, by June 1954, he was using a professionally manufactured horn of this design, and it was to become a visual trademark for him for the rest of his life.

A longtime resident of Englewood, New Jersey, he died of pancreatic cancer January 6, 1993, aged 75, and was buried in the Flushing Cemetery, Queens, New York. Mike Longo delivered a eulogy at his funeral. He was also with Gillespie on the night he died, along with Jon Faddis and a select few others.

At the time of his death, Gillespie was survived by his widow, Lorraine Willis Gillespie; a daughter, jazz singer Jeanie Bryson; and a grandson, Radji Birks Bryson-Barrett. Gillespie had two funerals. One was a Bahá'í funeral at his request, at which his closest friends and colleagues attended. The second was at the Cathedral of St. John the Divine in New York open to the public.

In December 1986 Gillespie gave the National Museum of American History his 1972 King Silver Flair trumpet with a Cass mouthpiece. In April 1995, Gillespie's Martin trumpet was auctioned at Christie's in New York City, along with instruments used by other famous musicians such as Coleman Hawkins, Jimi Hendrix and Elvis Presley. An image of Gillespie's trumpet was selected for the cover of the auction program. The battered instrument sold to Manhattan builder Jeffery Brown for $63,000, the proceeds benefiting jazz musicians suffering from cancer.

Dizzy's accompanied by José Manguel (bongos); Gilberto Valdez (flute); Rafael Miranda (percussion), Rene Hernandez (piano); and Ubaldo Nieto (timbales). Recorded June 3, 1954 at Fine Sound, New York City. (Verve Records)

Eddie Harris – Boogie Woogie Bossa Nova

6:19

from the Album: Free Speech (1970)
Eddie Harris (ts, varitone)
Jodie Christian (ep)
Louis Spears (b)
Billy Hart (dr)
Felix Henry (perc)

Sonny Clark - Cool Struttin

9:21

Cool Struttin' (1958)

Personnel:

Sonny Clark (Piano)
Jackie McLean (Alto Saxophone)
Art Farmer (Trumpet)
Paul Chambers (Bass)
Philly Joe Jones (Drums)
--
Alfred Lion (Producer)
Rudy Van Gelder (Recording Engineer)

Mongo Santamaría - Black Stockings

4:11

Mongo Santamaría (congas), Marty Sheller (trumpet), Hubert Laws (tenor sax), Bobby Capers (baritone sax), Carmelo García (timbales), Rodgers Grant (piano) and Victor Venegas (bass). Recorded in 1965. Columbia Records.

Cannonball Adderley Jive Samba

11:02

From the 2006 Riverside Profiles series Cannonball Adderley

Cannonball Adderley, alto sax
Nat Adderley, cornet
Yusef Lateef, flute, tenor sax
Joe Zawinul, piano
Sam Jones, bass
Louis Hayes, drums

Barbados by Charlie Parker

2:30

This is Charlie Parker's Barbados. I don't own any of it (song or pictures). If you don't enjoy it, you're bad. This is such a cool song and bird was an outstanding player that influenced all bebop.

If I Were A Bell - The Miles Davis Quintet

8:17

Relaxin' With The Miles Davis Quintet
Property of Prestige Records, Recorded 1956

Miles Davis - trumpet
John Coltrane - tenor saxophone
Red Garland - piano
Paul Chambers - bass
Philly Joe Jones - drums

John Coltrane - Blue Train

10:45

Blue Train

Album:
Blue Train (1957)

Written by:
John Coltrane

Personnel:
John Coltrane tenor saxophone
Paul Chambers — double bass
Kenny Drew — piano
Curtis Fuller — trombone
Philly Joe Jones — drums
Lee Morgan — trumpet

Herbie Hancock - Dolphin Dance

9:17

Herbie Hancock reaffirmed his importance in modern Jazz history with this stunning album. Hancock always is a pioneer of Jazz music, and this album takes him to another level of Piano brilliance. Using outstanding musicians as backup compliments this album. With Trumpeter Freddie Hubbard and Saxophonist George Colman, Hancock explores each and every song on here with different rythmic spacing, and musical influences from Miles Davis, Ornette Coleman and even Art Blakey.

From Maiden Voyage to Dolphin Dance each and every song on this album is a delight to listen too.

A landmark recording!

Au Privave - Charlie Parker

2:39

A School of Jazz & Blues Guitarraleão é uma das mais conceituadas instituições de ensino musical do país e oferece cursos intensivos e semi-intensivos do nível básico ao avançado .
Instrumentos:
Guitarra
Violão
Baixo
Bateria
Piano
Teclado
Sax
Trompete
Cursos:
Blues
Jazz Swing
Bebop
Hard bop
Cool jazz
Bossa Nova
Latin Jazz
Fusion( Jazz Rock)
Improvisação
Harmonia
Arranjo
Curso técnico de 2 anos
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Tire suas duvidas aqui
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O Aluno tem sua aula individual de uma hora por semana , mais duas práticas de conjunto de duas horas cada uma, mais instrumentos complementares como piano e bateria.
R. Basílio da Cunha, 210 - São Paulo - SP - CEP: 01544-000
Fone: (11) .50834669
Site: guitarraleao.com.br
E-mail: guitarraleao@guitarraleao.com.br

Horace Silver - Que Pasa?

7:48

Que Pasa?

Album:
Song for my Father (1964)

Written by:
Horace Silver

Personnel:
Horace Silver — piano
Carmell Jones — trumpet
Joe Henderson — tenor saxophone
Teddy Smith — bass
Roger Humphries — drums

Milt Jackson - Bags Groove

3:06

Lou Donaldson - alto saxophone
Thelonious Monk - piano
John Simmons - bass
Shadow Wilson - drums
Milt Jackson -- vibraphone
recorded April 7, 1952

DISCLAIMER: All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only.
If you like this recording, I strongly recommend you buying the record.

Thelonious Monk and John Coltrane - Trinkle Tinkle

7:01

DISCLAIMER: All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only.
If you like this recording, I strongly recommend you buying the record.

Count Basie Orchestra - Cute

3:12

Count Basie Orchestra - Cute 1958 from the album Basie Plays Hefti. Cute composed and arranged by Neil Hefti

Kenny Burrell - Midnight Blue

4:03

Duke Ellington and his Orchestra - Mood Indigo

3:11

Classic Mood Experience The best masterpieces ever recorded in the music history.
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Edward Kennedy Duke Ellington (April 29, 1899 -- May 24, 1974) was a USA composer, pianist and bandleader of jazz-orchestras. His career spanned over 50 years, leading his orchestra from 1923 until death.
Though widely considered to have been a pivotal figure in the history of jazz, Ellington himself embraced the phrase beyond category as a liberating principle, and referred his music to the more general category of American Music, rather than to a musical genre such as jazz. Born in Washington, D.C., he was based in New York City from the mid-1920s onwards, and gained a national profile through his orchestra's appearances at the Cotton Club. In the 1930s they toured in Europe.
FROM WIKIPEDIA:

DONNA LEE by Charlie Parker with Miles Davis 1947 JAZZ!!

2:32

Charlie Parker with Miles Davis on SAVOY label 78 rpm record recorded in 1947 performing DONNA LEE! Enjoy!

Tony Williams- Sister Cheryl

7:06

The sixth track from Tony Williams' 'Foreign Intrigue' album released in 1986.

Feat.
Wallace Roney- Trumpet
Donald Harrison- Alto Saxophone
Bobby Hutcherson- Vibes
Mulgrew Miller- Piano
Ron Carter- Bass
Tony Williams- Drums, Percussion

Dave Brubeck - Take Five

5:30

Dave Brubeck - Take Five

Vince Guaraldi Trio - Linus And Lucy

3:05

Plaza De Toros

9:40

Provided to YouTube by Universal Music Group

Plaza De Toros · Larry Young · Grant Green

Into Somethin'

℗ 1964 Blue Note Records

Released on: 1998-01-01

Producer: Alfred Lion
Studio Personnel, Recording Engineer: Rudy Van Gelder
Composer: Grant Green

Auto-generated by YouTube.

Bud Powell - Collard Greens and Black Eyed Peas

3:05

The Amazing Bud Powell, Vol. 2 (1954)

Personnel:

Bud Powell (Piano)
George Duvivier (Bass)
Art Taylor (Drums)
Tommy Potter (Bass)
Roy Haynes (Drums)
--
Alfred Lion (Original Session Producer)
Rudy Van Gelder (Mastering)
Michael Cuscuna (Producer)
Doug Hawkins (Recording Engineer)

Soul Sauce

2:27

Provided to YouTube by Universal Music Group

Soul Sauce · Cal Tjader

Verve Jazz Masters 39

℗ 1965 The Verve Music Group, a Division of UMG Recordings, Inc.

Released on: 1994-01-01

Producer: Creed Taylor
Associated Performer, Piano: Lonnie Hewitt
Associated Performer, Double Bass: John Hilliard
Associated Performer, Percussion, Vocals: Willie Bobo
Associated Performer, Drums: Johnny Rae
Composer Lyricist: Dizzy Gillespie
Composer Lyricist: Chano Pozo Gonzales

Auto-generated by YouTube.

Miles Davis - Fran-Dance

5:50

Listen to Kind of Blue on Spotify -
Listen to more from Miles Davis on Spotify -
Buy Kind of Blue:
Amazon -
iTunes-

About the album:
One of Miles Davis' most celebrated albums, Kind of Blue was recorded on March 2 and April 22 at Columbia's 30th Street Studio in New York City. The recording sessions featured Davis's ensemble sextet, consisting of pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian Cannonball Adderley, together with pianist Wynton Kelly on one track.

Follow Miles Davis on Twitter -
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Subscribe to the Miles Davis YouTube Channel -

Miles Davis Someday My Prince Will Come

9:08

(F.E. Churchill-L.Morey) Bourne Co.
Album- Someday my prince will come
Miles Davis-Trumpet
John Coltrane-tenor sax
Wynton Kelly-piano
Paul Chambers-bass
Jimmy Cobb, Philly Joe Jones-drums

Recorded March 7, 20, and 21 1961 at Columbia 30th Street studio, New York

The Cannonball Adderley Quintet / Nat Adderley / Work Song

5:10

1960 album Them Dirty Blues

John Coltrane - Moments Notice

9:11

Album: Blue Train
Year: 1957
Label: Blue Note

John Coltrane - tenor saxophone
Paul Chambers - double bass
Kenny Drew - piano
Curtis Fuller - trombone
Philly Joe Jones - drums
Lee Morgan - trumpet

Eddie Harris - Listen Here

7:41

Eddie Harris - Listen Here from his 1967. release The Electrifying Eddie Harris

Miles Davis - Boplicity

3:03

Miles Davis
Birth Of the Cool
Boplicity

My second favorite track off album

Sonny Rollins - Blue 7

11:18

Album: Saxophone Colossus
Year: 1956
Label: Prestige

Sonny Rollins — tenor saxophone
Tommy Flanagan — piano
Doug Watkins — bass
Max Roach — drums

John Patton Hot Sauce

7:57

LP Blue John Blue Note records grooveaddict.org

Blues In Maudes Flat

15:05

Provided to YouTube by Universal Music Group

Blues In Maude's Flat · Grant Green

Grantstand

℗ Originally released 1962 by Blue Note Records. All rights reserved.

Studio Personnel: Ron McMaster
Associated Performer: Jack McDuff
Producer: Alfred Lion
Associated Performer: Yusef Lateef
Associated Performer: Al Harewood
Studio Personnel: Rudy Van Gelder
Composer: Grant Green

Auto-generated by YouTube.

Autumn Leaves Chet Baker - Paul Desmond

7:09

A beautiful song performed by Chet Baker (trumpet), Paul Desmond (alto sax), Hubert Laws (flute), Bob James (keyboard), Ron Carter (contrabass) and Steve Gadd (drums). - Una hermosa canción interpretada por Chet Baker (trompeta), Paul Desmond( saxo alto), Hubert Laws (flauta), Bob James (teclado), Ron Carter (contrabajo) y Steve Gadd (batería).

Joe Henderson Quintet - Recorda-Me

6:10

Joe Henderson Quintet - Recorda-Me (1963)

Personnel: Kenny Dorham (trumpet), Joe Henderson (tenor sax), McCoy Tyner (piano), Butch Warren (bass), Pete La Roca (drums)

from the album 'PAGE ONE' (Blue Note Records)

Toots Thielemans - Bluesette

2:52

The original 1964 debut version, from the out-of-print The Whistler & His Guitar with Arnold Fishkind (b), Sol Gubin or Don Lamond (d), Toots Thielemans (gtr & whistling), Dick Hyman (org).

All the classic lines you hear on later arrangements of this tune started here.

Señor Blues Horace Silver

7:02

This cut is from the LP Six Pieces of Silver(1956) and features the following musicians:

Horace Silver (piano); Bill Henderson (vocals); Hank Mobley, Junior Cook (tenor saxophone); Donald Byrd (trumpet); Doug Watkins, Gene Taylor (bass); Louis Hayes (drums).

All music or related performances remain the sole property of their respective copyright holders. No video clips are for sale, nor do they imply challenge to ownerships. They are intended strictly for entertainment and educational purposes only.

Clifford Brown & Max Roach - Jordu

7:51

Clifford Brown and Max Roach (1954)

Personnel:

Clifford Brown (Trumpet)
Harold Land (Tenor Saxophone)
George Morrow (Bass)
Richie Powell (Piano)
Max Roach (Drums)
--
Bob Shad (Producer)

Round Midnight - Thelonious Monk

3:10

'Round Midnight is a 1944 jazz standard by pianist Thelonious Monk. It is thought that Monk originally composed the song sometime in 1940 or 1941. 'Round Midnight is the most-recorded jazz standard composed by a jazz musician. In allmusic.com it appears in over 1,000 albums. The song is also called 'Round About Midnight, as Miles Davis used this title for his 1957 Columbia Records album Round About Midnight that included a cover of the song based on Dizzy Gillespie's interpretation. Thelonious Sphere Monk (October 10, 1917 -- February 17, 1982) was an American jazz pianist and composer widely considered one of the giants of American music. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire. Monk is the second most-recorded jazz composer after Duke Ellington, which is particularly remarkable as Ellington composed over 1,000 songs while Monk wrote about 70. Often regarded as a founder of bebop, Monk's playing later evolved away from that style. His compositions and improvisations are full of dissonant harmonies and angular melodic twists, and are consistent with Monk's unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of silences and hesitations. He died of a stroke on February 17, 1982, and was buried in Ferncliff Cemetery in Hartsdale, New York. In 1993, he was posthumously awarded the Grammy Lifetime Achievement Award, and in 2006, Monk was posthumously awarded a Pulitzer Prize Special Citation. He is one of only five jazz musicians to be featured on the cover of Time magazine (the other four being Louis Armstrong, Duke Ellington, Wynton Marsalis, and Dave Brubeck). This channel is dedicated to the classic jazz music you've loved for years. The smokin' hot, icy cool jams that still make you tap your feet whenever you hear them . . . Cool Jazz is here!

For music videos of the Old School funk, go to:
youtube.com/djbuddyloveold school

To check out videos from The Roots Of Rap, go to:
youtube.com/djbuddyloveraproots

To explore the world of The DJ Cafe, go to:
youtube.com/djbuddylovedjcafe

If you love jamming to some great Classic Rock, check out:
youtube.com/djbuddyloveclassrock

Check out my newer music videos and other fun stuff at:
youtube.com/djbuddylove3000

Check out my news videography stuff at:
youtube.com/vonregandavis

Also, check out my youngest daughter (the world's youngest video producer) at:
youtube.com/DaddyzGirl3000

And coming in January 2011 . . .
DJ Buddy Love presents LONGEVITY . . .
A world record club DJ mixing marathon charity event . . .
121 hours nonstop to benefit cancer research . . .
Live to the world via UStream, Facebook, YouTube & Twitter . . .
More details coming soon . . .

Enjoy!!

;~}

Copyright 1947 Blue Note Records
All Rights Reserved

Cannonball Adderley - Sack O Woe

13:39

Buy on iTunes:
Taken from Cannonball Adderley « Live in Paris »
Extrait de Cannonball Adderley « Live in Paris »

Production: |
Body & Soul

***
Plus d'infos sur Body & Soul / More info on Body & Soul

Suivre sur Soundcloud / Follow on Soundcloud

Jimmy Smith & Stanley Turrentine - Back At The Chicken Shack

8:02

Jimmy Smith & Stanley Turrentine (JAZZ)

***NO COPYRIGHT INFRINGEMENT INTENDED***ALL RIGHTS GO TO THE ARTIST'S RESPECTIVE LABEL***I DO NOT OWN THIS SONG!***FOR ENTERTAINMENT PURPOSES ONLY***I DON'T OWN ANYTHING!!***

Eddie Harris Sham Time

6:57

LP The Electrifying Eddie Harris Atlantic Records
grooveaddict.org

Bloomdido Charlie Parker and Dizzy Gillespie

3:25

Bloomdido is from Bird & Diz , a studio album by jazz saxophonist Charlie Parker and trumpeter Dizzy Gillespie, recorded on June 6, 1950 and originally released on Clef Records. The album has been reissued several times by Verve and PolyGram Records. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by UMG. No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

Genre Station of Jazz

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