Genre Station of Jazz

Plaza De Toros

9:39

Provided to YouTube by Universal Music Group

Plaza De Toros · Larry Young

Into Somethin'

℗ 1964 Blue Note Records

Released on: 1998-01-01

Producer: Alfred Lion
Studio Personnel, Recording Engineer: Rudy Van Gelder
Associated Performer, Organ: Larry Young
Associated Performer, Guitar: Grant Green
Associated Performer, Drums: Elvin Jones
Associated Performer, Tenor Saxophone: Sam Rivers
Composer: Grant Green

Auto-generated by YouTube.

Art Blakey - Dat Dere

8:47

My personal favorite track from Art Blakey's album, The Big Beat.

Enjoy!

P.S. Sorry about the lack of updates on my channel, but our basement has flooded, and the clean up is taking up almost all of my available time.

P.P.S. If you enjoy this track please rate/comment

Kenny Burrell - Chitlins Con Carne

5:30

Kenny Burrell - Chitlins Con Carne

Album: Midnight Blue
Year: 1963
Label: Blue Note

Add &fmt=18 to url for better (stereo) quality!

Ornette Coleman - Ramblin

6:39

Ramblin'

Album:
Change of the Century (1960)

Written by:
Ornette Coleman

Personnel:
Ornette Coleman — alto saxophone
Don Cherry — pocket trumpet
Charlie Haden — bass
Billy Higgins — drums

Bill Evans - Night And Day

7:37

Bill Evans - Night And Day
Tribute to Bill Evans
Bill Evans - The Best Of Bill Evans - 04. Night And Day
night and day piano solo bill evans jazz tribute the best performance cannonball adderley larry bunker ron carter paul chambers percy heat frddie hubbard chuck israels philly joe jones sam jones connie kay teddy kotick scott lafaro paul motian zoot sims drums tenor sax trumpet bass

Herbie Hancock - Maiden Voyage

7:58

Maiden Voyage

Album:
Maiden Voyage (1965)

Written by:
Herbie Hancock

Personnel:
Herbie Hancock — piano
Freddie Hubbard — trumpet
George Coleman — tenor saxophone
Ron Carter — bass
Tony Williams — drums

Grant Green - Jean de Fleur

6:48

Album : Idle Moments (1964)

Bass – Bob Cranshaw
Drums – Al Harewood
Guitar – Grant Green
Piano – Duke Pearson
Tenor Saxophone – Joe Henderson
Vibraphone [Vibes] – Bobby Hutcherson

Thelonious Monk - Well, You Neednt

2:58

Thelonious Monk - Well, You Needn't.

Horace SILVER The Tokyo blues

7:40

#3 from the album The Tokyo Blues. Horace Silver (pno), Blue Mitchell (tpt), Junior Cook (T sax), Gene Taylor (db), John Harris, JR. (dr).

Little Brown Jug Glenn Miller

2:55

1940's recording of old drinking song

Thelonious Monk - In Walked Bud

3:04

Thelonious Monk - In Walked Bud (1947) - The Overjazz Channel aims to offer only the best recordings of the begining era of modern music. Re-discover genius compositions from the parents of todays music like Miles Davis, Billie Holiday or John Coltrane. Subscribe for free to stay connected to our channel and easily access our video updates!

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Lee Morgan - Cornbread

9:04

Cornbread (1967)

Personnel:

Lee Morgan (Trumpet)
Jackie McLean (Alto Saxophone)
Larry Ridley (Bass)
Herbie Hancock (Piano)
Hank Mobley (Tenor Saxophone)
Billy Higgins (Drums)
--
Alfred Lion (Producer)
Rudy Van Gelder (Recording Engineer)

Stanley Turrentine - Feeling Good

7:13

Stanley Turrentine's song, Feeling Good from the CD, Rough 'N' Tumble. I do not own the music or photos used in the video. No copyright infringement intended. I do not gain any profit from the video. For entertainment purposes only.

Charlie Parker - My Little Suede Shoes

3:04

Personnel:
Charlie Parker, alto saxophone
Walter Bishop Jr., piano
Teddy Kotick, bass
Roy Haynes, drums
Luis Miranda, congas
Jose Mangual, bongos

John Coltrane - Giant Steps

4:49

Album: Giant Steps
Year: 1959
Label: Atlantic

John Coltrane — tenor saxophone
Tommy Flanagan — piano
Paul Chambers — bass
Art Taylor — drums

Jazz Classics: Dizzy Gillespie - A Night In Tunisia

3:13

hip hop fans should recognize the very beginning of this song as one of the many samples in Gang Starr's 1989 debut single Words I Manifest. this track is simply amazing. everything from Dizzie's amazing trumpet playing to the infectious sound of the vibes that are sprinkled throughout the track. Dizzie Gillespie is famous for being one of the founders of Bebop, modern (along with Charlie Parker) and Cuban influenced Jazz. he died in January of 1993 but left his legacy behind. the pictures on this video show his face looking like that of a blowfish. his face looked like this because he never had any formal instruction on playing the trumpet but learned to play it anyways which damaged his face. you may recognize the style of trumpet he is playing; horn pointing upward. this was his signature and he was the very first to do this. he is also considered by many the first ever beat nick. enjoy.

Strollin

5:00

Provided to YouTube by Universal Music Group

Strollin' (Remastered) · Horace Silver

Horace - Scope

℗ 2005 Blue Note Records

Released on: 2006-01-01

Associated Performer, Piano: Horace Silver
Associated Performer, Bass (vocal): Gene Taylor
Associated Performer, Drums: Roy Brooks
Associated Performer, Trumpet: Blue Mitchell
Associated Performer, Tenor Saxophone: Junior Cook
Producer: Alfred Lion
Studio Personnel, Recording Engineer: Rudy Van Gelder
Studio Personnel, Mastering Engineer: Yoshio Okazaki
Composer Lyricist: Horace Silver

Auto-generated by YouTube.

Freddie Hubbard - Open Sesame

7:12

Album: Open Sesame
Year: 1960
Label: Blue Note

Freddie Hubbard - trumpet
Tina Brooks - tenor saxophone
McCoy Tyner - piano
Sam Jones - bass
Clifford Jarvis - drums

Duke Ellington and his Famous Orchestra - The C Jam Blues

2:45

Duke Ellington and his Famous Orchestra playing: The C Jam Blues
Written By: Duke Ellington
Label: His Masters Voice
Dance Orchstra Speed 78 rpm
Swing Music 1942 Series

John Coltrane - Blue Train

10:45

Blue Train

Album:
Blue Train (1957)

Written by:
John Coltrane

Personnel:
John Coltrane tenor saxophone
Paul Chambers — double bass
Kenny Drew — piano
Curtis Fuller — trombone
Philly Joe Jones — drums
Lee Morgan — trumpet

Charles Mingus - Goodbye Pork Pie Hat

4:46

Sheet music & mp3:
Donate:
-------------------------
La musica e’ una delle vie per le quali l’anima ritorna al cielo
Music is one of the ways for which the soul returns to heaven
Musik ist eine der Arten, auf die die Seele in den Himmel zurückkehrt
La musique est l'un des moyens par lesquels l'âme retourne au ciel
La música es una de las formas en que el alma regresa al cielo
A música é uma das formas pelas quais a alma retorna ao céu
الموسيقى هي إحدى الطرق التي تعود بها الروح إلى السماء
音乐是灵魂回归天堂的方式之一
音楽は、魂が天国に帰る道の一つです
Музыка - один из способов возвращения души к небу
(T.Tasso)

Dizzy Gillespie - One Note Samba

5:16

not from gnr on fallout 3 but it is a jazz an an oldie song.

Boogie Woogie - Tommy Dorsey

3:15

Boogie Woogie - Tommy Dorsey

Billies Bounce / Charlie Parker　The Savoy Recordings

3:11

Charlie Parker Reboppers

Miles Davis (tp)
Charlie Parker (as)
Dizzy Gillespie (p)
Curly Russell (b)
Max Roach (ds)

26.Nov.1945.WOR Studios, Broadway, NYC,

Vince Guaraldi Trio - Linus And Lucy

3:05

Chilli Peppers - Duke Pearson

6:41

PAINTED RHYTHM by Stan Kenton 1945 Swing Jazz!

2:53

PAINTED RHYTHM by Stan Kenton, recorded in 1945 and here released on a Capitol label 78 rpm record in 1946. Stan Kenton style swing featuring Eddie Safranski and Vido Musso! Enjoy!

LESTER LEAPS IN Count Basie Kansas City 7 FEATURING LESTER YOUNG

3:24

PREZ.....1939.....

Duke Pearson Amanda Wahoo

9:24

more

Charlie Parker- Confirmation

3:01

A Classic

Benny Goodman. Stompin at the Savoy -.wmv

3:14

Benny Goodman. Stompin' at the Savoy

Hank Mobley - Remember

5:43

Album: Soul Station
Year: 1960
Label: Blue Note

Hank Mobley - tenor saxophone
Art Blakey - drums
Wynton Kelly - piano
Paul Chambers - bass

Clifford Brown & Max Roach - Jordu

7:51

Clifford Brown and Max Roach (1954)

Personnel:

Clifford Brown (Trumpet)
Harold Land (Tenor Saxophone)
George Morrow (Bass)
Richie Powell (Piano)
Max Roach (Drums)
--
Bob Shad (Producer)

Wayne Shorter - Footprints

7:30

Wayne Shorter - Footprints. From 'Adam's Apple'. Shorter (ts), Herbie Hancock (p), Reggie Workman (b), Joe Chambers (d).

Cast Your Fate to the Wind Vince Guaraldi Trio

3:09

Cast Your Fate to the Wind written by Vince Guaraldi was a hit single in 1963 and won the Grammy Award for Best Original Jazz Composition that year. It was included in the album, Jazz Impressions Of Black Orpheus, released on April 18, 1962 by the Vince Guaraldi Trio on Fantasy Records now available on CD on the Ojc label. This sound recording is administered by UMG. I do not own the right to the song, audio, or images contained in this video.No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

Pine Top Smith, December 1928: PineTops Boogie Woogie

3:09

Clarence Smith, better known as Pinetop Smith or Pine Top Smith (1904 - 1929) performs Pine Top Boogie. From the rare LP you see above, part of a four LP set produced by the jazz critic Leonard Feather and released by Decca in 1957 under the title Encyclopedia of Jazz on Records.

Буги-вуги (англ. boogie-woogie) — это джазовый стиль, который оказался весьма доступным для широкой слушательской аудитории. Это фортепианный стиль, но инструментальные пьесы в этом стиле порой успешно исполнялись и оркестрами. Сама эта музыка появилась ещё до того, как ей было дано такое необычное название. Исследователи отмечают появление первых рисунков для левой руки, похожих на то, что впоследствии стали называть буги-вуги, ещё в конце XIX века у ранних пианистов рэгтайма. А первая публикация, связанная с применением так называемого «гуляющего баса» (Walkin' Bass), датируется 1909 годом в пьесе «Rag Medley» пианиста по прозвищу Blind Boone. Позднее, в 1913 году, появились записи с подобными рисунками в пьесе Арти Мэтьюза «Ragtime Rag». Пианист Джордж Томас под псевдонимом Клэй Кастер (Clay Custer) выпустил в 1923 году запись пьесы «Rocks». Таким образом, можно видеть, что буги-вуги зародились как ответвление техники рэгтайма, хотя и совершенно отличаются от него техникой исполнения. Сам термин «Boogie Woogie» вошёл в обиход как обозначение танца под аккомпанемент фортепиано в 1928 году, когда вышла запись пьесы «Pine Top's Boogie Woogie» пианиста по имени Pine Top Smith.

בוגי ווגי הוא סגנון של בלוז המבוסס על תפקידים לפסנתר ומקורו בשיקגו שבארצות הברית. הסגנון היה פופולרי מאד בשנות השלושים ותחילת שנות הארבעים.
בניגוד לבלוז, שלרוב מטרתו היא להביע רגשות או לספר סיפור, הבוגי ווגי משמש בעיקר כמוזיקת ריקודים, ואפילו מילות שירים בסגנון לרוב יעסקו בהוראות לרוקדים.
המבנה ההרמוני של הבוגי ווגי לרוב דומה עד מאד לזה של הבלוז. מנוגן בסולם פנטטוני, ומבוסס על הטוניקה הסאבדומיננטה והדומיננטה, כשלעתים משתמשים גם בדומיננטות שניוניות. כמעט תמיד הקצב הוא ארבעה רבעים, וכל סבב של המהלך ההרמוני (בית של שיר) לוקח 12 תיבות, והטמפו מהיר.

El boogie-woogie es un estilo de blues basado en el piano, generalmente rápido y bailable. Se caracteriza por la ejecución con la mano izquierda de determinadas figuras. Esta figuras que construye la mano izquierda están escritas en corcheas, en compases de 4/4, constituyendo así el denominado eight-to-the-bar. Usualmente se empleaban dos tipos de figuras: la denominada octava galopante (inspiradora de los bajos galopantes o walking bass que caracterizarán después el rock and roll), así como los acordes rápidos conocidos como rocks.

Boogie-woogie - styl gry fortepianowej zapoczątkowany przez Afroamerykanów, przeważnie w instrumentalnym bluesie, z charakterystycznymi, mocnymi figurami basowymi. Rozwinął się po 1920 roku w Chicago i St. Louis. Styl wywodzi się z instrumentalnego bluesa, przy czym często w pierwszej fazie jego rozwoju zdarzały się formy pograniczne, sąsiadujące ze stylem ragtime oraz stride piano. Utworem przełomowym jest Pinetop's Boogie (1928), ponieważ występuje tu po raz pierwszy nazwa tego stylu. Figury basowe i melodyjne bywają bardzo żywe, powodując u słuchaczy wesoły nastrój. Od niego swoją nazwę wziął swingujący taniec towarzyski pochodzący od tańca boston. Jest to taniec bardzo dynamiczny, o dużym zakresie ruchów. Obecnie tańczony zarówno do stylu muzycznego boogie-woogie, jak i, częściej, do rock and rolla.
David Hertzberg

Autumn Leaves Chet Baker - Paul Desmond

7:09

A beautiful song performed by Chet Baker (trumpet), Paul Desmond (alto sax), Hubert Laws (flute), Bob James (keyboard), Ron Carter (contrabass) and Steve Gadd (drums). - Una hermosa canción interpretada por Chet Baker (trompeta), Paul Desmond( saxo alto), Hubert Laws (flauta), Bob James (teclado), Ron Carter (contrabajo) y Steve Gadd (batería).

SONNY ROLLINS.St. Thomas

6:49

Personnel: Sonny Rollins (tenor saxophone); Tommy Flanagan (piano); Doug Watkins (bass); Max Roach (drums).

Kenny Dorham - Sao Paulo

7:20

Una Mas (One More Time) (1964)

Personnel:

Kenny Dorham (Trumpet)
Herbie Hancock (Piano)
Joe Henderson (Tenor Saxophone)
Butch Warren (Double Bass)
Tony Williams (Drums)
--
Alfred Lion (Producer)
Rudy Van Gelder (Recording Engineer)

John Coltrane - Mr. P.C.

7:04

John Coltrane's composition, Mr. P.C., from the album Giant Steps, released in 1960.

Track list:
01- Giant Steps
02- Cousin Mary
03- Countdown
04- Spiral
05- Syeeda's Song Flute
06- Naima
07- Mr. P.C.
08- Giant Steps (alt. version 1)

Charlie Parker - Scrapple from the Apple

3:07

The Overjazz Channel aims to offer only the best recordings of the begining era of

modern music.(Re)discover more genius compositions from the parents of todays music

and subscribe for free to stay connected to our channel and easily access our video

updates!

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Tito Puente - Ran Kan Kan

3:01

Esta es la buena. The Mambo Kings Soundtrack

Miles Davis - Walkin

13:31

Miles Davis - Walkin' ALL RIGHTS GO TO THEM/FOR ENTERTAINMENT PURPOSES ONLY Please rate, comment, and check out my other metal/jazz videos. Thanks for watching.

- FOR CRITICISM PURPOSES ONLY.
- I DO NOT INTEND OR HOPE TO GAIN MONETARILY OR THE LIKE WHAT-SO-EVER FROM THIS VIDEO.
- PLEASE SUPPORT THE OFFICIAL RELEASES.

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Horace Silver Quintet - Sister Sadie

6:22

Horace Silver Quintet - Sister Sadie (1959)

Personnel: Blue Mitchell (trumpet), Junior Cook (tenor sax), Horace Silver (piano), Gene Taylor (bass), Louis Hayes (drums)

from the album 'BLOWIN' THE BLUES AWAY' (Blue Note Records)

Benny Goodman - Sing Sing Sing

8:41

Performer(s): « Benny Goodman »
« Sing Sing Sing »
Audio : Very Hq - CD Quality Sound -- MP3 320 Kbps

Album : « 99 Hits : Benny Goodman » by « Benny Goodman »

Genre et sous style:
Jazz

Dave Brubeck - Kathys Waltz

4:51

Kathy's Waltz from Timeout

Jazz Crusaders Freedom Sound

8:28

Jazz Crusaders Freedom Sound

Round Midnight - Thelonious Monk

3:10

'Round Midnight is a 1944 jazz standard by pianist Thelonious Monk. It is thought that Monk originally composed the song sometime in 1940 or 1941. 'Round Midnight is the most-recorded jazz standard composed by a jazz musician. In allmusic.com it appears in over 1,000 albums. The song is also called 'Round About Midnight, as Miles Davis used this title for his 1957 Columbia Records album Round About Midnight that included a cover of the song based on Dizzy Gillespie's interpretation. Thelonious Sphere Monk (October 10, 1917 -- February 17, 1982) was an American jazz pianist and composer widely considered one of the giants of American music. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire. Monk is the second most-recorded jazz composer after Duke Ellington, which is particularly remarkable as Ellington composed over 1,000 songs while Monk wrote about 70. Often regarded as a founder of bebop, Monk's playing later evolved away from that style. His compositions and improvisations are full of dissonant harmonies and angular melodic twists, and are consistent with Monk's unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of silences and hesitations. He died of a stroke on February 17, 1982, and was buried in Ferncliff Cemetery in Hartsdale, New York. In 1993, he was posthumously awarded the Grammy Lifetime Achievement Award, and in 2006, Monk was posthumously awarded a Pulitzer Prize Special Citation. He is one of only five jazz musicians to be featured on the cover of Time magazine (the other four being Louis Armstrong, Duke Ellington, Wynton Marsalis, and Dave Brubeck). This channel is dedicated to the classic jazz music you've loved for years. The smokin' hot, icy cool jams that still make you tap your feet whenever you hear them . . . Cool Jazz is here!

For music videos of the Old School funk, go to:
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And coming in January 2011 . . .
DJ Buddy Love presents LONGEVITY . . .
A world record club DJ mixing marathon charity event . . .
121 hours nonstop to benefit cancer research . . .
Live to the world via UStream, Facebook, YouTube & Twitter . . .
More details coming soon . . .

Enjoy!!

;~}

Copyright 1947 Blue Note Records
All Rights Reserved

John Coltrane - Acknowledgement

7:43

A Love Supreme (1964)

1. Acknowledgement
2. Resolution
3. Pursuance
4. Psalm

John Coltrane, tenor saxophone
McCoy Tyner, piano
Jimmy Garrison, bass
Elvin Jones, drums

Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, Acknowledgement is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, Resolution, an amazingly beautiful piece about the fury of dedication to a new path of understanding. Persuance is a search for that understanding, and Psalm is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. [allmusic.com]

Barbados by Charlie Parker

2:30

This is Charlie Parker's Barbados. I don't own any of it (song or pictures). If you don't enjoy it, you're bad. This is such a cool song and bird was an outstanding player that influenced all bebop.

Toots Thielemans - Bluesette

2:52

The original 1964 debut version, from the out-of-print The Whistler & His Guitar with Arnold Fishkind (b), Sol Gubin or Don Lamond (d), Toots Thielemans (gtr & whistling), Dick Hyman (org).

All the classic lines you hear on later arrangements of this tune started here.

Oscar Peterson Night Train

4:52

Art Blakey & the Jazz Messengers - Along Came Betty

6:13

Along Came Betty

Album:
Moanin' (1958)

Written by:
Benny Golson

Personnel:
Art Blakey — drums
Lee Morgan — trumpet
Benny Golson — tenor saxophone
Bobby Timmons — piano
Jymie Merritt — bass

Benny Goodman Dont Be That Way

3:07

Don't Be That Way written by Edgar Sampson, Benny Goodman, and Mitchell Parish was Benny Goodman's opening number in his famous Carnegie Hall Concert on January 16, 1938. A month later he recorded it for RCA Victor and it became a number 1 hit. As with Sing, Sing, Sing, Let's Dance, and And the Angels Sing, Don't Be That Way has been strongly associated with Benny Goodman. This is being posted for my subscriber 1968LEONE1. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by SME . No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

Cherokee - Charlie Barnet

3:18

Cherokee - Charlie Barnet

Hank Mobley - Recado Bossa Nova

8:23

Album: Dippin'
Personnel: Hank Mobley (ts), Lee Morgan (tp), Harold Mabern, Jr. (p), Larry Ridley (b), Billy Higgins (ds)
Recorded: June 18, 1965

Killer Joe By Art Farmer & Benny Golson Jazztet

4:17

From Meet the Jazztet

Cannonball Adderley - Sack O Woe

13:39

Buy on iTunes:
Taken from Cannonball Adderley « Live in Paris »
Extrait de Cannonball Adderley « Live in Paris »

Production: |
Body & Soul

***
Plus d'infos sur Body & Soul / More info on Body & Soul

Suivre sur Soundcloud / Follow on Soundcloud

Charles Earland Black Talk

7:50

LP BLACK TALK! PRESTIGE RECORDS
grooveaddict.org

Lambert, Hendricks & Ross Hi-Fly The Hottest New Group In Jazz 1962

3:48

more

Art Blakey & the Jazz Messengers - Blues March

6:18

Blues March

Album:
Moanin' (1958)

Written by:
Benny Golson

Personnel:
Art Blakey — drums
Lee Morgan — trumpet
Benny Golson — tenor saxophone
Bobby Timmons — piano
Jymie Merritt — bass

Miles Davis - Milestones

5:51

Dave Brubeck Quartet - The Duke

2:51

Dave Brubeck Quartet - The Duke. Live at Basin Street, New York City, circa 1954/1955.

From the album Dave Brubeck Quartet - Jazz: Red Hot and Cool

My wife and I were blessed to see the legendary Dave Brubeck Quartet play at Burlington, Vermont's Flynn Theater on June 6, 2008, as part of the Burlington Discover Jazz Festival.

Gentleman Genius, Dave Brubeck (December 6, 1920 -- December 5, 2012), passed away today. Thank you for the wonderful music and for making our world more beautiful. Rest in peace, and Take Five, Brother Dave.

All best - Root Of Solomon, aka The Conquering Lion of Judah.

We do not own copyright.

Art Tatum plays You took advantage of me

3:13

probably recorded at the home of pianist Buddy Cole, 1948

Sonny Rollins - Blue 7

11:18

Album: Saxophone Colossus
Year: 1956
Label: Prestige

Sonny Rollins — tenor saxophone
Tommy Flanagan — piano
Doug Watkins — bass
Max Roach — drums

New Rhumba

4:38

New Rhumba is the seventh track on Miles Davis's Miles Ahead

John Coltrane - Lazy Bird

7:08

Lazy Bird

Album:
Blue Train (1957)

Written by:
John Coltrane

Personnel:
John Coltrane tenor saxophone
Paul Chambers — double bass
Kenny Drew — piano
Curtis Fuller — trombone
Philly Joe Jones — drums
Lee Morgan — trumpet

Duke Ellington - Perdido

3:12

The 10th track of Duke Ellington's compilation The Best of the Centennial Edition

Wes Montgomery - Four On Six - The Incredible Jazz Guitar Of Wes Montgomery

6:18

Classic. Comment/Rate/Enjoy!

If I Were A Bell - The Miles Davis Quintet

8:17

Relaxin' With The Miles Davis Quintet
Property of Prestige Records, Recorded 1956

Miles Davis - trumpet
John Coltrane - tenor saxophone
Red Garland - piano
Paul Chambers - bass
Philly Joe Jones - drums

Charlie Parker Quintet - Blues for Alice

2:50

Classic Mood Experience The best masterpieces ever recorded in the music history.
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Charles Charlie Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.
Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname Yardbird early in his career. This, and the shortened form Bird, continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as Yardbird Suite, Ornithology, Bird Gets the Worm, and Bird of Paradise. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer.
Charles Parker, Jr. was born in Kansas City, Kansas, and raised in Kansas City, Missouri, the only child of Adelaide Addie (Bailey) and Charles Parker. He attended Lincoln High School in September 1934, but withdrew in December 1935, just before joining the local musicians' union.
Parker began playing the saxophone at age 11, and at age 14 he joined his school's band using a rented school instrument. His father, Charles, was often absent but provided some musical influence; he was a pianist, dancer and singer on the T.O.B.A. circuit. He later became a Pullman waiter or chef on the railways. Parker's mother Addie worked nights at the local Western Union office. His biggest influence at that time was a young trombone player who taught him the basics of improvisation.
In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day.
Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style.
In 1939 Parker moved to New York City, to pursue a career in music. He held several other jobs as well. He worked for nine dollars a week as a dishwasher at Jimmie's Chicken Shack, where pianist Art Tatum performed.
According to an interview Parker gave in the 1950s, one night in 1939 he was playing Cherokee in a jam session with guitarist William Biddy Fleet when he hit upon a method for developing his solos that enabled one of his main musical innovations. He realized that the 12 semitones of the chromatic scale can lead melodically to any key, breaking some of the confines of simpler jazz soloing.
A longstanding desire of Parker's was to perform with a string section. He was a keen student of classical music, and contemporaries reported he was most interested in the music and formal innovations of Igor Stravinsky and longed to engage in a project akin to what later became known as Third Stream, a new kind of music, incorporating both jazz and classical elements as opposed to merely incorporating a string section into performance of jazz standards. On November 30, 1949, Norman Granz arranged for Parker to record an album of ballads with a mixed group of jazz and chamber orchestra musicians. Six master takes from this session comprised the album Charlie Parker with Strings: Just Friends, Everything Happens to Me, April in Paris, Summertime, I Didn't Know What Time It Was, and If I Should Lose You.
In 1953, Parker performed at Massey Hall in Toronto, Canada, joined by Gillespie, Mingus, Powell and Roach. Unfortunately, the concert happened at the same time as a televised heavyweight boxing match between Rocky Marciano and Jersey Joe Walcott, so the musical event was poorly attended. Mingus recorded the concert, resulting in the album Jazz at Massey Hall. At this concert, Parker played a plastic Grafton saxophone. At this point in his career he was experimenting with new sounds and materials. Parker himself explained the purpose of the plastic saxophone in a May 9, 1953 broadcast from Birdland and did so again in a subsequent May 1953 broadcast. Parker is known to have played several saxophones, including the Conn 6M, the Martin Handicraft and Selmer Model 22. He is also known to have performed with a King Super 20 saxophone. Parker's King Super 20 saxophone was made specially for him in 1947.
FROM WIKIPEDIA:

Bill Evans - Waltz For Debby

4:30

Bill Evans - Waltz For Debby,players' cast shown in comment of [lk2u] and [stefshop].thanks for the information.

Thelonious Monk and John Coltrane - Trinkle Tinkle

7:01

DISCLAIMER: All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only.
If you like this recording, I strongly recommend you buying the record.

Horace Silver - Lonely Woman

7:04

Lonely Woman

Album:
Song for my Father (1964)

Written by:
Horace Silver

Personnel:
Horace Silver — piano
Blue Mitchell — trumpet
Junior Cook — tenor saxophone
Eugene Taylor — bass
Roy Brooks — drums

John Patton Hot Sauce

7:57

LP Blue John Blue Note records grooveaddict.org

Joe Henderson - Blue Bossa

8:03

Album: Page One
Year: 1963
Label: Blue Note

Kenny Dorham - trumpet
Joe Henderson - tenor saxophone
McCoy Tyner - piano
Butch Warren - bass
Pete La Roca - drums

Billie Holiday God Bless The Child

4:01

Them that's got shall get
Them that's not shall lose
So the Bible said and it still is news
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Yes, the strong gets more
While the weak ones fade
Empty pockets don't ever make the grade
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Money, you've got lots of friends
Crowding round the door
When you're gone, spending ends
They don't come no more
Rich relations give
Crust of bread and such
You can help yourself
But don't take too much
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Mama may have, Papa may have
But God bless the child that's got his own
That's got his own
He just worry 'bout nothin'
Cause he's got his own

Blue in Green by. Miles Davis

5:38

Another song from Kind of Blue

Charlie Bird Parker - Yardbird Suite

3:01

Charlie Bird Parker - Yardbird Suite ALL RIGHTS GO TO THEM/FOR ENTERTAINMENT PURPOSES ONLY Please rate, comment, and check out my other metal/jazz videos. Thanks for watching.

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Bobby Hutcherson - Little Bs Poem

5:15

Components (1966)

Personnel:

Bobby Hutcherson (Vibraphone, Marimba)
James Spaulding (Alto Saxophone, Flute)
Ron Carter (Bass)
Freddie Hubbard (Trumpet)
Joe Chambers (Drums)
Herbie Hancock (Piano)
--
Alfred Lion (Producer)
Rudy Van Gelder (Recording Engineer)

Oliver Nelson - Stolen Moments

8:51

from the record: The Blues and the Abstract Truth. This divine album were made by a dreamteam of musicians including Bill Evans, Paul Chambers, Freddie Hubbard, Eric Dolphy and Roy Haynes. Enjoy!

Clifford Brown & Max Roach - Joy Spring

6:52

Oscar Peterson - C Jam Blues

9:07

Live in Denmark,1964.
Oscar Peterson on Piano
Ray Brown on Bass
Ed Thigpen on Drums

Art Blakey - I remember Clifford

5:33

Sheet music & mp3:
Donate:
-------------------------
La musica e’ una delle vie per le quali l’anima ritorna al cielo
Music is one of the ways for which the soul returns to heaven
Musik ist eine der Arten, auf die die Seele in den Himmel zurückkehrt
La musique est l'un des moyens par lesquels l'âme retourne au ciel
La música es una de las formas en que el alma regresa al cielo
A música é uma das formas pelas quais a alma retorna ao céu
الموسيقى هي إحدى الطرق التي تعود بها الروح إلى السماء
音乐是灵魂回归天堂的方式之一
音楽は、魂が天国に帰る道の一つです
Музыка - один из способов возвращения души к небу
(T.Tasso)

John Coltrane - Equinox

8:33

John Coltrane — Tenor Saxophone McCoy Tyner — Piano
Steve Davis — Bass Elvin Jones — Drums

From : Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things.

Art Blakey & Thelonious Monk Rhythm-A-Ning Art Blakeys Jazz Messengers W 1957

7:21

more

Cannonball Adderley - Autumn Leaves

11:00

Autumn Leaves

Album:
Somethin' Else (1958)

Written by:
Joseph Kosma
Johnny Mercer
Jacques Prévert

Personnel:
Cannonball Adderley — alto saxophone
Miles Davis — trumpet
Hank Jones — piano
Sam Jones — bass
Art Blakey — drums

Jimmy Smith - Midnight Special

10:02

Song: Midnight Special (1/5; written by Jimmy Smith)
Album: Midnight Special (Recorded: April 25, 1960 / Released: 1961)
Artist: Jimmy Smith

Personnel:
Jimmy Smith, organ
Stanley Turrentine, tenor saxophone
Kenny Burrell, guitar
Donald Bailey, drums

Count Basie - April In Paris

3:50

Count Basie Orchestra - April In Paris 1956 from the album April In Paris. Count Basie had the best Swing Big Band on the planet. April In Paris is one of the many hits this band would have.

Sonny Clark - Cool Struttin

9:21

Cool Struttin' (1958)

Personnel:

Sonny Clark (Piano)
Jackie McLean (Alto Saxophone)
Art Farmer (Trumpet)
Paul Chambers (Bass)
Philly Joe Jones (Drums)
--
Alfred Lion (Producer)
Rudy Van Gelder (Recording Engineer)

Wes Montgomery - Full House

9:17

Album: Full House
Year: 1962
Label: Riverside

Wes Montgomery - guitar
Johnny Griffin - tenor sax
Wynton Kelly - piano
Paul Chambers - bass
Jimmy Cobb - drums

SALT PEANUTS by Dizzy Gillespie with Charlie Parker 1945 JAZZ!

3:09

Excellent progressive jazz by Dizzy Gillespie with Charlie Parker, Sidney 'Big Sid' Catlett, Al Haig, and Curly Russell. Recorded in 1945 and here released on a GUILD label 78 rpm record. Enjoy!

Art Blakey & the Jazz Messengers at the Renaissance Club - Up Jumped Spring

9:55

Art Blakey and the Jazz Messengers at the Renaissance Club - Up Jumped Spring (1962)

Personnel: Freddie Hubbard (trumpet), Curtis Fuller (trombone), Wayne Shorter (tenor sax), Cedar Walton (piano), Jymie Merritt (bass), Art Blakey (drums)

from the album '3 BLIND MICE' (United Artists Records)

Charlie Parker: Star Eyes

3:37

Charles Charlie Parker, Jr. (August 29, 1920 -- March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker acquired the nickname Yardbird early in his career and the shortened form, Bird, which continued to be used for the rest of his life, inspired the titles of a number of Parker compositions, such as Yardbird Suite, Ornithology, Bird Gets the Worm, and Bird of Paradise. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, sometimes combining jazz with other musical genres, including blues, Latin, and classical. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer...

A link to this wonderful artist's personal website:

Please Enjoy!

I send my kind and warm regards,

Sarah Vaughan - Lullaby of Birdland

4:24

In my humble opinion the best version of this classic song

Charlie Parker - Ornithology

3:05

Freddie Freeloader - Jon Hendricks & Friends

9:06

A great work of vocalese...from jazz masters

Gil Scott-Heron - Revolution Will Not Be Televised

3:07

Groove Holmes - Misty

2:00

Jazz organist Richard Groove Holmes recorded his version of Erroll Garner's tune Misty in August 1965. It was released as a single on the Prestige label, and in 1966, it went to No. 44 on the Billboard Hot 100, to No. 12 on the Billboard R&B chart, and to No. 7 on the Billboard Adult Contemporary chart.

Genre Station of Jazz

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