Genre Station of Jazz

Eddie Harris - The Shadow Of Your Smile

5:36

The In Sound (1965)

Miles Davis Someday My Prince Will Come

9:08

(F.E. Churchill-L.Morey) Bourne Co.
Album- Someday my prince will come
Miles Davis-Trumpet
John Coltrane-tenor sax
Wynton Kelly-piano
Paul Chambers-bass
Jimmy Cobb, Philly Joe Jones-drums

Recorded March 7, 20, and 21 1961 at Columbia 30th Street studio, New York

Kenny Dorham - Una mas

15:20

Miles Davis - All Blues

11:34

Listen to Kind of Blue on Spotify -
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About the album:
One of Miles Davis' most celebrated albums, Kind of Blue was recorded on March 2 and April 22 at Columbia's 30th Street Studio in New York City. The recording sessions featured Davis's ensemble sextet, consisting of pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian Cannonball Adderley, together with pianist Wynton Kelly on one track.

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#MilesDavis #AllBlues #Vevo #Jazz #Audio

Cannonball Adderley - Autumn Leaves

11:00

Autumn Leaves

Album:
Somethin' Else (1958)

Written by:
Joseph Kosma
Johnny Mercer
Jacques Prévert

Personnel:
Cannonball Adderley — alto saxophone
Miles Davis — trumpet
Hank Jones — piano
Sam Jones — bass
Art Blakey — drums

Horace SILVER The Tokyo blues

7:40

#3 from the album The Tokyo Blues. Horace Silver (pno), Blue Mitchell (tpt), Junior Cook (T sax), Gene Taylor (db), John Harris, JR. (dr).

Henry Mancini - So Neat

3:11

From the soundtrack album High Time (1960).

Grant Green - Alone Together

7:03

Album: Green Street
Personnel: Grant Green (g), Ben Tucker (b), Dave Bailey (ds)
Recorded: April 1, 1961

Soy Califa - Dexter Gordon

6:26

The first track off of Dexter Gordon's A Swingin' Affair

Ella Fitzgerald - Mack the Knife

5:11

She forgot the verse halfway and improvised!

Ramsey Lewis Trio - Christmas Blues

2:52

Christmas Blues is a song by Skitch Henderson & Ramsey Lewis.

Benny Goodman Dont Be That Way

3:07

Don't Be That Way written by Edgar Sampson, Benny Goodman, and Mitchell Parish was Benny Goodman's opening number in his famous Carnegie Hall Concert on January 16, 1938. A month later he recorded it for RCA Victor and it became a number 1 hit. As with Sing, Sing, Sing, Let's Dance, and And the Angels Sing, Don't Be That Way has been strongly associated with Benny Goodman. This is being posted for my subscriber 1968LEONE1. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by SME . No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

John Coltrane - Mr. P.C.

7:04

John Coltrane's composition, Mr. P.C., from the album Giant Steps, released in 1960.

Track list:
01- Giant Steps
02- Cousin Mary
03- Countdown
04- Spiral
05- Syeeda's Song Flute
06- Naima
07- Mr. P.C.
08- Giant Steps (alt. version 1)

Benny Goodman- Lets Dance

2:18

By Benny Goodman
I own no rights, I just want to let the world hear this beautifull music!

Dave Brubeck - Kathys Waltz

4:51

Kathy's Waltz from Timeout

John Coltrane - Equinox

8:33

John Coltrane — Tenor Saxophone McCoy Tyner — Piano
Steve Davis — Bass Elvin Jones — Drums

From : Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things.

Blue in Green by. Miles Davis

5:38

Another song from Kind of Blue

Horace Silver - The Jody Grind

5:51

* Horace Silver (piano)
* Woody Shaw (trumpet)
* James Spaulding (flute, alto sax)
* Tyrone Washington (tenor sax)
* Larry Ridley (bass)
* Roger Humphries (drums)

Recorded on 1966 for Blue Note

Billie Holiday God Bless The Child

4:01

Them that's got shall get
Them that's not shall lose
So the Bible said and it still is news
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Yes, the strong gets more
While the weak ones fade
Empty pockets don't ever make the grade
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Money, you've got lots of friends
Crowding round the door
When you're gone, spending ends
They don't come no more
Rich relations give
Crust of bread and such
You can help yourself
But don't take too much
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Mama may have, Papa may have
But God bless the child that's got his own
That's got his own
He just worry 'bout nothin'
Cause he's got his own

Kenny Burrell - Chitlins Con Carne

5:30

Kenny Burrell - Chitlins Con Carne

Album: Midnight Blue
Year: 1963
Label: Blue Note

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Count Basie - 9:20 Special

3:11

William Count Basie (August 21, 1904 -- April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. Basie led his jazz orchestra almost continuously for nearly 50 years. Many notable musicians came to prominence under his direction, including tenor saxophonists Lester Young and Herschel Evans, trumpeters Buck Clayton and Harry Sweets Edison and singers Jimmy Rushing and Joe Williams. Basie's theme songs were One O'Clock Jump and April In Paris

Pent-Up House / sonny rollins plus4

8:53

Sonny Rollins (ts)
Clifford Brown (tp)
Richie Powell (p)
George Morrow (b)
Max Roach (ds)

Recorded March 22, 1956

Gerry Mulligan Quartet - Bernies Tune

2:55

Los Angeles, August 16, 1952.
Line-up:
Chet Baker (t); Gerry Mulligan (bar); Bob Whitlock (sb); Chico Hamilton (d)

Thelonious Monk-Ruby My Dear

6:22

Thelonious Monk & John Coltrane,Ruby My Dear

So What - Miles Davis

9:23

So What was the first track on the studio album Kind Of Blue by American jazz musician Miles Davis, released August 17, 1959 on Columbia Records. The recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis' ensemble sextet, which included pianists Bill Evans and Wynton Kelly, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley. After the inclusion of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) and 1958 Miles (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, Kind Of Blue has been cited by many music writers not only as Davis' best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis' masterpiece, and it has been ranked at or near the top of several 'best album' lists in disparate genres. The album's influence on music, including jazz, rock and classical music, has led music writers to acknowledge it as one of the most influential albums of all time. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music including cool jazz, hard bop, free jazz and fusion. Many well-known jazz musicians made their names as members of Davis' ensembles, including John Coltrane, Herbie Hancock, Bill Evans, Wayne Shorter, Chick Corea, John McLaughlin, Julian 'Cannonball' Adderley, Gerry Mulligan, Tony Williams, George Coleman, J.J. Johnson, Keith Jarrett and Kenny Garrett. Miles Davis was inducted into the Rock and Roll Hall of Fame in 2006. This channel is dedicated to the classic jazz music you've loved for years. The smokin' hot, icy cool jams that still make you tap your feet whenever you hear them . . . Cool Jazz is here!

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Copyright 1959 Columbia Records
All Rights Reserved

Weather Report - Birdland

6:00

First track from «Heavy Weather» (1977)

Ramsey Lewis Trio The In Crowd

5:52

NO COPYRIGHT INFRINGEMENT INTENDED. COPYRIGHTS RESERVED BY COPYRIGHT OWNER.This video is used only for non-profit usage and publishing.

Duke Pearson Trio - Jeannine

5:33

Duke Pearson Trio - Jeannine (1961)

Personnel: Duke Pearson (piano), Thomas Howard (bass), Lex Humphries (drums)

from the album 'BAG'S GROOVE' (Trio Records)

Wayne Shorter - Speak No Evil

8:21

One of my favorite jazz albums has got to to be Wayne Shorter's Night Dreamer. I just started listening to Speak No Evil and so far this is my favorite track. Enjoy.

Herbie Hancock - Maiden Voyage

7:58

Maiden Voyage

Album:
Maiden Voyage (1965)

Written by:
Herbie Hancock

Personnel:
Herbie Hancock — piano
Freddie Hubbard — trumpet
George Coleman — tenor saxophone
Ron Carter — bass
Tony Williams — drums

Charlie Parker- Confirmation

3:01

A Classic

Kenny Dorham - Sao Paulo

7:20

Una Mas (One More Time) (1964)

Personnel:

Kenny Dorham (Trumpet)
Herbie Hancock (Piano)
Joe Henderson (Tenor Saxophone)
Butch Warren (Double Bass)
Tony Williams (Drums)
--
Alfred Lion (Producer)
Rudy Van Gelder (Recording Engineer)

Miles Davis Quintet - Doxy

5:05

Miles Davis Quintet - Doxy (1954)

Personnel: Miles Davis (trumpet), Sonny Rollins (tenor sax), Horace Silver (piano), Percy Heath (bass), Kenny Clarke (drums)

from the album 'BAGS' GROOVE' (Prestige Records)

Thelonious Monk - In Walked Bud

3:04

Thelonious Monk - In Walked Bud (1947) - The Overjazz Channel aims to offer only the best recordings of the begining era of modern music. Re-discover genius compositions from the parents of todays music like Miles Davis, Billie Holiday or John Coltrane. Subscribe for free to stay connected to our channel and easily access our video updates!

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Duke Ellington and his Orchestra - Mood Indigo

3:11

Classic Mood Experience The best masterpieces ever recorded in the music history.
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Edward Kennedy Duke Ellington (April 29, 1899 -- May 24, 1974) was a USA composer, pianist and bandleader of jazz-orchestras. His career spanned over 50 years, leading his orchestra from 1923 until death.
Though widely considered to have been a pivotal figure in the history of jazz, Ellington himself embraced the phrase beyond category as a liberating principle, and referred his music to the more general category of American Music, rather than to a musical genre such as jazz. Born in Washington, D.C., he was based in New York City from the mid-1920s onwards, and gained a national profile through his orchestra's appearances at the Cotton Club. In the 1930s they toured in Europe.
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Classic Mood Experience The best masterpieces ever recorded in the music history.

Explore Classic Mood Experience music, the best jazz, blues, rock, pop, R&B, soul, lantin songs ever recorded by Etta James, Billie Holiday, Bill Evans, Stevie Wonder, Ray Charles, Nina Simone, Muddy Waters, Django Reinhardt, Louis Armstrong, Miles Davis, James Brown, Chet Baker, Frank Sinatra, Ella Fitzgerald, Harry Belafonte, Nat King Cole, Louis Prima, Duke Ellington, Elvis Presley, Count Basie, Little Walter, Herbie Hancock, Edith Piaf, Aretha Franklin, Charlie Parker, Lightnin' Hopkins, Son House, B.B. King, Thelonious Monk, Howlin' Wolf, Quincy Jones, Johnny Cash, Glenn Miller, Chuck Berry, Dizzy Gillespie, Paul Anka, John Coltrane, John Lee Hooker, Coleman Hawkins, Robert Johnson, Dean Martin, Oscar Peterson, George Gershwin, Ben E. King, Big Bill Broonzy, Hank Williams, Benny Goodman, Art Tatum, Big Joe Turner, Bing Crosby, Jimmie Rodgers, Mamie Smith, Ma Rainey, Dave Brubeck, Mahalia Jackson, Fats Domino, Marvin Gaye, Bud Powell, Sonny Rollins, Fats Waller, Tony Bennett, Dinah Washington, Sarah Vaughan, Perry Como, Gerry Mulligan and many more.

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GRANT GREEN - Sookie Sookie

11:23

BARONE FABRIZIO COLLECTOR RECORDS OLDIES
Look at my page Collector's Records Popcorn Oldies
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Gene Ammons 04 Canadian Sunset

5:33

Gene Ammons Boss Tenor (Prestige PRLP 7180)

Gene Ammons Quintet
Gene Ammons (ts)
Tommy Flanagan (p)
Doug Watkins (b)
Art Taylor (d)
Ray Barretto (cga)

Rudy Van Gelder Studio, Englewood Cliffs
NJ, June 16, 1960

Charlie Parker: Star Eyes

3:37

Charles Charlie Parker, Jr. (August 29, 1920 -- March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker acquired the nickname Yardbird early in his career and the shortened form, Bird, which continued to be used for the rest of his life, inspired the titles of a number of Parker compositions, such as Yardbird Suite, Ornithology, Bird Gets the Worm, and Bird of Paradise. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, sometimes combining jazz with other musical genres, including blues, Latin, and classical. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer...

A link to this wonderful artist's personal website:

Please Enjoy!

I send my kind and warm regards,

Stan Getz & Charlie Byrd - Desafinado

5:51

Desafinado, a Portuguese word (usually rendered into English as Out of Tune, or as Off Key), is the title of a bossa nova song composed by Antonio Carlos Jobim with lyrics (in Portuguese) by Newton Mendonça. The English language lyrics were written by Jon Hendricks and Jessie Cavanaugh. Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well. The version by Stan Getz and Charlie Byrd (from the album Jazz Samba) was a major hit in 1962, reaching 15 and 4 on Billboard's pop and easy-listening charts, respectively; their definitive rendering also reached No 11 in the UK, Ella Fitzgerald's version ranked number 38 on the charts.

Jazz Samba is a bossa nova LP by Stan Getz and Charlie Byrd, released on the Verve label on April 20, 1962. Jazz Samba was the first major bossa-nova album on the American jazz scene. It was the real start of the bossa-nova excitement in America, which peaked in the mid-1960s. Though Stan Getz was the featured star of the album, it was very strongly inspired and designed by the guitarist Charlie Byrd. They were joined by two bassists (Keter Betts and Charlie's brother, Gene (Joe) Byrd), and two drummers (Buddy Deppenschmidt and Bill Reichenbach) for the recording at All Souls Church, Unitarian in Washington, D.C. on February 13, 1962, and it was released on April 20, that year as Verve LP V6-8432.

Although it is often described as music by Brazilian composer Antonio Carlos Jobim, only two of the seven tracks on the album are Jobim compositions (Desafinado [Slightly Out of Tune] and Samba de Uma Nota Só [One Note Samba]), the rest being by other Brazilian composers and by Charlie Byrd. Getz won the Grammy for Best Jazz Performance of 1963 for the track Desafinado, and went on to make many other bossa-nova recordings, most notably with João Gilberto and Astrud Gilberto, and most famously The Girl From Ipanema.

When I try to sing you say I'm off key
Why can't you see how much this hurts me
With your perfect beauty and your perfect pitch
You're a perfect terror
When I come around must you always put me down

If you say my singing is off key my love
You will hurt my feelings don't you see my love
I wish I had an ear like yours
A voice that would behave
But all I have is feelings and a voice gone deaf

You insist my music goes against the rules
But rules were never meant for lovesick fools
I wrote this little song for you but you don't care
Its a crooked song oh but all my love is there

The thing that you would see if you would play your part
Is even if I'm out of tune I have a gentle heart
I took your picture with my trusty rollaflex
And now all I have developed is a complex

Possibly in vain I hope you weaken oh my love
And forget these rigid rules that undermine my dream of
A life of love and music with someone who'll understand
That even though I may be out of tune
When I attempt to say how much I love you
All that matters is the message that I bring
Which is my dear one I love you

Gigi Gryce And The Lab Quintet- MINORITY

6:31

From the 1957 album. Gigi Gryce and Donald Byrd.

Horace Silver - Doodlin

6:45

Sheet music & Albums:
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Freddie Hubbard Little Sunflower Backlash 1967

7:57

more

Cast Your Fate to the Wind Vince Guaraldi Trio

3:09

Cast Your Fate to the Wind written by Vince Guaraldi was a hit single in 1963 and won the Grammy Award for Best Original Jazz Composition that year. It was included in the album, Jazz Impressions Of Black Orpheus, released on April 18, 1962 by the Vince Guaraldi Trio on Fantasy Records now available on CD on the Ojc label. This sound recording is administered by UMG. I do not own the right to the song, audio, or images contained in this video.No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

Eddie Harris: The ORIGINAL COLD DUCK TIME

7:00

From his 1969 classic Album: Swiss Movement- Live at The Montreux Jazz Festival in Switzerland- [Original recording]. Produced by Nesuhi Ertegun & Joel Dorn
© 1969, Atlantic Recording Corporation.
Published under Fair Use clause.

Kenny Dorham, Joe Henderson - Mamacita

11:04

Duke Ellington - It dont mean a thing

2:46

Duke Ellington and his orchestra playing this awesome tune in 1943.

It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 composition by Duke Ellington with lyrics by Irving Mills, now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra for Brunswick Records (Br 6265) on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the instrumental solos. The title was based on the oft stated credo of Ellington's former trumpeter Bubber Miley, who was dying of tuberculosis. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the Swing Era by three years. The Ellington band played the song continuously over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.

Charlie Earland - Black Talk

3:31

Hammond-driven souljazz groover originally released on the Prestige label in 1969.

Herbie Hancock - Cantaloupe Island

5:33

Cantaloupe Island

Album:
Empyrean Isles (1964)

Written by:
Herbie Hancock

Personnel:
Herbie Hancock — piano
Freddie Hubbard — cornet
Ron Carter — bass
Tony Williams — drums

Art Blakey & the Jazz Messengers - Blues March

6:18

Blues March

Album:
Moanin' (1958)

Written by:
Benny Golson

Personnel:
Art Blakey — drums
Lee Morgan — trumpet
Benny Golson — tenor saxophone
Bobby Timmons — piano
Jymie Merritt — bass

Sonny Clark - Cool Struttin

9:21

Cool Struttin' (1958)

Personnel:

Sonny Clark (Piano)
Jackie McLean (Alto Saxophone)
Art Farmer (Trumpet)
Paul Chambers (Bass)
Philly Joe Jones (Drums)
--
Alfred Lion (Producer)
Rudy Van Gelder (Recording Engineer)

More Today Than Yesterday-Charles Earland-1970

11:14

From The 1970 LP Black Talk

Oscar Peterson Night Train

4:52

Dexter Gordon - Society red

12:19

Sheet music & Albums:
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Miles Davis - On Green Dolphin street

9:52

Extract from the l.p. 58' sessions featuring Stella by Starlight

PAUL LAURENCE DUMBAR CHAMBERS- double bass
JIMMY COBB- Drums
BILL EVANS-Piano
CANNONBALL ADDERLEY- sax contralto
JOHN COLTRANE-sax tenore
MILES DAVIS-Trumpet

Jazz Crusaders Freedom Sound

8:28

Jazz Crusaders Freedom Sound

Cherokee - Charlie Barnet

3:18

Cherokee - Charlie Barnet

John Coltrane - Blue Train

10:45

Blue Train

Album:
Blue Train (1957)

Written by:
John Coltrane

Personnel:
John Coltrane tenor saxophone
Paul Chambers — double bass
Kenny Drew — piano
Curtis Fuller — trombone
Philly Joe Jones — drums
Lee Morgan — trumpet

PERFIDIA CHA CHA CAL TJADER

8:14

Cal T Jader ALBERTO DOMINGUEZ COMPOSER (1957)
VINCE GUARALDI PIANO BOBBY RODRIGUEZ BASS

Miles Davis - Seven Steps to Heaven HQ 1963

6:24

Miles Davis Quintet - Seven Steps to Heaven (original) HQ 1963 Seven Steps to Heaven is just one of the great Jazz Standards by Miles Davis.

Theme For Malcolm By Donald Byrd

7:57

Donald Byrd is an American jazz and rhythm and blues trumpeter. He was performing with Lionel Hampton before finishing high school. Byrd is one of the only bebop jazz musicians who successfully pioneered the funk & soul genres while remaining a pop artist. In 1973 he created The Blackbyrds, a fusion group consisting of his best students. The Blackbyrds had several major hits including Happy Music, Rock Creek Park, and Walking In Rhythm. In 1972 he teamed up with the Mizell Brothers for the album Black Byrd. Black Byrdwas highly successful and became Blue Note Records' highest-ever selling album. He has performed with a variety of jazz musicians including John Coltrane, Sonny Rollins, Herbie Hancock, & Thelonious Monk. In addition to his Masters from Manhattan School of Music, Byrd has two masters from Columbia University. Byrd received a law degree in 1976, and his doctorate from Columbia University Teachers College in 1982. He has taught music at Rutgers University, the Hampton Institute, New York University, and Howard University. He has also taught music at Queens College, Oberlin College, Cornell University and Delaware State University. In September 2009, he was named an artist-in-residence at Delaware State University. This selection, written by Byrd, first appeared in his 1990 album Getting Down To Business. It has also been included in numerous compilation albums including his Landmarks released in 1998.

Dave Brubeck - Strange Meadowlark

7:25

Second track from Dave Brubeck Timeout

Woody Herman - FOUR BROTHERS

3:21

「フォア・ブラザーズ」
ウディ・ハーマン楽団
１９４７年録音

FOUR BROTHERS
Woody Herman and His Orchestra

Ernie Royal, Bernie Glow, Stan Fishelson, Shorty Rogers, Marky Markowitz (trumpet)
Earl Swope, Ollie Wilson, Bob Swift (trombone)
Woody Herman (clarinet,alto sax)
Sam Marowitz (alto sax)
Herbie Steward, Stan Getz, Zoot Sims (tenor sax)
Serge Chaloff (baritone sax)
Fred Otis (piano)
Gene Sargent (guitar)
Walter Yoder (bass)
Don Lamond (drums)

Recorded in December 27, 1947

Columbia HCO3061

Art Blakey & the Jazz Messengers - Along Came Betty

6:13

Along Came Betty

Album:
Moanin' (1958)

Written by:
Benny Golson

Personnel:
Art Blakey — drums
Lee Morgan — trumpet
Benny Golson — tenor saxophone
Bobby Timmons — piano
Jymie Merritt — bass

Hard Times - David Newman

4:44

Fathead/ David Newman (Ray Charles Presents) (1958)

Herbie Hancock - Dolphin Dance

9:17

Herbie Hancock reaffirmed his importance in modern Jazz history with this stunning album. Hancock always is a pioneer of Jazz music, and this album takes him to another level of Piano brilliance. Using outstanding musicians as backup compliments this album. With Trumpeter Freddie Hubbard and Saxophonist George Colman, Hancock explores each and every song on here with different rythmic spacing, and musical influences from Miles Davis, Ornette Coleman and even Art Blakey.

From Maiden Voyage to Dolphin Dance each and every song on this album is a delight to listen too.

A landmark recording!

John Coltrane - Impressions

15:01

Artist: John Coltrane Quartet. Album: Impressions. Year: 1961

Credits: John Coltrane (Sax), Elvin Jones (Drums), McCoy Tyner (Piano), Jimmy Garrison (Bass)

Remember to buy all the stuff that you enjoy!

One OClock Jump - Count Basie

3:00

One O'Clock Jump - Count Basie

Thelonious Monk and John Coltrane - Epistrophy

4:30

Epistrophy. At Carnegie Hall. 1957. Thelonious Monk and John Coltrane, two of the biggest giants of jazz.

Plaza De Toros

9:40

Provided to YouTube by Universal Music Group

Plaza De Toros · Larry Young · Grant Green

Into Somethin'

℗ 1964 Blue Note Records

Released on: 1998-01-01

Producer: Alfred Lion
Studio Personnel, Recording Engineer: Rudy Van Gelder
Composer: Grant Green

Auto-generated by YouTube.

Cannonball Adderley - One for Daddy-O

8:26

One for Daddy-O

Album:
Somethin' Else (1958)

Written by:
Nat Adderley
Sam Jones

Personnel:
Cannonball Adderley — alto saxophone
Miles Davis — trumpet
Hank Jones — piano
Sam Jones — bass
Art Blakey — drums

Hank Mobley - Remember

5:43

Album: Soul Station
Year: 1960
Label: Blue Note

Hank Mobley - tenor saxophone
Art Blakey - drums
Wynton Kelly - piano
Paul Chambers - bass

Kenny Burrell - Midnight Blue

4:03

Thelonious Monk - Well, You Neednt

2:58

Thelonious Monk - Well, You Needn't.

Wynton Kelly Trio _ Unit 7

6:44

Personnel: Wes Montgomery (guitar); Wynton Kelly (piano); Paul Chambers (bass); Jimmy Cobb (drums).

Recorded live at the Half Note, New York, New York and Van Gelder Studios, Englewood Cliffs, New Jersey in June and September 1965.

Personnel: Wes Montgomery (guitar); Wynton Kelly (piano); Paul Chambers (bass instrument); Jimmy Cobb (drums).

Recording information: Englewood Cliffs, New Jersey; 1965.

This album is the live equivalent of the INCREDIBLE GUITAR album--Wes Montgomery cooking with a seasoned and communicative piano trio on a set of jazz compositions, standards, and original material. INCREDIBLE GUITAR has Tommy Flanagan, Percy Heath, and Albert Heath; SMOKIN' has the Wynton Kelly trio, with Paul Chambers on bass, and Jimmy Cobb on drums. Not only had the same trio served as one of Miles Davis' great rhythm sections, but Kelly was considered by many to be the most gifted accompanist of his time.

Miles Davis's No Blues is in fact an utterly relentless blues, with Montgomery nailing each single-note, octave, or block-chord phrase with passionate conviction. Bassist Sam Jones's Unit 7 is another uptempo blues. Four on Six, which debuted on INCREDIBLE GUITAR, gets an edited version of the head and a slightly faster treatment overall. Kelly takes the lead on the first ballad, If You Could See Me Now, Montgomery on the second, framing the melody to What's New in octaves over Cobb's late-night brushes. The excellent sound quality and almost complete lack of audience noise throughout makes SMOKIN' feel like eavesdropping of the best kind.

Lambert, Hendricks & Ross - Twisted

2:16

First release by Annie Ross on audio album Annie Ross Sings in 1952 or 1954.

Release with Lambert, Hendricks, & Ross on audio album Lambert, Hendricks, & Ross! in 1959.

Twisted
Lyrics written by Annie Ross.
Music written by Wardell Gray.

My analyst told me
that I was right out of my head
The way he described it
he said I'd be better dead than live
I didn't listen to his jive
I knew all along that he was all wrong
And I knew that he thought I was crazy
But I'm not,
oh no

My analyst told me
that I was right out of my head
He said I need treatment
but I'm not that easily led
He said I was the type that was most inclined
When out of his sight to be out of my mind
And he thought I was nuts
No more ifs or ands or buts

They say as I child I appeared a little bit wild
With all my crazy ideas, but I knew what was happening
I knew I was a genius
What's so strange
When you know that you're a wizard at three
I knew that this was meant to be

Now I heard little children were supposed to sleep tight
That's why I got into the vodka one night
My parents got frantic didn't know what to do
But I saw some crazy scenes before I came to
Now do you think I was crazy
I may have been only three, but I was swinging

They all laughed at A. Graham Bell, they all laughed at Edison
And also at Einstein, so why should I feel sorry
If they just couldn't understand the idiomatic logic
That went on in my head, I had a brain, it was insane
Oh they used to laugh at me when I'd refuse to ride
On all those double-decker buses
All because there was no driver on the top

What, no driver on the top?
Man the chick is twisted, crazy, moogie-shoogie, idiot flip city!

My analyst told me
that I was right out of my head
But I said dear doctor
I think that it's you instead
Because I've got a thing that's unique and new
To prove that I'll have the last laugh on you
'Cause instead of one head
I've got two
And you know two heads are better than one

Killer Joe By Art Farmer & Benny Golson Jazztet

4:17

From Meet the Jazztet

Toots Thielemans - Bluesette

2:52

The original 1964 debut version, from the out-of-print The Whistler & His Guitar with Arnold Fishkind (b), Sol Gubin or Don Lamond (d), Toots Thielemans (gtr & whistling), Dick Hyman (org).

All the classic lines you hear on later arrangements of this tune started here.

Brother Jack McDuff - Rock Candy

2:48

Soul, R&B, Hammond

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Erzeugt mit AquaSoft DiaShow für YouTube:

Jimmy Smith / Wes Montgomery / OGD

6:10

1966 album Further Adventures of Jimmy And Wes

Bill Evans - Night And Day

7:37

Bill Evans - Night And Day
Tribute to Bill Evans
Bill Evans - The Best Of Bill Evans - 04. Night And Day
night and day piano solo bill evans jazz tribute the best performance cannonball adderley larry bunker ron carter paul chambers percy heat frddie hubbard chuck israels philly joe jones sam jones connie kay teddy kotick scott lafaro paul motian zoot sims drums tenor sax trumpet bass

Jimmy Smith / Walk On The Wild Side

5:55

1962 album Bashin': The Unpredictable Jimmy Smith

Duke Ellington and his Famous Orchestra - The C Jam Blues

2:45

Duke Ellington and his Famous Orchestra playing: The C Jam Blues
Written By: Duke Ellington
Label: His Masters Voice
Dance Orchstra Speed 78 rpm
Swing Music 1942 Series

Miles Davis - Milestones

5:51

Thelonious Monk - Misterioso

3:23

Thelonious Monk - Misterioso.

Glenn Miller---In The Mood

3:37

Arguably Glenn Miller's theme song, In the Mood, the biggest hit of 1940, which stayed on the Billboard charts for 30 weeks, peaking at #1.

Stanley Turrentine Sextet - Sugar

10:04

Sugar by Stanley Turrentine as performed by the Stanley Turrentine Sextet on Sugar.
Freddie Hubbard - Trumpet
Stanley Turrentine - Tenor Saxophone
George Benson - Guitar
Lonnie Smith - Electric Piano
Ron Carter - Bass
Billy Kaye - Drums

I do not own the rights to this piece, arrangement, recording or anything related. I just wanted to share this recording with those who do not readily have access to it.

Benny Goodman - Sing Sing Sing

8:41

Performer(s): « Benny Goodman »
« Sing Sing Sing »
Audio : Very Hq - CD Quality Sound -- MP3 320 Kbps

Album : « 99 Hits : Benny Goodman » by « Benny Goodman »

Genre et sous style:
Jazz

Nefertiti by Miles Davis

7:56

Title - Nefertiti
Artist - Miles Davis
Album - The Essential

Eddie Harris – Boogie Woogie Bossa Nova

6:19

from the Album: Free Speech (1970)
Eddie Harris (ts, varitone)
Jodie Christian (ep)
Louis Spears (b)
Billy Hart (dr)
Felix Henry (perc)

Miles Davis - Rocker

3:08

Miles Davis
Birth Of the Cool
Rocker

Lee Morgan - The Sidewinder

10:26

Album: The Sidewinder
Year: 1963
Label: Blue Note

Lee Morgan - trumpet
Joe Henderson - tenor saxophone
Billy Higgins - drums
Barry Harris - piano
Bob Cranshaw - bass

Bill Evans - Waltz For Debby

4:30

Bill Evans - Waltz For Debby,players' cast shown in comment of [lk2u] and [stefshop].thanks for the information.

Dave Brubeck Quartet - The Duke

2:51

Dave Brubeck Quartet - The Duke. Live at Basin Street, New York City, circa 1954/1955.

From the album Dave Brubeck Quartet - Jazz: Red Hot and Cool

My wife and I were blessed to see the legendary Dave Brubeck Quartet play at Burlington, Vermont's Flynn Theater on June 6, 2008, as part of the Burlington Discover Jazz Festival.

Gentleman Genius, Dave Brubeck (December 6, 1920 -- December 5, 2012), passed away today. Thank you for the wonderful music and for making our world more beautiful. Rest in peace, and Take Five, Brother Dave.

All best - Root Of Solomon, aka The Conquering Lion of Judah.

We do not own copyright.

Horace Silver - Song for My Father

7:19

Song for my Father

Album:
Song for my Father (1964)

Written by:
Horace Silver

Personnel:
Horace Silver — piano
Carmell Jones — trumpet
Joe Henderson — tenor saxophone
Teddy Smith — bass
Roger Humphries — drums

John Patton Hot Sauce

7:57

LP Blue John Blue Note records grooveaddict.org

Dizzy Gillespie - Con Alma

5:05

Con Alma is a jazz standard written by Dizzy Gillespie. It incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Versions have been recorded by Oscar Peterson, Wes Montgomery, Ed Bickert, Stan Getz and Kenny Burrell. The song was recorded by Chaka Khan in 1982 as part of the Be Bop Medley from her album Chaka Khan.

John Birks Dizzy Gillespie (October 21, 1917 -- January 6, 1993) was an American jazz trumpeter, bandleader, composer and occasional singer. Allmusic's Scott Yanow wrote, Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated. Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time.

Gillespie was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.

Gillespie's trademark trumpet featured a bell which bent upward at a 45-degree angle rather than pointing straight ahead as in the conventional design. According to Gillespie's autobiography, this was originally the result of accidental damage caused by the dancers Stump and Stumpy falling onto it while it was on a trumpet stand on stage at Snookie's in Manhattan on January 6, 1953, during a birthday party for Gillespie's wife Lorraine. The constriction caused by the bending altered the tone of the instrument, and Gillespie liked the effect. He had the trumpet straightened out the next day, but he could not forget the tone. Gillespie sent a request to Martin Committee to make him a bent trumpet from a sketch produced by Lorraine, and from that time forward Gillespie played a trumpet with an upturned bell. Gillespie's biographer Alyn Shipton writes that Gillespie probably got the idea for a bent trumpet when he saw a similar instrument in 1937 in Manchester, England, while on tour with the Teddy Hill Orchestra. According to this account (from British journalist Pat Brand) Gillespie was able to try out the horn and the experience led him, much later, to commission a similar horn for himself.

Whatever the origins of Gillespie's upswept trumpet, by June 1954, he was using a professionally manufactured horn of this design, and it was to become a visual trademark for him for the rest of his life.

A longtime resident of Englewood, New Jersey, he died of pancreatic cancer January 6, 1993, aged 75, and was buried in the Flushing Cemetery, Queens, New York. Mike Longo delivered a eulogy at his funeral. He was also with Gillespie on the night he died, along with Jon Faddis and a select few others.

At the time of his death, Gillespie was survived by his widow, Lorraine Willis Gillespie; a daughter, jazz singer Jeanie Bryson; and a grandson, Radji Birks Bryson-Barrett. Gillespie had two funerals. One was a Bahá'í funeral at his request, at which his closest friends and colleagues attended. The second was at the Cathedral of St. John the Divine in New York open to the public.

In December 1986 Gillespie gave the National Museum of American History his 1972 King Silver Flair trumpet with a Cass mouthpiece. In April 1995, Gillespie's Martin trumpet was auctioned at Christie's in New York City, along with instruments used by other famous musicians such as Coleman Hawkins, Jimi Hendrix and Elvis Presley. An image of Gillespie's trumpet was selected for the cover of the auction program. The battered instrument sold to Manhattan builder Jeffery Brown for $63,000, the proceeds benefiting jazz musicians suffering from cancer.

Dizzy's accompanied by José Manguel (bongos); Gilberto Valdez (flute); Rafael Miranda (percussion), Rene Hernandez (piano); and Ubaldo Nieto (timbales). Recorded June 3, 1954 at Fine Sound, New York City. (Verve Records)

Horace Silver - Lonely Woman

7:04

Lonely Woman

Album:
Song for my Father (1964)

Written by:
Horace Silver

Personnel:
Horace Silver — piano
Blue Mitchell — trumpet
Junior Cook — tenor saxophone
Eugene Taylor — bass
Roy Brooks — drums

Begin The Beguine - Artie Shaw

3:14

Begin The Beguine - Artie Shaw

Oscar Peterson - C Jam Blues

9:07

Live in Denmark,1964.
Oscar Peterson on Piano
Ray Brown on Bass
Ed Thigpen on Drums

Genre Station of Jazz

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