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Genre Station of Jazz

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    Oscar Peterson Night Train


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    Groovin High - Charlie Parker, Dizzy Gillespie


    This superb performance of Groovin' High was recorded by Dizzy Gillespie (tp) Charlie Parker (as) John Lewis (p) Al McKibbon (b) and Joe Harris (d) at Carnegie Hall, NYC, September 29, 1947.

    Best Dizzy's solo in Groovin High ever.

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    Theme from Exodus - Eddie Harris


    Theme from Exodus by Ernie Gold, played by Eddie Harris from his first solo record Exodus to Jazz. According to Wikipedia, this is the first Jazz record ever certified gold! This record was recorded in 1962 at Bill Putnam's Universal Recording, in Chicago. (Bill later formed UREI from Universal Audio.) It never ceases to amaze me how good these records sound. When I was a young mastering engineer (at Eva-tone, another company formed in Evanston, Ill) my supervisor was Jerry DeClerk; Jerry was an engineer for these sessions and remembered working on this album...

    from Vee Jay LP-3016
    Single and Album versions can be purchased here:

    Eddie Harris - TS
    Joseph Diorio - G
    William Yancy - B
    Willie Pickens - P
    Harold Jones - D

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    Miles Davis - On Green Dolphin street


    Extract from the l.p. 58' sessions featuring Stella by Starlight

    JIMMY COBB- Drums
    BILL EVANS-Piano
    CANNONBALL ADDERLEY- sax contralto
    JOHN COLTRANE-sax tenore
    MILES DAVIS-Trumpet

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    Miles Davis Quintet Tune Up Live 1956


    This is a rare live recording of the First Great Quintet playing the Eddie Cleanhead Vinson number. The Blue Note Club, Philly. 12.8.56.

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    John Coltrane - Equinox


    John Coltrane — Tenor Saxophone McCoy Tyner — Piano
    Steve Davis — Bass Elvin Jones — Drums

    From : Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things.

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    Wayne Shorter - Speak No Evil


    One of my favorite jazz albums has got to to be Wayne Shorter's Night Dreamer. I just started listening to Speak No Evil and so far this is my favorite track. Enjoy.

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    Glenn Miller---In The Mood


    Arguably Glenn Miller's theme song, In the Mood, the biggest hit of 1940, which stayed on the Billboard charts for 30 weeks, peaking at #1.

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    Benny Goodman- Lets Dance


    By Benny Goodman
    I own no rights, I just want to let the world hear this beautifull music!

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    Autumn Leaves Chet Baker - Paul Desmond


    A beautiful song performed by Chet Baker (trumpet), Paul Desmond (alto sax), Hubert Laws (flute), Bob James (keyboard), Ron Carter (contrabass) and Steve Gadd (drums). - Una hermosa canción interpretada por Chet Baker (trompeta), Paul Desmond( saxo alto), Hubert Laws (flauta), Bob James (teclado), Ron Carter (contrabajo) y Steve Gadd (batería).

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    Clifford Brown & Max Roach - Joy Spring


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    Lambert, Hendricks & Ross - Twisted


    First release by Annie Ross on audio album Annie Ross Sings in 1952 or 1954.

    Release with Lambert, Hendricks, & Ross on audio album Lambert, Hendricks, & Ross! in 1959.

    Lyrics written by Annie Ross.
    Music written by Wardell Gray.

    My analyst told me
    that I was right out of my head
    The way he described it
    he said I'd be better dead than live
    I didn't listen to his jive
    I knew all along that he was all wrong
    And I knew that he thought I was crazy
    But I'm not,
    oh no

    My analyst told me
    that I was right out of my head
    He said I need treatment
    but I'm not that easily led
    He said I was the type that was most inclined
    When out of his sight to be out of my mind
    And he thought I was nuts
    No more ifs or ands or buts

    They say as I child I appeared a little bit wild
    With all my crazy ideas, but I knew what was happening
    I knew I was a genius
    What's so strange
    When you know that you're a wizard at three
    I knew that this was meant to be

    Now I heard little children were supposed to sleep tight
    That's why I got into the vodka one night
    My parents got frantic didn't know what to do
    But I saw some crazy scenes before I came to
    Now do you think I was crazy
    I may have been only three, but I was swinging

    They all laughed at A. Graham Bell, they all laughed at Edison
    And also at Einstein, so why should I feel sorry
    If they just couldn't understand the idiomatic logic
    That went on in my head, I had a brain, it was insane
    Oh they used to laugh at me when I'd refuse to ride
    On all those double-decker buses
    All because there was no driver on the top

    What, no driver on the top?
    Man the chick is twisted, crazy, moogie-shoogie, idiot flip city!

    My analyst told me
    that I was right out of my head
    But I said dear doctor
    I think that it's you instead
    Because I've got a thing that's unique and new
    To prove that I'll have the last laugh on you
    'Cause instead of one head
    I've got two
    And you know two heads are better than one

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    Kenny Dorham, Joe Henderson - Mamacita


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    Jimmy Smith / Wes Montgomery / OGD


    1966 album Further Adventures of Jimmy And Wes

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    All Blues- Miles Davis


    The 4th track of Miles Davis's 1959 album Kind of Blue

    Miles Davis - trumpet
    Bill Evans - piano
    Wynton Kelly - piano
    Jimmy Cobb - drums
    Paul Chambers - bass
    John Coltrane - tenor saxophone
    Julian Cannonball Adderley - alto saxophone

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    Herbie Hancock - Cantaloupe Island


    Cantaloupe Island

    Empyrean Isles (1964)

    Written by:
    Herbie Hancock

    Herbie Hancock — piano
    Freddie Hubbard — cornet
    Ron Carter — bass
    Tony Williams — drums

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    Wayne Shorter - Footprints


    Wayne Shorter - Footprints. From 'Adam's Apple'. Shorter (ts), Herbie Hancock (p), Reggie Workman (b), Joe Chambers (d).

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    Herbie Hancock - Dolphin Dance


    Herbie Hancock reaffirmed his importance in modern Jazz history with this stunning album. Hancock always is a pioneer of Jazz music, and this album takes him to another level of Piano brilliance. Using outstanding musicians as backup compliments this album. With Trumpeter Freddie Hubbard and Saxophonist George Colman, Hancock explores each and every song on here with different rythmic spacing, and musical influences from Miles Davis, Ornette Coleman and even Art Blakey.

    From Maiden Voyage to Dolphin Dance each and every song on this album is a delight to listen too.

    A landmark recording!

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    Lee Morgan - Cornbread


    Cornbread (1967)


    Lee Morgan (Trumpet)
    Jackie McLean (Alto Saxophone)
    Larry Ridley (Bass)
    Herbie Hancock (Piano)
    Hank Mobley (Tenor Saxophone)
    Billy Higgins (Drums)
    Alfred Lion (Producer)
    Rudy Van Gelder (Recording Engineer)

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    Charlie Parker - Ornithology


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    Miles Davis & John Coltrane / Four 1958


    Miles Davis & John Coltrane / Four

    ''1958'' Live In New York

    1958.5.17 Cafe Bohemia. NCC
    Miles Davis [to] , John Coltrane [ts] , Bill Evans [p] , Paul Chambers [b] , Philly Joe Jones [ds]

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    Milt Jackson - Bags Groove


    Lou Donaldson - alto saxophone
    Thelonious Monk - piano
    John Simmons - bass
    Shadow Wilson - drums
    Milt Jackson -- vibraphone
    recorded April 7, 1952

    DISCLAIMER: All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only.
    If you like this recording, I strongly recommend you buying the record.

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    Soy Califa - Dexter Gordon


    The first track off of Dexter Gordon's A Swingin' Affair

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    Charlie Parker- Confirmation


    A Classic

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    Art Blakey - Dat Dere


    My personal favorite track from Art Blakey's album, The Big Beat.


    P.S. Sorry about the lack of updates on my channel, but our basement has flooded, and the clean up is taking up almost all of my available time.

    P.P.S. If you enjoy this track please rate/comment

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    Miles Davis Quintet - Doxy


    Miles Davis Quintet - Doxy (1954)

    Personnel: Miles Davis (trumpet), Sonny Rollins (tenor sax), Horace Silver (piano), Percy Heath (bass), Kenny Clarke (drums)

    from the album 'BAGS' GROOVE' (Prestige Records)

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    Brother Jack McDuff - Rock Candy


    Soul, R&B, Hammond

    Erzeugt mit AquaSoft DiaShow für YouTube:

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    Miles Davis - Fran-Dance


    Listen to Kind of Blue on Spotify -
    Listen to more from Miles Davis on Spotify -
    Buy Kind of Blue:
    Amazon -

    About the album:
    One of Miles Davis' most celebrated albums, Kind of Blue was recorded on March 2 and April 22 at Columbia's 30th Street Studio in New York City. The recording sessions featured Davis's ensemble sextet, consisting of pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian Cannonball Adderley, together with pianist Wynton Kelly on one track.

    Follow Miles Davis on Twitter -
    Like Miles Davis on Facebook -
    Subscribe to the Miles Davis YouTube Channel -

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    Gerald Wilson - Viva Tirado


    New York, New Sound (Mack Avenue MAC 31009 + MAC 1019)

    Follow me @mike_silb

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    SONNY ROLLINS.St. Thomas


    Personnel: Sonny Rollins (tenor saxophone); Tommy Flanagan (piano); Doug Watkins (bass); Max Roach (drums).

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    The Cannonball Adderley Quintet / Nat Adderley / Work Song


    1960 album Them Dirty Blues

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    Kenny Burrell - Midnight Blue


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    Cal Tjader - Soul Sauce


    Soul Sauce from the great Cal Tjader

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    Horace Silver - Lonely Woman


    Lonely Woman

    Song for my Father (1964)

    Written by:
    Horace Silver

    Horace Silver — piano
    Blue Mitchell — trumpet
    Junior Cook — tenor saxophone
    Eugene Taylor — bass
    Roy Brooks — drums

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    Duke Pearson Trio - Jeannine


    Duke Pearson Trio - Jeannine (1961)

    Personnel: Duke Pearson (piano), Thomas Howard (bass), Lex Humphries (drums)

    from the album 'BAG'S GROOVE' (Trio Records)

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    Groove Holmes - Misty


    Jazz organist Richard Groove Holmes recorded his version of Erroll Garner's tune Misty in August 1965. It was released as a single on the Prestige label, and in 1966, it went to No. 44 on the Billboard Hot 100, to No. 12 on the Billboard R&B chart, and to No. 7 on the Billboard Adult Contemporary chart.

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    Jimmy Smith & Stanley Turrentine - Back At The Chicken Shack


    Jimmy Smith & Stanley Turrentine (JAZZ)


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    Cannonball Adderley Jive Samba


    From the 2006 Riverside Profiles series Cannonball Adderley

    Cannonball Adderley, alto sax
    Nat Adderley, cornet
    Yusef Lateef, flute, tenor sax
    Joe Zawinul, piano
    Sam Jones, bass
    Louis Hayes, drums

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    Ornette Coleman - Ramblin



    Change of the Century (1960)

    Written by:
    Ornette Coleman

    Ornette Coleman — alto saxophone
    Don Cherry — pocket trumpet
    Charlie Haden — bass
    Billy Higgins — drums

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    Miles Davis - Freddie Freeloader


    The 2nd track of Miles Davis's 1959 album Kind of Blue

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    Clifford Brown & Max Roach - Delilah


    Clifford Brown and Max Roach (1954)


    Clifford Brown (Trumpet)
    Harold Land (Tenor Saxophone)
    George Morrow (Bass)
    Richie Powell (Piano)
    Max Roach (Drums)
    Bob Shad (Producer)

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    Stanley Turrentine Sextet - Sugar


    Sugar by Stanley Turrentine as performed by the Stanley Turrentine Sextet on Sugar.
    Freddie Hubbard - Trumpet
    Stanley Turrentine - Tenor Saxophone
    George Benson - Guitar
    Lonnie Smith - Electric Piano
    Ron Carter - Bass
    Billy Kaye - Drums

    I do not own the rights to this piece, arrangement, recording or anything related. I just wanted to share this recording with those who do not readily have access to it.

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    Thelonious Monk and John Coltrane - Trinkle Tinkle


    DISCLAIMER: All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only.
    If you like this recording, I strongly recommend you buying the record.

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    Art Blakey & Thelonious Monk Rhythm-A-Ning Art Blakeys Jazz Messengers W 1957



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    Charles Mingus - Goodbye Pork Pie Hat


    Free sheet music:

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    Benny Goodman Dont Be That Way


    Don't Be That Way written by Edgar Sampson, Benny Goodman, and Mitchell Parish was Benny Goodman's opening number in his famous Carnegie Hall Concert on January 16, 1938. A month later he recorded it for RCA Victor and it became a number 1 hit. As with Sing, Sing, Sing, Let's Dance, and And the Angels Sing, Don't Be That Way has been strongly associated with Benny Goodman. This is being posted for my subscriber 1968LEONE1. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by SME . No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

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    Señor Blues Horace Silver


    This cut is from the LP Six Pieces of Silver(1956) and features the following musicians:

    Horace Silver (piano); Bill Henderson (vocals); Hank Mobley, Junior Cook (tenor saxophone); Donald Byrd (trumpet); Doug Watkins, Gene Taylor (bass); Louis Hayes (drums).

    All music or related performances remain the sole property of their respective copyright holders. No video clips are for sale, nor do they imply challenge to ownerships. They are intended strictly for entertainment and educational purposes only.

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    Dave Brubeck - Strange Meadowlark


    Second track from Dave Brubeck Timeout

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    Dave Brubeck - Blue Rondo a la Turk


    First track from Dave Brubeck Timeout. Some pretty cool jazz.

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    Duke Pearson Amanda Wahoo



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    Sonny Clark - Cool Struttin


    Cool Struttin' (1958)


    Sonny Clark (Piano)
    Jackie McLean (Alto Saxophone)
    Art Farmer (Trumpet)
    Paul Chambers (Bass)
    Philly Joe Jones (Drums)
    Alfred Lion (Producer)
    Rudy Van Gelder (Recording Engineer)

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    Round Midnight - Thelonious Monk


    'Round Midnight is a 1944 jazz standard by pianist Thelonious Monk. It is thought that Monk originally composed the song sometime in 1940 or 1941. 'Round Midnight is the most-recorded jazz standard composed by a jazz musician. In it appears in over 1,000 albums. The song is also called 'Round About Midnight, as Miles Davis used this title for his 1957 Columbia Records album Round About Midnight that included a cover of the song based on Dizzy Gillespie's interpretation. Thelonious Sphere Monk (October 10, 1917 -- February 17, 1982) was an American jazz pianist and composer widely considered one of the giants of American music. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire. Monk is the second most-recorded jazz composer after Duke Ellington, which is particularly remarkable as Ellington composed over 1,000 songs while Monk wrote about 70. Often regarded as a founder of bebop, Monk's playing later evolved away from that style. His compositions and improvisations are full of dissonant harmonies and angular melodic twists, and are consistent with Monk's unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of silences and hesitations. He died of a stroke on February 17, 1982, and was buried in Ferncliff Cemetery in Hartsdale, New York. In 1993, he was posthumously awarded the Grammy Lifetime Achievement Award, and in 2006, Monk was posthumously awarded a Pulitzer Prize Special Citation. He is one of only five jazz musicians to be featured on the cover of Time magazine (the other four being Louis Armstrong, Duke Ellington, Wynton Marsalis, and Dave Brubeck). This channel is dedicated to the classic jazz music you've loved for years. The smokin' hot, icy cool jams that still make you tap your feet whenever you hear them . . . Cool Jazz is here!

    For music videos of the Old School funk, go to: school

    To check out videos from The Roots Of Rap, go to:

    To explore the world of The DJ Cafe, go to:

    If you love jamming to some great Classic Rock, check out:

    Check out my newer music videos and other fun stuff at:

    Check out my news videography stuff at:

    Also, check out my youngest daughter (the world's youngest video producer) at:

    And coming in January 2011 . . .
    DJ Buddy Love presents LONGEVITY . . .
    A world record club DJ mixing marathon charity event . . .
    121 hours nonstop to benefit cancer research . . .
    Live to the world via UStream, Facebook, YouTube & Twitter . . .
    More details coming soon . . .



    Copyright 1947 Blue Note Records
    All Rights Reserved

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    Oscar Peterson - C Jam Blues


    Live in Denmark,1964.
    Oscar Peterson on Piano
    Ray Brown on Bass
    Ed Thigpen on Drums

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    PAINTED RHYTHM by Stan Kenton 1945 Swing Jazz!


    PAINTED RHYTHM by Stan Kenton, recorded in 1945 and here released on a Capitol label 78 rpm record in 1946. Stan Kenton style swing featuring Eddie Safranski and Vido Musso! Enjoy!

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    Miles Davis - Walkin


    Miles Davis - Walkin' ALL RIGHTS GO TO THEM/FOR ENTERTAINMENT PURPOSES ONLY Please rate, comment, and check out my other metal/jazz videos. Thanks for watching.


    Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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    Dizzy Gillespie - Con Alma


    Con Alma is a jazz standard written by Dizzy Gillespie. It incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Versions have been recorded by Oscar Peterson, Wes Montgomery, Ed Bickert, Stan Getz and Kenny Burrell. The song was recorded by Chaka Khan in 1982 as part of the Be Bop Medley from her album Chaka Khan.

    John Birks Dizzy Gillespie (October 21, 1917 -- January 6, 1993) was an American jazz trumpeter, bandleader, composer and occasional singer. Allmusic's Scott Yanow wrote, Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated. Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time.

    Gillespie was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.

    Gillespie's trademark trumpet featured a bell which bent upward at a 45-degree angle rather than pointing straight ahead as in the conventional design. According to Gillespie's autobiography, this was originally the result of accidental damage caused by the dancers Stump and Stumpy falling onto it while it was on a trumpet stand on stage at Snookie's in Manhattan on January 6, 1953, during a birthday party for Gillespie's wife Lorraine. The constriction caused by the bending altered the tone of the instrument, and Gillespie liked the effect. He had the trumpet straightened out the next day, but he could not forget the tone. Gillespie sent a request to Martin Committee to make him a bent trumpet from a sketch produced by Lorraine, and from that time forward Gillespie played a trumpet with an upturned bell. Gillespie's biographer Alyn Shipton writes that Gillespie probably got the idea for a bent trumpet when he saw a similar instrument in 1937 in Manchester, England, while on tour with the Teddy Hill Orchestra. According to this account (from British journalist Pat Brand) Gillespie was able to try out the horn and the experience led him, much later, to commission a similar horn for himself.

    Whatever the origins of Gillespie's upswept trumpet, by June 1954, he was using a professionally manufactured horn of this design, and it was to become a visual trademark for him for the rest of his life.

    A longtime resident of Englewood, New Jersey, he died of pancreatic cancer January 6, 1993, aged 75, and was buried in the Flushing Cemetery, Queens, New York. Mike Longo delivered a eulogy at his funeral. He was also with Gillespie on the night he died, along with Jon Faddis and a select few others.

    At the time of his death, Gillespie was survived by his widow, Lorraine Willis Gillespie; a daughter, jazz singer Jeanie Bryson; and a grandson, Radji Birks Bryson-Barrett. Gillespie had two funerals. One was a Bahá'í funeral at his request, at which his closest friends and colleagues attended. The second was at the Cathedral of St. John the Divine in New York open to the public.

    In December 1986 Gillespie gave the National Museum of American History his 1972 King Silver Flair trumpet with a Cass mouthpiece. In April 1995, Gillespie's Martin trumpet was auctioned at Christie's in New York City, along with instruments used by other famous musicians such as Coleman Hawkins, Jimi Hendrix and Elvis Presley. An image of Gillespie's trumpet was selected for the cover of the auction program. The battered instrument sold to Manhattan builder Jeffery Brown for $63,000, the proceeds benefiting jazz musicians suffering from cancer.

    Dizzy's accompanied by José Manguel (bongos); Gilberto Valdez (flute); Rafael Miranda (percussion), Rene Hernandez (piano); and Ubaldo Nieto (timbales). Recorded June 3, 1954 at Fine Sound, New York City. (Verve Records)

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    Bloomdido Charlie Parker and Dizzy Gillespie


    Bloomdido is from Bird & Diz , a studio album by jazz saxophonist Charlie Parker and trumpeter Dizzy Gillespie, recorded on June 6, 1950 and originally released on Clef Records. The album has been reissued several times by Verve and PolyGram Records. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by UMG. No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

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    Provided to YouTube by Universal Music Group

    Strollin' (Remastered) · Horace Silver

    Horace - Scope

    ℗ 2005 Blue Note Records

    Released on: 2006-01-01

    Associated Performer, Piano: Horace Silver
    Associated Performer, Bass: Gene Taylor
    Associated Performer, Drums: Roy Brooks
    Associated Performer, Trumpet: Blue Mitchell
    Associated Performer, Tenor Saxophone: Junior Cook
    Producer: Alfred Lion
    Studio Personnel, Recording Engineer: Rudy Van Gelder
    Studio Personnel, Mastering Engineer: Yoshio Okazaki
    Composer Lyricist: Horace Silver

    Auto-generated by YouTube.

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    Eddie Harris - Listen Here


    Eddie Harris - Listen Here from his 1967. release The Electrifying Eddie Harris

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    Nefertiti by Miles Davis


    Title - Nefertiti
    Artist - Miles Davis
    Album - The Essential

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    Paul Desmond - Take Ten


    Paul Desmond - Take Ten, a brilliant version of another excellent tune - Take Five

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    Blue in Green by. Miles Davis


    Another song from Kind of Blue

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    Ella Fitzgerald - Mack the Knife


    She forgot the verse halfway and improvised!

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    Miles Davis - Milestones


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    Plaza De Toros


    Provided to YouTube by Universal Music Group

    Plaza De Toros · Larry Young · Grant Green

    Into Somethin'

    ℗ 1964 Blue Note Records

    Released on: 1998-01-01

    Producer: Alfred Lion
    Studio Personnel, Recording Engineer: Rudy Van Gelder
    Composer: Grant Green

    Auto-generated by YouTube.

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    Tony Williams- Sister Cheryl


    The sixth track from Tony Williams' 'Foreign Intrigue' album released in 1986.

    Wallace Roney- Trumpet
    Donald Harrison- Alto Saxophone
    Bobby Hutcherson- Vibes
    Mulgrew Miller- Piano
    Ron Carter- Bass
    Tony Williams- Drums, Percussion

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    Kenny Dorham - Una mas


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    Lee Morgan - The Sidewinder


    Album: The Sidewinder
    Year: 1963
    Label: Blue Note

    Lee Morgan - trumpet
    Joe Henderson - tenor saxophone
    Billy Higgins - drums
    Barry Harris - piano
    Bob Cranshaw - bass

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    Benny Goodman - Sing Sing Sing


    Performer(s): « Benny Goodman »
    « Sing Sing Sing »
    Audio : Very Hq - CD Quality Sound -- MP3 320 Kbps

    Album : « 99 Hits : Benny Goodman » by « Benny Goodman »

    Genre et sous style:

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    Freddie Hubbard Little Sunflower Backlash 1967



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    Eddie Harris – Boogie Woogie Bossa Nova


    from the Album: Free Speech (1970)
    Eddie Harris (ts, varitone)
    Jodie Christian (ep)
    Louis Spears (b)
    Billy Hart (dr)
    Felix Henry (perc)

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    Miles Davis Someday My Prince Will Come


    (F.E. Churchill-L.Morey) Bourne Co.
    Album- Someday my prince will come
    Miles Davis-Trumpet
    John Coltrane-tenor sax
    Wynton Kelly-piano
    Paul Chambers-bass
    Jimmy Cobb, Philly Joe Jones-drums

    Recorded March 7, 20, and 21 1961 at Columbia 30th Street studio, New York

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    Charlie Parker - Nows The Time


    original sound track

    Brano dell'omonimo album di Charlie Parker del 1945

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    Art Tatum plays Tea for Two


    Of all Tatum's recordings, this is probably my favorite. I think it's by far his best version of Tea for Two (even better than the earlier, transcribed version which as of now is the only other version on Youtube). It's almost classical the way he develops and varies the theme. If Liszt played Tea for Two, it would sound something like this. :)

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    Nat King Cole- Route 66


    (Get Your Kicks On) Route 66 sung by Nat King Cole & his King Cole Trio. This collection of crazy vehicles are just a backdrop for his wonderful song.

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    Herbie Hancock Watermelon man


    LP Takin' Off' Blue Note records 1962
    Herbie Hancock — Piano
    Freddie Hubbard — Trumpet
    Dexter Gordon — Tenor Saxophone
    Butch Warren — Bass
    Billy Higgins — Drums
    Recorded May 28, 1962
    Van Gelder Studio, Englewood Cliffs

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    Sarah Vaughan - Lullaby of Birdland


    In my humble opinion the best version of this classic song

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    Bobby Hutcherson - Little Bs Poem


    Components (1966)


    Bobby Hutcherson (Vibraphone, Marimba)
    James Spaulding (Alto Saxophone, Flute)
    Ron Carter (Bass)
    Freddie Hubbard (Trumpet)
    Joe Chambers (Drums)
    Herbie Hancock (Piano)
    Alfred Lion (Producer)
    Rudy Van Gelder (Recording Engineer)

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    Gerry Mulligan Quartet - Bernies Tune


    Los Angeles, August 16, 1952.
    Chet Baker (t); Gerry Mulligan (bar); Bob Whitlock (sb); Chico Hamilton (d)

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    King Pleasure / Moodys Mood For Love


    1968 album Original Moody's Mood

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    Eddie Harris & Les McCann - Compared To What


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    Hank Mobley - Soul Station 1960 HQ


    Hank Mobley Quartet - Soul Station HQ Blue Note Records(1960) from the album Soul Station. Soul Station is just one of the great Jazz compositions by Hank Mobley.

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    Art Blakey & the Jazz Messengers - Blues March


    Blues March

    Moanin' (1958)

    Written by:
    Benny Golson

    Art Blakey — drums
    Lee Morgan — trumpet
    Benny Golson — tenor saxophone
    Bobby Timmons — piano
    Jymie Merritt — bass

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    John Coltrane - Moments Notice


    Album: Blue Train
    Year: 1957
    Label: Blue Note

    John Coltrane - tenor saxophone
    Paul Chambers - double bass
    Kenny Drew - piano
    Curtis Fuller - trombone
    Philly Joe Jones - drums
    Lee Morgan - trumpet

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    Duke Ellington and his Orchestra - Mood Indigo


    Classic Mood Experience The best masterpieces ever recorded in the music history.
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    Edward Kennedy Duke Ellington (April 29, 1899 -- May 24, 1974) was a USA composer, pianist and bandleader of jazz-orchestras. His career spanned over 50 years, leading his orchestra from 1923 until death.
    Though widely considered to have been a pivotal figure in the history of jazz, Ellington himself embraced the phrase beyond category as a liberating principle, and referred his music to the more general category of American Music, rather than to a musical genre such as jazz. Born in Washington, D.C., he was based in New York City from the mid-1920s onwards, and gained a national profile through his orchestra's appearances at the Cotton Club. In the 1930s they toured in Europe.

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    Count Basie-shiny stockings



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    Yusef Lateef - Love Theme From Spartacus


    From the 1961 album 'Eastern Sounds' (Original Jazz Classics)

    Personnel: Yusef Lateef: oboe, Barry Harris: piano, Ernie Farrow: bass, Lex Humphries: drums

    By far my favorite version of this classic tune! Enjoy!

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    Art Blakey & the Jazz Messengers - Moanin



    Moanin' (1958)

    Written by:
    Bobby Timmons

    Art Blakey — drums
    Lee Morgan — trumpet
    Benny Golson — tenor saxophone
    Bobby Timmons — piano
    Jymie Merritt — bass

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    Duke Ellington and his Famous Orchestra - The C Jam Blues


    Duke Ellington and his Famous Orchestra playing: The C Jam Blues
    Written By: Duke Ellington
    Label: His Masters Voice
    Dance Orchstra Speed 78 rpm
    Swing Music 1942 Series

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    Oliver Nelson - Stolen Moments


    from the record: The Blues and the Abstract Truth. This divine album were made by a dreamteam of musicians including Bill Evans, Paul Chambers, Freddie Hubbard, Eric Dolphy and Roy Haynes. Enjoy!

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    King Porter Stomp - Benny Goodman


    King Porter Stomp - Benny Goodman

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    Sookie Sookie - Grant Green


    60s Live... Enormous, Groovy, Soul Funky & Sexy... Sookie Sookie !!!

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    Barbados by Charlie Parker


    This is Charlie Parker's Barbados. I don't own any of it (song or pictures). If you don't enjoy it, you're bad. This is such a cool song and bird was an outstanding player that influenced all bebop.

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    Wynton Kelly Trio _ Unit 7


    Personnel: Wes Montgomery (guitar); Wynton Kelly (piano); Paul Chambers (bass); Jimmy Cobb (drums).

    Recorded live at the Half Note, New York, New York and Van Gelder Studios, Englewood Cliffs, New Jersey in June and September 1965.

    Personnel: Wes Montgomery (guitar); Wynton Kelly (piano); Paul Chambers (bass instrument); Jimmy Cobb (drums).

    Recording information: Englewood Cliffs, New Jersey; 1965.

    This album is the live equivalent of the INCREDIBLE GUITAR album--Wes Montgomery cooking with a seasoned and communicative piano trio on a set of jazz compositions, standards, and original material. INCREDIBLE GUITAR has Tommy Flanagan, Percy Heath, and Albert Heath; SMOKIN' has the Wynton Kelly trio, with Paul Chambers on bass, and Jimmy Cobb on drums. Not only had the same trio served as one of Miles Davis' great rhythm sections, but Kelly was considered by many to be the most gifted accompanist of his time.

    Miles Davis's No Blues is in fact an utterly relentless blues, with Montgomery nailing each single-note, octave, or block-chord phrase with passionate conviction. Bassist Sam Jones's Unit 7 is another uptempo blues. Four on Six, which debuted on INCREDIBLE GUITAR, gets an edited version of the head and a slightly faster treatment overall. Kelly takes the lead on the first ballad, If You Could See Me Now, Montgomery on the second, framing the melody to What's New in octaves over Cobb's late-night brushes. The excellent sound quality and almost complete lack of audience noise throughout makes SMOKIN' feel like eavesdropping of the best kind.

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    Cast Your Fate to the Wind Vince Guaraldi Trio


    Cast Your Fate to the Wind written by Vince Guaraldi was a hit single in 1963 and won the Grammy Award for Best Original Jazz Composition that year. It was included in the album, Jazz Impressions Of Black Orpheus, released on April 18, 1962 by the Vince Guaraldi Trio on Fantasy Records now available on CD on the Ojc label. This sound recording is administered by UMG. I do not own the right to the song, audio, or images contained in this video.No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

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    Henry Mancini - So Neat


    From the soundtrack album High Time (1960).

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    Ramsey Lewis Trio - Christmas Blues


    Christmas Blues is a song by Skitch Henderson & Ramsey Lewis.

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    Cal Tjader Quintet - Cubano Chant


    One of the greatest versions of the Ray Bryant's classic.The Cal Tjader Quintet: Cal Tjader (vibes), Vince Guaraldi (piano), Al Mckibbon (bass), Willie Bobo (timbales) & Mongo Santamaría (congas). Recorded in 1958. Fantasy Records.



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