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Genre Station of Jazz

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  • Wes Montgomery - Bumpin On Sunset

    4:52

    No copyright infringement intended.

  • x
  • Count Basie - 9:20 Special

    3:11

    William Count Basie (August 21, 1904 -- April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. Basie led his jazz orchestra almost continuously for nearly 50 years. Many notable musicians came to prominence under his direction, including tenor saxophonists Lester Young and Herschel Evans, trumpeters Buck Clayton and Harry Sweets Edison and singers Jimmy Rushing and Joe Williams. Basie's theme songs were One O'Clock Jump and April In Paris

  • x
  • LESTER LEAPS IN Count Basie Kansas City 7 FEATURING LESTER YOUNG

    3:24

    PREZ.....1939.....

  • Gigi Gryce And The Lab Quintet- MINORITY

    6:31

    From the 1957 album. Gigi Gryce and Donald Byrd.

  • x
  • Naima - John Coltrane

    4:20

    Tribute John Coltrane

  • Cal Tjader Quintet - Cubano Chant

    4:05

    One of the greatest versions of the Ray Bryant's classic.The Cal Tjader Quintet: Cal Tjader (vibes), Vince Guaraldi (piano), Al Mckibbon (bass), Willie Bobo (timbales) & Mongo Santamaría (congas). Recorded in 1958. Fantasy Records.

  • x
  • Pent-Up House / sonny rollins plus4

    8:53

    Sonny Rollins (ts)
    Clifford Brown (tp)
    Richie Powell (p)
    George Morrow (b)
    Max Roach (ds)

    Recorded March 22, 1956

  • Jimmy Smith & Stanley Turrentine - Back At The Chicken Shack

    8:02

    Jimmy Smith & Stanley Turrentine (JAZZ)

    ***NO COPYRIGHT INFRINGEMENT INTENDED***ALL RIGHTS GO TO THE ARTIST'S RESPECTIVE LABEL***I DO NOT OWN THIS SONG!***FOR ENTERTAINMENT PURPOSES ONLY***I DON'T OWN ANYTHING!!***

  • Duke Pearson Trio - Jeannine

    5:33

    Duke Pearson Trio - Jeannine (1961)

    Personnel: Duke Pearson (piano), Thomas Howard (bass), Lex Humphries (drums)

    from the album 'BAG'S GROOVE' (Trio Records)

  • x
  • One OClock Jump - Count Basie

    3:00

    One O'Clock Jump - Count Basie

  • SALT PEANUTS by Dizzy Gillespie with Charlie Parker 1945 JAZZ!

    3:09

    Excellent progressive jazz by Dizzy Gillespie with Charlie Parker, Sidney 'Big Sid' Catlett, Al Haig, and Curly Russell. Recorded in 1945 and here released on a GUILD label 78 rpm record. Enjoy!

  • Milt Jackson - Bags Groove

    3:06

    Lou Donaldson - alto saxophone
    Thelonious Monk - piano
    John Simmons - bass
    Shadow Wilson - drums
    Milt Jackson -- vibraphone
    recorded April 7, 1952

    DISCLAIMER: All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only.
    If you like this recording, I strongly recommend you buying the record.

  • Freddie Freeloader - Jon Hendricks & Friends

    9:06

    A great work of vocalese...from jazz masters

  • Gene Ammons 04 Canadian Sunset

    5:33

    Gene Ammons Boss Tenor (Prestige PRLP 7180)

    Gene Ammons Quintet
    Gene Ammons (ts)
    Tommy Flanagan (p)
    Doug Watkins (b)
    Art Taylor (d)
    Ray Barretto (cga)

    Rudy Van Gelder Studio, Englewood Cliffs
    NJ, June 16, 1960

  • Begin The Beguine - Artie Shaw

    3:14

    Begin The Beguine - Artie Shaw

  • GRANT GREEN - Sookie Sookie

    11:23

    BARONE FABRIZIO COLLECTOR RECORDS OLDIES
    Look at my page Collector's Records Popcorn Oldies
    on FACEBOOK

  • Nat King Cole- Route 66

    3:15

    (Get Your Kicks On) Route 66 sung by Nat King Cole & his King Cole Trio. This collection of crazy vehicles are just a backdrop for his wonderful song.

  • Dave Brubeck - Blue Rondo a la Turk

    6:47

    First track from Dave Brubeck Timeout. Some pretty cool jazz.

  • Duke Pearson Amanda Wahoo

    9:23

    more

  • Count Basie Orchestra - Cute

    3:12

    Count Basie Orchestra - Cute 1958 from the album Basie Plays Hefti. Cute composed and arranged by Neil Hefti

  • x
  • John Coltrane - Resolution

    7:20

    A Love Supreme (1964)

    1. Acknowledgement
    2. Resolution
    3. Pursuance
    4. Psalm

    John Coltrane, tenor saxophone
    McCoy Tyner, piano
    Jimmy Garrison, bass
    Elvin Jones, drums

    Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, Acknowledgement is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, Resolution, an amazingly beautiful piece about the fury of dedication to a new path of understanding. Persuance is a search for that understanding, and Psalm is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. [allmusic.com]

  • Cannonball Adderley - Autumn Leaves

    11:00

    Autumn Leaves

    Album:
    Somethin' Else (1958)

    Written by:
    Joseph Kosma
    Johnny Mercer
    Jacques Prévert

    Personnel:
    Cannonball Adderley — alto saxophone
    Miles Davis — trumpet
    Hank Jones — piano
    Sam Jones — bass
    Art Blakey — drums

  • Gerald Wilson - Viva Tirado

    5:45

    New York, New Sound (Mack Avenue MAC 31009 + MAC 1019)





    Follow me @mike_silb

  • Plaza De Toros

    9:39

    Provided to YouTube by Universal Music Group

    Plaza De Toros · Larry Young

    Into Somethin'

    ℗ 1964 Blue Note Records

    Released on: 1998-01-01

    Producer: Alfred Lion
    Studio Personnel, Recording Engineer: Rudy Van Gelder
    Associated Performer, Organ: Larry Young
    Associated Performer, Guitar: Grant Green
    Associated Performer, Drums: Elvin Jones
    Associated Performer, Tenor Saxophone: Sam Rivers
    Composer: Grant Green

    Auto-generated by YouTube.

  • Miles Davis - Rocker

    3:08

    Miles Davis
    Birth Of the Cool
    Rocker

  • Theme from Exodus - Eddie Harris

    7:00

    Theme from Exodus by Ernie Gold, played by Eddie Harris from his first solo record Exodus to Jazz. According to Wikipedia, this is the first Jazz record ever certified gold! This record was recorded in 1962 at Bill Putnam's Universal Recording, in Chicago. (Bill later formed UREI from Universal Audio.) It never ceases to amaze me how good these records sound. When I was a young mastering engineer (at Eva-tone, another company formed in Evanston, Ill) my supervisor was Jerry DeClerk; Jerry was an engineer for these sessions and remembered working on this album...

    from Vee Jay LP-3016
    Single and Album versions can be purchased here:



    Eddie Harris - TS
    Joseph Diorio - G
    William Yancy - B
    Willie Pickens - P
    Harold Jones - D

  • Toots Thielemans - Bluesette

    2:52

    The original 1964 debut version, from the out-of-print The Whistler & His Guitar with Arnold Fishkind (b), Sol Gubin or Don Lamond (d), Toots Thielemans (gtr & whistling), Dick Hyman (org).

    All the classic lines you hear on later arrangements of this tune started here.

  • Kenny Dorham - Una mas

    15:20

  • Sarah Vaughan - Lullaby of Birdland

    4:24

    In my humble opinion the best version of this classic song

  • Wayne Shorter - Speak No Evil

    8:21

    One of my favorite jazz albums has got to to be Wayne Shorter's Night Dreamer. I just started listening to Speak No Evil and so far this is my favorite track. Enjoy.

  • Clifford Brown & Max Roach - Jordu

    7:51

    Clifford Brown and Max Roach (1954)

    Personnel:

    Clifford Brown (Trumpet)
    Harold Land (Tenor Saxophone)
    George Morrow (Bass)
    Richie Powell (Piano)
    Max Roach (Drums)
    --
    Bob Shad (Producer)

  • Freddie Hubbard - Open Sesame

    7:12

    Album: Open Sesame
    Year: 1960
    Label: Blue Note

    Freddie Hubbard - trumpet
    Tina Brooks - tenor saxophone
    McCoy Tyner - piano
    Sam Jones - bass
    Clifford Jarvis - drums

  • Boogie Woogie - Tommy Dorsey

    3:15

    Boogie Woogie - Tommy Dorsey

  • Randy Weston Quintet at the Five Spot - Hi-Fly

    7:26

    Randy Weston Quintet at the Five Spot - Hi-Fly (1959)

    Personnel: Kenny Dorham (trumpet), Coleman Hawkins (tenor sax), Randy Weston (piano), Wilbur Little (bass), Roy Haynes (drums), Melba Liston (arrange)

    from the album 'LIVE AT THE FIVE SPOT' (Fresh Sound Records)

  • Thelonious Monk and John Coltrane - Epistrophy

    4:30

    Epistrophy. At Carnegie Hall. 1957. Thelonious Monk and John Coltrane, two of the biggest giants of jazz.

  • Dexter Gordon - Cheese Cake

    6:34

    Album: Go
    Year: 1962
    Label: Blue Note

    Dexter Gordon - tenor sax
    Sonny Clark - piano
    Butch Warren - bass
    Billy Higgins - drums

  • Jazz Classics: Dizzy Gillespie - A Night In Tunisia

    3:13

    hip hop fans should recognize the very beginning of this song as one of the many samples in Gang Starr's 1989 debut single Words I Manifest. this track is simply amazing. everything from Dizzie's amazing trumpet playing to the infectious sound of the vibes that are sprinkled throughout the track. Dizzie Gillespie is famous for being one of the founders of Bebop, modern (along with Charlie Parker) and Cuban influenced Jazz. he died in January of 1993 but left his legacy behind. the pictures on this video show his face looking like that of a blowfish. his face looked like this because he never had any formal instruction on playing the trumpet but learned to play it anyways which damaged his face. you may recognize the style of trumpet he is playing; horn pointing upward. this was his signature and he was the very first to do this. he is also considered by many the first ever beat nick. enjoy.

  • Ornette Coleman - Ramblin

    6:39

    Ramblin'

    Album:
    Change of the Century (1960)

    Written by:
    Ornette Coleman

    Personnel:
    Ornette Coleman — alto saxophone
    Don Cherry — pocket trumpet
    Charlie Haden — bass
    Billy Higgins — drums

  • Art Blakey & the Jazz Messengers - Moanin

    9:36

    Moanin'

    Album:
    Moanin' (1958)

    Written by:
    Bobby Timmons

    Personnel:
    Art Blakey — drums
    Lee Morgan — trumpet
    Benny Golson — tenor saxophone
    Bobby Timmons — piano
    Jymie Merritt — bass

  • Duke Ellington and his Orchestra - Mood Indigo

    3:11

    Classic Mood Experience The best masterpieces ever recorded in the music history.
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    Edward Kennedy Duke Ellington (April 29, 1899 -- May 24, 1974) was a USA composer, pianist and bandleader of jazz-orchestras. His career spanned over 50 years, leading his orchestra from 1923 until death.
    Though widely considered to have been a pivotal figure in the history of jazz, Ellington himself embraced the phrase beyond category as a liberating principle, and referred his music to the more general category of American Music, rather than to a musical genre such as jazz. Born in Washington, D.C., he was based in New York City from the mid-1920s onwards, and gained a national profile through his orchestra's appearances at the Cotton Club. In the 1930s they toured in Europe.
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    Explore Classic Mood Experience music, the best  jazz, blues, rock, pop, R&B, soul, lantin songs ever recorded by Etta James, Billie Holiday, Bill Evans, Stevie Wonder, Ray Charles, Nina Simone, Muddy Waters, Django Reinhardt, Louis Armstrong, Miles Davis, James Brown, Chet Baker, Frank Sinatra, Ella Fitzgerald, Harry Belafonte, Nat King Cole, Louis Prima, Duke Ellington, Elvis Presley, Count Basie, Little Walter, Herbie Hancock, Edith Piaf, Aretha Franklin, Charlie Parker, Lightnin' Hopkins, Son House, B.B. King, Thelonious Monk, Howlin' Wolf, Quincy Jones, Johnny Cash, Glenn Miller, Chuck Berry, Dizzy Gillespie, Paul Anka, John Coltrane, John Lee Hooker, Coleman Hawkins, Robert Johnson, Dean Martin, Oscar Peterson, George Gershwin, Ben E. King, Big Bill Broonzy, Hank Williams, Benny Goodman, Art Tatum, Big Joe Turner, Bing Crosby, Jimmie Rodgers, Mamie Smith, Ma Rainey, Dave Brubeck, Mahalia Jackson, Fats Domino, Marvin Gaye, Bud Powell, Sonny Rollins, Fats Waller, Tony Bennett, Dinah Washington, Sarah Vaughan, Perry Como, Gerry Mulligan and many more.

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  • Charlie Parker: Star Eyes

    3:37

    Charles Charlie Parker, Jr. (August 29, 1920 -- March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker acquired the nickname Yardbird early in his career and the shortened form, Bird, which continued to be used for the rest of his life, inspired the titles of a number of Parker compositions, such as Yardbird Suite, Ornithology, Bird Gets the Worm, and Bird of Paradise. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, sometimes combining jazz with other musical genres, including blues, Latin, and classical. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer...


    A link to this wonderful artist's personal website:


    Please Enjoy!

    I send my kind and warm regards,

  • John Coltrane - Like Sonny

    5:56

    John Coltrane Quartet - Like Sonny 1961 from the album Coltrane Jazz, also available on The Very Best of John Coltrane.

  • Miles Davis Quintet - Blues By Five

    9:57

    Album: Cookin' With The Miles Davis Davis Quintet
    Personnel: Miles Davis (tp), John Coltrane (ts), Red Garland (p), Paul Chambers (b), Philly Joe Jones (ds)
    Recorded: October 26, 1956

  • If I Were A Bell - The Miles Davis Quintet

    8:17

    Relaxin' With The Miles Davis Quintet
    Property of Prestige Records, Recorded 1956

    Miles Davis - trumpet
    John Coltrane - tenor saxophone
    Red Garland - piano
    Paul Chambers - bass
    Philly Joe Jones - drums

  • Dave Brubeck - Strange Meadowlark

    7:25

    Second track from Dave Brubeck Timeout

  • So What - Miles Davis

    9:23

    So What was the first track on the studio album Kind Of Blue by American jazz musician Miles Davis, released August 17, 1959 on Columbia Records. The recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis' ensemble sextet, which included pianists Bill Evans and Wynton Kelly, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley. After the inclusion of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) and 1958 Miles (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, Kind Of Blue has been cited by many music writers not only as Davis' best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis' masterpiece, and it has been ranked at or near the top of several 'best album' lists in disparate genres. The album's influence on music, including jazz, rock and classical music, has led music writers to acknowledge it as one of the most influential albums of all time. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music including cool jazz, hard bop, free jazz and fusion. Many well-known jazz musicians made their names as members of Davis' ensembles, including John Coltrane, Herbie Hancock, Bill Evans, Wayne Shorter, Chick Corea, John McLaughlin, Julian 'Cannonball' Adderley, Gerry Mulligan, Tony Williams, George Coleman, J.J. Johnson, Keith Jarrett and Kenny Garrett. Miles Davis was inducted into the Rock and Roll Hall of Fame in 2006. This channel is dedicated to the classic jazz music you've loved for years. The smokin' hot, icy cool jams that still make you tap your feet whenever you hear them . . . Cool Jazz is here!

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    Enjoy!!

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    Copyright 1959 Columbia Records
    All Rights Reserved

  • Soul Sauce

    2:27

    Provided to YouTube by Universal Music Group

    Soul Sauce · Cal Tjader

    Verve Jazz Masters 39

    ℗ 1965 The Verve Music Group, a Division of UMG Recordings, Inc.

    Released on: 1994-01-01

    Producer: Creed Taylor
    Associated Performer, Piano: Lonnie Hewitt
    Associated Performer, Double Bass: John Hilliard
    Associated Performer, Percussion, Vocals: Willie Bobo
    Associated Performer, Drums: Johnny Rae
    Composer Lyricist: Dizzy Gillespie
    Composer Lyricist: Chano Pozo Gonzales

    Auto-generated by YouTube.

  • Cannonball Adderley Quintet - Del Sasser

    4:42

    Nat Adderley - cornet
    Cannonball Adderley - alto saxophone
    Barry Harris - piano
    Sam Jones - bass
    Louis Hayes - drums

    Recorded in N.Y. Feb 1, 1960.

  • Bud Powell - Collard Greens and Black Eyed Peas

    3:05

    The Amazing Bud Powell, Vol. 2 (1954)

    Personnel:

    Bud Powell (Piano)
    George Duvivier (Bass)
    Art Taylor (Drums)
    Tommy Potter (Bass)
    Roy Haynes (Drums)
    --
    Alfred Lion (Original Session Producer)
    Rudy Van Gelder (Mastering)
    Michael Cuscuna (Producer)
    Doug Hawkins (Recording Engineer)

  • PERFIDIA CHA CHA CAL TJADER

    8:14

    Cal T Jader ALBERTO DOMINGUEZ COMPOSER (1957)
    VINCE GUARALDI PIANO BOBBY RODRIGUEZ BASS

  • Miles Davis Quintet Tune Up Live 1956

    4:29

    This is a rare live recording of the First Great Quintet playing the Eddie Cleanhead Vinson number. The Blue Note Club, Philly. 12.8.56.

  • Ella Fitzgerald - Mack the Knife

    5:11

    She forgot the verse halfway and improvised!

  • King Porter Stomp - Benny Goodman

    3:08

    King Porter Stomp - Benny Goodman

  • Clifford Brown & Max Roach - Delilah

    8:07

    Clifford Brown and Max Roach (1954)

    Personnel:

    Clifford Brown (Trumpet)
    Harold Land (Tenor Saxophone)
    George Morrow (Bass)
    Richie Powell (Piano)
    Max Roach (Drums)
    --
    Bob Shad (Producer)

  • Herbie Hancock - Dolphin Dance

    9:17

    Herbie Hancock reaffirmed his importance in modern Jazz history with this stunning album. Hancock always is a pioneer of Jazz music, and this album takes him to another level of Piano brilliance. Using outstanding musicians as backup compliments this album. With Trumpeter Freddie Hubbard and Saxophonist George Colman, Hancock explores each and every song on here with different rythmic spacing, and musical influences from Miles Davis, Ornette Coleman and even Art Blakey.

    From Maiden Voyage to Dolphin Dance each and every song on this album is a delight to listen too.

    A landmark recording!

  • Dave Brubeck - Take Five

    5:30

    Dave Brubeck - Take Five

  • Bobby Hutcherson - Little Bs Poem

    5:15

    Components (1966)

    Personnel:

    Bobby Hutcherson (Vibraphone, Marimba)
    James Spaulding (Alto Saxophone, Flute)
    Ron Carter (Bass)
    Freddie Hubbard (Trumpet)
    Joe Chambers (Drums)
    Herbie Hancock (Piano)
    --
    Alfred Lion (Producer)
    Rudy Van Gelder (Recording Engineer)

  • Tito Puente - Ran Kan Kan

    3:01

    Esta es la buena. The Mambo Kings Soundtrack

  • Oliver Nelson - Stolen Moments

    8:51

    from the record: The Blues and the Abstract Truth. This divine album were made by a dreamteam of musicians including Bill Evans, Paul Chambers, Freddie Hubbard, Eric Dolphy and Roy Haynes. Enjoy!

  • Walkin Shoes - Gerry Mulligan

    3:37

    The great bari sax player Gerry Mulligan performs walkin' shoes off the album Tentet & Quartet. Song features Mulligan and Chet Baker on trumpet.

    For the record, I own nothing!

  • King Pleasure / Moodys Mood For Love

    3:02

    1968 album Original Moody's Mood

  • Dizzy Gillespie - One Note Samba

    5:16

    not from gnr on fallout 3 but it is a jazz an an oldie song.

  • Jimmy Forrest - Soul Street

    9:13

    Jimmy Forrest - Soul Street
    from the album _Soul Street_, Prestige, 1961
    With the Oliver Nelson big band and Oliver Nelson and King Curtis on tenor along with Forrest. - uploaded via

  • Sonny Clark - Cool Struttin

    9:21

    Cool Struttin' (1958)

    Personnel:

    Sonny Clark (Piano)
    Jackie McLean (Alto Saxophone)
    Art Farmer (Trumpet)
    Paul Chambers (Bass)
    Philly Joe Jones (Drums)
    --
    Alfred Lion (Producer)
    Rudy Van Gelder (Recording Engineer)

  • Horace Silver - Song for My Father

    7:19

    Song for my Father

    Album:
    Song for my Father (1964)

    Written by:
    Horace Silver

    Personnel:
    Horace Silver — piano
    Carmell Jones — trumpet
    Joe Henderson — tenor saxophone
    Teddy Smith — bass
    Roger Humphries — drums

  • Dave Brubeck - Kathys Waltz

    4:51

    Kathy's Waltz from Timeout

  • Señor Blues Horace Silver

    7:02

    This cut is from the LP Six Pieces of Silver(1956) and features the following musicians:


    Horace Silver (piano); Bill Henderson (vocals); Hank Mobley, Junior Cook (tenor saxophone); Donald Byrd (trumpet); Doug Watkins, Gene Taylor (bass); Louis Hayes (drums).


    All music or related performances remain the sole property of their respective copyright holders. No video clips are for sale, nor do they imply challenge to ownerships. They are intended strictly for entertainment and educational purposes only.

  • Duke Ellington - It dont mean a thing

    2:46

    Duke Ellington and his orchestra playing this awesome tune in 1943.

    It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 composition by Duke Ellington with lyrics by Irving Mills, now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra for Brunswick Records (Br 6265) on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the instrumental solos. The title was based on the oft stated credo of Ellington's former trumpeter Bubber Miley, who was dying of tuberculosis. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the Swing Era by three years. The Ellington band played the song continuously over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.

  • Art Blakey - I remember Clifford

    5:33

    OK STORE: Accessories, Apparel, Homeware - click here - Sheet music & Albums:
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  • Chet Baker - But Not For Me

    6:22

    Chet Baker - But Not For Me. 1955, Holland. Baker (t, voc), Dick Twardzik (p), Jimmy Bond (b), Peter Littman (d).

  • Oscar Peterson Night Train

    4:52

  • Barbados by Charlie Parker

    2:30

    This is Charlie Parker's Barbados. I don't own any of it (song or pictures). If you don't enjoy it, you're bad. This is such a cool song and bird was an outstanding player that influenced all bebop.

  • The Cannonball Adderley Quintet / Nat Adderley / Work Song

    5:10

    1960 album Them Dirty Blues

  • Donald Byrd ~ Fancy Free

    12:01

    The complete 12 minute track from the 1969 Blue Note album of the same name.

    Recorded 6 June 1969; Donald Byrd (trumpet), Frank Foster (tenor), Julian Priester (trombone), Duke Pearson (electric piano), Jerry Dodgion (flute), Roland Wilson (bass), Jimmy Ponder (guitar), Leo Morris (drums), Nat Bettis (percussion), John Robinson (percussion). Session produced by Duke Pearson.

  • John Coltrane / Johnny Hartman / Lush Life

    5:32

    1963 album John Coltrane and Johnny Hartman

  • Weather Report - Birdland

    6:00

    First track from «Heavy Weather» (1977)

  • Miles Davis - Freddie Freeloader

    9:48

    ”Freddie Freeloader” by Miles Davis
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    #FreddieFreeloader #MilesDavis #Jazz

  • Art Pepper-Youd Be So Nice to Come Home To

    5:30

  • Glenn Miller & His Orchestra - American Patrol

    3:24

    Just Music. Glenn Miller & His Orchestra play American Patrol in this recording.

  • Horace Silver - Que Pasa?

    7:48

    Que Pasa?

    Album:
    Song for my Father (1964)

    Written by:
    Horace Silver

    Personnel:
    Horace Silver — piano
    Carmell Jones — trumpet
    Joe Henderson — tenor saxophone
    Teddy Smith — bass
    Roger Humphries — drums

  • Thelonious Monk - In Walked Bud

    3:04

    Thelonious Monk - In Walked Bud (1947) - The Overjazz Channel aims to offer only the best recordings of the begining era of modern music. Re-discover genius compositions from the parents of todays music like Miles Davis, Billie Holiday or John Coltrane. Subscribe for free to stay connected to our channel and easily access our video updates!

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  • Chet Baker My Buddy

    3:20

    A touching rendition of My Buddy by Chet Baker, with Russ Freeman on piano.

  • Miles Davis - On Green Dolphin street

    9:52

    Extract from the l.p. 58' sessions featuring Stella by Starlight

    PAUL LAURENCE DUMBAR CHAMBERS- double bass
    JIMMY COBB- Drums
    BILL EVANS-Piano
    CANNONBALL ADDERLEY- sax contralto
    JOHN COLTRANE-sax tenore
    MILES DAVIS-Trumpet

  • Miles Davis Quintet - Oleo

    5:24

    Miles Davis Quintet - Oleo (1954)

    Personnel: Miles Davis (trumpet), Sonny Rollins (tenor sax), Horace Silver (piano), Percy Heath (bass), Kenny Clarke (drums)

    from the album 'BAGS' GROOVE' (Prestige Records)

  • Thelonious Monk - Well, You Neednt

    2:58

    Thelonious Monk - Well, You Needn't.

  • Pine Top Smith, December 1928: PineTops Boogie Woogie

    3:09

    Clarence Smith, better known as Pinetop Smith or Pine Top Smith (1904 - 1929) performs Pine Top Boogie. From the rare LP you see above, part of a four LP set produced by the jazz critic Leonard Feather and released by Decca in 1957 under the title Encyclopedia of Jazz on Records.

    Буги-вуги (англ. boogie-woogie) — это джазовый стиль, который оказался весьма доступным для широкой слушательской аудитории. Это фортепианный стиль, но инструментальные пьесы в этом стиле порой успешно исполнялись и оркестрами. Сама эта музыка появилась ещё до того, как ей было дано такое необычное название. Исследователи отмечают появление первых рисунков для левой руки, похожих на то, что впоследствии стали называть буги-вуги, ещё в конце XIX века у ранних пианистов рэгтайма. А первая публикация, связанная с применением так называемого «гуляющего баса» (Walkin' Bass), датируется 1909 годом в пьесе «Rag Medley» пианиста по прозвищу Blind Boone. Позднее, в 1913 году, появились записи с подобными рисунками в пьесе Арти Мэтьюза «Ragtime Rag». Пианист Джордж Томас под псевдонимом Клэй Кастер (Clay Custer) выпустил в 1923 году запись пьесы «Rocks». Таким образом, можно видеть, что буги-вуги зародились как ответвление техники рэгтайма, хотя и совершенно отличаются от него техникой исполнения. Сам термин «Boogie Woogie» вошёл в обиход как обозначение танца под аккомпанемент фортепиано в 1928 году, когда вышла запись пьесы «Pine Top's Boogie Woogie» пианиста по имени Pine Top Smith.

    בוגי ווגי הוא סגנון של בלוז המבוסס על תפקידים לפסנתר ומקורו בשיקגו שבארצות הברית. הסגנון היה פופולרי מאד בשנות השלושים ותחילת שנות הארבעים.
    בניגוד לבלוז, שלרוב מטרתו היא להביע רגשות או לספר סיפור, הבוגי ווגי משמש בעיקר כמוזיקת ריקודים, ואפילו מילות שירים בסגנון לרוב יעסקו בהוראות לרוקדים.
    המבנה ההרמוני של הבוגי ווגי לרוב דומה עד מאד לזה של הבלוז. מנוגן בסולם פנטטוני, ומבוסס על הטוניקה הסאבדומיננטה והדומיננטה, כשלעתים משתמשים גם בדומיננטות שניוניות. כמעט תמיד הקצב הוא ארבעה רבעים, וכל סבב של המהלך ההרמוני (בית של שיר) לוקח 12 תיבות, והטמפו מהיר.

    El boogie-woogie es un estilo de blues basado en el piano, generalmente rápido y bailable. Se caracteriza por la ejecución con la mano izquierda de determinadas figuras. Esta figuras que construye la mano izquierda están escritas en corcheas, en compases de 4/4, constituyendo así el denominado eight-to-the-bar. Usualmente se empleaban dos tipos de figuras: la denominada octava galopante (inspiradora de los bajos galopantes o walking bass que caracterizarán después el rock and roll), así como los acordes rápidos conocidos como rocks.

    Boogie-woogie - styl gry fortepianowej zapoczątkowany przez Afroamerykanów, przeważnie w instrumentalnym bluesie, z charakterystycznymi, mocnymi figurami basowymi. Rozwinął się po 1920 roku w Chicago i St. Louis. Styl wywodzi się z instrumentalnego bluesa, przy czym często w pierwszej fazie jego rozwoju zdarzały się formy pograniczne, sąsiadujące ze stylem ragtime oraz stride piano. Utworem przełomowym jest Pinetop's Boogie (1928), ponieważ występuje tu po raz pierwszy nazwa tego stylu. Figury basowe i melodyjne bywają bardzo żywe, powodując u słuchaczy wesoły nastrój. Od niego swoją nazwę wziął swingujący taniec towarzyski pochodzący od tańca boston. Jest to taniec bardzo dynamiczny, o dużym zakresie ruchów. Obecnie tańczony zarówno do stylu muzycznego boogie-woogie, jak i, częściej, do rock and rolla.
    David Hertzberg

  • Benny Goodman- Lets Dance

    2:18

    By Benny Goodman
    I own no rights, I just want to let the world hear this beautifull music!

  • Herbie Hancock - Maiden Voyage

    7:58

    Maiden Voyage

    Album:
    Maiden Voyage (1965)

    Written by:
    Herbie Hancock

    Personnel:
    Herbie Hancock — piano
    Freddie Hubbard — trumpet
    George Coleman — tenor saxophone
    Ron Carter — bass
    Tony Williams — drums

  • Billie Holiday - Dont explain

    3:23

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  • John Coltrane - Mr. P.C.

    7:04

    John Coltrane's composition, Mr. P.C., from the album Giant Steps, released in 1960.

    Track list:
    01- Giant Steps
    02- Cousin Mary
    03- Countdown
    04- Spiral
    05- Syeeda's Song Flute
    06- Naima
    07- Mr. P.C.
    08- Giant Steps (alt. version 1)

  • Miles Davis - All Blues

    11:34

    Official music video for ”All Blues” by Miles Davis
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    #AllBlues #MilesDavis #Jazz

  • Vince Guaraldi Trio - Linus And Lucy

    3:05

    Music video by Vince Guaraldi Trio performing Linus And Lucy. (C) 2012 Concord Music Group, Inc.

  • Thelonious Monk-Green Chimneys from Straight, No Chaser

    6:35

    Straight, No Chaser is an album by Thelonious Monk, released in 1967.
    The album was reissued on CD in 1996, including restored versions of previously abridged performances and three additional tracks.

    The song This Is My Story, This Is My Song is much better known by the title Blessed Assurance.

  • Lee Morgan - Cornbread

    9:04

    Cornbread (1967)

    Personnel:

    Lee Morgan (Trumpet)
    Jackie McLean (Alto Saxophone)
    Larry Ridley (Bass)
    Herbie Hancock (Piano)
    Hank Mobley (Tenor Saxophone)
    Billy Higgins (Drums)
    --
    Alfred Lion (Producer)
    Rudy Van Gelder (Recording Engineer)

  • Charles Earland Black Talk

    7:50

    LP BLACK TALK! PRESTIGE RECORDS
    grooveaddict.org

  • Mongo Santamaría - Black Stockings

    4:11

    Mongo Santamaría (congas), Marty Sheller (trumpet), Hubert Laws (tenor sax), Bobby Capers (baritone sax), Carmelo García (timbales), Rodgers Grant (piano) and Victor Venegas (bass). Recorded in 1965. Columbia Records.

  • Donald Byrd - Blackjack

    6:22

    Donald Byrd - Blackjack.

  • Charles Mingus - Goodbye Pork Pie Hat

    4:46

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  • Grant Green - Idle Moments

    14:57

    Album: Idle Moments
    Year: 1963
    Label: Blue Note

    Grant Green - guitar
    Joe Henderson - tenor saxophone
    Bobby Hutcherson - vibraphone
    Bob Cranshaw - double bass
    Duke Pearson - piano
    Al Harewood - drums

  • Stan Getz & Charlie Byrd - Desafinado

    5:51

    Desafinado, a Portuguese word (usually rendered into English as Out of Tune, or as Off Key), is the title of a bossa nova song composed by Antonio Carlos Jobim with lyrics (in Portuguese) by Newton Mendonça. The English language lyrics were written by Jon Hendricks and Jessie Cavanaugh. Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well. The version by Stan Getz and Charlie Byrd (from the album Jazz Samba) was a major hit in 1962, reaching 15 and 4 on Billboard's pop and easy-listening charts, respectively; their definitive rendering also reached No 11 in the UK, Ella Fitzgerald's version ranked number 38 on the charts.

    Jazz Samba is a bossa nova LP by Stan Getz and Charlie Byrd, released on the Verve label on April 20, 1962. Jazz Samba was the first major bossa-nova album on the American jazz scene. It was the real start of the bossa-nova excitement in America, which peaked in the mid-1960s. Though Stan Getz was the featured star of the album, it was very strongly inspired and designed by the guitarist Charlie Byrd. They were joined by two bassists (Keter Betts and Charlie's brother, Gene (Joe) Byrd), and two drummers (Buddy Deppenschmidt and Bill Reichenbach) for the recording at All Souls Church, Unitarian in Washington, D.C. on February 13, 1962, and it was released on April 20, that year as Verve LP V6-8432.

    Although it is often described as music by Brazilian composer Antonio Carlos Jobim, only two of the seven tracks on the album are Jobim compositions (Desafinado [Slightly Out of Tune] and Samba de Uma Nota Só [One Note Samba]), the rest being by other Brazilian composers and by Charlie Byrd. Getz won the Grammy for Best Jazz Performance of 1963 for the track Desafinado, and went on to make many other bossa-nova recordings, most notably with João Gilberto and Astrud Gilberto, and most famously The Girl From Ipanema.

    When I try to sing you say I'm off key
    Why can't you see how much this hurts me
    With your perfect beauty and your perfect pitch
    You're a perfect terror
    When I come around must you always put me down

    If you say my singing is off key my love
    You will hurt my feelings don't you see my love
    I wish I had an ear like yours
    A voice that would behave
    But all I have is feelings and a voice gone deaf

    You insist my music goes against the rules
    But rules were never meant for lovesick fools
    I wrote this little song for you but you don't care
    Its a crooked song oh but all my love is there

    The thing that you would see if you would play your part
    Is even if I'm out of tune I have a gentle heart
    I took your picture with my trusty rollaflex
    And now all I have developed is a complex

    Possibly in vain I hope you weaken oh my love
    And forget these rigid rules that undermine my dream of
    A life of love and music with someone who'll understand
    That even though I may be out of tune
    When I attempt to say how much I love you
    All that matters is the message that I bring
    Which is my dear one I love you

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